Reed Quotes

Sometimes the hardest part isn't letting go but rather learning to start over.

No one says a novel has to be one thing. It can be anything it wants to be, a vaudeville show, the six o’clock news, the mumblings of wild men saddled by demons.

But I, being poor, have only my dreams; I have spread my dreams under your feet; Tread softly because you tread on my dreams." (Aedh Wishes for the Cloths of Heaven)

Had I the heavens' embroidered cloths, Enwrought with golden and silver light, The blue and the dim and the dark cloths Of night and light and the half light, I would spread the cloths under your feet: But I, being poor, have only my dreams; I have spread my dreams under your feet; Tread softly because you tread on my dreams.

Say not, “I have found the truth,” but rather, “I have found a truth.” Say not, “I have found the path of the soul.” Say rather, “I have met the soul walking upon my path.” For the soul walks upon all paths. The soul walks not upon a line, neither does it grow like a reed. The soul unfolds itself, like a lotus of countless petals.

I bring you with reverent hands The books of my numberless dreams.

Grover wore his fake feet and his pants to pass as human. He wore a green rasta-style cap, because when it rained his curly hair flattened and you could just see the tips of his horns. His bright orange backpack was full of scrap metal and apples to snack on. In his pocket was a set of reed pipes his daddy goat had carved for him, even though he only knew two songs: Mozart's Piano Concerto no. 12 and Hilary Duff's "So Yesterday," both of which sounded pretty bad on reed pipes.

The green reed which bends in the wind is stronger than the mighty oak which breaks in a storm.

Reed lifts his lips from mine, and looking into my eyes, he murmurs, “I want those thousand years with you, Evie, you have no idea how much I want them. I want a thousand years, and then I want a hundred thousand more.

What if talking about your feelings doesn't fix anything? What if what you really need is to make the feelings go away?

There's music in the sighing of a reed; There's music in the gushing of a rill; There's music in all things, if men had ears; The earth is but the music of the spheres.

Eventually I confess to a friend some details about my weeping—its intensity, its frequency. She says (kindly) that she thinks we sometimes weep in front of a mirror not to inflame self-pity, but because we want to feel witnessed in our despair. (Can a reflection be a witness? Can one pass oneself the sponge wet with vinegar from a reed?)

Imagine trying to live without air. Now imagine something worse.

I slump against the cushion. “How am I going to protect him, if I’ve completely alienated him? He thinks I’m creepy…” I say sadly. “You are not creepy,” Reed says soothingly, taking my hand. “You’re not a good judge of creepy, Reed, since you’re creepier than I am,” I say warily, looking over at Zephyr when I hear him laughing at my comment. “I wouldn’t laugh too hard, pal, because you’re the creepiest one of us all.

I feel like I'm a snow globe and someone shook me up and now every little piece of me is falling back randomly and nothing is ending up where it used to be.

What if I'm so broken I can never do something as basic as feed myself? Do you realize how twisted that is? It amazes me sometimes that humans still exist. We're just animals, after all. And how can an animal get so removed from nature that it loses the instinct to keep itself alive?

(Carter): "I've been protecting you since I joined the Mauricio family. You were why I joined them in the first place." (Emma): "You did all that for me?" (Carter): "I would declare war for you.

I could bend you with my finger and my thumb. A mere reed you feel in my hands. But whatever I do with this cage, I cannot get at you, and it is your soul that I want.

I wonder if anybody else feels this way, if anyone in here is as scared as I am. Are they as sad and angry and confused and ashamed? Is that even possible? Is it even possible for one building to hold all that pain?

Reed Royal has broken me. I’ve fallen from the sky and I’m not sure I can get up. Not this time.

Every now and then she looked around for tangible evidence of his having ever been there. Where were the butterflies? the blueberries? the whistling reed? She could find nothing, for he had left nothing but his stunning absence.

I'm fucking good looking and sharp witted! I bet Reed only speaks one language. I'm sharp witted in five! - Caleb

You've used up all your school sick days," he said, persuing my file. "You've requested to leave school one hundred and thirty days out of the one hudred and forty days of school so far." So thirty-one might be the magic number?" Principal Reed and Raven

Logic is a feeble reed, friend. "Logic" proved that airplanes can't fly and that H-bombs won't work and that stones don't fall out of the sky. Logic is a way of saying that anything which didn't happen yesterday won't happen tomorrow.

A craftsman pulled a reed from the reedbed, cut holes in it, and called it a human being. Since then, it's been wailing a tender agony of parting, never mentioning the skill that gave it life as a flute

You are afraid of me?” Reed asks me, sounding unpleasantly surprised. “Of course I’m afraid of you. You’re menacing, you’re overbearing, you’re arrogant, and if you don’t see that, then you can just add high to the list,” I say, using my fingers to tick off his shortcomings.

Man is only a reed, the weakest in nature, but he is a thinking reed. There is no need for the whole universe to take up arms to crush him: a vapour, a drop of water is enough to kill him. but even if the universe were to crush him, man would still be nobler than his slayer, because he knows that he is dying and the advantage the universe has over him. The universe knows none of this.

God picks up the reed-flute world and blows. Each note is a need coming through one of us, a passion, a longing pain. Remember the lips where the wind-breath originated, and let your note be clear. Don't try to end it. Be your note.

In a cruel and imperfect world, she was living proof that God could still create perfection.

Maybe there's a galaxy with a planet that's just a little more tilted, with a sun that shines just a little bit darker, and that's where I'm supposed to be, where it somehow makes sense to feel this broken.

What if the worst is true? What if there's no God, and you only go around once, and that's it? Don't you want to be a part of the experience? You know, what the hell? It's not all a drag, and I'm thinking to myself: Geez! I should stop ruining my life searching for answers I'm never gonna get and just enjoy it while it lasts. And, you know, after--who knows? Maybe there is something, nobody really knows. I know that maybe is a very slim reed to hang your whole life on, but that's the best we have.

Sometimes, I think I have made you up just to torture myself- and there are other times that I know you must be real because I couldn't have dreamed such perfection.

Hold onto the string, love, until the current shifts and we can be together again.

You can forget what people said and did, but you never forget how they made you feel. You can forgive the people who hurt you, but you will remember what they taught you.

You're mine, Emma. You always have been. I won't let you go.

Grover: It’s a very sweet love story. I get misty-eyed every time I play it. So does Percy, but I think that’s because he’s laughing at me.

Whoa." Adrian leapt up and rushed to Jill's side. "You need to let this go. What, are you going to start a fight with some girl?" Reed turned his glare on Adrian. "Stay out of this." "The hell I will! You're crazy." If anyone had asked me to make up a list of people most likely to risk a fight in defense of a lady's honor, Adrian Ivashkov would have been low on that list. Yet there he stood, face hard and hand sitting protectively on Jill's shoulder. I was in awe. And impressed.

Lord our God, hear my prayer, the prayer of my heart. Bless the largeness inside me, no matter how I fear it. Bless my reed pens and my inks. Bless the words I write. May they be beautiful in your sight. May they be visible to eyes not yet born. When I am dust, sing these words over my bones: she was a voice.

You did all of that for me? I would declare war for you

She said, ‘Forgive me for being a dreamer,’ and he took her by the hand and replied, ‘Forgive me for not being here sooner to dream with you.’”—J. Iron Word Thank you for making all of my dreams come true. Your love, Reed

O how incomprehensible everything was, and actually sad, although it was also beautiful. One knew nothing. One lived and ran about the earth and rode through forests, and certain things looked so challenging and promising and nostalgic: a star in the evening, a blue harebell, a reed-green pond, the eye of a person or a cow. And sometimes it seemed that something never seen yet long desired was about to happen, that a veil would drop from it all, but then it passed, nothing happened, the riddle remained unsolved, the secret spell unbroken, and in the end one grew old and looked cunning . . . or wise . . . and still one knew nothing perhaps, was still waiting and listening.

Multihued light radiated up from beneath the water, centered among the reeds, and then diffusing outward as it reached the surface. Violet had never seen anything like it, and she knew that the spectrum of light was defying its very nature by behaving in that way. It could only be one thing. There was something dead down there.

Maybe this is all love is and all it will ever be-- boys fucking girls and pretending it's love, girls getting fucked and pretending they like it, saying "I love you, too," and wanting to throw up.

Sometimes the bad things that happen in our lives put us directly on the path to the most wonderful things that will ever happen to us

Rain is a lullaby heard through a thick, isolating blanket of clouds. It is the tinkling harp of water droplets; a moist breath whistling through willow reeds; a pattering beat background to the mourner's melody. Rain is a soft song of compassion for the brokenhearted.

The melancholy river bears us on. When the moon comes through the trailing willow boughs, I see your face, I hear your voice and the bird singing as we pass the osier bed. What are you whispering? Sorrow, sorrow. Joy, joy. Woven together, like reeds in moonlight.

Nuh-uh, you’re not getting off that easy. I want you to say it. Tell your big brother about your crush on your other big brother.” “You’re imagining things. I’m not crushing on Reed,” I lie. “Bull.” “I’m not,” I insist, but Easton sees right through me. “Shit, Ella, I need a smoke every time you two are within five feet of each other.

Since it seems your marking your territory , why don't you go ahead and pee on her while you're at it ? " ~ Cal

Nothing made me the way I am. Nothing but me.

There's a bit of magic in everything And then some loss to even things out.

Do you remember? Do you remember being solid? Do you remember life before the hole? Before you were empty and needed to be filled? There was a time when everything was enough. There was a time you didn't try to get out of your own skin. Remember?

I tug his head down to mine. “I need you, Reed. Don’t make me beg.” And just like that, he gives in. One hand comes up to tangle in my hair while the other pulls me roughly against him. “You don’t ever have to ask again. I’ll give you anything you want.

Even though I'm sleeping again, everything still feels a little rickety, like I'm here but not quite here, like I'm just a stand-in for my real self, like someone could just reach over and pinch me and I'd deflate. I thought I was feeling better, but I don't know anymore.

Yes, you made me want my future again. The only problem is, he was my future first." ~ Jay

You love them, even though they're gone. In order to love you need to live, if you give up on life you can no longer love. You'd no longer have the capability to love them.

But just because she's not helpless doesn't mean she doesn't need help.

I ask God to bind my life to your life so that my mind will be one with your mind," I repeat the words Phaedrus says while I gaze at Reed and hold his hand. "My heart may be one with your heart," I recite it with a small smile on my face, "and my body may be one with your body," I blush a little when I say this part, seeing desire register in Reed's eyes. "From this moment through eternity, so let it be.

If you are still, no one can hurt you. If you play dead, there is nothing to kill.

My past is trying to catch up to me and I must continue run from it. It's the only way I can live.

You don't trust anyone, no one except Carter. Go to Carter. He'll take care of everything. He'll take care of you, Ems. I promise.

Fear no more the heat o' the sun, Nor the furious winter's rages; Thou thy worldly task hast done, Home art gone, and ta'en thy wages; Golden lads and girls all must, As chimney-sweepers, come to dust. Fear no more the frown o' the great; Thou art past the tyrant's stroke: Care no more to clothe and eat; To thee the reed is as the oak: The sceptre, learning, physic, must All follow this, and come to dust. Fear no more the lightning-flash, Nor the all-dreaded thunder-stone; Fear not slander, censure rash; Thou hast finished joy and moan; All lovers young, all lovers must Consign to thee, and come to dust. No exorciser harm thee! Nor no witchcraft charm thee! Ghost unlaid forbear thee! Nothing ill come near thee! Quiet consummation have; And renownéd be thy grave!

Silence does not mean yes. No can be thought and felt but never said. It can be screamed silently on the inside. It can be in the wordless stone of a clenched fist, fingernails digging into palm. Her lips sealed. Her eyes closed. His body just taking, never asking, never taught to question silence

You act like you're invincible, but I know deep down you want someone to hold your hand and buy you flowers and look you in the eye and tell you you're his soul mate. You want someone who will love every piece of you, even the pieces you can't love yourself.

Life is like Sanskrit read to a pony.

Do you remember? Do you remember the world before the poison?

Real men bake cakes. And pies. And cookies. And other shit.

It feels like the ground is breathing and the air has hands, like everything is moving except me, like I am the only thing solid, like it is the rest of the world that is dizzy.

There is eloquence in the tongueless wind, and a melody in the flowing brooks and the rustling of the reeds beside them, which by their inconceivable relation to something within the soul, awaken the spirits to a dance of breathless rapture, and bring tears of mysterious tenderness to the eyes, like the enthusiasm of patriotic success, or the voice of one beloved singing to you alone.

Love happens in the blink of an eye. One moment your heart is yours, and the next it belongs to someone you never intended to give it to. There is no transition. No earning on his part. Just foolish trust and hope for a future of happiness and emotional fulfillment. As much as we hope for a happily ever after, life doesn't work that way.

Jay," my name comes out like a prayer. "Be mine. Be only mine," he whispers to me. ~ Kane

The things is,” Rosina says, “people don’t want to hear something that’ll make their lives more difficult, even if it’s the truth. People hate having to change the way they see things. So instead of admitting the world is ugly, they shit on the messenger for telling them about it.

And that's when it hits me, the punch in the stomach, the carving out of my insides. That's when I realize that none of this is a movie. I will not go out with a bang. There is no ending. There are no credits. I will wake up and I will keep waking up and this will always be waiting for me.

The right thing to do is so easy to see when you're seventeen years old and don't have to make any big decisions. When you know that no matter what you do, someone will take care of you and fix everything. But when you're grown up, the world is not that black and white, and the right thing doesn't a tidy little arrow pointing to it.

What if I can't ever be who you want me to be? What if I keep letting you down?

The hidden well-spring of your soul must needs rise and run murmuring to the sea; And the treasure of your infinite depths would be revealed to your eyes. But let there be no scales to weigh your unknown treasure; And seek not the depths of your knowledge with staff or sounding line. For self is a sea boundless and measureless. Say not, “I have found the truth,” but rather, “I have found a truth.” Say not, “I have found the path of the soul.” Say rather, “I have met the soul walking upon my path.” For the soul walks upon all paths. The soul walks not upon a line, neither does it grow like a reed. The soul unfolds itself, like a lotus of countless petals.

Falling in love often happens at the wrong time, in the wrong place, with the wrong person.

Reed, I know that you think that it's better to wait until I evolve fully, but I don't think I can wait any longer..... You are my blood now and I'm yours. We are bound to each other in every way possible but one and I.. I don't know where I'm going, I don't even know what I've become, but I know that if I am with you, then I'm free...I'm home. Let me show you what you mean to me. Let me pull you into my world, as you have pulled me into yours.

Tragedy may hit all of us in one way or another, but fate's not our enemy, Brooke. We are. By locking yourself away from the world, you choose your own mistakes and destroy any chance of ever finding happiness. You cannot control life, but you can chose who you are and what you make of it.

It's one thing to develop a nostalgia for home while you're boozing with Yankee writers in Martha's Vineyard or being chased by the bulls in Pamplona. It's something else to go home and visit with the folks in Reed's drugstore on the square and actually listen to them. The reason you can't go home again is not because the down-home folks are mad at you--they're not, don't flatter yourself, they couldn't care less--but because once you're in orbit and you return to Reed's drugstore on the square, you can stand no more than fifteen minutes of the conversation before you head for the woods, head for the liquor store, or head back to Martha's Vineyard, where at least you can put a tolerable and saving distance between you and home. Home may be where the heart is but it's no place to spend Wednesday afternoon.

The Violins waltzed. The Cellos and Basses provided accompaniment. The Violas mourned their fate, while the Concertmaster showed off. The Flutes did bird imitations…repeatedly, and the reed instruments had the good taste to admire my jacket. The Trumpets held a parade in honor of our great nation, while the French Horns waxed nostalgic about something or other. The Trombones had too much to drink. The Percussion beat the band, and the Tuba stayed home playing cards with his landlady, the Harp, taking sips of warm milk a blue little cup. “But the Composer is still dead.

I'm not mad at you." He presses the cold cloth against my forehead. "I'm mad at myself. I did this. Well, Easton and I. I brought this on you. I'm Reed the Destroyer." He sounds sad. "Didn't you know that?" "I don't like that name." He sits next to me, drawing the cloth around and around my face, down my neck and onto my shoulder. It feels heavenly. "Yeah, and what would you call me instead?" I open my mouth and say, "Mine.

I was still alive. Ha! Take that kidnappers. Still alive. Maybe it was my butt that was feeding me. I always thought it was kind of round. I bet my body was eating up all the fat stores from my butt now. Yeah. See, having a big ass is a good thing. Good, good, good. They should put that in magazines. Why diet? Why stay thin? If you ever get kidnapped and left for dead, your fat ass could save your life!

It would seem that emotions are the curse, not death-emotions that appear to have developed upon a few freaks as a special curse from Malevolence. All right then. It is our emotions that are amiss. We are freaks, the world is fine, and let us all go have lobotomies to restore us to a natural state. We can leave the library then, go back to the creek lobotomized, and live on its banks as untroubled as any muskrat or reed. You first.

Most of the time when I have met artists who have meant a lot to me, the experience has been well above expectation. People like Iggy, Lou Reed, Jerry Lee Lewis, Black Sabbath, Nick Cave, Hubert Selby Jr, Billy Gibbons, Al Pacino, John Lee Hooker, James Brown, Johnny Cash etc. have been really great to me. What strikes me is most of the time, the bigger the celeb/legend, the more polite and cool they are. It's the insecure ones who treat you like they're doing you a favor by shaking your hand.

Hey, I was sleeping innocently until a big bear came in and decided that my bed was just right.” He tugs on my hair. “I think you got the wrong fairytale here.” “What would be the right one? Aladdin because you plan to take me on a magical carpet ride?” I waggle my eyebrows. Reed bursts out laughing. “Is that what you think of my dick? That it’s magical?” I blush so furiously that he laughs even harder. “Damn, you really are a virgin, aren’t you?” Cheeks still flaming, I flip up my middle finger. “That’s what I think of you and your magical, uh…” “Dick,” he supplies between laughs. “Come on, virgin, just say it—dick.” “Oh, you’re a dick, all right.” I glare at him all the way to the car. - Ella Harper

I said just let me try one more time and she said, "THAT'S ENOUGH, ISABEL," again, and she could just say it over and over and it would never get through my thick skull because I'm always wanting and wanting because nothing is ever enough you are never enough I am never enough I am never enough I AM NEVER ENOUGH.

The soul gropes in search of a soul, and finds it. And that soul, found and proven, is a woman. A hand sustains you, it is hers; lips lightly touch your forehead, they are her lips; you hear breathing near you, it is she. To have her wholly, from her devotion to her pity, never to be left alone, to have that sweet shyness as, to lean on that unbending reed, to touch, Providence with your hands and be able to grasp it in your arms; God made palpable, what transport! The heart, that dark celestial flower, bursts into a mysterious bloom. You would not give up that shade for all the light in the world! The angel soul is there, forever there; if she goes away, it is only to return; she fades away in a dream and reappears in reality. You feel an approaching warmth, she is there. You overflow with serenity, gaiety, and ecstasy; you are radiant in your darkness. And the thousand little cares! The trifles that are enormous in this void. The most ineffable accents of the womanly voice used to comfort you, and replacing for you the vanished universe! You are caressed through the soul. You see nothing but you feel yourself adored. It is paradise of darkness.

You never heard me tell you that I want everything, not just the perfect pieces, not just the sparkling, charming snapshots of you. You never let me tell you that I want every piece of you, even the broken ones, even the dark places where scary things hide.

Never,” said he, as he ground his teeth, “never was anything at once so frail and so indomitable. A mere reed she feels in my hand!” (And he shook me with the force of his hold.) “I could bend her with my finger and thumb: and what good would it do if I bent, if I uptore, if I crushed her? Consider that eye: consider the resolute, wild, free thing looking out of it, defying me, with more than courage—with a stern triumph. Whatever I do with its cage, I cannot get at it—the savage, beautiful creature! If I tear, if I rend the slight prison, my outrage will only let the captive loose. Conqueror I might be of the house; but the inmate would escape to heaven before I could call myself possessor of its clay dwellingplace. And it is you, spirit—with will and energy, and virtue and purity— that I want: not alone your brittle frame. Of yourself you could come with soft flight and nestle against my heart, if you would: seized against your will, you will elude the grasp like an essence—you will vanish ere I inhale your fragrance.

Reed’s face inches closer to mine on the pillow as he says, “Let me try to explain something to you, Evie. All of these years that I have been here, it is as if I have been sleeping. I have to always pretend to be something that I am not—pretend to be human. When I am not pretending to be human, then I am hunting evil, vicious angels who want nothing more than to…” his voice trails off and there is hollowness in his tone that reflects the loneliness of his existence. “But now, I am awake, for the first time in my existence, and not only am I awake, but I feel flames when you are near me. You have changed things for me. There is no reason to pretend around you. If I had to live without you now…now that I know what I have been missing…” The need in his voice makes me want to promise him anything, give him anything, just to fill that void in him. “I cannot go back to sleep, Evie. You are the only thing that makes me want to live. If you leave here, if you ascend to Paradise, or even if you are cast into the abyss, or taken there by the Fallen…I will have to follow you, no matter where you go. Even if I have to pursue you into the dark…if you cease to be, then so will I. You are my sin and my redemption.

God spreads the heavens above us like great wings And gives a little round of deeds and days, And then come the wrecked angels and set snares, And bait them with light hopes and heavy dreams, Until the heart is puffed with pride and goes Half shuddering and half joyous from God's peace; And it was some wrecked angel, blind with tears, Who flattered Edane's heart with merry words. Come, faeries, take me out of this dull house! Let me have all the freedom I have lost; Work when I will and idle when I will! Faeries, come take me out of this dull world, For I would ride with you upon the wind, Run on the top of the dishevelled tide, And dance upon the mountains like a flame. I would take the world And break it into pieces in my hands To see you smile watching it crumble away. Once a fly dancing in a beam of the sun, Or the light wind blowing out of the dawn, Could fill your heart with dreams none other knew, But now the indissoluble sacrament Has mixed your heart that was most proud and cold With my warm heart for ever; the sun and moon Must fade and heaven be rolled up like a scroll But your white spirit still walk by my spirit. When winter sleep is abroad my hair grows thin, My feet unsteady. When the leaves awaken My mother carries me in her golden arms; I'll soon put on my womanhood and marry The spirits of wood and water, but who can tell When I was born for the first time? The wind blows out of the gates of the day, The wind blows over the lonely of heart, And the lonely of heart is withered away; While the faeries dance in a place apart, Shaking their milk-white feet in a ring, Tossing their milk-white arms in the air; For they hear the wind laugh and murmur and sing Of a land where even the old are fair, And even the wise are merry of tongue; But I heard a reed of Coolaney say-- When the wind has laughed and murmured and sung, The lonely of heart is withered away.

I'd do anything for you. You know that?" he whispered into my ear. "If you fell, I'd hold you. If you were afraid, I'd wrap my arms around you and take away your fears. I'd die to keep you safe but more than anything I'd do whatever it takes to keep you by my side. For you I'd conquer anything, everything, anytime.

The human being is only a reed, the most feeble in nature; but this is a thinking reed. It isn't necessary for the entire universe to arm itself in order to crush him; a whiff of vapor, a taste of water, suffices to kill him. But when the universe crushes him, the human being becomes still more noble than that which kills him, because he knows that he is dying, and the advantage that the universe has over him. The universe, it does not have a clue. "All our dignity consists, then, in thought. This is the basis on which we must raise ourselves, and not space and time, which we would not know how to fill. Let us make it our task, then, to think well: here is the principle of morality.

There is a picture of me in their heads, a picture of someone I don't know yet. She is not the chubby girl with the braces and bad perm. She is not the girl hiding in the bathroom at recess. She is someone new, a blank slate they have named beautiful. That is what I am now: beautiful, with this new body and face and hair and clothes. Beautiful, with this erasing of history.

Before there was Cocaine or vodka or sex or any of that, there was fantasy. There was escape. That was my first addiction. I remember being a little kid and imagining everything different, myself different. How did I get the idea in my head at age eight that everything was better somewhere else? Why would a child have a hole inside that can't get full no matter what she does? The real world could never make me happy, so I retreated to the world inside my head. And as I grew, as the real world proved itself more and more painful, the fantasy world expanded.

Consider a single piece glowing in your family’s stove. See it, children? That chunk of coal was once a green plant, a fern or reed that lived one million years ago, or maybe two million, or maybe one hundred million. Can you imagine one hundred million years? Every summer for the whole life of that plant, its leaves caught what light they could and transformed the sun’s energy into itself. Into bark, twigs, stems. Because plants eat light, in much the way we eat food. But then the plant died and fell, probably into water, and decayed into peat, and the peat was folded inside the earth for years upon years—eons in which something like a month or a decade or even your whole life was just a puff of air, a snap of two fingers. And eventually the peat dried and became like stone, and someone dug it up, and the coal man brought it to your house, and maybe you yourself carried it to the stove, and now that sunlight—sunlight one hundred million years old—is heating your home tonight . . .

The rest of us, not chosen for enlightenment, left on the outside of Earth, at the mercy of a Gravity we have only begun to learn how to detect and measure, must go on blundering inside our front-brain faith in Kute Korrespondences, hoping that for each psi-synthetic taken from Earth's soul there is a molecule, secular, more or less ordinary and named, over here - kicking endlessly among the plastic trivia, finding in each Deeper Significance and trying to string them all together like terms of a power series hoping to zero in on the tremendous and secret Function whose name, like the permuted names of God, cannot be spoken... plastic saxophone reed sounds of unnatural timbre, shampoo bottle ego-image, Cracker Jack prize one-shot amusement, home appliance casing fairing for winds of cognition, baby bottles tranquilization, meat packages disguise of slaughter, dry-cleaning bags infant strangulation, garden hoses feeding endlessly the desert... but to bring them together, in their slick persistence and our preterition... to make sense out of, to find the meanest sharp sliver of truth in so much replication, so much waste... [Gravity's Rainbow, p. 590]

I make an attempt to follow Reed’s lead and lighten the mood. “What was your excuse last week when you ate an entire batch of cookies?” “That was just me being hungry. Besides, they were cookies. Who needs an excuse to eat cookies?” “I feel like that’s a sexual question,” Wade chimes in. “And the correct answer is, no one ever needs an excuse to eat cookies.” “You do need permission, though,” Val says tersely, focusing her gaze on Wade for the first time since he sat down. “And if your mouth is all over someone else’s cookies, then other bakers aren’t going to be interested in offering you their cookies.” Then she gets up from the table and stomps off. “Hey!” Wade shouts after her. “I only had those other cookies that one time and only because the baker I wanted to get the cookies from was closed!” He shoots up from his seat and hustles after Val, leaving Easton, Reed, and me staring after them. “I have a feeling they aren’t talking about cookies,” Easton remarks.

The Song of Wandering Aengus I went out to the hazel wood, Because a fire was in my head, And cut and peeled a hazel wand, And hooked a berry to a thread; And when white moths were on the wing, And moth-like stars were flickering out, I dropped the berry in a stream And caught a little silver trout. When I had laid it on the floor I went to blow the fire a-flame, But something rustled on the floor, And someone called me by my name: It had become a glimmering girl With apple blossom in her hair Who called me by my name and ran And faded through the brightening air. Though I am old with wandering Through hollow lands and hilly lands, I will find out where she has gone, And kiss her lips and take her hands; And walk among long dappled grass, And pluck till time and times are done, The silver apples of the moon, The golden apples of the sun.

What if something were to happen? What if something suddenly started throbbing? Then they would notice it was there and they'd think their hearts were going to burst. Then what good would their dykes, bulwarks, power houses, furnaces and pile drivers be to them? It can happen any time, perhaps right now: the omens are present. For example, the father of a family might go out for a walk, and, across the street, he'll see something like a red rag, blown towards him by the wind. And when the rag has gotten close to him he'll see that it is a side of rotten meat, grimy with dust, dragging itself along by crawling, skipping, a piece of writhing flesh rolling in the gutter, spasmodically shooting out spurts of blood. Or a mother might look at her child's cheek and ask him: "What's that, a pimple?" and see the flesh puff out a little, split, open, and at the bottom of the split an eye, a laughing eye might appear. Or they might feel things gently brushing against their bodies, like the caresses of reeds to swimmers in a river. And they will realize that their clothing has become living things. And someone else might feel something scratching in his mouth. He goes to the mirror, opens his mouth: and his tongue is an enormous, live centipede, rubbing its legs together and scraping his palate. He'd like to spit it out, but the centipede is a part of him and he will have to tear it out with his own hands. And a crowd of things will appear for which people will have to find new names, stone eye, great three cornered arm, toe crutch, spider jaw. And someone might be sleeping in his comfortable bed, in his quiet, warm room, and wake up naked on a bluish earth, in a forest of rustling birch trees, rising red and white towards the sky like the smokestacks of Jouxtebouville, with big bumps half way out of the ground, hairy and bulbous like onions. And birds will fly around these birch trees and pick at them with their beaks and make them bleed. Sperm will flow slowly, gently, from these wounds, sperm mixed with blood, warm and glassy with little bubbles.