Refined Girl Quotes

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My dear fellow, the truth isn’t quite the sort of thing one tells to a nice, sweet, refined girl. What extraordinary ideas you have about the way to behave to a woman!
Oscar Wilde (The Importance of Being Earnest)
Wine is the refined jewel that only a grown woman will prefer to the sparkling trinkets adored by little girls.
Muriel Barbery (Gourmet Rhapsody)
It was as if whatever demon possessed them, whatever force kept their corpses from the grave, had refined them in the blaze of its power, burning away their humanity to reveal something finer.
Holly Black (The Coldest Girl in Coldtown)
I love tulips better than any other spring flower; they are the embodiment of alert cheerfulness and tidy grace, and next to a hyacinth look like a wholesome, freshly tubbed young girl beside a stout lady whose every movement weighs down the air with patchouli. Their faint, delicate scent is refinement itself; and is there anything in the world more charming than the sprightly way they hold up their little faces to the sun. I have heard them called bold and flaunting, but to me they seem modest grace itself, only always on the alert to enjoy life as much as they can and not be afraid of looking the sun or anything else above them in the face.
Elizabeth von Arnim (Elizabeth and Her German Garden (Elizabeth))
Hard times are purposeful, meant to refine and redirect us. They're not arbitrary or random, and they're definitely not cruel.
Liz Curtis Higgs (The Girl's Still Got It: Take a Walk with Ruth and the God Who Rocked Her World)
It was a morning for Ella Fitzgerald. There are fine things in the world, after all. Dignity, refinement, warmth and humour, where you'd never expect to find them. Even as an old woman, an amputee in a wheelchair, Ella sang like a girl who could still be at high school, falling in love for the first time".
David Mitchell (Ghostwritten)
Jack.  [In a very patronising manner.]  My dear fellow, the truth isn’t quite the sort of thing one tells to a nice, sweet, refined girl.  What extraordinary ideas you have about the way to behave to a woman!
Oscar Wilde (The Importance of Being Earnest)
And so these refined parents rejected their five-year-old girl to all kinds of torture. They beat her, kicked her, flogged her, for no reason that they themselves knew of. The child’s whole body was covered in bruises. Eventually they devised a new refinement. Under the pretext that the child dirtied her bed (as though a five-year-old deep in her angelic sleep could be punished for that), they forced her to eat excrement, smearing it all over her face. And it was the mother that did it! And that woman would lock her daughter up in the outhouse until morning and she did so even on the coldest nights, when it was freezing. Just imagine the woman being able to sleep with the child’s cries coming from that outhouse! Imagine that little creature, unable to even understand what is happening to her, beating her sore little chest with her tiny fist, weeping hot, unresentful, meek tears, and begging ‘gentle Jesus’ to help her… ...let’s assume that you were called upon to build the edifice of human destiny so that men would finally be happy and would find peace and tranquility. If you knew that, only to attain this, you would have to torture just one single creature, let’s say the little girl who beat her chest so desperately in the outhouse, and that on her unavenged tears you could build that edifice, would you agree to do it?
Fyodor Dostoevsky (The Brothers Karamazov)
I don’t know,” [my father] said, after clearing his throat. “But I know that he loves you.” . . . Twenty years later, I’m convinced it is the most important thing my father ever told me. . . . I used to think that the measure of true faith is certainty. Doubt, ambiguity, nuance, uncertainty — these represented a lack of conviction, a dangerous weakness in the armor of the Christian soldier who should “always be ready with an answer.” . . . Doubt is a difficult animal to master because it requires that we learn the difference between doubting God and doubting what we believe about God. The former has the potential to destroy faith; the latter has the power to enrich and refine it.
Rachel Held Evans (Evolving in Monkey Town: How a Girl Who Knew All the Answers Learned to Ask the Questions)
The literary establishment continues to privilege work that’s just a touch removed, “refined” they would call it. Writers who tone down their anguish, their rage, their nontraditional, “deviant” choices are perceived as more skilled, more worthy of critical acclaim. This often has a lot to do with racism and sexism, and the stories we are “allowed” to tell as people of color.
Glory Edim (Well-Read Black Girl: Finding Our Stories, Discovering Ourselves)
Still, the better she could draw, the worse her life got--until nothing in her real world was good enough. It got until she didn't belong anywhere. It got so nobody was good enough, refined enough, real enough. Not the boys in high school. Not the other girls. Nothing was real as her imagined world.
Chuck Palahniuk (Diary)
People are always thinking they can use the Lord to get their own way-- all they have to do is pray and God's gonna take away all their suffering and give them what they whatever they ask for. But it don't work that way. God's doing His business, and it's up to us to be serving Him, not the other way around." Then why do people pray at all? My papa asked Jesus to help him escape with me when I was just a little girl. But Jesus didn't help us." Praying ain't about asking for your own way. It's all about talking things over with God, just like you and me are talking things over. In the end, you have to be trusting the Lord to do what's best." So the Lord thought it was best that my papa died and my mama was sold?" Delia slowly shook her head. "I don't know, honey, I just don't know. The hardest thing of all to understand is why a loving God keeps letting us suffer... I don't know all the answers myself. I seen my share of suffering, believe me. But there two things I do know for sure. One is that God loves us... And the second thing is that God's always in control of everything that happens. When bad things come our way and it starts looking like He don't love us, all I can say is that maybe we ain't knowing everything He knows." Kitty's tears started falling again. "I still don't understand." Remember what you told me about the fighting up in Charleston? How you was standing on that porch, not able to see what's going on? This here's the same thing. We're standing in the smoke, hearing the noise [of the battle] all around us, and we don't know what God's doing because we can't see things clearly as He sees them. But He's gonna make everything turn our okay when the smoke clears. When it does, God's gonna be the winner and all our suffering here on earth is gonna finall make sense. We're gonna look in Jesus' face and say, 'O Lord, it was worth it all.
Lynn Austin (A Light to My Path (Refiner's Fire, #3))
most common people oft he market-place much prefer light literature to improving books. The problem is, that so many romances contain slanderous anecdotes about sovereigns and ministers or cast aspersions upon man’s wives and daughters so that they are packed with sex and violence. Even worse are those writers of the breeze-and-moonlight school, who corrupt the young with pornography and filth. As for books of the beauty-and-talented-scholar type, a thousand are written to a single pattern and none escapes bordering on indecency. They are filled with allusions to handsome, talented young men and beautiful, refined girls in history; but in order to insert a couple of his own love poems, the author invents stereotyped heroes and heroines with the inevitable low character to make trouble between them like a clown in a play, and makes even the slave girls talk pedantic nonsense. So all these novels are full of contradictions and absurdly unnatural.
Cao Xueqin (The Story of the Stone, or The Dream of the Red Chamber, Vol. 1: The Golden Days)
Every young woman should dress well, that is, neatly, tastefully, modestly, whether she be rich or poor. Conspicuous dressing is vulgar. True refinement avoids anything showy and flashy: it never dresses better than it can afford, and yet it is always well dressed, even in simple muslin or plain calico. Another
J.R. Miller (Girls: Faults and Ideals A Familiar Talk, with Quotations from Letters)
...those who produce works of genius are not those who spend their days in the most refined company...or whose culture is the broadest; they are those who have the ability to stop living for themselves and make a mirror of their personality, so that their lives, however nondescript they may be, are reflected in it.
Marcel Proust (In the Shadow of Young Girls in Flower)
The Give and Take Athletic Association lived up to its name. The hall of the association in Orchard street was fitted out with muscle- making inventions. With the fibres thus builded up the members were wont to engage the police and rival social and athletic organisations in joyous combat. Between these more serious occupations the Saturday night hop with the paper-box factory girls came as a refining influence and as an efficient screen.
O. Henry (The Complete Works of O. Henry)
Love's empire is this globe and all mankind; the most refined and the most degraded, the cleverest and the most stupid, are all liable to become his faithful subjects. He can alike command the devotion of an archbishop and a South-Sea Islander, of the most immaculate maiden lady (whatever her age) and of the savage Zulu girl. From the pole to the equator, and from the equator to the further pole, there is no monarch like Love.
H. Rider Haggard (Dawn)
It had been in a Paris house, with many people around, and my dear friend Jules Darboux, wishing to do me a refined aesthetic favor, had touched my sleeve and said, "I want you to meet-" and led me to Nina, who sat in the corner of a couch, her body folded Z-wise, with an ashtray at her heel, and she took a long turquoise cigarette holder from her lips and joyfully, slowly exclaimed, "Well, of all people-" and then all evening my heart felt like breaking, as I passed from group to group with a sticky glass in my fist, now and then looking at her from a distance (she did not look...), and listening to scraps of conversation, and overheard one man saying to another, "Funny, how they all smell alike, burnt leaf through whatever perfume they use, those angular dark-haired girls," and as it often happens, a trivial remark related to some unknown topic coiled and clung to one's own intimate recollection, a parasite of its sadness.
Vladimir Nabokov (The Portable Nabokov)
Maybe he used to like me, but I doubt he does anymore, now that I’ve insulted his bird fetish.” Peter smiled.   “He’s not going to stop liking you over one little argument.   I don’t think he’s the type to just fall for someone and then hate them the next day.   We don’t live in that kind of world anymore, anyway.” “What do you mean?”   “Well, when there were thousands of possible mates to choose from, it was like being a huge candy store with a billion types of sugary things to choose from.   You could sample one of everything and not worry about whether you’d like it much or whatever, because there was always another jar of candy nearby.   But now, there’s no candy store.   There’s a single jawbreaker that you found in the gutter.   And there are no more jawbreaker factories.   No more candy stores.   No more refined sugar.   That one jawbreaker you found could be the only one you’ll ever have again.   You aren’t going to just eat it and say goodbye.” His analogy wasn’t perfect but I saw where he was going with it.   “So I’m like a jawbreaker.   A dirty one you find in the gutter.” “Yeah.   And he likes that candy.   It’s his favorite.   So he doesn’t care that it has smelly feet.” I scowled at him.   “How do you know he likes jawbreakers so much?” “I just know.   I can tell a good match when I see one.   He needs someone spunky and tough, someone different than other girls.   That’s you.” I smiled, liking how Peter had described me.   “But what if he just decides to eat it real quick and then move on?   I mean, there are other jawbreakers out there.   They’re just more rare.” “That’s not how he is.   He’s methodical.   A thinking person.   He’s not rash. And he knows his odds of finding a jawbreaker of this flavor?   Are pretty slim.” “I’ve seen him do some stupid, rash things … like going after the candy at the Cracker Barrel.” “That was all a very carefully-crafted way of making sure he had a good grip on his jawbreaker.   He wants to keep the candy happy.   Keep it sweet.” I rolled my eyes.   “Ugh.   Your analogy is making me want to eye gouge you right now.
Elle Casey (Kahayatle (Apocalypsis, #1))
that’s the great part of Girl Logic: it’s nudges is to push yourselves, question what we want, and refine our own ideas about what will make us happier, better people
Iliza Shlesinger (Girl Logic: The Genius and the Absurdity)
Anticipating this loss had a way of refining memory, filing it down to the purest, rawest form of itself. My clouded perceptions grew clearer. And someday soon I'd have to confront that. But not yet.
Wendy Paine Miller (The Flower Girls)
Baby girl, this is your mother. I know I’ve given you explicit instructions to trace this into your yearbook, but they’re my words. That means this is from me, my heart, and my love for you. There’s so many things I want to say to you, things I want you to hear, to know, but let’s start with the reason I’m having you put these words in your senior yearbook. First of all, this book is everything. It may be pictures, some names of people you won’t remember in five years, ten years, or longer, but this book is more important than you can imagine. It’s the first book that’s the culmination of your first chapter in life. You will have many. So many! But this book is the physical manifestation of your first part in life. Keep it. Treasure it. Whether you enjoyed school or not, it’s done. It’s in your past. These were the times you were a part of society from a child to who you are now, a young adult woman. When you leave for college, you’re continuing your education, but you’re moving onto your next chapter in life. The beginning of adulthood. This yearbook is your bridge. Keep this as a memento forever. It sums up who you grew up with. It houses images of the buildings where your mind first began to learn things, where you first began to dream, to set goals, to yearn for the road ahead. It’s so bittersweet, but those memories were your foundation to set you up for who you will become in the future. Whether they brought pain or happiness, it’s important not to forget. From here, you will go on and you will learn the growing pains of becoming an adult. You will refine your dreams. You will set new limits. Change your mind. You will hurt. You will laugh. You will cry, but the most important is that you will grow. Always, always grow, honey. Challenge yourself. Put yourself in uncomfortable situations (BUT BE SAFE!) and push yourself not to think about yourself, your friends, your family, but to think about the world. Think about others. Understand others, and if you can’t understand, then learn more about them. It’s so very important. Once you have the key to understanding why someone else hurts or dreams or survives, then you have ultimate knowledge. You have empathy. Oh, honey. As I’m writing this, I can see you on the couch reading a book. You are so very beautiful, but you are so very humble. You don’t see your beauty, and I want you to see your beauty. Not just physical, but your inner kindness and soul. It’s blinding to me. That’s how truly stunning you are. Never let anyone dim your light. Here are some words I want you to know as you go through the rest of your life: Live. Learn. Love. Laugh. And, honey, know. Just know that I am with you always.
Tijan (Enemies)
With the best of intentions, the generation before mine worked diligently to prepare their children to make an intelligent case for Christianity. We were constantly reminded of the superiority of our own worldview and the shortcomings of all others. We learned that as Christians, we alone had access to absolute truth and could win any argument. The appropriate Bible verses were picked out for us, the opposing positions summarized for us, and the best responses articulated for us, so that we wouldn’t have to struggle through two thousand years of theological deliberations and debates but could get right to the bottom line on the important stuff: the deity of Christ, the nature of the Trinity, the role and interpretation of Scripture, and the fundamentals of Christianity. As a result, many of us entered the world with both an unparalleled level of conviction and a crippling lack of curiosity. So ready with the answers, we didn’t know what the questions were anymore. So prepared to defend the faith, we missed the thrill of discovering it for ourselves. So convinced we had God right, it never occurred to us that we might be wrong. In short, we never learned to doubt. Doubt is a difficult animal to master because it requires that we learn the difference between doubting God and doubting what we believe about God. The former has the potential to destroy faith; the latter has the power to enrich and refine it. The former is a vice; the latter a virtue. Where would we be if the apostle Peter had not doubted the necessity of food laws, or if Martin Luther had not doubted the notion that salvation can be purchased? What if Galileo had simply accepted church-instituted cosmology paradigms, or William Wilberforce the condition of slavery? We do an injustice to the intricacies and shadings of Christian history when we gloss over the struggles, when we read Paul’s epistles or Saint Augustine’s Confessions without acknowledging the difficult questions that these believers asked and the agony with which they often asked them. If I’ve learned anything over the past five years, it’s that doubt is the mechanism by which faith evolves. It helps us cast off false fundamentals so that we can recover what has been lost or embrace what is new. It is a refining fire, a hot flame that keeps our faith alive and moving and bubbling about, where certainty would only freeze it on the spot. I would argue that healthy doubt (questioning one’s beliefs) is perhaps the best defense against unhealthy doubt (questioning God). When we know how to make a distinction between our ideas about God and God himself, our faith remains safe when one of those ideas is seriously challenged. When we recognize that our theology is not the moon but rather a finger pointing at the moon, we enjoy the freedom of questioning it from time to time. We can say, as Tennyson said, Our little systems have their day; They have their day and cease to be; They are but broken lights of thee, And thou, O Lord, art more than they.15 I sometimes wonder if I might have spent fewer nights in angry, resentful prayer if only I’d known that my little systems — my theology, my presuppositions, my beliefs, even my fundamentals — were but broken lights of a holy, transcendent God. I wish I had known to question them, not him. What my generation is learning the hard way is that faith is not about defending conquered ground but about discovering new territory. Faith isn’t about being right, or settling down, or refusing to change. Faith is a journey, and every generation contributes its own sketches to the map. I’ve got miles and miles to go on this journey, but I think I can see Jesus up ahead.
Rachel Held Evans (Faith Unraveled: How a Girl Who Knew All the Answers Learned to Ask Questions)
You’re playing with fire, little girl,” he says quietly. “I’m not one of your toys, and I’m not interested in what you’re offering.” “I’m not offering anything.” I retort, even though his words sting. “I like my men more…refined.” His grin calls my bluff. “You sure about that?
Lauren Layne (Good Girl (Love Unexpectedly, #2))
Reading is a sage way to bump up against life. Reading may be an escape, but it is not an escape from my own life and problems.  It is an escape from the narrow boundaries of being only me. Reading in some wonderful ways helps me find out who I am. When she was a young girl Patricia MacLachlan's mother encouraged her to "read a book and find out who you are." And it is true that in some ways reading defines me as it refines me. Reading enlarges my vision of the world; it helps me understand someone who is different from me. It makes me bigger on the inside. We tend to see the world from our own perspective; it is good to see it from the eyes of others. Good literature helps me understand who I am in relation to what others experience. Far from being an escape from reality, good literature is a window into reality. I read to feel life.
Gladys M. Hunt (Honey for a Woman's Heart: Growing Your World through Reading Great Books)
Doubt is a difficult animal to master because it requires that we learn the difference between doubting God and doubting what we believe about God. The former has the potential to destroy faith; the latter has the power to enrich and refine it. The former is a vice; the latter a virtue.
Rachel Held Evans (Evolving in Monkey Town: How a Girl Who Knew All the Answers Learned to Ask the Questions)
Kyo: ...I can't help it. I'm...not made for interacting with people. Shigure: People aren't born social. Sure it comes easier to some people...but most people, like you, need to work at it. Some more than others. You're just inexperienced. For example, as a martial artist, you have the strength to break the table with your first. But you also have the self-control to stop your fist right before it hits the table. You weren't born with that control, were you? You had to refine it. That's the result of fighting bears in the mountains. Kyo: I DIDN'T FIGHT BEARS! Shigure: You're missing my point. It's the same as interacting with people. But training for that isn't in the mountains--it has to be in town where people live. Mingling with people, hurting them, getting hurt by them...that's how you learn about others...and about yourself. If you don't, you'll never be able to care about anyone but yourself. You may be a black belt fighter, but you're still a white belt in dealing with people. For the sake of the girl who will one day tell you she loves you...don't run away, keep training. Kyo: As if someone would ever tell me that. Shigure: And if someone did, what would you do? Kyo: I can't even imagine. I guess...I'd ask her if she was sane.
Natsuki Takaya
Act normal, the Russo girl had said. And so Eli tried again. Started fresh. It wasn’t a perfect imitation, not by far. But it was an improvement. The children at this new house still called him names, but the names had changed. Timid, quiet, weirdo had been replaced by strange, curious, intense. Soon came another family, and another chance. Another opportunity to reinvent, to modify, to adjust aspects of that act. Eli tested his theater on the families as if they were an audience, and used their feedback, the immediate, constant feedback, to tweak his performance. Slowly strange, curious, intense had been refined, honed into charming, focused, clever.
Victoria E. Schwab (Vengeful (Villains, #2))
Her father's old books were all she could command, and these she wore out with much reading. Inheriting his refined tastes, she found nothing to attract her in the society of the commonplace and often coarse people about her. She tried to like the buxom girls whose one ambition was to "get married," and whose only subjects of conversation were "smart bonnets" and "nice dresses." She tried to believe that the admiration and regard of the bluff young farmers was worth striving for; but when one well-to-do neighbor laid his acres at her feet, she found it impossible to accept for her life's companion a man whose soul was wrapped up in prize cattle and big turnips.
Louisa May Alcott (Work: A Story of Experience)
You know it really doesn’t matter about clothes if we look clean and neat and behave well. I think we’ve been placing too high a value on looks anyway. Of course looks do count a little, but they are, after all, only a trifle beside real worth. And, if we can’t impress that girl with our refinement by our actions, why, we can put on all the clothes in the universe, and we won’t be able to do it any better.
Grace Livingston Hill (Re-Creations)
But I've still better things about children. I've collected a great, great deal about Russian children, Alyosha. There was a little girl of five who was hated by her father and mother, 'most worthy and respectable people, of good education and breeding.' You see, I must repeat again, it is a peculiar characteristic of many people, this love of torturing children, and children only. To all other types of humanity these torturers behave mildly and benevolently, like cultivated and humane Europeans; but they are very fond of tormenting children, even fond of children themselves in that sense. it's just their defencelessness that tempts the tormentor, just the angelic confidence of the child who has no refuge and no appeal, that sets his vile blood on fire. In every man, of course, a demon lies hidden- the demon of rage, the demon of lustful heat at the screams of the tortured victim, the demon of lawlessness let off the chain, the demon of diseases that follow on vice, gout, kidney disease, and so on. "This poor child of five was subjected to every possible torture by those cultivated parents. They beat her, thrashed her, kicked her for no reason till her body was one bruise. Then, they went to greater refinements of cruelty- shut her up all night in the cold and frost in a privy, and because she didn't ask to be taken up at night (as though a child of five sleeping its angelic, sound sleep could be trained to wake and ask), they smeared her face and filled her mouth with excrement, and it was her mother, her mother did this. And that mother could sleep, hearing the poor child's groans! Can you understand why a little creature, who can't even understand what's done to her, should beat her little aching heart with her tiny fist in the dark and the cold, and weep her meek unresentful tears to dear, kind God to protect her? Do you understand that, friend and brother, you pious and humble novice? Do you understand why this infamy must be and is permitted? Without it, I am told, man could not have existed on earth, for he could not have known good and evil. Why should he know that diabolical good and evil when it costs so much? Why, the whole world of knowledge is not worth that child's prayer to dear, kind God'! I say nothing of the sufferings of grown-up people, they have eaten the apple, damn them, and the devil take them all! But these little ones! I am making you suffer, Alyosha, you are not yourself. I'll leave off if you like
Fyodor Dostoevsky (The Brothers Karamazov)
She stared at him, at his face. Simply stared as the scales fell from her eyes. "Oh, my God," she whispered, the exclamation so quiet not even he would hear. She suddenly saw-saw it all-all that she'd simply taken for granted. Men like him protected those they loved, selflessly, unswervingly, even unto death. The realization rocked her. Pieces of the jigsaw of her understanding of him fell into place. He was hanging to consciousness by a thread. She had to be sure-and his shields, his defenses were at their weakest now. Looking down at her hands, pressed over the nearly saturated pad, she hunted for the words, the right tone. Softly said, "My death, even my serious injury, would have freed you from any obligation to marry me. Society would have accepted that outcome, too." He shifted, clearly in pain. She sucked in a breath-feeling his pain as her own-then he clamped the long fingers of his right hand about her wrist, held tight. So tight she felt he was using her as an anchor to consciousness, to the world. His tone, when he spoke, was harsh. "Oh, yes-after I'd expended so much effort keeping you safe all these years, safe even from me, I was suddenly going to stand by and let you be gored by some mangy bull." He snorted, soft, low. Weakly. He drew in a slow, shallow breath, lips thin with pain, but determined, went on, "You think I'd let you get injured when finally after all these long years I at last understand that the reason you've always made me itch is because you are the only woman I actually want to marry? And you think I would stand back and let you be harmed?" A peevish frown crossed his face. "I ask you, is that likely? Is it even vaguely rational?" He went on, his words increasingly slurred, his tongue tripping over some, his voice fading. She listened, strained to catch every word as he slid into semi delirium, into rambling, disjointed sentences that she drank in, held to her heart. He gave her dreams back to her, reshaped and refined. "Not French Imperial-good, sound, English oak. You can use whatever colors you like, but no gilt-I forbid it." Eventually he ventured further than she had. "And I want at least three children-not just an heir and a spare. At least three-if you're agreeable. We'll have to have two boys, of course-my evil ugly sisters will found us to make good on that. But thereafter...as many girls as you like...as long as they look like you. Or perhaps Cordelia-she's the handsomer of the two uglies." He loved his sisters, his evil ugly sisters. Heather listened with tears in her eyes as his mind drifted and his voice gradually faded, weakened. She'd finally got her declaration, not in anything like the words she'd expected, but in a stronger, impossible-to-doubt exposition. He'd been her protector, unswerving, unflinching, always there; from a man like him, focused on a lady like her, such actions were tantamount to a declaration from the rooftops. The love she'd wanted him to admit to had been there all along, demonstrated daily right before her eyes, but she hadn't seen. Hadn't seen because she'd been focusing elsewhere, and because, conditioned as she was to resisting the same style of possessive protectiveness from her brothers, from her cousins, she hadn't appreciated his, hadn't realized that that quality had to be an expression of his feelings for her. Until now. Until now that he'd all but given his life for hers. He loved her-he'd always loved her. She saw that now, looking back down the years. He'd loved her from the time she'd fallen in love with him-the instant they'd laid eyes on each other at Michael and Caro's wedding in Hampshire four years ago. He'd held aloof, held away-held her at bay, too-believing, wrongly, that he wasn't an appropriate husband for her. In that, he'd been wrong, too. She saw it all. And as the tears overflowed and tracked down her cheeks, she knew to her soul how right he was for her. Knew, embraced, and rejoiced.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
Everything going into performance can be quantified, measured, made visible. The mystique of innate inability has been penetrated and the truth revealed: high performance for women is eminently achievable. The more unbiased the instruments used to understand and assess performance, the clearer it became. Studies show gender to be be barely relevant as a predictor, or limiter of athletic performance. What really counts are acquired skills, trained muscles and movement efficiency that comes from refined technique.
Colette Dowling (The Frailty Myth: Redefining the Physical Potential of Women and Girls)
My Dear Mrs Winter. (I had half a mind when I dipped my pen in the ink, to address you by your old natural Christian name.) The snow lies so deep on the Northern Railway, and the Posts have been so interrupted in consequence, that your charming note arrived here only this morning... I get the heartache again when I read your commission, written in the hand which I find now to be not in the least changed, and yet it is a great pleasure to be entrusted with it, and to have that share in your gentler remembrances which I cannot find it still my privilege to have, without a stirring of the old fancies. ... I am very very sorry you mistrusted me in not writing before your little girl was born; but I hope now you know me better you will teach her, one day, to tell her children, in times to come when they have some interest in wondering about it, that I loved her mother with the most extraordinary earnestness when I was a boy. I have always believed since, and always shall to the last, that there never was such a faithful and devoted poor fellow as I was. Whatever of fancy, romance, energy, passion, aspiration and determination belong to me, I never have separated and never shall separate from the hard hearted little woman - you - whom it is nothing to say I would have died for, with the greatest alacrity! I never can think, and I never seem to observe, that other young people are in such desperate earnest, or set so much, so long, upon one absorbing hope. It is a matter of perfect certainty to me that I began to fight my way out of poverty and obscurity, with one perpetual idea of you. This is so fixed in my knowledge that to the hour when I opened your letter last Friday night, I have never heard anybody addressed by your name or spoken of by your name, without a start. The sound of it has always filled me with a kind of pity and respect for the deep truth that I had, in my silly hobbledehoyhood, to bestow upon one creature who represented the whole world to me. I have never been so good a man since, as I was when you made me wretchedly happy. I shall never be half so good a fellow any more. This is all so strange now, both to think of, and to say, after every change that has come about; but I think, when you ask me to write to you, you are not unprepared for what it is so natural to me to recall, and will not be displeased to read it. I fancy, - though you may not have thought in the old time how manfully I loved you - that you may have seen in one of my books a faithful reflection of the passion I had for you, and may have thought that it was something to have been loved so well, and may have seen in little bits of "Dora" touches of your old self sometimes, and a grace here and there that may be revived in your little girls, years hence, for the bewilderment of some other young lover - though he will never be as terribly in earnest as I and David Copperfield were. People used to say to me how pretty all that was, and how fanciful it was, and how elevated it was above the little foolish loves of very young men and women. But they little thought what reason I had to know it was true and nothing more nor less. These are things that I have locked up in my own breast, and that I never thought to bring out any more. But when I find myself writing to you again "all to your self", how can I forbear to let as much light in upon them as will shew you that they are there still! If the most innocent, the most ardent, and the most disinterested days of my life had you for their Sun - as indeed they had - and if I know that the Dream I lived in did me good, refined my heart, and made me patient and persevering, and if the Dream were all of you - as God knows it was - how can I receive a confidence from you, and return it, and make a feint of blotting all this out! ...
Charles Dickens
It is only people incapable of dissecting what at first sight appears indivisible in their perception who believe that one’s position is an integral part of one’s person. One and the same man, taken at successive points in his life, will be found to breathe, on different rungs of the social ladder, in atmospheres that do not of necessity become more and more refined; whenever, in any period of our existence, we form or re-form associations with a certain circle, and feel cherished and at ease in it, we begin quite naturally to cling to it by putting down human roots.
Marcel Proust (In the Shadow of Young Girls in Flower)
Oh, we solved that long ago!” Rubedo chuckled. “I believe that was Greengallows, Henrik Greengallows? Is that right, my love? Ancient history has never been my subject. A famous case study even reported a method for turning straw into gold! The young lady who discovered it wrote a really rather thin paper—but she toured the lecture circuit for years! Her firstborn refined it, so that she could make straw from gold and solve the terrible problem of housing for destitute brownies.” “Hedwig Greengallows, my dear,” mused Citrinitas. “Henrik was just her mercurer. Men are so awfully fond of attributing women’s work to their brothers!
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
Young sisters, be modest. Modesty in dress and language and deportment is a true mark of refinement and a hallmark of a virtuous Latter-day Saint woman. Shun the low and the vulgar and the suggestive. . . . Don’t see R-rated movies or vulgar videos or participate in any entertainment that is immoral, suggestive, or pornographic. And don’t accept dates from young men who would take you to such entertainment. . . . Also, don’t listen to music that is degrading. . . . Instead, we encourage you to listen to uplifting music, both popular and classical, that builds the spirit. Learn some favorite hymns from our new hymnbook that build faith and spirituality. Attend dances where the music and the lighting and the dance movements are conducive to the Spirit. Watch those shows and entertainment that lift the spirit and promote clean thoughts and actions. Read books and magazines that do the same. Remember, young women, the importance of proper dating. President Kimball gave some wise counsel on this subject: “Clearly, right marriage begins with right dating. . . . Therefore, this warning comes with great emphasis. Do not take the chance of dating nonmembers, or members who are untrained and faithless. A girl may say, ‘Oh, I do not intend to marry this person. It is just a “fun” date.’ But one cannot afford to take a chance on falling in love with someone who may never accept the gospel” (The Miracle of Forgiveness, pp. 241–42). Our Heavenly Father wants you to date young men who are faithful members of the Church, who will be worthy to take you to the temple and be married the Lord’s way. There will be a new spirit in Zion when the young women will say to their boyfriends, “If you cannot get a temple recommend, then I am not about to tie my life to you, even for mortality!” And the young returned missionary will say to his girlfriend, “I am sorry, but as much as I love you, I will not marry out of the holy temple.
Ezra Taft Benson
Because this tea kaiseki would be served so soon after breakfast, it would be considerably smaller than a traditional one. As a result, Stephen had decided to serve each mini tea kaiseki in a round stacking bento box, which looked like two miso soup bowls whose rims had been glued together. After lifting off the top dome-shaped cover the women would behold a little round tray sporting a tangle of raw squid strips and blanched scallions bound in a tahini-miso sauce pepped up with mustard. Underneath this seafood "salad" they would find a slightly deeper "tray" packed with pearly white rice garnished with a pink salted cherry blossom. Finally, under the rice would be their soup bowl containing the wanmori, the apex of the tea kaiseki. Inside the dashi base we had placed a large ball of fu (wheat gluten) shaped and colored to resemble a peach. Spongy and soft, it had a savory center of ground duck and sweet lily bulb. A cluster of fresh spinach leaves, to symbolize the budding of spring, accented the "peach," along with a shiitake mushroom cap simmered in mirin, sake, and soy. When the women had finished their meals, we served them tiny pink azuki bean paste sweets. David whipped them a bowl of thick green tea. For the dry sweets eaten before his thin tea, we served them flower-shaped refined sugar candies tinted pink. After all the women had left, Stephen, his helper, Mark, and I sat down to enjoy our own "Girl's Day" meal. And even though I was sitting in the corner of Stephen's dish-strewn kitchen in my T-shirt and rumpled khakis, that soft peach dumpling really did taste feminine and delicate.
Victoria Abbott Riccardi (Untangling My Chopsticks: A Culinary Sojourn in Kyoto)
Or maybe just apologize, Barrons, for being too young to have my priorities refined, like you, because I haven’t suffered whatever the hell it is you suffered, and then shove you up against a wall and kiss you until you can’t breathe, do what I wanted to do the first day I saw you there in your bloody damned bookstore. Disturb you like you disturbed me, make you see me, make you want me--pink me!—shatter your self-control, bring you crashing to your knees in front of me, even though I told myself I’d never want a man like you, that you were too old, too carnal, more animal than man, with one foot in the swamp and no desire to come all the way out, when the truth was that I was terrified by what you made me feel. It wasn’t what guys make girls feel, dreams of a future with babies and picket fences, but frantic, hard, raw loss of self, like you can’t live without that man inside you, around you, with you all the time, and it only matters what he thinks of you, the rest of the world can go to hell, and even then I knew you could change me!
Karen Marie Moning (Shadowfever (Fever, #5))
He perceived too in these still hours how little he had understood her hitherto. He had been blinded, — obsessed. He had been seeing her and himself and the whole world far too much as a display of the eternal dualism of sex, the incessant pursuit. Now with his sexual imaginings newly humbled and hopeless, with a realization of her own tremendous minimization of that fundamental of romance, he began to see all that there was in her personality and their possible relations outside that. He saw how gravely and deeply serious was her fine philanthropy, how honest and simple and impersonal her desire for knowledge and understandings. There is the brain of her at least, he thought, far out of Sir Isaac's reach. She wasn't abased by her surrenders, their simplicity exalted her, showed her innocent and himself a flushed and congested soul. He perceived now with the astonishment of a man newly awakened just how the great obsession of sex had dominated him — for how many years? Since his early undergraduate days. Had he anything to put beside her own fine detachment? Had he ever since his manhood touched philosophy, touched a social question, thought of anything human, thought of art, or literature or belief, without a glancing reference of the whole question to the uses of this eternal hunt? During that time had he ever talked to a girl or woman with an unembarrassed sincerity? He stripped his pretences bare; the answer was no. His very refinements had been no more than indicative fig-leaves. His conservatism and morality had been a mere dalliance with interests that too brutal a simplicity might have exhausted prematurely. And indeed hadn't the whole period of literature that had produced him been, in its straining purity and refinement, as it were one glowing, one illuminated fig-leaf, a vast conspiracy to keep certain matters always in mind by conspicuously covering them away? But this wonderful woman — it seemed — she hadn't them in mind! She shamed him if only by her trustful unsuspiciousness of the ancient selfish game of Him and Her that he had been so ardently playing.... He idealized and worshipped this clean blindness. He abased himself before it.
H.G. Wells (The Wife of Sir Isaac Harman)
The day after he had proposed to Beatrix, Christopher had reluctantly gone to talk to Prudence. He was prepared to apologize, knowing that he had not been fair in his dealings with her. However, any trace of remorse he might have felt for having deceived Prudence vanished as soon as he saw that Prudence felt no remorse for having deceived him. It had not been a pleasant scene, to say the least. A plum-colored flush of rage had swept across her face, and she had stormed and shrieked as if she were unhinged. "You can't throw me over for that dark-haired gargoyle and her freakish family! You'll be a laughingstock. Half of them are Gypsies, and the other half are lunatics- they have few connections and no manners, they're filthy peasants and you'll regret this to the end of your days. Beatrix is a rude, uncivilized girl who will probably give birth to a litter." As she had paused to take a breath, Christopher had replied quietly, "Unfortunately, not everyone can be as refined as the Mercers." The shot had gone completely over Prudence's head, of course, and she had continued to scream like a fishwife.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
It's only that... well, if Olivia cannot be with the man she loves, as he has vanished like a bloody 'cowardly'..." She stopped talking abruptly. Yanking herself back like a dog on a leash. Which was a pity, as the words had acquired a fascinating whiff of venom and had begun to escalate in volume. She would have done some squeaking of her own. Genevieve Eversea was beginning to interest him. "If she cannot be with the man she loves..." he prompted. "I do believe she can only to be with someone... impressive." "Impressive..." He pretended to ponder this. "I hope you do not think I presume, but I cannot help but wonder if you're referring to me. Given my rank and fortune, some might describe me as such. And I'm flattered indeed, given that there really are so many other words you could have chosen to describe me." A pause followed. The girl was most definitely a 'thinker.' "We have only just become acquainted, Lord Moncrieffe. I might elect to use other words to describe you should I come to know you better." Exquisite and refined as convent lace, her manners, her delivery. And still he could have sworn she was having one over on him. She seemed to be watching her feet now. The scenery didn't interest her, or it caused her discomfort. And as he watched her, something unfamiliar stirred. He was... 'genuinely' interested in what she might say next.
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
You’re a talking cat?” Endora asked with a look of disbelief on her face. “My, my, my, aren’t you the bright bulb of the bunch,” he replied with a bit of snarky smugness. “Tell me then, bright-bulb, do you suppose that I need your permission to talk just because I’m a cat?” He raised his paw to his face, admiring his newly gnawed manicure. After he observed the last nail, he slapped his paw down on the floorboards, making a low thud sound. “Because I don’t,” he smirked. Endora was taken by surprise at his rudeness. She stared back at him, speechless and not quite sure how to respond. “Are you a magic cat?” Mila busted in with a question that seemed as silly to her as to the cat. He glared and narrowed his eyes at her. “A magic cat,” he said, standing up to arch his furry back. “Is my talking some sort of magic to you? If it is… then I am.” He stretched his back higher and let out a long purr that turned into, “Purrhaps, you four little witchy girls should clearly refine your meaning of magic so you know what it means before you say the word magic.” “I rather am quite fond of talking cats,” Selena said with a big smile. “Of course, you’re the first one I’ve ever seen.” The cat narrowed its eyes tighter. “Indeed,” he said, letting out a yawn as if the whole conversation were a bore. He leapt off the porch and dash away, mumbling and grumbling his way down the corridor. Selena looked over at Endora. “Rude little snot, isn’t he?” she said.
Sophie Palmer (Abracadabra: Witchy Poo U)
Economics today creates appetites instead of solutions. The western world swells with obesity while others starve. The rich wander about like gods in their own nightmares. Or go skiing in the desert. You don’t even have to be particularly rich to do that. Those who once were starving now have access to chips, Coca-Cola, trans fats and refined sugars, but they are still disenfranchized. It is said that when Mahatma Gandhi was asked what he thought about western civilization, he answered that yes, it would be a good idea. The bank man’s bonuses and the oligarch’s billions are natural phenomena. Someone has to pull away from the masses – or else we’ll all become poorer. After the crash Icelandic banks lost 100 billion dollars. The country’s GDP had only ever amounted to thirteen billion dollars in total. An island with chronic inflation, a small currency and no natural resources to speak of: fish and warm water. Its economy was a third of Luxembourg’s. Well, they should be grateful they were allowed to take part in the financial party. Just like ugly girls should be grateful. Enjoy, swallow and don’t complain when it’s over. Economists can pull the same explanations from their hats every time. Dream worlds of total social exclusion and endless consumerism grow where they can be left in peace, at a safe distance from the poverty and environmental destruction they spread around themselves. Alternative universes for privileged human life forms. The stock market rises and the stock market falls. Countries devalue and currencies ripple. The market’s movements are monitored minute by minute. Some people always walk in threadbare shoes. And you arrange your preferences to avoid meeting them. It’s no longer possible to see further into the future than one desire at a time. History has ended and individual freedom has taken over. There is no alternative.
Katrine Kielos (Who Cooked Adam Smith's Dinner?: A Story of Women and Economics)
Tonight I attend my thirty-fifth high school reunion with some trepidation. I have not seen most of these former classmates for thirty-some years. I am not the same young girl they knew in high school. What they cannot know, what I am just realizing myself, is that I am not even the same person I was two years ago.
Mary Potter Kenyon (Refined by Fire: A Journey of Grief and Grace)
When people ask what I would tell my younger self, the budding writer at the beginning of her career, it is always the same: I wish I could have prepared myself for what happens to a writer when she is brutally honest, when she speaks truth to power in a raw and emotional way. The literary establishment continues to privilege work that’s just a touch removed, “refined” they would call it. Writers who tone down their anguish, their rage, their nontraditional, “deviant choices are perceived as more skilled, more worthy of critical acclaim. This often has a lot to do with racism and sexism, and the stories we are “allowed” to tell as people of color. The classification is not a new phenomenon nor is the marginalization of powerful autobiographical stories that demand engagement. I wish I had known all this, not because I would have done things differently, but because I would not have been so surprised by some of the dismissive responses to my work. I would have been more prepared.
Rebecca Walker (Well-Read Black Girl: Finding Our Stories, Discovering Ourselves)
Their dresses were at once a refinement on fashion, and a satire on decency.
Anna Maria Bennett (The Beggar Girl and Her Benefactors)
Barbara laughed when she saw the list of objectives: “1. Get pictures, 2. Refine space guidance techniques, 3. Impress the world.
Nathalia Holt (Rise of the Rocket Girls: The Women Who Propelled Us, from Missiles to the Moon to Mars)
Here, this is for you," the girl said, holding out one of the pages on which she'd been drawing. "Oh, I... well, thank you." Meg reached out and took the sketch between her fingers. Gazing down, her eyes widened. Instead of the typical childish scribble she'd expected, she discovered two well-rendered figures. The style was a bit loose, and still immature with a tendency to distort the proportions. Even so, it was refined enough enough to have captured remarkably accurate likenesses of her and Cade seated side by side on the sofa. Esme might be only be nine years of age, but already she was an exceptional artist, better than many adults would ever hope to be. "This is... extraordinary," Meg said. "It's you and Cade," the girl offered, clutching a small fist against her yellow wool skirt. "Do you like it?" "I most certainly do. How could I not? You've drawn Cade and me so perfectly. It's beautiful." The girl's oval features came alive with a pleased smile. "Good night, Miss Amberley. I'm glad you're going to be my sister." At a sudden loss for what she knew would never be, Meg settled on the only honest reply she could offer. "Sweet dreams, Esme.
Tracy Anne Warren (Tempted by His Kiss (The Byrons of Braebourne, #1))
Don’t be gentle with me, Nicoli,” she warned. “I don’t want the refined man the world sees when they look at you. I want the brutal beast who killed for me. I want the man covered in the blood of my enemies and I want to forget that my name was ever Sasha and to just be your savage girl.
Caroline Peckham (Beautiful Savage (The Boys of Sinners Bay, #2))
Could it be that a young, Black, working-class boy is always already perceived as vulgar within the nomos of schooling and therefore in need of harsh punishment to correct such deviant language practices and thoughts and force him in line with the unspoken rules of which he is only beginning to decipher? Whereas a White, middle-class girl who is typically a teacher-pleaser is always already perceived as fitting into the nomos of school, slipping into the context like a glove, and therefore in need only of a raised eyebrow or subtle reminder of the unspoken rules of refinement and civility in school that she already understands completely? Pacing, pacing, pacing.
Lisa Scherff (Culturally Relevant Pedagogy: Clashes and Confrontations)
Lord Radnor is a man of great wealth and refinement,” Mrs. Howard continued. “He is highly educated and honorable in every regard. And if it weren’t for my daughter’s selfishness and your interference, Charlotte would now be his wife.” “You’ve omitted a few points,” Nick said. “Including the fact that Radnor is thirty years older than Lottie and happens to be as mad as cobbler’s punch.” The color on Mrs. Howard’s face condensed into two bright patches high on her cheeks. “He is not mad!” For Lottie’s sake, Nick struggled to control his sudden fury. He imagined her as a small, defenseless child, being closed alone in a room with a predator like Radnor. And this woman had allowed it. He vowed silently that Lottie would never again go unprotected. He gave Mrs. Howard a hard stare. “You saw nothing wrong in Radnor’s obsessive attentions to an eight-year-old girl?” he asked softly. “The nobility are allowed their foibles, Mr. Gentry. Their superior blood accommodates a few eccentricities. But of course, you would know nothing about that.” “You might be surprised,” Nick said sardonically. “Regardless, Lord Radnor is hardly a model for rational behavior. The social attachments he once enjoyed have withered because of his so-called foibles. He has withdrawn from society and spends most of his time in his mansion, hiding from the sunlight. His life is centered around the effort to mold a vulnerable girl into his version of the ideal woman— one who isn’t allowed even to draw breath without his permission. Before you blame Lottie for running from that, answer this question in perfect honesty— would you want to marry such a man?
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
By this time I had become well acquainted with her, and could judge of the power and character of her mind, and the natural turn of her disposition. She was no ordinary girl. She had an uncommon degree of intellectual power, and especially of keen discrimination. She was a severe reasoner. She grasped the points of an argument with the hand of a giant, after she had discerned them with the eye of an eagle. Often afterwards I had occasion to be humbled before the penetration and strength of her uncommon mind. She was modest and timid to a fault. Mind —reason, was her forte. She had not much poetry about her. Her taste, however, was correct; ,not only, as might be expected, from the severe correctness of her intellect, but it was gentle and refined also, as might be expected from the amiableness of her affectionate disposition. A truer heart never beat or bled. She was all woman, all affection. A stranger might not think so, because she was timid and reserved in her manners, which cast over her an aspect of coldness. She had a fine education, moved in polite society, and was universally esteemed. The more I knew of her mind and heart, the more I esteemed and loved her.
Ichabod Smith Spencer (A Pastor's Sketches: Conversations with anxious inquirers respecting the way of Salvation (The Complete Series))
Associated with refinement and sweetness, sugar has come to represent stereotypical feminine qualities. Phrases such as “Home Sweet Home,” “eye candy,” and “sugar and spice” (what girls are made of) have entered the vocabulary.
Andrew F. Smith (The Oxford Companion to American Food and Drink (Oxford Companions))
Mr. Winterborne is in no way beneath me, ma'am. Character is a far more important measure of a man than birth." "Well said. Fortunately for Mr. Winterborne, marriage to a Ravenel will elevate him sufficiently that he will be allowed to mix in good society. One hopes he will prove worthy of the privilege." "I hope aristocratic society will be worthy of *him*," Helen said pointedly. The gray eyes sharpened. "Is he high-minded? Refined in his tastes? Exquisite in his comportment?" "He is well-mannered, intelligent, honest, and generous." "But not refined?" Lady Berwick pressed. "Whatever refinements Mr. Winterborne does not possess, he will certainly acquire them if he wishes. But I wouldn't ask him to change anything about himself, as there is already far too much to admire, and I would be in danger of excessive pride on his behalf." Lady Berwick gazed at her steadily, her gray eyes warming. "What an extraordinary girl. 'Cool as caller air," as my Scottish grandfather used to say. You'll be wasted on a Welshman- I vow, we could have married you to a duke.
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
Romans 5:3-5 (TPT) says, “Even in times of trouble we have a joyful confidence, knowing that our pressures will develop in us patient endurance. And patient endurance will refine our character, and proven character leads us back to hope. And this hope is not a disappointing fantasy because we can now experience the endless love of God cascading into our hearts through the Holy Spirit who lives in us!
Ariana Burleson (Influencer To Intercessor: The Metamorphosis Of A Party Girl To A Prayer Warrior)
these points. All Monday morning in the woods again. Afternoon, out with the drawing party; I felt the evils of the want of conventional refinement, in the impudence with which one of the girls treated me. She has since thought of it with regret, I notice; and by every day’s observation of me will see that she ought not to have done it. In the evening a husking in the barn … a most picturesque scene…. I stayed and helped about half an hour, and then took a long walk beneath the stars. Wednesday…. In the evening a conversation on Impulse…. I defended nature, as I always do;—the spirit ascending through, not superseding, nature. But in the scale of Sense, Intellect, Spirit, I advocated the claims of Intellect, because those present were rather disposed to postpone them. On the nature of Beauty we had good talk. –- seemed in a much more reverent humour than the other night, and enjoyed the large plans of the universe which were unrolled…. Saturday,—Well, good-bye, Brook Farm. I
Henry James (Hawthorne (Henry James Collection))
According to one of those peculiar theories, forensic evidence accumulated over the centuries proved that, after millennia of supposed evolution, humans had managed to eliminate a bit of body hair, perfect their loincloths, and refine their tools, but little else. From this premise, a second part of the theorem was inexplicably arrived at, and it went something like this: what the said threadbare evolution had not achieved even remotely was to understand that the more one tries to hide something from a child, the more he is set on finding it, be it a sweet or a postcard with outrageous chorus girls flaunting their charms to the wind. 'And thank goodness that's the way things are, because the day we lose the spark that makes us want to know things, and young people are content with the nonsense dressed in tinsel sold to them by the current popes of bullshittery—be it a mechanical electrical appliance or a battery-run chamber pot—and become incapable of understanding anything that lies beyond their backsides, we'll return to the age of the slug.
Carlos Ruiz Zafón (El laberinto de los espíritus (El cementerio de los libros olvidados, #4))
Wanda, whatever she says, rides the same long breath whether she is greeting us or asking the existential questions no one else will dare. On sentences stripped of refinement and planed as smooth as wood, she does her best to navigate the changing currents in her yard and in ours. In this, she is true to her name as we pronounce it. In this part of America, “R’s” are the dissidents of the alphabet. They won’t be ruled. Behind closed doors, they conspire and print leaflets. They make love to many women. They smoke cigarettes in place of eating food. Then, in front of witnesses with no recourse to justice, they are pulled from their beds in the middle of the night. Some are imprisoned. Some silenced. Others go missing. A few reappear sealed up in the wall of another word if they are found at all. Thus, a thought that is valued is truly an “idear.
Georgia Scott (American Girl: Memories That Made Me)
Those who produce works of genius are not those who spend their days in the most refined company, whose conversation is the most brilliant, or whose culture is the broadest; they are those who have the ability to stop living for themselves and make a mirror of their personality, so that their lives, however nondescript they may be socially, or even in a way intellectually, are reflected in it. For genius lies in reflective power, and not in the intrinsic quality of the scene reflected.
Marcel Proust (In the Shadow of Young Girls in Flower)
Rozemyne’s round, somewhat babyish face was now slim and more refined. Even her fingers were long and slender. Her body looked soft and overtly feminine—and as she had yet to come of age, she had the transient beauty of a girl approaching adulthood. It’s the blessing of the gods... That was the only thought I could muster. Nothing else could describe what I was seeing. Rozemyne had always been pretty, but it had never crossed my mind that she might grow into someone so beautiful.
Miya Kazuki (Ascendance of a Bookworm: Part 5 Volume 7)
The whole set of stylizations that are known as 'camp' (a word that I was hearing then for the first time) was, in 1926, self-explanatory. Women moved and gesticulated in this way. Homosexuals wished for obvious reasons to copy them. The strange thing about 'camp' is that it has become fossilized. The mannerisms have never changed. If I were now to see a woman sitting with her knees clamped together, one hand on her hip and the other lightly touching her back hair, I should think, 'Either she scored her last social triumph in 1926 or it is a man in drag.' Perhaps 'camp' is set in the 'twenties because after that differences between the sexes—especially visible differences—began to fade. This, of course, has never mattered to women in the least. They know they are women. To homosexuals, who must, with every breath they draw, with every step they take, demonstrate that they are feminine, it is frustrating. They look back in sorrow to that more formal era and try to re-live it. The whole structure of society was at that time much more rigid than it has ever been since, and in two main ways. The first of these was sexual. The short skirts, bobbed hair and flat chests that were in fashion were in fact symbols of immaturity. No one ever drew attention to this, presumably out of politeness. The word 'boyish' was used to describe the girls of that era. This epithet they accepted graciously. They knew that they looked nothing like boys. They also realized that it was meant to be a compliment. Manliness was all the rage. The men of the 'twenties searched themselves for vestiges of effeminacy as though for lice. They did not worry about their characters but about their hair and their clothes. Their predicament was that they must never be caught worrying about either. I once heard a slightly dandified friend of my brother say, 'People are always accusing me of taking care over my appearance.' The sexual meaning of behaviour was only sketchily understood, but the symbolism of clothes was recognized by everyone. To wear suede shoes was to be under suspicion. Anyone who had hair rather than bristle at the back of his neck was thought to be an artist, a foreigner or worse. A friend of mine who was young in the same decade as I says that, when he was introduced to an elderly gentleman as an artist, the gentleman said, 'Oh, I know this young man is an artist. The other day I saw him in the street in a brown jacket.' The other way in which society in the 'twenties was rigid was in its class distinctions. Doubtless to a sociologist there were many different strata merging here and there but, among the people that I was now getting to know, there were only two classes. They never mingled except in bed. There was 'them', who acted refined and spoke nice and whose people had pots of money, and there was 'us', who were the salt of the earth.
Quentin Crisp (The Naked Civil Servant)
Week 1: Build an Arsenal of Ideas Day 1: Predict the Future Day 2: Learn How Money Grows on Trees Day 3: Brainstorm, Borrow, or Steal Ideas Day 4: Weigh the Obstacles and Opportunities of Each Idea Day 5: Forecast Your Profit on the Back of a Napkin Week 2: Select Your Best Idea Day 6: Use the Side Hustle Selector to Compare Ideas Day 7: Become a Detective Day 8: Have Imaginary Coffee with Your Ideal Customer Day 9: Transform Your Idea into an Offer Day 10: Create Your Origins Story Week 3: Prepare for Liftoff Day 11: Assemble the Nuts and Bolts Day 12: Decide How to Price Your Offer Day 13: Create a Side Hustle Shopping List Day 14: Set Up a Way to Get Paid Day 15: Design Your First Workflow Day 16: Spend 10 Percent More Time on the Most Important Tasks Week 4: Launch Your Idea to the Right People Day 17: Publish Your Offer! Day 18: Sell Like a Girl Scout Day 19: Ask Ten People for Help Day 20: Test, Test, and Test Again Day 21: Burn Down the Furniture Store Day 22: Frame Your First Dollar Week 5: Regroup and Refine Day 23: Track Your Progress and Decide on Next Steps Day 24: Grow What Works, Let Go of What Doesn’t Day 25: Look for Money Lying Under a Rock Day 26: Get It Out of Your Head Day 27: Back to the Future
Chris Guillebeau (Side Hustle: From Idea to Income in 27 Days)
I'm going to do table displays for them with passion flowers," he coos. "Circlets of convolvulus for the little girls. I'll use lots of jasmine, of course. I'll have to get used to making crystallized rose petals instead of the usual sugared almonds, they're so much more refined. For big venues I'll use vines and ivy dotted with big blousy roses. Lilies are very tough, very strong. I'll mix wild flowers like cow parsley and camomile with more sophisticated things. Lots of greenery, eucalyptus, ribes...
Agnès Desarthe (Chez Moi: A Novel)
They lean into each other, entwine arms and legs, innocently, affectionately, and I look at them, their identical eyes and smiles, and try to imagine the divergence of their lives. Mitra marrying at fourteen, while her cousin begins life in England. Mitra leaving school to have children while Farah studies, learns English, grows up in London, maybe goes on to university. I stare into the soft faces of those girls and try to imagine them meeting again, ten years from now. Farah will return for a visit. She will wear fashionable clothes and will wear a chaador with disdain. She will speak a refined English and will fit awkwardly into her mother tongue; it will no longer hold her. She will have developed a taste for philosophy over coffee, will have grown used to speaking her mind, will have had many friendships and a heartbreak that will have left her unsettled but independent, will have become successful, enviable. She and Mitra will gasp when they see each other after all these years. They will hug and separate and hug and separate and kiss each other on the cheek again and again. Then they will sit across from each other staring, wondering how the other one got so old. Mitra will have four children; no, five; and will wear this, them, in her face. Her arms will be thick, strong, her hands calloused, and she will cry easily, not because she is sad, but because her emotions will not live behind her mind. Farah will be shocked to see her old friend and will think it pathetic, her life, all these children, this cooking and praying and serving; this waste. The visit will be pleasant but awkward, forced in a way neither of them expected. Farah will find an excuse to spend the rest of her holiday in Tehran and will return to England without seeing Mitra again. They will be cousins always but never friends, because each will have a wisdom the other cannot understand. The girls stare at me, waiting for an answer. "Yes," I say, "You will both be happy.
Alison Wearing (Honeymoon in Purdah: An Iranian Journey)
Laksa curry, did you say? That is a Southeast Asian dish known for its exceptionally slippery noodles. And I expect squid ink was used to give the roux this black color." "But this utterly repulsive and vomit-inducing stench! Don't tell me you used-" "Yes. It's Kusaya." "I KNEW IT! What kind of garbage does this girl think goes in food?!" KUSAYA Salted dried fish, it originated in the Izu Islands. Blueback fish, like mackerel or flying fish, are soaked in a salty, sticky brine called Kusaya Jiru and then sun dried. IT REEKS. "Just grilling the stuff is enough to get you a pile of complaints from all your neighbors!" "Ugh. Boiling it down makes the stench even more repugnant." "This is my special handmade Kusaya! I used flying fish and mahi-mahi... ... and then soaked them in Kusaya Jiru I carefully, preciously refined over and over!
Yūto Tsukuda (食戟のソーマ 7 [Shokugeki no Souma 7] (Food Wars: Shokugeki no Soma, #7))
saddlebags. “And please tell Kiri she should put her shoes on. Lucas will have a fit if she serves like that.” “Mummy, why do I have to put on shoes? Kiri isn’t wearing any.” George met Gwyneira and her daughter in the corridor outside his room just as he was about to go down to dinner. He had done his best as far as evening wear went. Though slightly wrinkled, his light brown suit was handsomely tailored and much more becoming than the comfortable leather pants and waxed jacket he had acquired in Australia. Gwyneira and the captivating little red-haired girl who was squabbling so loudly were likewise elegantly attired. Though not in the latest fashion. Gwyneira was wearing a turquoise evening gown of such breathtaking refinement that, even in the best London salons, it would have created a stir—especially with a woman as beautiful as Gwyneira modeling it. The little girl wore a pale green shift that was almost entirely concealed by her abundant red-gold locks. When Fleur’s hair hung down loose, it frizzed a bit, like that of a gold tinsel angel. Her delicate green shoes matched the adorable little dress, but the little one obviously preferred to carry them in her hands than wear them on her feet. “They pinch!” she complained. “Fleur, they don’t pinch,” her mother declared. “We just bought them four weeks ago, and they were on the verge of being too big then. Not even you grow that fast. And even if they do pinch, a lady bears a small degree of pain without complaining.” “Like the Indians? Ruben says that in America they take stakes and hurt themselves for fun to see who’s the bravest. His daddy told him. But Ruben thinks that’s dumb, and so do I.” “That’s her opinion on the subject of being ‘ladylike,’” Gwyneira remarked, looking to George for help. “Come, Fleurette. This is a gentleman. He’s from England, like Ruben’s mummy and me. If you behave properly, maybe he’ll greet you by kissing your hand and call you ‘my lady.’ But only if you wear shoes.” “Mr. McKenzie always calls me ‘my lady’ even if I walk around barefoot.” “He must not come from England, then,” George said, playing along. “And he certainly hasn’t been introduced to the queen.” This honor had been conferred on the Greenwoods the year before, and George’s mother would probably chatter on about it for the rest of her
Sarah Lark (In the Land of the Long White Cloud (In the Land of the Long White Cloud Saga, #1))
Doubt is a difficult animal to master because it requires that we learn the difference between doubting God and doubting what we believe about God. The former has the potential to destroy faith; the latter has the power to enrich and refine it. The former is a vice; the latter a virtue. Where would we be if the apostle Peter had not doubted the necessity of food laws, or if Martin Luther had not doubted the notion that salvation can be purchased? What if Galileo had simply accepted church-instituted cosmology paradigms, or William Wilberforce the condition of slavery? We do an injustice to the intricacies and shadings of Christian history when we gloss over the struggles, when we read Paul’s epistles or Saint Augustine’s Confessions without acknowledging the difficult questions that these believers asked and the agony with which they often asked them. If I’ve learned anything over the past five years, it’s that doubt is the mechanism by which faith evolves. It helps us cast off false fundamentals so that we can recover what has been lost or embrace what is new. It is a refining fire, a hot flame that keeps our faith alive and moving and bubbling about, where certainty would only freeze it on the spot. I would argue that healthy doubt (questioning one’s beliefs) is perhaps the best defense against unhealthy doubt (questioning God). When we know how to make a distinction between our ideas about God and God himself, our faith remains safe when one of those ideas is seriously challenged. When we recognize that our theology is not the moon but rather a finger pointing at the moon, we enjoy the freedom of questioning it from time to time.
Rachel Held Evans (Faith Unraveled: How a Girl Who Knew All the Answers Learned to Ask Questions)
Every negro lynched is called a Big Burly Black Brute,” he, or possibly a staffer, wrote in the Record, “when in fact many of those who have been dealt with had white men for their fathers and were not only not black and burly, but were sufficiently attractive for white girls of culture and refinement to fall in love with them, as is very well known to all.
Karen Branan (The Family Tree: A Lynching in Georgia, a Legacy of Secrets, and My Search for the Truth)
When the fugitives arrived in Lawrence, most had only the clothes on their backs, and in many cases those were rags. “They were strong and industrious,” Rev. Cordley wrote, “and by a little effort, work was found for them and very few, if any of them, became objects of charity.” But while they were eager to make their new lives in freedom, they needed help translating their industriousness into livelihoods. Nearly all were illiterate because most slaveholding states had strict laws making it illegal to teach slaves to read or write. Fugitives arriving in Lawrence equated learning with liberty, so their thirst for education was overwhelming. But the town’s fine educational system was not able to accommodate the number of eager new students. Mr. S. N. Simpson, one of the town’s 1855 pioneers, had started the first Sunday schools in town when he arrived, and he conceived a system of education for the fugitives based on his Sunday school model. Classes would be taught by volunteers in the evenings, and the curriculum would include basic reading, writing, and arithmetic, along with lectures designed to help them establish themselves in the community. The people of Lawrence were as excited to teach as their students were excited to learn, and enough volunteers were available to split the first class of about one hundred men and women into groups of six or eight.214 Josiah C. Trask, the editor of the Lawrence State Journal, spent an evening in January 1862 visiting the school and devoted an article to his observations. Eighty-three students, taught by twenty-seven teachers, met in the courthouse. “One young man who had been to the school only five nights,” Trask wrote, “began with the alphabet, [and] now spells in words of two syllables.” He observed that there was a class of little girls, “eager and restless,” a class of grown men, “solemn and earnest,” a class of “maidens in their teens,” and “another of elderly women.” Trask observed that the students were “straining forward with all their might, as if they could not learn fast enough.” He concluded, observing that all eighty-three students came to class each evening “after working hard all day to earn their bread,” while the twenty-seven teachers, “some of them our most cultivated and refined ladies and gentlemen,” labored night after night, “voluntarily and without compensation.” It was “a sight not often seen.”215
Robert K. Sutton (Stark Mad Abolitionists: Lawrence, Kansas, and the Battle over Slavery in the Civil War Era)
First we must study how colonization works to decivilize the colonizer, to brutalize him in the true sense of the word, to degrade him, to awaken him to buried instincts, to covetousness, violence, race hatred, and moral relativism; and we must show that each time a head is cut off or an eye put out in Vietnam and in France they accept the fact, each time a little girl is raped and in France they accept the fact, each time a Madagascan is tortured and in France they accept the fact, civilization acquires another dead weight, a universal regression takes place, a gangrene sets in, a center of infection begins to spread; and that at the end of all these treaties that have been violated, all these lies that have been propagated, all these punitive expeditions that have been tolerated, all these prisoners who have been tied up and interrogated, all these patriots who have been tortured, at the end of all the racial pride that has been encouraged, all the boastfulness that has been displayed, a poison has been instilled into the veins of Europe and, slowly but surely, the continent proceeds toward savagery. And then one fine day the bourgeoisie is awakened by a terrific reverse shock: the gestapos are busy, the prisons fill up, the torturers around the racks invent, refine, discuss. People are surprised, they become indignant. They say: “How strange! But never mind — it’s Nazism, it will pass!” And they wait, and they hope; and they hide the truth from themselves, that it is barbarism, but the supreme barbarism, the crowning barbarism that sums up all the daily barbarisms; that it is Nazism, yes, but that before they were its victims, they were its accomplices; that they tolerated that Nazism before it was inflicted on them, that they absolved it, shut their eyes to it, legitimized it, because, until then, it had been applied only to non-European peoples; that they have cultivated that Nazism, that they are responsible for it, and that before engulfing the whole of Western, Christian civilization in its reddened waters, it oozes, seeps, and trickles from every crack.
Aimé Césaire (Discourse on Colonialism)
Farmers had been cultivating poppies since the 1970s, with state laboratories refining the raw produce into high-quality heroin – one of the few products the country made to an international standard. It was sold abroad to raise foreign currency.
Hyeonseo Lee (The Girl with Seven Names: A North Korean Defector's Story)
And she did it without once talking about carbs, calories, the evils of refined sugar, or apologizing for her large appetite. It was baller AF!” Steven explained he was further entranced with Marcella because she seemed so much freer than any girl he had ever met before. She wasn’t polite or perfectly dressed. She laughed at all his jokes and kept telling him he was funny for a rich dickhead.
Jenny Lee (Anna K: A Love Story (Anna K, #1))
She had always been able to control her outward emotions, even as she built, refined, and polished the soaring rage that had become part of her. The death of Hannah rocked her as much as Udranka’s murder had, but with the added pain of knowing the spirited, devoted, brave little nature girl had saved her life last night. She closed her eyes and asked Nate for help, asked why she, Dominika, brought death.
Jason Matthews (Palace of Treason (Red Sparrow Trilogy, #2))
But genius, or even great talent, lies less in elements of mind and social refinement superior to those of others than in the ability to transform and transpose them. To heat a liquid with a flashlight, what is required is not the strongest possible torch, but one in which the current can be diverted from the production of light and adapted to the production of heat. To fly through the air, it is not necessary to have the most powerful motorcar, but a motor which, by turning its earthbound horizontal line into a vertical, can convert its speed along the ground into ascent. Likewise, those who produce works of genius are not those who spend their days in the most refined company, whose conversation is the most brilliant, or whose culture is the broadest; they are those who have the ability to stop living for themselves and make a mirror of their personality, so that their lives, however nondescript they may be socially, or even in a way intellectually, are reflected in it. For genius lies in reflective power, and not in the intrinsic quality of the scene reflected. It was when the young Bergotte became capable of showing to the world of his readers the tasteless drawing room where he had spent his childhood, and the rather unamusing exchanges it had witnessed between himself and his brothers, that he rose above his wittier and more distinguished family friends. They could be driven home in their fine Rolls-Royces, sneering a little at the Bergottes and their vulgarities. But he, with his much less impressive flying machine, had at last taken off and soared over their heads.
PROUST M. (In the Shadow of Young Girls in Flower)
But genius, or even great talent, lies less in elements of mind and social refinement superior to those of others than in the ability to transform and transpose them. To heat a liquid with a flashlight, what is required is not the strongest possible torch, but one in which the current can be diverted from the production of light and adapted to the production of heat. To fly through the air, it is not necessary to have the most powerful motorcar, but a motor which, by turning its earthbound horizontal line into a vertical, can convert its speed along the ground into ascent. Likewise, those who produce works of genius are not those who spend their days in the most refined company, whose conversation is the most brilliant, or whose culture is the broadest; they are those who have the ability to stop living for themselves and make a mirror of their personality, so that their lives, however nondescript they may be socially, or even in a way intellectually, are reflected in it. For genius lies in reflective power, and not in the intrinsic quality of the scene reflected. It was when the young Bergotte became capable of showing to the world of his readers the tasteless drawing room where he had spent his childhood, and the rather unamusing exchanges it had witnessed between himself and his brothers, that he rose above his wittier and more distinguished family friends. They could be driven home in their fine Rolls-Royces, sneering a little at the Bergottes and their vulgarities. But he, with his much less impressive flying machine, had at last taken off and soared over their heads.
Marcel Proust (In the Shadow of Young Girls in Flower)