Reserved Funny Quotes

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I make love with a focus and intensity that most people reserve for sleep.
Dark Jar Tin Zoo (Love Quotes for the Ages. Specifically Ages 19-91.)
Otis," I said. "Shhh," he said. "I'm incognito. Call me...Otis." "I'm not sure that's how incognito works, but okay." Otis, aka Otis climbed into the chair I'd reserved for Sam.
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard #2))
The coldest depth of Hell is reserved for people who abandon kittens.
Robert A. Heinlein (Friday)
People often say that the English are very cold fish, very reserved, that they have a way of looking at things – even tragedy – with a sense of irony. There’s some truth in it; it’s pretty stupid of them, though. Humor won’t save you; it doesn’t really do anything at all. You can look at life ironically for years, maybe decades; there are people who seem to go through most of their lives seeing the funny side, but in the end, life always breaks your heart. Doesn’t matter how brave you are, how reserved, or how much you’ve developed a sense of humor, you still end up with your heart broken. That’s when you stop laughing. In the end there’s just the cold, the silence and the loneliness. In the end, there’s only death.
Michel Houellebecq (The Elementary Particles)
Irony won't save you from anything; humour doesn't do anything at all. You can look at life ironically for years, maybe decades; there are people who seem to go through most of their lives seeing the funny side, but in the end, life always breaks your heart. Doesn't matter how brave you are, or how reserved, or how much you've developed a sense of humour, you still end up with your heart broken. That's when you stop laughing.
Michel Houellebecq (The Elementary Particles)
Nothing is as irritating to a shy man as a confident girl.
Mokokoma Mokhonoana
I shrug, trapped. I don’t want to lose him. In spite of all his demands, his need to control, his scary vices. I have never felt as alive as I do now. It’s a thrill to be sitting here beside him. He’s so unpredictable, sexy, smart, and funny. But his moods… oh – and he wants to hurt me. He says he’ll think about my reservations, but it still scares me. I close my eyes. What can I say? Deep down I would just like more, more affection, more playful Christian, more… love.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
It was funny how just when you thought you knew yourself through and through, you stumbled on a new kind of strength, a fresh reserve of power inside you that you never knew you had, and all at once you found yourself burning a little brighter and hotter than you ever had before.
Lev Grossman (The Magician's Land (The Magicians, #3))
Alexia had found pregnancy relatively manageable, up to a point. That point having been some three weeks ago, at which juncture her natural reserves of control gave way to sentimentality. Only yesterday she had ended breakfast sobbing over the fried eggs because they looked at her funny. The pack had spent a good half hour trying to find a way to pacify her. Her husband was so worried he looked to start crying himself.
Gail Carriger (Heartless (Parasol Protectorate, #4))
She never called her son by any name but John; 'love' and 'dear', and such like terms, were reserved for Fanny.
Elizabeth Gaskell (North and South)
Humor won’t save you; it doesn’t really do anything at all. You can look at life ironically for years, maybe decades; there are people who seem to go through most of their lives seeing the funny side, but in the end, life always breaks your heart. Doesn’t matter how brave you are, or how reserved, or how much you’ve developed a sense of humor, you still end up with your heart broken. That’s when you stop laughing. In the end there’s just the cold, the silence and the loneliness. In the end there’s only death.
Michel Houellebecq (The Elementary Particles)
The Restaurant at the End of the Universe is one of the most extraordinary ventures in the entire history of catering. It is built on the fragmented remains of an eventually ruined planet which is (wioll haven be) enclosed in a vast time bubble and projected forward in time to the precise moment of the End of the Universe. This is, many would say, impossible. In it, guests take (willan on-take) their places at table and eat (willan on eat) sumptuous meals while watching (willing watchen) the whole of creation explode around them. This, many would say, is equally impossible. You can arrive (mayan arrivan on-when) for any sitting you like without prior (late fore-when) reservation because you can book retrospectively, as it were, when you return to your own time (you can have on-book haventa forewhen presooning returningwenta retrohome). This is, many would now insist, absolutely impossible. At the Restaurant you can meet and dine with (mayan meetan con with dinan on when) a fascinating cross-section of the entire population of space and time. This, it can be explained patiently, is also impossible. You can visit it as many times as you like (mayan on-visit re onvisiting ... and so on – for further tense correction consult Dr. Streetmentioner's book) and be sure of never meeting yourself, because of the embarrassment this usually causes.
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
Life was good. It was funny how just when you thought you knew yourself through and through, you stumbled on a new kind of strength, a fresh reserve of power inside you that you never knew you had, and all at once you found yourself burning a little brighter and hotter than you ever had before.
Lev Grossman (The Magician's Land (The Magicians, #3))
It’s funny, how for an entire lifetime we keep thinking ‘How’ will our life-partner look like, how will he be? How will he react to a particular situation? How will he get angry, and how will we love and pamper him? We have so many questions like if he will accept me the way I am? Or if I have to change for him? We all have made plans for our future, subconsciously. We don’t exactly plan out everything with a pen and paper, it’s something that happens automatically, just like an involuntary action. Whenever we are alone and our mood is good, we usually think about our life with our partner. The days and nights in his arms, and the time that we will reserve for him. But when all that turns into reality, it’s strikingly different. Everything that you thought, seems to be a joke, and life laughs at you from a distance! You are helpless and can’t do anything about it, but have to accept it the way it is. You are totally caught into a web of dilemmas and problems before you realize that this is the time you waited for, and that this is the time you dreamt about! You have to make efforts, compromises, sacrifices and you have to change yourselves too sometimes to make things work. You can never expect to get a partner exactly the way you thought or dreamt about. It’s always different in reality and it’s always tough to make both ends meet for a relationship to work, but you have to! It’s your relationship, if you won’t work for it, who else will?
Mehek Bassi
She scrambled to her feet, uncaring that a stray knee and elbow had Erik wincing. “How can you be groaning about a simple knee to the groin when you’ve just been battered by flying furniture, candelabras and hit on the head by a pot plant that must weigh a ton or more?” “I’ll have you know there is nothing simple about my groin…” He shot her his predatory grin, the one he often reserved for her breasts. Run little girl, run far and run fast… take those tempting curves, enticing kissable lips and award winning breasts with you.
Jane Cousins (To Date A Disaster (Southern Sanctuary, #6))
Yes, I hate blown glass art and I happen to live in the blown glass art capital of the world, Seattle, Washington. Being a part of the Seattle artistic community, I often get invited to galleries that are displaying the latest glass sculptures by some amazing new/old/mid-career glass blower. I never go. Abstract art leaves me feeling stupid and bored. Perhaps it’s because I grew up inside a tribal culture, on a reservation where every song and dance had specific ownership, specific meaning, and specific historical context. Moreover, every work of art had use—art as tool: art to heal; art to honor, art to grieve. I think of the Spanish word carnal, defined as, ‘Of the appetites and passions of the body.’ And I think of Gertrude Stein’s line, ‘Rose is a rose is a rose is a rose.’ When asked what that line meant, Stein said, ‘The poet could use the name of the thing and the thing was really there.’ So when I say drum, the drum is really being pounded in this poem; when I say fancydancer, the fancydancer is really spinning inside this poem; when I say Indian singer, that singer is really wailing inside this poem. But when it comes to abstract art—when it comes to studying an organically shaped giant piece of multi-colored glass—I end up thinking, ‘That looks like my kidney. Anybody’s kidney, really. And frankly, there can be no kidney-shaped art more beautiful—more useful and closer to our Creator—than the kidney itself. And beyond that, this glass isn’t funny. There’s no wit here. An organic shape is not inherently artistic. It doesn’t change my mind about the world. It only exists to be admired. And, frankly, if I wanted to only be in admiration of an organic form, I’m going to watch beach volleyball. I’m always going to prefer the curve of a woman’s hip or a man’s shoulder to a piece of glass that has some curves.
Sherman Alexie (Face)
Behold, O Lord, yet art thou nigh unto them that be reserved till the end: and what shall they do that have been before me, or we that be now, or they that shall come after us?
COMPTON GAGE
When Indian women begin the search for an Indian man, they carry a huge list of qualifications. He has to have a job. He has to be kind, intelligent, and funny. He has to dance and sing. He should know how to iron his own clothes. Braids would be nice. But as the screwed-up Indian men stagger through their lives, Indian women are forced to amend their list of qualifications. Eventually, Indian men need only to have their own teeth to get snagged.
Sherman Alexie (Reservation Blues)
THE UNOFFICIAL AND UNWRITTEN (but you better follow them or you’re going to get beaten twice as hard) SPOKANE INDIAN RULES OF FISTICUFFS: 1. IF SOMEBODY INSULTS YOU, THEN YOU HAVE TO FIGHT HIM. 2. IF YOU THINK SOMEBODY IS GOING TO INSULT YOU, THEN YOU HAVE TO FIGHT HIM. 3. IF YOU THINK SOMEBODY IS THINKING ABOUT INSULTING YOU, THEN YOU HAVE TO FIGHT HIM. 4. IF SOMEBODY INSULTS ANY OF YOUR FAMILY OR FRIENDS, OR IF YOU THINK THEY’RE GOING TO INSULT YOUR FAMILY OR FRIENDS, OR IF YOU THINK THEY’RE THINKING ABOUT INSULTING YOUR FAMILY OR FRIENDS, THEN YOU HAVE TO FIGHT HIM. 5. YOU SHOULD NEVER FIGHT A GIRL, UNLESS SHE INSULTS YOU, YOUR FAMILY, OR YOUR FRIENDS, THEN YOU HAVE TO FIGHT HER. 6. IF SOMEBODY BEATS UP YOUR FATHER OR YOUR MOTHER, THEN YOU HAVE TO FIGHT THE SON AND/OR DAUGHTER OF THE PERSON WHO BEAT UP YOUR MOTHER OR FATHER. 7. IF YOUR MOTHER OR FATHER BEATS UP SOMEBODY, THEN THAT PERSON’S SON AND/OR DAUGHTER WILL FIGHT YOU. 8. YOU MUST ALWAYS PICK FIGHTS WITH THE SONS AND/OR DAUGHTERS OF ANY INDIANS WHO WORK FOR THE BUREA OF INDIAN AFFAIRS. 9. YOU MUST ALWAYS PICK FIGHTS WITH THE SONS AND/OR DAUGHTERS OF ANY WHITE PEOPLE WHO LIVE ANYWHERE ON THE RESERVATION. 10. IF YOU GET IN A FIGHT WITH SOMEBODY WHO IS SURE TO BEAT YOU UP, THEN YOU MUST THROW THE FIRST PUNCH, BECAUSE IT’S THE ONLY PUNCH YOU’LL EVER GET TO THROW. 11. IN ANY FIGHT, THE LOSER IS THE FIRST ONE WHO CRIES.
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
It’s a funny thing about revolutions: Sometimes, they can begin very subtly. The Naval Reserve Act of 1916 started one not with a bold statement or action, but with an omission. What was omitted was any mention of the fact that you had to be a man to serve active duty in the Navy; by being omitted, it quietly ceased being a fact.
Richard Rubin (The Last of the Doughboys: The Forgotten Generation and Their Forgotten World War)
I don't want to lose him. In spite of all his demands, his need to control, his scary vices, I have never felt as alive as I do now. It's a thrill to be sitting here beside him. He's so unpredictable, sexy, smart, and funny. But his moods...oh—and he wants to hurt me. He says he'll think about my reservations, but it still scares me.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Suddenly, I missed Jenna so much that it was almost a physical ache. I wanted to hold her hand, and hear her say something that would make this whole situation funny instead of incredibly screwed up. Archer would’ve been nice, too. He probably would’ve raised an eyebrow in that annoying/hot way he had, and made a dirty joke about Elodie possessing me. Or Cal. He wouldn’t say anything, but just his presence would make me feel better. And Dad- “Sophie,” Mom said, shaking me out of my reverie. “I don’t…I don’t even know how to start explaining all of this to you.” She looked at me, her eyes red. “I meant to, so many times, but everything was always so…complicated. Do you hate me?” I took a deep breath. “Of course not. I mean, I’m not thrilled. And I totally reserve the right to angst over all this later. But honestly, Mom? Right now, I’m so happy to see you that I wouldn’t care if you’re secretly a ninja sent from the future to destroy kittens and rainbows.” She chuckled, a choked and watery sound. “I missed you so much, Soph.” We hugged, my face against her collarbone. “I want the whole story, though,” I said, my words muffled. “All of it on the table.” She nodded. “Absolutely. After we talk to Aislinn.” Pulling back, I grimaced. “So how exactly are you related to her? Are you guys like, cousins?” “We’re sisters.” I stared at her. “Wait. So you’re like, a Brannick Brannick? But you don’t even have red hair.” Mom got off the bed, twisting her ponytail into a bun. “It’s called dye, Soph. Now, come on. Aislinn is already in a mood.” “Yeah, picked up on that,” I muttered, shoving the covers off and standing up
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Lunch started off tense after our heated moment. Thank goodness for Blake. Kai was warm toward him, reserving his coolness for me. I watched, keeping quiet. They fought over the last piece of General Tso’s shrimp, and I had to laugh when the little thing went flying in the air and landed in a wet footprint next to the pool. “You can have it,” Kaidan graciously offered, and Blake shoved him one last time.
Wendy Higgins, Sweet Peril
Carry must have been the germ that produced the ultimate Trilby, there can be no two opinions about it; she had the same camaraderie, the same boyish attraction, the same funny shy reserve. Kicky absorbed her, without realising it, and absorbed the game of mesmerising at the same time, so that the two things combined and became one at the back of his mind. He forgot all about them for nearly forty years—and then he wrote Trilby and made a fortune at sixty.
Daphne du Maurier (The du Mauriers)
Something about my going away to college changed her, softened her. I was already my mother's daughter by then, callous, too callous to understand that she was reckoning with the complex shades of loss -– her son, an unexpected, physical loss; her daughter, something slower, more natural. 4 weeks into my freshman year, she ended a phone call with "I love you," spoken in the reluctant mumble she reserved for English. I laughed so hard I started crying. An "I love you" from the woman who had once called the phrase aburofo nkwaseasem, white people foolishness. At first she chastised me for laughing, but before long she was laughing too, a big – bellied sound that flooded my dorm room. Later, when I told my roommate, Samantha, why I was laughing, she said, "It's, like, not funny? To love your family?" Samantha, rich, white, a local whose boyfriend would occasionally make the drive over from UMass, leaving me displaced in the common room, was herself the embodiment of aburofo nkwaseasem. I laughed all over again.
Yaa Gyasi (Transcendent Kingdom)
tell me off or worse—beat me? What can I say? I stare momentarily out of the window. The car is heading back across the bridge. We are both shrouded in darkness, masking our thoughts and feelings, but we don’t need the night for that. “Why, Anastasia?” Christian presses me for an answer. I shrug, trapped. I don’t want to lose him. In spite of all his demands, his need to control, his scary vices, I have never felt as alive as I do now. It’s a thrill to be sitting here beside him. He’s so unpredictable, sexy, smart, and funny. But his moods…oh—and he wants to hurt me. He says he’ll think about my reservations, but it still scares me. I close my eyes. What can I say? Deep down I would just like more, more affection, more playful Christian, more…love. He squeezes my hand. “Talk to me, Anastasia. I don’t want to lose you. This last week…” We’re coming near to the end of the bridge, and the road is once more bathed in the neon light of the street lamps so his face is intermittently in the light and the dark. And it’s such a
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
We take the stairs down to the first level of the parking garage and I lead us toward the area reserved for doctors. She makes her way toward a black Audi, turns, and waits for me to join her. I smirk. “That’s not my car.” She nods. “Right, of course. I see it now.” She goes to a bright yellow Ferrari that belongs to one of the plastic surgeons. The vanity license plate reads: SXY DOC88. “Here we are.” “Not even close.” “Oh, okay. I get it. You aren’t flashy. Maybe that gray Range Rover over there?” I press the unlock button on my key fob and my rear lights flash. There she is, the car I’ve driven since I was in medical school. “You’re kidding. A Prius?! Satan himself drives a Prius?!” She turns around as if hoping to find someone else she can share this moment with. All she’s got is me. I shrug. “It gets good gas mileage.” She blinks exaggeratedly. “I couldn’t be more shocked if you’d hitched a horse to a buggy.” I chuckle and open the back door to toss in her backpack. “Get in. Traffic is going to be hell.” We buckle up in silence, back up and leave the parking garage in silence, pull out into traffic in silence. Finally, I ask, “Where do you live?” “On the west side. Right across from Franklin Park.” “Good. I have an errand I need to run that’s right by there. Mind if I do that before I drop you off?” “Well seeing as how you stole my backpack and forced me into your car, I don’t really think it matters what I want.” I see. She’s still pouting. That’s fine. “Good. Glad we’re on the same page.” She doesn’t think I’m funny.
R.S. Grey (Hotshot Doc)
Neptune’s Lost Banana by Stewart Stafford O lost banana of Neptune, Do you wonder why you’ve washed ashore? Do people see a yellow fruit in the water? Or a Portuguese Man O’War? You were so near the fingertips of power, Did fortune peel away your chances too quick? Or do you see yourself in an ivory tower? Of a split-away banana republic? You could have been top banana, Now you’re potential poetic justice, For someone with bad karma to slip on, And go skidding as you go squish. © Stewart Stafford, 2021. All rights reserved.
Stewart Stafford
We are not a bit alike, you know," she said, "our characters are poles apart. I show everything on my face, whether I like people or not, whether I am angry or pleased. There's no reserve about me. Maxim is entirely different. Very quiet, very reserved. You never know what's going on in that funny mind of his. I lose my temper on the slightest provocation, flare up, and then it's all over. Maxim loses his temper once or twice in a year, and when he does--my God--he *does* lose it. I don't suppose he ever will with you. I should think you are a placid little thing.
Daphne du Maurier (Rebecca)
Nipple?” I ask, far too enthralled, but she shakes her head. I sit up straight and measure roughly eight inches between my palms. She nods. “No!” I look over to the reserved, standoffish Drew, my eyes automatically dropping to his crotch. “You won’t see it through his jeans, Ava.” Kate chuckles, and I’m off again, too. Uncontrollable, belly clenching, might-pee-my-knickers laughter. Through my tears, I see Kate stick her tongue in her cheek. “I nearly cracked a tooth.” “Please!” I’m falling all over my chair. I’m helpless. “Something funny?” I battle to pull myself together and wipe my eyes, looking up at my Lord of the Sex Manor, who’s staring down at his giggling wife with a bemused look plastered all over his face. “No, nothing.
Jodi Ellen Malpas (This Man Confessed (This Man, #3))
It didn’t take long for us to realize, though, that we hadn’t eaten since the eggs twenty-four hours earlier. Eating was the one desire of the flesh we hadn’t fulfilled. I remembered seeing a McDonald’s near the entrance of our hotel, and since I needed a little exercise I offered to dart out for some safe and predictable American food, which would tide us over till the dinner we had reservations for that night. Our blood sugar was too low to comb the city, looking for a place to have a quick lunch. I knew Marlboro Man was a ketchup-only guy when it comes to burgers, and that’s what I ordered when I approached the counter: “Hamburger, ketchup only, please.” “Sar…you only want kitchipinmite?” the innocent clerk replied. “Excuse me?” “Kitchipinmite?” “Uh…pardon?” “You jis want a hamburger with kitchipinmite?” “Uh…what?” I had no idea what the poor girl was saying. It took me about ten minutes to realize the poor Australian woman behind the counter was merely repeating and confirming my order: kitchip (ketchup) inmite (and meat). It was a traumatic ordering experience. I returned to the hotel room, and Marlboro Man and I dug into our food like animals. “This tastes a little funny,” my new husband said. I concurred. The mite was not right. It didn’t taste like America.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Chip asked me about New York and what I wanted to do, and how long my dad had owned the shop, and what it was I loved about Waco. He asked about my sisters and my family in general, and what I’d done at Baylor, and if I’d known a few communications majors he’d run around with at school. (I told y’all he was chatty!) Somehow none of these questions seemed intrusive or strange to me at the time, which is funny, because thinking back I find them particularly telling. At the time, it was just like talking with an old friend. John finally stood up, and this baseball-cap-wearing customer that John had introduced as Chip followed. “Well, nice talking to you,” he said. “Nice talking to you too,” I replied, and that was it. I went back inside. The guys in the shop wanted to know what I thought about Hot John, and I just laughed. “Sorry, guys, I don’t think it’s gonna work out.” The next day I came back from my lunch break to find a note on my desk: “Chip Gaines called. Call him back.” I thought, Oh, that must be the guy I met yesterday. So I called him. I honestly thought he was going to ask me about getting a better price on his brakes or something, but instead he said, “Hey, I really enjoyed our conversation yesterday. I was wondering…you want to go out sometime?” And for some reason I said okay--just like that, without any hesitation. It wasn’t like me at all. When I hung up the phone, I went, “What in the world just happened!” So you said okay immediately? I don’t even remember that. That’s fun! No reservations? Man, I must’ve been good-lookin’. What Chip didn’t know was I didn’t even give myself time to have reservations. Something told me to just go for it. Cute, Joey. This story makes me love you all over again.
Joanna Gaines (The Magnolia Story)
It's quite funny how a lot of people are ignorant of the good and bad aspects of the social media. Clean and reserved posts is ideal!
Chidiebere Prosper Agbugba
Ingenious, really: you pour junk-raised cash into a hostile takeover and sell the debt to your savings and loan, which the public ultimately must bail out. Then you mortgage the company to the hilt to pay off the funny money, loot the pension fund, run through the reserves, sell off everything of value, and dispose of the remaining bankrupt husk for whatever you can get. Magic! Loot that pays you extra to plunder it.
Richard Powers (The Overstory)
After lunch four of us have our picture taken. Regn, myself, Fernus, and Sharon. I grip my brown lunch bag in hand, Fernus holds her soda can, Regn makes a funny expression. But what strikes me about this photograph is the shadow. We are standing in Group Reservations, the sun streaming in from above, through the skylight, and directly behind my head a giant starred reflection is cast on the wall. It is cast there as a pointed halo of sorts. I am next to Regn, she wears her sunglasses though we are still indoors. My face looks so young, my eyes do not betray any weariness. The pain is gradual. The pain is two years and more ahead. Is the star the crest of my youth? Does it suggest what I’ve always known—that something more, something far greater was in store for me? Looking back and all that’s come to pass, I can tell you yes. With a full and tired heart, I can tell you yes. I am not inclined to whimsy or overly-superstitious; however, there are signs and sometimes they must be noticed or you are a fool to dismiss them. I knew from an early age I was different. I saw the world from a distance. I was born to suffer and endure, but in so doing, if I succeeded, I was born for distinction. It was not conceit, but the knowing of Self and sometimes the frustration, the tedious ache of patience, rendered me doubtful.
Wheston Chancellor Grove (Who Has Known Heights)
men thinks women are stupid about finance ,about science and politics. otherwise they think themselves super intelligent. no . I am not saying this from hate or anger ,I am saying this because I have seen such persons around me . if a woman weak in finance ,with a limited budget how they manage households ? or in crisis come up with reserved fund ? they understand loan ,as equal overdraft ,they understand where her signature can protect her respect where might insult . they just pretend to be stupid much time ,that their loved one may feel safe and can be relaxed that their tricks are still unknown . funny . like let them win
litymunshi
PART1: To say Sean felt stressed was a huge understatement. Give him a cliff to scale or a bar brawl to break up. Hell, give him a freight train to try to outrun, anything but having to pull off being the best man for his brother Finn’s wedding—including but not limited to keeping said brother from losing his collective shit. It’s not like Sean didn’t understand. Getting married was a big deal. Okay, so he didn’t fully understand, not really, but he wanted to. He really did. And how funny was that? Sean O’Riley, younger brother, hook-up king extraordinaire, was suddenly tired of the game and found himself aching for his own forever after. “We almost there?” Finn asked him from the backseat of the vehicle Sean was driving. “Yep.” “And you double checked on our reservations?” “Yep.” “No, I’m serious, man,” Finn said. “Remember when you took me to Vegas and when we got there, every hotel was booked and we had to stay at the Magic-O motel?” “Man, a guy screws up one time . . .” “We had a stripper pole in our rooms, Sean.” Sean sighed. “Okay, but to be fair, that was back when I was still in my stupid phase. I promise you that we have reservations—no stripper poles. I even double and triple checked, just like you asked me a hundred and one times. Pru, I hope you realize you’re marrying a nag.” Pru, Finn’s fiancée, laughed from the shotgun position. “Hey, one of us has to be the nag in this relationship, and it isn’t me.” Sean held up a palm and Pru leaned over the console to give him a high-five. “Just so you know,” Sean said to Finn, “I didn’t pick this place, your woman did.” “True story,” Pru said. “The B&B’s closed to the public this entire weekend. Sean booked the whole place for our bachelor/bachelorette party weekend extravaganza.” “I superheroed this thing,” Sean said. Finn snorted and let loose of a small smile because they both knew that for most of Sean’s childhood, that’s what he’d aspired to be, a superhero—sans tights though. Tights had never been Sean’s thing, especially after suffering through them for two seasons in high school football before he’d mercifully cracked his clavicle.
Jill Shalvis (Holiday Wishes (Heartbreaker Bay, #4.5))
The Beshrewing of Tom o' Bedlam by Stewart Stafford Fie and a plague on thee! Nay, a pox! May legions of hellions float through thee, And may thou fall in the dung of an ox. May the thing below thine eyes, Take on the appearance of a sprout, And may the things above thy chin, Resemble a harlot's spout. May Heaven strike thee dumb, Aye, dumber than thou art now, May thy words become those of a lunatic, And thy breathing the grunting of a sow. Verily, I do not wish thee misfortune, Lest it rebounds back upon me, But, as long as it befalls thee first, I may live quite merrily. © Stewart Stafford, 2021. All rights reserved.
Stewart Stafford
Monkstown Hospital by Stewart Stafford My first time away from Mam, Tonsillectomy at six years old, Teddy bear fights Action Man, Pinball Pocketeer for company. Silver torch lights the dark hours, A miniscule pack of playing cards, A made-up game played undercover, My best guess of what picture follows. An older man awaits surgery too, Seeing that I'm alone and scared, He draws pictures to amuse me or, We watch "funnies" in the TV room. Waking from the operation in the bed, Congealed blood covers my pyjamas, My mother makes her shock known, We go home for my First Communion. © Stewart Stafford, 2022. All rights reserved.
Stewart Stafford
Tuesday Man by Stewart Stafford He was only a superhero on Tuesdays, And the rest of the time was his own, Tuesday was the villains' day of rest, Then crime sprees just like Al Capone. He tried to make his Tuesdays longer, By pulling some gruelling all-nighters, But he knew that to be more effective, He'd have to be a 7-day crime-fighter. So, he rearranged his calendar totally, To take the fight to all the baddies, He was on-call from then on, 24/7, Or relaxed playing golf with his caddy. © Stewart Stafford, 2022. All rights reserved.
Stewart Stafford
Inexplicable by Stewart Stafford I ran into Bigfoot, Or John Paul Yeti, Told me of aliens, Found by SETI. E.T.s kidnapped me, And I lost two hours, Hurts to sit down now, They never sent flowers. Nessie gives the hump, Or is it a boat’s wake? So proud to be Scottish, Bagpipes in the loch/lake. © Stewart Stafford, 2022. All rights reserved.
Stewart Stafford
I wrote an article two days ago trying to explain insanity in simple language, in fact, that was indeed the title: Insanity Explained In Simple Language. I received a letter yesterday asking me for more information on the subject. I do so enjoy interacting with the general public, especially ones who ask complicated questions. This person a lady, whose name shall remain anonymous, asked– “If sanity is the simple state of mind one feels whilst one’s life is suspended in an insane space as you purport, how can one tell if the space one finds oneself in is insane or not? Yours faithfully, One, In Disguise. I wrote this as my explanation——- The only way to tell if the space you’re in is insane or not is to test your own sanity. It is my belief you will need four things to test for any debilitating state of affairs in your surroundings. Firstly, you will need; you. Next, someone who is definitely insane. Of course, then comes someone who is sane, and finally, a pencil and paper. That’s five things I know but who’s splitting hairs over a pencil and paper? Not me. I haven’t enough paper to split. I will stop digressing. I suggest I am the one you invite to fill the third category, the being sane one, but only if you’re testing for sanity on a day with the letter N in it. If the day of your choice has not the letter ’N,’ then I cannot help but feel sorry for you. However, in that case my intuitive nature compels me to propose I fill the second category for your cause, leaving you to find someone who is sane. Good luck with that last one and God Save The King. That’s if he has any time left on the throne. DK. © 2022, Daniel Kemp. All rights reserved.
Daniel Kemp (The Widow's Son (Lies and Consequences))
In Delirio Familiari by Stewart Stafford He devoured radioactive pizza, eyes bulging to breaking point. Every riddle imploded in a flash, daymare fission without a joint. He, the man of conjured letters; she, his spark that moderates. Janus creature, clockface duo, oddballs, but fitting mates. With dollops of ambrosial agony, in frenzied closeness, but witty, The Brain Surgeon’s Cookbook, A bromide concoction served as ditty. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
Bloodline by Stewart Stafford Stuart Richards, 5,001st in line to the British throne, A distant cousin of the king but hitherto unknown, He dreamt of the crown and his fair queen's hand, But there was no baiting the hook unless he had a plan. He chose to eliminate the competition, stood before him, Through a dark celebration, they'd never know what hit them, He sent out invitations to the 5, 000 heirs, Promising vast feasting, with music and fanfare He built a fake house front with a door and a sign, That said: "Welcome to the party. Now, kindly form a line." Behind the door, there awaited a cliff face and a fall, A master of deception, his warm smile greeted them all. He stood at the front door with a charming bow, And, welcoming each guest, he said: "In you go now!" He watched them disappear as they stepped through the door, Counting steps to ascension, lemmings queued up for more. Backslapping himself, inner cackling at his scheme, Imagining himself as king - glory rained down, it seemed, But his Machiavellian plotting had a monstrous flaw, One thing he'd forgotten that greedy eyes never saw. The king was still alive, and he was not amused, He got wind of this plot and responded unconfused, He sent his guards to arrest him for sedition in a fury, They swept him off his feet, planting him before a jury. Put on trial for treason - the verdict was most guilty, Execution set, he had the neck to beg for mercy, But the king was not budging and barked: "Off with his head!" An Axeman's reverse coronation, he joined the fallen dead. Halting 2,986th in line to the British throne, A distant cousin of the king, headless spirit flown, In jealous craving, dispossessed as ruler of the land, Crowned pride came before a fallen plan. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
Jimmy Giggles Copyright © 2016. All rights reserved. This book is a work of fiction. No part of this book or this book as a whole may be used, reproduced, or transmitted in any form or means without written permission from the publisher. Table of Contents Benefits of Jokes Funny Knock Knock Jokes Leave a Review
Jimmy Giggles (Knock Knock!: Over 100 Funny Knock Knock Jokes for Kids (Best Jokes for Kids Book 2))
I heard one of them talk about how they wanted to make a cloak out of my fur,' Delano said from where he rode to our right. His brows were furrowed. 'My fur should be reserved for something far more luxurious than a cloak. I bit him extra hard for that.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
Season's Bleatings by Stewart Stafford I'm looking forward to Christmas, As Nostradamus dreaded prophecy, In place of war, famine, apocalypse, I see spending, coveting and family. Wandering through warm déjà vu, In new ways with usual-faced folk, Fat in an absent winter wonderland, Goodwill to all men as you go broke. A fever dream or a deep turkey coma? St. Nicholas dripping presents around? An eviction notice to vacate sobriety, Consumerism and consumption unbound. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
The Anatomy of Trades by Stewart Stafford Detective Toes, Senator Nose, Eye-eye Captain, And Rhinologist Blows. Banker Bum, Painter Thumb, Judge Mental, And Dentist Gum. Dancer Hip, President Lip, Dermatologist Peel, Goalie Fingertip. Beautician Eyelash, Barber Moustache Boxer Fist, And Doctor Rash. © Stewart Stafford, 2021. All rights reserved.
Stewart Stafford
Daily Bread by Stewart Stafford Butcher short-changed me again, There’s sawdust in the sausages, Grocer’s growing grosser and then, A proposition with my messages. The driving instructor’s pissed on bends, I went and told his mother, The barman’s watering down pints for friends Like he’s feeding his baby brother. The barber’s still one hair off, One side doesn’t match the other, Bookie won’t take my bets and lends, The landlord another sucker. Tossed out in the street to fend for myself, With all the other refuse, Garbage man fills his truck with me, At least I still have one use. © Stewart Stafford, 2021. All rights reserved.
Stewart Stafford
I Once Was A Bee by Stewart Stafford I once was a bee, All striped and dorky, I got crushed underfoot, By Amber Heard's Yorkie. It mashed my wings, I never sought money, Even when it made me, Poop out some honey. As I flew to Bee Heaven, In a mystical fog, She made such a fuss, Of that murdering dog. © Stewart Stafford, 2022. All rights reserved.
Stewart Stafford
Frack To Bont by Stewart Stafford Rip The Jacker, Killy The Bid, Ken F. Johnnedy, But not Saesar, Cid. Meddie Frercury, Kanley Stubrick, Lohn Jennon, But no Magger of Jick. Cilly Bonnolly. Cave Dhappelle, Pichard Rryor, No Relch of Waquel. © Stewart Stafford, 2022. All rights reserved
Stewart Stafford
The organization needed an outside game, an infestation of climate in every facet of public life, but it also needed a better inside game, a creature of the swamp with sharp elbows. Foul-mouthed, funny, and occasionally a vitriolic asshole, Tom Levine chomped through a tin of tobacco a day, kept whiskey in his desk, and always seemed to have cocaine on him. He was also a damn smart guy who hated every faction in American politics. This included the entire wingnut Republican establishment and spineless Third Way Democrats, but he reserved his most vicious rancor for the self-righteous progressives he’d spent his career working for.
Stephen Markley (The Deluge)
The Academy ER had a sticker sheet of glittery Oscar statues that were reserved for patients who put on Oscar-worthy acts. The nurses would stick one on a patient’s chart so that everyone who treated the patient knew what to expect. Some staffers didn’t like Oscar because it gave the practitioners preconceived notions. But Molly thought it was funny and a stress reliever.
Alexandra Robbins (The Nurses: A Year of Secrets, Drama, and Miracles with the Heroes of the Hospital)
Do you want to be my date for Hayley’s recital?” He rubs his hands together. “Can’t wait. Little girls tripping over one another wearing funny shoes and little, fluffy skirts. What could be better?” I get up and press a kiss to Henry’s weathered old cheek. “I wish you were my grandfather, Henry,” I say to him. “Someday, when you get married, I get to walk you down the aisle. So reserve my space.” “You got it, Henry.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
Arnie Lightning Books Copyright © 2016 by Hey Sup Bye Publishing All rights reserved. This book is a work of fiction. Graphics used in this book are licensed and © Dollar Photo Club. No part of this book or this book as a whole may be used, reproduced, or transmitted in any form or means without written permission from the publisher. Table of Contents
Arnie Lightning (Peanut the Elephant: Short Stories for Kids, Funny Jokes, and More! (Early Bird Reader Book 5))
The Things They Carried has sold over two million copies internationally, won numerous awards, and is an English classroom staple. Isabel Allende was the first writer to hold me inside a sentence, rapt and wondrous. It's no surprise that her most transformative writing springs from personal anguish. Her first book, The House of the Spirits, began as a letter to her dying grandfather whom she could not reach in time. Eva Luna, one of my favorite novels, is about an orphan girl who uses her storytelling gift to survive and thrive amid trauma, and Allende refers to the healing power of writing in many of her interviews. Allende's books have sold over fifty-six million copies, been translated into thirty languages, and been made into successful plays and movies. Such is the power of mining your deep. Jeanette Winterson acknowledges that her novel Oranges Are Not the Only Fruit is her own story of growing up gay in a fundamentalist Christian household in the 1950s. She wrote it to create psychic space from the trauma. In her memoir, she writes of Oranges, “I wrote a story I could live with. The other one was too painful. I could not survive it.” Sherman Alexie, who grew up in poverty on an Indian reservation that as a child he never dreamed he could leave, does something similar in his young adult novel, The Absolutely True Diary of a Part-time Indian, named one of the “Best Books of 2007” by School Library Journal. He has said that fictionalizing life is so satisfying because he can spin the story better than real life did. Nora Ephron's roman à clef Heartburn is a sharply funny, fictionalized account of Ephron's own marriage to Carl Bernstein. She couldn't control his cheating during her pregnancy or the subsequent dissolution of their marriage, but through the novelization of her experience, she got to revise the ending of that particular story. In Heartburn, Rachel, the character based on Ephron, is asked
Jessica Lourey (Rewrite Your Life: Discover Your Truth Through the Healing Power of Fiction)
In the first days, months, and year of life the infant is especially interested in the sound of the human voice and in watching the face and lips of a speaking person. It is not an accident that the focusing distance of the eyes of a newborn matches exactly the space between his face and that of the mother while nursing. Perhaps the best first communication experiences are provided while nursing the baby. We can feed the child's intense interest in language and prepare for later spoken language, by speaking clearly, by not raising our voice to the unnatural pitch often reserved for speaking to pets, and not oversimplifying language in the presence of the child. We can tell funny and interesting stories of our lives, recite favorite poems, talk about what we are doing, "Now I am washing your feet, rubbing each toe to get it really clean" and enjoy ourselves in this important communication. And we can listen: to music, to silence, and to each other.
Susan Mayclin Stephenson (The Joyful Child: Montessori, Global Wisdom for Birth to Three)