Reflections On The Guillotine Quotes

l'immense majorité des meurtriers ne savaient pas, en se rasant le matin, qu'ils allaient tuer le soir.

toute société a les criminels qu'elle désire .

La vie de l'homme cesse d'être sacrée lorsque on croit utile de le tuer.

I have always been interested in this man. My father had a set of Tom Paine's books on the shelf at home. I must have opened the covers about the time I was 13. And I can still remember the flash of enlightenment which shone from his pages. It was a revelation, indeed, to encounter his views on political and religious matters, so different from the views of many people around us. Of course I did not understand him very well, but his sincerity and ardor made an impression upon me that nothing has ever served to lessen. I have heard it said that Paine borrowed from Montesquieu and Rousseau. Maybe he had read them both and learned something from each. I do not know. But I doubt that Paine ever borrowed a line from any man... Many a person who could not comprehend Rousseau, and would be puzzled by Montesquieu, could understand Paine as an open book. He wrote with a clarity, a sharpness of outline and exactness of speech that even a schoolboy should be able to grasp. There is nothing false, little that is subtle, and an impressive lack of the negative in Paine. He literally cried to his reader for a comprehending hour, and then filled that hour with such sagacious reasoning as we find surpassed nowhere else in American letters - seldom in any school of writing. Paine would have been the last to look upon himself as a man of letters. Liberty was the dear companion of his heart; truth in all things his object. ...we, perhaps, remember him best for his declaration: 'The world is my country; to do good my religion.' Again we see the spontaneous genius at work in 'The Rights of Man', and that genius busy at his favorite task - liberty. Written hurriedly and in the heat of controversy, 'The Rights of Man' yet compares favorably with classical models, and in some places rises to vaulting heights. Its appearance outmatched events attending Burke's effort in his 'Reflections'. Instantly the English public caught hold of this new contribution. It was more than a defense of liberty; it was a world declaration of what Paine had declared before in the Colonies. His reasoning was so cogent, his command of the subject so broad, that his legion of enemies found it hard to answer him. 'Tom Paine is quite right,' said Pitt, the Prime Minister, 'but if I were to encourage his views we should have a bloody revolution.' Here we see the progressive quality of Paine's genius at its best. 'The Rights of Man' amplified and reasserted what already had been said in 'Common Sense', with now a greater force and the power of a maturing mind. Just when Paine was at the height of his renown, an indictment for treason confronted him. About the same time he was elected a member of the Revolutionary Assembly and escaped to France. So little did he know of the French tongue that addresses to his constituents had to be translated by an interpreter. But he sat in the assembly. Shrinking from the guillotine, he encountered Robespierre's enmity, and presently found himself in prison, facing that dread instrument. But his imprisonment was fertile. Already he had written the first part of 'The Age of Reason' and now turned his time to the latter part. Presently his second escape cheated Robespierre of vengeance, and in the course of events 'The Age of Reason' appeared. Instantly it became a source of contention which still endures. Paine returned to the United States a little broken, and went to live at his home in New Rochelle - a public gift. Many of his old companions in the struggle for liberty avoided him, and he was publicly condemned by the unthinking. {The Philosophy of Paine, June 7, 1925}

beaucoup de ces honnêtes gens sont des criminels qui s’ignorent.

Les lois sanglantes ensanglantent les mœurs .

Quand l'imagination dort, les mots se vident de leur sens.

En tant qu'écrivain, j'ai toujours eu horreur de certaines complaisances ; en tant qu'homme, je crois que les aspects repoussants de notre condition, s'ils sont inévitables, doivent être seulement affrontés en silence. Mais lorsque le silence, ou les ruses du langage, contribuent à Maintenir un abus qui doit être réformé ou un malheur qui peut être soulagé, il n'y a pas d'autre solution que de parler clair et de montrer l'obscénité qui se cache sous le manteau des mots.

She had stepped into the thin strip of earth that they claimed as their own. Bound by the last building on Brewster and a brick wall, they reigned in that unlit alley like dwarfed warrior kings. Born with the appendages of power, circumcised by the guillotine, and baptized with the steam from a million non reflective mirrors, these young men wouldn't be called upon to thrust a bayonet into an Asian farmer, target a torpedo, scatter their iron seed from a B-52 into the wound of the earth, point a finger to move a nation, or stick a pole into the moon--and they knew it. They only had that three-hundred-foot alley to serve them as stateroom, armored tank, and executioner's chamber.

To decide that a man must be definitively punished is to deny him any further opportunity whatsoever to make reparation for his acts... This right to live that coincides with the opportunity for reparation is the natural right of every man, even the worst. The most wretched criminal and the worthiest judge here find themselves side by side, equally miserable and jointly responsible. Without this right, the moral life is strictly impossible. None among us is entitled to despair of a single man, unless it be after his death, which transforms his life into destiny and admits of a final judgment. But to pronounce this final judgment before death, to decree the closing of accounts when the creditor is still alive, is the privilege of no man. On these grounds, at least, he who judges absolutely condemns himself absolutely. ...It is because man is not fundamentally good that no one among us can set himself up as an absolute judge, for no one among us can pretend to absolute innocence. The verdict of capital punishment destroys the only indisputable human community there is, the community in the face of death, and such a judgment can only be legitimated by a truth or a principle that takes its place above all men, beyond the human condition.

I farther assure this noble Duke, that I neither encouraged nor provoked that worthy citizen to seek for plenty, liberty, safety, justice or lenity, in the famine, in the prisons, in the decrees of convention, in the revolutionary tribunal, and in the guillotine of Paris, rather than quietly to take up with what he could find in the glutted markets, the unbarricadoed streets, the drowsy Old Bailey judges, or, at worst, the airy, wholesome pillory of Old England. The choice of country was his own taste. The writings were the effects of his own zeal. In spite of his friend Dr. Priestley, he was a free agent. I admit, indeed, that my praises of the British government loaded with all its encumbrances; clogged with its peers and its beef; its parsons and its pudding; its Commons and its beer; and its dull slavish liberty of going about just as one pleases, had something to provoke a Jockey of Norfolk [Thomas Paine], who was inspired with the resolute ambition of becoming a citizen of France, to do something which might render him worthy of naturalization in that grand asylum of persecuted merit.

To assert in any case that a man must be absolutely cut off from society because he is absolutely evil amounts to saying that society is absolutely good, and no-one in his right mind will believe this today.

If society justifies the death penalty by the necessity of the example, it must justify itself by making the publicity necessary. It must show the executioner's hands each time and force everyone to look at them-the over-delicate citizens and all those who had any responsibility in bringing the execution into being. Otherwise, society admits that it kills without knowing what it is saying or doing. Or else it admits that such revolting ceremonies can only excite crime.

Light shone through a large crack in the wall of the maze ahead of us. A slim, slender silhouette cast a shadow against the passage floors. Der Erlkönig. I did not marvel then that I knew the shape of his body as well as my own reflection. I watched the Goblin King's shadow play his violin, his right arm moving in a smooth, practiced bowing motion. Käthe tried to pull me away, but I did not go with her. I moved closer to the light, and pressed my face to the crack. I had to look, I had to see. I had to watch him play. The Goblin King's back was turned to me. He wore no fancy coat, no embroidered dressing gown. He was simply dressed in trousers and a fine cambric shirt, so fine I could see the play of muscles in his back. He played with precision and with considerable skill. The Goblin King was not Josef; he did not have my brother's clarity of emotion or my brother's transcendence. But the Goblin King had his own voice, full of passion, longing, and reverence, and it was unexpectedly... vibrant. Alive. I could hear the slight fumblings, the stutters and starts in tempo, the accidental jarring note that marked his playing as human, oh so human. This was a man- a young man?- playing a song he liked on the violin. Playing it until it sounded perfect to his imperfect ears. I had stumbled upon something private, something intimate. My cheeks reddened. "Liesl." My sister's voice sliced through the sound of the Goblin King's playing like a guillotine, stopping the music mid-phrase. He glanced over his shoulder, and our eyes met. His mismatched gaze was unguarded, and I felt both ashamed and emboldened. I had seen him unclothed in his bedchamber, but he was even more naked now. Propriety told me I should look away, but I could not, arrested by the sight of his soul bared to me. We stared at each other through the crack in the wall, unable to move. The air between us changed, like a world before a storm: hushed, quiet, waiting, expectant.

In tribunal, Mother held a funeral. Fake condolers spread, A debate they held For here I was, Behind bars, Her heart I took stealthily, And she… Fell for me, Unwillingly. Silence! the judge said to audience: Mother, defense, Reporters, radio agents, The girl's father; the wronged. Plead your case, judge says, to the father, my prosecutor, to guillotine, pushing me closer. "This boy is but a thief, Stealing a heart from my daughter. His poetry starting a war within her, Between his charm and care For her and another, Between his eloquence and fear, And how much closer she went. On love she came to reflect. And his way a choice she sent: Love not the rhyme, but me… repent. Or let poetry be enough, throw away my love. Of quitting poetry, he reported then betrayed her heart and stole it. Now without him she is With her love he lives And caused his madness her death This, your honor is the case. I now demand Justice, And the guillotine." "Silence! Defense." This boy, your honor, A poet and a sweet-talker, Both things, inevitable and meritless. He, I say, shall be sold To the unemployed, And those who of hope are void, Or to radio agents To break him apart And be, for entertainment, sold in a gallery of yearning and joining, specially or renouncement and criticism, alternately, or love unescapable. Money, it shall yield, a compensation to the girl and her lost heart that is now ancient." "Silence! The Mother." "Your honor, If him you must kill, Include me in the will. Let the pond of his blood Water the crops Let its source be my heart and his unpublished poems and the starved bellies and the nibs of birds the branch inhabitants That should be rather the middle Between his memory and the kill Rather fearless Not a hunger filled injustice" The father, "I object, It is all of him I want A compensation for my daughter and her heart" The defense, "Rather to pieces be fractioned, Between the ill, the unemployed and the runaway; Divided." A humming noise, In his honor's chest, In my rhymes, Rather… in the entire court. "Silence!", he said. He a man who is free His heart telling him to revolt The only power he's got Is but a plea to God To be by the revolution killed not And by karma hit not. What I now see fit, Is for him to be executed, by what to his nature is opposite. Deny him the pen And the flag Tell him every detail of the girl and her lost heart No way to reach her will be allowed he This is my decree Allowed not his poetry Is but death to the free To be by his words suffocated To love stealthily "All Rise!" "Case dismissed." Oh, la la la Oh, la la la