Rendered Me Silent Quotes

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After soft kisses, they pressed their hands together palm to palm. The tingling scattered all over Livia's body, warming her. "Do you feel that?" she whispered with a smile. His lips moved in his silent count. Blake wrapped his fingers around her hand. She copied the movement. Their hands together now resembled a heart-not a cartoon rendering of the shape, but a real human heart. He touched her lips with his and murmured, "I've been feeling it since you first smiled at me.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
a thousand conflicting emotions rendered her mute as she bade me a tearful, silent farewell.
Mary Wollstonecraft Shelley (Frankenstein)
It took a lot to render me silent, like learning my grandma had been a stripper in her youth, and that all male Werewolves were hung like horses… but this was horrific.
Robyn Peterman (Ready to Were (Shift Happens, #1))
His last word—to live with,' she murmured. 'Don't you understand I loved him—I loved him—I loved him!' "I pulled myself together and spoke slowly. "'The last word he pronounced was—your name.' "I heard a light sigh, and then my heart stood still, stopped dead short by an exulting and terrible cry, by the cry of inconceivable triumph and of unspeakable pain. 'I knew it—I was sure!' . . . She knew. She was sure. I heard her weeping; she had hidden her face in her hands. It seemed to me that the house would collapse before I could escape, that the heavens would fall upon my head. But nothing happened. The heavens do not fall for such a trifle. Would they have fallen, I wonder, if I had rendered Kurtz that justice which was his due? Hadn't he said he wanted only justice? But I couldn't. I could not tell her. It would have been too dark—too dark altogether. . . ." Marlow ceased, and sat apart, indistinct and silent, in the pose of a meditating Buddha. Nobody moved for a time. "We have lost the first of the ebb," said the Director, suddenly. I raised my head. The offing was barred by a black bank of clouds, and the tranquil waterway leading to the uttermost ends of the earth flowed somber under an overcast sky—seemed to lead into the heart of an immense darkness.
Joseph Conrad (Heart of Darkness)
The Janus Guard will also be out that night,” he said, one hand reaching out to squeeze her shoulder. “Just as we have been and will be for every night of the Nine.” “Good.” “Speaking of which—Kelley…” Sonny seemed suddenly exhausted. He turned his face to the west, and she could see the fatigue etched into the lines and planes of his face. “It’s getting late. You need to leave the park. Please. Don’t argue with me this time. Just go. The sun will set soon, and I have to go to work.” He squared his shoulders as though he expected her to put up a fight. She did—a little—but only out of actual concern for him. “Shouldn’t you be taking it easy? I mean, you try to hide it with the whole tough-guy-swagger thing and all, but I saw the bandages. You’re really hurt. Aren’t you?” “It’s not so bad.” “Wow. You are a terrible liar.” He frowned fiercely at her. “You also look like you haven’t slept in a week.” She took a tentative step toward him and put a hand on his chest, looking up into his silver-gray eyes. He put his hand over the top of hers, and she could feel the rhythm of his heart beating under her palm, through his shirt and the bandages. “I’m fine.” “Are you sure?” With his other hand, Sonny reached up and brushed a stray auburn curl out of her eyes. “I’m sure.” He smiled down at her, and she felt her insides melt a little. His whole face changed when he smiled. It was like the sun coming out. “But,” he continued, “I’ll be even better if you are safe at home and I don’t have to worry about you for tonight.” “I can take care of myself, Sonny Flannery,” she bristled, halfheartedly. “Please?” He turned up the wattage on his smile. “I…okay.” She felt her own lips turn up in a shy, answering smile. “I’ll be good. This once.” “That’s my girl.” Kelley was silent. Those three words of Sonny’s had managed to render her utterly speechless.
Lesley Livingston (Wondrous Strange (Wondrous Strange, #1))
sigh, and then my heart stood still, stopped dead short by an exulting and terrible cry, by the cry of inconceivable triumph and of unspeakable pain. 'I knew it—I was sure!' . . . She knew. She was sure. I heard her weeping; she had hidden her face in her hands. It seemed to me that the house would collapse before I could escape, that the heavens would fall upon my head. But nothing happened. The heavens do not fall for such a trifle. Would they have fallen, I wonder, if I had rendered Kurtz that justice which was his due? Hadn't he said he wanted only justice? But I couldn't. I could not tell her. It would have been too dark—too dark altogether. . . ." Marlow ceased, and sat apart, indistinct and silent, in the pose of a meditating Buddha. Nobody moved
Joseph Conrad (Heart of Darkness)
When Marsyas was 'torn from the scabbard of his limbs' - DELLA VAGINA DELLA MEMBRE SUE, to use one of Dante's most terrible Tacitean phrases - he had no more song, the Greek said. Apollo had been victor. The lyre had vanquished the reed. But perhaps the Greeks were mistaken. I hear in much modern Art the cry of Marsyas. It is bitter in Baudelaire, sweet and plaintive in Lamartine, mystic in Verlaine. It is in the deferred resolutions of Chopin's music. It is in the discontent that haunts Burne- Jones's women. Even Matthew Arnold, whose song of Callicles tells of 'the triumph of the sweet persuasive lyre,' and the 'famous final victory,' in such a clear note of lyrical beauty, has not a little of it; in the troubled undertone of doubt and distress that haunts his verses, neither Goethe nor Wordsworth could help him, though he followed each in turn, and when he seeks to mourn for THYRSIS or to sing of the SCHOLAR GIPSY, it is the reed that he has to take for the rendering of his strain. But whether or not the Phrygian Faun was silent, I cannot be. Expression is as necessary to me as leaf and blossoms are to the black branches of the trees that show themselves above the prison walls and are so restless in the wind. Between my art and the world there is now a wide gulf, but between art and myself there is none. I hope at least that there is none.
Oscar Wilde (De Profundis and Other Writings)
Most men I met in Finland appeared to be these silent, unemotional types. Their symptoms were not as pronounced as those of the man on the plane, perhaps, but they were the type of men of whom I met very few in England: Taciturn, introvert, joyless, reserved, and perfectly happy to be solitary, engaged in pursuits that were absolute anathema to me such as hunting, trekking and cross-country skiing. Presumably their incapacity to experience joy rendered sport quite attractive, because it would elevate their endorphin levels. It also appeared to render alcohol extremely inviting.
Edward Dutton (The Silent Rape Epidemic: How the Finns Were Groomed to Love Their Abusers)
pick Maddy and Josh up from Mum’s house no later than six each day, and we’re always home around ten minutes later. I thought that was enough to qualify me as a good mother, a parent who is there for her children. Yet I feel a niggle deep down that tells me he’s right. Once I get through the door each evening, I simply set my laptop up on the kitchen counter and carry on working. I often cook the children’s tea around updating the InsideOut4Kids website. The reality is, I’m there… but I’m not really there. Not all of me. For the first time, I consider the echoes of my own childhood, when Mum spent so much time in her bedroom. I can’t remember the last time we all sat down and ate together, or watched TV as a family. We often stay in different rooms until it’s time for bed. And the outings to the park or the cinema we used to plan and enjoy at weekends? I seriously can’t remember the last time we did that. I thought I was being Superwoman, and it turns out I’m struggling to tick all the boxes like any other mere mortal. The realisation renders me speechless, and it doesn’t take Tom long to
K.L. Slater (The Silent Ones)
The LORD Is My Strength and My Shield Of David.     PSALM 28 To you, O LORD, I call;          j my rock, be not deaf to me,     lest, if you  k be silent to me,         I become like those who  l go down to the pit.     2  m Hear the voice of my pleas for mercy,         when I cry to you for help,     when I  n lift up my hands          o toward your most holy sanctuary. [1]     3 Do not  p drag me off with the wicked,         with the workers of evil,      q who speak peace with their neighbors         while evil is in their hearts.     4  r Give to them according to their work         and according to the evil of their deeds;     give to them according to the work of their hands;          s render them their due reward.     5 Because they  t do not regard the works of the LORD         or the work of his hands,     he will tear them down and build them up no more.     6 Blessed be the LORD!         For he has  u heard the voice of my pleas for mercy.     7 The LORD is my strength and  v my shield;         in him my heart  w trusts, and I am helped;     my heart exults,         and with my  x song I give thanks to him.     8 The LORD is the strength of his people; [2]         he is  y the saving refuge of his anointed.     9 Oh, save your people and bless  z your heritage!          a Be their shepherd and  b carry them forever.
Anonymous (The Holy Bible: English Standard Version)
Sophie thinks you were offering her a less than honorable proposition before we came to collect her, and modified your proposal only when her station became apparent.” Windham took a casual sip of his drink while Vim’s brain fumbled for a coherent thought. “She thinks what ?” “She thinks you offered to set her up as your mistress and changed your tune, so to speak, when it became apparent you were both titled. I know she is in error in this regard.” Vim cocked his head. “How could you know such a thing?” “Because if you propositioned my sister with such an arrangement, it’s your skull I’d be using that splitting ax on.” “If Sophie thinks this, then she is mistaken.” Windham remained silent, reinforcing Vim’s sense the man was shrewd in the extreme. “You will please disabuse her of her error.” Windham shook his head slowly, right to left, left to right. “It isn’t my error, and it isn’t Sophie’s error. She’s nothing if not bright, and you were probably nothing if not cautious in offering your suit. The situation calls for derring-do, old sport. Bended knee, flowers, tremolo in the strings, that sort of thing.” He gestured as if stroking a bow over a violin, a lyrical, dramatic rendering that ought to have looked foolish but was instead casually beautiful. “Tremolo in the strings?” “To match the trembling of her heart. A fellow learns to listen for these things.” Windham set his mug down with a thump and speared Vim with a look. “I’m off to do battle with the treble register. Wish me luck, because failure on my part will be apparent every Sunday between now and Judgment Day.” “Windham, for God’s sake, you don’t just accuse a man of such a miscalculation and then saunter off to twist piano wires.” Much less make references to failure being eternally apparent. “Rather thought I was twisting your heart strings. Must be losing my touch.” Vim
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
Another day, sheltering beneath trees in a rain-shower, I uncovered a doorway long obliterated by undergrowth. After pulling shrubbery aside, I stepped inside a long deserted summerhouse, fronted by cracked marble columns and ironwork, the rear extending deep into the hillside. Though still filthy, even after I cleared away the tenacious vines, the windowpanes gave sufficient greenish light for me to sketch indoors. In a cobwebbed corner stood a gardener's burner that must once have coaxed oranges or other delicate shrubs to life. With that alight, I found a chair and sat with my shawl muffled around me as I sketched. The marble statues that lined the walls were fine copies of the Greek masters, with muscular limbs and serene faces, though sadly disfigured with a blueish-green patina. As an exercise, I copied a figure of a handsome boy, admiring the sculptor's rendering of tensed muscle, the body frozen just an instant before extending in action. My mind drifted to Michael, the uncertainty hanging over us, my urges to please him, my need to move beyond this stupid impasse. As I sketched the statue's blind eyes I half-heartedly followed his line of sight. I stood and looked more closely at the statue. "What are you looking at?" I said out loud. A green stain blotted the boy's cheek, ugly but also strangely beautiful, for the color was a peacock's viridian. For the first time I noticed the description, "HARPOCRATES- SILENCE", engraved on the pediment, and had a vague recollection of a Roman boy-god who personified that virtue. He held one index finger raised coyly to his lips, while his other hand pointed towards a low arch in the wall. I paced over to the spot at which he pointed. The niche was filled with gardener's trellis that I removed with rising excitement. Behind stood an oak doorway set low in the wall. As I lifted the latch, it opened onto a blast of chilly darkness. Lighting the stub of a candle at the stove, I propped the door open and ventured inside. At once I knew this was no gardeners' store, but another tunnel burrowing into the hillside. Setting forth with the excitement of new discovery, my footsteps rang out and my breath fogged before me in clouds. The place had a mossy, mineral smell, and save for the dripping of water, was silent. Though at first the tunnel ran straight, it soon descended an incline, and my feet splashed into muddy puddles. Who, I wondered, had last passed through that door?
Martine Bailey (A Taste for Nightshade)
OR. I will tell you, but these are the beginning for me of many [125] woes. After these evil things concerning my mother, on which I keep silence, had been wrought, I was driven an exile by the pursuits of the Erinnyes, when Loxias sent my foot [126] to Athens, that I might render satisfaction to the deities that must not be named. For there is a holy council, that Jove once on a time instituted for Mars on account of some pollution of his hands. [127] And coming thither, at first indeed no one of the strangers received me willingly, as being abhorred by the Gods, but they who had respect to me, afforded me [128] a stranger's meal at a separate table, being under the same house roof, and silently devised in respect to me, unaddressed by them, how I might be separated from their banquet [129] and cup, and, having filled up a share of wine in a separate vessel, equal for all, they enjoyed themselves. And I did not think fit to rebuke my guests, but I grieved in silence, and did not seem to perceive [their conduct,] deeply groaning, because I was my mother's slayer. [130] But I hear that my misfortunes have been made a festival at Athens, and that this custom still remains, that the people of Pallas honor the Libation Vessel. [131] But when I came to the hill of Mars, and stood in judgment, I indeed occupying one seat, but the eldest of the Erinnyes the other, having spoken and heard respecting my mother's death, Phœbus saved me by bearing witness, but Pallas counted out for me [132] the equal votes with her hand, and I came off victor in the bloody trial. [133] As many then as sat [in judgment,] persuaded by the sentence, determined to hold their dwelling near the court itself. [134] But as many of the Erinnyes as did not yield obedience to the sentence passed, continually kept driving me with unsettled wanderings, until I again returned to the holy ground of Phœbus, and lying stretched before the adyts, hungering for food, I swore that I would break from life by dying on the spot, unless Phœbus, who had undone, should preserve me. Upon this Phœbus, uttering a voice from the golden tripod, sent me hither to seize the heaven-sent image, and place it in the land of Athens. But that safety which he marked out for me do thou aid in. For if we can lay hold on the image of the Goddess, I both shall cease from my madness, and embarking thee in the bark of many oars, I shall settle thee again in Mycenæ. But, O beloved one, O sister mine, preserve my ancestral home, and preserve me, since all my state and that of the Pelopids is undone, unless we seize on the heavenly image of the Goddess.
Euripides (The Tragedies of Euripides, Volume I.)
It was like a page out of the telephone book. Alphabetically, numerically, statistically, it made sense. But when you looked at it up close, when you examined the pages separately, or the parts separately, when you examined one lone individual and what constituted him, examined the air he breathed, the life he led, the chances he risked, you saw something so foul and degrading, so low, so miserable, so utterly hopeless and senseless, that it was worse than looking into a volcano. Outwardly it seems to be a beautiful honeycomb, with all the drones crawling over each other in a frenzy of work; inwardly it’s a slaughterhouse, each man killing off his neighbor and sucking the juice from his bones. Superficially it looks like a bold, masculine world; actually it’s a whorehouse run by women, with the native sons acting as pimps and the bloody foreigners selling their flesh... The whole continent is sound asleep and in that sleep a grand nightmare is taking place… At night the streets of New York reflect the crucifixion and death of Christ. When the snow is on the ground and there is the utmost silence there comes out of the hideous buildings of New York a music of such sullen despair and bankruptcy as to make the flesh shrivel. No stone was laid upon another with love or reverence; no street was laid for dance or joy. One thing has been added to another in a mad scramble to fill the belly, and the streets smell of empty bellies and full bellies and bellies half full. The streets smell of a hunger which has nothing to do with love; they smell of the belly which is insatiable and of the creations of the empty belly which are null and void. Just as the city itself had become a huge tomb in which men struggled to earn a decent death so my own life came to resemble a tomb which I was constructing out of my own death. I was walking around in a stone forest the center of which was chaos; sometimes in the dead center, in the very heart of chaos, I danced or drank myself silly, or I made love, or I befriended some one, or I planned a new life, but it was all chaos, all stone, and all hopeless and bewildering. Until the time when I would encounter a force strong enough to whirl me out of this mad stone forest no life would be possible for me nor could one page be written which would have meaning… Everybody and everything is a part of life... As an individual, as flesh and blood, I am leveled down each day to make the fleshless, bloodless city whose perfection is the sum of all logic and death to the dream. I am struggling against an oceanic death in which my own death is but a drop of water evaporating. To raise my own individual life but a fraction of an inch above this sinking sea of death I must have a faith greater than Christ’s, a wisdom deeper than that of the greatest seer. I must have the ability and the patience to formulate what is not contained in the language of our time, for what is now intelligible is meaningless. My eyes are useless, for they render back only the image of the known. My whole body must become a constant beam of light, moving with an ever greater rapidity, never arrested, never looking back, never dwindling. The city grows like a cancer; I must grow like a sun. The city eats deeper and deeper into the red; it is an insatiable white louse which must die eventually of inanition. I am going to starve the white louse which is eating me up. I am going to die as a city in order to become again a man. Therefore I close my ears, my eyes, my mouth. Infinitely better, as life moves toward a deathly perfection, to be just a bit of breathing space, a stretch of green, a little fresh air, a pool of water. Better also to receive men silently and to enfold them, for there is no answer to make while they are still frantically rushing to turn the corner.
Henry Miller (Tropic of Capricorn (Tropic, #2))
We spent twenty days and endured three thousand miles of jolting, pounding, off-road bush driving. But we had a hard-won sense of accomplishment when we pulled up on the stunning cliff-side view of the Great Australian Bight, a huge open bay carved out of the southern coastline. We had made it. Below us, three hundred feet down a sheer rock face, was the Southern Ocean. A pod of southern right whales passed by, their calves following along with them. Steve and I and the crew watched the family dramas of the whales play out below us. A calf felt naughty and went darting away from his mother’s side. Come back, the mother called, come back, come back, you naughty little whale. When she was under the water, we couldn’t hear anything, but as she surfaced we could actually hear the whale song from our perch three hundred feet in the air. Mama scolded the calf, and we saw the young whale come dutifully shooting back over to follow his mother for a while. Sometimes the calf would approach his mama for a drink of milk and nurse for a few minutes. Then he would escape once more, and the whole scenario played itself out all over again. We watched the whales for hours. That night around the campfire, we discussed whaling, how sad and cruel and horrible it was. “If we killed cows the way we killed whales, people wouldn’t stand for it,” Steve said. “Imagine if you drove a truck with a torpedo gun off the back. When you saw a cow you fired at it, and then you either electrocuted it over the course of half an hour or the head of the torpedo blew up inside of it, rendering it unable to walk or move until it finally bled to death.” “We’ve got to get that message out,” I said to Steve. But his idea was to bring the beauty and joy of the whales to people, so that they would naturally fall in love with them and not want to hurt them. He didn’t want to dwell on images that would make people sad and upset. Steve remained thoughtful and silent as the fire died. The ocean sounded against the cliffs below. The games of the whale families played over and over in our minds. In spite of our extensive searching, we never saw a live dingo down the whole line of our journey. It was time to try a different approach. The next morning the helicopter pilot arrived early. Going up with him, Steve actually finally spotted some dingoes from the air. The beautiful, ginger-colored dogs played along the fence, jumping over it or skirting under it with effortless ease.
Terri Irwin (Steve & Me)
It took a lot to render me silent, like learning my grandma had been a stripper in her youth,
Robyn Peterman (Ready to Were (Shift Happens, #1))
from your head; when you are unable to contrive romantic stratagems, and the usual manipulations fail you; when all your carefully laid plans have no meaning and all you can do is stand mute in her presence. You hope she takes pity on you and drops a few words of kindness into the vacuum of your mind.” “Pigs’ll fly before we see you at a loss for words,” said Roger, rolling his eyes. “Your mother rendered me silent the first time we met. Took the witty repartee right
Helen Simonson (Major Pettigrew's Last Stand)
I walked to the painting on the easel. It was an impression, not a lifelike rendering. 'I wanted you to see this one,' I said, pointing to the smear of green and gold and silver and blue. 'It's for you. A gift. For everything you've done.' Heat flared in my cheeks, my neck, my ears, as he silently approached the painting. 'It's the glen- with the pool of starlight,' I said quickly. 'I know what it is,' he murmured, studying the painting. I backed away a step, unable to bear watching him look at it, wishing I hadn't brought him in here, blaming it on the wine I'd had at dinner, on the stupid dress. He examined the painting for a miserable eternity, then looked away- to the nearest painting leaning against the wall. My gut tightened. A hazy landscape of snow and skeletal trees and nothing else. It looked like.... like nothing, I supposed, to anyone but me. I opened my mouth to explain, wishing I'd turned the others away from view, but he spoke. 'That was your forest. Where you hunted.' He came close to the painting, gazing at the bleak, empty cold, the white and grey and brown and black. 'This was your life,' he clarified. I was too mortified, too stunned, to reply. He walked to the next painting I'd left against the wall. Darkness and dense brown, flickers of ruby red and orange squeezing between them. 'Your cottage at night.' I tried to move, to tell him to stop looking at those ones and look at the others I'd laid out, but I couldn't- couldn't even breathe properly as he moved to the next painting. A tanned, sturdy male hand fisted in the hay, the pale pieces of it entwined among strands of brown coated with gold- my hair. My gut twisted. 'The man you used to see- in your village.' He cocked his head again as he studied the picture, and a low growl slipped out. 'While you made love.' He stepped back, looking at the row of pictures. 'This is the only one with brightness.' Was that... jealousy? 'It was the only escape I had.' Truth. I wouldn't apologise for Issac. Not when Tamlin had just been in the Great Rite. I didn't hold that against him- but if he was going to be jealous of Issac- Tamlin must have realised it, too, for he loosed a long, controlled breath before moving to the next painting. Tall shadows of men, bright red dripping off their fists, off their wooden clubs, hovering and filling the edges of the painting as they towered over the curled figure on the floor, the blood leaking from him, the leg at a wrong angle. Tamlin swore. 'You were there when they wrecked your father's leg.' 'Someone had to beg them to stop.' Tamlin threw a too-knowing glance in my direction and turned to look at the rest of the paintings. There they were, all the wounds I'd slowly been leeching these few months. I blinked. A few months. Did my family believe that I would be forever away with this so-called dying aunt? At last, Tamlin looked at the painting of the glen and the starlight. He nodded in appreciation. But he pointed to the painting of the snow-veiled woods. 'That one. I want that one.' 'It's cold and melancholy,' I said, hiding my wince. 'It doesn't suit this place at all.' He went up to it, and the smile he gave me was more beautiful than any enchanted meadow or pool of stars. 'I want it nonetheless,' he said softly.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Time, Light, Space, You and I! In the spaces unknown and very high, There where they say we all go when we die, I fled my Earthly shadows to hide in that space high, Where I did not obstruct light but I let it pass by. Through me into its vast arena of cosmic lights, Where there are no shadows because there are no egos and no fights, Where all that shines is not merely due to bright lights, Because in stars too I have seen some Divine delights. That shine through them in those starry nights, When the moon is silent, the sun is humble and the stars don't rumble, I have witnessed sights during those nights, Which even render the brightest sun humble. It is a journey beyond the realm of time, Where time controls nothing because it loses its infinity, Because there light dictates the values of time, Where light does not bend because it alters its proclivity. There, I have seen time bending in that discreet space, Where all laws of Earthly logic fail to compile anything, There time obeys just the factors of light and space, Where to a naked eye only hollowness spreads giving rise to nothing. In actuality it is there time changes its character, Because light assumes a new form, And when new logics takeover and change the cosmic character, Only then I am able to see a universe in a law that is so uniform. I wish to take you on these secret journeys with me, Irma and I, and I shall show you how reality bends in that dimension, But only if you are willing to allow me, To let me love you even in that highest and exalted mansion, Where light behaves differently because time too bends, I will take you there to steal a moment from time that never ends, But it shall be upto you to choose what you wish to see when time bends, Because time and light do not embark on leisurely errands. So hold my hand when we reach that height, And do not panic when you witness newer cosmic lights, Manufacturing time to be able to reach those infinite heights, To please Someone and to be the cause of those infinite cosmic delights. Stand beside me only if you are sure, Because to embark on a beautiful journey seeking eternity, Is not meant for those who are unsure, But for those who believe in the Divine sanity. Where light obstructs time but time never obstructs the light, Where I can not hide behind you nor you can hide behind me, Because there everything that is bright is not light, So stay with me my love and what a wonderful journey of love and wonder it shall be!
Javid Ahmad Tak (They Loved in 2075!)
Time, Light, Space, You and I! In the spaces unknown and very high, There where they say we all go when we die, I fled my Earthly shadows to hide in that space high, Where I did not obstruct light but I let it pass by. Through me into its vast arena of cosmic lights, Where there are no shadows because there are no egos and no fights, Where all that shines is not merely due to bright lights, Because in stars too I have seen some Divine delights. That shine through them in those starry nights, When the moon is silent, the sun is humble and the stars don't rumble, I have witnessed sights during those nights, Which even render the brightest sun humble. It is a journey beyond the realm of time, Where time controls nothing because it loses its infinity, Because there light dictates the values of time, Where light does not bend because it alters its proclivity. There, I have seen time bending in that discreet space, Where all laws of Earthly logic fail to compile anything, There time obeys just the factors of light and space, Where to a naked eye only hollowness spreads giving rise to nothing. In actuality it is there time changes its character, Because light assumes a new form, And when new logics takeover and change the cosmic character, Only then I am able to see a universe governed by laws so uniform. I wish to take you on these secret journeys with me, Irma and I, and I shall show you how reality bends in that dimension, But only if you are willing to allow me, To let me love you even in that highest and exalted mansion, Where light behaves differently because time too bends, I will take you there to steal a moment from time that never ends, But it shall be upto you to choose what you wish to see when time bends, Because time and light do not embark on leisurely errands. So hold my hand when we reach that height, And do not panic when you witness newer cosmic lights, Manufacturing time to be able to reach those infinite heights, To please Someone and to be the cause of those infinite cosmic delights. Stand beside me only if you are sure, Because to embark on a beautiful journey seeking eternity, Is not meant for those who are unsure, But for those who believe in the Divine sanity. Where light obstructs time but time never obstructs the light, Where I can not hide behind you nor you can hide behind me, Because there everything that is bright is not light, So stay with me my love and what a wonderful journey of love and wonder it shall be!
Javid Ahmad Tak
Japanese lilies and her beautiful face In a crowded market place, People walked, moved; and quite a few preferred to amble, While I searched for my known space, Where she sells beauty’s earthly samples without too much too gamble, I walked past the busy spaces and the bustling market views, People haggling, a few arguing, It was like life was tasked to seek reviews, In ways pleasing and many a time annoying, Finally I reached there where I wanted to be, And there she was this beautiful maiden, And as she prospected every face, her eyes finally rested on me, For a while nothing existed, as if time its pace had forgotten, Only to be revived back to life, When the maiden at the flower shop said, “Hello, and welcome to the shop of beautiful life,” My eyes moved, my lips shivered and in response I only shook my head, I looked at flowers with different colours, And her eyes followed mine to every spot where they rested, I could be there, with the flowers and the maiden, for many hours, Because at this flower shop, all the flowers only of her beauty attested, She knew it too because the sparkle in her eyes was brewing with confidence, She knew she was like the most beautiful summer rose that ever existed, And I only visited the shop to feel surrounded by this beauty’s appeal so dense, Her beauty was not just a visual act but an experience, where a new appeared as soon as the old exited, She was pure beauty, and maybe my only and my wilful addiction, While I was soaking in this experience of charm and beauty, She tenderly felt my hand trembling with love’s affliction, “Here, look at these new samples of eternal beauty,” She said this with a professional tone and demand, They were small clusters of white charm, Beautiful as anything beautiful can be resting peacefully in beauty’s eternal wand, Peaceful to look at that always kindled feelings warm, It was such a delight to witness and see, Then she silently quoth this, “They are called the Japanese lilies that sparkle like the pearls from the deepest sea, They look like joys suspended on the branches of bliss, These beautiful Japanese lilies bearing the sparkle of the pearl from the deepest sea.” I again nodded my head with a smile, As I looked at them closely, They indeed were clusters of white joy hanging there with a beautiful smile, And I said hurriedly, “certainly!” Then I realised something strange, They were bending downwards, as if gravity pulled them harder, It was nothing like flowers at other shops, so it indeed was very strange, I looked at all the flowers and then I looked at her, And there it was, in her eyes, her beautiful face her overall grace, That the flowers in her shop felt so inferior, Because all Japanese lilies and every Summer flower was but a reflection of her face, And it was difficult to tell whether they were her lovers or she was there lover, But to me, they all shone as the brilliance in her eyes, The rose had offered her its blush, The lies had granted her the twinkling miracle of the night skies, And all other flowers had rendered her eternally beautiful and lush, And whenever they looked at her, The flowers drooped a bit, And maybe that is why I buy all my flowers from her, Because like these helpless flowers I too love her every bit, and thus my love affair with her and her flowers has matured bit by bit! And now neither the flowers nor I can quit, So it is an affair that shall last till eternity and this is how I prefer it, She loving the flowers, I loving her, and as soon as my memory amidst her beautiful memories is lit, Then I am sure, like these flowers, and like me; now she too cannot quit, not even a bit!
Javid Ahmad Tak (They Loved in 2075!)
You and my destiny! When was the last time I tried something for the first time? I thought about it for sometime, Then something reminded me of you, And I recalled the days spent together with you, The mornings were smooth, the days passed by without the unnecessary care, Everything seemed beautiful and fair, just because you were with me everywhere, And we did things silly and wise as well, and there were many acts we tried for the first time, I remember that, for example climbing a mountain and staring at the forest in silence as we lost every sense of time, It surely was first time, when I felt time was such an unwanted invention of the Universe, Because it loses its every existential value when two hearts learn how to converse, It was first time that I felt this when I was with you, Hearts in conversation, when everything was silent, even I, and even you, Yes, it was first time when I attempted many things for the first time, The sky looked clearer and truly blue, you stared into my eyes for hours and ah the beauty of the stillness of time, It was something I experienced first time then, but since you have left, it never happened again, Now the time is permanently still, and for me it is like the tired pendulum of the clock oscillating to and fro again and again, But nothing else except the pendulum moves, nothing else except the transition of days into nights takes place, Because everything is the same, the same days, the same nights, the same pendulum and the same place, Where nothing new happens and nothing at all for the first time happens either, Like a flower that is frozen in time, experiences no change in seasons and it hangs there in pain, longing to wither, So that new could seize its opportunity and seasons could render everything fresh, Alas it is a wish that exists forever as an imagination because time is strangely still and there is nothing alive and fresh, And when people ask me when was the last time you did something for the first time, I simply look at them, smile at their curiosity, and I tell them, well it was when I was with her, because that was a beautiful time, Where time hung as moments over everything, even our wishes and desires, And the world seemed a huge projection of our wishes and our beautiful desires. Maybe you would not understand because for you the moving pendulum represents time, But to me the spontaneous germination of feelings, the rhythmic movement of two conversing hearts is the actual signature of time, So you keep gazing at the oscillating pendulum of the clock on the wall, While I dwell with her, our memories, in the time’s eternal hall, Where it weaves moments of infinity around both of us as our hearts resume their conversation, Because two lovers are interested in destiny and not the destination!
Javid Ahmad Tak (They Loved in 2075!)