Patrick Brewer Quotes

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remember the evening as a wonderful blur of warm emotion, tinged in bitter. Fiddles, lutes, and drums, everyone played and danced and sang as they wished. I dare say we rivaled any faerie revel you can bring to mind. I got presents. Trip gave me a belt knife with a leather grip, claiming that all boys should have something they can hurt themselves with. Shandi gave me a lovely cloak she had made, scattered with little pockets for a boy’s treasures. My parents gave me a lute, a beautiful thing of smooth dark wood. I had to play a song of course, and Ben sang with me. I slipped a little on the strings of the unfamiliar instrument, and Ben wandered off looking for notes once or twice, but it was nice. Ben opened up a small keg of mead he had been saving for “just such an occasion.” I remember it tasting the way I felt, sweet and bitter and sullen. Several people had collaborated to write “The Ballad of Ben, Brewer Supreme.” My father recited it as gravely as if it were the Modegan royal lineage while accompanying himself on a half harp. Everyone laughed until they hurt, and Ben twice as much as everyone else. At some point in the night, my mother swept me up and danced around in a great spinning circle. Her laughter sang out like music trailing in the wind. Her hair and skirt spun around me as she twirled. She smelled comforting, the way only mothers do. That smell, and the quick laughing kiss she gave me did more to ease the dull ache of Ben’s leaving than all the entertainments combined.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
Ladies and gentlemen!” A loud, brash male voice rose above the din in the bar; it was bellowing and unmistakable. “May I have your attention, please!” Abe’s stomach tightened into a ball. After more than twenty years of listening to absurd nonsequiturs being bandied about during lulls in the office by the same voice, Abe knew who was speaking in an instant. His longtime business partner, CS Duffy, clad in his standard black Carhartt hooded sweatshirt and faded blue jeans, a Milwaukee Brewers cap on his head, was standing on a chair holding up his private investigator’s license folio as if it was some sort of officious piece of federal ID. “My name is Dr. Herbert Manfred Marx. I am with the CDC. We have an emergency situation.” The bar quieted nearly to silence. Abe started to move toward his partner. He had no idea what Duff was planning to say or do, but he knew it wouldn’t be good. Duff looked around the room, taking the time to make eye contact with the dozens of concerned speed daters. “The CDC has isolated a new form of sexually transmitted disease. We are calling it Mega-Herpes Complex IX. It is highly contagious and may result in your genitals exploding off your bodies in much the same way some lizards eject their own tails to confuse pursuing predators.” There were a few gasps from some of the women in the room and a round of confused murmurs. Duff continued unfazed. He unfurled a large, unflattering photocopy of an old photograph of Abe’s face. “We believe we have tracked Patient Zero to this location. If you see this man, for the love of God, do not sleep with him!” Abe walked up to Duff, grabbed his sleeve, and yanked him off the chair. Duff landed heavily. “Hey, Patient Zero! Good to see you.
Sean Patrick Little (Where Art Thou? (Abe and Duff Mystery Series Book 3))
The seven-plus centuries of organized torment originated in a letter from Pope Adrian IV in 1155, which empowered King Henry II to conquer Ireland and its “rude and savage people.” It was decreed that the rogue Irish Catholic Church, a mutt’s mash of Celtic, Druidic, Viking and Gaelic influences, had strayed too far from clerical authority, at a time when English monarchs still obeyed Rome. Legend alone was not enough to save it—that is, the legend of Patrick, a Roman citizen who came to Ireland in a fifth-century slave ship and then convinced many a Celt to worship a Jewish carpenter’s son. Patrick traveled with his own brewer; the saint’s ale may have been a more persuasive selling point for Christianity than the trinity symbol of the shamrock. There followed centuries of relative peace, the island a hive of learned monks, masterly stonemasons and tillers of the soil, while Europe fell to Teutonic plunder. The Vikings, after much pillaging, forced interbreeding, tower-toppling and occasional acts of civic improvement (they founded Dublin on the south bank of the Liffey), eventually succumbed to the island’s religion as well. They produced children who were red-haired and freckled, the Norse-Celts. But by the twelfth century, Ireland was out of line. Does it matter that this Adrian IV, the former Nicholas Breakspear, was history’s only English pope? Or that the language of the original papal bull, with all its authoritative aspersions on the character of the Irish, has never been authenticated? It did for 752 years.
Tim Egan (The Immortal Irishman: Thomas Meager and the Invention of Irish America)