Repeat Outfit Quotes

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On-yez, where are you from, dear?' asked a black-slacked, frosted-haired woman whose skin was papery and melanomic with suntan. 'Originally.' She eyed Agnes's outfit as if it might be what in fact it was: a couple of blue things purchased in a department store in Cedar Rapids. Where am I from?' Agnes said it softly. 'Iowa.' She had a tendency not to speak up. Where?' the woman scowled, bewildered. Iowa,' Agnes repeated loudly. The woman in black touched Agnes's wrist and leaned in confidentially. She moved her mouth in a concerned and exaggerated way, like an exercise. 'No, dear,' she said. 'Here we say O-hi-o.
Lorrie Moore (Birds of America: Stories)
The 46-year-old recipient of the Jarvik IX Exterior Artificial Heart was actively window shopping in Cambridge, Massachusetts’ fashionable Har­vard Square when a transvestite purse snatcher, a drug addict with a crimi­nal record all too well known to public officials, bizarrely outfitted in a strapless cocktail dress, spike heels, tattered feather boa, and auburn wig, brutally tore the life sustaining purse from the woman’s unwitting grasp. The active, alert woman gave chase to the purse snatching ‘woman’ for as long as she could, plaintively shouting to passers by the words ‘Stop her! She stole my heart!’ on the fashionable sidewalk crowded with shop­pers, reportedly shouting repeatedly, ‘She stole my heart, stop her!’ In response to her plaintive calls, tragically, misunderstanding shoppers and passers by merely shook their heads at one another, smiling knowingly at what they ignorantly presumed to be yet another alternative lifestyle’s re­lationship gone sour. A duo of Cambridge, Massachusetts, patrolmen, whose names are being withheld from Moment’s dogged queries, were publicly heard to passively quip, ‘Happens all the time,’ as the victimized woman staggered frantically past in the wake of the fleet transvestite, shouting for help for her stolen heart.
David Foster Wallace (Infinite Jest)
So what's your doll's name?" Boo asked me. "Barbie," I said. "All their names are Barbie." "I see," she said. "Well, I'd think that would get boring, everyone having the same name." I thought about this, then said, "Okay, then her name is Sabrina." "Well, that's a very nice name," Boo said. I remember she was baking bread, kneading the dough between her thick fingers. "What does she do?" "Do?" I said. "Yes." She flipped the dough over and started in on it from the other side. "What does she do?" "She goes out with Ken," I said. "And what else?" "She goes to parties," I said slowly. "And shopping." "Oh," Boo said, nodding. "She can't work?" "She doesn't have to work," I said. "Why not?" "Because she's Barbie." "I hate to tell you, Caitlin, but somebody has to make payments on that town house and the Corvette," Boo said cheerfully. "Unless Barbie has a lot of family money." I considered this while I put on Ken's pants. Boo started pushing the dough into a pan, smoothing it with her hand over the top. "You know what I think, Caitlin?" Her voice was soft and nice, the way she always spoke to me. "What?" "I think your Barbie can go shopping, and go out with Ken, and also have a productive and satisfying career of her own." She opened the oven and slid in the bread pan, adjusting its position on the rack. "But what can she do?" My mother didn't work and spent her time cleaning the house and going to PTA. I couldn't imagine Barbie, whose most casual outfit had sequins and go-go boots, doing s.uch things. Boo came over and plopped right down beside me. I always remember her being on my level; she'd sit on the edge of the sandbox, or lie across her bed with me and Cass as we listened to the radio. "Well," she said thoughtfully, picking up Ken and examining his perfect physique. "What do you want to do when you grow up?" I remember this moment so well; I can still see Boo sitting there on the floor, cross- legged, holding my Ken and watching my face as she tried to make me see that between my mother's PTA and Boo's strange ways there was a middle ground that began here with my Barbie, Sab-rina, and led right to me. "Well," I said abruptly, "I want to be in advertising." I have no idea where this came from. "Advertising," Boo repeated, nodding. "Okay. Advertising it is. So Sabrina has to go to work every day, coming up with ideas for commercials and things like that." "She works in an office," I went on. "Sometimes she has to work late." "Sure she does," Boo said. "It's hard to get ahead. Even if you're Barbie." "Because she wants to get promoted," I added. "So she can pay off the town house. And the Corvette." "Very responsible of her," Boo said. "Can she be divorced?" I asked. "And famous for her commercials and ideas?" "She can be anything," Boo told me, and this is what I remember most, her freckled face so solemn, as if she knew she was the first to tell me. "And so can you.
Sarah Dessen (Dreamland)
History always repeats itself, only dressed in a different outfit.
Oliver Pötzsch (The Council of Twelve (The Hangman's Daughter, #7))
The first home I remember in Copper Cliff was 11 Evans Road, a tiny place: kitchen, bathroom off of that, a “front room” or parlor with two bedrooms squeezed onto the side. It was here, at the kitchen table, that I had my first lessons on the bagpipe. My dad was teaching my brother Ranald, who, at the time was eleven, and I was four. The two of them would sit at the kitchen table, music book opened, sounding away on the practice chanters. Family lore has it that I was a most annoying kid at these times, wanting to get in on the strange but enticing action. Apparently as a result of being repeatedly rebuffed or ignored, I would crawl under the table and from this ideally placed launching pad, would deliver a “lower punch,” as it came to be known, to the delicate regions of dad and brother. This finally led to their capitulation and I was allowed to join them at the table. I was ultimately outfitted with a very small child’s practice chanter, a family heirloom passed down through dad’s sister Betty, a piper herself who had died many years before in childbirth.
Bill Livingstone (Preposterous - Tales to Follow: A Memoir by Bill Livingstone)
But Winifred had insisted on these outfits. She said I'd need to dress the part, no matter what my deficiencies, which should never be admitted by me. "Say you have a headache," she told me. "It's always an acceptable excuse." She told me many other things as well. "It's all right to show boredom," she said. "Just never show fear. They'll smell it on you, like sharks, and come in for the kill. You can look at the edge of the table - it lowers your eyelids - but never look at the floor, it makes your neck look weak. Don't stand up straight, you're not a soldier. Never cringe. If someone makes a remark that's insulting to you, say Excuse me? as if you haven't heard; nine times out of ten they won't have the face to repeat it. Never raise your voice to a waiter, its vulgar. Make them bend down, it's what they're for. Don't fidget with your gloves or your hair. Always look as if you have something better to do, but never show impatience. When in doubt, go to the powder room, but go slowly. Grace comes from indifference." Such were her sermons. I have to admit, despite my loathing of her, that they have proved to be of considerable value in my life.
Margaret Atwood (The Blind Assassin)
Bringing back the Golden Fleece,” I repeated, mocking him. “As if it exists.” Castor frowned. “What’s biting you? Of course it exists! We told you what Jason said. It belonged to a marvelous ram sent by the gods to rescue two royal children, Phrixus and Helle, from their murderous stepmother. A pity it wasn’t a perfect rescue. Phrixus reached Colchis safely, but his sister, Helle, fell off in mid-flight and drowned. Jason says that’s why the place where she plunged into the sea’s called the Hellespont. If that doesn’t prove the story’s true, what will satisfy you?” “Anyone can give a place a name,” I said, rolling my eyes. “When I get home, I’ll name that olive grove near our training ground Wolf Forest and see what happens. A ram with a fleece of real gold, a flying ram that could carry the children through the skies to Colchis, where there are dragons, oh yes, that’s believable! That’s worth risking your lives for on a voyage across the world! I’ll bet you don’t care if that story’s true or not. You just want an excuse to go off chasing fame!” Polydeuces set a honey cake on my already heaping plate. “There must be something waiting for us in Colchis, little sister,” he said gently. “Maybe not the gold fleece of a flying ram, but something. Why would Jason go to the trouble and expense of outfitting a ship for such a long, dangerous voyage otherwise?” He smiled wistfully and added, “You mustn’t worry about us. We’ll come back; we’ll be fine.” He was right: I was worried about what would become of my brothers on that great adventure. But more than that, I envied them with all my heart. So what if the goal of their expedition was the phantom fleece of a ram that never existed? The fascinating lands my brothers would see and the exploits they’d share would be real enough. And I’d be left behind. They’ll see marvels I can’t being to imagine, I thought. Maybe they’ll even see that old sailor’s five-legged monster! Meanwhile, I’m going to be trundled home in an oxcart so thickly hedged around by Spartan soldiers that all I’ll see during my journey will be spears. It’s not fair! I can handle a sword almost as well as either of them, and I know I’m better with a bow and arrow!
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
That moment marked a change in my life, a change more profound than a new wardrobe, however wild. My Lady cast off her English clothes and it was as though in that moment our relationship shifted as well, in some unspoken, unpredicted way. I was not her equal, I was part of her routine, part of her life, my care for her so intimate that it was as though I was part of her body—a hand, perhaps. A foot. Something indispensable, to which you do not give much thought. But from that moment hence, things shifted between us, and life changed. Later that morning, after my Lady had breakfasted, I went into my room and closed the door. I remembered when my Lady had purchased the trousers and tunic in Cairo; both Mr Abu Halaweh and I had assumed she was buying gifts for her husband. I had even imagined Sir Alick thus clad—he would laugh at himself and allow her to coax him into wearing the outfit for one of their supper parties. But now that my Lady had cast aside her European clothes, I longed to do the same. I undressed, taking off the brown muslin, faded now from being put out to dry in the sun repeatedly. I took off my layers of undergarments. I unlaced my stays. Like my
Kate Pullinger (The Mistress of Nothing)
repeat: I recommend you get a Monitor or a used Aries before purchasing an electric autopilot. “Boo
Cap'n Fatty Goodlander (Buy, Outfit, and Sail)
I flew home with Iran Air, which gave me six and a half hours to truly appreciate the impact of the international sanctions first hand. The scratchy seat fabric, cigarette-burned plastic washbasins and whiff of engine oil throughout the cabin reminded me of late seventies coach travel, which was probably the last time these planes had had a facelift. I tried to convince myself that Iran Air had prioritised the maintenance of engines and safety features over the interior decor but I wasn’t convinced, especially when the seatbelt refused to budge. The in-flight entertainment had certainly been spared an upgrade, consisting of one small television at the front of the plane showing repeat screenings of a gentle propaganda film featuring chador-clad women gazing at waterfalls and flowers with an appropriately tinkly soundtrack. The stewardesses’ outfits were suitably dreary too. Reflecting Iran Air’s status as the national carrier of the Islamic Republic, they were of course modest to the point of unflattering, with not a single glimpse of neck or hair visible beneath the military style cap and hijab. As we took off, I examined my fellow passengers. Nobody was praying and as soon as we were airborne, every female passenger removed her headscarf without ceremony.
Lois Pryce (Revolutionary Ride: On the Road in Search of the Real Iran)
wealthy Georgian named Charles Augustus Lafayette Lamar, who bought the Wanderer, a luxury yacht, in New York and outfitted her for slaving. Around the time Meaher made his bet, Lamar was being lionized as a hero in newspapers across the nation as tales of the Africans he smuggled into the country spread. Relying on family money to make his start, Lamar was involved in horse racing, gold mining, road building, and the shipping of cotton. However, it appears he was not particularly good at any of those endeavors, and was repeatedly bailed out of financial disasters by his father, Gazaway. A family history going back three hundred years contains a small mention of Charles, describing him as “a dangerous man, and with all his apparent recklessness and lawlessness, a cautious man, too.” Perhaps not too cautious, as he was known to often resort to violence. While serving as an alderman on the Savannah City Council in 1853, he was arrested for “disorderly conduct and fighting in the streets.” In 1858, he shot out a friend’s eye while attempting to defend his uncle in a fight. Ultimately, he was the last person killed in the Civil War, in a small battle fought in Columbus, Georgia, seven days after the surrender at Appomattox.
Ben Raines (The Last Slave Ship: The True Story of How Clotilda Was Found, Her Descendants, and an Extraordinary Reckoning)
Charlie Gillett wrote that “folk existed in a world of its own until Bob Dylan dragged it, screaming, into pop,” and while folk fans might frame that the opposite way—Dylan had dragged pop, screaming very loudly, into their world—it was the iconic moment of intersection, when rock emerged, separate from rock ’n’ roll, and replaced folk as the serious, intelligent voice of a generation. In the process, rock fans adopted many of the folk world’s prides and prejudices: Rock ’n’ rollers had worn matching outfits, played teen-oriented dance music, and strove to cut hit singles. Rock musicians wore street clothes, sang poetic and meaningful lyrics accompanied by imaginative or self-consciously rootsy instrumentation, and recorded long-playing albums that demanded repeated, attentive listening. Those albums might sell in the millions, but they were presented as artistic statements, and by the later 1960s it was considered insulting to call someone like Jim Morrison or Janis Joplin “commercial.
Elijah Wald (Dylan Goes Electric!: Newport, Seeger, Dylan, and the Night that Split the Sixties)
Let me help with the buttons.” Falco set his glass down on the wooden stool. Before Cass could protest, he was behind her, his fingertips on the small of her back. Cass felt a pearl come loose. She whirled around, sloshing a bit of wine out of her glass as she slapped his hand. “You undid one,” she accused. Falco laughed. “I’m sorry. I didn’t mean it.” He reached for her but she leaned away. “Come on, I promise I’ll behave.” “Why should I trust you?” Falco moved to Cass’s back again and began sliding each pearl through its loop. He leaned in close so that the side of his face brushed against her neck. “Because you want to.” The wineglass trembled in Cass’s hand. She tightened her grip and took another drink. Every time Falco touched her, it got a little harder to breathe. She wasn’t sure if it was the outfit, or being so close to him. She sipped from her glass nervously. It was empty by the time he reached the last button. Falco slid the glass from her fingertips. “I’ll refill this, and then we’ll get you positioned.” “Positioned?” Cass fumbled over the word. Falco pulled her over to the divan, then left her standing beside it as he strode across the room to a tall armoire hidden in a shadowy corner. “I’m going to paint you, of course.” “Paint me?” “Are you going to repeat everything I say?
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))