Reels Partner Quotes

When you view (or think about) porn, a crummy feeling comes over you. It’s the feeling of shame, or something like it. Shame changes your self view. It changes who you think you are, how you see yourself. You see yourself as ugly, and an undercurrent of resentment may start boiling up underneath. When you have this kind of self perception, you can’t be vulnerable and open to the world. You can’t allow yourself to be who you are. You have to keep your true self hidden from the world. You can’t have intimacy. Intimacy is key to having a real relationship with anybody. When you view pornography, you destroy the possibility of intimacy with a partner and others, so a real relationship becomes impossible. You retreat out of interdependence with the world and into isolation where you can indulge in your addiction. Along with the feeling of shame is the annihilation of boundaries. You can’t defend yourself emotionally in the world. Words strike your soul while you’re reeling from addiction. Everything hits you where it hurts. Minor inquiries by others feel like investigations of you. Your soul can’t bear being seen, yet it’s exposed entirely. The only recourse in a big, hurtful world, it seems, is to retreat and lick your wounds with the addiction again.

The man was naked. He was all bones and ribs and snarling mouth. The front of him was caked in blood, a smear of charcoal black in the dim red glow of Palmer’s dive light. There was just a flash of this grisly image before the man crashed into Palmer, knocking him to the ground, desperate hands clenching around his throat. Palmer saw pops of bright light as his head hit the floor. He couldn’t breathe. He heard his own gurgles mix with the raspy hisses from the man on top of him. A madman. A thin, half-starved, and full-crazed madman. Palmer fought for a breath. His visor was knocked from his head. Letting go of the man’s wrists, he reached for his dive knife, but his leg was pinned, his boot too far away. He pawed behind himself and felt his visor, had some insane plan of getting it to his temples, getting his suit powered on, overloading the air around him, trying to shake the man off. But as his fingers closed on the hard plastic—and as the darkness squeezed in around his vision—he instead swung the visor at the snarling man’s face, a final act before the door to that king’s crypt sealed shut on him. A piercing shriek returned Palmer to his senses. Or it was the hands coming off his neck? The naked man howled and lunged again, but Palmer got a boot up, caught the man in the chest, kicked him. He scrambled backward while the man reeled. The other diver. Brock’s diver. Palmer turned and crawled on his hands and knees to get distance, got around a desk, moving as fast as he could, heart pounding. Two divers. There had been two divers. He waited for the man’s partner to jump onto his back, for the two men to beat him to death for his belly full of jangling coin— —when he bumped into the other diver. And saw by his dive light that he was no threat. And the bib of gore on the man chasing him was given sudden meaning. Palmer crawled away, sickened. He wondered how long the men had been down here, how long one had been eating the other. Hands fell onto his boots and yanked him, dragging him backward. A reedy voice yelled for him to be still. And then he felt a tug as his dive knife was pulled from its sheath, stolen. Palmer spun onto his back to defend himself. His own knife flashed above him traitorously, was brought down by those bone-thin arms, was meant to skewer him. There was a crunch against his belly. A painful blow. The air came out of Palmer. The blade was raised to strike him again, but there was no blood. His poor life had been saved by a fistful of coin. Palmer brought up his knee as the man struck again—and shin met forearm with a crack. A howl, and the knife was dropped. Palmer fumbled for it, his dive light throwing the world into pale reds and deep shadows. Hand on the hilt, his knife reclaimed, he slashed at the air, and the man fell back, hands up, shouting, “Please, please!” Palmer scooted away, keeping the knife in front of him. He was weak from fitful sleep and lack of food, but this poor creature before him seemed even weaker. Enraged and with the element of surprise, the man had nearly killed him, but it had been like fighting off a homeless dune-sleeper who had jumped him for some morsel of bread. Palmer dared to turn his dive light up so he could see the man better. “Sorry. I’m sorry,” the man said. “Thought you were a ghost.” The

His cool fingers were under her chin, tilting her face up to his. "You dance very well," he said, but instead of the usual mockery, there was a faintly husky note in his voice, and his eyes were intent on her. "You have the gift of grace." She stared up at him, caught in his gaze. And then, almost without volition, she turned her face, pressing her cheek against his hand. His fingers cupped her long, cool fingers and his thumb feathered her lips, lightly. She opened them beneath the faint pressure, and she knew she was trembling, captured in a moment of magic and wonder, with his hand on her mouth, their eyes caught, and she waited, breathless, knowing that the world was about to change. He bent down, blotting out the light, and she closed her eyes the moment before his mouth touched hers, his lips warm, damp, open against hers, and the shock of it sent her senses reeling, and she was falling into a hot velvet mass of glorious confusion. She was falling toward the hard parquet floor. His mouth left hers, almost before the brief kiss had begun, and his hand wrapped around her wrist, hauling her to her feet before she could collapse entirely. "A word to the wise, dear Emma," he said in a voice as cool and unmoved as the frozen ground outside. "When you engage in a dalliance on the dance floor, remember to keep your balance. It's better not to let your partner kiss you while you're still in a curtsy." "I wasn't expecting to be kissed," she said swiftly, hating him. "Weren't you? Another lesson, my dear. Always expect to be kissed. You have the mouth for it.

You are a maniac, Markman. Does the suffering of others turn you on?” The taunt slipped out before I could reel myself in. “Absolutely.” He nodded solemnly, green eyes meeting mine and sparking. “And I’ll tell you a secret. It’s the number one reason I torture you so much.” He flicked my nose and I batted his hand away. “Go away, Andrew. You’re the most infuriating man alive.” “You love it.

After a moment to regain his composure, he propped himself up on his elbow to look down at me, desire still lurking in his mesmerizing eyes. “Alera? Are you…all right?” “Narian, we can’t do this.” I was more than a little shocked at the both of us. His brow furrowed, and he ran a hand through his disheveled hair. He took a breath and opened his mouth, then stopped, apparently unable to decide exactly what he wanted to say. “Why not?” “Because,” I said, pushing myself upright. “We’re not married!” He sat up as well and lit the lantern on my bedside table. I pulled my chemise back onto my shoulders and wrapped my arms around my legs while I waited for his reaction. “And marriage, that’s…important to you…for this,” he surmised, trying to work out the basis for my objection. “Yes,” I told him fervently. “Isn’t it to you?” He glanced at the bedclothes, as though he anticipated an unpleasant reaction to what he would say. “Well, no. We don’t have marriage in Cokyri.” My eyebrows shot upward. “You don’t have…marriage? Well then, how do you…I mean, where…where do your children come from?” “We just choose a partner,” he said, ignoring the absurdity of my question. “A woman chooses a man, and if he accepts, he is marked with a tattoo around his forearm. The tattoo is a great honor--men in Cokyri are proud to bear it.” “What about the church?” He shrugged, no longer worrying about how I might react. “Cokyri has no official religion. Some people seek the High Priestess’s approval to be bound, but they come to her of their own accord. Again, it is a choice.” “So…in order to be with me, all you would need is a tattoo?” I spoke tentatively, trying to absorb and understand his words. “Only to signify that I am yours and no one else’s. If that is what we both want.” His closing statement, though subtle, sough confirmation, his steel-blue eyes filled with love and longing. “I choose you,” I said, leaning toward him, and his mouth met mine with such ardor that my senses reeled all over again. He lay down with me on top of him, and it took all my strength of will to pull away. “But we have to be married.” He studied me, concluding that I truly believed in what I said. “Then let’s go get married.” “Now?” I blurted, eyes wide. “Is now a problem?

Realizing I ought to be circulating as well, I turned--and found myself confronted by the Marquis of Shevraeth. “My dear Countess,” he said with a grand bow. “Please bolster my declining prestige by joining me in this dance.” Declining prestige? I thought, then out loud I said, “It’s a tartelande. From back then.” “Which I studied up on all last week,” he said, offering his arm. I took it and flushed right up to my pearl-lined headdress. Though we had spoken often, of late, at various parties, this was the first time we had danced together since Savona’s ball, my second night at Athanarel. As we joined the circle I sneaked a glance at Elenet. She was dancing with one of the ambassadors. A snap of drums and a lilting tweet caused everyone to take position, hands high, right foot pointed. The musicians reeled out a merry tune to which we dipped and turned and stepped in patterns round one another and those behind and beside us. In between measures I stole looks at my partner, bracing for some annihilating comment about my red face, but he seemed preoccupied as we paced our way through the dance. The Renselaeuses, completely separate from Remalna five hundred years before, had dressed differently, just as they had spoken a different language. In keeping, Shevraeth wore a long tunic that was more like a robe, colored a sky blue, with black and white embroidery down the front and along the wide sleeves. It was flattering to his tall, slender form. His hair was tied back with a diamond-and-nightstar clasp, and a bluefire gem glittered in his ear. We turned and touched hands, and I realized he had broken his reverie and was looking at me somewhat quizzically. I had been caught staring. I said with as careless a smile as I could muster, “I’ll wager you’re the most comfortable of the men here tonight.” “Those tight waistcoats do look uncomfortable, but I rather like the baldrics,” he said, surveying my brother, whom the movement of the dance had placed just across from us. At that moment Bran made a wrong turn in the dance, paused to laugh at himself, then hopped back into position and went on. Perhaps emboldened by his heedless example, or inspired by the unusual yet pleasing music, more of the people on the periphery who had obviously not had the time, or the money, or the notion of learning the dances that went along with the personas and the clothes, were moving out to join. At first tentative, with nervously gripped fans and tense shoulders here and there betraying how little accustomed to making public mistakes they were, the courtiers slowly relaxed. After six or seven dances, when faces were flushed and fans plied in earnest, the first of my mime groups came out to enact an old folktale. The guests willingly became an audience, dropping onto waiting cushions. And so the evening went. There was an atmosphere of expectation, of pleasure, of relaxed rules as the past joined the present, rendering both slightly unreal. I did not dance again but once, and that with Savona, who insisted that I join Shevraeth and Elenet in a set. Despite his joking remarks from time to time, the Marquis seemed more absent than merry, and Elenet moved, as always, with impervious serenity and reserve. Afterward the four of us went our ways, for Shevraeth did not dance again with Elenet. I know, because I watched.

Rae Ripple is a Texas welder and artist and has been featured on the Down to Business podcast, Monster Garage on Discovery Channel, and has been published in Welder magazine. She is partnered with AlumaReel, Hypertherm, Lincoln Electric, FastCut CNC, Flame Technologies Inc., and Benchmark Abrasives. She has painted murals all over Texas and has installed metal work all over the world. She currently lives in Big Spring, Texas, with her fiancé and two children.

Order is the stability of your marriage. It's buttressed by the traditions of the past and by your expectations-grounded, often invisibly, in those traditions. Chaos is that stability crumbling under your feet when you discover your partner's infidelity. Chaos is the experience of reeling unbound and unsupported through space when your guiding routines and traditions collapse.

On Why It’s A Threat by Lynne Schmidt The first time she is catcalled, she is nineteen years old and we are walking down the street, dog leashes in hand, on a college campus that is not ours but is close enough to be home. Close enough that I should feel safe to walk my pets, go for a run, exist. He rolls up, and I bristle when I hear the stop because it’s too soon, and she mistakes the slowing for the sign at the end of the road. My ears wait for what may or may not come next and sure enough his voice rises just loud enough so we can hear it, “I don’t know which is more beautiful, the dogs, or the girls walking them.” Beside me, she stills, a deer in the sights of a gun, eyes wild like prey ready for fight or flight, because she is. Another youngest child seeking protection when there may not be any safety to be had. She does not realize she walks beside a bomb who marched in DC against a rapist in seat, who has been fighting off men like this since her knuckles could bleed. I ignite for all the times she will be yelled at and all the times my oldest sister has thrown me behind her when the vehicles stop and the car doors open. I position my body between her and this man, the way my sister did for me, a shell of a shield if need be, grip the leash tighter with my hand and demand he to keep driving. My hands shake. My voice doesn’t. This is all I need her to hear. His saccharine words turn to acid, smile sliding off his face like an avalanche, Bitch-cunt you have STIs I wouldn’t touch you with a ten foot pole before his tires peel away pavement and leave us reeling in dust. When we return home, she is still shaking, and I am still furious. She tells me she was scared she would be hurt, or I would be hurt, and I tell her, the same thing my sister told me, I wouldn’t let that happen. Later, when she tells her partner what happened, he says, “It’s not a big deal. Why are you acting like it is?