Relevant Love Quotes

Do you remember the song that was playing the night we met? No, but I remember every song I have heard since you left.

Four givens are particularly relevant for psycho-therapy: the inevitability of death for each of us and for those we love; the freedom to make our lives as we will; our ultimate aloneness; and, finally, the absence of any obvious meaning or sense to life.

But I kept it to myself--maybe because I didn't think it mattered, but probably because, in a place where everyone knew my story, it was nice to know there was a chapter that only I had read.

There is only war in love,” he says. “If anyone tells you otherwise, they’re lying. The constant fight to keep love relevant, while growing and changing as a human, is the battle. You fight for them, fight to keep them, fight to love them. Do you fight for yourself, or do you fight for the relationship? What can’t you live without? There’s your answer.

Here is your flaw, Shaitan, Lord of the Dark, Lord of Envy, Lord of Nothing, here is why you fail. It was not about me. It’s never been about me.” It was about a woman, torn and beaten down, cast from her throne and made a puppet. A woman who had crawled when she had to. That woman still fought. It was about a man that love repeatedly forsook. A man who found relevance in a world that others would have let pass them by. A man who remembered stories and who took fool boys under his wing when the smarter move would have been to keep on walking. That man still fought. It was about a woman with a secret, a hope for the future. A woman who had hunted the truth before others could. A woman who had given her live, then had it returned. That woman still fought. It was about a man whose family was taken from him, but who stood tall in his sorrow and protected those he could. It was about a woman who refused to believe that she could not help, could not heal those who had been harmed. It was about a hero who insisted with every breath that he was anything but a hero. It was about a woman who would not bend her back while she was beaten, and who shown with a light for all who watched, including Rand. It was about them all. ~Rand al Thor

Have you thought this through? People die, love. I'm all for women, but this isn't a woman's game.' For some reason, this irritates me more than anythign else I've heard all day. It's not even relevant.

I think I love you, Bennett. Probably not relevant at the moment so no need to say thanks.

The fulfilling life, the distinctive life, the relevant life is an achievement. To do whatever you do for no reason other than you love it and believe in its importance.

Bullying is overlooked in the worst way. However, the evidence is relevant; it is standing right in front of you, staring you in the face; it is standing right behind you as it breathes on your neck. It gives our children chill bumps because it knows it has the power to destroy.

So this is my cue of where to leave you. Now it's your story to retell and pass on. Because an idea is only relevant if it's being thought upon. So remember, never surrender.'Cause the unrelenting constancy of love and hope will rescue and restore from any scope.

I Love You! Three words that mean nothing if not followed through with actions. It seems to be more relevant in the terms of showing verses saying. Anyone can say it, because there are different kinds of love. But, few are willing to actually show it. Saying is one thing. Living proof is another.

So you think that most people bet everything, their whole lives, on hope. Just hoping that what they're feeling is real.' 'Real isn't relevant,' Georgie said, turning completely to face Heather. 'It's like . . . you're tossing a ball between you, and you're just hoping you can keep it in the air. And it has nothing to do with whether you love each other or not. If you didn't love each other, you wouldn't be playing this stupid game with the ball. You love each other--and you just hope you can keep the ball in play.' 'What's the ball a metaphor for?' 'I'm not sure,' Georgie said. 'The relationship. Marriage.

Your calling is in what you often think about

Solitude is the furnace of transformation. Without solitude we remain victims of our society and continue to be entangled in the illusions of the false self. Jesus himself entered into this furnace. There he was tempted with the three compulsions of the world: to be relevant ('turn stones into loaves'), to be spectacular ('throw yourself down'), and to be powerful ('I will give you all these kingdoms'). There he affirmed God as the only source of his identity ('You must worship the Lord your God and serve him alone'). Solitude is the place of the great struggle and the great encounter - the struggle against the compulsions of the false self, and the encounter with the loving God who offers himself as the substance of the new self.

Listening is a rare happening among human beings. You cannot listen to the word another is speaking if you are preoccupied with your appearance or impressing the other, or if you are trying to decide what you are going to say when the other stops talking, or if you are debating about whether the word being spoken is true or relevant or agreeable. Such matters may have their place, but only after listening to the word as the word is being uttered. Listening, in other words, is a primitive act of love, in which a person gives self to another’s word, making self accessible and vulnerable to that word.

With us, there were always too many false starts. I believe that what's meant to be usually has a way of working out... and with us, it never did. Call it timing, call it fate, call it what you want. It is what it is. Sometimes in the end, the girl doesn't always get the boy--and that's ok. Life goes on. You know better than anyone that some love stories never get their happy ending... but it doesn't make them any less of a love story though, does it? It doesn't make the love the two shared any less relevant.

Cry, the beloved country, these things are not yet at an end. The sun pours down on the earth, on the lovely land that man cannot enjoy. He knows only the fear of his heart.

We have a peppy slogan over the front gate. We Focus on the Three R’s: Rigor, Relevance, and Relationships. Really? Then, why do I feel so empty?

I’m on a side of a road somewhere, stuck in the middle of a very deep hole, with no way of getting out. Never mind how I got in there, it’s not relevant to the story. I’ll invent a back-story… I was walking to get pizza and a chasm opened up in the earth and I fell in, and now I’m at the bottom of this hole, screaming for help. And along comes you. Now, maybe you just keep walking. You know, there’s a strange guy screaming from the center of the Earth. It’s perhaps best to just ignore him. But let’s say that you don’t. Let’s say that you stop. The sensible thing to do in this situation is to call down to me and say “I’m going to look for a ladder. I will be right back.” But you don’t do that. Instead you sit down at the edge of this abyss, and then you push yourself forward, and jump. And when you land at the bottom of the hole and dust yourself off, I’m like “What the hell are you doing?! Now there are two of us in this hole!” And you look at me and say, “Well yeah, but now I’m highly motivated to get you out.” This is what I love about novels, both reading them and writing them. They jump into the abyss to be with you where you are

You ask me what it means to be irrelevant? The feeling is akin to visiting your old house as a wandering ghost with unfinished business. Imagine going back: the structure is familiar ,but the door is now metal instead of wood,the walls have been painted a garish pink ,the easy chair you loved so much is gone .Your office is now the family room and your beloved bookcases have been replaced by a brand-new television set . This is your house,and it is not. And you are no longer relevant to this house , to its walls and doors and floors ; you are not seen .

It's funny how after all those years attending youth events with light shows and bands, after all the contemporary Christian music and contemporary Christian books, after all the updated technology and dynamic speakers and missional enterprises and relevant marketing strategies designed to make Christianity cool, all I wanted from the church when I was ready to give it up was a quiet sanctuary and some candles. All I wanted was a safe place to be. Like so many, I was in search of sanctuary.

Intensity is the extreme application of force and strength

Be strategic and purposeful in whatever you do

Your calling should bless and affect the lives of others for good

The moon is too old, the flower is too old;even the sunset is not enough. The only relevant metaphor for you is your mirror image.

The sixth deadly sin is named by the church acedia or sloth. In the world it calls itself tolerance; but in hell it is called despair. It is the accomplice of the other sins and their worst punishment. It is the sin that believes in nothing, cares for nothing, seeks to know nothing, interferes with nothing, enjoys nothing, loves nothing, hates nothing, finds purpose in nothing, lives for nothing, and remains alive only because there is nothing it would die for. We have known it far too well for many years. The only thing perhaps that we have not known about it is that it is a mortal sin.

And even though I’d love you to find meaning in every page, every paragraph of this book, cherry-pick from here, too. We’re all different, so what’s relevant for you is definitely, absolutely not the same as what’s relevant for me or for any of the many hundreds of women I’ve taught. Take what’s relevant. Ignore what isn’t; it’s there for somebody else who needs it.

Note: When reading dry political theory, such as the texts you will find on the following pages, it may be useful to apply the Exclamation Point Test from time to time, to determine if the material you are reading is actually relevant to your life. To apply this test, simply go through the text replacing all the punctuation marks at the ends of the sentences with exclamation points. If the results sound absurd when read aloud, then you know you're wasting your time.

God knew man would evolve. People think some of the Old Testament laws are absurd now because we live in a very different culture, a different time period. They had their problems and we have ours. God is constant but man is not, and he foreknew the ever-changing world his people would have to deal with; therefore, and if there is indeed an omniscient God, a Christ-like figure would be our only rational, possible connection to a constant, holy God throughout the evolution of culture and social law. The only answer that makes sense when it comes to relevance regarding religions and time periods is Christ, and the chances are slim that men could have invented it.

But as nearly every denomination in the United States faces declining membership and waning influence, Christians may need to get used to the idea of measuring significance by something other than money, fame, and power. No one ever said the fruit of the Spirit is relevance or impact or even revival. The fruit of the Spirit is love, joy, peace, patience, kindness, goodness, faithfulness, gentleness, and self-control—the sort of stuff that, let’s face it, doesn’t always sell.

Just more of that endless, useless knowledge you absorb when you're in a relationship, with no meaning or relevance outside of that relationship. When the relationship's gone, you're stuck knowing all this garbage.

And to belove God, to center in God, has an additional crucial meaning. To belove God means to love what God loves. What does God love? The answer is in one of the most familiar Bible verses, John 3.16: “God so loved the world…

Time wasters are life wasters

Your calling is concealed in you and has to be discovered by you alone

Your calling is buried in your background and life experience

You can discover your calling through the eyes of others

Friends, loved ones, and even enemies influence us, but that doesn’t mean their comments are relevant to your destiny.

Perhaps the real tragedy here is not that George Michael’s heart was given away, but that this beautiful song is relegated to only one month of the year, when its message of unrequited love leading to a deepening resolve to choose more deserving partners is undeniably relevant year-round.

As if I feared that the scope of what I could feel and imagine was being quietly limited by the world within a world, the internet. The things outside of the web were becoming further from me, and everything inside it seemed piercingly relevant. The blogs of strangers had to be read daily, and people nearby who had no web presence were becoming almost cartoonlike, as if they were missing a dimension. It was just happening, like time, like geography. The web seemed so inherently endless that it didn't occur to me what wasn't there. My appetite for pictures and videos and news and music was so gigantic now that if something was shrinking, something immesurable, how would I notice? ...Most of life is offline, and I think it always will be; eating and aching and sleeping and loving happen in the body. But it's not impossible to imagine loosing my appetite for those things; they aren't always easy, and they take so much time.

The core lessons these children have taught me are relevant for us all. Because in order to understand trauma we need to understand memory. In order to appreciate how children heal we need to understand how they learn to love, how they cope with challenge, how stress affects them. And by recognizing the destructive impact that violence and threat can have on the capacity to love and work, we can come to better understand ourselves and to nurture the people in our lives, especially the children.

Sebastian ran a finger over the spines of the books on the shelf. It did not matter to him what the titles were. They were books. They were filled with thoughts. Their relevance was debatable; he was sure some were exceptional while others were the works of lesser minds. He was not above calling a book unreadable. But their literary merit wasn’t important at this moment. They were words strung together to represent the firing of neurons and the transferring of information through synapses. They were human minds set into paper, and Sebastian loved every single one of them, even the ones he found disposable.

I, like every kid I knew, loved The Dukes of Hazzard. But I would have done well to think more about why two outlaws, driving a car named the General Lee, must necessarily be portrayed as “just some good ole boys, never meanin’ no harm”—a mantra for the Dreamers if there ever was one. But what one “means” is neither important nor relevant. It is not necessary that you believe that the officer who choked Eric Garner set out that day to destroy a body. All you need to understand is that the officer carries with him the power of the American state and the weight of an American legacy, and they necessitate that of the bodies destroyed every year, some wild and disproportionate number of them will be black.

Julian of Norwich's message is as relevant now as it was in the Middle Ages: God loves us completely, exactly as we are. “Then he

The only happy and relevant people are those who have learnt to walk with change

Your intensity increases your net worth

When you are intense, you will do things persistently and with speed

Always take an inventory of your life

Purposefully dedicating time into developing yourself is one of the keys to being effective in life

Combine your calling with your passion to achieve great results

If we can learn anything from the past, it is how few precedents are now relevant in the changed marital landscape in which we operate today.

How many people have I heard claim their children as the greatest accomplishment and comfort of their lives? It's the thing they can always lean on during a metaphysical crisis, or a moment of doubt about their relevancy - If I have done nothing else in this life, then at least I have raised my children well. But what if, either by choice or by reluctant necessity, you end up not participating in this comforting cycle of family and continuity? What if you step out? Where do you sit at the reunion? How do you mark time's passage without the fear that you've just fritted away your time on earth without being relevant? You'll need to find another purpose, another measure by which to judge whether or not you have been a successful human being. I love children, but what if I don't have any? What kind of person does that make me? Virginia Woolf wrote, "Across the broad continent of a woman's life falls the shadow of a sword." On one side of that sword, she said, there lies convention and tradition and order, where "all is correct." But on the other side of that sword, if you're crazy enough to cross it and choose a life that does not follow convention, "all is confusion. Nothing follows a regular course." Her argument was that the crossing of the shadow of that sword may bring a far more interesting existence to a woman, but you can bet it will also be more perilous.

Sweeping generalizations are easy, but we are more alike than we are different. Our focus and interests may vary, or not, but to dismiss something as less relevant is a missed opportunity.

The most amazing thing about the Christmas story is its relevance. It is at home in every age and fits into every mood of life. It is not simply a lovely tale once told, but eternally contemporary. It is the voice crying out in every wilderness. It is as meaningful in our time as in that long-ago night when shepherds followed the light of the star to the manger of Bethlehem.

Aimer, ça ne veut pas dire se ressembler. Aimer, ça ne veut pas dire être pareils, se conduire comme des jumeux, croire qu’on est inséparables. Aimer, c’est ne pas avoir peur de se quitter ou de cesser de s’aimer. Aimer c’est accepter de tomber, tout seul, et de se relever, tout seul.

I transcribe my text with no concern for timeliness. In the years when I discovered the Abbé Vallet volume, there was a widespread conviction that one should write only out of a commitment to the present, in order to change the world. Now, after ten years or more, the man of letters (restored to his loftiest dignity) can happily write out of pure love of writing. And so I now feel free to tell, for sheer narrative pleasure, the story of Adso of Melk, and I am comforted and consoled in finding it immeasurably remote in time (now that the waking of reason has dispelled all the monsters that its sleep had generated), gloriously lacking in any relevance for our day, atemporally alien to our hopes and our certainties.

Here's the real secret: you can fulfill the commands of the Bible better by falling in love with God than by trying to obey him. It's not that your obedience isn't significant or relevant; it's simply not the center of the wheel. No, the hub of your life is your relationship with God. Your behavior and obedience radiate like spokes from the center of your life and allow you to roll forward. When you try to make your eternal behavior the hub on which you turn, you get stuck. Forward motion must be fueled by love.

Each day lived," Richard said, "is one less of our limited number of days gone forever. Time therefore has relevance and meaning to us. Life is precious, so time is precious. Time is how we put value on things such as love. We give our most precious commodity, our time-a part of our lives-over to those we love.

When my late father died — now I'm in mourning for my late mother — that sense of grief and bereavement suddenly taught me that so many things that I thought were important, externals, etc., all of that is irrelevant. You lose a parent, you suddenly realize what a slender thing life is, how easily you can lose those you love. Then out of that comes a new simplicity and that is why sometimes all the pain and the tears lift you to a much higher and deeper joy when you say to the bad times, "I will not let you go until you bless me.

At the critical juncture in all human relationships, there is only one question: What would love do now? No other question is relevant, no other question is meaningful, no other question has any importance to your soul.

There are basically three types of songs: loved songs, unloved songs, and transitional songs written by tired people in between the two. Love songs are cheesy, unloved songs are depressing, and transitional songs are poetry. Transitions catch the world on fire, touching on relevant topics while speaking with giddiness and despair of the lover between.

In a way that I haven’t yet figured out how to fully articulate, I believe that children who get to see bald eagles, coyotes, deer, moose, grouse, and other similar sights each morning will have a certain kind of matrix or fabric or foundation of childhood, the nature and quality of which will be increasing rare and valuable as time goes on, and which will be cherished into adulthood, as well as becoming- and this is a leap of faith by me- a source of strength and knowledge to them somehow. That the daily witnessing of the natural wonders is a kind of education of logic and assurance that cannot be duplicated by any other means, or in other place: unique and significant, and, by God, still somehow relevant, even now, in the twenty-first century. For as long as possible, I want my girls to keep believing that beauty, though not quite commonplace and never to pass unobserved or unappreciated, is nonetheless easily witnessed on any day, in any given moment, around any forthcoming bend. And that the wild world has a lovely order and pattern and logic, even in the shouting, disorderly chaos of breaking-apart May and reassembling May. That if there can be a logic an order even in May, then there can be in all seasons and all things.

I have found that four givens are particularly relevant to psychotherapy: the inevitability of death for each of us and for those we love; the freedom to make our lives as we will; our ultimate aloneness; and, finally, the absence of any obvious meaning or sense to life.

Love isn't relevant once things are really bad. They say love makes the world go round-but it doesn't, you know. Love is a luxury, and you indulge in it when things are OK. As soon as they are bad-really bad-there just isn't a place for it anymore-no place where there could be room for it

But as nearly every denomination in the United States faces declining membership and waning influence, Christians may need to get used to the idea of measuring significance by something other than money, fame, and power. No one ever said the fruit of the Spirit is relevance or impact or even revival

There is only war in love,” he says. “If anyone tells you otherwise, they’re lying. The constant fight to keep love relevant, while growing and changing as a human, is the battle. You fight for them, fight to keep them, fight to love them. Do you fight for yourself, or do you fight for the relationship?

I never felt Irish. I always felt, ‘I’m English, this is where I come from, and that’s that.’ Because you’d be reminded of that when you went to Ireland: ‘Ye’re not Oirish!’ the locals would say. So it was like, ‘Bloody hell, shot by both sides here.’ I still love that Magazine song – so relevant to me, those lyrics.

It’s not like that,” Georgie said. “You’ll see. It’s more like you meet someone, and you fall in love, and you hope that that person is the one – and then at some point, you have to put down your chips. You just have to make a commitment and hope that you’re right.” “No one else describes love that way.” Heather frowned. “Maybe you’re doing it wrong.” “Obviously I’m doing it wrong,” Georgie said. “But I still think love feels that way for most people.” “So you think most people bet everything, their whole lives, on hope. Just hoping that what they’re feeling is real.” “Real isn’t relevant,” Georgie said, turning completely to face Heather. “It’s like... you’re tossing a ball between you, and you’re just hoping you can keep it in the air. And it has nothing to do with whether you love each other or not. If you didn’t love each other, you wouldn’t be playing this stupid game with the ball. You love each other – and you just hope you can keep the ball in play.

You don’t think it’s a little relevant that the guy who is supposed to die in the next year is dating the girl who’s supposed to kill her true love with a kiss?” She was too angry to do anything but shake her head. He merely raised an eyebrow in reply, an action that warmed the temperature of Blue’s blood by a single degree.

I‘ve always agreed with the view that — with science fiction — its predictive powers were the least important or least relevant aspect of its public profile. I always loved stuff like Orwell‘s 1984, where he explicitly said “It‘s 1948, reversed.” I liked writers that were doing allegorical, satirical, fantastical versions of everyday life.

His experiences and hers became harder and harder to tell apart; everything gathered behind them into a common memory - though singly each of them might, must, exist, decide, act; all things done alone came to be no more than a simulcra of behaviour: they waited to live again till they were together...Every love has a poetic relevance of its own...

It's not that I never noticed before how many red things there are in the world. It’s that they were never any more relevant to me than green or white or gold. Now it’s as if the whole world sings to me in petals, feathers, pebbles, blood. Not that it didn’t before–Garden loves music with a depth impossible to sound–but now its song’s for me alone.

The “9/11 truth movement” seemed to reach peak momentum around 2006. Possible factors in the slow-down since then include infiltration, infighting and fatigue. The economic crisis focused concern on existential issues. Elections under the two-party system always force attention to the politically correct middle ground, and the color revolution of the false prophet Obama sapped the energies of many idealists. Regime rotation removed Bush, the target the opposition most loved to hate. With him and his neo-con team went also much of the immediate and obvious relevance of 9/11. Is there still a way forward with 9/11 awareness as a political force? There needs to be, if only because if they can get away with 9/11, they can get away with anything.

But prior to about the year 1600, the verb “believe” had a very different meaning within Christianity as well as in popular usage. It did not mean believing statements to be true; the object of the verb “believe” was always a person, not a statement. This is the difference between believing that and believing in. To believe in a person is quite different from believing that a series of statements about the person are true. In premodern English, believing meant believing in and thus a relationship of trust, loyalty, and love. Most simply, to believe meant to belove.11

The first phrase affirms “God so loved the world”—not Christians in particular, or the elect, or the church, but the world. God’s passion is the world. Christians have often been fearful of loving the world, for they have sometimes confused it with “worldliness.” But loving the world doesn’t mean getting lost in the world. It means loving the world—the creation—as God loves the world.

Perhaps we can help you, Prisoner. Meaning comes from purpose—” “—and purpose comes in many forms.” Veera steepled her fingers. Surprisingly, Jorrus did not. She said, “Have you ever considered the fact that everything we are originates from the remnants of stars that once exploded?” Jorrus said, “Vita ex pulvis.” “We are made from the dust of dead stars.” “I’m aware of the fact,” said Kira. “It’s a lovely thought, but I don’t see the relevance.” Jorrus said, “The relevance—” “—is in the logical extension of that idea.” Veera paused for a moment. “We are aware. We are conscious. And we are made from the same stuff as the heavens.” “Don’t you see, Prisoner?” said Jorrus. “We are the mind of the universe itself. We and the Jellies and all self-aware beings. We are the universe watching itself, watching and learning.” “And someday,” said Veera, “we, and by extension the universe, will learn to expand beyond this realm and save ourselves from otherwise inevitable extinction.” Kira said, “By escaping the heat death of this space.” Jorrus nodded. “Even so. But the point is not that. The point is that this act of observation and learning is a process we all share—” “—whether or not we realize it. As such, it gives purpose to everything we do, no matter—” “—how insignificant it may seem, and from that purpose, meaning. For the universe itself, given consciousness through your own mind—” “—is aware of your every hurt and care.” Veera smiled. “Take comfort, then, that whatever you choose in life has importance beyond yourself. Importance, even, on a cosmic scale.

This was before the importance of set and setting was understood. I was brought to a basement room, given an injection, and left alone.” A recipe for a bad trip, surely, but Richards had precisely the opposite experience. “I felt immersed in this incredibly detailed imagery that looked like Islamic architecture, with Arabic script, about which I knew nothing. And then I somehow became these exquisitely intricate patterns, losing my usual identity. And all I can say is that the eternal brilliance of mystical consciousness manifested itself. My awareness was flooded with love, beauty, and peace beyond anything I ever had known or imagined to be possible. ‘Awe,’ ‘glory,’ and ‘gratitude’ were the only words that remained relevant.” Descriptions of such experiences always sound a little thin, at least when compared with the emotional impact people are trying to convey; for a life-transforming event, the words can seem paltry. When I mentioned this to Richards, he smiled. “You have to imagine a caveman transported into the middle of Manhattan. He sees buses, cell phones, skyscrapers, airplanes. Then zap him back to his cave. What does he say about the experience? ‘It was big, it was impressive, it was loud.’ He doesn’t have the vocabulary for ‘skyscraper,’ ‘elevator,’ ‘cell phone.’ Maybe he has an intuitive sense there was some sort of significance or order to the scene. But there are words we need that don’t yet exist. We’ve got five crayons when we need fifty thousand different shades.” In

Our Catholic church here split into three pieces: (1) the American Catholic Church whose new Rome is Cicero, Illinois; (2) the Dutch schismatics who believe in relevance but not God; (3) the Roman Catholic remnant, a tiny scattered flock with no place to go. The American Catholic Church, which emphasizes property rights and the integrity of neighborhoods, retained the Latin mass and plays The Star-Spangled Banner at the elevation.

But what if, either by choice or by reluctant necessity, you end up not participating in this comforting cycle of family and continuity? What if you step out? Where do you sit at the reunion? How do you mark time's passage without the fear that you've just frittered away your time on earth without being relevant? You'll need to find another purpose, another measure by which to judge whether or not you have been a successful human being. I love children, but what if I don't have any? What kind of person does that make me? Virginia Woolf wrote, "Across the broad continent of a woman's life falls the shadow of a sword." On one side of that sword, she said, there lies convention and tradition and order, where "all is correct." But on the other side of that sword, if you're crazy enough to cross it and choose a life that does not follow convention, "all is confusion. Nothing follows a regular course." Her argument was that the crossing of the shadow of that sword may bring a far more interesting existence to a woman, but you can bet it will also be more perilous.

It was as if she had just discovered the irreversible process. It astonished her to think that so much could be lost, even the quantity of hallucination belonging just to the sailor that the world would bear no further trace of. She knew, because she had held him, that he suffered DT’s. Behind the initials was a metaphor, a delirium tremens, a trembling unfurrowing of the mind’s plowshare. The saint whose water can light lamps, the clairvoyant whose lapse in recall is the breath of God, the true paranoid for whom all is organized in spheres joyful or threatening about the central pulse of himself, the dreamer whose puns probe ancient fetid shafts and tunnels of truth all act in the same special relevance to the word, or whatever it is the word is there, buffering, to protect us from. The act of metaphor then was a thrust at truth and a lie, depending where you were: inside, safe, or outside, lost. Oedipa did not know where she was. Trembling, unfurrowed, she slipped sidewise, screeching back across grooves of years, to hear again the earnest, high voice of her second or third collegiate love Ray Glozing bitching among “uhs” and the syncopated tonguing of a cavity, about his freshman calculus; “dt,” God help this old tattooed man, meant also a time differential, a vanishingly small instant in which change had to be confronted at last for what it was, where it could no longer disguise itself as something innocuous like an average rate; where velocity dwelled in the projectile though the projectile be frozen in midflight, where death dwelled in the cell though the cell be looked in on at its most quick. She knew that the sailor had seen worlds no other man had seen if only because there was that high magic to low puns, because DT’s must give access to dt’s of spectra beyond the known sun, music made purely of Antarctic loneliness and fright. But nothing she knew of would preserve them, or him.

It all fit. The love of power, the focus on Russia to the exclusion of the rest of the world—with an exception made perhaps only for a Napoleon or a Hitler, whose power trumped even their enemy status but who were made relevant by the fact that they had invaded Russia—this and other survey results added up to a totalitarian mind-set. The only consideration that gave Gudkov pause was what seemed like an utter lack of a concept of the future. He had been taught that totalitarianism presupposed the image of a glorious future. But as he researched both Communist and Nazi ideologies, he came to the conclusion that the appeal of the rhetoric in both cases lay in archaic, primitive images: a simple society, a world of “us,” a tribe. Fromm, in fact, rejected the very idea of an image of the future in Nazi ideology and stressed the “worship of the past.

Many of us sing songs about bringing revival to our cities, but how are we communicating this message and is it relevant? If we come with our own agenda and do not truly know the needs of the people we want to reach, we will never see the harvest. A good farmer has to know the seeds he is planting: how much water they need, how far apart to plant the seeds, and what fertilizers they need for growth. In much the same way, we need to know the people in our communities and their basic needs if we are to yield a harvest. If our intent is to love compassionately, than knowing the hearts of the people we hope to reach will be more important than “filling our quota.” God is not interested in people hearing the message as much as us “becoming the message,” as Jesus did. He spoke in parables that used relevant cultural references so that those who were searching would find truth.

Affirmations work for anyone striving for self-acceptance. Although I had for years been interested in therapeutic modes of healing and self-help, affirmations always seemed to me a bit corny. My sister, who was then working as a therapist in the field of chemical dependency, encouraged me to give affirmations a try to see if I would experience any concrete changes in my outlook. I wrote affirmations relevant to my daily life and began to repeat them in the morning as part of my daily meditations. At the top of my list was the declaration: "I'm breaking with old patterns and moving forward with my life." I not only found them to be a tremendous energy boost--a way to kick off the day by my accentuating the positive--I also found it useful to repeat them during the day if I felt particularly stressed or was falling into the abyss of negative thinking. Affirmations helped restore my emotional equilibrium.

Every no is good enough, and that goes for every person. If we believe that people shouldn’t have unwanted sex with strangers and that strangers are not entitled to sex, we should believe that people shouldn’t have unwanted sex with partners and that partners, no matter how loving or good, are not entitled to sex either. As long as people don’t know about asexuality—hell, forget about the label, so long as they don’t know that saying no forever and for any reason and in any context is okay—sex education, sex therapy, and popular depictions of sex are incomplete and people don’t have the relevant information to fully consent.

I keep meeting so many couples who feel trapped by the traditional concept of love. They’re actually stuck in between love and sensuality. They seek more sensuality because love, quite frankly, is just not enough. As I usually say, love is an occupation of the idle. The reason why love today doesn’t work like it used to is because we have outgrown it. Have you looked at couples these days? They are bored out of their minds with each other they don’t know what to do with themselves. Many feel trapped or like they’re letting their lives pass them by. I can’t blame them. Here’s the thing, the concept of love has to be constantly renewed (for every generation), and the only way to renew it is through evolving our sensuality. But sensuality is still a taboo in our society. If only people knew that by consistently upgrading our own sensuality we are essentially making sure that we keep love FOREVER FRESH and relevant to our ever-evolving needs (and every generation), then they would be more embracing towards this idea of sensual living. Remember, human beings are not stagnant creatures. Your partner’s needs are a constantly moving target. In fact, love is a constantly moving target. So how do you build foresight that will help you keep figuring out what (or who) your partner IS BECOMING... daily... weekly... monthly... yearly, so that you can avoid being washed out by their perpetual evolution? I believe that developing your ability to stay consistent with our own sensual growth is highly crucial in this day and age. It’s what’s going to help you survive being washed out, outgrown, or become irrelevant in your partner’s life. You’ve got to keep up. You can’t be lazy or complacent because you’re ‘in love.’ Stop using love as a security. Sensuality is the new security. Sensuality is what’s going to help you keep up with the chase of your partner's constantly evolving nature.

I find that most people serve practical needs. They have an understanding of the difference between meaning and relevance. And at some level my mind is more interested in meaning than in relevance. That is similar to the mind of an artist. The arts are not life. They are not serving life. The arts are the cuckoo child of life. Because the meaning of life is to eat. You know, life is evolution and evolution is about eating. It's pretty gross if you think about it. Evolution is about getting eaten by monsters. Don't go into the desert and perish there, because it's going to be a waste. If you're lucky the monsters that eat you are your own children. And eventually the search for evolution will, if evolution reaches its global optimum, it will be the perfect devourer. The thing that is able to digest anything and turn it into structure to sustain and perpetuate itself, for long as the local puddle of negentropy is available. And in a way we are yeast. Everything we do, all the complexity that we create, all the structures we build, is to erect some surfaces on which to out compete other kinds of yeast. And if you realize this you can try to get behind this and I think the solution to this is fascism. Fascism is a mode of organization of society in which the individual is a cell in the superorganism and the value of the individual is exactly the contribution to the superorganism. And when the contribution is negative then the superorganism kills it in order to be fitter in the competition against other superorganisms. And it's totally brutal. I don't like fascism because it's going to kill a lot of minds I like. And the arts is slightly different. It's a mutation that is arguably not completely adaptive. It's one where people fall in love with the loss function. Where you think that your mental representation is the intrinsically important thing. That you try to capture a conscious state for its own sake, because you think that matters. The true artist in my view is somebody who captures conscious states and that's the only reason why they eat. So you eat to make art. And another person makes art to eat. And these are of course the ends of a spectrum and the truth is often somewhere in the middle, but in a way there is this fundamental distinction. And there are in some sense the true scientists which are trying to figure out something about the universe. They are trying to reflect it. And it's an artistic process in a way. It's an attempt to be a reflection to this universe. You see there is this amazing vast darkness which is the universe. There's all these iterations of patterns, but mostly there is nothing interesting happening in these patterns. It's a giant fractal and most of it is just boring. And at a brief moment in the evolution of the universe there are planetary surfaces and negentropy gradients that allow for the creation of structure and then there are some brief flashes of consciousness in all this vast darkness. And these brief flashes of consciousness can reflect the universe and maybe even figure out what it is. It's the only chance that we have. Right? This is amazing. Why not do this? Life is short. This is the thing we can do.

The fact is, women aren’t having cosmetic surgery to stay beautiful. As Naomi Wolf wrote in The Beauty Myth more than twenty years ago, many women who undergo surgery are fighting to stay loved, relevant, employed, admired; they’re fighting against time running out. If they simply age naturally, don’t diet or dye their hair, we feel they’ve “let themselves go.” But if they continue to dress youthfully we feel they’re “trying too hard” or brand them as “slappers.” Poor Madonna, who has dared to be in her fifties. In order not to look like a woman in her sixth decade of life she exercises furiously, and is sniggered at by trashy magazines for having overly muscular arms and boytoy lovers. When Demi Moore’s marriage to Ashton Kutcher, fifteen years her junior, recently broke down, the media reaction was almost gleeful. Of course, it was what they had been waiting for all along: how long could a forty-eight-year-old woman expect to keep a thirty-three-year-old man? As allegations of his infidelity emerged, the Internet was flooded with images of Demi looking gaunt and unhappy—and extremely thin. Sometimes you want to say: just leave them alone. Then again, it’s mostly women who buy these magazines, and women who write the editorials and online comments and gossip columns, so you could say we’re our own worst enemies. There is already plenty of ageism and sexism out there—why do we add to the body hatred?

In other words, introverts are capable of acting like extroverts for the sake of work they consider important, people they love, or anything they value highly. Free Trait Theory explains why an introvert might throw his extroverted wife a surprise party or join the PTA at his daughter’s school. It explains how it’s possible for an extroverted scientist to behave with reserve in her laboratory, for an agreeable person to act hard-nosed during a business negotiation, and for a cantankerous uncle to treat his niece tenderly when he takes her out for ice cream. As these examples suggest, Free Trait Theory applies in many different contexts, but it’s especially relevant for introverts living under the Extrovert Ideal.

I said, "Mary, tell me something. Why do you have that picture from The Wizard of Oz on your wall?" Mary chuckled at my question. "Oh, that's my favorite move. I saw it the first time when I was five. But it's more than that. The story is so relevant to my life. That big, wise Wizard, you know. He's nothing. You pull back the curtain, it's just a man. I went through my whole life looking at the men at church as the Wizard, practically as God. I believed every word they said, every way they interpreted the bible, every condemning judgment on my gay son. After Bobby died, I started to study on my own, and I see the Bible through my own eyes now, not through theirs. I pulled back the curtain, and it was not God, just men. The tin man, he had a heart all along. The lion had courage all along. I knew the truth about Bobby all along, but I didn't listen inside, I listened outside. Most of us go on dancing down that yellow brick road to find the izard and be told the secret. But the secret is, the kingdom of God is within, inside every one of us. That picture, I keep it there to remind me." (49)

There’s no dignity in this place, thinks Seda. No privacy either. Some fool is always poking his or her head into your doorway. And as if the residents and nurses aren’t bad enough, lately all kinds of people keep showing up, waving their tape recorders in her face, asking her questions about the past. Everyone is an amateur historian. They use words like witness and genocide, trying to bridge the gap between her past and their own present with words. She wants nothing to do with it. But the other residents have fallen under a confessional spell. They’re like ancient tea bags steeping in the murky waters of the past, repeating their stories over and over again to anyone who will listen. Who can blame them? Driven from their homes not by soldiers this time, but by their own loved ones, to this place so cleverly labeled “home,” a second exile. In some ways, Seda thinks it’s worse than the first: to the lexicon of horrific memories is added the immense shame of surviving, of living when so many others did not. Yet they all bask in their rediscovered relevance. But all the words in every human language on earth would not be enough to describe what

Alone Together I want us to be together, but I want to stay connected. I want your attention, but I want to manage mine, opting in and opting out, sponging up what's relevant, discarding the expendable. I can't get enough of you, not too close, not too far, at a manageable distance, at a convenient time. Let me tell you how much I loveyou, let me count the ways, by text, by email, by post, by Tweet. If I've said too much I can edit. If I've show myself too vulnerable I can delete. If I'm at a loss for words I can Google. Come to think of it, I'd much rather text than talk. Come to think of it you're dispensable too. I just need the illusion of love, without all its messy demands, without its unpredictability, without the risk. I just need Facebook because nothing beats being alone together.

Every generation of children instinctively nests itself in nature, no matter matter how tiny a scrap of it they can grasp. In a tale of one city child, the poet Audre Lord remembers picking tufts of grass which crept up through the paving stones in New York City and giving them as bouquets to her mother. It is a tale of two necessities. The grass must grow, no matter the concrete suppressing it. The child must find her way to the green, no matter the edifice which would crush it. "The Maori word for placenta is the same word for land, so at birth the placenta is buried, put back in the mothering earth. A Hindu baby may receive the sun-showing rite surya-darsana when, with conch shells ringing to the skies, the child is introduced to the sun. A newborn child of the Tonga people 'meets' the moon, dipped in the ocean of Kosi Bay in KwaZulu-Natal. Among some of the tribes of India, the qualities of different aspects of nature are invoked to bless the child, so he or she may have the characteristics of earth, sky and wind, of birds and animals, right down to the earthworm. Nothing is unbelonging to the child. "'My oldest memories have the flavor of earth,' wrote Frederico García Lorca. In the traditions of the Australian deserts, even from its time in the womb, the baby is catscradled in kinship with the world. Born into a sandy hollow, it is cleaned with sand and 'smoked' by fire, and everything -- insects, birds, plants, and animals -- is named to the child, who is told not only what everything is called but also the relationship between the child and each creature. Story and song weave the child into the subtle world of the Dreaming, the nested knowledge of how the child belongs. "The threads which tie the child to the land include its conception site and the significant places of the Dreaming inherited through its parents. Introduced to creatures and land features as to relations, the child is folded into the land, wrapped into country, and the stories press on the child's mind like the making of felt -- soft and often -- storytelling until the feeling of the story of the country is impressed into the landscape of the child's mind. "That the juggernaut of ants belongs to a child, belligerently following its own trail. That the twitch of an animal's tail is part of a child's own tale or storyline, once and now again. That on the papery bark of a tree may be written the songline of a child's name. That the prickles of a thornbush may have dynamic relevance to conscience. That a damp hollow by the riverbank is not an occasional place to visit but a permanent part of who you are. This is the beginning of belonging, the beginning of love. "In the art and myth of Indigenous Australia, the Ancestors seeded the country with its children, so the shimmering, pouring, circling, wheeling, spinning land is lit up with them, cartwheeling into life.... "The human heart's love for nature cannot ultimately be concreted over. Like Audre Lord's tufts of grass, will crack apart paving stones to grasp the sun. Children know they are made of the same stuff as the grass, as Walt Whitman describes nature creating the child who becomes what he sees: There was a child went forth every day And the first object he look'd upon, that object he became... The early lilacs became part of this child... And the song of the phoebe-bird... In Australia, people may talk of the child's conception site as the origin of their selfhood and their picture of themselves. As Whitman wrote of the child becoming aspects of the land, so in Northern Queensland a Kunjen elder describes the conception site as 'the home place for your image.' Land can make someone who they are, giving them fragments of themselves.

How might we respond to the contemporary situation of war? It might seem that the easiest and noblest thing to do is to speak of peace. Yet, as Raymond Williams says in his still hugely relevant book from 1966, Modern Tragedy, “To say peace when there is no peace” is to say nothing.3 To which the obvious response is: say war. But that would be peremptory. The danger of easy pacifism is that it is inert and self-regarding. It is always too pleased with itself. But the alternative is not a justification of war. It is rather the attempt to understand the complex tragic dialectics of political situations, particularly apparently revolutionary ones. Williams goes on to claim, “We expect men brutally exploited and intolerably poor to rest and be patient in their misery, because if they act to end their condition it will involve the rest of us, and threatens our convenience or our lives.”4 Often, we simply want violence and war to go away because it is an inconvenience to us and to our lovely lives. As such, we do not only fail to see our implication in such violence and war, we completely disavow it.

There is nothing that the media could say to me that would justify the way they’ve acted. You can hound me. You can follow me, but in no way should you frighten those around me. To harm my wife and potentially harm my daughter—there is no excuse that could put any of you on the right side of morality. I met Rose when I was fifteen and she was fourteen, and through what she would call fate and I’d call circumstance of our hobbies, we’d cross paths dozens of times over the course of a decade. At seventeen, I attended the same national Model UN conference as Rose, and a delegate for Greenland locked us in a janitorial closet. He also stole our phones. He had to beat us dishonorably because he couldn’t beat us any other way. Rose said being locked in a confined space with me was the worst two hours of her life" They look bemused, brows furrowing. I can’t help but smile. “You’re confused because you don’t know whether she was exaggerating or whether she was being truthful. But the truth is that we are complex people with the ability to love to hate and to hate to love, and I wouldn’t trade her for any other person. So that day, stuck beside mops and dirtied towels, I could’ve picked the lock five minutes in and let her go. Instead, I purposefully spent two hours with a girl who wore passion like a dress made of diamonds and hair made of flames. Every day of my life, I am enamored. Every day of my life, I am bewitched. And every day of my life, I spend it with her.” My chest swells with more power, lifting me higher. “I’ve slept with many different kinds of people, and yes, the three that spoke to the press are among them. Rose is the only person I’ve ever loved, and through that love, we married and started a family. There is no other meaning behind this, and for you to conjure one is nothing less than a malicious attack against my marriage and my child. Anything else has no relevance. I can’t be what you need me to be. So you’ll have to accept this version or waste your time questioning something that has no answer. I know acceptance isn’t easy when you’re unsure of what you’re accepting, but all I can say is that you’re accepting me as me. I leave them with a quote from Sylvia Plath. “‘I took a deep breath and listened to the old brag of my heart.’” My lips pull higher, into a livelier smile. “‘I am, I am, I am.’” With this, I step away from the podium, and I exit to a cacophony of journalists shouting and asking me to clarify. Adapt to me. I’m satisfied, more than I even predicted. Some people will rewind this conference on their television, to listen closely and try to understand me. I don’t need their understanding, but my daughter will—and I hope the minds of her peers are wide open with vibrant hues of passion. I hope they all paint the world with color.

I charge you with a phrase from the gospel of John, Updike that is: Your only duty is to give the mundane its beautiful due. You step from this moment with scripture and stole ordained to the ordinary. Ours is an existence in something more than the husk it once was but not yet the bloom it shall be; in other words, you are charged to the in-between, middle-earth, us. Yes, our lives are sewn on occasion with a texture of joy unmistakable, the foretastes. But many days, if not most hours, reek of repetition, a mundane rising and falling punctuated with what the old hymn writer penned as “seasons of distress and grief.” The relief you are charged to bring to our souls in times like these is beauty – nothing more, nothing less. It is your only duty. Give up all other ambitions for the dross they are. Give the mundane its beautiful due. Bear witness to the truth we so often bury, that our lives are shot through with drama, interest, relevance, importance, and poetry. Live among us, story by story, with both precision and surprisingness. Help us to believe in God by startling us with the kicker – God believes in us. Know this, that yours is not so much a high calling as it is a careful attention; you are to be a person of prayer, not big britches. Once you begin a gesture it's often fatal not to go through with it, so please, for the love of God and us and you, go through with this. The world for you may be even harder from here on in, but most things worth doing are hard. So break and bless and preach and teach and laugh and sing and weep and rage and whisper at the altar of this astonishingly splendid fallen world. Give the mundane its beautiful due. Amen and amen.

Eliot's understanding of poetic epistemology is a version of Bradley's theory, outlined in our second chapter, that knowing involves immediate, relational, and transcendent stages or levels. The poetic mind, like the ordinary mind, has at least two types of experience: The first consists largely of feeling (falling in love, smelling the cooking, hearing the noise of the typewriter), the second largely of thought (reading Spinoza). The first type of experience is sensuous, and it is also to a great extent monistic or immediate, for it does not require mediation through the mind; it exists before intellectual analysis, before the falling apart of experience into experiencer and experienced. The second type of experience, in contrast, is intellectual (to be known at all, it must be mediated through the mind) and sharply dualistic, in that it involves a breaking down of experience into subject and object. In the mind of the ordinary person, these two types of experience are and remain disparate. In the mind of the poet, these disparate experiences are somehow transcended and amalgamated into a new whole, a whole beyond and yet including subject and object, mind and matter. Eliot illustrates his explanation of poetic epistemology by saying that John Donne did not simply feel his feelings and think his thoughts; he felt his thoughts and thought his feelings. He was able to "feel his thought as immediately as the odour of a rose." Immediately" in this famous simile is a technical term in philosophy, used with precision; it means unmediated through mind, unshattered into subject and object. Falling in love and reading Spinoza typify Eliot's own experiences in the years in which he was writing The Waste Land. These were the exciting and exhausting years in which he met Vivien Haigh-Wood and consummated a disastrous marriage, the years in which he was deeply involved in reading F. H. Bradley, the years in which he was torn between the professions of philosophy and poetry and in which he was in close and frequent contact with such brilliant and stimulating figures as Bertrand Russell and Ezra Pound, the years of the break from his family and homeland, the years in which in every area of his life he seemed to be between broken worlds. The experiences of these years constitute the material of The Waste Land. The relevant biographical details need not be reviewed here, for they are presented in the introduction to The Waste Land Facsimile. For our purposes, it is only necessary to acknowledge what Eliot himself acknowledged: the material of art is always actual life. At the same time, it should also be noted that material in itself is not art. As Eliot argued in his review of Ulysses, "in creation you are responsible for what you can do with material which you must simply accept." For Eliot, the given material included relations with and observations of women, in particular, of his bright but seemingly incurably ill wife Vivien(ne).

Had she been able to listen to her body, the true Virginia would certainly have spoken up. In order to do so, however, she needed someone to say to her: “Open your eyes! They didn’t protect you when you were in danger of losing your health and your mind, and now they refuse to see what has been done to you. How can you love them so much after all that?” No one offered that kind of support. Nor can anyone stand up to that kind of abuse alone, not even Virginia Woolf. Malcolm Ingram, the noted lecturer in psychological medicine, believed that Woolf’s “mental illness” had nothing to do with her childhood experiences, and her illness was genetically inherited from her family. Here is his opinion as quoted on the Virginia Woolf Web site: As a child she was sexually abused, but the extent and duration is difficult to establish. At worst she may have been sexually harassed and abused from the age of twelve to twenty-one by her [half-]brother George Duckworth, [fourteen] years her senior, and sexually exploited as early as six by her other [half-] brother… It is unlikely that the sexual abuse and her manic-depressive illness are related. However tempting it may be to relate the two, it must be more likely that, whatever her upbringing, her family history and genetic makeup were the determining factors in her mood swings rather than her unhappy childhood [italics added]. More relevant in her childhood experience is the long history of bereavements that punctuated her adolescence and precipitated her first depressions.3 Ingram’s text goes against my own interpretation and ignores a large volume of literature that deals with trauma and the effects of childhood abuse. Here we see how people minimize the importance of information that might cause pain or discomfort—such as childhood abuse—and blame psychiatric disorders on family history instead. Woolf must have felt keen frustration when seemingly intelligent and well-educated people attributed her condition to her mental history, denying the effects of significant childhood experiences. In the eyes of many she remained a woman possessed by “madness.” Nevertheless, the key to her condition lay tantalizingly close to the surface, so easily attainable, and yet neglected. I think that Woolf’s suicide could have been prevented if she had had an enlightened witness with whom she could have shared her feelings about the horrors inflicted on her at such an early age. But there was no one to turn to, and she considered Freud to be the expert on psychic disorders. Here she made a tragic mistake. His writings cast her into a state of severe uncertainty, and she preferred to despair of her own self rather than doubt the great father figure Sigmund Freud, who represented, as did her family, the system of values upheld by society, especially at the time.   UNFORTUNATELY,

The evolutionary process of productive adaption and ascent—the process of seeking, obtaining, and pursuing more and more ambitious goals—does not just pertain to how individuals and society move forward. It is equally relevant when dealing with setbacks, which are inevitable. At some point in your life you will crash in a big way. You might fail at your job or with your family, lose a loved one, suffer a serious accident or illness, or discover the life you imagined is out of reach forever. There are a whole host of ways that something will get you . At such times, you will be in pain and might think that you don’t have the strength to go on. You almost always do, however; your ultimate success will depend on you realizing that fact, even though it might not seem that way at the moment. This is why many people who have endured setbacks that seems devastating at the time ended up happy as (or even happier than) they originally were after they successfully adapted to them. The quality of your life will depend on the choices you make at those painful moments. The faster one appropriately adapts, the better. No matter what you want out of life, your ability to adapt and move quickly and efficiently through the process of personal evolution will determine your success and your happiness. If you do it well, you can cahnge your psychological reaction to it so that what was painful can become something you crave.

Everything we do and say will either underline or undermine our discipleship process. As long as there is one unsaved person on my campus or in my city, then my church is not big enough. One of the underlying principles of our discipleship strategy is that every believer can and should make disciples. When a discipleship process fails, many times the fatal flaw is that the definition of discipleship is either unclear, unbiblical, or not commonly shared by the leadership team. Write down what you love to do most, and then go do it with unbelievers. Whatever you love to do, turn it into an outreach. You have to formulate a system that is appropriate for your cultural setting. Writing your own program for making disciples takes time, prayer, and some trial and error—just as it did with us. Learn and incorporate ideas from other churches around the world, but only after modification to make sure the strategies make sense in our culture and community. Culture is changing so quickly that staying relevant requires our constant attention. If we allow ourselves to be distracted by focusing on the mechanics of our own efforts rather than our culture, we will become irrelevant almost overnight. The easiest and most common way to fail at discipleship is to import a model or copy a method that worked somewhere else without first understanding the values that create a healthy discipleship culture. Principles and process are much more important than material, models, and methods. The church is an organization that exists for its nonmembers. Christianity does not promise a storm-free life. However, if we build our lives on biblical foundations, the storms of life will not destroy us. We cannot have lives that are storm-free, but we can become storm-proof. Just as we have to figure out the most effective way to engage our community for Christ, we also have to figure out the most effective way to establish spiritual foundations in each unique context. There is really only one biblical foundation we can build our lives on, and that is the Lord Jesus Christ. Pastors, teachers, and church staff believe their primary role is to serve as mentors. Their task is to equip every believer for the work of the ministry. It is not to do all the ministry, but to equip all the people to do it. Their top priority is to equip disciples to do ministry and to make disciples. Do you spend more time ministering to people or preparing people to minister? No matter what your church responsibilities are, you can prepare others for the same ministry. Insecurity in leadership is a deadly thing that will destroy any organization. It drives pastors and presidents to defensive positions, protecting their authority or exercising it simply to show who is the boss. Disciple-making is a process that systematically moves people toward Christ and spiritual maturity; it is not a bunch of randomly disconnected church activities. In the context of church leadership, one of the greatest and most important applications of faith is to trust the Holy Spirit to work in and through those you are leading. Without confidence that the Holy Spirit is in control, there is no empowering, no shared leadership, and, as a consequence, no multiplication.

I had better come clean now and say that I do not believe that art (all art) and beauty are ever separate, nor do I believe that either art or beauty are optional in a sane society." "That puts me on the side of what Harold Bloom calls 'the ecstasy of the privileged moment. Art, all art, as insight, as transformation, as joy. Unlike Harold Bloom, I really believe that human beings can be taught to love what they do not love already and that the privileged moment exists for all of us, if we let it. Letting art is the paradox of active surrender. I have to work for art if I want art to work on me." (...) We know that the universe is infinite, expanding and strangely complete, that it lacks nothing we need, but in spite of that knowledge, the tragic paradigm of human life is lack, loss, finality, a primitive doomsaying that has not been repealed by technology or medical science. The arts stand in the way of this doomsaying. Art objects. The nouns become an active force not a collector's item. Art objects. "The cave wall paintings at Lascaux, the Sistine Chapel ceiling, the huge truth of a Picasso, the quieter truth of Vanessa Bell, are part of the art that objects to the lie against life, against the spirit, that is pointless and mean. The message colored through time is not lack, but abundance. Not silence but many voices. Art, all art, is the communication cord that cannot be snapped by indifference or disaster. Against the daily death it does not die." "Naked I came into the world, but brush strokes cover me, language raises me, music rhythms me. Art is my rod and my staff, my resting place and shield, and not mine only, for art leaves nobody out. Even those from whom art has been stolen away by tyranny, by poverty, begin to make it again. If the arts did not exist, at every moment, someone would begin to create them, in song, out of dust and mud, and although the artifacts might be destroyed, the energy that creates them is not destroyed. If, in the comfortable West, we have chosen to treat such energies with scepticism and contempt, then so much the worse for us. "Art is not a little bit of evolution that late-twentieth-century city dwellers can safely do without. Strictly, art does not belong to our evolutionary pattern at all. It has no biological necessity. Time taken up with it was time lost to hunting, gathering, mating, exploring, building, surviving, thriving. Odd then, that when routine physical threats to ourselves and our kind are no longer a reality, we say we have no time for art. "If we say that art, all art is no longer relevant to our lives, then we might at least risk the question 'What has happened to our lives?

Studentdom, he felt, must pass its own Examinations and define its own Commencement--a slow, most painful process, made the more anguishing by bloody intelligences like the Bonifacists of Siegfrieder College. Yet however it seemed at times that men got nowhere, but only repeated class by class the mistakes of their predecessors, two crucial facts about them were at once their hope and the limitation of their possibility, so he believed. One was their historicity: the campus was young, the student race even younger, and by contrast with the whole of past time, the great collegiate cultures had been born only yesterday. The other had to do with comparative cyclology, a field of systematic speculation he could not review for me just then, but whose present relevance lay in the correspondency he held to obtain between the life-history of individuals and the history of studentdom in general. As the embryologists maintained that ontogeny repeats phylogeny, so, Max claimed, the race itself--and on a smaller scale, West-Campus culture--followed demonstrably--in capital letters, as it were, or slow motion--the life-pattern of its least new freshman. This was the basis of Spielman's Law--ontogeny repeats cosmogeny--and there was much more to it and to the science of cyclology whereof it was first principle. The important thing for now was that, by his calculations, West-Campus as a whole was in mid-adolescence... 'Look how we been acting,' he invited me, referring to intercollegiate political squabbles; 'the colleges are spoilt kids, and the whole University a mindless baby, ja? Okay: so weren't we all once, Enos Enoch too? And we got to admit that the University's a precocious kid. If the history of life on campus hadn't been so childish, we couldn't hope it'll reach maturity.' Studentdom had passed already, he asserted, from a disorganized, pre-literate infancy (of which Croaker was a modern representative, nothing ever being entirely lost) through a rather brilliant early childhood ('...ancient Lykeion, Remus, T'ang...') which formed its basic and somewhat contradictory character; it had undergone a period of naive general faith in parental authority (by which he meant early Founderism) and survived critical spells of disillusionment, skepticism, rationalism, willfulness, self-criticism, violence, disorientation, despair, and the like--all characteristic of pre-adolescence and adolescence, at least in their West-Campus form. I even recognized some of those stages in my own recent past; indeed, Max's description of the present state of West-Campus studentdom reminded me uncomfortably of my behavior in the Lady-Creamhair period: capricious, at odds with itself, perverse, hard to live with. Its schisms, as manifested in the Quiet Riot, had been aggravated and rendered dangerous by the access of unwonted power--as when, in the space of a few semesters, a boy finds himself suddenly muscular, deep-voiced, aware of his failings, proud of his strengths, capable of truly potent love and hatred--and on his own. What hope there was that such an adolescent would reach maturity (not to say Commencement) without destroying himself was precisely the hope of the University.