Resin Quotes

It seemed to work well. The seal looked strong and the resin was rock-hard. I did, however, glue my hand to the helmet.

...freshly cut Christmas trees smelling of stars and snow and pine resin - inhale deeply and fill your soul with wintry night...

If families resemble trees, as they say, arborescent structures with entangled roots and individual branches jutting out at awkward angles, family traumas are like thick, translucent resin dripping from a cut in the bark. They trickle down generations.

Hypocrisy is the resin that holds the plywood of society together.

Flowers, cold from the dew, And autumn's approaching breath, I pluck for the warm, luxuriant braids, Which haven't faded yet. In their nights, fragrantly resinous, Entwined with delightful mystery, They will breathe in her springlike Extraordinary beauty. But in a whirlwind of sound and fire, From her shing head they will flutter And fall—and before her They will die, faintly fragrant still. And, impelled by faithful longing, My obedient gaze will feast upon them— With a reverent hand, Love will gather their rotting remains.

The ship's boards were still sticky with new resin. We leaned over the railing to wave our last farewell, the sun-warm wood pressed against our bellies. The sailors heaved up the anchor, square and chalky with barnacles, and loosened the sails. Then they took their seats at the oars that fringed the boat like eyelashes, waiting for the count. The drums began to beat, and the oars lifted and fell, taking us to Troy.

It drains the bars and cafes after hours, concentrates the wicked and the guilty along its chipped Formica counter, and thrums with the gossip of criminals, policemen, shtarkers,and schlemiels, whores and night owls ... three or four floaters, solitaries, and drunks between benders lean against the sparkly resin counter, sucking the tea from their shtekelehs and working the calulations of their next big mistake.

They call it kintsugi. The pot is shattered, then carefully reassembled with a resin mixed with gold. It symbolizes how we must incorporate our wounds into who we are, rather than try to merely repair and forget them.

the fragrance of pine resin is frankincense poured out—a balm of stars and snow and moonlit nights

I thought I could smell the sorcery in him, a sharp pungent mix of cinnamon and pepper and resin of pine, and deep below it burning woodsmoke.

the smell of resin filled the air. A thrush was singing somewhere. Late harebells were thick among the grass, and small blue butterflies moved over the white flowers of the blackberry. There was a hive of wild bees under the roof of the chapel; their humming filled the air, the sound of summer’s end. Through

Massive cerebral damage and abdominal bleeding in automobile accidents could be imitated within half an hour, aided by the application of suitable coloured resins. Convincing radiation burns required careful preparation, and might involve some three to four hours of makeup. Death, by contrast, was a matter of lying prone.

But if theory is not the crystallized resin of experience, it ceases to be a guide to action.

By simplifying our lives, we rediscover our child-like stalk of innocents that reconnects us with the central resin of our innate humanity that knows truth and goodness. To see the world through a lens of youthful rapture is to see life for what it can be and to see for ourselves what we wish to become. In this beam of newly discovered ecstasy for life, we realize the splendor of love, life, and the unbounded beauty of the natural world.

Chu’lel,” he said. “It is the sacred life force that resides around you. In the streams, in the resins of trees, in the stones. It births gods and those gods are shaped by the thoughts of men. Gods belong to the place where the chu’lel emanated and birthed them; they may not travel too far. The god of your church, if he is awake, does not live in these lands.

In the morning the whole world had a strange new smell. It was the smell of the aftermath, a green smell, a smell of shredded leaves and oozing resin, of crushed wood and splashed sap, a tart smell, which bore some relation to the smell of bitten apples. It was the smell of death and destruction, and it smelled fresh and lively and hopeful.

A violinist fiddled. With strings resined for winter. Summer's light splintered.

The Greeks have a trick of disguising a poor quality wine by adding pine resin to it, the idea being that the taste of the resin is not quite so appalling as the taste of the wine. We drank retsina because that was all there was.

Mixed with the resinous scent of the firs there came another smell, strong and fragrant, yet sharp—the perfume of flowers, but of some kind unknown to Hazel. He followed it to its source at the edge of the wood. It came from several thick patches of soapwort growing along the edge of the pasture. Some of the plants were not yet in bloom, their buds curled in pink, pointed spirals held in the pale green calices, but most were already star-flowering and giving off their strong scent. The bats were hunting among the flies and moths attracted to the soapwort.

He smelled the odor of the pine boughs under him, the piney smell of the crushed needles and the sharper odor of the resinous sap from the cut limbs. ... This is the smell I love. This and fresh-cut clover, the crushed sage as you ride after cattle, wood-smoke and the burning leaves of autumn. That must be the odor of nostalgia, the smell of the smoke from the piles of raked leaves burning in the streets in the fall in Missoula. Which would you rather smell? Sweet grass the Indians used in their baskets? Smoked leather? The odor of the ground in the spring after rain? The smell of the sea as you walk through the gorse on a headland in Galicia? Or the wind from the land as you come in toward Cuba in the dark? That was the odor of cactus flowers, mimosa and the sea-grape shrubs. Or would you rather smell frying bacon in the morning when you are hungry? Or coffee in the morning? Or a Jonathan apple as you bit into it? Or a cider mill in the grinding, or bread fresh from the oven?

Plastics. Polyesters. Resins. Ersatz—industrial uses. Do you see? No consumers’ commodities.

It seemed to work well. The seal looked strong and the resin was rock-hard. I did, however, glue my hand to the helmet. Stop laughing.

Cozy dusk reigned in the house under the magical glow of colored lanterns. The scents of pine resin, candy, and citrus wafted through the rooms.

There was a resinous, burning taste in Noah’s mouth, and he wondered if it was from the semen or the cigarette or the pepper on the trout at dinner.

Optimism More and more I have come to admire resilience. Not the simple resistance of a pillow, whose foam returns over and over to the same shape, but the sinuous tenacity of a tree: finding the light newly blocked on one side, it turns in another. A blind intelligence, true. But out of such persistence arose turtles, rivers, mitochondria, figs — all this resinous, unretractable earth.

She remembers once handing her father a flower she picked and how in the act of giving she experienced herself as that flower - the sticky stalk resin, the hard green shoots, the sheltered stamens and raw red anthers. She needed him to understand her no less than she needed to remain a mystery.

Let me write about an Icelandic road trip; a running man; backflashes galore; and slowly disclose what it is he’s running from. Bring him to Ásbyrgi; mention how the ravine was formed by a slammed-down hoof of Odin’s horse. Mention how it’s the Parliament of the Hidden Folk. Have him stare at the rock faces until the rock’s faces stare back. Breathe deep the resinous tang of the spruces. Let him meet a ghost from his past. Hear the bird, luring me in, ever deeper ever tighter circles. Where are you? There. On the toadstool-frilled tree stump.

Gazelles are leaping, feeding on the mountains. Near are lakes. Round their shores file shadows black of cedargroves. Aroma rises, a strong hair growth of resin. It burns, the orient, a sky of sapphire, cleft by the bronze flight of eagles. Under it lies the womancity, nude, white, still, cool, in luxury. A fountain murmurs among damask roses. Mammoth roses murmur of scarlet wine grapes. A wine of shame, lust, blood exudes, strangely murmuring.

I tried to describe impossible things like the scent of creosote - bitter, slightly resinous, but still pleasant - the high, keening sound of the cicadas in July, the feathery barrenness of the trees, the very size of the sky, extending white-blue from horizon to horizon, barely interrupted by the low mountains covered with purple volcanic rock. The hardest thing to explain was why it was so beautiful to me - to justify a beauty that didn't depend on the sparse, spiny vegetation that often looked half dead, a beauty that had more to do with the exposed shape of the land, with the shallow bowls of valleys between the craggy hills, and the way they held on to the sun. I found myself using my hands as I tried to describe it to him.

His sister Kat, her husband, Morgan Williams, have been plucked from this life as fast as his daughters were taken, one day walking and talking and next day cold as stones, tumbled into their Thames-side graves and dug in beyond reach of the tide, beyond sight and smell of the river; deaf now to the sound of Putney's cracked church bell, to the smell of wet ink, of hops, of malted barley, and the scent, still animal, of woolen bales; dead to the autumn aroma of pine resin and apple candles, of soul cakes baking.

In 1879 the Bengali scholar S.M. Tagore compiled a more extensive list of ruby colors from the Purana sacred texts: ‘like the China rose, like blood, like the seeds of the pomegranate, like red lead, like the red lotus, like saffron, like the resin of certain trees, like the eyes of the Greek partridge or the Indian crane…and like the interior of the half-blown water lily.’ With so many gorgeous descriptive possibilities it is curious that in English the two ancient names for rubies have come to sound incredibly ugly.

During his time as a graduate student, he had done data collection for a study of Pinus contorata. Of all the varieties of pine to rise off Earth, lodgepole pine had been the most robust in low-g environments. His job had been to collect the fallen cones and burn them for the seeds. In the wild, lodgepole pine wouldn’t germinate without fire; the resin in the cones encouraged a hotter fire, even when it meant the death of the parental tree. To get better, it had to get worse. To survive, the plant had to embrace the unsurvivable.

Although he had changed his name, his history came with him, even to his writing. The rhythm of his rain-soaked childhood became a sequence of words. His memories of the understory of the great forest burst into lyrical phrases, as resinous as the sap of a pinecone, as crisp as the shell of a beetle. Sentences grew long, then pulled up short, taking on the tempo of the waves upon the shore, or swayed gently, like the plaintive song of a lone harmonica. His fury became essays that pointed, stabbed, and burned. His convictions played out with the monotonous determination of a printing press. And his affections became poems, as warm and supple as the wool of a well-loved sheep.

Labeled apothecary bottles filled with raw material oils lined the risers: flowers, resins, leaves, woods, mosses, spices, herbs, seeds, grains, roots, bark, and fruit. From the animal kingdom came fixatives: civet, musk, and ambergris. The absolutes, the resinoids, the essential oils.

What big eyes you have. Eyes of an incomparable luminosity, the numinous phosphorescence of the eyes of lycanthropes. The gelid green of your eyes fixes my reflective face; It is a preservative, like a green liquid amber; it catches me. I am afraid I will be trapped in it for ever like the poor little ants and flies that stuck their feet in resin before the sea covered the Baltic. He winds me into the circle of his eye on a reel of birdsong. There is a black hole in the middle of both your eyes; it is their still centre, looking there makes me giddy, as if I might fall into it.

This is the day of wonders. The land is covered with trees like a head with hair and behind the ship the sun rises tipping the top trees with light. The sky is clear and shining as a china plate and the water playfully ruffled with wind. Every wisp of fog is gone and the air is full of the resinous smell of the trees. Seabirds are flashing above the sails golden like creatures from Heaven, but the sailors raise a few shots to keep them from the rigging.

There is a kind of alchemy in the transformation of base chocolate into this wise fool's-gold, a layman's magic that even my mother might have relished. As I work, I clear my mind, breathing deeply. The windows are open, and the through-draft would be cold if it were not for the heat of the stoves, the copper pans, the rising vapor from the melting couverture. The mingled scents of chocolate, vanilla, heated copper, and cinnamon are intoxicating, powerfully suggestive; the raw and earthy tang of the Americas, the hot and resinous perfume of the rain forest. This is how I travel now, as the Aztecs did in their sacred rituals: Mexico, Venezuela, Columbia. The court of Montezuma. Cortez and Columbus. The Food of the Gods, bubbling and frothing in ceremonial goblets. The bitter elixir of life.

Amber laticifer tree. The thick resin from its bark can be used in the creation of funeral pendants, as it is ideal for binding and storing memories.

furniture polish: 16 parts beeswax, 4 parts resin, 1 part Venice turpentine,

he set up painted foam and resin headstones in the front yard, with names like Hugh R. Next, Ima Goner, Myra Mains, and Ted N. Buried.

The air smelled better than peach cobbler, all clean and fresh and alive with rain, electricity, pine resin. If

It seemed to work well. The seal looked strong and the resin was rock-hard. I did, however, glue my hand to the helmet. Stop laughing.

She destroyed the vessels, you know, when she jumped. And the resin that was left. A fucking seamstress, of all things.

The cyclist hit me, and it's vile after my life ends in the afterlife. Lots of incense, resin, apes and giraffe-tails--all acquired tastes. I don't like that kind of thing.

The wish to walk on earth—there beneath the last firs standing in the sunshine, to smell their resin and listen to the water, which is probably roaring, to drink water.

He looked up at the dark line of trees and breathed in slowly, smelling wild garlic, mulched leaves, a fox den somewhere and a sweeter scent. Fruit blossom, he thought. Then that small mystery was eclipsed by a larger one. A stranger scent hid among the blossom, sweet and resinous at once. Lilies, John thought, drawing the scent deeper. Lilies mixed with pitch.

National historical myths are a way of giving identity and more authenticity to a people. Exodus flattered the Jews half a millennium after it allegedly took place by making them feel like heroic refugees from slavery, and righteous conquerors of a land corrupted by paganism, wealth, and sex. The Illiad made the politicians, merchants, sailors, farmers, and schoolteachers of Athens in the fifth and fourth centuries B.C. into the heirs of austere, remorseless, honorable, courageous warriors, a race of demigods. Contrast this with the real Athenians of ca. 375 B.C. -- their bellies full of fishcakes, their throats bloated with cheap resined wine, their far-flung sharp commercial deals a laughable, reverse mirror-image of the noble warriors of the Trojan War era.

illustrations of anthropomorphic piles of resin with dialogue bubbles above them: “Hello there, I’m Frankincense. Well, technically I’m Frankincense’s monster, but everyone gets that wrong.” One

The vegetation thinned as we climbed higher; the scent of pitch and resin grew more powerful, as did the trail I followed—it was a warm scent, sharper than the smell of the elk and more appealing.

Kintsugi is based on the belief that something broken is stronger and more beautiful because of its imperfections, the history attached to it, and its altered state. Instead of hiding what’s been damaged, the shards are mended with a special resin mixed with gold dust. The bonded seams become an intrinsic part of the ceramic and add a personalized, one-of-a-kind beauty through its imperfections.

The bottoms of my sneakers were now covered in enough resin to make a hashball, and I had a white poodle mix dangling from a baby carrier across my belly. If I were still a cop, I’d haul me in just on principle.

In the wake of the Patriot Act, during the second administration of George W., you made a series of small, handheld weapons. The rule was that each weapon had to be assembled from household items within minutes. You’d been gay-bashed before, two black eyes while waiting in line for a burrito (you ran after him, of course). Now you thought, if the government comes for its citizens, we should be prepared, even if our weapons are pathetic. Your art-weapons included a steak knife affixed to a bottle of ranch dressing and mounted on an axe handle, a dirty sock sprouting nails, a wooden stump with a clump of urethane resin stuck to one end with dull bolts protruding from it, and more.

I found the sea air invigorating, and the unfamiliar smells and sounds I encountered every day fascinated me. There was, first of all, the pervading sea-salt odor, and the smell of the wind, bringing with it the faintest tang of the land it had blown over. There was the rich smell of the fresh-caught fish—so different from those sold in markets—and the musty dampness of the soaked ropes. The tar and resin found everywhere on board gave off a warm, raisinlike aroma that grew stronger as the sun rose. As for the sounds, I loved the slap-slap-slap of the water against the hull of the ship; it lulled me to sleep. The creaking of the rigging and the whoosh of the sail as it filled and deflated was like nothing else. How ordinary the sounds of street and market were by comparison. Water had lost its terror for me, for which I was deeply grateful. First I had ventured the harbor, then the Nile, now the open sea—I was cured of my fear, thanks be to all the gods!

A man’s first taste of the poppy gives him something glorious and wonderful, something that he strives to recapture with each return to the resin, but in the end he needs to smoke it just to feel human. Life is the same for many of us—a few scant years of golden youth when everything tastes sweet, every experience new and sharp with meaning. Then a long slow grind to the grave, trying and failing to recapture that feeling you had when you were seventeen and the world rolled out before you.

Mango and cashew trees also produce the irritating resin known as urishol, as does the lacquer tree. In fact, people who are highly sensitive to poison ivy or one of its cousins may experience a cross-sensitivity to mango rind or a lacquer-covered box.

He’d always pitied those ensnared in the time periods he studied—people captured in resin, their fates sealed by their inability to see what was coming. The greatest curse, he’d thought, was to be stuck in one’s own time—and the greatest power was to see beyond its horizons.

We shall not lie on our backs at the Red Castle and watch the vultures wheeling over the valley where they killed the grandson of Genghiz. We will not read Babur's memoirs in his garden at Istalif and see the blind man smelling his way around the rose bushes. Or sit in the Peace of Islam with the beggars of Gazar Gagh. We will not stand on the Buddha's head at Bamiyan, upright in his niche like a whale in a dry-dock. We will not sleep in the nomad tent, or scale the Minaret of Jam. And we shall lose the tastes - the hot, coarse, bitter bread; the green tea flavoured with cardamoms; the grapes we cooled in the snow-melt; and the nuts and dried mulberries we munched for altitude sickness. Nor shall we get back the smell of the beanfields, the sweet, resinous smell of deodar wood burning, or the whiff of a snow leopard at 14,000 feet.

He had hoped she would assume he had succumbed again to methamphetamine hydrochloride and was sparing her the agony of his descent back into the hell of chemical dependence. What it really was was that he had again decided those 50 grams of resin-soaked dope, which had been so potent that on the second day it had given him an anxiety attack so paralyzing that he had gone to the bathroom in a Tufts University commemorative ceramic stein to avoid leaving his bedroom, represented his very last debauch ever with dope, and that he had to cut himself off from all possible future sources of temptation and supply,

Until then, electricity had been thought to involve two types of fluids, called vitreous and resinous, that could be created independently. Franklin’s discovery that the generation of a positive charge was accompanied by the generation of an equal negative charge became known as the conservation of charge and the single-fluid theory of electricity.

He finds himself remembering the night boat trips with his father. The boat easing through the black current. The moonlight silvering the whispering reeds and the leaves overhead. The air pungent with resin and algae and wet earth. The whisper of the willow leaves trailing in the water. His father standing with the oar, as if he owned and orchestrated the entire night.

They drank from a spring which filled an ancient stone trough behind the ruin. Beyond it lay overgrown beds and plants John had never set eyes on before: tall resinous fronds, prickly shrubs, long grey-green leaves hot to the tongue. Nestling among them he found the root whose scent drifted among the trees like a ghost, sweet and tarry. He knelt and pressed it to his nose. 'That was called silphium.' His mother stood behind him. 'It grew in Saturnus's first garden.' She showed him the most ancient trees in the orchards, their gnarled trunks cloaked in grey lichen. Palm trees had grown there too once, she claimed. Now even their stumps had gone. Each day, John left the hearth to forage in the wreckage of Belicca's gardens. His nose guided him through the woods. Beyond the chestnut avenue, the wild skirrets, alexanders and broom grew in drifts. John chased after rabbits or climbed trees in search of birds' eggs. He returned with mallow seeds or chestnuts that they pounded into meal then mixed with water and baked on sticks. The unseasonal orchards yielded tiny red and gold-streaked apples, hard green pears and sour yellow cherries.

They had spent whole summers collecting other ingredients from the forest— micah, chalk, the resin of a pine tree, lichen, some wax, and a drop of dew. After a long and belabored search, Penelope had even discovered some locust wings in the piles of dust beneath her father’s unkempt desk. She had been mixing strange scientific and alchemical potions with her father for as long as she could remember.

Shellac is a hard resinous secretion from the Indian lac beetle. Lac beetles emerge in swarms in parts of India at certain times of the year, and their secretions make varnish that is odorless, nontoxic, brilliantly shiny, and highly resistant to scratches and fading. It doesn’t attract dust while wet, and it dries in minutes. Even now, in an age of chemistry, shellac has scores of applications against which synthetic products cannot compete.

1:52-53 THE NIGHT VIGIL Darkness has been given a nightshirt to sleep in (25:47). Remember how human beings were composed from water and dust for blood and flesh with oily resins heated in fire to make a skeleton. Then the soul, the divine light, was breathed into human shapes. The work now is to help our bodies become pure light. It may look like this is not happening. But in a cocoon every bit of worm-dissolving slime becomes silk. As we take in light, each part of us turns to silk. We made the night a darkness, but we bring shining dawnlight out of that. In the same way the mound of your grave will bloom with resurrection. Sufis and those on the path of the heart use darkness to go within. During the night vigil the universe is theirs (40:16). With all the kings and sultans and their learned counselors asleep, everyone is unemployed, except those wakeful few and the divine presence.

to, and some like the engineer never do get comfortable with them and use the less garish auditory side-doors; and the abundant sulcus-fissures and gyrus-bulges of the slick latex roof make rain-drainage complex and footing chancy at best, so there’s not a whole lot of recreational strolling up here, although a kind of safety-balcony of skull-colored polybutylene resin, which curves around the midbrain from the inferior frontal sulcus to the parietooccipital sulcus—a halo-ish ring at the level of like eaves, demanded by the Cambridge Fire Dept. over the heated pro-mimetic protests of topological Rickeyites over in the Architecture Dept. (which the M.I.T. administration, trying to placate Rickeyites and C.F.D. Fire Marshal both, had had the pre-molded resin injected with dyes to render it the distinctively icky brown-shot off-white of living skull, so that the balcony resembles at once corporeal bone and numinous aura)—which balcony means that

wheelchair-accessible front ramp, take a bit of getting used to, and some like the engineer never do get comfortable with them and use the less garish auditory side-doors; and the abundant sulcus-fissures and gyrus-bulges of the slick latex roof make rain-drainage complex and footing chancy at best, so there’s not a whole lot of recreational strolling up here, although a kind of safety-balcony of skull-colored polybutylene resin, which curves around the midbrain from the inferior frontal sulcus to the parietooccipital sulcus—a halo-ish ring at the level of like eaves, demanded by the Cambridge Fire Dept. over the heated pro-mimetic protests of topological Rickeyites over in the Architecture Dept. (which the M.I.T. administration, trying to placate Rickeyites and C.F.D. Fire Marshal both, had had the pre-molded resin injected with dyes to render it the distinctively icky brown-shot off-white of living skull, so that the balcony resembles at once corporeal bone and

Dragon’s blood, an extremely potent magical material, surely ranks among the Top 20 most popular spell-casting ingredients. No need to emulate Saint George, dragon’s blood is the resin from Dracaena draco, an Indonesian tree. Unlike most resins it’s red, hence the name. If you burn it, it does indeed bear a resemblance to blood. (There is also another dragon’s blood, used in Peruvian magic. This one, too, is a botanical substance, although completely distinct from the Indonesian resin.)

It was good to emerge from this silent semi-darkness into a bright glade. Suddenly everything was different: the earth was warm; the air was in movement; you could smell the junipers in the sun; there were large, wilting bluebells which looked as though they had been cast from mauve-coloured metal, and wild carnations on sticky, resinous stems. You felt suddenly carefree; the glade was like one happy day in a life of poverty. The lemon-coloured butterflies, the polished, blue-black beetles, the ants, the grass-snake rustling through the grass, seemed to be joining together in a common task. Birch-twigs, sprinkled with fine leaves, brushed against his face; a grasshopper jumped up and landed on him as though he were a tree-trunk; it clung to his belt, calmly tensing its green haunches as it sat there with its round, leathery eyes and sheep-like face. The last flowers of the wild strawberries. The heat of the sun on his metal buttons and belt-clasp . . . No U-88 or night-flying Heinkel could ever have flown over this glade.

Night Swimming by Viktor Elsin Black velvet night, pinned wide and high By pinprick stars. Faces under moonlight. Faint echoes float atop the river. Our reckless splashes toss them here and there. How very young we were, one floating year ago. Wet tresses draped our ears. And in the air, the hum of crickets chanting Apologies we could not, did not, hear. Gone, gone, the forest's past perfection: Patchwork shade, pine needle carpet, Ocher-resin drops of sun. The air Hums...Unseen, the nightingale, too late, Thrums its stubborn song- caught somewhere Between the deep black water and sky.

Usually, after the lion came the leopard and sometimes the buzz of the tsetse fly. These were easily obtained effects; and I explained to M. de Chagny that Erik imitated the roar of a lion on a long tabour or timbrel, with an ass's skin at one end. Over this skin he tied a string of catgut, which was fastened at the middle to another similar string passing through the whole length of the tabour. Erik had only to rub this string with a glove smeared with resin and, according to the manner in which he rubbed it, he imitated to perfection the voice of the lion or the leopard, or even the buzzing of the tsetse fly.

An adhesive popular for a thousand years, gum arabic, comes from the acacia gum tree. The resin of trees of the genus Boswellia is a particularly nice-smelling glue called frankincense. Myrrh, another aromatic resin, comes from a thorny tree of the genus Commiphora. Resins were often used in medicines as well as in perfumes, perhaps because their active chemical components, like phenols, had potent antibacterial properties. Frankincense and myrrh were so highly valued in antiquity that they were given as presents to queens, kings, and emperors, which is why their presence in the Christian nativity story is so significant.

It so happened I was barefoot, as was often the case, and had pants on which had grown too short over time. Suddenly he looked up at me from his work and said: "Would you like to have your feet greased?" I had always held the man to be a great marvel and felt honoured by his familiarity and so stretched both my feet out to him. He dipped his spoon into the bung-hole, brought it over and drew a long streak down each of my feet. The liquid spread out nicely over the skin, had an exceptionally clear, golden brown colour and wafted its pleasent resinous odour up to me. It gradually spread across and down the curves of my feet.

Ah beni özlemiyorlar,'dedi kız. 'Asosyalmişim, öyle diyorlar. KAynaşamıyormuşum. Öyle tuhaf ki. Aslında çok sosyalimdir. Sosyalden ne kastettiğine bağlı tamamen, değil mi* Bana göre sosyal olmak, seninle böyle şeyler hakkında konuşmak.' Ön bahçede ağaçtan düşmüş birkaç kestaneyi takırdattı.'Veya dünyanın ne tuhaf olduğundan bahsetmek.İnsanlarla olmak güzel. Ama bir grup insanı bir araya getirip de konuşmak istemelerine izin vermemek sosyallik değil bence;ya sence? Bir saat televizyon dersi,bir saat basketbol veya beyzbol ya da koşu, yine bir saat çeriyazılı tarih veya resin ve yine spor... ama biliyor musun, asla soru sormuyoruz, en azından çoğumuz sormuyor; yanıtları bing bing bing diye veriyorlar sadece, biz de dört saat daha film-öğretmenin karşısında oturuyoruz.

This is where my generation, Generation X, parts company with the baby boomers. They ruined drugs, as they ruined Frye boots and bell-bottoms. We never shared their dream of opening the doors of perception, or touching the face of God. Because of them, enlightenment seemed like bullshit. All that remained was the high. With their embarrassing enthusiasm, they turned everything into a joke. They ate the fruit and left the peel, smoked the pot and left the resin, swallowed the epiphanies and left the reality. When it was our time, they scolded us, saying it was too dangerous—you’d have to be a moron to try it. About their own youthful behavior, they’d say, We didn’t know then what we know now. By the time we came along, everything was banned, feared, and covered in protective foam, but can you imagine how much fun LSD must have been in 1964 when it was legal?

Writing, no matter the subject, has its way with the writer. Writing helps to teach us what we can't know otherwise, which makes it a demanding and invaluable discipline. Writing offers, not a way out, but a way into the impossible dilemmas of not-knowing. Each sentence begun can wander off, sometimes irretrievably into confusion and mistake,s sometimes to greater clarity. Tropes transport memories and transform them, as resin is transformed under pressure into amber, sometimes with a small, ancient bit of life suspended inside. Amber can be remarkably clear, but the piece that conserves a suspended life is even more valuable. Writing works on memory, compressing and doubtless distorting the past, and offers bodies for the inspection of reader and writer alike. Writing has turned me in ways I didn't know I was going to go -- both outward and inward.... I've reach backward in memory to my childhood and young adulthood, but the process of writing has taken me forward, and continues to do so. Sentences unfold before me, always into the future, even as I return and work over what's already there.

And in a few steps, she’s outside. The smell is on her before she reaches the trees—the scent of resin and wide western places. The clean smell of her childhood’s only untouched days. The music of the trees, too, tuning the wind. She remembers. Her nose slips into one of those dark fissures between the flat terra-cotta plates. She falls into the smell, a devastating whiff of two hundred million years ago. She can’t imagine what such perfume was ever meant to do. But it does something to her now. Mind control. It’s neither vanilla nor turpentine, but replete with highlights of each. A shot of spiritual butterscotch. A sprig of pineapple incense. It smells like nothing but itself, pungent and sublime. She breathes in, eyes closed, the tree’s real name. She stands with her nose in the bark, perversely intimate. She doses herself for a long time, like a hospice patient self-administering the morphine. Chemicals rush down her windpipe, through the bloodstream to her body’s provinces, across the blood-brain barrier and into her thoughts. The smell grips her brain stem until she and the dead man are fishing side by side again, under the pine shade where the fish hide, in the soul’s innermost national park.

Scrubby evergreen bushes released a strong scent of resin and honey; forests of pine gave way to gentle south-facing vineyards disturbed only by the ululation of early summer cicadas. Sitting up tall on the seat, she craned around eagerly to see what plants thrived naturally. It was a wild and romantic place, Laurent de Fayols had written, the whole island once bought as a wedding gift to his wife by a man who had made his fortune in the silver mines of Mexico. One of three small specks in the Mediterranean known as the Golden Isles, after the oranges, lemons, and grapefruit that glowed like lamps in their citrus groves. There were few reference works in English that offered information beyond superficial facts about the island, and those she had managed to find were old. The best had been published in 1880, by a journalist called Adolphe Smith. Ellie had been struck by the loveliness of his "description of the most Southern Point of the French Riviera": 'The island is divided into seven ranges of small hills, and in the numerous valleys thus created are walks sheltered from every wind, where the umbrella pines throw their deep shade over the path and mingle their balsamic odor with the scent of the thyme, myrtle and the tamarisk.

Russia’s biggest transport helicopters flew around the clock dropping a special polymer resin to seal radioactive dust to the ground. This prevented the dust from being kicked up by vehicles and inhaled, giving troops time to dig up the topsoil for extraction and burial. Construction workers laid new roads throughout the zone, allowing vehicles to move around without spreading radioactive particles.218 At certain distance limits, decontamination points, manned by police, intersected these roads. They came armed with dosimeters and a special cleaning spray to hose down any passing trucks, cars or armoured vehicles. Among the more drastic clean-up measures was bulldozing and burying the most contaminated villages, some of which had to be reburied two or three times.219 The thousands of buildings that were spared this fate - including the entire city of Pripyat - were painstakingly sprayed clean with chemicals, while new asphalt was laid on the streets. At Chernobyl itself, all the topsoil and roads were replaced. In total, 300,000m³ of earth was dug up and buried in pits, which were then covered over with concrete. The work took months. To make matters worse, each time it rained within 100km of the plant, new spots of heavy contamination appeared, brought down from the radioactive clouds above.

Sheltered Garden" I have had enough. I gasp for breath. Every way ends, every road, every foot-path leads at last to the hill-crest-- then you retrace your steps, or find the same slope on the other side, precipitate. I have had enough-- border-pinks, clove-pinks, wax-lilies, herbs, sweet-cress. O for some sharp swish of a branch-- there is no scent of resin in this place, no taste of bark, of coarse weeds, aromatic, astringent-- only border on border of scented pinks. Have you seen fruit under cover that wanted light-- pears wadded in cloth, protected from the frost, melons, almost ripe, smothered in straw? Why not let the pears cling to the empty branch? All your coaxing will only make a bitter fruit-- let them cling, ripen of themselves, test their own worth, nipped, shrivelled by the frost, to fall at last but fair With a russet coat. Or the melon-- let it bleach yellow in the winter light, even tart to the taste-- it is better to taste of frost-- the exquisite frost-- than of wadding and of dead grass. For this beauty, beauty without strength, chokes out life. I want wind to break, scatter these pink-stalks, snap off their spiced heads, fling them about with dead leaves-- spread the paths with twigs, limbs broken off, trail great pine branches, hurled from some far wood right across the melon-patch, break pear and quince-- leave half-trees, torn, twisted but showing the fight was valiant. O to blot out this garden to forget, to find a new beauty in some terrible wind-tortured place.

And lifting water is just one of the many jobs that the phloem, xylem, and cambium perform. They also manufacture lignin and cellulose; regulate the storage and production of tannin, sap, gum, oils, and resins; dole out minerals and nutrients; convert starches into sugars for future growth (which is where maple syrup comes into the picture); and goodness knows what else. But because all this is happening in such a thin layer, it also leaves the tree terribly vulnerable to invasive organisms. To combat this, trees have formed elaborate defense mechanisms. The reason a rubber tree seeps latex when cut is that this is its way of saying to insects and other organisms, “Not tasty. Nothing here for you. Go away.” Trees can also deter destructive creatures like caterpillars by flooding their leaves with tannin, which makes the leaves less tasty and so inclines the caterpillars to look elsewhere. When infestations are particularly severe, some trees can even communicate the fact. Some species of oak release a chemical that tells other oaks in the vicinity that an attack is under way. In response, the neighboring oaks step up their tannin production the better to withstand the coming onslaught. By such means, of course, does nature tick along. The problem arises when a tree encounters an attacker for which evolution has left it unprepared, and seldom has a tree been more helpless against an invader than the American chestnut against Endothia parasitica. It enters a chestnut effortlessly, devours the cambium cells, and positions itself for attack on the next tree before the tree has the faintest idea,

NATO paper: Modification of Tropospheric Propagation Conditions, detailed how the atmosphere could be modified to absorb electromagnetic radiation by spraying polymers behind high flying aircraft.  Absorbing microwaves transmitted by HAARP and other atmospheric heaters linked from Puerto Rico, Germany and Russia, these artificial mirrors could heat the air, inducing changes in the weather.  U.S. Patent # 4253190 describes how a mirror made of “polyester resin” could be held aloft by the pressure exerted by electromagnetic radiation from a transmitter like HAARP.   A PhD polymer researcher who wishes to remain anonymous told researcher William Thomas that if HAARP’s frequency output is matched to Earth’s magnetic field, its tightly beamed energy could be imparted to molecules “artificially introduced into this region.” This highly reactive state could then “promote polymerization and the formation of   new compounds,” he explained. Adding magnetic iron oxide powder to polymers exuded by many high flying aircraft can foster the heat generation needed to modify the weather.  Radio frequency absorbing polymers such as Phillips Ryton F 5 PPS are sensitive in the 1 50 MHz regime, HAARP transmits between two and 10 MHz.                  HAARP's U.S. Air Force and Navy sponsors claim that their transmitter will eventually be able to produce 3.6 million watts of radio frequency power. But on page 185 of an October 1991 “Technical Memorandum 195” outlining projected HAARP tests, there is a call by the ionospheric effects division of the U.S. Air Force Phillips Laboratory for HAARP to reach a peak power output of 100 billion watts. Commercial radio stations commonly broadcast at 50,000 watts.  Some hysterical reports state that HAARP type technologies will be used to initiate

That night Bindi, Steve, and I all curled up in bed together. “As long as we’re together,” Steve said, “everything will be just fine.” It was spooky, and I didn’t want to think about it, but it did indeed seem that Steve got into trouble more when he was off on his own. Around that time, on a shoot in Africa with the bushmen of the Kalahari Desert, Steve slipped as he rushed to get a shot of a lizard. He put his hand out to catch himself, and placed it down right in the middle of a euphorbia plant. The bush broke into pieces, and the splinters sank deep into Steve’s hand. Kalahari bushmen use the resin of the euphorbia plant to poison-tip their spears. Steve’s arm swelled and turned black. He became feverish and debated whether to go home or to the hospital. He sought the advice of the bushmen who worked with the poisonous resin regularly. “What do you do if you get nailed by this poison?” The bushmen smiled broadly. “We die,” they said. John filmed every step of the way as the skin of Steve’s arm continued to blacken and he rode out the fever. He worried about the residual effects of gangrene. Ultimately, Steve survived, but he felt the effects for weeks afterward. Once again, Steve and I discussed how uneasy we felt when we were apart. Every time we were together on a trip, we knew we’d be okay. When we were apart, though, we shared a disconcerting feeling that was hard to put into words. It made me feel hollow inside. The Africa trip had taken Steve away from us for three weeks, and Bindi had changed so much while he was away. We agreed that we would never be apart from Bindi and that at least one of us would always be with her. I just felt bad for Steve that I had been the lucky one for the past three weeks. He missed her so much. The next documentary would be different.

unusual in comparison with other tree nuts since the nut is outside the fruit. The cashew apple is an edible false fruit, attached to the externally born nut by a stem. In its raw state, the shell of the nut is leathery, not brittle. It contains the thick vesicant oil, CNSL, within a sponge-like interior. A thin testa skin surrounds the kernel and keeps it separated from the inside of the shell. The primary products of cashew nuts are the kernels which have value as confectionery nuts. Cashew nut shell liquid (CNSL) is an important industrial raw material for resin manufacture and the shells can be burned to provide heat for the decorticating operation. Cashew Apple Nut ShellFigure 2: Cross-section of a Cashew Fruit Tasta Skin Kernal

Nighttown, because the Pit’s inverted, and the bottom of its bowl touches the sky, the sky that Nighttown never sees, sweating under its own firmament of acrylic resin, up where the Lo Teks crouch in the dark like gargoyles,

Back in those days there was still an unbroken stretch of heath that lay on the route of our excursions, all that was left of a heath that once had extended almost up to the town on the one side and almost to the little village on the other. Here the honeybees and white-gray bumblebees hummed over the fragrant blossoms of heather, and the beautiful gold-green beetles ran among the plants; here in the sweet clouds of the erica and the resinous bushes hovered butterflies that could be found nowhere else on this earth.

Methuselah had led the tribe as they grew of age. He patiently taught them the construction skills they needed to build the box. They had honed their talent by building elaborate village homes of wood that provided the added blessing of luxurious living. They found a peculiar tree of very hard wood in the valley they called “gopher wood.” It was a long process to cut down the trees and create long, cured and glued planks. The boards were then sealed with a prime coating of tree pitch. The pitch was made by bleeding the sap from pines, burning the pine wood into charcoal, grinding that to powder, and mixing that powder into large vats of boiling pine resin. They then painted the wood with the tree-made pitch to seal it with an initial coat.

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The Ancient Britons’ secret weapon? Woad could be mixed with yellow from the meadow plant weld, or from another native plant, dyer’s greenweed (genista tinctoria; despite its English name it dyed yellow), to give the green that Robin Hood and his merry men famously wore. Red, another favourite medieval colour, could be obtained from the roots of another native plant, madder. Mixed with woad it produced a soft purple. A deeper purple came from a lichen, orchil, imported from Norway, or ‘brasil’, a wood imported from the East Indies and correspondingly expensive. The deepest purple came from kermes, derived from insects from the Mediterranean basin called by the Italians ‘vermilium’ (‘little worms’, hence vermilion) and by the English ‘grains’. Its cost limited it to the most luxurious textiles. A good pink could be had from the resin of dragon’s blood trees, although some medieval authorities traced it to the product of a battle between elephants and dragons in which both protagonists died. Most of these dyestuffs needed a mordant to give some degree of light-fastness – usually alum, imported from Turkey and Greece.

The patchwork bard’s cloak he swung around his shoulders smelled of smoke and sweet resin and strong whiskey, so every time he inhalted it was though the Devil’s hand traced his spine.

lot of folks think trees are simple things, incapable of doing anything interesting. But there’s a tree for every purpose under heaven. Their chemistry is astonishing. Waxes, fats, sugars. Tannins, sterols, gums, and carotenoids. Resin acids, flavonoids, terpenes. Alkaloids, phenols, corky suberins. They’re learning to make whatever can be made. And most of what they make we haven’t even identified.

I’m in a copse of ponderosa pine on the edge of an alpine meadow in the Colorado Rocky Mountains. A story emerges from the scrolling graph of the electronic sound probe. The tree is quiet through the morning, signaling an orderly and abundant flow of water from root to needle. If the previous afternoon brought rain, the quiet is prolonged. The tree itself makes this rainfall more likely. Resinous tree aromas drift to the sky, where each molecule of aroma serves as a focal point for the aggregation of water. Ponderosa, like balsam fir and ceibo, seeds clouds with its perfumes, making rain a little more likely. After a rainless day, the root’s morning beverage is brought by the soil community, a moistening without the help of rain. At night tree roots and soil fungi conspire to defy gravity and draw up water from the deeper layers of soil. By noon, the graph tracking ultrasound inflects upward. The soil has dried with the long day’s exposure to dry air and high-altitude sunshine. The species that survive, the gold resting in this alpine crucible, are those who can be miserly with water (with multiple adaptations like the ponderosa.

As I watch [the world],’ wrote Nan Shepherd in 1945, ‘it arches its back, and each layer of landscape bristles.’ It is a brilliant observation about observation. Shepherd knew that ‘landscape’ is not something to be viewed and appraised from a distance, as if it were a panel in a frieze or a canvas in a frame. It is not the passive object of our gaze, but rather a volatile participant – a fellow subject which arches and bristles at us, bristles into us. Landscape is still often understood as a noun connoting fixity, scenery, an immobile painterly decorum.* I prefer to think of the word as a noun containing a hidden verb: landscape scapes, it is dynamic and commotion causing, it sculpts and shapes us not only over the courses of our lives but also instant by instant, incident by incident. I prefer to take ‘landscape’ as a collective term for the temperature and pressure of the air, the fall of light and its rebounds, the textures and surfaces of rock, soil and building, the sounds (cricket screech, bird cry, wind through trees), the scents (pine resin, hot stone, crushed thyme) and the uncountable other transitory phenomena and atmospheres that together comprise the bristling presence of a particular place at a particular moment.

The way we fall from each other like halves of an orange, skin dark as pottery in lamplight. I know it, naked in the light of the fridge, cold plummy resins in our mouths, warm sticky resins of our bodies. By nights we drain the pictures from your head and words from my throat until I find nothing but sounds there. And today, by way of light closing around itself until the river is dark and all I see is your white breath. By way of a young woman’s hunger to taste every part of her lover, even his words. —Anne Michaels, from “The Day Of Jack Chambers” Poems: The Weight of Oranges, Miner's Pond, Skin Divers (Knopf; 1st edition, January 4, 2000)

Perfume, in Latin, means through smoke, a reference to the sacred burning of incense, resin, and woods that have defined spiritual practice since ancient times. Perfume is a smoke signal worn on the body, a way to convey who we are, while drawing a protective border between our self and the outside. Perfume is an object of immanence, rooted in our physical world of raw materials, used to transcend this world for the Divine.

A perfume collects these fragmented histories into a single borderless substance, a seamless composition of oils and resins distilled from plants that might be strangers in nature, from countries with a violent colonial relationship, like French lavender and Haitian vetiver.

Cashews and poison ivy, pistachio nuts and poison sumac. Mangoes. They all had resinous and sometimes poisonous juice, nuts or fleshy fruit, and small flowers.

A differenza di tante altre province in Italia e in Europa, Bergamo è sopravvissuta alla deindustrializzazione degli anni Ottanta e Novanta. Morti i giganti industriali, una nuiva generazione di imprese li ha sostituiti. Sono quelle che gli studiosi di economia chiamano le <>, un fenomeno tipico del <>. Si tratta di aziende di medie dimensioni con qualche centinaio di dipendenti, abbastanza grandi da poter far ricerca e sviluppo, in grado di competere sui mercati internazionali con prodotti di alta qualità, ma sufficientemente piccole per potersi adattare ai cambiamenti del mercato e mutare a seconda dei tempi, come aziende più grandi e lente farebbero fatica a fare. La Val Seriana, la grande valle larga e dritta a est di Bergamo che ospita cittadine come Alzano Lombardo e Nembro, è divenuta il cuore del quarto capitalismo bergamasco e ospita aziende come il gruppo Radici, che produce resine e polimeri, oppure la Italgen, che produce energie rinnovabili e ha installato impianti solari ed eolici in Tunisia, Marocco e Turchia. Ma anche la tortuosa e selvaggia Val Brembana non è da meno. A San Pellegrino si imbottiglia un'acqua minerale famosa in tutto il mondo, mentre in una diramazione laterale, la Val Brembilla, c'è la più alta concentrazione di imprese per abitanti di tutto il paese. E' con queste imprese che il grande aeroporto di questa piccola città produce le migliori sinergie.

A differenza di tante altre province in Italia e in Europa, Bergamo è sopravvissuta alla deindustrializzazione degli anni Ottanta e Novanta. Morti i giganti industriali, una nuova generazione di imprese li ha sostituiti. Sono quelle che gli studiosi di economia chiamano le multinazionali tascabili, un fenomeno tipico del quarto capitalismo italiano. Si tratta di aziende di medie dimensioni con qualche centinaio di dipendenti, abbastanza grandi da poter far ricerca e sviluppo, in grado di competere sui mercati internazionali con prodotti di alta qualità, ma sufficientemente piccole per potersi adattare ai cambiamenti del mercato e mutare a seconda dei tempi, come aziende più grandi e lente farebbero fatica a fare. La Val Seriana, la grande valle larga e dritta a est di Bergamo che ospita cittadine come Alzano Lombardo e Nembro, è divenuta il cuore del quarto capitalismo bergamasco e ospita aziende come il gruppo Radici, che produce resine e polimeri, oppure la Italgen, che produce energie rinnovabili e ha installato impianti solari ed eolici in Tunisia, Marocco e Turchia. Ma anche la tortuosa e selvaggia Val Brembana non è da meno. A San Pellegrino si imbottiglia un'acqua minerale famosa in tutto il mondo, mentre in una diramazione laterale, la Val Brembilla, c'è la più alta concentrazione di imprese per abitanti di tutto il paese. E' con queste imprese che il grande aeroporto di questa piccola città produce le migliori sinergie.

If humans do not belong in California or Arizona, where do they belong? In Reisner's native Minnesota where there's many lakes? Of course, this is absurd. Very few people could survive in Minnesota without the energy that is produced there from fuel brought from elsewhere without rapidly deforesting it and belching the pollution of numerous wood fires. So what about further south? Just about everywhere you go, humans are out of their "natural" element—which is some place in Africa. Even where they are in their element, they are there in numbers that are unsustainable based on using only very local resources. (Unless we allow trains, trucks, ships, and planes into our "natural" world.) Indeed, most human habitations make little sense in some way, just as Speaker Hastert said of New Orleans. But, yet, there they are. Hastert's remark was just one comment made in the wake of terrible suffering, and was probably driven by his human sympathy, not wanting to see this go on again. But it was insensitive on another level and he was criticized for it. Reisner's whole book is basically saying the same thing about the entire Southwestern United States. The irony is that this book was largely written at a time when it was abundantly clear than energy, not water, was the common denominator in resource policy. A few short years after the oil shocks, the Iranian revolution, during the Iran-Iraq War, and revised months after the First Gulf War, Resiner and other water conservationists must realize they are the junior varsity. This is before all of this activity unleashed the events of the Bush era.

I used to become very restless. I was continually thinking of the life I would lead. I wanted to know what life had in store for me. I was particularly restless at some moments. You know there are such moments, especially in solitude. There was a small waterfall there; it fell from a height on the mountain, such a tiny thread, almost perpendicular—foaming, white and splashing. Though it fell from a great height it didn’t seem so high; it was the third of a mile away, but it only looked about fifty paces. I used to like listening to the sound of it at night. At such moments I was sometimes overcome with great restlessness; sometimes too at midday I wandered on the mountains, and stood alone halfway up a mountain surrounded by great ancient resinous pine trees; on the crest of the rock an old medieval castle in ruins; our little village far, far below, scarcely visible; bright sunshine, blue sky, and the terrible stillness. At such times I felt something was drawing me away, and I kept fancying that in walked straight on, far, far away and reached that line where sky and earth meet, there I should find the key to the mystery, there I should see a new life a thousand times richer and more turbulent than ours. I dreamed of some great town like Naples, full of palaces, noise, roar, life. And I dreamed of all sorts of things, indeed. But afterwards I fancied one might find a wealth of life even in prison.