Replica Of Mother Quotes

The children we bring into the world are small replicas of ourselves and our husbands; the pride and joy of grandfathers and grandmothers. We dream of being mothers, and for most of us that dreams are realised naturally. For this is the Miracle of Life.

You know, when I was a kid they had real football players. They wore leather helmets and didn’t have bi-weeks. What kind of a sissy athlete needs a week off in the middle of the season?” “When you were a kid, they kept score by chiseling X marks into stone.” I tossed a jersey to Grouper. Next week was a designated throwback week, when the team wore replica uniforms from years back. I’d ordered an extra for Grouper III. “Tell Guppy I signed it with a washable marker this time. Don’t want his mother getting another smelly-boy call from the school.” Grouper held it up and sighed nostalgically. “I remember this uniform. This was from the non-pussy-player period.” “Bite me, old man.

I recognized the great monument from the illustration in the copy of /The Jungle Book/ that my mother kept in the top drawer of my bedside table. When I went with Sophia to the Taj Mahal for the first time, I was not as enchanted by the real mausoleum as I had been by its plaster, paint, and paper replica in the studio; the original posed a dreadfully seductive promise in cool marble of a strangely painful loveliness, a lover's lie that death itself might in some mysterious way, because of love, be lovely.

You were a wanted child, God knows, she would say at other moments, lingering over the photo albums in which she had me framed; these albums were thick with babies, but my replicas thinned out as I grew older, as if the population of my duplicates had been hit by some plague. She would say this a little regretfully, as though I hadn't turned out entirely as she'd expected. No mother is ever, completely, a child's idea of what a mother should be, and I suppose it works the other way around as well. But despite everything, we didn't do badly by one another, we did as well as most. I wish she were here, so I could tell her I finally know this.

Here are three things I know for sure: 1. When I was born, someone- I like to think it was my mother- wrapped me in a blue ball gown. 2. There is a color in this world that was named after a king's daughter, who always wore gowns that were made of exactly the same shade of blue. The stories about her make me wish sometimes I could have been friends with her; she smoked in public (at a time when women didn't), once jumped fully clothed into a swimming pool with the captain of a ship, often wore a boa constrictor around her neck, and another time shot at telegraph poles from a moving train. 3. My favorite story goes like this: once, on an island not far from here, there was a queen who climbed a tree waiting for her husband to return from a battle. She tied herself to a branch and vowed to remain there until he returned. She waited for so long that she slowly transformed into an orchid, which was an exact replica of the pattern on the blue gown she was wearing. Here's one more thing that I know for sure is true. On the day June told us she was going to hospital to bring you home, I was in the workshop pressing blue lady orchids. I've always loved them best because their centres are my favorite color: the color of the gown I was once wrapped in. The color of a king's wayward daughter favored. A color called Alice blue.

I turned to Kitty Sue and surprised myself by answering honestly, "I'm fine. Lee's fine. Lee's more fine than me. I'm having troubles adjusting. Lee seems pretty sure of himself. Lee seems pretty sure of everything." This, I realized, was true about Lee always. I'd never met someone as confident in my life. Well, maybe Hank, but Hank's confidence was quiet and assured. And there was Lee's best friend, Eddie, of course. But Eddie was like Lee's twin, separated at birth, cut from the same cloth. Lee's confidence, and Eddie's, wasn't like Hank's. It was cocky and assertive. "And you aren't sure?" Kitty Sue asked. I looked at her and thought maybe I should have lied. It was too late now. "Nope. He scares me," I admitted. She nodded. "Yep, he's pretty dang scary." I stared. My God, the woman was talking about her son. "You agree?" She looked at Lee then back at me. "Honey, that boy drives me to distraction. It's like he's not of my loins. I don't even know where he came from. If Ally hadn't been the exact replica of Lee, personality-wise, except female I would have wondered if there was a mix up at the hospital." I kept staring. Kitty Sue kept talking. "Hank's just like his Dad. Smart, cautious, controlled, taking only calculated risks. I'm sure Lee calculates his risks, but I think he allows for a much larger margin for error and counts on ... I don't know what he counts on to get him out of whatever scrapes he gets into." I couldn't stop staring. She kept talking, and everything that came out of her mouth was like a verbal car accident. If she was trying to convince me to stick with her son, she should have tried a different tact. "He does ... you know?" Kitty Sue said. I realized she was asking me a question, so I shook my head that no, I didn't know. She explained, "He gets out of every scrape. Always did and always did it on his own. Though it'll take some kind of woman to live a life like that, knowing what he's like, knowing the risks he takes." Her hand went to my knee and she squeezed it before she went on. "Not anyone here would think less of you if you aren't that woman. I'm telling you because it's true. We all love you both and we'll always love you both, no matter what happens between you." She stopped, sighed and continued, "Anyway, I don't even know if that kind of woman exists. I'm his mother. I've lived with him surviving scrapes that would make your hair stand on end and I worry about him every day. He scares the hell out of me.

This would be the third year that she would try halfheartedly to keep her mother unaware that there even was a Fall Ball,let alone the theme. But there was no question that Mrs. Winslow would get the info somehow, probably within six hours of the announcement. It didn't matter that she was presently in the Caribbean. She was connected. By morning,she would be on the phone to someone in New York or Paris or Milan, finding the perfect costume for her daughter. The last one was a historically accurate replica of an eighteenth-century dress, appropraite to rural New York State gentility, no less. It had possessed a wig, corset, and padded butt. Sadie,itchy and unable to breathe, let alone eat or drink or shake her extended booty, had spent the four hours of the dance sitting in a dark corner.I,dressed in a high-necked, tattered, and "blood"-spattered white dress and veil (Bride of the Headless Horseman),sat with her.

Back in L.A., I’d remained friends with my freshman-year boyfriend, Collin, and we’d become even closer after he confided in me one dark and emotional night that he’d finally come to terms with his homosexuality. Around that time, his mother was visiting from Dallas, and Collin invited me to meet them at Hotel Bel Air for brunch. I wore the quintessential early-1990s brunch outfit: a copper-brown silk tank with white, dime-size polka dots and a below-the-knee, swinging skirt to match. A flawless Pretty Woman--Julia Roberts polo match replica. I loved that outfit. It was silk, though, and clingy, and the second I sat down at the table I knew I was in trouble. My armpits began to feel cool and wet, and slowly I noticed the fabric around my arms getting damper and damper. By the time our mimosas arrived, the ring of sweat had spread to the level of my third rib; by mealtime, it had reached the waistline of my skirt, and the more I tried to will it away, the worse it got. I wound up eating my Eggs Florentine with my elbows stuck to my hip bones so Collin and his mother wouldn’t see. But copper-brown silk, when wet, is the most unforgiving fabric on the planet. Collin had recently come out to his parents, so I’d later determined I’d experienced some kind of sympathetic nervousness on Collin’s behalf. I never wore that outfit again. Never got the stains out. Nor would I ever wear this suit again.

Places Times Weather All these drew up my mother inside my thoughts, Rain especially. Falling past the trees, each drop throwing replicas into the air. In the same manner my tears would fall from my face. And so I searched for her in my dreams. And watched her walk away from me in real life. The anger in her eyes and her coldness that was who she was, Yet she walked away from me in real life. I knew this in the diminishment of my life.. Because she had been the nourishment of my life.. I don’t know if I was the one who packed my bags and left... Or she was the one who left me. But thoughts of her began fading from my mind and I stopped looking for her in my dreams.

In some women Elvis saw a replica of his mother. He rushed to them, wanting to be absorbed within their boundaries as completely as with his mother. His courting rituals reenacted his and Gladys's lethal dance of enmeshment. His heart, worn throbbing on his sleeve, still belonged to Mama.

Mia felt suddenly sure that she and her mother and Gordey were not replicas of one another, doomed to repeat the same mistakes. They were just rotating through the roles of parent and child, child and parent, taking turns at worrying and causing worry, at needing care and giving it. They would continue to do that for the rest of their lives, shining brighter and then dimmer.

But the only visual we cared about was the almost life-size replica of Picasso’s Guernica looming behind the podium. The press couldn’t pass up the symbolism. Hillary confronting the media against the backdrop of a carnal, bloody battle scene. The mother of all advance fuckups. “I thought that painting was in fucking Madrid!” one of The Guys said.

Deep, fluting emotions were a form of weakness. She'd seen the softening in her work over the years, she'd started making the lazy, homey treats like apple crumble, chocolate muffins, butterscotch pudding, and lemon bars. They were fast and cheap and they pleased her children. But she'd trained at one of the best pastry programs in the country. Her teachers were French. She'd learned the classical method of making fondant, of making real buttercream with its spun-candy base and beating the precise fraction off egg into the pate a choux. She knew how to blow sugar into glassine nests and birds and fountains, how to construct seven-tiered wedding cakes draped with sugar curtains copied from the tapestries at Versailles. When the other students interned at the Four Seasons, the French Laundry, and Dean & Deluca, Avis had apprenticed with a botanical illustrator in the department of horticulture at Cornell, learning to steady her hand and eye, to work with the tip of the brush, to dissect and replicate in tinted royal icing and multihued glazes the tiniest pieces of stamen, pistil, and rhizome. She studied Audubon and Redoute. At the end of her apprenticeship, her mentor, who pronounced the work "extraordinary and heartbreaking," arranged an exhibition of Avis's pastries at the school. "Remembering the Lost Country" was a series of cakes decorated in perfectly rendered sugar olive branches, cross sections of figs, and frosting replicas of lemon leaves. Her mother attended and pronounced the effect 'amusant.

A maidservant and a child descended the movable steps placed at the carriage door, and Zachary's attention lingered on the little girl. As he watched her, a smile came unbidden to his lips. Rose was a doll-like replica of her mother, with the same pretty features, and long brown curls adorned with a pale blue bow at the crown of her head. Appearing a bit anxious, Rose clutched something in her hands—something that sparkled like jewelry—as she stared at the grandeur of the house and grounds.

They showed no fear, despite the presence of several baby spinners tucked in beside their mothers, replicas the size of bowling pins.

In the story, Colleen’s mother would be lost in the woods, and she would discover a house that was an exact replica of their own. She would be surprised when her key fit the lock, and she would go inside to look around. In each room—the kitchen, the living room, Colleen’s room, her and Colleen’s father’s bedroom—she would find a different version of Colleen, some older, some much younger. Colleen’s mother called it the Magic House because it was a place she could always go to find all the Colleens that Colleen had ever been.

Most were family groups, headed by father and mother and accompanied by what seemed vast numbers of tiny replicas, which I subsequently discovered to be children. These pale copies of their parents seemed very well behaved although that might possibly be due to the enormous amount of clothing weighing them down.

Being myself, not what they wanted me to be, not what made them comfortable, not a pre-approved, ready-made replica, meant trouble.

You were a wanted child, God knows, she would say at other moments, lingering over the photo albums in which she had me framed; these albums were thick with babies, but my replicas thinned out as I grew older, as if the populations of my duplicates had been hit by some plague. She would say this a little regretfully, as though I hadn't turned out entirely as she'd expected. No mother is ever, completely, a child's idea of what a mother should be, and I suppose it works the other way around as well. But despite everything, we didn't do badly by one another, we did as well as most. I wish she were here, so I could tell her I finally know this.

They couldn't be... because they couldn't have known what significance dolls like that had to me. They didn't know that one had been left on my mother's grave a year after her death. It had been a replica of her looking exactly as she had when I was released from that closet the night she was murdered. Bloody and beaten, her lilac-blue eyes lifeless and flat. Tremors shook my limbs, and I slipped free of Archer's hold, crumpling to the floor in a puddle of fear