Reminders Of Him Love Quotes

We've searched our database for all the quotes and captions related to Reminders Of Him Love. Here they are! All 100 of them:

I know that's what people say-- you'll get over it. I'd say it, too. But I know it's not true. Oh, youll be happy again, never fear. But you won't forget. Every time you fall in love it will be because something in the man reminds you of him.
Betty Smith (A Tree Grows in Brooklyn)
It was inevitable: the scent of bitter almonds always reminded him of the fate of unrequited love.
Gabriel García Márquez
I miss that feeling of connection. Knowing he was out there somewhere thinking about me at the same time I was thinking about him.
Ranata Suzuki
People say you fall in love, but fall is such a sad word when you think about it. Falls are never good. You fall on the ground, you fall behind, you fall to your death. Whoever was the first person to say they fell in love must have already fallen out of it. Otherwise, they’d have called it something much better.
Colleen Hoover (Reminders of Him)
And he loved you and your mom, so much. I’ll always remind you of that, but I wish you could have met him.” -Brandon
Molly McAdams (Taking Chances (Taking Chances, #1))
And it was at moments like this that she had to remind herself that she was in love with him, or had once been in love with him, a long time ago.
David Nicholls (One Day)
She is an able negotiator and a strong ally." Pickering said, as his eyes caressed her lovely face.  He noticed both her arms were wrapped tightly around Victor's, and that she looked up at him with such commitment that it made his cynical view of love soften.  Reminding him bittersweetly of how he had felt once, a very long time ago.
Barbara Sontheimer (Victor's Blessing)
Maybe the best way to cope with the loss of the people we love is to find them in as many places and things as we possibly can.
Colleen Hoover (Reminders of Him)
Maybe it doesn’t matter whether something is a coincidence or a sign. Maybe the best way to cope with the loss of the people we love is to find them in as many places and things as we possibly can. And in the off chance that the people we lose are still somehow able to hear us, maybe we should never stop talking to them.
Colleen Hoover (Reminders of Him)
Celia, wait,” Marco says, standing but not moving closer to her. “You are breaking my heart. You told me once that I reminded you of your father. That you never wanted to suffer the way your mother did for him, but you are doing exactly that to me. You keep leaving me. You leave me longing for you again and again when I would give anything for you to stay, and it is killing me.” “It has to kill one of us,” Celia says quietly.
Erin Morgenstern (The Night Circus)
have a daughter I have never held. She has a scent I have never smelled. She has a name I have never yelled. She has a mother who has already failed. Love, Kenna
Colleen Hoover (Reminders of Him)
His gold eyes grew very soft. “You said you loved me.” “You knew that already,” I reminded him, ducking my head. “It was nice to hear, just the same.” I hid my face against his shoulder. “I love you,” I whispered. “You are my life now,” he answered simply. There was nothing more to say for the moment. He rocked us back and forth as the room grew lighter.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
We men are very simple people: if we like what we see, we’re coming over there. If we don’t want anything from you, we’re not coming over there. Period. Please highlight this part right here so you can always remind yourself the next time a man steps to you: a man always wants something. Always. And when it comes to women, that plan is always to find out two things: (1) if you’re willing to sleep with him, and (2) if you are, how much it will cost to get you to sleep with him.
Steve Harvey (Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
no matter how much you love someone, you can still do despicable things to them.
Colleen Hoover (Reminders of Him)
I miss you," I whispered. "I know, Bella. believe me, I know. It's like you've taken half my self away with you." "Come and get it, then," I challenged. "Soon, as soon as I possibly can. I will make you safe first." His voice was hard. "I love you," I reminded him. "Could you believe that, despite everything I've put you through, I love you, too?" "Yes, I can, actually." "I'll come for you soon." "I'll be waiting.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
She reminds him of every good day he's ever had. Every summer spent in fields of grass. Every sunrise. Every sunset. She tastes like dew and smells like light. And when she speaks, it's like someone slowly plucking the strings of a guitar, a sadly beautiful song starting to play, all his own. And he loves her.
pleasefindthis (Intentional Dissonance)
AT first Raoden stayed away from the library, because it reminded him of her. Then he found himself drawn back to it—because it reminded him of her.
Brandon Sanderson (Elantris (Elantris, #1))
Tessa had lain down beside him and slid her arm beneath his head, and put her head on his chest,listening to the ever-weakening beat of his heart. And in the shadows they'd whispered, reminding each other of the stories only they knew. Of the girl who had hit over the head with a water jug the boy who had come to rescue her, and how he had fallen in love with her in that instant. Of a ballroom and a balcony and the moon sailing like a ship untethered through the sky. Of the flutter of the wings of the clockwork Angel. Of holy water and blood.
Cassandra Clare
I don’t like that the one person I dislike most in this world reminds me of the person I love the most.
Colleen Hoover (Reminders of Him)
How ex are we talking?" "The kind where you have to take everything that he ever gave you and bury it in the backyard so there will be nothing to remind you of how much you loved him.
Amy A. Bartol (Incendiary (The Premonition, #4))
When I was with him suddenly I wasn’t this broken person anymore. I was just me. I was whole again. I was just a person – like everyone else.
Ranata Suzuki
At first he didn’t recognize her. She was breathtakingly beautiful, her movements sure and graceful. Yet there was something about her face and figure that reminded him of the girl he’d fallen in love with long ago. They’d gone their separate ways, and he had always mourned her, his angel, his muse, his beloved Beatrice. Without her, his life had been lonely and small. Now his blessedness appeared.
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
If a boy ever says, you remind me of someone--don't fall in love with him. You will never be anything more than second best.
Lang Leav (Lullabies (Volume 2) (Lang Leav))
Roen snorted. "You two have the strangest relationship in the Dells." Archer smiled slightly. "She won't consent to make it a marriage." "I can't imagine what's stopping her. I don't suppose you've considered being less munificent with your love?" "Would you marry me, Fire, if I slept in no one's bed but yours?" He knew the answer to that, but it didn't hurt to remind him. "No, and I should find my bed quite cramped.
Kristin Cashore (Fire (Graceling Realm, #2))
There isn't heartache if there hasn't been joy. I wouldn't feel loss if there hadn't been love. You couldn't take my pain away without removing Bailey from my heart. I would rather have this pain now than never have known him. I just have to keep reminding myself of that.
Amy Harmon (Making Faces)
sometimes we do things for people we love, even though we wouldn’t choose to do those things for ourselves.
Colleen Hoover (Reminders of Him)
I want to talk to him. I want to ask him about that girl and if he loved her and still misses her. Nothing, however, exits my mouth. How well do we really let ourselves know each other? There's a long quietness until I finally break it open. It reminds me of someone breaking bread and handing it out. In my case, I hand out a question to my friend.
Markus Zusak (I Am the Messenger)
He's a reminder of what I want to feel everyday, whether it's with him or on my own. He's taught me that who I am when I'm with him feels too good to sacrifice for the approval of everyone else. The way I dress, the guys I talk to, the games I play... it's all plastic, and when I'm with him, I'm gold.
Penelope Douglas (Punk 57)
Humility is not a one time lesson that comes when you have lost everything. It is a daily reminder of how far we have come, yet still short of who we can be through HIS guidance. Blessed is the soul that can recognize that he isn’t moving mountains, but God is for him.
Shannon L. Alder
He shook his head pityingly. “This, more than anything else, is what I have never understood about your people. You can roll dice, and understand that the whole game may hinge on one turn of a die. You deal out cards, and say that all a man's fortune for the night may turn upon one hand. But a man's whole life, you sniff at, and say, what, this naught of a human, this fisherman, this carpenter, this thief, this cook, why, what can they do in the great wide world? And so you putter and sputter your lives away, like candles burning in a draft.” “Not all men are destined for greatness,” I reminded him. “Are you sure, Fitz? Are you sure? What good is a life lived as if it made no difference at all to the great life of the world? A sadder thing I cannot imagine. Why should not a mother say to herself, if I raise this child aright, if I love and care for her, she shall live a life that brings joy to those about her, and thus I have changed the world? Why should not the farmer that plants a seed say to his neighbor, this seed I plant today will feed someone, and that is how I change the world today?” “This is philosophy, Fool. I have never had time to study such things.” “No, Fitz, this is life. And no one has time not to think of such things. Each creature in the world should consider this thing, every moment of the heart's beating. Otherwise, what is the point of arising each day?
Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
It’s the intricate details you miss the most. For me, it’s the soft lines around the eyes when he smiles… Or that look he gave me sometimes that I cannot begin to describe - but I would know it if I saw it again. It was the look that gave him away. I’d know that look anywhere… It used to be my everything.
Ranata Suzuki
Okay, I’ve never done this. This is the guy’s department. What do I do? We need to get Lee’s size and we need industrial strength. Show me which ones to buy.” Eddie looked at the display and looked at me. “You’re askin’ me to help you buy condoms for Lee?” “Industrial strength condoms,” I reminded him. ... “Let me get this straight,” he said and I could tell he was laughing, “you dragged Eddie to Walgreen’s to help pick out condoms for me?” “Well, I didn’t know!”… “Did you tell Eddie the part about long-lasting reliability?” Oh Lord. “Forget it,” I said. “Indy?” he called. “What?” I snapped, kinda pissy. “I love you.” He still had laughter in his voice and there was something very cool about him laughing and saying I love you at the same time.
Kristen Ashley (Rock Chick (Rock Chick, #1))
She is no longer a person in his life; instead, she is a person that other people will remind him of.
David Levithan (Are We There Yet?)
It was always easier for me to show love than to say it. The word reminded me of pralines: small, precious, almost unbearable sweet. I would light up in his presence; I felt like a sun in the constellation of his embrace. But trying to put what I felt for him into words diminished it somehow, like pinning a butterfly under glass, or videotaping a comet.
Jodi Picoult (Handle with Care)
He wants her to know that she was his savior and that he could never repay her for everything she has done for him, and that he loves her with his entire soul and nothing will ever change that. He wants to remind her that whatever their souls are made of, his and hers are the same. Their favorite novel said it best.
Anna Todd (After Ever Happy (After, #4))
Like many faeries she knew, he was sculpture-perfect, but instead of being wrought of shadows like those in her court, this faery had a tangled feel to him. Shadow and radiance. He didn‘t look much older than her, until she saw the arrogance in his posture. Then, he reminded her of Irial, of Bananach, of Keenan, of the faeries who walked through courts and crowds confident that they could slaughter everyone in the room. Like chaos in a glass cage.
Melissa Marr (Radiant Shadows (Wicked Lovely, #4))
He said something like that: “In all languages in the world, there is the same proverb: ‘What the eyes don’t see, the heart doesn’t grieve over.’ Well, I say that there isn’t any ounce of truth in it. The further off they are, the closer to the heart are all those feelings that we try to repress and forget. If we’re far from exile, we want to store away every tiny memory of our roots. If we’re far from the person we love, everyone we pass in the street reminds us of them. At the end of the service, I went up to him and thanked him: I said I was a stranger in a strange land, and I thanked him for reminding me that what the eyes don’t see, the heart does grieve over. And my heart has grieved so much, that today I’m leaving.
Paulo Coelho (Eleven Minutes)
It'll be hard to read. But I'm not asking you to read it because I'm in love with Kenna. I'm asking you to read it because your son was in love with her.
Colleen Hoover (Reminders of Him)
She couldn't pinpoint the exact moment she'd fallen in love with Jace, but there had always been something about him that reminded her of a lion, a wild animal unfettered by rules, the promise of a life of freedom. Never "I can't," but always "I can." Always the risk and the surety, never the fear or the question.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
But then, Phillip reminded me of something that happened so long ago, I had completely forgotten it. He reminded of when we were ten, and he gave me my first kiss. We were on the swings out behind school, and right after he kissed me, he got up and ran away. Then all of a sudden, he stopped, turned around and yelled back, Will you marry me someday? And I yelled back to him, YES! And so he said that if people ask, I could tell them that we've been secretly engaged for the past twelve years. And so,.. you will probably all think I am very crazy, but I had to say YES again tonight!
Jillian Dodd (That Boy (That Boy, #1))
Say something," demanded Fancie. "Why don't you say something?" "What can I say?" "Say that I'm young-that I'll get over it. Go ahead and say it. Go ahead and lie." "I know that's what people say-you'll get over it. I'd say it too. But I know it's not true. Oh, you'll be happy again, never fear. But you won't forget. Every time you fall in love it will be because something in the man reminds you of him.
Betty Smith
You said you loved my belly button,” I remind him. “You said ‘love,’ Thomas. Love,” I drag the word out. “Does that mean you love me?
Mary Elizabeth (Innocents (Dusty, #1))
I still remember that feeling of walking somewhere confidently, seeing him mid stride and putting my foot down just fine… but feeling like I stumbled.
Ranata Suzuki
He is not Enzo, I remind myself. But I don't want him to be. With Enzo, my energy yearned for his power and ambition, all too happy to let him take me into the darkness. But with Magiano... I am able to smile, even to laugh. I am able to sit here and lean back and point out the constellations.
Marie Lu (The Rose Society (The Young Elites, #2))
Often the narcissist believes that other people are "faking it", leveraging emotional displays to achieve a goal. He is convinced that their ostensible "feelings" are grounded in ulterior, non-emotional motives. Faced with other people's genuine emotions, the narcissist becomes suspicious and embarrassed. He feels compelled to avoid emotion-tinged situations, or worse, experiences surges of almost uncontrollable aggression in the presence of expressed sentiments. They remind him how imperfect he is and how poorly equipped.
Sam Vaknin (Malignant Self-Love: Narcissism Revisited)
But perhaps this is all to the good. Perhaps it’s best to live with the possibility that around any corner, at any time, may come the person who reminds you of your own capacity to surprise yourself, to put at risk everything that’s dear to you. Who reminds you of the distances we have to bridge to begin to know anything about one another. Who reminds you that what seems to be—even about yourself—may not be. That like him, you need to be forgiven.
Sue Miller (While I Was Gone)
He loved possessions, not masses of them, but a select few that he did not part with. They gave a man self-respect. Not ostentation but quality, and the love that cherished the quality. Possessions reminded him that he existed, and made him enjoy his existence. It was as simple as that. And wasn't that worth something? He existed. Not many people in the world knew how to, even if they had the money. It really didn't take money, masses of money, it took a certain security.
Patricia Highsmith (The Talented Mr. Ripley (Ripley, #1))
He seems to have become a part of my life and I'm disappointed if I don't see him. If I get to the end of the day without seeing someone who reminds me of him, I feel as if a dull shadow has fallen over me.
Dorothy Koomson (The Woman He Loved Before)
Things you'd never even seen with Finn could remind you of him, because he was the one person you'd want to show. "Look at that," you'd want to say, because you knew he would find a way to think it was wonderful. To make you feel like the most observant person in the world for spotting it.
Carol Rifka Brunt (Tell the Wolves I'm Home)
You need me to inspire you and remind you how wonderful you are. You need me to kiss you." He lowered his head and pressed his lips on her neck. "You need me to love you." "But more than that," he continued, "I need you. I need you to come home to. I need you to talk to and laugh with. I need you to love me back.
Kate Perry (Perfect for You (Laurel Heights, #1))
Connor; "Push me and you might just find yourself locked in the trunk of a car and on a ferry headed off to Nova Scotia. . .Again" he said Softly loving the way she practically shook with rage against him. "I knew that was you, you bastard" She snarled, looking torn between going for his nipples again or just out right killing him. "You deserved it", he felt obligated to remind her. She scoffed. "I was twelve!" "you super glued my shorts to my ass!" the smile that teased her lips transformed her face from beautiful to breathtakingly beautiful in a matter of seconds. . . She chuckled softly as she moved to put a little space between them. "I actually forgot about that".
R.L. Mathewson (Checkmate (Neighbor from Hell, #3))
No one feels like you do, so every brush of your skin is a cruel reminder of what I’ve lost. I can barely stand the sight of you because you’re more beautiful than I’ve allowed myself to remember, and when I cut that wire off Maximus and smelled you all over him, I wanted to kill him more than I’ve wanted to kill anyone in my life, yet I couldn’t because of my promise to you.” Slow tears continued to trickle down my cheeks, but for a different reason this time. “You care.” The words were whispered with a despairing sort of wonder. He wasn’t willing to rescind his loveless vow, clearly, but I was wrong about the apathy I’d thought he felt. That he admitted all the above was surprising enough; the fact he’d done it within earshot of his pilots was no less than shocking. Vlad grunted. “Don’t worry. I intend to kill them as soon as we land.
Jeaniene Frost (Twice Tempted (Night Prince, #2))
I do keep him at the back of my mind for those times I get me hopes raised about something. So then I can slap myself into reality and remind myself of what happens when you let someone into your sacred space.
Melina Marchetta (On the Jellicoe Road)
May God remind us daily—no matter what kind of obstacles we face—that we are loved and empowered by the One who brought the universe into existence with the mere sound of His voice. Nothing is impossible for Him.
Beth Moore (Praying God's Word: Breaking Free from Spiritual Strongholds)
Of course, the diary helps me as well. 'That wasn't your position on July 7, 1991,' I'll remind Hugh an hour after we've had a fight. I'd have loved to rebut him sooner, but it takes awhile to look these things up.
David Sedaris (Let's Explore Diabetes with Owls: Essays, Etc.)
I think I fell in love with you,” Rhys murmured, stroking a finger down my arm, “the moment I realized you were cleaving those bones to make a trap for the Middengard Wyrm. Or maybe the moment you flipped me off for mocking you. It reminded me so much of Cassian. For the first time in decades, I wanted to laugh.” “You fell in love with me,” I said flatly, “because I reminded you of your friend?” He flicked my nose. “I fell in love with you, smartass, because you were one of us—because you weren’t afraid of me, and you decided to end your spectacular victory by throwing that piece of bone at Amarantha like a javelin. I felt Cassian’s spirit beside me in that moment, and could have sworn I heard him say, ‘If you don’t marry her, you stupid prick, I will.’ ” I huffed a laugh, sliding my paint-covered hand over his tattooed chest. Paint—right. We were both covered in it. So was the bed.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
She had been ready to love this man from the moment she first saw him. In all these years, that had never changed. They'd hurt each other, let each other down, and yet, here they were after everything, together. She needed him now, needed him to remind her that she was live, that she wasn't alone, that she hadn't lost everything.
Kristin Hannah (Home Front)
The tinkle of wind chimes announcing the return of our fairy guests made us both look up. Our chance to be alone was going to be shorter than either of us had hoped. I sighed and brushed an errant dragon scale from Eadric’s tunic. “Someday when we have lots of time, remind me to tell you what you mean to me.” Eadric tilted my head back so he could gaze into my eyes. “I can tell you what you mean to me with just one word.” Let me guess,” I said, smiling up at him. “Maybe I make you happy because you no longer have to enter kissing contests to find the best kisser? Do I bring excitement into your life because I can wisk you away to exotic lands on my magic carpet? Or do you find me delightful because I can conjure food whenever you’re hungry?” No, that’s not. . . Wait, what was that last one?” I laughed and shook my head. “Never mind. So tell me in one word, what do I mean to you?” That’s easy,” said Eadric. “Everything!
E.D. Baker (No Place for Magic (The Tales of the Frog Princess, #4))
Looking at you reminds me of the kind of man I should be with." "And what kind of man is that? Drunken, poor, pathetic?" "No. I´ve never met him, but I see him plain as day. He has crinkles around his eyes when he smiles and tanned skin from working outdoors. Honest labor has callused his hands. He and I will hunt together, cook and eat big family meals together. He´ll marry me and love my family, too." Voice gone soft, she said, "He´ll give me a baby boy and a girl.
Kresley Cole (Lothaire (Immortals After Dark, #11))
My father loved the library because it was a safe haven for him — no missed cultural cues, no bigoted insults from his coworkers, no glaring reminders of what was lost. All patrons of the library were pilgrims to the oracle, all seeking the same thing: knowledge. And in their pursuit of the same thing, they were all equals.
Phuc Tran (Sigh, Gone: A Misfit's Memoir of Great Books, Punk Rock, and the Fight to Fit In)
These days when you kiss a prince you often run the risk of turning him into a frog. But don't let the ogres in shining armor get you down. There is no need for distress - you don't want to be anyone's damsel anyway. Simply remind yourself that you are busy racking up those 'frequent failure points' that will eventually pay for an all expenses paid trip to Mr Right.
Anthon St. Maarten
The ones that change...it’s not that going actually changed them its that they didn’t have something better waiting for them when they got back. They changed because its who they wanted to be. Not everyone is lucky enough to have the better half of his soul and the rest of his life waiting back home to remind him why he left in the first place.
Hope Alcocer (Where Hope Lies)
Rhys absorbed that with chagrin. "No one has ever accused me of being a romantic," he said ruefully. "If you were, how would you propose?" He thought for a moment. "I would begin by teaching you a Welsh word. Hiraeth There's no equivalent in English." "Hiraeth," she repeated, trying to pronounce it with a tapped R, as he had. "Aye. It's a longing for something that was lost, or never existed. You feel it for a person or a place, or a time in your life...it's a sadness of the soul. Hiraeth calls to a Welshman even when he's closest to happiness, reminding him that he's incomplete." Her brow knit with concern. "Do you feel that way?" "Since the day I was born." He looked down into her small, lovely face. "But not when I'm with you. That's why I want to marry you.
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
To make matters worse, everyone she talks to has a different opinion about the nature of his problem and what she should do about it. Her clergyperson may tell her, “Love heals all difficulties. Give him your heart fully, and he will find the spirit of God.” Her therapist speaks a different language, saying, “He triggers strong reactions in you because he reminds you of your father, and you set things off in him because of his relationship with his mother. You each need to work on not pushing each other’s buttons.” A recovering alcoholic friend tells her, “He’s a rage addict. He controls you because he is terrified of his own fears. You need to get him into a twelve-step program.” Her brother may say to her, “He’s a good guy. I know he loses his temper with you sometimes—he does have a short fuse—but you’re no prize yourself with that mouth of yours. You two need to work it out, for the good of the children.” And then, to crown her increasing confusion, she may hear from her mother, or her child’s schoolteacher, or her best friend: “He’s mean and crazy, and he’ll never change. All he wants is to hurt you. Leave him now before he does something even worse.” All of these people are trying to help, and they are all talking about the same abuser. But he looks different from each angle of view.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
It had been June, the bright hot summer of 1937, and with the curtains thrown back the bedroom had been full of sunlight, sunlight and her and Will's children, their grandchildren, their nieces and nephews- Cecy's blue eyed boys, tall and handsome, and Gideon and Sophie's two girls- and those who were as close as family: Charlotte, white- haired and upright, and the Fairchild sons and daughters with their curling red hair like Henry's had once been. The children had spoken fondly of the way he had always loved their mother, fiercely and devotedly, the way he had never had eyes for anyone else, and how their parents had set the model for the sort of love they hoped to find in their own lives. They spoke of his regard for books, and how he had taught them all to love them too, to respect the printed page and cherish the stories that those pages held. They spoke of the way he still cursed in Welsh when he dropped something, though he rarely used the language otherwise, and of the fact that though his prose was excellent- he had written several histories of the Shadowhunters when he's retired that had been very well respected- his poetry had always been awful, though that never stopped him from reciting it. Their oldest child, James, had spoken laughingly about Will's unrelenting fear of ducks and his continual battle to keep them out of the pond at the family home in Yorkshire. Their grandchildren had reminded him of the song about demon pox he had taught them- when they were much too young, Tessa had always thought- and that they had all memorized. They sang it all together and out of tune, scandalizing Sophie. With tears running down her face, Cecily had reminded him of the moment at her wedding to Gabriel when he had delivered a beautiful speech praising the groom, at the end of which he had announced, "Dear God, I thought she was marrying Gideon. I take it all back," thus vexing not only Cecily and Gabriel but Sophie as well- and Will, though too tired to laugh, had smiled at his sister and squeezed her hand. They had all laughed about his habit of taking Tessa on romantic "holidays" to places from Gothic novels, including the hideous moor where someone had died, a drafty castle with a ghost in it, and of course the square in Paris in which he had decided Sydney Carton had been guillotined, where Will had horrified passerby by shouting "I can see the blood on the cobblestones!" in French.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
You think me cruel.” “No.” Magiano hesitates for a long moment. “Maybe a little.” “I’m not branding them because I am cruel,” I say calmly. “I’m doing it as a reminder of what they’ve done to us. To the marked. You’re so quick to forget.” “I never forget,” Magiano replies. This time, there is a slight sharpness to his tone. His hand hovers near his side, where his childhood wound continues to plague him. “But branding the unmarked with your crest will not make them any more loyal to you.” “It makes them fear me.” “Fear works best with some love,” Magiano says. “Show them that you can be terrifying, yet generous.” The gold bands in his braids clink. “Let the people love you a little, mi Adelinetta.
Marie Lu (The Midnight Star (The Young Elites, #3))
The very quality of your life, whether you love it or hate it, is based upon how thankful you are toward God. It is one's attitude that determines whether life unfolds into a place of blessedness or wretchedness. Indeed, looking at the same rose bush, some people complain that the roses have thorns while others rejoice that some thorns come with roses. It all depends on your perspective. This is the only life you will have before you enter eternity. If you want to find joy, you must first find thankfulness. Indeed, the one who is thankful for even a little enjoys much. But the unappreciative soul is always miserable, always complaining. He lives outside the shelter of the Most High God. Perhaps the worst enemy we have is not the devil but our own tongue. James tells us, "The tongue is set among our members as that which . . . sets on fire the course of our life" (James 3:6). He goes on to say this fire is ignited by hell. Consider: with our own words we can enter the spirit of heaven or the agonies of hell! It is hell with its punishments, torments and misery that controls the life of the grumbler and complainer! Paul expands this thought in 1 Corinthians 10:10, where he reminds us of the Jews who "grumble[d] . . . and were destroyed by the destroyer." The fact is, every time we open up to grumbling and complaining, the quality of our life is reduced proportionally -- a destroyer is bringing our life to ruin! People often ask me, "What is the ruling demon over our church or city?" They expect me to answer with the ancient Aramaic or Phoenician name of a fallen angel. What I usually tell them is a lot more practical: one of the most pervasive evil influences over our nation is ingratitude! Do not minimize the strength and cunning of this enemy! Paul said that the Jews who grumbled and complained during their difficult circumstances were "destroyed by the destroyer." Who was this destroyer? If you insist on discerning an ancient world ruler, one of the most powerful spirits mentioned in the Bible is Abaddon, whose Greek name is Apollyon. It means "destroyer" (Rev. 9:11). Paul said the Jews were destroyed by this spirit. In other words, when we are complaining or unthankful, we open the door to the destroyer, Abaddon, the demon king over the abyss of hell! In the Presence of God Multitudes in our nation have become specialists in the "science of misery." They are experts -- moral accountants who can, in a moment, tally all the wrongs society has ever done to them or their group. I have never talked with one of these people who was happy, blessed or content about anything. They expect an imperfect world to treat them perfectly. Truly, there are people in this wounded country of ours who need special attention. However, most of us simply need to repent of ingratitude, for it is ingratitude itself that is keeping wounds alive! We simply need to forgive the wrongs of the past and become thankful for what we have in the present. The moment we become grateful, we actually begin to ascend spiritually into the presence of God. The psalmist wrote, "Serve the Lord with gladness; come before Him with joyful singing. . . . Enter His gates with thanksgiving and His courts with praise. Give thanks to Him, bless His name. For the Lord is good; His lovingkindness is everlasting and His faithfulness to all generations" (Psalm 100:2, 4-5). It does not matter what your circumstances are; the instant you begin to thank God, even though your situation has not changed, you begin to change. The key that unlocks the gates of heaven is a thankful heart. Entrance into the courts of God comes as you simply begin to praise the Lord.
Francis Frangipane
I just thought you needed one. You use that weird penny, and it keeps falling out____" His eyes had immediatly snapped to my face, "Where is it? You didn't throw it away, did you?" I'd blinked at him, confused. "No, it's in your office." I couldn't hide the hurt from my voice. His eyes had softened, and he'd come around the table to kiss my cheek. "Thank you, Leah. It was a good idea-really. I needed something better to use to remind me of my place." "Your place?" "In the book." He smiled.
Tarryn Fisher (Dirty Red (Love Me with Lies, #2))
Do you know about the spoons? Because you should. The Spoon Theory was created by a friend of mine, Christine Miserandino, to explain the limits you have when you live with chronic illness. Most healthy people have a seemingly infinite number of spoons at their disposal, each one representing the energy needed to do a task. You get up in the morning. That’s a spoon. You take a shower. That’s a spoon. You work, and play, and clean, and love, and hate, and that’s lots of damn spoons … but if you are young and healthy you still have spoons left over as you fall asleep and wait for the new supply of spoons to be delivered in the morning. But if you are sick or in pain, your exhaustion changes you and the number of spoons you have. Autoimmune disease or chronic pain like I have with my arthritis cuts down on your spoons. Depression or anxiety takes away even more. Maybe you only have six spoons to use that day. Sometimes you have even fewer. And you look at the things you need to do and realize that you don’t have enough spoons to do them all. If you clean the house you won’t have any spoons left to exercise. You can visit a friend but you won’t have enough spoons to drive yourself back home. You can accomplish everything a normal person does for hours but then you hit a wall and fall into bed thinking, “I wish I could stop breathing for an hour because it’s exhausting, all this inhaling and exhaling.” And then your husband sees you lying on the bed and raises his eyebrow seductively and you say, “No. I can’t have sex with you today because there aren’t enough spoons,” and he looks at you strangely because that sounds kinky, and not in a good way. And you know you should explain the Spoon Theory so he won’t get mad but you don’t have the energy to explain properly because you used your last spoon of the morning picking up his dry cleaning so instead you just defensively yell: “I SPENT ALL MY SPOONS ON YOUR LAUNDRY,” and he says, “What the … You can’t pay for dry cleaning with spoons. What is wrong with you?” Now you’re mad because this is his fault too but you’re too tired to fight out loud and so you have the argument in your mind, but it doesn’t go well because you’re too tired to defend yourself even in your head, and the critical internal voices take over and you’re too tired not to believe them. Then you get more depressed and the next day you wake up with even fewer spoons and so you try to make spoons out of caffeine and willpower but that never really works. The only thing that does work is realizing that your lack of spoons is not your fault, and to remind yourself of that fact over and over as you compare your fucked-up life to everyone else’s just-as-fucked-up-but-not-as-noticeably-to-outsiders lives. Really, the only people you should be comparing yourself to would be people who make you feel better by comparison. For instance, people who are in comas, because those people have no spoons at all and you don’t see anyone judging them. Personally, I always compare myself to Galileo because everyone knows he’s fantastic, but he has no spoons at all because he’s dead. So technically I’m better than Galileo because all I’ve done is take a shower and already I’ve accomplished more than him today. If we were having a competition I’d have beaten him in daily accomplishments every damn day of my life. But I’m not gloating because Galileo can’t control his current spoon supply any more than I can, and if Galileo couldn’t figure out how to keep his dwindling spoon supply I think it’s pretty unfair of me to judge myself for mine. I’ve learned to use my spoons wisely. To say no. To push myself, but not too hard. To try to enjoy the amazingness of life while teetering at the edge of terror and fatigue.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
One fine moonlit night, Mortain and his Wild Hunt were riding through the countryside when they spied two maids more beautiful than any they had ever seen before. They were picking evening primrose, which only blooms in the moonlight. “The two maids turned out to be Amourna and Arduinna, twin daughters of Dea Matrona. When Mortain saw the fair Amourna, he fell instantly in love, for she was not only beautiful but light of heart as well, and surely the god of death needs lightness in his world. “But the two sisters could not be more different. Amourna was happy and giving, but her sister, Arduinna, was fierce, jealous, and suspicious, for such is the dual nature of love. Arduinna had a ferocious and protective nature and did not care for the way Mortain was looking at her beloved sister. To warn him, she drew her bow and let fly with one of her silver arrows. She never misses, and she didn’t miss then. The arrow pierced Mortain’s heart, but no one, not even a goddess, can kill the god of death. “Mortain plucked the arrow from his chest and bowed to Arduinna. ‘Thank you,’ he said. ‘For reminding me that love never comes without cost
R.L. LaFevers (Grave Mercy (His Fair Assassin, #1))
So. Avelaval. My leaves have drifted from me. All. But one clings still. I'll bear it on me. To remind me of. Lff! So soft this morning, ours. Yes. Carry me along, taddy, like you done through the toy fair! If I seen him bearing down on me now under whitespread wings like he'd come from Arkangels, I sink I'd die down over his feet, humbly dumbly, only to washup. Yes, tid. There's where. First. We pass through grass behush the bush to. Whish! A gull. Gulls. Far calls. Coming, far! End here. Us then. Finn, again! Take. Bussoftlhee, mememormee! Till thousendsthee. Lps. The keys to. Given! A way a lone a last a loved a long the—riverrun, past Eve and Adam's, from swerve of shore to bend of bay, brings us by a commodius vicus of recirculation back to Howth Castle and Environs.
James Joyce (Finnegans Wake)
But have you noticed the slight curl at the end of Sam II's mouth, when he looks at you? It means that he didn't want you to name him Sam II, for one thing, and for two other things it means that he has a sawed-off in his left pants leg, and a baling hook in his right pants leg, and is ready to kill you with either of them, given the opportunity. The father is taken aback. What he usually says, in such a confrontation, is "I changed your diapers for you, little snot." This is not the right thing to say. First, it is not true (mothers change nine diapers out of ten), and second it reminds Sam II of what he is mad about. He is mad about being small when you were big, but no, that's not it, he is mad about being helpless when you were powerful, but no, not that either, he is mad about being contingent when you were necessary, not quite it, he is insane because when he loved you, you didn't notice.
Donald Barthelme (The Dead Father)
It reminded him of the first day he’d ever touched Magnus, drawn close to and kissed another man, someone even taller than he was, his body lean and lithe and right against Alec’s. At the time, he’d thought he felt dizzy with relief and joy because he was finally touching someone he wanted to be touched by, when he’d thought he might never have that. Now he thought he’d felt that way because it was Magnus: that even then, he’d known. Now the gesture spoke of all the days since the first.
Cassandra Clare (The Land I Lost (Ghosts of the Shadow Market, #7))
I often wish I'd got on better with your father,' he said. But he never liked anyone who--our friends,' said Clarissa; and could have bitten her tongue for thus reminding Peter that he had wanted to marry her. Of course I did, thought Peter; it almost broke my heart too, he thought; and was overcome with his own grief, which rose like a moon looked at from a terrace, ghastly beautiful with light from the sunken day. I was more unhappy than I've ever been since, he thought. And as if in truth he were sitting there on the terrace he edged a little towards Clarissa; put his hand out; raised it; let it fall. There above them it hung, that moon. She too seemed to be sitting with him on the terrace, in the moonlight.
Virginia Woolf (Mrs. Dalloway)
There are moments in every relationship that define when two people start to fall in love. A first glance A first smile A first kiss A first fall… (I remove the Darth Vader house shoes from my satchel and look down at them.) You were wearing these during one of those moments. One of the moments I first started to fall in love with you. The way you gave me butterflies that morning Had absolutely nothing to do with anyone else, and everything to do with you. I was falling in love with you that morning because of you. (I take the next item out of the satchel. When I pull it out and look up, she brings her hands to her mouth in shock.) This ugly little gnome With his smug little grin… He's the reason I had an excuse to invite you into my house. Into my life. You took a lot of aggression out on him over those next few months. I would watch from my window as you would kick him over every time you walked by him. Poor little guy. You were so tenacious. That feisty, aggressive, strong-willed side of you…. The side of you that refused to take crap from this concrete gnome? The side of you that refused to take crap from me? I fell in love with that side of you because of you. (I set the gnome down on the stage and grab the CD) This is your favorite CD ‘Layken’s shit.’ Although now I know you intended for shit to be possessive, rather than descriptive. The banjo started playing through the speakers of your car and I immediately recognized my favorite band. Then when I realized it was your favorite band, too? The fact that these same lyrics inspired both of us? I fell in love with that about you. That had absolutely nothing to do with anyone else. I fell in love with that about you because of you. (I take a slip of paper out of the satchel and hold it up. When I look at her, I see Eddie slide her a napkin. I can’t tell from up here, but that can only mean she’s crying.) This is a receipt I kept. Only because the item I purchased that night was on the verge of ridiculous. Chocolate milk on the rocks? Who orders that? You were different, and you didn’t care. You were being you. A piece of me fell in love with you at that moment, because of you. This? (I hold up another sheet of paper.) This I didn’t really like so much. It’s the poem you wrote about me. The one you titled 'mean?' I don’t think I ever told you… but you made a zero. And then I kept it to remind myself of all the things I never want to be to you. (I pull her shirt from my bag. When I hold it into the light, I sigh into the microphone.) This is that ugly shirt you wear. It doesn’t really have anything to do with why I fell in love with you. I just saw it at your house and thought I’d steal it.
Colleen Hoover (Point of Retreat (Slammed, #2))
All these years, whenever I thought of him, I'd think either of B. or of our last days in Rome, the whole thing leading up to two scenes: the balcony with its attendant agonies and via Santa Maria dell' Anima, where he'd pushed me against the old wall and kissed me and in the end let me put one leg around his. Every time I go back to Rome, I go back to that one spot. It is still alive for me, still resounds with something totally present, as though a heart stolen from a tale by Poe still throbbed under the ancient slate pavement to remind me that, here, I had finally encountered the life that was right for me but had failed to have.
André Aciman (Call Me by Your Name)
There's one other thing I'd like to remind you of, my dear. There've been many times when you've sworn to me that after all that life has dealt you, it was no longer possible for you to believe in anything. I replied that both life and my studies had led me to the same conclusion. I asked you, 'What is a person permitted, once he's realized that truth is unattainable and consequently doesn't exist for him?' Do you remember your answer?" "I do, ibn Sabbah. I said something like this: 'If a person realized that everything people call happiness, love and joy was just a miscalculation based on a false premise, he'd feel a horrible emptiness inside. The only thing that could rouse him from his paralysis would be to gamble with his own face and the face of others. The person capable of that would be permitted anything.
Vladimir Bartol (Alamut)
Auggie said you were too sentimental for your own good sometimes." Out loud he said, "Perhaps, but you have taught me that sentiment is not always a bad thing." I stared up at that impossibly beautiful face, and felt love swell up inside me like a physical force. It filled my body, swelling upward until it made my chest ache, my throat tighten, and my eyes burn. It sounded so stupid. But I loved him. Loved all of him, but loved him more because loving me had made him better. That he would say that I had taught him about being sentimental made me want to cry. Richard reminded me at every turn that I was bloodthirsty and cold. If that were true, then I couldn't have taught Jean-Claude about sentimentality. You can't learn, if you don't have it to teach. He kissed me. He kissed me softly, with one hand lost in the hair to the side of my face. He drew back and whispered, "I never thought to see that look upon your face, not for me." "I love you," I said, and touched his hand where it lay against my face.
Laurell K. Hamilton (Danse Macabre (Anita Blake, Vampire Hunter, #14))
Lily, if you left this earth and left me behind, I’d be miserable. I probably wouldn't want to live. But you know what? If you left me with our baby girl, I’d spend my whole life raising her the best I could. Making sure I did right by her and by you. Making sure that everything I did would make you happy and proud of me. You’d leave this earth knowing that I would give our children everything. You would have no doubt about that. Not doing that, not taking care of the babies we made together, would mean that I didn’t love you, that you didn’t mean the world to me. Because if something means that much to you, then it means that much to me. If I were him, I’d grab hold of anything that reminded me of the woman I loved.
Alexa Riley (Shielding Lily)
The baron reminds me of someone, but I can't quite put my finger on who it is," Ramsey remarked. "I swear my own father never talked to me the way Gillian's uncle just did." "Your father died before you were old enough to know him." "It was humiliating, damn it. He sure as certain wasn't what I expected. The way Gillian talked about him, I pictured a mild-mannered gentleman. She thinks he's… gentle. Is the woman blind? How in God's name can she love such a crotchety old…" Ramsey's head snapped up, and he suddenly burst into laughter, breaking Brodick's train of thought. "It's you." "What?" "Morgan… he reminds me of you. My God, Gillian married a man just like her uncle. Look at the baron and you'll see yourself in twenty years." "Are you suggesting I'm going to become a belligerent, foul-tempered old man?" "Hell, you're already belligerent and foul-tempered. No wonder she fell in love with you," he drawled
Julie Garwood (Ransom (Highlands' Lairds, #2))
Ultraviolence" He used to call me DN That stood for deadly nightshade Cause I was filled with poison But blessed with beauty and rage Jim told me that He hit me and it felt like a kiss Jim brought me back Reminded me of when we were kids With his ultraviolence Ultraviolence Ultraviolence Ultraviolence I can hear sirens, sirens He hit me and it felt like a kiss I can hear violins, violins Give me all of that ultraviolence He used to call me poison Like I was poison ivy I could have died right there Cause he was right beside me Jim raised me up He hurt me but it felt like true love Jim taught me that Loving him was never enough With his ultraviolence Ultraviolence Ultraviolence Ultraviolence I can hear sirens, sirens He hit me and it felt like a kiss I can hear violins, violins Give me all of that ultraviolence We could go back to New York Loving you was really hard We could go back to Woodstock Where they don't know who we are Heaven is on earth I will do anything for you, babe Blessed is this, this union Crying tears of gold, like lemonade I love you the first time I love you the last time Yo soy la princesa, comprende mis white lines Cause I'm your jazz singer And you're my cult leader I love you forever, I love you forever With his ultraviolence (lay me down tonight) Ultraviolence (in my linen and curls) Ultraviolence (lay me down tonight) Ultraviolence (Riviera girls) I can hear sirens, sirens He hit me and it felt like a kiss I can hear violins, violins Give me all of that ultraviolence
Lana Del Rey
I’ve had a lot of sucks in life A lot My parents died almost four years ago, right after I turned seven With every day that goes by I remember them less and less Like my mom…I remember that she used to sing. She was always happy, always dancing. Other than what I’ve seen of her in pictures, I don’t really remember what she looks like. Or what she smells like Or what she sounds like And my Dad I remember more things about him, but only because I thought he was the most amazing man in the world. He was smart. He knew the answer to everything. And he was strong. And he played the guitar. I used to love lying in bed at night, listening to the music coming from the living room. I miss that the most. His music. After they died, I went to live with my grandma and grandpaul. Don’t get me wrong…I love my grandparents. But I loved my home even more. It reminded me of them. Of my mom and dad. My brother had just started college the year they died. He knew how much I wanted to be home. He knew how much it meant to me, so he made it happen. I was only seven at the time, so I let him do it. I let him give up his entire life just so I could be home. Just so I wouldn’t be so sad. If I could do it all over again, I would have never let him take me. He deserved a shot, too. A shot at being young. But sometimes when you’re seven, the world isn’t in 3-D. So, I owe a lot to my brother. A lot of ‘thank you’d’ A lot of ‘I’m sorry’s’ A lot of ‘I love you’s’ I owe a lot to you, Will For making the sucks in my life a little less suckier And my sweet? My sweet is right now.
Colleen Hoover (Point of Retreat (Slammed, #2))
No, dear, but speaking of Father reminded me how much I miss him, how much I owe him, and how faithfully I should watch and work to keep his little daughters safe and good for him. Yet you told him to go, Mother, and didn’t cry when he went, and never complain now, or seem as if you needed any help, said Jo, wondering. I gave my best to the country I love, and kept my tears till he was gone. Why should I complain, when we both have merely done our duty and will surely be the happier for it in the end? If I don’t seem to need help, it is because I have a better friend, even than Father, to comfort and sustain me. My child, the troubles and temptations of your life are beginning and may be many, but you can overcome and outlive them all if you learn to feel the strength and tenderness of your Heavenly Father as you do that of your earthly one. The more you love and trust Him, and the less you will depend on human power and wisdom. His love and care never tire or change, can never be taken from you, but my become the source of lifelong peace, happiness, and strength. Believe this heartily, and go to God with all your little cares, and hopes, and sins, and sorrows, as freely and confidingly as you come to your mother.
Louisa May Alcott (Little Women (Little Women, #1))
Harry’s letter to his daughter: If I could give you just one thing, I’d want it to be a simple truth that took me many years to learn. If you learn it now, it may enrich your life in hundreds of ways. And it may prevent you from facing many problems that have hurt people who have never learned it. The truth is simply this: No one owes you anything. Significance How could such a simple statement be important? It may not seem so, but understanding it can bless your entire life. No one owes you anything. It means that no one else is living for you, my child. Because no one is you. Each person is living for himself; his own happiness is all he can ever personally feel. When you realize that no one owes you happiness or anything else, you’ll be freed from expecting what isn’t likely to be. It means no one has to love you. If someone loves you, it’s because there’s something special about you that gives him happiness. Find out what that something special is and try to make it stronger in you, so that you’ll be loved even more. When people do things for you, it’s because they want to — because you, in some way, give them something meaningful that makes them want to please you, not because anyone owes you anything. No one has to like you. If your friends want to be with you, it’s not out of duty. Find out what makes others happy so they’ll want to be near you. No one has to respect you. Some people may even be unkind to you. But once you realize that people don’t have to be good to you, and may not be good to you, you’ll learn to avoid those who would harm you. For you don’t owe them anything either. Living your Life No one owes you anything. You owe it to yourself to be the best person possible. Because if you are, others will want to be with you, want to provide you with the things you want in exchange for what you’re giving to them. Some people will choose not to be with you for reasons that have nothing to do with you. When that happens, look elsewhere for the relationships you want. Don’t make someone else’s problem your problem. Once you learn that you must earn the love and respect of others, you’ll never expect the impossible and you won’t be disappointed. Others don’t have to share their property with you, nor their feelings or thoughts. If they do, it’s because you’ve earned these things. And you have every reason to be proud of the love you receive, your friends’ respect, the property you’ve earned. But don’t ever take them for granted. If you do, you could lose them. They’re not yours by right; you must always earn them. My Experience A great burden was lifted from my shoulders the day I realized that no one owes me anything. For so long as I’d thought there were things I was entitled to, I’d been wearing myself out —physically and emotionally — trying to collect them. No one owes me moral conduct, respect, friendship, love, courtesy, or intelligence. And once I recognized that, all my relationships became far more satisfying. I’ve focused on being with people who want to do the things I want them to do. That understanding has served me well with friends, business associates, lovers, sales prospects, and strangers. It constantly reminds me that I can get what I want only if I can enter the other person’s world. I must try to understand how he thinks, what he believes to be important, what he wants. Only then can I appeal to someone in ways that will bring me what I want. And only then can I tell whether I really want to be involved with someone. And I can save the important relationships for th
Harry Browne
Something terrible was clawing up her throat. “I was lucky,” Arin said. “I had you. And a hard head. And the grace of my god.” “Damn your god.” Arin caught her arm above the elbow. She turned to face him. All trace of humor had left his face. His eyes were wide, urgent. “Don’t say that.” “Why not? I can say anything. Anything except what really matters.” “Kestrel, take it back. You’ll offend him.” “Your god risks you.” “He protects me.” “You’re his plaything.” “You’re wrong. He loves me.” Saying those words made him look so alone. He reminded her of sails curved by the wind, full and yet empty at the same time. She found that she was jealous of his god. The sudden jealousy held her so hard in its grip that she couldn’t breathe. “It’s true,” Arin insisted. She saw then that she had hurt him, that his god’s love was all the more precious to him because of his fear that he would find it nowhere else. Her anger rinsed away. “I’m sorry. I’m sorry. I ask your pardon. His, too.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Might I,” quavered Mary, “might I have a bit of earth?” In her eagerness she did not realize how queer the words would sound and that they were not the ones she had meant to say. Mr. Craven looked quite startled. “Earth!” he repeated. “What do you mean?” “To plant seeds in—to make things grow—to see them come alive,” Mary faltered. He gazed at her a moment and then passed his hand quickly over his eyes. “Do you—care about gardens so much,” he said slowly. “I didn’t know about them in India,” said Mary. “I was always ill and tired and it was too hot. I sometimes made little beds in the sand and stuck flowers in them. But here it is different.” Mr. Craven got up and began to walk slowly across the room. “A bit of earth,” he said to himself, and Mary thought that somehow she must have reminded him of something. When he stopped and spoke to her his dark eyes looked almost soft and kind. “You can have as much earth as you want,” he said. “You remind me of some one else who loved the earth and things that grow. When you see a bit of earth you want,” with something like a smile, “take it, child, and make it come alive.
Frances Hodgson Burnett (The Secret Garden)
It was the shadow of Some one who had gone by long before: of Some one who had gone on far away quite out of reach, never, never to come back. It was bright to look at; and when the tiny woman showed it to the Princess, she was proud of it with all her heart, as a great, great, treasure. When the Princess had considered it a little while, she said to the tiny woman, And you keep watch over this, every day? And she cast down her eyes, and whispered, Yes. Then the Princess said, Remind me why. To which the other replied, that no one so good and so kind had ever passed that way, and that was why in the beginning. She said, too, that nobody missed it, that nobody was the worse for it, that Some one had gone on to those who were expecting him-- 'Some one was a man then?' interposed Maggy. Little Dorrit timidly said yes, she believed so; and resumed: '-- Had gone on to those who were expecting him, and that this remembrance was stolen or kept back from nobody. The Princess made answer, Ah! But when the cottager died it would be discovered there. The tiny woman told her No; when that time came, it would sink quietly into her own grave, and would never be found.
Charles Dickens (Little Dorrit)
It was not the sorrowful, lovely piece she had once played for Dorian, and it was not the light, dancing melodies she'd played for sport; it was not the complex and clever pieces she had played for Nehemia and Chaol. This piece was a celebration—a reaffirmation of life, of glory, of the pain and beauty in breathing. Perhaps that was why she'd gone to hear it performed every year, after so much killing and torture and punishment: as a reminder of that she was, of what she struggled to keep. Up and up it built, the sound breaking from the pianoforte like the heart-song of a god, until Rowan drifted over to stand beside the instrument, until she whispered to him, “Now,” and the crescendo shattered into the world, note after note after note. The music crashed around them, roaring through the emptiness of the theater. The hollow silence that had been inside her for so many months now overflowed with sound. She brought the piece home to its final explosive, triumphant chord. When she looked up, panting slightly, Rowan's eyes were lined with silver, his throat bobbing. Somehow, after all this time, her warrior-prince still managed to surprise her. He seemed to struggle for words, but he finally breathed, “Show me—show me how you did that.” So she obliged him.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
He hit her with his best smile. Her eyes widened. She took a deep breath. 'Oh no, not that seductive face. I'm overcome with the need to take off these awful clothes. What is happening? I do not understand. Oooh. Ahhh.' She touched her wrist to her forehead. 'Somebody help me. I'm being drenched with my own fluids.' Evil woman. 'See now, you shouldn't have done that,' Kaldar said. She gave him an innocent look. 'You've made yourself into a challenge. Now I'll have to seduce you out of principle.' 'You can try. Not that you'll get anywhere. If you were in love, that would be one thing, but we both know this is pride talking.' Audrey patted his forearm. 'It's all right. I won't tell anybody about your shameful failure. I'll keep it completely confidential.' She pretended to lock her lips and throw away the key. 'I'll remind you of this when you're collapsing on my sheets, all happy and out of breath.' He leaned closer. "I'm picturing it in my head. Mmm, you look lovely.' 'Whatever fantasies help you get through the day.' Audrey said. 'So kind of you.' 'I'm all about being charitable when it doesn't cost me anything.' Charity? For me? Before this was all over, either they would be lovers or they'd kill each other. Right now, he had no idea which it would be.
Ilona Andrews (Fate's Edge (The Edge, #3))
I'm sorry Donatella wounded you so badly,' Evangeline said. And she meant it. She imagined Jacks was probably leaving a few things out, but she believed his hurt was genuine. 'Maybe the stories have it wrong and there's another true love waiting for you.' Jacks laughed derisively. 'Are you saying this because you think you can be her?' He eyed Evangeline through the bars, gaze bordering on indecent. 'Do you want to kiss me, Little Fox?' Something new and terrible knotted up inside her. 'No, that's not what I'm saying.' 'You don't sound too sure about that. You might not like me, but I bet you'd like it if I kissed you.' His eyes went to her lips, and the heat that swept across her mouth felt like the beginning of a kiss. 'Jacks, stop it,' she demanded. He didn't really want to kiss her. He was just teasing her to deflect the pain. 'I know what you're doing.' 'I doubt it.' He smiled, flashing his dimples as he ran his tongue over the tip of a very sharp and long incisor, looking suddenly thoughtful. 'Maybe it wouldn't be so bad to stay like this. I rather like these.' 'You also like daylight.' Evangeline reminded him. 'I could probably live without the sun if I could trade it for other things.' He cocked his head. 'I wonder... if I were to become a true vampire, perhaps my kiss wouldn't be fatal anymore.' His fangs lengthened. 'You could let me bite you and we could try it out.' Another piercing lick of heat, this time right beneath her jaw, then her wrist, and a few other intimate places she'd have never thought anyone would bite. Evangeline blushed from her neck down to her collarbone. 'We're not talking about biting,' she said hotly.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
Dear Daniel, How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"? Lily Charlotte, NC Dear Lily, The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this. And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does." You think about them all the time. Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall. Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain. Love, Daniel Handler
Daniel Handler
And, of course, there is the person you come back to: his face and body and voice and scent and touch, his way of waiting until you finish whatever you're saying, no matter how lengthy, before he speaks, the way his smile moves so slowly across his face that it reminds you of moonrise, how clearly he has missed you and how clearly happy he is to have you back. Then there are the things, if you are particularly lucky, that this person has done for you while you're away: how in the pantry, in the freezer, in the refrigerator will be all the food you like to eat, the scotch you like to drink. There will be the sweater you thought you lost the previous year at the theater, clean and folded and back on its shelf. There will be the shirt with its dangling buttons, but the buttons will be sewn back in place...And there will be no mention of it, and you will know that it was done with genuine pleasure, and you will know that part of the reason—a small part, but a part—you love being in this apartment and in this relationship is because this other person is always making a home for you, and that when you tell him this, he won't be offended but pleased, and you'll be glad, because you meant it with gratitude. And in these moments—almost a week back home—you will wonder why you leave so often, and you will wonder whether, after the next year's obligations are fulfilled, you ought not just stay here for a period, where you belong.
Hanya Yanagihara (A Little Life)
Now he reduced his progress to the rhythm of his boots -- he walked across the land until he came to the sea. Everything that impeded him had to be outweighed, even if only by a fraction, by all that drove him on. In one pan of the scales, his wound, thirst, the blister, tiredness, the heat, the aching in his feet and legs, the Stukas, the distance, the Channel; in the other, I'll wait for you, and the memory of when she had said it, which he had come to treat like a sacred site. Also, the fear of capture. His most sensual memories -- their few minutes in the library, the kiss in Whitehall -- was bleached colorless through overuse. He knew by heart certain passages from her letters, he had revisited their tussle with the vase by the fountain, he remembered the warmth from her arm at the dinner when the twins went missing. These memories sustained him, but not so easily. Too often they reminded him of where he was when he last summoned them. They lay on the far side of a great divide in time, as significant as B.C. and A.D. Before prison, before war, before the sight of a corpse became a banality. But these heresies died when he read her last letter. He touched his breast pocket. It was a kind of genuflection. Still there. Here was something new on the scales. That he could be cleared had all the simplicity of love. Merely tasting the possibility reminded him of how much had narrowed and died. His taste for life, no less, all the old ambitions and pleasures. The prospect was of rebirth, a triumphant return.
Ian McEwan (Atonement)
God will not be tolerated. He instructs us to worship and fear Him. In our world, where hundreds of things distract us from God, we have to intentionally and consistently remind ourselves of Him. Because we don’t often think about the reality of who God is, we quickly forget that He is worthy to be worshiped and loved. We are to fear Him. The answer to each of these questions is simply this: because He’s God. He has more of a right to ask us why so many people are starving. As much as we want God to explain himself to us, His creation, we are in no place to demand that He give an account to us. Can you worship a God who isn’t obligated to explain His actions to you? Could it be your arrogance that makes you think God owes you an explanation? If God is truly the greatest good on this earth, would He be loving us if He didn’t draw us toward what is best for us (even if that happens to be Himself)? Doesn’t His courting, luring, pushing, calling, and even “threatening” demonstrate His love? If He didn’t do all of that, wouldn’t we accuse Him of being unloving in the end, when all things are revealed? Has your relationship with God actually changed the way you live? Do you see evidence of God’s kingdom in your life? Or are you choking it out slowly by spending too much time, energy, money, and thought on the things of this world? Christians who did most for the present world were precisely those who thought most of the next. Jesus’ call to commitment is clear: He wants all or nothing. Our greatest fear as individuals and as a church should not be of failure but of succeeding at things in life that don’t really matter. If life is a river, then pursuing Christ requires swimming upstream. When we stop swimming, or actively following Him, we automatically begin to be swept downstream. How could we think for even a second that something on this puny little earth compares to the Creator and Sustainer and Savior of it all? True faith means holding nothing back; it bets everything on the hope of eternity. When you are truly in love, you go to great lengths to be with the one you love. You’ll drive for hours to be together, even if it’s only for a short while. You don’t mind staying up late to talk. Walking in the rain is romantic, not annoying. You’ll willingly spend a small fortune on the one you’re crazy about. When you are apart from each other, it’s painful, even miserable. He or she is all you think about; you jump at any chance to be together. There is nothing better than giving up everything and stepping into a passionate love relationship with God, the God of the universe who made galaxies, leaves, laughter, and me and you. Do you recognize the foolishness of seeking fulfillment outside of Him? Are you ready and willing to make yourself nothing? To take the very nature of a servant? To be obedient unto death? True love requires sacrifice. What are you doing right now that requires faith? God doesn’t call us to be comfortable. If one person “wastes” away his day by spending hours connecting with God, and the other person believes he is too busy or has better things to do than worship the Creator and Sustainer, who is the crazy one? Am I loving my neighbor and my God by living where I live, by driving what I drive, by talking how I talk?” If I stop pursuing Christ, I am letting our relationship deteriorate. The way we live out our days is the way we will live our lives. What will people say about your life in heaven? Will people speak of God’s work and glory through you? And even more important, how will you answer the King when He says, “What did you do with what I gave you?
Francis Chan (Crazy Love: Overwhelmed by a Relentless God)
And What Good Will Your Vanity Be When The Rapture Comes” says the man with a cart of empty bottles at the corner of church and lincoln while I stare into my phone and I say I know oh I know while trying to find the specific filter that will make the sun’s near-flawless descent look the way I might describe it in a poem and the man says the moment is already right in front of you and I say I know but everyone I love is not here and I mean here like on this street corner with me while I turn the sky a darker shade of red on my phone and I mean here like everyone I love who I can still touch and not pass my fingers through like the wind in a dream but I look up at the man and he is a kaleidoscope of shadows I mean his shadows have shadows and they are small and trailing behind him and I know then that everyone he loves is also not here and the man doesn’t ask but I still say hey man I’ve got nothing I’ve got nothing even though I have plenty to go home to and the sun is still hot even in its endless flirt with submission and the man’s palm has a small river inside I mean he has taken my hand now and here we are tethered and unmoving and the man says what color are you making the sky and I say what I might say in a poem I say all surrender ends in blood and he says what color are you making the sky and I say something bright enough to make people wish they were here and he squints towards the dancing shrapnel of dying light along a rooftop and he says I love things only as they are and I’m sure I did once too but I can’t prove it to anyone these days and he says the end isn’t always about what dies and I know I know or I knew once and now I write about beautiful things like I will never touch a beautiful thing again and the man looks me in the eyes and he points to the blue-orange vault over heaven’s gates and he says the face of everyone you miss is up there and I know I know I can’t see them but I know and he turns my face to the horizon and he says we don’t have much time left and I get that he means the time before the sun is finally through with its daily work or I think I get that but I still can’t stop trembling and I close my eyes and I am sobbing on the corner of church and lincoln and when I open my eyes the sun is plucking everyone who has chosen to love me from the clouds and carrying them into the light-drunk horizon and I am seeing this and I know I am seeing this the girl who kissed me as a boy in the dairy aisle of meijer while our parents shopped and the older boy on the basketball team who taught me how to make a good fist and swing it into the jaw of a bully and the friends who crawled to my porch in the summer of any year I have been alive they were all there I saw their faces and it was like I was given the eyes of a newborn again and once you know what it is to be lonely it is hard to unsee that which serves as a reminder that you were not always empty and I am gasping into the now-dark air and I pull my shirt up to wipe whatever tears are left and I see the man walking in the other direction and I chase him down and tap his arm and I say did you see it did you see it like I did and he turns and leans into the glow of a streetlamp and he is anchored by a single shadow now and he sneers and he says have we met and he scoffs and pushes his cart off into the night and I can hear the glass rattling even as I watch him become small and vanish and I look down at my phone and the sky on the screen is still blood red.
Hanif Abdurraqib
This is the list you carry in your pocket, of the things you plan to say to Kay, when you find him, if you find him: 1. I’m sorry that I forgot to water your ferns while you were away that time. 2. When you said that I reminded you of your mother, was that a good thing? 3. I never really liked your friends all that much. 4. None of my friends ever really liked you. 5. Do you remember when the cat ran away, and I cried and cried and made you put up posters, and she never came back? I wasn’t crying because she didn’t come back. I was crying because I’d taken her to the woods, and I was scared she’d come back and tell you what I’d done, but I guess a wolf got her, or something. She never liked me anyway. 6. I never liked your mother. 7. After you left, I didn’t water your plants on purpose. They’re all dead. 8. Goodbye. 9. Were you ever really in love with me? 10. Was I good in bed, or just average? 11. What exactly did you mean, when you said that it was fine that I had put on a little weight, that you thought I was even more beautiful, that I should go ahead and eat as much as I wanted, but when I weighed myself on the bathroom scale, I was exactly the same weight as before, I hadn’t gained a single pound? 12. So all those times, I’m being honest here, every single time, and anyway I don’t care if you don’t believe me, I faked every orgasm you ever thought I had. Women can do that, you know. You never made me come, not even once. 13. So maybe I’m an idiot, but I used to be in love with you. 14. I slept with some guy, I didn’t mean to, it just kind of happened. Is that how it was with you? Not that I’m making any apologies, or that I’d accept yours, I just want to know. 15. My feet hurt, and it’s all your fault. 16. I mean it this time, goodbye.
Kelly Link (Stranger Things Happen)
According to the biographical notes, Monsieur Julian Carax was twenty-seven, born with the century in Barcelona, and currently living in Paris; he wrote in French and worked at night as a professional pianist in a hostess bar. The blurb, written in the pompous, moldy style of the age, proclaimed that this was a first work of dazzling courage, the mark of a protean and trailblazing talent, and a sign of hope for the future of all of European letters. In spite of such solemn claims, the synopsis that followed suggested that the story contained some vaguely sinister elements slowly marinated in saucy melodrama, which, to the eyes of Monsieur Roquefort, was always a plus: after the classics what he most enjoyed were tales of crime, boudoir intrigue, and questionable conduct. One of the pitfalls of childhood is that one doesn't have to understand something to feel it. By the time the mind is able to comprehend what has happened, the wounds of the heart are already too deep. She laughed nervously. She had around her a burning aura of loneliness. "You remind me a bit of Julian," she said suddenly. "The way you look and your gestures. He used to do what you are doing now. He would stare at you without saying a word, and you wouldn't know what he was thinking, and so, like an idiot, you'd tell him things it would have been better to keep to yourself." "Someone once said that the moment you stop to think about whether you love someone, you've already stopped loving that person forever." I gulped down the last of my coffee and looked at her for a few moments without saying anything. I thought about how much I wanted to lose myself in those evasive eyes. I thought about the loneliness that would take hold of me that night when I said good-bye to her, once I had run out of tricks or stories to make her stay with me any longer. I thought about how little I had to offer her and how much I wanted from her. "You women listen more to your heart and less to all the nonsense," the hatter concluded sadly. "That's why you live longer." But the years went by in peace. Time goes faster the more hollow it is. Lives with no meaning go straight past you, like trains that don't stop at your station.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
How baffling you are, oh Church, and yet how I love you! How you have made me suffer, and yet how much I owe you! I would like to see you destroyed, and yet I need your presence. You have given me so much scandal and yet you have made me understand what sanctity is. I have seen nothing in the world more devoted to obscurity, more compromised, more false, and yet I have touched nothing more pure, more generous, more beautiful. How often I have wanted to shut the doors of my soul in your face, and how often I have prayed to die in the safety of your arms. No, I cannot free myself from you, because I am you, though not completely. And besides, where would I go? Would I establish another? I would not be able to establish it without the same faults, for they are the same faults I carry in me. And if I did establish another, it would be my Church, not the Church of Christ. I am old enough to know that I am no better than anyone else. …) The Church has the power to make me holy but it is made up, from the first to the last, only of sinners. And what sinners! It has the omnipotent and invincible power to renew the Miracle of the Eucharist, but is made up of men who are stumbling in the dark, who fight every day against the temptation of losing their faith. It brings a message of pure transparency but it is incarnated in slime, such is the substance of the world. It speaks of the sweetness of its Master, of its non-violence, but there was a time in history when it sent out its armies to disembowel the infidels and torture the heretics. It proclaims the message of evangelical poverty, and yet it does nothing but look for money and alliances with the powerful. Those who dream of something different from this are wasting their time and have to rethink it all. And this proves that they do not understand humanity. Because this is humanity, made visible by the Church, with all its flaws and its invincible courage, with the Faith that Christ has given it and with the love that Christ showers on it. When I was young, I did not understand why Jesus chose Peter as his successor, the first Pope, even though he abandoned Him. Now I am no longer surprised and I understand that by founding his church on the tomb of a traitor(…)He was warning each of us to remain humble, by making us aware of our fragility. (…) And what are bricks worth anyway? What matters is the promise of Christ, what matters is the cement that unites the bricks, which is the Holy Spirit. Only the Holy Spirit is capable of building the church with such poorly moulded bricks as are we. And that is where the mystery lies. This mixture of good and bad, of greatness and misery, of holiness and sin that makes up the church…this in reality am I .(…) The deep bond between God and His Church, is an intimate part of each one of us. (…)To each of us God says, as he says to his Church, “And I will betroth you to me forever” (Hosea 2,21). But at the same time he reminds us of reality: 'Your lewdness is like rust. I have tried to remove it in vain. There is so much that not even a flame will take it away' (Ezechiel 24, 12). But then there is even something more beautiful. The Holy Spirit who is Love, sees us as holy, immaculate, beautiful under our guises of thieves and adulterers. (…) It’s as if evil cannot touch the deepest part of mankind. He re-establishes our virginity no matter how many times we have prostituted our bodies, spirits and hearts. In this, God is truly God, the only one who can ‘make everything new again’. It is not so important that He will renew heaven and earth. What is most important is that He will renew our hearts. This is Christ’s work. This is the divine Spirit of the Church.
Carlo Carretto
Touching the copper of the ankh reminded me of another necklace, a necklace long since lost under the dust of time. That necklace had been simpler: only a string of beads etched with tiny ankhs. But my husband had brought it to me the morning of our wedding, sneaking up to our house just after dawn in a gesture uncharacteristically bold for him. I had chastised him for the indiscretion. "What are you doing? You're going to see me this afternoon... and then every day after that!" "I had to give you these before the wedding." He held up the string of beads. "They were my mother's. I want you to have them, to wear them today.” He leaned forward, placing the beads around my neck. As his fingers brushed my skin, I felt something warm and tingly run through my body. At the tender age of fifteen, I hadn't exactly understood such sensations, though I was eager to explore them. My wiser self today recognized them as the early stirrings of lust, and . . . well, there had been something else there too. Something else that I still didn't quite comprehend. An electric connection, a feeling that we were bound into something bigger than ourselves. That our being together was inevitable. "There," he'd said, once the beads were secure and my hair brushed back into place. "Perfect.” He said nothing else after that. He didn't need to. His eyes told me all I needed to know, and I shivered. Until Kyriakos, no man had ever given me a second glance. I was Marthanes' too-tall daughter after all, the one with the sharp tongue who didn't think before speaking. (Shape-shifting would eventually take care of one of those problems but not the other.) But Kyriakos had always listened to me and watched me like I was someone more, someone tempting and desirable, like the beautiful priestesses of Aphrodite who still carried on their rituals away from the Christian priests. I wanted him to touch me then, not realizing just how much until I caught his hand suddenly and unexpectedly. Taking it, I placed it around my waist and pulled him to me. His eyes widened in surprise, but he didn't pull back. We were almost the same height, making it easy for his mouth to seek mine out in a crushing kiss. I leaned against the warm stone wall behind me so that I was pressed between it and him. I could feel every part of his body against mine, but we still weren't close enough. Not nearly enough. Our kissing grew more ardent, as though our lips alone might close whatever aching distance lay between us. I moved his hand again, this time to push up my skirt along the side of one leg. His hand stroked the smooth flesh there and, without further urging, slid over to my inner thigh. I arched my lower body toward his, nearly writhing against him now, needing him to touch me everywhere. "Letha? Where are you at?” My sister's voice carried over the wind; she wasn't nearby but was close enough to be here soon. Kyriakos and I broke apart, both gasping, pulses racing. He was looking at me like he'd never seen me before. Heat burned in his gaze. "Have you ever been with anyone before?" he asked wonderingly. I shook my head. "How did you ... I never imagined you doing that...” "I learn fast.” He grinned and pressed my hand to his lips. "Tonight," he breathed. "Tonight we ...” "Tonight," I agreed. He backed away then, eyes still smoldering. "I love you. You are my life.” "I love you too." I smiled and watched him go.
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me." His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?" Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year." Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak. The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him? "Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth. When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes." She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about." Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile." "I wanted to kiss every one of them," she lied indignantly. "No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you." Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul. He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation. Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit." Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
Christine Feehan (Dark Magic (Dark, #4))