Regency Fashion Quotes

The ladies, I daresay, will have already selected silk gowns and appropriate jewels," the countess droned on, "and are quite capable of comporting themselves in line with both propriety and fashion.” “I don’t care about fashion,” Lord Sheffield murmured into Amelia’s ear, “but I’m sorely disappointed whenever a lady I escort decides to comport herself with propriety.

You look very well – at least, you would if you didn’t make such a figure of yourself in that rig! When I was a girl, no gentleman would have dreamed of paying a social call without powder, let me tell you! Enough to make your grandfather turn in his grave to see what you’ve all come to, with your skimpy coats, and your starched collars, and not a bit of lace to your neckcloth, or your wristbands! If you can sit down in those skin-tight breeches, or pantaloons, or whatever you call ’em, do so!

I am still not used to being the possessor of such a grand title. I believe I shall have to start wearing a purple satin turban and carrying a lorgnette.

Hypocrisy seemed to be the fashionable equivalent of propriety, discretion indistinguishable from morality, and the

You forget yourself, your lordship. You have no rights to allow or disallow anything I may choose to do. You have, in fact, no claim over me whatsoever – a circumstance for which I thank the Lord on a daily basis! I am neither your ward nor your dependent, and I will not allow you to talk to me in that odiously overbearing fashion. You are the most obnoxious and conceited man alive, and I cannot wait to be gone from England and from you!

The room was rather anonymous, with fashionable upholstered Sheraton chairs in a salmon-colored stripe and studded wood, salmon-colored swags on the windows, and cream silk on the walls. Nothing personal marred the room, as though the house’s inhabitants had ordered the furnishing to be as elegant yet innocuous as possible.

Having never had dealings with Bow Street, Lady Fieldhurst was not quite certain what to expect: perhaps a stout fellow past his prime, befuddled with sleep or spirits, with a bulbous red nose—the same sort as might be found in any number of watchmen’s boxes across the metropolis. The individual who entered the room in [the footman's] wake, however, was very nearly her own age. To be sure, his nose was somewhat crooked, as if it had been broken at some point, but it was far from bulbous, and it was certainly not red. He was quite tall, almost gangly, with curling brown hair tied at the nape of his neck in an outmoded queue. He wore an unfashionably shallow-crowned hat and a black swallow-tailed coat of good cloth but indifferent cut; indeed, his only claim to fashion lay in the quizzing glass which hung round his neck from a black ribbon, and which he now raised, the resulting magnification revealing his eyes to be a warm brown. Julia might have been much reassured as to his competence, had it not been for the fact that his mouth hung open as from a rusty hinge.

THE NIGHTGOWN was only the first of the garments in the box. There were seven nightgowns, in fact—one for each day of the week—of delicate silk, lovely georgette, and beautiful tiffany. As Alexandra pulled them out, she draped them on the bed. She’d never seen a nightgown that wasn’t white, but these were almond and pale blush pink, powder blue and soft peach, with delicate edgings of lace and intricate, exquisite embroidery. “They’re stunning,” she said. “Madame Rodale has nothing like them in her book of fashion plates.” Tris just grinned. He seemed different tonight. More relaxed, less worried. She didn’t know what had prompted his sudden good humor, but she didn’t want to question it. She’d rather enjoy it instead. After the afternoon she’d had—starting with Elizabeth’s letter and ending with three fruitless interviews—she wasn’t about to risk the one thing that seemed to be going right. “Are you going to try one on for me?” he asked. Her face heated. He chose a nightgown off the bed, palest lavender with black lace and violet embroidery. “This one,” he said, handing it to her. “Do you require assistance with your dress?” “Just the buttons,” she said, and turned to let him unfasten them. She shifted the nightgown in her hands. It felt so light. “There,” he said when the back of her green dress gaped open. He kissed her softly on the nape of her neck, then settled on one of the striped chairs, sipping from the glass of port he’d brought upstairs with him. “Use the dressing room. I’ll be waiting.” In the dressing room, she shakily stripped out of her frock, chemise, shoes, and stockings, then dropped the nightgown over her head and smoothed it down over her hips. The fabric whispered against her legs. She turned to see herself in the looking glass. Sweet heaven. She’d never imagined nightgowns like this existed. Her nightgowns all had high collars that tied at the throat. This one had a wide, low neckline. Her nightgowns all had long, full sleeves. This one had tiny puffed sleeves that began halfway off her shoulders. Her nightgowns were made of yards and yards of thick, billowing fabric. This one was a slender column that left no curve to the imagination. It was wicked. “Are you ready yet?” Tris called. Alexandra swallowed hard, reminding herself that he’d seen her in less clothing. And he was her husband. Still, wearing the nightgown for him somehow felt more intimate than wearing nothing at all. She was as ready as she’d ever be. Drawing a deep breath, she exited the dressing room, walked quickly through the sitting room, and paused in the bedroom’s doorway. She dropped her gaze, then raised her lashes, giving him the look—the one Juliana had said would make men fall at her feet. Judging from the expression on Tris’s face, it was a good thing he was sitting. The way he looked at her made her heartbeat accelerate. He rose and moved toward her. She met him halfway, licking suddenly dry lips. “Will you kiss me?” she asked softly, reaching up to sweep that always unruly lock off his forehead. It worked this time. He kissed her but good.

Recipe for March Wassail Drinking wassail is an ancient tradition. Dating back to Saxon times, the word itself comes from the greeting “wæs hæl”, roughly translated as “be you healthy”. In the counties of southern England renowned for cider production, drinking wassail originated as a bit of sympathetic magic to protect and encourage the apple trees to bear fruit. While wassail and other punches were very popular during Regency times, by the later part of the 19th-century, they had been largely supplanted by wines and other spirits. The Marches, however, care much more for their own pleasure than for what is fashionable. They serve their wassail the old-fashioned way, out of an enormous wooden bowl mounted in silver with a roasted apple garnish. Their wassail is, as tradition dictates, served quite hot and is deceptively alcoholic. Proceed with caution. Preheat oven to 350 degrees. Core a dozen small apples. (You will only need ten for the wassail, but leftover roasted apples are delicious with cream, yogurt, or ice cream.) Loosely spoon brown sugar into each apple place in a casserole dish with a small amount of water. Bake until tender, approximately 45 minutes. Meanwhile, gently warm 2 pints hard cider. (This is not available in the juice aisle of the grocery store. It is wonderfully alcoholic and tastes deeply of apples. You can find bottled varieties at wine and liquor stores, but the very best is fermented by apple farmers for their own use. Find one and befriend him. The Marches get their cider at the source from the Home Farm at Bellmont Abbey.) To the warming cider, add four cinnamon sticks, crushed with a mortar and pestle, and four pinches ground cloves. (In a bind, ½ teaspoon ground cinnamon may be substituted for the sticks.) Grate in fresh ginger and fresh nutmeg to taste. Lord March’s secret ingredient is a cup of his very best port, added just in time to heat through. When the apples are plump and bursting from their skins, remove them from the oven. Put one into a heatproof punch glass and ladle the wassail over. The March family recipe calls for a garnish of a fresh cinnamon stick for each glass. This recipe will serve six Marches or ten ordinary folk.

In the name of the Council of the Treaty for the Safety of the World, acting under the authority granted by the Three Empires, the Seven Kingdoms, the Palatine Regency, the Jessar Republic and the Forty Lesser Realms, we declare ourselves agents of the Council. We identify the godlet manifested in this city of Shûme as Pralqornrah-Tanish-Kvaxixob, a listed entity under the Treaty. Consequently, the said godlet and all those who assist it are deemed to be enemies of the World and the Council authorizes us to pursue any and all actions necessary to banish, repel or exterminate the said godlet.” Neither felt it necessary to change this ancient text to reflect the fact that only one of the three empires was still extant in any fashion; that the seven kingdoms were now twenty or more small states; the Palatine Regency was a political fiction, its once broad lands under two fathoms of water; the Jessar Republic was now neither Jessar in ethnicity nor a republic; and perhaps only a handful of the Forty Lesser Realms resembled their antecedent polities in any respect. But for all that the states that had made it were vanished or diminished, the Treaty for the Safety of the World was still held to be in operation, if only by the Council that administered and enforced it.

ALEXANDRA WAS having the most extraordinary, most incredible, most marvelous dream. Tris was kissing her. Long, slow kisses that made her senses spin. Even in her dream, she was shocked, but as it was only a dream, she decided to let it continue. To just lie back and imagine this was real, that they could truly be this close to each other. Just lie back… Indeed, she realized, she was lying back…on a bed. Her bed. Her eyes were closed, but she knew it was her bed regardless, perhaps because it was her dream. Tris was lying beside her. She’d never kissed Tris while lying down. It felt glorious, being sandwiched snugly between his body and the mattress. Perhaps also because it was her dream, she didn’t wonder if she was doing it right. The kissing, that is. This was nothing like any kiss they’d ever shared before. Their lips were parted, and their tongues were touching. It felt wonderfully bizarre. She didn’t know if other people kissed in this fashion, but if they didn’t, she felt sorry for them. She sighed happily and wrapped her arms around his shoulders, pulling him even closer. She could barely conceive of acting so forward in real life, but this was a dream, so she could do as she pleased. She

Aren’t our dresses exquisite?” Performing a few happy waltz steps, Corinna turned in a circle. “Um, yes. Pull your sleeves up, Juliana, will you?” She tugged at them, but the dress was designed to be off the shoulder. “They won’t go.” He eyed their dresses’ high waistlines and scooped necklines, designed to accentuate the bust. “You’re all going to cover”—at an apparent loss for words, he patted his own chest—“with one of those scarf things, right?” “A fichu?” Madame sniffed. “I think not. These are evening gowns, my lord.” “They don’t look like the pictures my sisters showed me.” “The pictures were but a starting point, my lord. By the time the fashion plates make it here from France, they’re already beginning to pass out of style.” “We shall not be caught in last month’s fashions,” Juliana added. “These gowns are the thing.” “Not in this house, they aren’t!” “Griffin. Good news. The foundry will have the new part cast by the end of the day.” Tris walked in, scanned the room with a low whistle, and settled on Alexandra. “By George, you ladies will put every other girl to shame.” “My sisters won’t be wearing these dresses,” Griffin said. “Of course they will.” Tris tore his gaze from Alexandra and turned to his friend. “While I take apart the pump, you’ll want to head out to the vineyard and see that work on the new pipeline is resumed.” “Very well.” Griffin turned to leave, then swiveled back. “I’m not paying for those dresses,” he warned. “Not until they’re made decent.” Madame Rodale gave a little French-sounding “hmmph.” Tris laughed. “Listen to yourself, old man. You’ve been on campaign far too long. Don’t you want men to find your sisters appealing? Irresistible? Marriageable?” “Not if they’re men like…” “Like us?” Tris suggested helpfully. Griffin’s “hmmph” put the mantua-maker’s to shame. “I need to get to the vineyard,” he muttered and left. “Madame

ALEXANDRA WAS having the most extraordinary, most incredible, most marvelous dream. Tris was kissing her. Long, slow kisses that made her senses spin. Even in her dream, she was shocked, but as it was only a dream, she decided to let it continue. To just lie back and imagine this was real, that they could truly be this close to each other. Just lie back… Indeed, she realized, she was lying back…on a bed. Her bed. Her eyes were closed, but she knew it was her bed regardless, perhaps because it was her dream. Tris was lying beside her. She’d never kissed Tris while lying down. It felt glorious, being sandwiched snugly between his body and the mattress. Perhaps also because it was her dream, she didn’t wonder if she was doing it right. The kissing, that is. This was nothing like any kiss they’d ever shared before. Their lips were parted, and their tongues were touching. It felt wonderfully bizarre. She didn’t know if other people kissed in this fashion, but if they didn’t, she felt sorry for them. She sighed happily and wrapped her arms around his shoulders, pulling him even closer. She could barely conceive of acting so forward in real life, but this was a dream, so she could do as she pleased. She slid her hands over his back, feeling his muscles through his dressing gown. He felt so warm and solid, and so very, very real— Oh, no. Oh, no, no, no. “Tris!” she cried. “What?” Her lids flew open. In the dim light from the dying fire, his eyes looked wide. “Where am I?” he asked, and she felt foggy, confused. He struggled to rise to an elbow, his gray gaze sweeping the room. “How on earth did I come to be here—” He broke off as he focused on her beside him, then gasped. “Oh, blast it,” he ground out. THIRTY-ONE ALEXANDRA snatched the counterpane up to her chin, but not before Tristan could observe that she wore nothing but a prim white nightgown.

From the 1790s, as a protest against the French Revolution, fashionable women cut their hair short in sympathetic imitation of victims’ hair before they were guillotined.

Clothing for men and women changed markedly, in both styles and fabrics, over Jane Austen’s lifetime. Following the French Revolution grotesquely elaborate fashions gave way to naturalistic styles, imitating the Classical world. Ladies wore simple gowns based on Greek and Roman styles that were copied from the many archaeological finds then being unearthed at places like Pompeii and Herculaneum. Men’s fashions were influenced by more practical military dress, which resulted in sober clothing, more suitable for country life than the extravagance of the urban fashions of the preceding period.

in June 1799 Woodforde wrote: ‘Very cold indeed again to day, so cold that Mrs Custance came walking in her Spenser with a bosom-friend.’ 27 He meant that she had a large handkerchief or scarf at her throat to keep her warm, a fashion that arose because of the low necklines and acquired the name ‘bosom-friend’.

Dozens of shiny brass wall sconces created the sort of dim and atmospheric lighting I'd only ever seen in old movies and haunted houses. And the room wasn't just darkly lit. It was also just... dark. The walls were painted a dark chocolate brown that I vaguely remembered from art history classes had been fashionable in the Victorian era. A pair of tall, dark wooden bookshelves that must have weighed a thousand pounds each stood like silent sentinels on either end of the room. Atop each of them sat an ornate brass, malachite candelabra that would have seemed right at home in a sixteenth-century European cathedral. They clashed in style and in every other imaginable way with the two very modern-looking black leather sofas facing each other in the center of the room and the austere, glass-topped coffee table in the living room's center. The latter had a stack of what looked like Regency romance novels piled high at one end, further adding to the incongruity of the scene. Besides the pale green of the candelabras, the only other color to be found in the living room was in the large, garish, floral Oriental rug covering most of the floor; the bright red, glowing eyes of a deeply creepy stuffed wolf's head hanging over the mantel; and the deep-red velvet drapes hanging on either side of the floor-to-ceiling windows.

His dress was fashionable but had a certain rumpled appearance of one who is distracted rather than careless.

I've never been particularly fond of following the fashion. I'd much rather make a mark.

This hat was worn by Sir Thomas Wimpole on the day his second-cousin-once-removed married the fourteenth duke of Carlisle. It is a fine example of late Regency hatsmanship, fashioned from finest Canadian otter skin with mouse fur trimmings. For goodness’ sake, Murph, why are you still reading that ridiculous hat label?