Red Winged Blackbird Quotes

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Suffering sucks. Don't do it. Go home and love your wife. Go home and love yourself. Go home and base your happiness on one thing and one thing only: freedom. Choose freedom, not suffering. Create a life of freedom, not wanting. Have some really good coffee and listen to the red-winged blackbirds in the marsh. Ignore the mosquitoes.
Laura Munson (This Is Not The Story You Think It Is: A Season of Unlikely Happiness)
Winter came in days that were gray and still. They were the kind of days in which people locked in their animals and themselves and nothing seemed to stir but the smoke curling upwards from clay chimneys and an occasional red-winged blackbird which refused to be grounded. And it was cold. Not the windy cold like Uncle Hammer said swept the northern winter, but a frosty, idle cold that seeped across a hot land ever lookung toward the days of green and ripening fields, a cold thay lay uneasy during during its short stay as it crept through the cracks of poorly constucted houses and forced the people inside huddled around ever-burning fires to wish it gone.
Mildred D. Taylor (Let the Circle Be Unbroken (Logans, #5))
In Loving Memory Winifred Foster Jackson Dear Wife Dear Mother 1870--1948 “So,” said Tuck to himself. “Two years. She’s been gone two years.” He stood up and looked around, embarrassed, trying to clear the lump from his throat. But there was no one to see him. The cemetery was very quiet. In the branches of a willow behind him, a red-winged blackbird chirped. Tuck wiped his eyes hastily. Then he straightened his jacket again and drew up his hand in a brief salute. “Good girl,” he said aloud. And then he turned and left the cemetery, walking quickly. Later, as he and Mae rolled out of Treegap, Mae said softly, without looking at him, “She’s gone?” Tuck nodded. “She’s gone,” he answered. There was a long moment of silence between them, and then Mae said, “Poor Jesse.” “He knowed it, though,” said Tuck. “At least, he knowed she wasn’t coming. We all knowed that, long time ago.” “Just the same,” said Mae. She sighed. And then she sat up a little straighter. “Well, where to now, Tuck? No need to come back here no more.” “That’s so,” said Tuck. “Let’s just head on out this way. We’ll locate something.” “All right,” said Mae. And then she put a hand on his arm and pointed. “Look out for that toad.” Tuck had seen it, too. He reined in the horse and climbed down from the wagon. The toad was squatting in the middle of the road, quite unconcerned. In the other lane, a pickup truck rattled by, and against the breeze it made, the toad shut its eyes tightly. But it did not move. Tuck waited till the truck had passed, and then he picked up the toad and carried it to the weeds along the road’s edge. “Durn fool thing must think it’s going to live forever,” he said to Mae. And soon they were rolling on again, leaving Treegap behind, and as they went, the tinkling little melody of a music box drifted out behind them and was lost at last far down the road.
Natalie Babbitt (Tuck Everlasting)
The forests had put on their sober brown and yellow, while some trees of the tenderer kind had been nipped by the frosts into brilliant dyes of orange, purple, and scarlet. Streaming files of wild ducks began to make their appearance high in the air; the back of the squirrel might be heard from the groves of beech and hickory-nuts, and the pensive whistle of the quail at intervals from the neighboring stubble field. The small birds were taking their farewell banquets. In the fullness of their revelry, they fluttered, chirping and frolicking from bush to bush, and tree to tree, capricious from the very profusion and variety around them. There was the honest cock robin, the favorite game of stripling sportsmen, with its loud querulous note; and the twittering blackbirds flying in sable clouds; and the golden-winged woodpecker with his crimson crest, his broad black gorget, and splendid plumage; and the cedar bird, with its red-tipt wings and yellow-tipt tail and its little monteiro cap of feathers; and the blue jay, that nosy coxcomb, in his gay light blue coat and white underclothes, screaming and chattering, nodding and bobbing and bowing, and pretending to be on good terms with every songster of the grove.
Washington Irving (The Legend of Sleepy Hollow)
Poem in October" It was my thirtieth year to heaven Woke to my hearing from harbour and neighbour wood And the mussel pooled and the heron Priested shore The morning beckon With water praying and call of seagull and rook And the knock of sailing boats on the net webbed wall Myself to set foot That second In the still sleeping town and set forth. My birthday began with the water- Birds and the birds of the winged trees flying my name Above the farms and the white horses And I rose In rainy autumn And walked abroad in a shower of all my days. High tide and the heron dived when I took the road Over the border And the gates Of the town closed as the town awoke. A springful of larks in a rolling Cloud and the roadside bushes brimming with whistling Blackbirds and the sun of October Summery On the hill's shoulder, Here were fond climates and sweet singers suddenly Come in the morning where I wandered and listened To the rain wringing Wind blow cold In the wood faraway under me. Pale rain over the dwindling harbour And over the sea wet church the size of a snail With its horns through mist and the castle Brown as owls But all the gardens Of spring and summer were blooming in the tall tales Beyond the border and under the lark full cloud. There could I marvel My birthday Away but the weather turned around. It turned away from the blithe country And down the other air and the blue altered sky Streamed again a wonder of summer With apples Pears and red currants And I saw in the turning so clearly a child's Forgotten mornings when he walked with his mother Through the parables Of sun light And the legends of the green chapels And the twice told fields of infancy That his tears burned my cheeks and his heart moved in mine. These were the woods the river and sea Where a boy In the listening Summertime of the dead whispered the truth of his joy To the trees and the stones and the fish in the tide. And the mystery Sang alive Still in the water and singingbirds. And there could I marvel my birthday Away but the weather turned around. And the true Joy of the long dead child sang burning In the sun. It was my thirtieth Year to heaven stood there then in the summer noon Though the town below lay leaved with October blood. O may my heart's truth Still be sung On this high hill in a year's turning.
Dylan Thomas (Collected Poems)
The wife sits in the backyard with binoculars. She is trying to learn about the birds. She has seen robins and sparrows and wrens. A green-throated hummingbird. She wants to know the name of the black bird with the red wings. She looks it up. It is a red-winged blackbird.
Jenny Offill (Dept. of Speculation)
suddenly, the solitude only seemed tragic, the result of a longing that could never be fulfilled. Either you had a wounded childhood and continually seeking wholeness the rest of your life or you had an idyllic childhood and want the feeling of it back. Either way, the journey's impossible; it's easier to fly to the moon.
Tim Bowling (The Call of the Red-Winged Blackbird: Essays on the Common and Extraordinary)
He's a funny one," said Ida. "Here's how he sound." She pursed her lips and, expertly, imitated the red-winged blackbird's call: not the liquid piping of the wood thrush, which dipped down into the dry tchh tchh tchh of the cricket's birr and up again in delerious, sobbing trills; not the clear, three-note whistle of the chickadee or even the blue jay's rough cry, which was like a rusty gate creaking. This was an abrupt, whirring, unfamiliar cry, a scream of warning -congeree!- which choked itself off on a subdued, fluting note.
Donna Tartt
We inherit the spirit world from a time when our ancestors huddled in dark shelters at night and let their imaginations draw up creatures more or less like ourselves although lacking corporeal substance. But why should we care about angels when the season's first blackbirds spread their red-shouldered wings? Why should we seek treasures in Heaven when year after year the fiddlehead ferns unfurl their silver croziers along the brook? Why should we look for out-of-body experiences when it is our bodies that connect us through the five open windows of our senses to the sights, sounds, tastes, smells, and tactile sensations of nature?
Chet Raymo (The Path: A One-Mile Walk Through the Universe)
Unfortunately, nature is very much a now-you-see-it, now-you-don't affair. A fish flashes, then dissolves in the water before my eyes like so much salt. Deer apparently ascend bodily into heaven, the brightest oriole fades into leaves. These disappearances stun me into stillness and concentration; they say of nature that it conceals with a grand nonchalance, and they say of vision that it is a deliberate gift, ... For a week last September migrating red-winged blackbirds were feeding heavily down by the creek at the back of the house. One day I went out to investigate the racket: I walked up to a tree, an Osage orange, and a hundred birds flew away. They simply materialized out of the tree. I saw a tree, then a whisk of color, then a tree again. I walked closer and another hundred blackbirds took flight. Not a branch, not a twig budged: the birds were apparently weightless as well as invisible. Or, it was as if the leaves of the Osage orange had been freed from a spell in the form of red-winged blackbirds; they flew from the tree, caught my eye in the sky, and vanished. When I looked again at the tree the leaves had reassembled as if nothing had happened. Finally I walked directly to the trunk of the tree and a final hundred, the real diehards, appeared, spread, and vanished. How could so many hide in the tree without my seeing them? The Osage orange, unruffled, looked just as it had looked from the house, when three hundred red-winged blackbirds cried from its crown. I looked downstream where they flew, and they were gone. Searching, I couldn't spot one. I wandered downstream to force them to play their hand, but they'd crossed the creek and scattered. One show to a customer. These appearances catch at my throat; they are the free gifts, the bright coppers at the roots of trees.
Annie Dillard (Pilgrim at Tinker Creek)
As the highway threads these miles of salt flats, red-winged blackbirds flock in sheets that billow luminous curves across the gathering darkness, and the moon posts itself in the turning sky while Bailey crosses the last of the marshlands and drives onward into the now forested twilight.
Ellen Malphrus (Untying the Moon)
New beginnings come with the tail of the red-winged blackbird. Here’s to hoping my daddy was right.
Austin Cochran (Totem Lake)
sucks. Don’t do it. Go home and love your wife. Go home and love yourself. Go home and base your happiness on one thing and one thing only: freedom. Choose freedom, not suffering. Create a life of freedom, not wanting. Have some really good coffee and listen to the red-winged blackbirds in the marsh. Ignore the mosquitoes.
Laura Munson (This Is Not the Story You Think It Is...: A Season of Unlikely Happiness)
Occasionally, the ripples on the surface was shattered or crossed by a curling V-wake that marked the watery trail of a swimming muskrat. At the far north end of the lake, a lithe doe, who had left her dappled fawn hidden in a thicket, sipped, raised a nervous head to look, and lower in to sip again. As though his last dark deed, the murder of a nesting mallard, could not abide the light, a snake-thin mink looked for a den in which he might lie up and found one in a hallow stump. Two crows, busily trying to pick up a dead fish that floated with white belly upward, cawed their disappointment or rising excitement as their fortunes waned or rose. Saucy, red-winged blackbirds tilted on bending rushes and whistled defiance to the rest of the world.
Jim Kjelgaard (Two Dogs and a Horse)
Now I’m no art critic, but in a time seen as a bridge between the late middle ages and the early renaissance, where the church played such a substantial part in the day to day running of people's lives, Bosch’s Garden of Earthly Delights, which is painted on oak with a square middle panel flanked by two doors that close over the centre like shutters, is rather racy. When the outer shutters are folded over they show a grisaille painting of the earth during creation. But it’s the three scenes of the inner triptych that fascinate me. If you’re unfamiliar with the painting, I’ll do my best to describe it for you. Apologies in advance if I miss anything out. It’s regular sort of stuff, you know, naked women being fondled by demons, a bloke being kissed by a pig dressed as a nun, another bloke being eaten by some kind of story book character while loads of blackbirds fly out of his arse, a couple locked in a glass sphere and – let’s not beat about the Bosch here – locked in each other’s embrace as well. There are loads of people feeding each other fruit, doing handstands, hatching out of eggs, climbing up ladders to get inside the bodies of other people and looking at demon’s arses. There’s a couple getting caught shagging by giant birds, and a white bloke and a black Rastafarian with ‘locks (400 years before the Rastafari movement was founded) about to have a snog. You’ve got God giving Eve to a very puny-looking, limp-dicked Adam, and there’s a bunch of people sitting around a table inside the body of another bloke while an old woman fills up on wine from a decent-sized barrel while a kind of giant metal face pukes out loads of naked blokes who go running into a trumpet and another bloke being fed a cherry by a giant bird while a white bloke shows a black lady something in the sky. It’s all going on! There's loads of those ‘living dead’ mateys walking about, and a bloke carrying giant grapes past a topless girl with, it has to be said, pretty decent tits. She’s balancing a giant dice on her head while doing something strange to another bloke’s arse while a rabbit in clothes walks past. You can’t see what she’s doing because there’s a table in the way but beside them is a serpent-type creature with just one massive boob and a pretty pert nipple. One huge tit the size of his chest! Of all things, he’s holding a backgammon board up in the air. I’d say Bosch was a tit man, wouldn’t you? But there’s more. There’s a crowd of naked girls – black & white - in a water pool, all balancing cherries on their heads; read into that what you will. There are just LOADS of naked women in this water pool, including one of the black girls who’s balancing a peacock on her head. There are dozens of nudists riding horses around them in a circle. Some are sharing the same horse, so I must admit that in places it appears to be a little intimate. And now what have we got! There’s a couple cavorting inside a giant shell which is being carried on the back of another bloke. Why doesn’t he just put it down and climb in and have a threes-up? There are people with wings, creatures reading books and just more and more nudists. There’s a naked woman lying back, and this other bloke with his face extremely close to her nether regions! What on earth does the blighter think he’s playing at? There’s loads of grey half men-half fish, some balancing red balls on their heads like seals, and another fellow doing a handstand underwater while holding onto his nuts. You’ve got a ball in a river with people climbing all over it, while a bloke inside the ball is touching a lady in what appears to be a very inappropriate manner! There’s a kind of platypus-type fish reading a book underground and Theresa May triggering Article 50 of Brexit (just kidding about the Theresa May bit).
Karl Wiggins (Wrong Planet - Searching for your Tribe)
Those few individuals quickly multiplied across the continent into a population of 120 million, distinguishing the European starling as about the seventh most abundant bird species in North America today (after the American robin, dark-eyed junco, red-winged blackbird, red-eyed vireo, white-throated sparrow, and yellow-rumped warbler, according to Partners in Flight). Few species have ever spread so fast or multiplied so quickly—except humans.
Noah Strycker (The Thing with Feathers: The Surprising Lives of Birds and What They Reveal About Being Human)
In the fifty years that I have been writing about nature, roughly 60 percent of all individual mammals have been erased from the face of the Earth. The total population of North American red-winged blackbirds and robins have been cut by a third. Half of grassland birds have been lost. As many as one of out five species of organisms may be on the verge of extinction now, and twice that number could be lost by the end of the century…Unless the world acts to stop extinctions, I will write my last nature essay on a planet that is less than half a song-graced and life-drenched as the one where I began to write.
Kathleen Dean Moore (Earth's Wild Music: Celebrating and Defending the Songs of the Natural World)