Hold Your Applause Quotes

I love like a leaf in the wind. Please, hold your applause until the end of the performance (the last day of fall).

Please do not hold your applause. I need validation.

The only thing that burns in hell is the part of you that won't let go of your life: your memories, your attachments. They burn 'em all away. But they're not punishing you,' he said. 'They're freeing your soul. If your frightened of dying, and your holding on, you'll see devils tearing your life away. If you've made your peace then the devils are really angels freeing you from the earth.

If you're going to live here, staying civil is as much a duty as sitting the steps or washing dishes. Now, while I bask in the glow of another moral sermon delivered with the precision of a master fencer, hold your applause and let's get back to last night.

Polite applause punctuated the end of the clockmaker's speech. But Passion continued to stare. Her words came before she thought to hold them back. "Your profile ought to be pressed upon a coin." He bent his blue gaze upon her. "Your body ought to be pressed upon mine.

what is the expression which the age demands? the age demands no expression whatever. we have seen photographs of bereaved asian mothers. we are not interested in the agony of your fumbled organs. there is nothing you can show on your face that can match the horror of this time. do not even try. you will only hold yourself up to the scorn of those who have felt things deeply. we have seen newsreels of humans in the extremities of pain and dislocation. you are playing to people who have experienced a catastrophe. this should make you very quiet. speak the words, convey the data, step aside. everyone knows you are in pain. you cannot tell the audience everything you know about love in every line of love you speak. step aside and they will know what you know because you know it already. you have nothing to teach them. you are not more beautiful than they are. you are not wiser. do not shout at them. do not force a dry entry. that is bad sex. if you show the lines of your genitals, then deliver what you promise. and remember that people do not really want an acrobat in bed. what is our need? to be close to the natural man, to be close to the natural woman. do not pretend that you are a beloved singer with a vast loyal audience which has followed the ups and downs of your life to this very moment. the bombs, flame-throwers, and all the shit have destroyed more than just the trees and villages. they have also destroyed the stage. did you think that your profession would escape the general destruction? there is no more stage. there are no more footlights. you are among the people. then be modest. speak the words, convey the data, step aside. be by yourself. be in your own room. do not put yourself on. do not act out words. never act out words. never try to leave the floor when you talk about flying. never close your eyes and jerk your head to one side when you talk about death. do not fix your burning eyes on me when you speak about love. if you want to impress me when you speak about love put your hand in your pocket or under your dress and play with yourself. if ambition and the hunger for applause have driven you to speak about love you should learn how to do it without disgracing yourself or the material. this is an interior landscape. it is inside. it is private. respect the privacy of the material. these pieces were written in silence. the courage of the play is to speak them. the discipline of the play is not to violate them. let the audience feel your love of privacy even though there is no privacy. be good whores. the poem is not a slogan. it cannot advertise you. it cannot promote your reputation for sensitivity. you are students of discipline. do not act out the words. the words die when you act them out, they wither, and we are left with nothing but your ambition. the poem is nothing but information. it is the constitution of the inner country. if you declaim it and blow it up with noble intentions then you are no better than the politicians whom you despise. you are just someone waving a flag and making the cheapest kind of appeal to a kind of emotional patriotism. think of the words as science, not as art. they are a report. you are speaking before a meeting of the explorers' club of the national geographic society. these people know all the risks of mountain climbing. they honour you by taking this for granted. if you rub their faces in it that is an insult to their hospitality. do not work the audience for gasps ans sighs. if you are worthy of gasps and sighs it will not be from your appreciation of the event but from theirs. it will be in the statistics and not the trembling of the voice or the cutting of the air with your hands. it will be in the data and the quiet organization of your presence. avoid the flourish. do not be afraid to be weak. do not be ashamed to be tired. you look good when you're tired. you look like you could go on forever. now come into my arms. you are the image of my beauty.

So before you pass judgment on this cake, maybe take a look at yourself and what's going on in your own screwed-up life that's given you a warped perspective on an innocent, beautiful, phenomenal in every way----" I lay a hand on Benny's shoulder and when he turns toward me, his mouth falls open in a perfect circle, dark eyebrows wrinkling his forehead under his cap. He is flushed and startled and so, so handsome. It's the first time I've looked at his face since we were on a city sidewalk and I was walking away from him and goodness, I've missed it. "Sounds like a pretty good cake," I manage with a soft smile. "The best," he breathes. I step closer still, just a few inches from him now. "I'm a little sweeter on the baker, to be honest." His eyes close and his chin tips down for just a moment, and he exhales on a laugh before looking at me with so much warmth and intensity. "You have no idea how it is to hear that," he murmurs, and then he's kissing me hard, one hand in my hair and the other wrapping around my waist to pull me to him. I bring my arms up around his shoulders, barely registering the cheers and applause in the packed kitchen before I pull the cap off Benny's head. I hold it up to cover our faces from the camera, as our kiss goes on much longer than I'd ever want my mama to see. When we break apart, Benny whispers, "I love you, Reese. And I'm sorry for not making that totally clear before now. I want to be with you, and support you, and fight for you----" "I love you, Benny." I hadn't said it out loud before, for fear that this would end and I'd be heartbroken. But it appears that will not be the case. And I'm so, so certain that I love him. "Woo!" he shouts, lifting me by the waist and twirling me around. Then, since the camera is still rolling---perhaps a sense of "what do we really have to lose at this point?" on Charlie's part---he yells, "I LOVE REESE CAMDEN! Who wants cake?

Dickinson left the rostrum to applause, loud shouts of approval. Franklin was surprised, looked toward Adams, who returned the look, shook his head. The chamber was dismissed, and Franklin pushed himself slowly up out of the chair. He began to struggle a bit, pain in both knees, the stiffness holding him tightly, felt a hand under his arm. “Allow me, sir.” Adams helped him up, commenting as he did so, “We have a substantial lack of backbone in this room, I’m afraid.” Franklin looked past him, saw Dickinson standing close behind, staring angrily at Adams, reacting to his words. “Mr. Dickinson, a fine speech, sir,” said Franklin. Adams seemed suddenly embarrassed, did not look behind him, nodded quickly to Franklin, moved away toward the entrance. Franklin saw Dickinson following Adams, began to follow himself. My God, let’s not have a duel. He slipped through the crowd of delegates, making polite acknowledgments left and right, still keeping his eye on Dickinson. The man was gone now, following Adams out of the hall. Franklin reached the door, could see them both, heard the taller man call out, saw Adams turn, a look of surprise. Franklin moved closer, heard Adams say, “My apologies for my indiscreet remark, sir. However, I am certain you are aware of my sentiments.” Dickinson seemed to explode in Adams’ face. “What is the reason, Mr. Adams, that you New England men oppose our measures of reconciliation? Why do you hold so tightly to this determined opposition to petitioning the king?” Franklin heard other men gathering behind him, filling the entranceway, Dickinson’s volume drawing them. He could see Adams glancing at them and then saying, “Mr. Dickinson, this is not an appropriate time...” “Mr. Adams, can you not respond? Do you not desire an end to talk of war?” Adams seemed struck by Dickinson’s words, looked at him for a long moment. “Mr. Dickinson, if you believe that all that has fallen upon us is merely talk, I have no response. There is no hope of avoiding a war, sir, because the war has already begun. Your king and his army have seen to that. Please, excuse me, sir.” Adams began to walk away, and Franklin could see Dickinson look back at the growing crowd behind him, saw a strange desperation in the man’s expression, and Dickinson shouted toward Adams, “There is no sin in hope!

He took her near hand in his and raised it to his lips as he had once before. This time, he kissed it lightly, looking at her as he did, his expression unusually solemn. “Aye, sure, we’ll go in,” he said. “Just as soon as you look me in the eyes and tell me you’re doing this willingly and not just because you said you would.” She looked him right in the eye then and said, “You first.” Ian laughed as much at the look of determination on Lina’s face as at the challenge she had flung at him. When she continued to watch him, he sobered. He was still holding her hand, so he gave it a warm squeeze and said, “I’m more willing with every minute that passes, lass. I believe that we will suit each other well.” “This may be the most reckless thing you have done, sir.” “It may be, aye. But you are doing it with me, so I’ll wager that you won’t carp and correct me at every turn as some wives try to do.” “I would not do that in any event,” she said, peering into his face in that way she had that made him feel as if she would see right through him to his core. “I wonder if my opinions matter to you, though. I’m unlikely to change my feelings about many things that you do. Nor will I agree with you in all that you say.” “Then, likely we’ll fratch from time to time,” he said. “Would it help if I were to promise that I’ll always listen?” “It might,” she said doubtfully. “It would help more if you did always listen.” He choked on another bubble of laughter. Forcing himself to speak seriously, he said, “Have you hitherto found me an unwilling listener?” She shook her head, looking at his chest again. “No, sir, not recently.” Cupping her chin with his free hand, he tilted it up and kissed her gently on the lips. “Then, we must leave it there, I think. Your father is calling to us.” Her lips had parted. She stared at him blindly. “Lina?” “We must go in, aye,” she said. Whirling, she stepped through the archway, only to stop in her tracks when the hall erupted in applause and cheering. Rather pleased to know that his kiss had ruffled her more than any teasing had, he followed her.

After that, we don’t talk, instead we get hammered. Shot after shot we down, chasing each one with a Little Debbie snack. Before we know it, we’re hanging on to the bar counter floating around in a sugar and alcohol coma, just the way I like it. “There’s my girl,” Racer shouts as he topples off his stool and onto the floor, laughing hysterically. Georgie stops in her tracks and looks over at Emma, who’s standing next to her, both holding two boxes of Little Debbie snacks each. “Emmmmmmmma,” Tucker drags out, waving his glass in the air. “You brought the snacks.” “Oh, Jesus,” Emma mutters as she approaches us. I point to my mouth and say, “Feed me. Daddy needs sugar.” Racer is beside me, tangled in the pegs of his bar stool, still laughing. “Did you bring Oatmeal Pies, George? Please tell me you have the pies.” “Uh, I think you’ve had enough for tonight,” she says, looking down at her boyfriend. “Never!” Racer struggles to get up and finally knocks the chair over to free himself. “Fucking bitch chair, digging into me with its claws.” Talking to the stool directly he says, “I’m taken, warm someone else’s ass.” “He’s going to propose, chair, leave him alone,” Tucker announces, causing me to cringe. “Dude, don’t say it out loud.” I punch Tucker in the shoulder. “Georgie is right there.” All three of us turn to Georgie, who’s shaking her head in humor. Hopefully. “I’ll take Aaron,” Emma tells Georgie. “Seems like Racer is more of a handful.” “Hell yeah, I am.” Racer stumbles while cupping his crotch. “A giant handful.” Georgie rolls her eyes. “And that’s our cue to leave.” “But we didn’t eat our snacks.” “Seems like you had enough.” Georgie grabs Racer by the hand. “Come on.” As they walk away, Racer asks, “Want to have sex in the car?” “Not even a little.” “Here, you two, you can have your boxes of snacks.” Emma hands Tucker and me both a box of Oatmeal Pies that we clutch to our chests. “You’re the best,” I admit. “She is, isn’t she?” Tucker says. “I love her so fucking hard. Best wife ever.” She pulls on both of our hands to get us moving. “She wins wife of the year award,” I announce. “Best wife goes to Emma. Can we get a round of applause?” Tucker breaks open his Oatmeal Pies and starts spraying them like confetti. “Emma. Emma. Emma.” He chants, getting the three other patrons in the bar to join in. I pump my fist as well, forgetting everything from earlier. I knew I could count on my guys. “Emma. Emma. Emma . . .” And then, everything fades to black. Emotions and feelings are non-existent as I pass out, just the way I like it. Just the way I need it.

Luce closed her eyes,trying to remember exactly what he'd looked like. There were no words for it.It was just an incredible, joyous connection. "I saw him." "Who,Daniel? Yeah,I saw him,too. He was the guy who dropped the ax when it was his turn to do the chopping. Big mistake. Huge." "No,I really saw him. As he truly is." Her voice shook. "He was so beautiful." "Oh,that." Bill tossed his head, annoyed. "I recognized him.I think I've seen him before." "Doubt it." Bill coughed. "That was the first and last time you'll be able to see him like that.You saw him, and then you died.That's what happens when mortal flesh looks upon an angel's unbridled glory. Instant death. Burned away by the angel's beauty." "No,it wasn't like that." "You saw what happened to everyone else. Poof. Gone." Bill plopped down beside her and patted her knee. "Why do you think the Mayans started doing sacrifices by fire after that? A neighboring tribe discovered the charred remains and had to explain it somehow." "Yes,they burst into flames right away. But I lasted longer-" "A couple of extra seconds? When you were turned away? Congratulations." "You're wrong.And I know I've seen that before." "You've seen his wings before, maybe.But Daniel shedding his human guise and showing you his true form as an angel? Kills you every time." "No." Luce shook her head. "You're saying he can never show me who he really is?" Bill shrugged. "Not without vaporizing you and everyone around you.Why do you think Daniel's so cautious about kissing you all the time? His glory shines pretty damn bright when you two get hot and heavy." Luce felt like she could barely hold herself up. "That's why I sometimes die when we kiss?" "How 'bout a round of applause for the girl, folks?" Bill said snarkily. "But what about all those other times, when I die before we kiss, before-" "Before you even have a chance to see how toxic your relationship might become?" "Shut up." "Honestly,how many times do you have to see the same story line before you realize nothing is ever going to change?" "Something has changed," Luce said. "That's why I'm on this journey, that's why I'm still alive. If I could just see him again-all of him-I know I could handle it." "You don't get it." Bill's voice was rising. "You're talking about this whole thing in very mortal times." As he grew more agitated,spit flew from his lips. "This is the big time,and you clearly cannot handle it." "Why are you so angry all of a sudden?" "Because! Because." He paced the ledge, gnashing his teeth. "Listen to me: Daniel slipped up this once, he showed himself,but he never does that again.Never.He learned his lesson. Now you've learned one,too: Mortal flesh cannot gaze upon an angel's true form without dying.

Toilet training by 8 months and Elimination communication. My parents used the so-called “Elimination communication” method. It means that parents use timing, signals and cues to eliminate waste and can do that either from birth or later. In Russia, they start at 2- 3 months by holding the baby in squat or ‘potty’ position above a small basin, a toilet or a waterproof fabric. The position is very comfortable for babies. Parents always say “pees-pees” or “aaa-aaa,” so the baby learns these words very early. Usually, by 7-8 months, when a child can sit firmly, they introduce him to a potty. By that time, the kid really knows what “pees” and “aaa” mean and give signals to parents. One of the most detailed descriptions about EC is written by Ingrid Bauer in her book Diaper Free: The Gentle Wisdom of Natural Infant Hygiene. The secrets of this method are: 1. Learn baby’s cues and schedule. Daniella either freezes or loudly calls before she poops now, when she is 12 months. Before, her signals included pausing in the middle of activity, turning red, a sudden cry, staring or mimicking straining. If she is sleeping, she arches or gathers in her stomach when pees. These are very common signs for babies. Also, it is usual for them to go soon after waking up or eating, and sometimes after walks. 2. Teach baby to know your cues. As mentioned earlier, create some sound signals each time baby goes. It can be anything. Most common are “psss,” “pees,” “aaa,” “fuuu” or whistling. 3. Be persistent and punctual. As soon as you feel, see or hear the signals that baby needs to go, take him, hold him and let him ease himself! 4. Encourage! Make a big deal about correct signals by applauding. Little babies love applause. 5. There will be accidents. Whatever you do, there will be misses. From the child’s viewpoint, your baby will feel much better wearing cotton undies and escaping diaper rash. He will finally be potty trained much earlier.

A little girl, perhaps five years of age and bursting with enthusiasm, broke away from her mother and ran toward me, stopping a couple of feet short, suddenly aware that she was in the midst of strangers. She was holding a purple flower, her dark hair held back by a woven headband, her large blue eyes round with alarm. “It’s all right,” I said to her, believing she intended to give the flower to me. “Don’t be afraid.” She looked at me curiously, then took a tentative step--not toward me, but toward Narian. He watched her draw closer, his expression uncertain, as though he were trying to determine the girl’s motivations. When she stood before him, he knelt down to accept the flower, while the crowd held its collective breath, and I wondered if they thought he would harm her. “You’re brave like my papa,” she said, and the people chuckled. The girl blushed, not used to such attention. A smile flicked across Narian’s face. “And you’re beautiful like the woman I love.” He touched her cheek, and the girl giggled, then ran back to her mother. A sprinkling of applause broke out, which Narian acknowledged with a nod. When I caught his eye, I beamed at him, suddenly envisioning our future. He would be the father of my children someday, and a wonderful father he would be.

Jonathan presented Larry with a product plan that was a manifestation of the gate-based approach at its finest. There were milestones and approvals, priorities, and a two-year plan of what products Google would release and when. It was a masterpiece of textbook thinking. All that remained was for him to receive a rousing round of applause and a pat on the back. Sadly, this was not to be: Larry hated it. “Have you ever seen a scheduled plan that the team beat?” he asked. Um, no. “Have your teams ever delivered better products than what was in the plan?” No again. “Then what’s the point of the plan? It’s holding us back. There must be a better way. Just go talk to the engineers.

the lawn from a grassy field to a twilit garden. As if on cue, Sebastian arrived leading a parade into the clearing, and called everyone to order. “Honored guests,” he shouted, holding his hands out in greeting. “I’m pleased to announce we have record attendance this year. This is in no small part due to the efforts of our friends-of-the-farm coordinator, Benjamin Thorndike, and his new assistant, Jason Adams.” Polite applause accompanied an occasional cheer. One woman at the back called out, “Which ones are they, Sebastian?” The managing director scanned the crowd and pointed. “Over there. Benjamin’s the one on the porch steps with the camera, taking your pictures. And you can’t miss Jason. He’s the tallest here, but just in case, raise your hand, Jason.” Helena watched, bemused, as Jason raised his hand. He seemed embarrassed, but she thought he was enjoying the celebrity. Once Sebastian completed his welcome, the crowd headed for the food and drink, then milled around sipping apple wine and taking in the scene. Two farm members mounted the steps of the great house and began to play music on a penny whistle and violin, a lilting tune from a time when farmers would gather to celebrate the harvest. A few people came over to meet

Come along.” Nick took her arm when they left the box, and with his superior height, navigated her deftly through the crowds. “Where are we going?” Ellen asked, for she did not recognize the path they were traveling. “To meet your fate, my lady,” Nick said, but his eyes were sparkling, and Ellen didn’t realize the significance of his comment until she was being tugged backstage toward a growing buzz of voices. “The green room is this way”—Nick steered her along—“but for you, we will refer to it as the throne room. Ladies and gentlemen…” Nick bellowed as he gently pushed Ellen into a crowded, well-lit room. “Make way for the artist’s muse and for a large fellow bent on reaching that punch bowl.” Applause burst forth, and the crowd parted, leaving Ellen staring across the room at Valentine where he stood, a glass in his hand, still in his formal attire. He’d never looked so handsome to her, or so tired and happy and uncertain. He set the glass down and held out his left hand to her. “My Ellen,” he said, as if introducing her. She tried to make her steps dignified before all these strangers, but then she was walking very quickly, then, hang it, she pelted the rest of the distance right into his arms, holding on to him with every ounce of her strength. She did not leave his side when the duke and duchess were announced or when his various siblings and friends came to congratulate him. She was still right by his side when the duke approached. “Well.” Moreland smiled at his youngest son. “Suppose I was mistaken, then.” “Your Grace?” Ellen heard surprise in Val’s voice, and pleasure. “I kept trying to haze you off in a different direction, afraid the peasants wouldn’t appreciate you for the virtuoso you are.” The duke sipped his drink, gaze roving the crowd until it lit on his wife standing beside Westhaven. “I was worrying for nothing all those years. Of course they’re going to love you—you are my son, after all.” “I am that,” Val said softly, catching his father’s eye. “I always will be.” “I think you’re going to be somebody’s husband too, eh, lad?” The duke winked very boldly at Ellen then sauntered off, having delivered a parting shot worthy of the ducal reputation. “My papa is hell-bent on grandchildren. I hope you are not offended?” Ellen shook her head. “Of course not, but Valentine, we do need to talk.” “We do.” He signaled to Nick, where that worthy fellow stood guarding the punch bowl. Nick nodded imperceptibly in response and called some inane insult over the crowd to Westhaven, who quipped something equally pithy right back to the amusement of all onlookers, while Val and Ellen slipped out the door. By the light of a single tallow candle, he led Ellen to a deserted practice room. He set the candle on the floor before tugging her down beside him on the piano bench. “I can’t marry you,” Ellen said, wanting to make sure the words were said before she lost her resolve. “Hear me out,” Val replied quietly. “I think you’ll change your mind. I hope and pray you’ll change your mind, or all my talent, all my music, all my art means nothing.

The entire theater faded away, as did the whispers, titters, and if she wasn’t much mistaken, applause, as Bram continued kissing her before he drew back, cupped her face with his hands, and smiled. It was a wonderful smile, filled with love, hope, and maybe even, a dash of naughtiness and danger. “That’ll keep everyone talking for a while,” he said with a wink. “I’m sure it will, and . . . now that we’ve gotten ourselves engaged, I, my soon-to-be husband, have a scene to finish.” Bram turned his head and whistled, the whistle resulting in Sweet Pea being led onto the stage, pulling her pony cart. “That’s why I brought a horse.” “Sweet Pea is a mule, but even if she was a horse, there’s not a horse in The Lady of the Tower—which you know since you penned the play.” “True, but I brought Sweet Pea along because of the scene in my new novel, the scene where you cut me down, then hoist me over your horse’s back, and then we go galloping off into the night.” “I’m not sure if a heroine will actually have the strength needed to hoist the hero onto a horse, and . . . again, you brought Sweet Pea and a pony cart, so . . . I’m not exactly certain how I should proceed.” “I tried to bring Storm, but Ernie pointed out that if Storm doesn’t like graveyards he probably wouldn’t like the theater, and that’s when Ernie offered to loan me Sweet Pea, and . . . maybe I should just climb in the cart and you can join me.” With that, Bram took hold of her hand, stepped into the pony cart, pulled her in after him, and pulled her onto his lap as he settled against the seat. Picking up the reins, he gave them a flick, and Sweet Pea was off, prancing as she was wont to do across the stage, down the ramp, and straight out the back door that Mr. Skukman was already holding open for them. As they rode away into the night, with Bram’s arms wrapped tightly around her, Lucetta realized that Abigail had been right all along. Bram

Run to the roar. Set God-sized goals. Pursue God-given passions. Go after a dream that is destined to fail without divine intervention. Stop pointing out problems and become part of the solution. Stop repeating the past and start creating the future. Face your fears. Fight for your dreams. Grab opportunity by the mane and don’t let go! Live like today is the first day and last day of your life. Don’t let what’s wrong with you keep you from worshiping what’s right with God. Don’t let fear dictate your decisions. Burn sinful bridges. Blaze new trails. Live for the applause of nail-scarred hands. Don’t try to be who you’re not. Be yourself. Laugh at yourself. Dare to dream God-sized dreams. Dare to be different. Quit holding out. Quit holding back. Quit running away. Chase the lion.

Maybe part of feeling tired of trying is that on some level, we believe we have to try in order to be loved. When there is no strength left and we feel like a broken mess, we wonder what there could possibly be about us that God would want. We don’t want to live like this, and other people seem to be overwhelmed by the broken record of pain that has become our lives, so we just assume God feels the same way. Our souls can’t help but cry out, “How is this love? How can this be the way God wants my life to be?” Standing with empty hands and nothing but broken pieces of our former selves, we have important questions that need to be answered: Does anyone see me? Am I valuable? Am I worthy? Does anyone really love me, unconditionally? And we’re scared to death that the answer to all those questions is “No!” But we keep asking because we are made to seek answers. We ask our families, our friends, our churches, our leaders, and even social media. We perform for validation—for love—by trying harder, saying the right things, and playing the parts that have always brought the applause and approval our souls crave. But even when the people in our lives try to answer these questions for us, the answers never seem to be enough to make us feel seen, valuable, worthy, and loved. Every attempt slips quickly through our needy souls like sand in a sieve. God is the only one who can answer our questions and give us the validation we seek, but we’re not always on speaking terms with God when we feel like He has hurt our feelings. Even so, that doesn’t keep God from trying to get through to us.

I was on a 747 flight out of Denver with four flight attendants on the plane. One of the flight attendants got off the plane to go check someone’s carry-on bag in the cargo hold, and while she was gone, the door closed and we began to taxi out. While we were giving the demo, we looked out the window of the airplane to see the flight attendant running alongside the plane in the snow, waving and yelling and trying to catch up to us. ‘Did you notice that we’re missing someone?’ I said to the other flight attendant. ‘Yes, but try to keep it low-key—there’s a supervisor on board!’ Well, it’s hard to keep it low-key when someone is running alongside your plane, waving and screaming. The plane stopped and the air stairs went down so she could get on board, and my co-worker said, ‘Tell her to try to be inconspicuous when she gets back on.’ Well, she had to walk the entire length of the plane to get back to her station, and everybody on board broke into applause.

Being able to stand on your own is the mark of a powerful person. Powerful people go out on a limb and have the gumption to stay there. They’re able to hold a necessary position, no matter how anxious or isolated or foolhardy they might feel. They don’t sit around longing for change or asking permission or waiting for their spouse to give them a round of applause. They keep their own light shining—and wouldn’t be caught dead whining about having to go more than halfway.