Renaissance Movie Quotes

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The creation of artificial realities is not much different from how people enjoy today's movies depicting life in Ancient Egypt, life during the Middle Ages, depiction of various wars, or life during the Renaissance.
Laurence Galian (Alien Parasites: 40 Gnostic Truths to Defeat the Archon Invasion!)
Except Caitlyn. High school dating, drill team, school spirit—it all seemed silly to her. Why did it feel like high school was crushing her soul? She had nothing concrete she could point to. All she knew was that she didn’t belong here. She preferred old, used clothes to new ones; her iPod was full of classical music; and photos of castles and reproductions of old European art covered her bedroom walls, including a Renaissance painting of a young girl in white, named Bia. It should have been pop singers on her wall, or movie stars
Lisa Cach (Wake Unto Me)
They’re making a movie, Joe is doing the camera work, he’s never done it before but David says they’re the new Renaissance Men, you teach yourself what you need to learn. It was mostly David’s idea, he calls himself the director: they already have the credits worked out. He wants to get shots of things they come across, random samples he calls them, and that will be the name of the movie too: Random Samples.
Margaret Atwood (Surfacing)
When the war ended in 1945, Robert Newton’s film career took off. And then he landed the part of Disney’s Long John Silver. “What accent do you want me to put on?” he asked Walt, in his natural thick West-country, ‘Cornwall/Devon/Dorset’ burr. Pointing at his face excitedly, “Why, that one.” Disney replied. And THE OFFICIAL PIRATE ACCENT was born. Newton went on to do another Long John Silver film, then a 26 part television series. He died early, aged 50, from chronic alcoholism, just the way a pirate would want to go. But he left the legacy of ‘the’ pirate accent ‘til the end of time. Every pirate ‘R’ or ‘Arrrgh’ joke you ever heard, owes its very life to the combination of Robert Newton, R. L. Stevenson, and Walt Disney. -- Renaissance Festival Survival Guide
Ian Hall
The movie The Third Man takes place in Vienna immediately after the end of the Second World War. Reflecting on the recent conflict, the character Harry Lime says: ‘After all, it’s not that awful…In Italy for thirty years under the Borgias they had warfare, terror, murder and bloodshed, but they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland they had brotherly love, they had 500 years of democracy and peace, and what did that produce? The cuckoo clock.’ Lime gets almost all his facts wrong – Switzerland was probably the most bloodthirsty corner of early modern Europe (its main export was mercenary soldiers), and the cuckoo clock was actually invented by the Germans – but the facts are of lesser importance than Lime’s idea, namely that the experience of war pushes humankind to new achievements. War allows natural selection free rein at last. It exterminates the weak and rewards the fierce and the ambitious. War exposes the truth about life, and awakens the will for power, for glory and for conquest. Nietzsche summed it up by saying that war is ‘the school of life’ and that ‘what does not kill me makes me stronger’.
Yuval Noah Harari (Homo Deus A Brief History of Tomorrow By Yuval Noah Harari & How We Got to Now Six Innovations that Made the Modern World By Steven Johnson 2 Books Collection Set)
The most famous improvised lines in the history of the movies are the ones Orson Welles came up with while playing Harry Lime in The Third Man (1949): “In Italy, for 30 years under the Borgias, they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland, they had brotherly love, they had 500 years of democracy and peace—and what did that produce? The cuckoo clock.
Anonymous
You let me handle Galaxy and anyone else who tries to give us shit. Here’s what you’re missing,” he says, grabbing my hand. “I’m the boss. Galaxy may have funded this movie, but it’s mine, and I hold all the cards, and they’ll do whatever the fuck I want.
Kennedy Ryan (Reel (Hollywood Renaissance #1))
Oculus[2,3,8,12,8,6] = [14,2,10,7,5] = [12,2,3,17] = [14,12,13] = [1,15] = 14, Box Model For Paisbox Molecular Portal [phirand, ring, circlet, diadem, itemizer, abstracter] Attributes= pi= Modulation, phi= Abstraction, HP[health], MP[mana] Elements= Hexagonal Sphere= HP, MP; Mana Prism= pi, phi Finally, POAMULET[3,2,1,13,8,12,5,7]= "The (Oculus) Is Injected Into (Paisbox) To Create The Amulet
Jonathan Roy Mckinney Gero EagleO2
modern analogy, the events of the life as described in the Gospels would have been understood by some Doketists as being a kind of holographic movie or feature film.
Joseph Farrell (Thrice Great Hermetica and the Janus Age: Hermetic Cosmology, Finance, Politics and Culture in the Middle Ages through the Late Renaissance)
The creation of artificial realities is not much different from how we enjoy today's movies depicting life in Ancient Egypt, life during the Middle Ages, reenactment of wars, or life during the Renaissance. We are living in a virtual reality universe, a video game created by a civilization 1,000 to 100,000 years older than us. And they themselves are also simulations (virtual reality). These levels of hierarchies can extend to a vast degree above us, creating levels of gods or spirits.
Laurence Galian (Alien Parasites: 40 Gnostic Truths to Defeat the Archon Invasion!)