Reserved Woman Quotes

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I suspected, however, that I wasn't homesick for anything I would find at home when I returned. The longing was for what I wouldn't find: the past and all the people and places there were lost to me.
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
YOUR ABUSIVE PARTNER DOESN’T HAVE A PROBLEM WITH HIS ANGER; HE HAS A PROBLEM WITH YOUR ANGER. One of the basic human rights he takes away from you is the right to be angry with him. No matter how badly he treats you, he believes that your voice shouldn’t rise and your blood shouldn’t boil. The privilege of rage is reserved for him alone. When your anger does jump out of you—as will happen to any abused woman from time to time—he is likely to try to jam it back down your throat as quickly as he can. Then he uses your anger against you to prove what an irrational person you are. Abuse can make you feel straitjacketed. You may develop physical or emotional reactions to swallowing your anger, such as depression, nightmares, emotional numbing, or eating and sleeping problems, which your partner may use as an excuse to belittle you further or make you feel crazy.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
And who's to say that just because something lasts only a short time, it has little value?
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
It is one of the strongest bonds, I think, that can spring up between people: sharing a passion for certain books and their authors.
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
Is God a man or a woman? God could be an armadillo. I have no idea.
Sherman Alexie (Reservation Blues)
. . . she gave him one of those broad smiles she reserved for strangers, as if she were aware of being able to pass, in their eyes, for an ordinary woman.
Nicole Krauss (Great House)
Women would be better off when they no longer needed men more than they needed their own independent identities...How long a time it took me after my divorce to understand that being alone is not the same as being lonely.
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
A man reserves his true and deepest love not for the species of woman in whose company he finds himself electrified and enkindled, but for that one in whose company he may feel tenderly drowsy.
George Jean Nathan
I can't believe my reserve of water—from my nose and eyes. I have dormant fluid in my body, every woman does. I don't know if I am a cavern or a river. Once, you said I was a geyser: a hole in the ground—bursting.
Terese Marie Mailhot (Heart Berries)
His presence made me feel self-concious: of my appearance, of the way I was sitting, of my movements and gestures...It was the behavior of a woman reacting to a man who attracts her.
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
What if more of life could be like that? Like the last slow dance, where, to echo T.S. Eliot, a lifetime burns in every moment.
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
Freedom has its dangers as well as its joys. And the sooner we learn to get up after a fall, the better off we'll be.
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
A man remains a man no matter how poor his conduct. A woman, even if she were to deviate for one instance, from the role given to her by men, is branded a whore. She is viewed with lust and contempt. Society closes on her doors it leaves ajar for a man stained by the same ink. If both are equal, why are our barbs reserved for the woman?
Saadat Hasan Manto (Why I Write: Essays by Saadat Hasan Manto)
What adds up to a life is nothing more than the accumulation of small daily moments.
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
It used to surprise me, the intensity with which I still remembered these distant memories. But when I entered my fifties...I understood their enduring clarity....In the end, what adds up to a life is nothing more than the accumulation of small daily moments.
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
It's an odd term, girlfriend, particuarly for grown persons. And in practice an even odder concept. Generally speaking, in adults it described a woman, not a girl, who was willing to provide sex, not friendship. In fact, from what I had observed it was quite possible for one to actively dislike one's girlfriend, although of course true hatred is reserved for marriage.
Jeff Lindsay (Dearly Devoted Dexter (Dexter, #2))
I had forgotten how wonderful it is to stand on a bridge and catch the scent of rain in the air. I had forgotten how much I need to be a part of water, wind, sky.
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
Maybe it was I who needed to learn how to be quiet instead of cluttering the moment with too many words.
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
In many ways I was an independent woman. For years I'd made my own choices, paid my own bills, shoveled my own snow.
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
I'm a woman in search on an adventure
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
Ever since the day I got a voice mail and met up with a slightly older woman at Riverbank Park, the title of 'my girl' has been reserved." "So you like older women?" He lifted his hand and gave his bedroom door a solid push. A soft snick told me it had closed behind me. "I like you. And I see now that I should have cleared that up a long time ago.
Myra McEntire (Hourglass (Hourglass, #1))
As I set out each day, I felt like a young child again. One who hadn't yet learned the rules of manmade time; the rules of clocks and calendars, of weekdays and weekends. Except the primitive markers of day and night, time lay ahead of me in a continuous, undefined mass.
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
Reserve your love, not for the slow and tamed, but for the wild and adventurous.
Michael Bassey Johnson (Song of a Nature Lover)
I would say"—he shaped the words close to her mouth, as if each of them was its own kiss, a private prayer—"I love you as a man loves a woman, but we both know that love is not bound by such narrow terms. So instead let me simply tell you that I love you. I love you with the unfading flame of my friendship. With every drop of ardour in my blood. I love you with my soul, as some reserve their faith for absent gods. I love you as I believe in what is right and hope for what is good. I love you with everything I am and ever was—and if you will only let me, with every day that comes, and every self that I could ever be.
Alexis Hall (A Lady for a Duke)
Anger is always reserved for someone else. And yet, I've been in a room with a woman who escaped a war, who lost her father in ethnic cleansing, whose mother burned her hair, whose cousin raped her. "What right do I have to be angry, when I'm alive? she said. Anger is a privilege of the truly broken, and yet I've never met a woman who was broken enough that she allowed herself to be angry. An angry woman must answer for herself. The reasons for her anger must be picked over, examined, and debated. My anger must stand the scrutiny of the court of law, of evidentiary procedures. I must prove it comes from somewhere justified and not just because one time some man touched my sister. Or because one time some man touched some woman and will continue on and on.
Roxane Gay (Not That Bad: Dispatches from Rape Culture)
Life is like that I thought, as I turned the corner to my building. Freedom has its danger as well as its joys. And the sooner we learn to get up after a fall, the better off will be.
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
There are parts of a woman’s heart that are reserved for certain types of love. Experiencing the love of a father figure in an appropriate way is essential in paving the way for the love of a man to be experienced in the right way. The love of a father is vital in ensuring that a woman’s heart is kept open in this area. If this area is not kept open, it produces problems later on in a woman’s life, for that area is also reserved for the romantic love that comes in the form of a marriage relationship. This is an extremely sensitive area of the heart for a woman, and has plenty of opportunity to be easily bruised. When that does occur, she will put up a protective barrier to try and avoid any such pain occurring again. If this barrier isn’t dismantled fairly soon, a woman’s heart becomes accustomed to its protective barrier, and the heart shielded inside gradually becomes hardened. As women, we may be able to function like this for awhile. But there will come a time in your life where God will begin to peel away those hard layers surrounding your heart, and you probably won’t like that sensation. But you have to fight your natural instinct to run away. This is where many Christian women may get stuck. They view every man through the lens of what their father was to them, or what he was not. Their perception of men is shaded, and often damaged, by the very people who should have been modeling the world of adult relationships to their daughters. As a result, their judgement is often clouded, and women find themselves settling for less than what they truly deserve. Many marriages, even Christian marriages, have been damaged and even terminated because one or both partners refused to sit down and deal with their past issues.
Corallie Buchanan (Watch Out! Godly Women on the Loose)
A young woman forced to keep drunks supplied with beer and siblings with clean underwear -instead of being allowed to pursue "something higher"- stores up great reserves of vitality, a vitality never dreamed of by university students yawning over their books.
Milan Kundera (The Unbearable Lightness of Being)
My mother’s English has remained rudimentary during her forty-plus years living in the United States. When she speaks Korean, my mother speaks her mind. She is sharp, witty, and judgmental, if rather self-preening. But her English is a crush of piano keys that used to make me cringe whenever she spoke to a white person. As my mother spoke, I watched the white person, oftentimes a woman, put on a fright mask of strained tolerance: wide eyes frozen in trapped patience, smile widened in condescension. As she began responding to my mother in a voice reserved for toddlers, I stepped in. From a young age, I learned to speak for my mother as authoritatively as I could. Not only did I want to dispel the derision I saw behind that woman’s eyes, I wanted to shame her with my sobering fluency for thinking what she was thinking. I have been partly drawn to writing, I realize, to judge those who have unfairly judged my family; to prove that I’ve been watching this whole time.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
These places of possibility within ourselves are dark because they are ancient and hidden; they have survived and grown strong through that darkness. Within these deep places, each one of us holds an incredible reserve of creativity and power, of unexamined and unrecorded emotion and feeling. The woman’s place of power within each of us is neither white nor surface; it is dark, it is ancient, and it is deep.
Audre Lorde (Sister Outsider: Essays and Speeches)
Is God a man or a woman? God could be an armadillo. I have no idea.
Sherman Alexie (Reservation Blues)
I guess I'm too selfish to travel well with other people," I told Anne later.
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
The writer ended with a line from Eudora Welty: “All serious daring starts from within.
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
I suppose that, after the passion of love, water rights have caused more trouble than anything else to the human species.
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
What are you?' he [Nanapush] said to Damien, who was deep in a meditation over his [chess] bishop's trajectory. 'A priest' said Father Damien 'A man priest or a woman priest?'... ...'I am a priest', she whispered, hoarsely, fierce. 'Why' said Nanapush kindly, as though Father Damien hadn't answered, to put the question to rest, 'are you pretending to be a man priest?
Louise Erdrich (The Last Report on the Miracles at Little No Horse)
When a woman allows a man to enter her he is either giving or taking vital energy. A man can only share vital energy if he possesses it. A man’s vitality lies in his inner work and reservation of his semen emissions, which contains vital energy, life force. Avoiding overly frequent ejaculations is key. Building your storehouse of vital energy takes maturity and discipline.
Shalom Melchizedek (Learning To Love: And The Power of Sacred Sexual Spiritual Partnerships)
My mother wasn’t a psychotic criminal. (Kiara) No. I’m sure she was a wonderful lady who loved you dearly. That she held you when you cried, probably even baked you cookies and gave you hugs and kisses before she sent you off to bed at night, and it’s a damn shame a decent woman like her died so tragically. My mother, whore that she was, abandoned me and my sister to our father so that she could return to her cushy life and pretend we didn’t exist while she left us in that house with a man whose name, even though he’d been dead for decades, can still make an assassin wet his pants. And if you think his cruelty was reserved for strangers, think again. My sister and I were target practice for him. So don’t you dare talk to me about pain. My father wrote the book on it and he rammed it down my throat every day of my childhood until they killed him. And the real kicker is, my life under his demented fist was a lot better than Nykyrian’s. At least I was able to hide sometimes from the ones trying to kill me. You want me to call your daddy, baby? Go right ahead. I’ll be more than happy to take you to him. But know that Aksel will have his hands on you in a matter of hours. Then you’ll be able to talk to me about pain and you’ll finally have an idea of what we’ve endured. You won’t live long enough to apologize, but true clarity will be yours before you die. (Syn)
Sherrilyn Kenyon (Born of the Night (The League, #1))
Chew on this: the man who truly loves you will be willing to pay the price for you, like the merchant “who, when he had found one pearl of great price, went and sold all that he had, and bought it” (Matthew 13:46 KJV). He’ll sell worldly ideas about sex before marriage, other women he’s kept on reserve…you name it, he’ll get rid of it, in order to be in position to win you! Jesus paid the price to redeem you. How much more should a mortal man be willing to pay to possess your love?
Michelle McKinney Hammond (Secrets of an Irresistible Woman: Smart Rules for Capturing His Heart)
Some years ago I had a conversation with a man who thought that writing and editing fantasy books was a rather frivolous job for a grown woman like me. He wasn’t trying to be contentious, but he himself was a probation officer, working with troubled kids from the Indian reservation where he’d been raised. Day in, day out, he dealt in a concrete way with very concrete problems, well aware that his words and deeds could change young lives for good or ill. I argued that certain stories are also capable of changing lives, addressing some of the same problems and issues he confronted in his daily work: problems of poverty, violence, and alienation, issues of culture, race, gender, and class... “Stories aren’t real,” he told me shortly. “They don’t feed a kid left home in an empty house. Or keep an abusive relative at bay. Or prevent an unloved child from finding ‘family’ in the nearest gang.” Sometimes they do, I tried to argue. The right stories, read at the right time, can be as important as shelter or food. They can help us to escape calamity, and heal us in its aftermath. He frowned, dismissing this foolishness, but his wife was more conciliatory. “Write down the names of some books,” she said. “Maybe we’ll read them.” I wrote some titles on a scrap of paper, and the top three were by Charles de lint – for these are precisely the kind of tales that Charles tells better than anyone. The vital, necessary stories. The ones that can change and heal young lives. Stories that use the power of myth to speak truth to the human heart. Charles de Lint creates a magical world that’s not off in a distant Neverland but here and now and accessible, formed by the “magic” of friendship, art, community, and social activism. Although most of his books have not been published specifically for adolescents and young adults, nonetheless young readers find them and embrace them with particular passion. I’ve long lost count of the number of times I’ve heard people from troubled backgrounds say that books by Charles saved them in their youth, and kept them going. Recently I saw that parole officer again, and I asked after his work. “Gets harder every year,” he said. “Or maybe I’m just getting old.” He stopped me as I turned to go. “That writer? That Charles de Lint? My wife got me to read them books…. Sometimes I pass them to the kids.” “Do they like them?” I asked him curiously. “If I can get them to read, they do. I tell them: Stories are important.” And then he looked at me and smiled.
Terri Windling
Then the candor of the woman's whole existence, which every one might read, and which formed so striking a contrast to her own habitual reserve—this might have furnished a link. Who can tell what metals the gods use in forging the subtle bond which we call sympathy, which we might as well call love.
Kate Chopin (The Awakening)
Valancy was perfectly happy. Some things dawn on you slowly. Some things come by lightning flashes. Valancy had had a lightning flash. She knew quite well now that she loved Barney. Yesterday she had been all her own. Now she was this man's. Yet he had done nothing—said nothing. He had not even looked at her as a woman. But that didn't matter. Nor did it matter what he was or what he had done. She loved him without any reservations. Everything in her went out wholly to him. She had no wish to stifle or disown her love. She seemed to be his so absolutely that thought apart from him—thought in which he did not predominate—was an impossibility.
L.M. Montgomery (The Blue Castle)
Again the surprised expression crossed his face. He had not imagined that a woman would dare to speak so to a man. For me, I felt at home in this sort of discourse. I could never rest in communication with strong discreet, and refined minds, whether male or female, till I had passed the outworks of conventional reserve, and crossed the threshold of confidence, and won a place by their heart's very hearthstone.
Charlotte Brontë
In Arachnia as it is spoken on Nepiy, ‘she’ is the pronoun for all sentient individuals of whatever species who have achieved the legal status of ‘woman’. The ancient, dimorphic form ‘he’, once used exclusively for the genderal indication of males (cf. the archaic term man, pl. men), for more than a hundred-twenty years now, has been reserved for the general sexual object of ‘she’, during the period of excitation, regardless of the gender of the woman speaking or the gender of the woman referred to.
Samuel R. Delany (Stars in My Pocket Like Grains of Sand)
God’s love for you is passionate and pure and without reservation. He never holds back or plays games with your heart. There are no riddles with God. This kind of love does not stand you up. He always shows up, always remembers, and always keeps His promises. God’s love is unrelenting. He does not turn away even if you do. His excitement over you does not wane. God’s love is not some namby-pamby kindergarten crush. He is not fickle. God has seen you across the room, and He cannot take His eyes off you.
Angela Thomas (Do You Think I'm Beautiful?: The Question Every Woman Asks)
At first the lives of women frightened me. They seemed so fragile, so dependent on fathers and husbands and brothers and lovers. Gradually, though, I noticed how supple their lives were beneath the surface. I saw, too, that sooner or later, by choice or by chance most women faced the task of adapting to a future on their own. When at my most optimistic, I thought of it as independence, in darker moods, as survival. Either way, women had to do it.
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
Things happen, I thought, and we respond. That's what it all comes down to. To believe anything else, as far as I could tell, was simply an illusion.
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
By then I'd knocked around enough to know that, in the end, what adds up to a life is nothing more than the accumulation of small daily moments.
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
How to stop rushing from place to place, always looking ahead to the next thing while the moment in front of me slipped away unnoticed.
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
Most of us, I suppose, have had at one time or another the impulse to leave behind our daily routines and responsibilities and seek out, temporarily, a new life.
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
What is the one emotion that you would like to feel for the rest of your life?
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
am the general manager. Can I help you?” he said slowly, over-enunciating every word. “Yes, good evening, we have a reservation,” the woman replied in perfect English. Ormsby peered at her
Kevin Kwan (Crazy Rich Asians (Crazy Rich Asians Trilogy Book 1))
A man can be beautiful, I see that now. It's not just a woman's term, not a word reserved for romantic, virtuous, elegant things. I don't think beauty is neat any more. It's unordered. It's unbrushed hair and a torn back pocket. It's bright and strange and lovely, and if I were to paint him, I'd use all the warm colours - ochre, gold, plum, terracotta, scarlet, burnt orange.
Susan Fletcher (Eve Green)
It’s an odd term, 'girlfriend,' particularly for grown persons. And in practice it provides an even odder concept. Generally speaking, in adults it described a woman, not a girl, who was willing to provide sex, not friendship. In fact, from what I had observed it was quite possible for one to actively dislike one’s girlfriend, although of course true hatred is reserved for marriage.
Jeff Lindsay (Dearly Devoted Dexter (Dexter, #2))
And like any group thrown together in a strange situation, we developed the sort of we're-in-this-together, for-better-or-for-worse camaraderie that I found appealingly familiar. It was something I missed, the sense of sharing those small, daily experiences that, as far as I can tell, are really what life boils down to.
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
He so enjoyed disconcerting a woman of conservative sensibilities, and he suspected that the detective had inhibitions atop reservations wrapped in reticense." --Lucan thinking about Samantha Dark Need by Lynn Viehl
Lynn Viehl
Good crews are good blends of personalities: someone to lead the charge, someone to hold something in reserve; someone to pick a fight, someone to make peace; someone to think things through, someone to charge ahead without thinking. Somehow all this must mesh. That’s the steepest challenge. Even after the right mixture is found, each man or woman in the boat must recognize his or her place in the fabric of the crew, accept it, and accept the others as they are. It is an exquisite thing when it all comes together in just the right way. The intense bonding and the sense of exhilaration that results from it are what many oarsmen row for, far more than for trophies or accolades. But it takes young men or women of extraordinary character as well as extraordinary physical ability to pull it off.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Because that's the one thing women are never, ever allowed to be. We can be sad, distraught, confused, pleading, forgiving. But not furious. Fury is reserved for other people. The worst thing you can be is an angry woman, an angry mother
Amy Engel (The Familiar Dark)
For many years, biographers and scholars, beginning with her great nephew James Austen-Leigh, presented her as a quiet, reserved, proper woman, but one has only to read her novels to realize that she was nothing so bland. Her genius, her craft, and her timeless prose are no secret, but thanks to Cassandra's scissors, most other aspects of her life will probably remain a mystery.
Beth Pattillo
Grandma put down her fork. She said she was getting fed up with all of this girlish nonsense from someone who was thirty-two years old. She wanted to remind my mother that in the eyes of the Church she was still a married woman and said she hoped Ma wasn’t reserving herself a room in hell for the sake of one little night of whoop-de-do. I had never thought of Ma as someone capable of whoop-de-do.
Wally Lamb (She's Come Undone)
Actresses talking about characters they’ve played often use the phrase “strong woman”, which kind of irks me. Firstly, the description appears to be reserved for two kinds of female: the gun-toting chick in tiny-vest-and-shorts combo, or the tough-talking businesswoman who secretly longs for a man to bring out her softer side. So obviously, our idea of strength is pretty narrow and one-dimensional. Secondly, why isn’t Brad Pitt ever asked about how much he enjoys playing a “strong man”? Is it automatically assumed that men’s roles will be complex and interesting?
Rosie Blythe (The Princess Guide to Life)
The unexpectedness of life, waiting round every corner, catches even wise women unawares," [Freya] wrote. "To avoid corners altogether is, after all, to refuse to live." ...It was if someone in charge had said to me: not guilty. Permission granted to continue on with your life as usual.
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
And thus it passed on from Candlemass until after Easter, that the month of May was come, when every lusty heart beginneth to blossom, and to bring forth fruit; for like as herbs and trees bring forth fruit and flourish in May, in like wise every lusty heart that is in any manner a lover, springeth and flourisheth in lusty deeds. For it giveth unto all lovers courage, that lusty month of May, in something to constrain him to some manner of thing more in that month than in any other month, for divers causes. For then all herbs and trees renew a man and woman, and likewise lovers call again to their mind old gentleness and old service, and many kind deeds that were forgotten by negligence. For like as winter rasure doth alway arase and deface green summer, so fareth it by unstable love in man and woman. For in many persons there is no stability; for we may see all day, for a little blast of winter's rasure, anon we shall deface and lay apart true love for little or nought, that cost much thing; this is no wisdom nor stability, but it is feebleness of nature and great disworship, whosomever useth this. Therefore, like as May month flowereth and flourisheth in many gardens, so in like wise let every man of worship flourish his heart in this world, first unto God, and next unto the joy of them that he promised his faith unto; for there was never worshipful man or worshipful woman, but they loved one better than another; and worship in arms may never be foiled, but first reserve the honour to God, and secondly the quarrel must come of thy lady: and such love I call virtuous love. But nowadays men can not love seven night but they must have all their desires: that love may not endure by reason; for where they be soon accorded and hasty heat, soon it cooleth. Right so fareth love nowadays, soon hot soon cold: this is no stability. But the old love was not so; men and women could love together seven years, and no licours lusts were between them, and then was love, truth, and faithfulness: and lo, in like wise was used love in King Arthur's days. Wherefore I liken love nowadays unto summer and winter; for like as the one is hot and the other cold, so fareth love nowadays; therefore all ye that be lovers call unto your remembrance the month of May, like as did Queen Guenever, for whom I make here a little mention, that while she lived she was a true lover, and therefore she had a good end.
Thomas Malory (Le Morte d'Arthur: King Arthur and the Legends of the Round Table)
Yes, I hate blown glass art and I happen to live in the blown glass art capital of the world, Seattle, Washington. Being a part of the Seattle artistic community, I often get invited to galleries that are displaying the latest glass sculptures by some amazing new/old/mid-career glass blower. I never go. Abstract art leaves me feeling stupid and bored. Perhaps it’s because I grew up inside a tribal culture, on a reservation where every song and dance had specific ownership, specific meaning, and specific historical context. Moreover, every work of art had use—art as tool: art to heal; art to honor, art to grieve. I think of the Spanish word carnal, defined as, ‘Of the appetites and passions of the body.’ And I think of Gertrude Stein’s line, ‘Rose is a rose is a rose is a rose.’ When asked what that line meant, Stein said, ‘The poet could use the name of the thing and the thing was really there.’ So when I say drum, the drum is really being pounded in this poem; when I say fancydancer, the fancydancer is really spinning inside this poem; when I say Indian singer, that singer is really wailing inside this poem. But when it comes to abstract art—when it comes to studying an organically shaped giant piece of multi-colored glass—I end up thinking, ‘That looks like my kidney. Anybody’s kidney, really. And frankly, there can be no kidney-shaped art more beautiful—more useful and closer to our Creator—than the kidney itself. And beyond that, this glass isn’t funny. There’s no wit here. An organic shape is not inherently artistic. It doesn’t change my mind about the world. It only exists to be admired. And, frankly, if I wanted to only be in admiration of an organic form, I’m going to watch beach volleyball. I’m always going to prefer the curve of a woman’s hip or a man’s shoulder to a piece of glass that has some curves.
Sherman Alexie (Face)
To awaken quite alone in a strange town is one of the pleasant sensations in the world. You are surrounded by adventure. You have no idea of what is in store for you, but you will, if you are wise and know the art of travel, let yourself go on the stream of the unknown and accept whatever comes in the spirit in which the gods may offer it.
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
The fun-seekers, I noted, were spontaneous and flexible. They approached each day and each situation with a willingness to ride whatever wave came along, just for the experience of it. The complainers, on the other hand, would only catch a wave if it was exactly to their liking. Anything else drew loud protestations about how it was not what they expected.
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
Going back to school is like going back in time. Immediately, for better or for worse, you must give up a little piece of your autonomy in order to become part of the group. And every group, of course, has its hierarchies and rules- spoken and unspoken. It is like learning to live once again in a family- which, of course, is the setting where all learning begins.
Alice Steinbach (Without Reservations : The Travels of an Independent Woman)
Just as Cam left Ivo Jenner’s apartments, St. Vincent met him in the hall. There was a scowl on the blond man’s face, and a vein of chilling arrogance in his tone. “If my wife finds comfort in trite Gypsy homilies, I have no objection to your offering them. However, if you ever kiss her again, no matter how platonic the fashion, I’ll make a eunuch of you.” The fact that St. Vincent could stoop to petty jealousy when Ivo Jenner was not yet cold in his bed might have outraged some men. Cam, however, regarded the autocratic viscount with speculative interest. Deliberately calibrating his reply to test the other man, Cam said softly, “Had I ever wanted her that way, I would have had her by now.” There it was— a flash of warning in St. Vincent’s ice-blue eyes that revealed a depth of feeling he would not admit to. Cam had never seen anything like the mute longing that St. Vincent felt for his own wife. No one could fail to observe that whenever Evie entered the room, St.Vincent practically vibrated like a tuning fork. “It is possible to care about a woman without wanting to bed her,” Cam pointed out. “But it appears that you don’t agree. Or are you so obsessed with her that you can’t fathom how anyone else could fail to feel the same?” “I’m not obsessed with her,” St. Vincent snapped. Leaning a shoulder against the wall, Cam stared into the man’s hard eyes, his usual reserve of patience nearly depleted. “Of course you are. Anyone could see it.” St. Vincent gave him a warning glance. “Another word,” he said thickly, “and you’ll go the way of Egan.” Cam raised his hands in a mocking gesture of self-defense. “Warning taken.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
… it had almost nothing to do with computers, the modernity I was trying to understand. Computers were the bones, but imagination,ambition and possibility were the blood. These kids, they simply did not accept that the world as it is has any special gravity, any hold upon us. If something was wrong, if it was bad, then that something was to be fixed, not endured. Where my generation reached for philosophy and the virtue of suffering, they reached instead for science and technology and they actually did something about the beggar in the street, the woman in the wheelchair. They got on with it. It wasn’t that they had no sense of spirit or depth. Rather they reserved it for the truly wondrous, and for everything else they made tools.
Nick Harkaway (Gnomon)
Here’s who it’s not okay to share a bed with: Anyone who makes you feel like you’re invading their space. Anyone who tells you that they “just can’t be alone right now.” Anyone who doesn’t make you feel like sharing a bed is the coziest and most sensual activity they could possibly be undertaking (unless, of course, it is one of the aforementioned relatives; in that case, they should act lovingly but also reserved/slightly annoyed). Now, look over at the person beside you. Do they meet these criteria? If not, remove them or remove yourself. You’re better off alone.
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
He spent his many years bedding woman after woman with no other thought than his immediate needs and pleasure. The women were forgotten, their faces fading instantly. How many times had Lily seen him with those women? Too many to count. Though that wasn't what made his heart clutch in fear. No, that was reserved for his greatest terror --- that Lily would only want him for one night.
Donna Grant (Night's Blaze: Part 1)
The force that allows white feminist authors to make no reference to racial identity in their books about “women” that are in actuality about white women is the same one that would compel any author writing exclusively on black women to refer explicitly to their racial identity. That force is racism. In a racially imperialist nation such as ours, it is the dominant race that reserves for itself the luxury of dismissing racial identity while the oppressed race is made daily aware of their racial identity. It is the dominant race that can make it seem that their experience is representative.
bell hooks (Ain't I a Woman: Black Women and Feminism)
A few days earlier, Chess and Thomas had driven to Spokane for a cheap hamburger. They walked in downtown Spokane and stumbled onto a drunk couple arguing. "Get the fuck away from me!" the drunk woman yelled at her drunk husband, who squeezed his hand into a fist like he meant to hit her. Thomas and Chess flinched, then froze, transported back to all of those drunken arguments they'd witnessed and survived. The drunk couple in downtown Spokane pulled at each other's clothes and hearts, but they were white people. Chess and Thomas knew that white people hurt each other, too. Chess knew that white people felt pain just like Indians, Nerve endings, messages to the brain, reflexes. The doctor swung hammer against knee, and the world collapsed. "You fucker!" the white woman yelled at her husband, who opened his hands and held them out to his wife. An offering. That hand would not strike her. He pleaded with his wife until she fell back into his arms. That white woman and man held each other while Chess and Thomas watched. A hundred strangers walked by and never noticed any of it. After that, Chess and Thomas had sat in the van in a downtown parking lot. Thomas began to weep, deep ragged tears that rose along his rib cage, filled his mouth and nose, and exploded out.
Sherman Alexie (Reservation Blues)
The white woman across the aisle from me says 'Look, look at all the history, that house on the hill there is over two hundred years old, ' as she points out the window past me into what she has been taught. I have learned little more about American history during my few days back East than what I expected and far less of what we should all know of the tribal stories whose architecture is 15,000 years older than the corners of the house that sits museumed on the hill. 'Walden Pond, ' the woman on the train asks, 'Did you see Walden Pond? ' and I don't have a cruel enough heart to break her own by telling her there are five Walden Ponds on my little reservation out West and at least a hundred more surrounding Spokane, the city I pretended to call my home. 'Listen, ' I could have told her. 'I don't give a shit about Walden. I know the Indians were living stories around that pond before Walden's grandparents were born and before his grandparents' grandparents were born. I'm tired of hearing about Don-fucking-Henley saving it, too, because that's redundant. If Don Henley's brothers and sisters and mothers and father hadn't come here in the first place then nothing would need to be saved.' But I didn't say a word to the woman about Walden Pond because she smiled so much and seemed delighted that I thought to bring her an orange juice back from the food car. I respect elders of every color. All I really did was eat my tasteless sandwich, drink my Diet Pepsi and nod my head whenever the woman pointed out another little piece of her country's history while I, as all Indians have done since this war began, made plans for what I would do and say the next time somebody from the enemy thought I was one of their own.
Sherman Alexie
In either case, this Gog class always grows into a parasitic body of state-sponsored merchants who pour into a land, rape the economy, take all the valuables—including people—to fill the bank account of their sponsoring king. (Re 18:11-16) Spain sent Columbus to find other people’s gold (troops were only steps behind). France sent Champlain to monopolize Canada’s fur trade (troops were only steps behind). Great Britain sent Royal Adventures Trading to monopolize the slave trade (troops were only steps behind). The U.S. sent Standard Oil to monopolize petroleum reserves (troops were only steps behind). Michael Ben Zehabe, Ruth: a woman’s guide to husband material, pg 6
Michael Ben Zehabe (Ruth: A Woman's Guide to Husband Material)
But chances are all around you. It is the mark of the kind of man I mean that he makes his own chances. You can't hold him back. I've never met him, and yet I seem to know him so well. There are heroisms all round us waiting to be done. It's for men to do them, and for women to reserve their love as a reward for such men. Look at that young Frenchman who went up last week in a balloon. It was blowing a gale of wind; but because he was announced to go he insisted on starting. The wind blew him fifteen hundred miles in twenty-four hours, and he fell in the middle of Russia. That was the kind of man I mean. Think of the woman he loved, and how other women must have envied her! That's what I should like to be,—envied for my man.
Arthur Conan Doyle (The Lost World)
The cafe was empty, but the cook was unscrewing the outlet plate above my seat. I took my book into the bathroom and read while he finished. When I emerged, the cook was gone and a woman was ready to sit in my seat. - Excuse me, this is my table. - Did you reserve it? - Well, no, but it's my table. - Did you actually sit here? There's nothing on the table and you have your coat on. I stood there mutely. If this were an episode of Midsomer Murders she would surely be found strangled in a wild ravine behind an abandoned vicarage.
Patti Smith (M Train)
In 2004,I offered priority (book)-signing to smokers, the reason being that, because they didn't have as long to live, their time was more valuable. Four years later my special treatment was reserved for men who stood five-foot-six and under. "That's right, my little friends," I announced. "There'll be no waiting in line for you." It seemed unfair to restrict myself to men, so I included any woman with braces on her teeth. "What about us?" asked the pregnant and the lame. And because it was my show, I told them to wait their f***ing turn.
David Sedaris (Let's Explore Diabetes with Owls)
The sudden and total disappearance of Mawlana aroused resentment among his disciples and students, some of them becoming highly critical of Hazrat Shams, even threatening him. They believed Hazrat Shams had ruined their spiritual circle and prevented them from listening to Mawlana's sermons. In March of 1246 he left Konya and went to Syria without warning. After he left, Mawlana was grief stricken, secluding himself even more rather than engaging with his disciples and students. He was without a doubt furious with them. Realising the error of their ways, they repeatedly repented before Mawlana. Some months later, news arrived that Hazrat Shams had been seen in Damascus and a letter was sent to him with apologising for the behaviour of these disciples. Hazrat Sultan Walad and a search party were sent to Damascus to invite him back and in April 1247, he made his return. During the return journey, he invited Hazrat Sultan Walad to ride on horseback although he declined, choosing instead to walk alongside him, explaining that as a servant, he could not ride in the presence of such a king. Hazrat Shams was received back with joyous celebration with sama ceremonies being held for several days, and all those that had shown him resentment tearfully asked for his forgiveness. He reserved special praise for Hazrat Sultan Walad for his selflessness, which greatly pleased Mawlana. As he originally had no intention to return to Konya, he most likely would not have returned if Hazrat Sultan Walad had not himself gone to Damascus in search of him. After his return, he and Mawlana Rumi returned to their intense discussions. Referring to the disciples, Hazrat Shams narrates that their new found love for him was motivated only by desperation: “ They felt jealous because they supposed, "If he were not here, Mowlana would be happy with us." Now [that I am back] he belongs to all. They gave it a try and things got worse, and they got no consolation from Mowlana. They lost even what they had, so that even the enmity (hava, against Shams) that had swirled in their heads disappeared. And now they are happy and they show me honor and pray for me. (Maqalat 72) ” Referring to his absence, he explains that he left for the sake of Mawlana Rumi's development: “ I'd go away fifty times for your betterment. My going away is all for the sake of your development. Otherwise it makes no difference to me whether I'm in Anatolia or Syria, at the Kaaba or in Istanbul, except, of course, that separation matures and refines you. (Maqalat 164) ” After a while, by the end of 1247, he was married to Kimia, a young woman who’d grown up in Mawlana Rumi's household. Sadly, Kimia did not live long after the marriage and passed away upon falling ill after a stroll in the garden
Shams Tabrizi
While Molly stood off to the side laughing, both dogs bounding around her, Priss snuggled up against Matt and got twirled right off her feet. She put her head back and laughed aloud. Her hands clung to Matt’s shoulders. Her pelvis flattened against his. Long ropes of hair wrapped in silver foil stuck out around her head. She wore a cape and she had cotton wrapped in and around her toes. For a woman set on murdering her father, she looked mighty happy. Liger was the only one to notice Trace’s entrance. The big cat jumped down from the windowsill and started his way. Chris and Dare crowded in behind Trace. And still Trace stood there in the open doorway, frozen with some anomalous, churning emotion. Yeah, Matt was more than able to handle Priss. The son-of-a-bitch had just picked her up off her feet. Again. And again, Priss held on to him. Near his ear, Chris said, “Yeah, uh, this might be a good time to remind you that Matt is gay.” “Somehow,” Trace told him, “that’s not mattering to me much right now.” Dare said, “You never know when to quit, do you, Chris?” As Matt twirled her around, Priss laughed without reserve, and Trace wanted her so damn bad that he couldn’t see straight.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
Subject: Thinking... “One dinner. One night. No repeats.” Do you pick a cheap or expensive restaurant? Do you pay for the dinner and the hotel room? Or do you make the woman split it with you? —Alyssa. Subject: Re: Thinking... Expensive dinner. Five star hotel suite. I pay for everything. Would you like me to book a few reservations for us so I can show you? —Thoreau. Subject: Re: Re: Thinking... Of course not. And a “few” reservations? What happened to just one? Subject: Re: Re: Re: Thinking... I told you I’d make an exception in your case. I invested in a box of paper bags today. —Thoreau
Whitney G. (Reasonable Doubt: Volume 1 (Reasonable Doubt, #1))
Becoming a woman is an act partly of nature and partly of self-invention; Girl Land is the place and time in which all of this is worked out…there is a paradox at the heart of contemporary Girl Land, and this paradox makes the emotional experience of female adolescence more intense and difficult than ever. On the one hand, never in history have girls had so many opportunities, or shared so fully in the kind of power that was only recently reserved for boys. Girls now outperform boys on the SAT; women outnumber men in college, and we are nearing a point at which women will outnumber men in the country’s law and medical schools.
Caitlin Flanagan
A man can be beautiful, I see that now. It’s not just a woman’s term, not a word reserved for romantic, virtuous, elegant things. I don’t think beauty is neat anymore. It’s unordered. It’s unbrushed hair and a torn back pocket. It’s bright and strange and lovely, and if I were to paint him, I’d use all the warm colours - ochre, gold, plum, terracotta, scarlet, burnt orange. I want him to see me as I saw him then, I want him to find me alone at the end of the day with the sun in my hair. I want his heart to buckle, too. I want him to stop someone out in the square and say, who’s that? Do you know her? Where is she from?” — - from Eve Green’s mother’s account. “It is written on a piece of thin, yellow paper, and is folded in half. I like this account. I like it because it’s true, she’s right. We all want out lovers to see us that way - unaware, natural, serene. We want to change their world with one glance, to stop their breath at the sight of us.
Susan Fletcher (Eve Green)
Lincoln grinned. “The Academy owns a number of buildings. There are walkways between them.” I couldn’t take my eyes off the sky folk. “There are people wandering around in the sky, Linc. Explain this to me.” He laughed one of his low, secretive laughs. One that echoed through my entire body. One that told me he adored me. One that somehow I knew, out of everyone in the world, was reserved for me. The laugh that broke my heart. Breathe. “I’m glad you find me amusing. Less laughing, more telling!” He laughed again and I was about a second away from either throwing a punch or throwing myself at him when a woman’s voice caught our attention. “I
Jessica Shirvington (Endless (The Embrace Series, #4))
the summit of human happiness resides in the most absolute submission. I hesitate to discuss the idea with my fellow Muslims, who might consider it sacrilegious, but for me there’s a connection between woman’s submission to man, as it’s described in Story of O, and the Islamic idea of man’s submission to God. You see,” he went on, “Islam accepts the world, and accepts it whole. It accepts the world as such, Nietzsche might say. For Buddhism, the world is dukkha—unsatisfactoriness, suffering. Christianity has serious reservations of its own. Isn’t Satan called ‘the prince of the world’? For Islam, though, the divine creation is perfect, it’s an absolute masterpiece.
Michel Houellebecq (Submission)
With most women he would use flattery and flirtation, appealing to both their vanity and their pleasure. But Grace was no ordinary woman. With her, he knew he would have to take a more subtle approach. Less than half a minute into their acquaintance, he'd sensed her reserve, as well as her insecurity. He surmised she wasn't used to being boldly pursued by men, so any sudden, overt interest on his part would only provoke her suspicions and put her on the alert. Instead, his approach would require a deft touch and gentle, patient persuasion. A shy doe required proper coaxing, after all. The key was to figure out what kind of inducement she liked best and be there to offer it.
Tracy Anne Warren (Seduced by His Touch (The Byrons of Braebourne, #2))
Throughout history, there have been, in the folktales and myths of many cultures various sorts of witches, young and old, described by male mythopoets as evil and not so evil. But they all possessed one characteristic in common: they were autonomous; they possessed powers which were not controlled by men. They were thus, in one way, a projection of men's fears, fears of energies which they did not control. Whereas virgins and matrons have been tied to the patriarchal culture, and have given energy in some form to man, the witch, whether old, depleted woman or simply woman who has reserved her powers for herself, has not been possessed by the patriarchy. Patriarchal men have always feared powerful women.
Miriam Robbins Dexter (Whence the Goddesses: A Source Book)
It is possible to think of fragrance existing before a flower was created to contain it, and so it is that God created the world to reveal Himself, to reveal Mercy. Once or twice a year, perhaps three times, a woman visits the garden, her face ancient, the eyes calm but not passive as she approaches the rosewood tree and begins to pick and examine each fallen leaf. Whether she is in possession of her full mental faculties, no one is sure. Perhaps she is sane and just pretending madness for self-protection. Many decades ago - long before the house was built, when this place was just an expanse of wild growth - she had discovered the name of God on a rosewood leaf, the green veins curving into sacred calligraphy. She picks each small leaf now, hoping for a repetition of the miracle, holding it in her palms in a gesture identical to prayer. The life of the house continues around her and occasionally she watches them, following the most ordinary human acts with an attention reserved by others for much greater events. If it is autumn, she has to remain in the garden for hours, following the surge and pull of the wind as it takes the dropped foliage to all corners. Afterwards, as the dusk begins to darken the air, they sit together, she and the tree, until only the tree remains. What need her search fulfils in her is not known. Perhaps healing had existed before wounds and bodies were created to be its recipient.
Nadeem Aslam (The Blind Man's Garden)
Many besides Angel have learnt that the magnitude of lives is not as to their external displacements, but as to their subjective experiences. The impressionable peasant leads a larger, fuller, more dramatic life than the pachydermatous king. Looking at it thus he found that life was to be seen of the same magnitude here as elsewhere. Despite his heterodoxy, faults, and weaknesses, Clare was a man with a conscience. Tess was no insignificant creature to toy with and dismiss; but a woman living her precious life--a life which, to herself who endured or enjoyed it, possessed as great a dimension as the life of the mightiest to himself. Upon her sensations the whole world depended to Tess; through her existence all her fellow-creatures existed, to her. The universe itself only came into being for Tess on the particular day in the particular year in which she was born. This consciousness upon which he had intruded was the single opportunity of existence ever vouchsafed to Tess by an unsympathetic First Cause--her all; her every and only chance. How then should he look upon her as of less consequence than himself; as a pretty trifle to caress and grow weary of; and not deal in the greatest seriousness with the affection which he knew that he had awakened in her--so fervid and so impressionable as she was under her reserve; in order that it might not agonize and wreck her?
Thomas Hardy (Tess of the D’Urbervilles)
Something about my going away to college changed her, softened her. I was already my mother's daughter by then, callous, too callous to understand that she was reckoning with the complex shades of loss -– her son, an unexpected, physical loss; her daughter, something slower, more natural. 4 weeks into my freshman year, she ended a phone call with "I love you," spoken in the reluctant mumble she reserved for English. I laughed so hard I started crying. An "I love you" from the woman who had once called the phrase aburofo nkwaseasem, white people foolishness. At first she chastised me for laughing, but before long she was laughing too, a big – bellied sound that flooded my dorm room. Later, when I told my roommate, Samantha, why I was laughing, she said, "It's, like, not funny? To love your family?" Samantha, rich, white, a local whose boyfriend would occasionally make the drive over from UMass, leaving me displaced in the common room, was herself the embodiment of aburofo nkwaseasem. I laughed all over again.
Yaa Gyasi (Transcendent Kingdom)
An age-old city is like a pond. With its colours and reflections. Its chills and murk. Its ferment, its sorcery, its hidden life. A city is like a woman, with a woman’s desires and dislikes. Her abandon and restraint. Her reserve - above all, her reserve. To get to the heart of a city, to learn its most subtle secrets, takes infinite tenderness, and patience sometimes to the point of despair. It calls for an artlessly delicate touch, a more or less unconditional love. Over centuries. Time works for those who place themselves beyond time. You’re no true Parisian, you do not know your city, if you haven’t experienced its ghosts. To become imbued with shades of grey, to blend into the drab obscurity of blind spots, to join the clammy crowd that emerges, or seeps, at certain times of day from the metros, railway stations, cinemas or churches, to feel a silent and distant brotherhood with the lonely wanderer, the dreamer in his shy solitude, the crank, the beggar, even the drunk - all this entails a long and difficult apprenticeship, a knowledge of people and places that only years of patient observation can confer.
Jacques Yonnet
Studying the history of our ancestors is instructive. I understand some of my parents’ struggles and sacrifices. I am acquainted with my grandparents and great grandparents’ way of life. The common denominator that runs through their lifeblood is a hardpan of resiliency, courage, and work ethic. They also shared a phenomenal degree of competency essential to make due in an open land where the pioneering spirit meets nature under a big sky full of endless possibilities for triumph and setback. My forebears took care of their family members and tended their ancestral land before the word caretaker was a recognized term for a loving man, woman, or child. Self-reliant people who master the skills essential for survival in a harsh clime also value helping other people who are in a fix. All my predecessors were quick to lend a hand to a neighbor in need. Their ability to see life through the heart was the decisive feature of their pioneering pluck. How we start a day, presages how the day shall unfold. Each day when I awaken, I feel clobbered by the preceding day. At days end, I feel comparable to a chewed on piece of masticated beef. I devote all available personal energy reserves to simply getting by and muss over how I can engender the energy to make it through today’s pulp works. In reality, I go on because akin to every generation that preceded me and every generation that succeeds me, I must continue onward or I will expire. The one fact that keeps me going is the realization that all generations of people struggle. What we share with preceding generations is our heartaches and our willingness to struggle in order to make the world a better place for the next generation.
Kilroy J. Oldster (Dead Toad Scrolls)
I had to realize that the male idea of successful love is to get a woman into a state of secure dependency which the male can renew by a touch or pat or gesture now and then while he reserves his major attention for his work in the world or the contemplation of the various forms of surrogate combat men find so transfixing. I had to realize that female-style love is servile and petitionary and moves in the direction of greater and greater displays of servility whose object is to elicit from the male partner a surplus—the word was emphasized in some way—of face-to-face attention. So on the distaff side the object is to reduce the quantity of servile display needed to keep the pacified state between the mates in being. Equilibrium or perfect mating will come when the male is convinced he is giving less than he feels is really required to maintain dependency and the woman feels she is getting more from him than her servile displays should merit. In the dream this seemed to me like a burning insight and I concentrated fiercely to hold on to it when I woke up: I should remember this inescapable dyad at the heart of mating because it was not what I had come this far to get.
Norman Rush (Mating)
Why are women so ungenerous to other women? Is it because we have been tokens for so long? Or is there a deeper animosity we owe it to ourselves to explore? A publisher...couldn't understand why women were so loath to help each other.... The notion flitted through my mind that somehow, by helping..., I might be hurting my own chances for something or other -- what I did not know. If there was room for only one woman poet, another space would be filled.... If I still feel I am in competition with other women, how do less well-known women feel? Terrible, I have to assume. I have had to train myself to pay as much attention to women at parties as to men.... I have had to force myself not to be dismissive of other women's creativity. We have been semi-slaves for so long (as Doris Lessing says) that we must cultivate freedom within ourselves. It doesn't come naturally. Not yet. In her writing about the drama of childhood developments, Alice Miller has created, among other things, a theory of freedom. in order to embrace freedom, a child must be sufficiently nurtured, sufficiently loved. Security and abundance are the grounds for freedom. She shows how abusive child-rearing is communicated from one generation to the next and how fascism profits from generations of abused children. Women have been abused for centuries, so it should surprise no one that we are so good at abusing each other. Until we learn how to stop doing that, we cannot make our revolution stick. Many women are damaged in childhood -- unprotected, unrespected, and treated with dishonesty. Is it any wonder that we build up vast defences against other women since the perpetrators of childhood abuse have so often been women? Is it any wonder that we return intimidation with intimidation, or that we reserve our greatest fury for others who remind us of our own weaknesses -- namely other women? Men, on the other hand, however intellectually condescending, clubbish, loutishly lewd, are rarely as calculatingly cruel as women. They tend, rather, to advance us when we are young and cute (and look like darling daughters) and ignore us when we are older and more sure of our opinions (and look like scary mothers), but they don't really know what they're doing. They are too busy bonding with other men, and creating male pecking orders, to pay attention to us. If we were skilled at compromise and alliance-building, we could transform society. The trouble is: we are not yet good at this. We are still quarrelling among ourselves. This is the crisis feminism faces today.
Erica Jong (Fear of Fifty: A Midlife Memoir)
Better a fallen rocket than never a burst of light. Dante reserved a place in his Inferno for those who wilfully live in sadness - sullen in the sweet air, he says. Your 'honour' is all shame and timidity and compliance. Pure of stain! But the artist is the secret criminal in our midst. He is the agent of progress against authority. you are right to be a scholar. A scholar is all scruple, an artist is none. The artist must lie, cheat, deceive, be untrue to nature and contemptuous of history. I made my life into my art and it was an unqualified success. The blaze of my immolation threw its light into every corner of the land where uncounted young men sat each in his own darkness. What would I have done in Megara!? - think what I would have missed! I awoke the imagination of the century. I banged Ruskin's and Pater's heads together, and from the moral severity of one and the aesthetic soul of the other I made art a philosophy that can look the twentieth century in the eye. I had genius, brilliancy, daring, I took charge of my own myth. I dipped my staff into the comb of wild honey. I tasted forbidden sweetness and drank the stolen waters. I lived at the turning point of the world where everything was waking up new - the New Drama, the New Novel, New Journalism, New Hedonism, New Paganism, even the New Woman. Where were you when all this was happening?
Tom Stoppard (The Invention of Love)
Back from the funeral, we think we felt the grim reaper swing close; we feel him stalking us. We ward off anxiety before the imminent and inescapable annihilation awaiting us by establishing control over our life and field of operations, by projecting an advance representation of what each day brings, and by measuring our enterprises to our forces. We arrange our home and our situation and our workday in such a way that we retain, behind the forms of our performances, a reserve of force for the tasks that will recur the next day. We settle into an occupation that requires only those mental tasks for which we have already contracted the mental skills. We frame our pleasures and our angers, our affections and our vexations, in the patterns and confines of feelings we can repeat indefinitely. We avoid going to places utterly unlike any other, which would leave us wholly astonished, with an astonishment that could never recur. We seek out partners others might also fall in love with, and we love our partner as others love like partners, with a love that we could recycle for another partner should we lose this one. For we sense that were we to expend all our forces on an adventure, discharge all our mental powers on a problem, empty out all the love in our heart on a woman or a man unlike any other, we would be dying in that adventure, that problem, that love.
Alphonso Lingis (Dangerous Emotions)
Miss Kay There are only a few things in life that make me really, really angry. One of them is when people struggle in their marriages and refuse to fight for them, but I have already mentioned that. Another thing that infuriates me--and embarrasses me so much for the people who do it--is when women nearly fall all over my sons flirting with them. They try some of the most disgraceful things to catch Willie’s, Jase’s, or Jep’s attention. Some of the behavior I have seen toward my sons--and even toward Phil and Si--is just shameful! I don’t understand how people can let themselves act that way, and as a woman, I really am humiliated when other women do such things. I realize all the boys are good-looking, and I know what great men they are, but they’re taken. A lot of people don’t respect the vows and commitments of marriage anymore and simply do not have any self-respect. They do not seem to have any reservation at all about flirting with men they know to be married. When people don’t honor the fact that each of my sons already has the woman he has chosen, I want to say, “Come on! These boys are happily married men. Go find your own duck hunter!” This kind of thing did not happen before we went on television, and I hate to see it happening now. As much as I enjoy interacting with our fans and hearing stories about the positive impact Duck Dynasty has had on so many people, I will never be okay with women chasing after my sons.
Korie Robertson (The Women of Duck Commander: Surprising Insights from the Women Behind the Beards About What Makes This Family Work)
Are you a relative of her late husband?” the woman asked. His eyes widened. “I beg your pardon?” “It must be so hard for her, pregnant and just widowed,” the middle-aged woman continued. “We’ve all done what we could to make her happy here. Mr. Johnson, the curator, is a widower himself. He’s already sweet on her. But you’re probably anxious to see Mrs. Peterson. Shall I ring her and let her know you’re coming?” Tate’s eyes were blazing. “No,” he said with forced politeness. “I want to surprise her!” He stalked out, leaving the rented vehicle where it was as he trudged through the small layer of snow and glared contemptuously at the cars sliding around in the street as they passed. This little bit of snow was nothing compared to the six-foot snowdrifts on the reservation. Southerners, he considered, must not get much winter precipitation if this little bit of white dust paralyzed traffic! As for Cecily’s mythical dead husband, he considered, going up the walkway to the small brick structure where she lived, he was about to make a startling, resurrected appearance! He knocked on the door and waited. There was an irritated murmur beyond the closed door and the sound of a lock being unfastened. The door opened and a wan Cecily looked straight into his eyes. He managed to get inside the screen door and catch her before she passed out. She came to on the sofa with Tate sitting beside her, smoothing back her disheveled hair. The nausea climbed into her throat and, fortunately, stayed there. She looked at him with helpless delight, wishing she could hide what the sight of him was doing to her after so many empty, lonely weeks. He didn’t speak. He touched her hair, her forehead, her eyes, her nose, her mouth, with fingers that seemed bent on memorizing her. Then his hands went to the robe carelessly fastened over her cotton nightdress and pushed it aside. He touched her belly, his face radiant as he registered the very visible and tangible signs of her condition. “When did we make him?” he asked without preamble. She felt her world dissolve. He knew about the baby. Of course. That was why he was here. He met her eyes, found hostility and bitter disillusionment in them. His hand pressed down over her belly. “I would have come even if I hadn’t known about the baby,” he said at once. “The baby is mine.” “And mine.” “Audrey is not getting her avaricious little hands on my child…!
Diana Palmer (Paper Rose (Hutton & Co. #2))
There is some concern among the Brethren that some of you who are still single may not be moving in the direction of preparing yourselves to seek out and commit to an eternal companion. This applies both to young men and to young women. The greater burden, however, rests upon the young men because in our society it is a responsibility of young men to initiate activities that lead to courtship and to marriage. The doctrine of the Church is very clear and it anticipates that individuals will be married in the temple and rear a righteous family as guided by the inspired document we call "The Proclamation on the Family." . . . Speaking of the obligation of men to marry, President Joseph Fielding Smith taught as follows: "Any young man who carelessly neglects this great commandment to marry, or who does not marry because of a selfish desire to avoid the responsibilities which married life will bring, is taking a course which is displeasing in the sight of God. Exaltation means responsibility. There can be no exaltation without it. "If a man refuses to take upon himself the responsibilities of married life, because he desires to avoid the cares and troubles which naturally will follow, he is taking a course which may bar him forever from the responsibilities which are held in reserve for those who are willing to keep in full the commandments of the Lord. . . . "According to modern custom, it is the place of the man to take the initiative in the matter of a marriage contract. Women are, by force of such custom, kept in reserve. . . . The responsibility . . . rests upon the man." President Smith continued with the following advice to young women: "If in her heart the young woman accepts fully the word of the Lord, and under proper conditions would abide by the law, but refuses an offer when she fully believes that the conditions would not justify her in entering a marriage contract, which would bind her forever to one she does not love, she shall not lose her reward. The Lord will judge her by the desires of the heart, and the day will come when the blessings withheld shall be given, though it be postponed until the life to come.
Earl C. Tingey
Why can't we sit together? What's the point of seat reservations,anyway? The bored woman calls my section next,and I think terrible thoughts about her as she slides my ticket through her machine. At least I have a window seat. The middle and aisle are occupied with more businessmen. I'm reaching for my book again-it's going to be a long flight-when a polite English accent speaks to the man beside me. "Pardon me,but I wonder if you wouldn't mind switching seats.You see,that's my girlfriend there,and she's pregnant. And since she gets a bit ill on airplanes,I thought she might need someone to hold back her hair when...well..." St. Clair holds up the courtesy barf bag and shakes it around. The paper crinkles dramatically. The man sprints off the seat as my face flames. His pregnant girlfriend? "Thank you.I was in forty-five G." He slides into the vacated chair and waits for the man to disappear before speaking again. The guy onhis other side stares at us in horror,but St. Clair doesn't care. "They had me next to some horrible couple in matching Hawaiian shirts. There's no reason to suffer this flight alone when we can suffer it together." "That's flattering,thanks." But I laugh,and he looks pleased-until takeoff, when he claws the armrest and turns a color disturbingy similar to key lime pie. I distract him with a story about the time I broke my arm playing Peter Pan. It turned out there was more to flying than thinking happy thoughts and jumping out a window. St. Clair relaxes once we're above the clouds. Time passes quickly for an eight-hour flight. We don't talk about what waits on the other side of the ocean. Not his mother. Not Toph.Instead,we browse Skymall. We play the if-you-had-to-buy-one-thing-off-each-page game. He laughs when I choose the hot-dog toaster, and I tease him about the fogless shower mirror and the world's largest crossword puzzle. "At least they're practical," he says. "What are you gonna do with a giant crossword poster? 'Oh,I'm sorry Anna. I can't go to the movies tonight. I'm working on two thousand across, Norwegian Birdcall." "At least I'm not buying a Large Plastic Rock for hiding "unsightly utility posts.' You realize you have no lawn?" "I could hide other stuff.Like...failed French tests.Or illegal moonshining equipment." He doubles over with that wonderful boyish laughter, and I grin. "But what will you do with a motorized swimming-pool snack float?" "Use it in the bathtub." He wipes a tear from his cheek. "Ooo,look! A Mount Rushmore garden statue. Just what you need,Anna.And only forty dollars! A bargain!" We get stumped on the page of golfing accessories, so we switch to drawing rude pictures of the other people on the plane,followed by rude pictures of Euro Disney Guy. St. Clair's eyes glint as he sketches the man falling down the Pantheon's spiral staircase. There's a lot of blood. And Mickey Mouse ears. After a few hours,he grows sleepy.His head sinks against my shoulder. I don't dare move.The sun is coming up,and the sky is pink and orange and makes me think of sherbet.I siff his hair. Not out of weirdness.It's just...there. He must have woken earlier than I thought,because it smells shower-fresh. Clean. Healthy.Mmm.I doze in and out of a peaceful dream,and the next thing I know,the captain's voice is crackling over the airplane.We're here. I'm home.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I know I said this before, but it bears repeating. You know Tate won’t like you staying with me.” “I don’t care,” she said bitterly. “I don’t tell him where to sleep. It’s none of his business what I do anymore.” He made a rough sound. “Would you like to guess what he’s going to assume if you stay the night in my apartment?” She drew in a long breath. “Okay. I don’t want to cause problems between you, not after all the years you’ve been friends. Take me to a hotel instead.” He hesitated uncharacteristically. “I can take the heat, if you can.” “I don’t know that I can. I’ve got enough turmoil in my life right now. Besides, he’ll look for me at your place. I don’t want to be found for a couple of days, until I can get used to my new situation and make some decisions about my future. I want to see Senator Holden and find another apartment. I can do all that from a hotel.” “Suit yourself.” “Make it a moderately priced one,” she added with graveyard humor. “I’m no longer a woman of means. From now on, I’m going to have to be responsible for my own bills.” “You should have poured the soup in the right lap,” he murmured. “Which was?” “Audrey Gannon’s,” he said curtly. “She had no right to tell you that Tate was your benefactor. She did it for pure spite, to drive a wedge between you and Tate. She’s nothing but trouble. One day Tate is going to be sorry that he ever met her.” “She’s lasted longer than the others.” “You haven’t spent enough time talking to her to know what she’ s like. I have,” he added darkly. “She has enemies, among them an ex-husband who’s living in a duplex because she got his house, his Mercedes, and his Swiss bank account in the divorce settlement.” “So that’s where all those pretty diamonds came from,” she said wickedly. “Her parents had money, too, but they spent most of it before they died in a plane crash. She likes unusual men, they say, and Tate’s unusual.” “She won’t go to the reservation to see Leta,” she commented. “Of course not.” He leaned toward her as he stopped at a traffic light. “It’s a Native American reservation!” She stuck her tongue out at him. “Leta’s worth two of Audrey.” “Three,” he returned. “Okay. I’ll find you a hotel. Then I’m leaving town before Tate comes looking for me!” “You might hang a crab on your front door,” she said, tongue-in-cheek. “It just might ward him off.” “Ha!” She turned her eyes toward the bright lights of the city. She felt cold and alone and a little frightened. But everything would work out. She knew it would. She was a grown woman and she could take care of herself. This was her chance to prove it.
Diana Palmer (Paper Rose (Hutton & Co. #2))