Remembering Someone Who Passed Away Quotes

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Closing The Cycle One always has to know when a stage comes to an end. If we insist on staying longer than the necessary time, we lose the happiness and the meaning of the other stages we have to go through. Closing cycles, shutting doors, ending chapters - whatever name we give it, what matters is to leave in the past the moments of life that have finished. Did you lose your job? Has a loving relationship come to an end? Did you leave your parents' house? Gone to live abroad? Has a long-lasting friendship ended all of a sudden? You can spend a long time wondering why this has happened. You can tell yourself you won't take another step until you find out why certain things that were so important and so solid in your life have turned into dust, just like that. But such an attitude will be awfully stressing for everyone involved: your parents, your husband or wife, your friends, your children, your sister, everyone will be finishing chapters, turning over new leaves, getting on with life, and they will all feel bad seeing you at a standstill. None of us can be in the present and the past at the same time, not even when we try to understand the things that happen to us. What has passed will not return: we cannot for ever be children, late adolescents, sons that feel guilt or rancor towards our parents, lovers who day and night relive an affair with someone who has gone away and has not the least intention of coming back. Things pass, and the best we can do is to let them really go away. That is why it is so important (however painful it may be!) to destroy souvenirs, move, give lots of things away to orphanages, sell or donate the books you have at home. Everything in this visible world is a manifestation of the invisible world, of what is going on in our hearts - and getting rid of certain memories also means making some room for other memories to take their place. Let things go. Release them. Detach yourself from them. Nobody plays this life with marked cards, so sometimes we win and sometimes we lose. Do not expect anything in return, do not expect your efforts to be appreciated, your genius to be discovered, your love to be understood. Stop turning on your emotional television to watch the same program over and over again, the one that shows how much you suffered from a certain loss: that is only poisoning you, nothing else. Nothing is more dangerous than not accepting love relationships that are broken off, work that is promised but there is no starting date, decisions that are always put off waiting for the "ideal moment." Before a new chapter is begun, the old one has to be finished: tell yourself that what has passed will never come back. Remember that there was a time when you could live without that thing or that person - nothing is irreplaceable, a habit is not a need. This may sound so obvious, it may even be difficult, but it is very important. Closing cycles. Not because of pride, incapacity or arrogance, but simply because that no longer fits your life. Shut the door, change the record, clean the house, shake off the dust. Stop being who you were, and change into who you are.
Paulo Coelho
On the first day of November last year, sacred to many religious calendars but especially the Celtic, I went for a walk among bare oaks and birch. Nothing much was going on. Scarlet sumac had passed and the bees were dead. The pond had slicked overnight into that shiny and deceptive glaze of delusion, first ice. It made me remember sakes and conjure a vision of myself skimming backward on one foot, the other extended; the arms become wings. Minnesota girls know that this is not a difficult maneuver if one's limber and practices even a little after school before the boys claim the rink for hockey. I think I can still do it - one thinks many foolish things when November's bright sun skips over the entrancing first freeze. A flock of sparrows reels through the air looking more like a flying net than seventy conscious birds, a black veil thrown on the wind. When one sparrow dodges, the whole net swerves, dips: one mind. Am I part of anything like that? Maybe not. The last few years of my life have been characterized by stripping away, one by one, loves and communities that sustain the soul. A young colleague, new to my English department, recently asked me who I hang around with at school. "Nobody," I had to say, feeling briefly ashamed. This solitude is one of the surprises of middle age, especially if one's youth has been rich in love and friendship and children. If you do your job right, children leave home; few communities can stand an individual's most pitiful, amateur truth telling. So the soul must stand in her own meager feathers and learn to fly - or simply take hopeful jumps into the wind. In the Christian calendar, November 1 is the Feast of All Saints, a day honoring not only those who are known and recognized as enlightened souls, but more especially the unknowns, saints who walk beside us unrecognized down the millennia. In Buddhism, we honor the bodhisattvas - saints - who refuse enlightenment and return willingly to the wheel of karma to help other beings. Similarly, in Judaism, anonymous holy men pray the world from its well-merited destruction. We never know who is walking beside us, who is our spiritual teacher. That one - who annoys you so - pretends for a day that he's the one, your personal Obi Wan Kenobi. The first of November is a splendid, subversive holiday. Imagine a hectic procession of revelers - the half-mad bag lady; a mumbling, scarred janitor whose ravaged face made the children turn away; the austere, unsmiling mother superior who seemed with great focus and clarity to do harm; a haunted music teacher, survivor of Auschwitz. I bring them before my mind's eye, these old firends of my soul, awakening to dance their day. Crazy saints; but who knows what was home in the heart? This is the feast of those who tried to take the path, so clumsily that no one knew or notice, the feast, indeed, of most of us. It's an ugly woods, I was saying to myself, padding along a trail where other walkers had broken ground before me. And then I found an extraordinary bouquet. Someone had bound an offering of dry seed pods, yew, lyme grass, red berries, and brown fern and laid it on the path: "nothing special," as Buddhists say, meaning "everything." Gathered to formality, each dry stalk proclaimed a slant, an attitude, infinite shades of neutral. All contemplative acts, silences, poems, honor the world this way. Brought together by the eye of love, a milkweed pod, a twig, allow us to see how things have been all along. A feast of being.
Mary Rose O'Reilley (The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd)
Reading two pages apiece of seven books every night, eh? I was young. You bowed to yourself in the mirror, stepping forward to applause earnestly, striking face. Hurray for the Goddamned idiot! Hray! No-one saw: tell no-one. Books you were going to write with letters for titles. Have you read his F? O yes, but I prefer Q. Yes, but W is wonderful. O yes, W. Remember your epiphanies written on green oval leaves, deeply deep, copies to be sent if you died to all the great libraries of the world, including Alexandria? Someone was to read them there after a few thousand years, a mahamanvantara. Pico della Mirandola like. Ay, very like a whale. When one reads these strange pages of one long gone one feels that one is at one with one who once ... The grainy sand had gone from under his feet. His boots trod again a damp crackling mast, razorshells, squeaking pebbles, that on the unnumbered pebbles beats, wood sieved by the shipworm, lost Armada. Unwholesome sandflats waited to suck his treading soles, breathing upward sewage breath, a pocket of seaweed smouldered in seafire under a midden of man's ashes. He coasted them, walking warily. A porterbottle stood up, stogged to its waist, in the cakey sand dough. A sentinel: isle of dreadful thirst. Broken hoops on the shore; at the land a maze of dark cunning nets; farther away chalkscrawled backdoors and on the higher beach a dryingline with two crucified shirts. Ringsend: wigwams of brown steersmen and master mariners. Human shells. He halted. I have passed the way to aunt Sara's. Am I not going there? Seems not.
James Joyce
Christian peace comes not from thinking less but from thinking more, and more intensely, about the big issues of life. Paul gives a specific example of this in Romans 8:18, where he uses the same word, logizdomai, and speaks directly to sufferers. He says, “I reckon that our present sufferings are not worth comparing to the glory that shall be revealed in us.” To “reckon” is to count up accurately, not to whistle in the dark. It is not to get peace by jogging or shopping. It means “Think it out! Think about the glory coming until the joy begins to break in on you.” Someone reading this might say, “You are talking about doctrine but what I really need is comfort.” But think! Is Jesus really the Son of God? Did he really come to earth, die for you, rise again, and pass through the heavens to the right hand of God? Did he endure infinite suffering for you, so that someday he could take you to himself and wipe away every tear from your eyes? If so, then there is all the comfort in the world. If not—if none of these things are true—then we may be stuck here living for seventy or eighty years until we perish, and the only happiness we will ever know is in this life. And if some trouble or suffering takes that happiness away, you have lost it forever. Either Jesus is on the throne ruling all things for you or this is as good as it gets. See what Paul is doing? He is saying that if you are a Christian today and you have little or no peace, it may be because you are not thinking. Peace comes from a disciplined thinking out of the implications of what you believe. It comes from an intentional occupation of a vantage point. There is nothing more thrilling than climbing up to some high point on a mountain and then turning around and viewing from there all the terrain you have just traversed. Suddenly, you see the relationships—you see the creek you crossed, the foothills, the town from which you have journeyed. Your high vantage point gives you perspective, clarity, and a sense of beauty. Now this is what Paul is calling us to do. Think big and high. Realize who God is, what he has done, who you are in Christ, where history is going. Put your troubles in perspective by remembering Christ’s troubles on your behalf, and all his promises to you, and what he is accomplishing. Let
Timothy J. Keller (Walking with God through Pain and Suffering)
Zaphod paused for a while. For a while there was silence. Then he frowned and said, “Last night I was worrying about this again. About the fact that part of my mind just didn’t seem to work properly. Then it occurred to me that the way it seemed was that someone else was using my mind to have good ideas with, without telling me about it. I put the two ideas together and decided that maybe that somebody had locked off part of my mind for that purpose, which was why I couldn’t use it. I wondered if there was a way I could check. “I went to the ship’s medical bay and plugged myself into the encephalographic screen. I went through every major screening test on both my heads—all the tests I had to go through under Government medical officers before my nomination for presidency could be properly ratified. They showed up nothing. Nothing unexpected at least. They showed that I was clever, imaginative, irresponsible, untrustworthy, extrovert, nothing you couldn’t have guessed. And no other anomalies. So I started inventing further tests, completely at random. Nothing. Then I tried superimposing the results from one head on top of the results from the other head. Still nothing. Finally I got silly, because I’d given it all up as nothing more than an attack of paranoia. Last thing I did before I packed it in was take the superimposed picture and look at it through a green filter. You remember I was always superstitious about the color green when I was a kid? I always wanted to be a pilot on one of the trading scouts?” Ford nodded. “And there it was,” said Zaphod, “clear as day. A whole section in the middle of both brains that related only to each other and not to anything else around them. Some bastard had cauterized all the synapses and electronically traumatized those two lumps of cerebellum.” Ford stared at him, aghast. Trillian had turned white. “Somebody did that to you?” whispered Ford. “Yeah.” “But have you any idea who? Or why?” “Why? I can only guess. But I do know who the bastard was.” “You know? How do you know?” “Because they left their initials burned into the cauterized synapses. They left them there for me to see.” Ford stared at him in horror and felt his skin begin to crawl. “Initials? Burned into your brain?” “Yeah.” “Well, what were they, for God’s sake?” Zaphod looked at him in silence again for a moment. Then he looked away. “Z.B.,” he said quietly. At that moment a steel shutter slammed down behind them and gas started to pour into the chamber. “I’ll tell you about it later,” choked Zaphod as all three passed out.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
Helene was a person who had never been able to ask for help, and she couldn't ask for help now. She turned north and started walking toward her home, many miles away in San Rafael. It took her almost eight hours to reach there. After a short time her feet began to hurt, so she took off the heels and throw them away. As she walked on, her nylons tore and her feet began to bleed. She passed buildings that had collapsed, stumbled over rubble, waded through streets filled with filthy water from the fire-fighting efforts. Dirty, sweaty, and disheveled, she walked down the Marina to the Golden Gate Bridge and crossed it into the next county. She reached her home sometime after midnight and knocked on her own front door. It was opened by her fiance, who had never before seen her with her hair uncombed. Without a word, he took her into his arms, kicked the door closed, covered her dirty, tearstained face with kisses, and made love to her right there on the floor. Helene is a very intelligent person but she could not understand why she had never met this ardent lover before. When she asked him, he said simply, 'I was always afraid of smearing your lipstick.' She tells me that now when she begins to relapse into her former perfectionism, she remembers the look of love in her fiance's eyes when he opened the door. She had been looked at by men all of her life but she had never seen that expression in a man's eyes before. At the heart of any real intimacy is a certain vulnerability. It is hard to trust someone with your vulnerability unless you can see in them a matching vulnerability and know that you will not be judged. In some basic way it is our imperfections and even our pain that draws others close to us.
Rachel Naomi Remen (Kitchen Table Wisdom: Stories that Heal)
it died away, Stu said: “This wasn’t on the agenda, but I wonder if we could start by singing the National Anthem. I guess you folks remember the words and the tune.” There was that ruffling, shuffling sound of people getting to their feet. Another pause as everyone waited for someone else to start. Then a girl’s sweet voice rose in the air, solo for only the first three syllables: “Oh, say can—” It was Frannie’s voice, but for a moment it seemed to Larry to be underlaid by another voice, his own, and the place was not Boulder but upstate Vermont and the day was July 4, the Republic was two hundred and fourteen years old, and Rita lay dead in the tent behind him, her mouth filled with green puke and a bottle of pills in her stiffening hand. A chill of gooseflesh passed over him and suddenly he felt that they were being watched, watched by something that could, in the words of that old song by The Who, see for miles and miles and miles. Something awful and dark and alien. For just a moment he felt an urge to run from this place, just run and never stop. This was no game they were playing here. This was serious business; killing business. Maybe worse. Then other voices joined in. “—can you see, by the dawn’s early light,” and Lucy was singing, holding his hand, crying again, and others were crying, most of them were crying, crying for what was lost and bitter, the runaway American dream, chrome-wheeled, fuel-injected, and stepping out over the line, and suddenly his memory was not of Rita, dead in the tent, but of he and his mother at Yankee Stadium—it was September 29, the Yankees were only a game and a half behind the Red Sox, and all things were still possible. There were fifty-five thousand people in the Stadium, all standing, the players in the field with their caps over their hearts, Guidry on the mound, Rickey Henderson was standing in deep left field (“—by the twilight’s last gleaming—”), and the light-standards were on in the purple gloaming, moths and night-fliers banging softly against them, and New York was around them, teeming, city of night and light. Larry joined the singing too, and when it was done and the applause rolled out once more, he was crying a bit himself. Rita was gone. Alice Underwood was gone. New York was gone. America was gone. Even if they could defeat Randall Flagg, whatever they might make would never be the same as that world of dark streets and bright dreams.
Stephen King (The Stand)
Dear Dex, We’ve been meaning to write you this letter for months, and I’m sorry it took us so long. We could never quite figure out the right words to say to you, because words are simply not enough to express to you just how grateful we are to you. Not many people are lucky enough to experience the kind of friendship that you and Teddy had. You were only little kids when you met, but the bond you formed was something special. From then on, it was you and Teddy against the world. The greatest kind of friends are the ones who bring out the best in one another, and that’s what you and Teddy did every day. You made each other stronger, wiser and braver, and you learned from each other. Most importantly, you stood by each other, right until the very end. We are eternally grateful to you for being there by his side in his final moments. For holding his hand and letting him know that he wasn’t alone and that, even in death, someone he loved was there with him. We take comfort in knowing that he didn’t leave this world alone. There’s no doubt in our minds that you did everything you could to try and save him, Dex. We know that there’s nothing you could have done differently, and we can only hope that you know it too. Not everyone can be saved – sometimes God has a greater purpose for the ones we love, and we must fight through the pain and learn to accept that they are somewhere far better than here. We know that you miss him, and we miss him too… every single day. But with each day that passes, it becomes a little bit easier. Some days are harder than others, but our frowns no longer outweigh our smiles. We no longer cry when we see his pictures around the house, and memories of him no longer bring pain to our hearts, but instead put a smile on our faces as we remember who he was. We all must honor his memory by focusing on what we gained by having him in our lives, rather than on what we lost when he passed. It’s what he would have wanted for all of us. Teddy loved life. He reveled in the simple things, and he saw a positive light in even the worst situations. He would never want his death to bring you sadness or to rob you of the joys of life. He would want you to remember the good times and focus on the memories of him that make you smile – because he is someone who could make anyone smile! You have such a big heart, Dex, and because of that you’ve always felt things a little bit stronger and more deeply than everyone else. Don’t let your grief weigh you down. Don’t carry the burden of your loss with you forever. Our scars become a part of us, but you cannot let them define you. We will carry him with us in our hearts forever, and moving on does not mean that we’re forgetting him or leaving him behind. It means choosing to live. Thank you for being a part of our son’s life. Of our lives. You brought so much joy and laughter to his time here on this earth, and we will forever cherish those moments. Take solace in your memories of him, do not let them bring you pain. Teddy loved you so much, and he always will. So will we.
Ellie Grace (Break Away)
He stared at it in utter disbelief while his secretary, Peters, who’d only been with him for a fortnight, muttered a silent prayer of gratitude for the break and continued scribbling as fast as he could, trying futilely to catch up with his employer’s dictation. “This,” said Ian curtly, “was sent to me either by mistake or as a joke. In either case, it’s in excruciatingly bad taste.” A memory of Elizabeth Cameron flickered across Ian’s mind-a mercenary, shallow litter flirt with a face and body that had drugged his mind. She’d been betrothed to a viscount when he’d met her. Obviously she hadn’t married her viscount-no doubt she’d jilted him in favor of someone with even better prospects. The English nobility, as he well knew, married only for prestige and money, then looked elsewhere for sexual fulfillment. Evidently Elizabeth Cameron’s relatives were putting her back on the marriage block. If so, they must be damned eager to unload her if they were willing to forsake a title for Ian’s money…That line of conjecture seemed so unlikely that Ian dismissed it. This note was obviously a stupid prank, perpetrated, no doubt, by someone who remembered the gossip that had exploded over that weekend house party-someone who thought he’d find the note amusing. Completely dismissing the prankster and Elizabeth Cameron from his mind, Ian glanced at his harassed secretary who was frantically scribbling away. “No reply is necessary,” he said. As he spoke he flipped the message across his desk toward his secretary, but the white parchment slid across the polished oak and floated to the floor. Peters made an awkward dive to catch it, but as he lurched sideways all the other correspondence that went with his dictation slid off his lap onto the floor. “I-I’m sorry, sir,” he stammered, leaping up and trying to collect the dozens of pieces of paper he’d scattered on the carpet. “Extremely sorry, Mr. Thornton,” he added, frantically snatching up contracts, invitations and letters and shoving them into a disorderly pile. His employer appeared not to hear him. He was already rapping out more instructions and passing the corresponding invitations and letters across the desk. “Decline the first three, accept the fourth, decline the fifth. Send my condolences on this one. On this one, explain that I’m going to be in Scotland, and send an invitation to join me there, along with directions to the cottage.” Clutching the papers to his chest, Peters poked his face up on the opposite side of the desk. “Yes, Mr. Thornton!” he said, trying to sound confident. But it was hard to be confident when one was on one’s knees. Harder still when one wasn’t entirely certain which instructions of the morning went with which invitation or piece of correspondence. Ian Thornton spent the rest of the afternoon closeted with Peters, heaping more dictation on the inundated clerk. He spent the evening with the Earl of Melbourne, his future father-in-law, discussing the earl’s daughter and himself. Peters spent part of his evening trying to learn from the butler which invitations his employer was likely to accept or reject.
Judith McNaught (Almost Heaven (Sequels, #3))
When you teach someone your true name, you place everything you are in their hands.” “I know, but I may never have the chance again. This is the only thing I have to give, and I would give it to you.” “Eragon, what you are proposing…It is the most precious thing one person can give another.” “I know.” A shiver ran through Arya, and then she seemed to withdraw within herself. After a time, she said, “No one has ever offered me such a gift before…I’m honored by your trust, Eragon, and I understand how much this means to you, but no, I must decline. It would be wrong for you to do this and wrong for me to accept just because tomorrow we may be killed or enslaved. Danger is no reason to act foolishly, no matter how great our peril.” Eragon inclined his head. Her reasons were good reasons, and he would respect her choice. “Very well, as you wish,” he said. “Thank you, Eragon.” A moment passed. Then he said, “Have you ever told anyone your true name?” “No.” “Not even your mother?” Her mouth twisted. “No.” “Do you know what it is?” “Of course. Why would you think otherwise?” He half shrugged. “I didn’t. I just wasn’t sure.” Silence came between them. Then, “When…how did you learn your true name?” Arya was quiet for so long, he began to think that she would refuse to answer. Then she took a breath and said, “It was a number of years after I left Du Weldenvarden, when I finally had become accustomed to my role among the Varden and the dwarves. Faolin and my other companions were away, and I had a great deal of time to myself. I spent most of it exploring Tronjheim, wandering in the empty reaches of the city-mountain, where others rarely tread. Tronjheim is bigger than most realize, and there are many strange things within it: rooms, people, creatures, forgotten artifacts…As I wandered, I thought, and I came to know myself better than ever I had before. One day I discovered a room somewhere high in Tronjheim--I doubt I could locate it again, even if I tried. A beam of sunlight seemed to pour into the room, though the ceiling was solid, and in the center of the room was a pedestal, and upon the pedestal was growing a single flower. I do not know what kind of flower it was; I have never seen its like before or since. The petals were purple, but the center of the blossom was like a drop of blood. There were thorns upon the stem, and the flower exuded the most wonderful scent and seemed to hum with a music all its own. It was such an amazing and unlikely thing to find, I stayed in the room, staring at the flower for longer than I can remember, and it was then and there that I was finally able to put words to who I was and who I am.” “I would like to see that flower someday.” “Perhaps you will.” Arya glanced toward the Varden’s camp. “I should go. There is much yet to be done.” He nodded. “We’ll see you tomorrow, then.” “Tomorrow.” Arya began to walk away. After a few steps, she paused and looked back. “I’m glad that Saphira chose you as her Rider, Eragon. And I’m proud to have fought alongside you. You have become more than any of us dared hope. Whatever happens tomorrow, know that.” Then she resumed her stride, and soon she disappeared around the curve of the hill, leaving him alone with Saphira and the Eldunarí.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
You know what you were and it wasn’t a job.” His words taunted me, offering a glimmer of hope. Yet, his words on the driveway less than two months ago lingered in my thoughts. “Why are you bothering me?” “You’re not to go around Mac again. Do you understand?” “I don’t have to listen to you.” Judd narrowed his eyes at me. “Fine. I’ll tell him to stay away from you. He’ll listen if he wants to keep both eyes.” “Whatever. He’s one guy and the college is full of them. Bailey and I are going to a frat party this weekend. Can’t take all of those guys’ eyes.” “Is that a challenge?” “You got me here safe,” I said, trying to look away, but unable to. “You did your job and I’m sure you got paid. What more do you want?” Judd glanced at approaching Harleys then focused on me. When he erased the space between us again, I shivered at the feel of his breath on my cheek. “You know what I want.” “To fuck me because I’m hot.” Judd stared in my eyes and I saw the walls come down. Even staring into those pained baby blues, I remembered how coldly he discarded me. Over a month passed with no word from him. Yet, one guy sniffed around me and Judd was suddenly interested. “Is your birthday present to me to make me a woman?” I whispered, holding his gaze. “You have to know I’m not a virgin and you’d do nothing someone hasn’t done before. There’s no prize between my legs. Maybe you outta stop threatening random men and go find yourself a real woman.” Judd opened his mouth to speak until he heard Cooper’s voice from inside the house. When the arriving guests called back to their boss, Judd stepped away from me. Sighing, he shoved his hands into the pockets of his brown leather jacket. “I see a prize when I look at you,” he said softly as he walked past, “but it’s not between your legs.” He pressed a little wrapped box into my hand. “Happy birthday, angel.” Appearing on the porch, Cooper lost his smile when he saw Judd and me. The men gave each other a little nod before Judd stepped off the porch and past the men who also did their male hello gestures. The men disappeared inside, but Cooper remained next to me as I watched Judd drive away on a black Harley.
Bijou Hunter (Damaged and the Knight (Damaged, #2))
I turned and flipped the latch on the door, then pulled hard on the handle, stumbling over the threshold into the fresh air. I would have fallen in the dirt for the second time that day except that someone standing outside caught me. Terrified that my escape was being thwarted, I struck out at whoever it was, feeling a sharp pain when my fist connected with the person’s jaw. “Empress, you hit hard!” a male voice exclaimed, then he captured my arms and trapped them behind my back. By the strange expletive he had used, I knew him to be Cokyrian--my luck was golden. “What’s going on here?” The butcher staggered into the doorway, squinting in the sunlight. “Your girl’s a thief,” he muttered at sight of the man who held me, sparing a glower for me as though warning me to be quiet. I ground my teeth and looked away, intending to do just that. Now that I had stopped struggling, the Cokyrian soldier released me, and I considered whether or not to run. Then I saw who had been restraining me--Saadi, the man with whom Narian and my uncle had dealt after my failed prank. There would be no point in running if he remembered who I was. “My girl?” Saadi repeated, his pale blue eyes calculating. “She is no Cokyrian. Besides, I would expect you to show any comrade of mine more respect than that.” “My apologies,” the butcher forced himself to say, and rage filled me at his newly respectful attitude. “She broke into my store and I assumed from her clothing…I also assume you’ll see her punished for her crime.” “You were about to punish her yourself, weren’t you?” Saadi scrutinized me, noting the red marks around my wrists and perhaps the beginnings of the bruises I would have across my mouth. “In Cokyri, you would be killed for what you did to her--what you tried to do.” “It’s good we’re not in Cokyri then,” the butcher sneered. Saadi’s jaw clenched, and he seemed to be fighting a deep urge to pummel the merchant who stood before him. “I should take you to join the men at the gallows.” “I would welcome it.” “I can see why,” Saadi coldly retorted, with a subtle look up and down at the heavyset man. “But I’m afraid the lack of your business might dampen the economy in the province, and that is something my sister would frown upon. She’ll be disappointed, though--she does so enjoy seeing men like you hang.” “And I enjoy seeing women in skirts as God intended.” Another strained moment passed, then Saadi laughed. “Perhaps if your God had paid less attention to clothing and more to abilities, you and your kind wouldn’t be in this position right now.” The butcher shifted uncomfortably, and Saadi quickly dispensed with him. “If you want me to arrest her for thievery, I’ll also arrest you for assault. So I would advise that you go back to your meat and your customers, may they be few.” The man did not need to be told twice. He slammed the door in our faces, and I could hear the lock click into place. It was then that I noticed the canvas bag at Saadi’s feet. He must have seen flight in my eyes, for he started running at almost the same moment I did.
Cayla Kluver (Sacrifice (Legacy, #3))
Mr. Nobley had entered the room before he noticed her. He groaned. “And here you are. Miss Erstwhile. You are infuriating and irritating, and yet I find myself looking for you. I would be grateful if you would send me away and make me swear to never return.” “You shouldn’t have told me that’s what you want, Mr. Nobley, because now you’re not going to get it.” “Then I must stay?” “Unless you want to risk me accusing you of ungentleman-like behavior at dinner, yes, I think you should stay. If I spend too much time alone today, I’m in real danger of doing a convincing impersonation of the madwoman in the attic.” He raised an eyebrow. “And how would that be different from--” “Sit down, Mr. Nobley,” she said. He sat in a chair on the opposite side of a small table. The chair creaked as he settled himself. She didn’t look at him, watching instead the rain on the window and the silvery shadows the wet light made of the room. She spent several moments in silence before she realized that it might be awkward, that conversation at such a time was obligatory. Now she could feel his gaze on her face and longed to crack the silence like the spine of a book, but she had nothing to say anymore. She’d lost all her thoughts in paint and rain. “You are reading Sterne,” he said at last. “May I?” He gestured to the book, and she handed it to him. Jane was remembering a scene from the film of Mansfield Park when suitor Henry Crawford read to Frances O-Connor’s character so sweetly, the sound created a passionate tension, the words themselves becoming his courtship. Jane glanced at Mr. Nobley’s somber face, and away again as his eyes flicked from the page to her. He began to read from the top. His voice was soft, melodious, strong, a man who could speak in a crowd and have people listen, but also a man who could persuade a child to sleep with a bedtime story. “The man who first transplanted the grape of Burgundy to the Cape of Good Hope (observe he was a Dutchman) never dreamt of drinking the same wine at the Cape, the same grape produced upon the French mountains--he was too phlegmatic for that--but undoubtedly he expected to drink some sort of vinous liquor; but whether good, bad, or indifferent--he knew enough of this world to know, that it did not depend upon his choice…” Mr. Nobley was trying very hard not to smile. His lips were tight; his voice scraped a couple of times. Jane laughed at him, and then he did smile. It gave her a little thwack of pleasure as though someone had flicked a finger against her heart. “Not very, er…” he said. “Interesting?” “I imagine not.” “But you read it well,” she said. He raised his brows. “Did I? Well, that is something.” They sat in silence a few moments, chuckling intermittently. Mr. Nobley began to read again suddenly, “Mynheer might possibly overset both in his new vineyard,” having to stop to laugh again. Aunt Saffronia walked by and peered into the dim room as she passed, her presence reminding Jane that this tryst might be forbidden by the Rules. Mr. Nobley returned to himself. “Excuse me,” he said, rising. “I have trespassed on you long enough.
Shannon Hale (Austenland (Austenland, #1))
She sits back in her chair and thumbs her lip, like she’s organizing her thoughts. When she speaks, she sounds older. Weary. “People like us‒half-breeds‒we walk in two worlds. Most times we’re not accepted in either, but the worst part is, we don’t accept ourselves. We try to bury half our nature to blend in, but that only works for so long. Eventually we have to come to terms with who and what we are. We’re not one or the other. We’re both. Unique. That’s what I learned. Now I have to figure out where I fit into their world.” “Is that why you sit here in the corner of a hunters’ bar getting drunk alone?” She shrugs and polishes off another glassful. “Nope. I sit here because they keep me human. Without them, it would be too easy to revert to my nonhuman side.” I shudder at the truth of that statement. “So this enlightenment, how did it happen?” “You afraid of something?” “No, I just…well, I’m looking for answers.” “Each man must walk his own path,” she quotes as if from some ancient wisdom. I try not to, but I roll my eyes. She grins and refills the glass. The bottle is already half gone. “We all have this innate sense of our portal. How we pass from this realm to the next.” “What do you mean, ‘we’?” “Nephilim. But I’m sure it’s the same with all souled beings.” Something inside me stills. How much does she know about that, and where did she learn it? “I’m not sure I follow you,” I say cautiously. She grabs my wrist and yanks my arm closer, her eyes boring into mine. Instinct awakens the demon-learned threat response while the protective glyphs on my body start to flare. She’s about a half second away from a personal demonstration of what I am. “You know exactly what I’m talking about. Things we know but we’re not supposed to remember. Memories. Abilities. Knowledge. It’s all there.” She lets go of my arm and points to her head. “Usually just out of reach. And here’s the kicker. You know why you can’t grab those memories? It’s not because someone wiped them out. We did this to ourselves. This is what we wanted.
Aesyn Cravery (Trust (The Sacrifice, #3))
Then the mer captain said, “I, ah … I was assigned to look into a human woman, Sofie Renast. She was a rebel who was captured by the Hind two weeks ago. But Sofie was no ordinary human, and neither was her younger brother—Emile. Both he and Sofie pass as human, yet they possess full thunderbird powers.” Bryce blew out a breath. Well, she hadn’t been expecting that. Hunt said, “I thought thunderbirds had been hunted to extinction by the Asteri.” Too dangerous and volatile to be allowed to live was the history they’d been spoon-fed at school. A grave threat to the empire. “They’re little more than myths now.” All true. Bryce remembered a Starlight Fancy horse called Thunderbird: a blue-and-white unicorn-pegasus who could wield all types of energy. She’d never gotten her hands on one, though she’d yearned to. But Tharion went on, “Well, somehow, somewhere, one survived. And bred. Emile was captured three years ago and sent to the Kavalla death camp. His captors were unaware of what they’d grabbed, and he wisely kept his gifts hidden. Sofie went into Kavalla and freed him. But from what I was told, Sofie was caught by the Hind before she reached safety. Emile got away—only to run from Ophion as well. It seems like he came this way, but various parties are still very interested in the powers he possesses. And Sofie, too, if she survived.” “No one survives the Hind,” Hunt said darkly. “Yeah, I know. But the chains attached to the lead blocks at the bottom of the ocean were empty. Unlocked. Seems like Sofie made it. Or someone snatched her corpse.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Cemetery Nights V Wheel of memory, wheel of forgetting, bitter taste in the mouth--those who have been dead longest group together in the center of the graveyard facing inward. The sooner they become dust the better. They pick at their flesh and watch it crumble, they chip at their bones and watch them dissolve. Do they have memories? Just shadows in the mind like a hand passing between a candle and a wall. Those who have been dead a lesser time stand closer to the fence, but already they have started turning away. Maybe they still have some sadness. And what are their thoughts? Colors mostly, sunset, sunrise, a burning house, someone waving from the flames. Those who have recently died line up against the fence facing outward, watching the mailman, deliverymen, the children returning from school, listening to the church bells dealing out the hours of the living day. So arranged, the dead form a great spoked wheel-- such is the fiery wheel that rolls through heaven. For the rats, nothing is more ridiculous than the recently dead as they press against the railing with their arms stuck between the bars. Occassionally, one sees a friend, even a loved one. Then what a shouting takes place as the dead tries to catch the eye of the living. One actually sees his wife waiting for a bus and reaches out so close that he nearly touches her yellow hair. During life they were great lovers. Maybe he should throw a finger at her, something to attract her attention. Like a scarecrow in a stiff wind, the dead husband waves his arms. Is she aware of anything? Perhaps a slight breeze on an otherwise still day, perhaps a smell of earth. And what does she remember? Sometimes, when she sits in his favorite chair or drinks a wine that he liked, she will recall his face but much faded, like a favorite dress washed too often. And her husband, what does he think? As a piece of crumpled paper burns within a fire, so the thought of her burns within his brain. And where is she going? These days she has taken a new lover and she's going to his apartment. Even as she waits, she sees herself sitting on his bed as he unfastens the buttons of her blouse. He will cup her breasts in his hands. A sudden breeze will invade the room, making the dust motes dance and sparkle as if each bright spot were a single sharp eyed intelligence, as if the vast legion of the dead had come with their unbearable jumble of envy and regret to watch the man as he drops his head presses his mouth to the erect nipple.
Stephen Dobyns
Joey,” she said quietly, in almost a whisper. “I think I have a man in my life.” “You found a man in that place?” “Uh-huh. I think so.” “Why do you sound so…strange?” “I have to know something. Is it okay? Because I’m not even close to being over Mark. I still love Mark more than anything. Anyone.” Joey let out her breath slowly. “Mel, it’s all right to get on with your life. Maybe you’ll never love anyone as much as you loved Mark—but then maybe there will be someone else. Someone next. You don’t have to compare them, honey, because Mark is gone and we can’t get him back.” “Love,” she corrected. “Not past tense. I still love Mark.” “It’s all right, Mel,” Joey said. “You can go on living. You might as well have someone to pass the time with. Who is he?” “The man who owns the bar across from Doc’s clinic—the one who fixed up the cabin, bought me the fishing pole, got my phone installed. Jack. He’s a good man, Joey. And he cares about me.” “Mel… Have you…? Are you…?” There was no answer. “Mel? Are you sleeping with him?” “No. But I let him kiss me.” Joey laughed sadly. “It’s okay, Mel. Can you really think otherwise? Would Mark want you to wither away, lonely? Mark was one of the finest men I’ve ever known—generous, kind, loving, genuine. He’d want you to remember him sweetly, but to get on with your life and be happy.” Melinda started to cry. “He would,” she said through her tears. “But what if I can’t be happy with anyone except Mark?” “Baby sis, after what you’ve been through, would you settle for some marginal happiness? And a few good kisses?” “I don’t know. I just don’t know.” “Give it a go. Worst case—it takes your mind off your loneliness.” “Is
Robyn Carr (Virgin River (Virgin River #1))
Chapter FEEDING YOUR ATTENTION HOG I was once at a New Age party and wanted to get the attention of some particularly lovely sari-wearing, belly-dancing women who were floating in and out of the various rooms. I had discovered that I could move past some of my fear and make a connection with people through singing. So I pulled out my guitar and started playing a song I had worked particularly hard to polish, Fleetwood Mac’s “A Crystalline Knowledge of You.” I was able to make it through without too many mistakes and was starting to feel the relief that comes from surviving traumatic experiences. Then one of the belly-dancing goddesses called to me from across the room, “You are some kind of attention hog, aren’t you!” As soon as she said it, my life passed before me. The room started to swirl, as a typhoon of shame began to suck me down the toilet of my soul. “Embarrassment” is an inadequate word, when someone pins the tail on the jackass of what seems to be your most central core defect. I am usually scrupulous about checking with people when I make requests for attention. But this time I was caught with my hand in the cookie jar up to the elbow. I remember slinking away in silent humiliation, putting my guitar back in its case and making a beeline for my car. I just wanted to get back to my lair to lick my wounds, and try to hold my self-hate demons at bay with a little help from my friend Jack Daniels. After that incident I quit playing music in public at all. Several years later I was attending a very intense, emotional workshop with Dr. Marshall Rosenberg. Our group of about twenty people had been baring and healing our souls for several days. The atmosphere of trust, safety and connectedness had dissolved my defenses and left me with a innocent, childlike need to contribute. And then the words popped out of my mouth, “I’d like to share a song with you all.” These words were followed by the thought: “Now I’ve gone and done it. When everyone turns on me and confirms that I have an incurable narcissistic personality disorder, it will be fifty years before I sing in public again.” Dr. Rosenberg responded in a cheerful, inviting voice. “Sure, go get your guitar!” he said, as though he were unaware that I was about to commit hara-kiri. The others in the group nodded agreement. I ran to my car to get my guitar, which I kept well hidden in the trunk. I was also hoping that I would not just jump in my car and leave. I brought the guitar in, sat down, and played my song. Sweating and relieved that I made it through the song, my first public performance in years, I felt relief as I packed my guitar in its case. Then Dr. Rosenberg said, “And now I would like to hear from each group member how they felt about Kelly playing his song.” “Oh my God!” my inner jackals began to howl, “It was a setup! They made me expose my most vulnerable part and now they are going to crucify me, or maybe just take me out to the rock quarry for a well-deserved stoning!
Kelly Bryson (Don't Be Nice, Be Real)
Note how you feel when relaxed. The part of your subconscious that you notice — that is consciousness. There is nothing remarkable about that. You don't have to find it. You really don't need to do it. There is always sensitivity in here. Settle in for a few minutes; just continue with your breathing. Trust that there will be a natural rhythm in your breath. That there's always sensitivity here. Breathing back, thinking you're there. Breathing out and realizing that you are breathing well. If your mind gets busy, don’t worry, that’s what it’s designed to do.  Say "in" as you breathe in, quietly say "out" as you breathe out, to keep your attention steady. Thoughts, pictures, and emotions will come and go. The goal is to consider them without having to think about them. Don’t make an effort to stop them. Don't try and get them to go. Don't try to change them; they are going to change themselves. No need to talk about them now. There is plenty of time for this to be done later. There's no need to add anything to the picture. Just stick with it, sense them when sounds appear, feel them as feelings come up, when ideas and memories come to mind, remember them. And we sit down and know we're there. Watch what’s happening in your mind and body the way you’d watch a movie or a TV show.  The storyline is going to twist and transform, plot threads are going to pass, and something different is going to emerge. You don't have to look for this series, just settle down, relax and it's going to come to you. Remember how those feelings and perceptions and pictures don't have much heaviness, like the story in a movie they don't have any real substance. Nothing to dive into or hook on, nothing to shut down, push away, or alter. You don’t need to do anything at all.  Let go, calm down, ease your mind, smile a little, look down and know you're sitting down. Take a moment before we close and consider the ever-changing, constantly connected network of causes and conditions that contribute to this and every single moment. If someone who has been supportive comes to mind, say thanks in silence.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
Song" Listen: there was a goat’s head hanging by ropes in a tree. All night it hung there and sang. And those who heard it Felt a hurt in their hearts and thought they were hearing The song of a night bird. They sat up in their beds, and then They lay back down again. In the night wind, the goat’s head Swayed back and forth, and from far off it shone faintly The way the moonlight shone on the train track miles away Beside which the goat’s headless body lay. Some boys Had hacked its head off. It was harder work than they had imagined. The goat cried like a man and struggled hard. But they Finished the job. They hung the bleeding head by the school And then ran off into the darkness that seems to hide everything. The head hung in the tree. The body lay by the tracks. The head called to the body. The body to the head. They missed each other. The missing grew large between them, Until it pulled the heart right out of the body, until The drawn heart flew toward the head, flew as a bird flies Back to its cage and the familiar perch from which it trills. Then the heart sang in the head, softly at first and then louder, Sang long and low until the morning light came up over The school and over the tree, and then the singing stopped…. The goat had belonged to a small girl. She named The goat Broken Thorn Sweet Blackberry, named it after The night’s bush of stars, because the goat’s silky hair Was dark as well water, because it had eyes like wild fruit. The girl lived near a high railroad track. At night She heard the trains passing, the sweet sound of the train’s horn Pouring softly over her bed, and each morning she woke To give the bleating goat his pail of warm milk. She sang Him songs about girls with ropes and cooks in boats. She brushed him with a stiff brush. She dreamed daily That he grew bigger, and he did. She thought her dreaming Made it so. But one night the girl didn’t hear the train’s horn, And the next morning she woke to an empty yard. The goat Was gone. Everything looked strange. It was as if a storm Had passed through while she slept, wind and stones, rain Stripping the branches of fruit. She knew that someone Had stolen the goat and that he had come to harm. She called To him. All morning and into the afternoon, she called And called. She walked and walked. In her chest a bad feeling Like the feeling of the stones gouging the soft undersides Of her bare feet. Then somebody found the goat’s body By the high tracks, the flies already filling their soft bottles At the goat’s torn neck. Then somebody found the head Hanging in a tree by the school. They hurried to take These things away so that the girl would not see them. They hurried to raise money to buy the girl another goat. They hurried to find the boys who had done this, to hear Them say it was a joke, a joke, it was nothing but a joke…. But listen: here is the point. The boys thought to have Their fun and be done with it. It was harder work than they Had imagined, this silly sacrifice, but they finished the job, Whistling as they washed their large hands in the dark. What they didn’t know was that the goat’s head was already Singing behind them in the tree. What they didn’t know Was that the goat’s head would go on singing, just for them, Long after the ropes were down, and that they would learn to listen, Pail after pail, stroke after patient stroke. They would Wake in the night thinking they heard the wind in the trees Or a night bird, but their hearts beating harder. There Would be a whistle, a hum, a high murmur, and, at last, a song, The low song a lost boy sings remembering his mother’s call. Not a cruel song, no, no, not cruel at all. This song Is sweet. It is sweet. The heart dies of this sweetness. Brigit Pegeen Kelly, Song. (• BOA Editions; 1st edition 1995)
Brigit Pegeen Kelly (Song)
What’s wrong?” Jake’s voice, deep as thunder, unsettled her. Why did he have to be so handsome? She wanted to fall right inside those brown eyes. “I saw you in the living room with Ben . . . earlier.” His lips pulled upward, no doubt remembering Ben’s belly laughs. “He’s a fun kid.” She hated to wipe the smile from his face. “I know you mean well, Jake, but I think it’s best if you avoid spending time with the children.” The smile slid south. “We were just playing around.” “The children are getting attached to you. I don’t think it’s healthy.” His jaw flexed, his shoulders squared. “They need relationships now more than ever.” “Not from someone who’ll soon exit their lives.” He flinched. She hated to hurt his feelings, had a physical ache from wounding him. “It doesn’t have to be that way,” he said finally. “I don’t want to exit their lives. I don’t want to exit your life.” Maybe he thought they could be some happy family or something. It was time to tell him everything. “I’m selling Summer Place. We’ll be leaving the island soon. The Goldmans—our guests over the daffodil weekend—made an offer, and I accepted. I haven’t told the children yet, so I’d appreciate if you wouldn’t mention it. We’ll stay through closing in late June.” Jake’s lips parted. A second later they pressed together. He walked to the end of the porch and back. He reminded her of a caged tiger, constricted by the boundary of the porch. She hadn’t expected him to be so upset. When he passed, she set her hand on his bare arm, stopping him. The muscles flexed beneath her palm. He was so strong. She had the sudden image of him hitting Sean, using those muscles to protect her. She pulled her hand away as if his skin burned her. “They’ve had enough loss. They’ve already become attached to you, and that’s only going to hurt them more when we leave.” His face softened as he stared, his lips slackening, his eyes growing tender. His face had already darkened under the sun. Faint lines fanned the corner of his eyes. He reached toward her and ran his finger down the side of her face. “Don’t leave.” His touch left a trail of fire. She pressed her spine to the column. How could she want to dive into his arms and run away at the same time? Inside a riot kicked up. She was back in the apartment on Warren Street, coming home from school, slipping in the door, unsure if she’d find her mom racing around the kitchen, slumped on the bathroom tile, or just gone. The same uncertainty roiled in her now. “I have to.” “This is their home. Your engagement is over,” he said gently. “Is what you’re going back to as important as what you’re leaving?” He didn’t have to say he meant them. Us. She shook her head, dislodging his hand. How had he turned this all around? She
Denise Hunter (Driftwood Lane (Nantucket, #4))
Hey, Rita.” She watched Jake return to his hardware goodies. “Hey, Meridith. Sorry to call at dinnertime, but this is important.” “What is it?” Jake looked up at her tone. “I ran into Dee Whittier in town awhile ago.” “Who?” “She owns a sporting shop and is on the chamber of commerce with me. She’s also Max and Ben’s soccer coach.” “Okay . . .” “Well, she called and told me she saw the kids’ uncle in town this afternoon.” “What?” Meridith caught Jake’s eye, then flickered a look toward Noelle. “She recognized him because he goes to the boys’ games sometimes and, well, according to her he’s a total stud, and she’s single, so . . . you haven’t heard from him yet?” “No.” “I thought you’d want to know.” “Yes, I—thanks, Rita. Forewarned is forearmed, right?” A scream pierced the line. “Brandon, leave your sister alone!” Rita yelled. “Listen, I gotta run.” “Thanks for calling,” Meridith said absently. “What’s wrong?” Jake asked. He would be coming soon. Surely it wouldn’t take long for him to discover his sister had passed away. She felt a moment’s pity at the thought, then remembered he’d gone over three months without checking in. “You okay?” Jake asked again. Noelle entered the room and grabbed a stack of napkins from the island drawer. “Noelle, your uncle hasn’t called or e-mailed, has he?” Noelle’s hand froze, a stack of napkins clutched in her fist. Her lips parted. Her eyes darted to Jake, then back to Meridith. “Why?” “Rita said someone named Dee saw him in town today.” Noelle closed the drawer slowly. “Oh. Uh . . . no.” Meridith turned to the soup. Thick broth bubbles popped and spewed. She turned down the heat again and stirred. “Well, I guess he’s back. You’ll be seeing him soon.” She tried to inject enthusiasm in her voice, tried to be happy for the children. A piece of familiarity, a renewed bond, a living reminder of their mother. It would be good for them. And yet. What if he wanted them once he found out what had happened to Eva and T. J.? What if he fought her for them and won? Her stomach bottomed out. She loved the children now. They were her siblings. Her family. She remembered coming to the island with every intention of handing them over like unwanted baggage. What she’d once wanted most was now a potential reality. Only now she didn’t want it at all. Dinner
Denise Hunter (Driftwood Lane (Nantucket, #4))
The history of the land is a history of blood. In this history, someone wins and someone loses. There are patriots and enemies. Folk heroes who save the day. Vanquished foes who had it coming. It’s all in the telling. The conquered have no voice. Ask the thirty-eight Santee Sioux singing the death song with the nooses around their necks, the treaty signed fair and square, then nullified with a snap of the rope. Ask the slave women forced to bear their masters’ children, to raise and love them and see them sold. Ask the miners slaughtered by the militia in Ludlow. Names are erased. The conqueror tells the story. The colonizer writes the history, winning twice: A theft of land. A theft of witness. Oh, but let’s not speak of such things! Look: Here is an eagle whipping above the vast grasslands where the buffalo once thundered bold as gods. (The buffalo are here among the dead. So many buffalo.) There is the Declaration in sepia. (Signed by slave owners. Shhh, hush up about that, now!) See how the sun shines down upon the homesteaders’ wagons racing toward a precious claim in the nation’s future, the pursuit of happiness pursued without rest, destiny made manifest? (Never mind about those same homesteaders eating the flesh of neighbors. Winters are harsh in this country. Pack a snack.) The history is a hungry history. Its mouth opens wide to consume. It must be fed. Bring me what you would forget, it cries, and I will swallow it whole and pull out the bones bleached of truth upon which you will hang the myths of yourselves. Feed me your pain and I will give you dreams and denial, a balm in Gilead. The land remembers everything, though. It knows the steps of this nation’s ballet of violence and forgetting. The land receives our dead, and the dead sing softly the song of us: blood. Blood on the plains. In the rivers. On the trees where the ropes swing. Blood on the leaves. Blood under the flowers of Gettysburg, of Antioch. Blood on the auction blocks. Blood of the Lenape, the Cherokee, the Cheyenne. Blood of the Alamo. Blood of the Chinese railroad workers. Blood of the midwives hung for witchcraft, for the crime of being women who bleed. Blood of the immigrants fleeing the hopeless, running toward the open arms of the nation’s seductive hope, its greatest export. Blood of the first removed to make way for the cities, the factories, the people and their unbridled dreams: The chugging of the railways. The tapping of the telegram. The humming of industry. Sound burbling along telephone wires. Printing presses whirring with the day’s news. And the next day’s. And the day after that’s. Endless cycles of information. Cities brimming with ambitions used and discarded. The dead hold what the people throw away. The stories sink the tendrils of their hope and sorrow down into the graves and coil around the dead buried there, deep in its womb. All passes away, the dead whisper. Except for us. We, the eternal. Always here. Always listening. Always seeing. One nation, under the earth. E Pluribus unum mortuis. Oh, how we wish we could reach you! You dreamers and schemers! Oh, you children of optimism! You pioneers! You stars and stripes, forever! Sometimes, the dreamers wake as if they have heard. They take to the streets. They pick up the plow, the pen, the banner, the promise. They reach out to neighbors. They reach out to strangers. Backs stooped from a hard day’s labor, two men, one black, one white, share water from a well. They are thirsty and, in this one moment, thirst and work make them brothers. They drink of shared trust, that all men are created equal. They wipe their brows and smile up at a faithful sun.
Libba Bray