Red Slippers Quotes

People ask me all the time, “Jarod, how come you are so much more romantic than anybody else?” And I say, “Simple. I have brains, heart, courage, and most importantly, I have ruby red slippers.

When I am an old woman I shall wear purple with a red hat which doesn't go, and doesn't suit me. And I shall spend my pension on brandy and summer gloves and satin sandles, and say we've no money for butter. I shall sit down on the pavement when I'm tired And gobble up samples in shops and press alarm bells And run my stick along the public railings And make up for the sobriety of my youth. I shall go out in my slippers in the rain and pick flowers in other people's gardens And learn to spit. You can wear terrible shirts and grow more fat And eat three pounds of sausages at a go Or only bread and pickle for a week And hoard pens and pencils and beer mats and things in boxes. But now we must have clothes that keep us dry And pay our rent and not swear in the street And set a good example for the children.

These shoes look like they're straight out of 'The Wizard of Oz,' but since I'm like the tornado that blew you into Oz, I guess you can wear Dorothy's red slippers. And if I'm gone and seem lost, maybe you can do a little click and I'll find my way home.

Somewhere, in some shadowy bedroom of a leaf-strewn town, a father bolts the door to a child's room, then steps closer to the bed. In a neighbor's garden lurks a weed with a funny, blade-petaled flower, its poison choking the red roses. Somewhere a car is crashing; a phone is ringing in the center of night. The spider waits poised in the slipper. The bird swoops headlong into glass it thought was farther air. The strangler envisions a neighborhood of throats. The head finds the noose; the foot kicks the chair.

Somewhere, on the long road that wound through those four years, the girl with her sachet & dancing slippers had slipped away & there was left a woman with sharp green eyes, who counted pennies & turned her hands to many menial tasks, a woman to whom nothing was left from the wreckage except the indestructible red earth on which she stood.

I look forward all day to evening, and then I put an "engaged" on the door and get into my nice red bath robe and furry slippers and pile all the cushions behind me on the couch, and light the brass student lamp at my elbow, and read and read and read. One book isn't enough. I have four going at once. Just now, they're Tennyson's poems and "Vanity Fair" and Kipling's "Plain Tales" and - don't laugh - "Little Women." I find that I am the only girl in college who wasn't brought up on "Little Women." I haven't told anybody though (that would stamp me as queer). I just quietly went and bought it with $1.12 of my last month's allowance; and the next time somebody mentions pickled limes, I'll know what she is talking about!

What do you think it is to be normal?' Why in the world would you want to be?' she says. I don't know. I guess that's the problem.' I don't think normal is that great.' But so many people choose it,' I reply. I don't think that's it at all. I think most everyone is normal and some of us, for whatever reason, choose to reject that and wear ruby red slippers or old black hats.' Well, why do we choose the hard road?

You'll want all your strength for the wedding night." I cannot think why I should need strength," she said, ignoring a host of spine-tingling images rising in her mind's eye. "All I have to do is lie there." "Naked," he said grimly. "Truly?" She shot him a glance from under her lashes. "Well, if I must, I must, for you have the advantage of experience in these matters. Still, I do wish you'd told me sooner. I should not have put the modiste to so much trouble about the negligee." "The what?" "It was ghastly expensive," she said, "but the silk is as fine as gossamer, and the eyelet work about the neckline is exquisite. Aunt Louisa was horrified. She said only Cyprians wear such things, and it leaves nothing to the imagination." Jessica heard him suck in his breath, felt the muscular thigh tense against hers. "But if it were left to Aunt Louisa," she went on,"I should be covered from my chin to my toes in thick cotton ruffled with monstrosities with little bows and rosebuds. Which is absurd, when an evening gown reveals far more, not to mention--" "What color?" he asked. His low voice had roughened. "Wine red," she said, "With narrow black ribbons threaded through the neckline. Here." She traced a plunging U over her bosom. "And there's the loveliest openwork over my...well, here." She drew her finger over the curve of her breast a bare inch above the nipple. "And openwork on the right side of the skirt. From here" --she pointed to her hip--"down to the hem. And I bought---" "Jess." Her name was a strangled whisper. "--slippers to match," she continued." Black mules with--" "Jess." In one furious flurry of motion he threw down the reins and hauled her into his lap.

That evening, as I watched the sunset’s pinwheels of apricot and mauve slowly explode into red ribbons, I thought: The sensory misers will inherit the earth, but first they will make it not worth living on. When you consider something like death, after which (there being no news flash to the contrary) we may well go out like a candle flame, then it probably doesn’t matter if we try too hard, are awkward sometimes, care for one another too deeply, are excessively curious about nature, are too open to experience, enjoy a nonstop expense of the senses in an effort to know life intimately and lovingly. It probably doesn’t matter if, while trying to be modest and eager watchers of life’s many spectacles, we sometimes look clumsy or get dirty or ask stupid questions or reveal our ignorance or say the wrong thing or light up with wonder like the children we all are. It probably doesn’t matter if a passerby sees us dipping a finger into the moist pouches of dozens of lady’s slippers to find out what bugs tend to fall into them, and thinks us a bit eccentric. Or a neighbor, fetching her mail, sees us standing in the cold with our own letters in one hand and a seismically red autumn leaf in the other its color hitting our sense like a blow from a stun gun, as we stand with a huge grin, too paralyzed by the intricately veined gaudiness of the leaf to move.

There is one thing I like about the Poles—their language. Polish, when it is spoken by intelligent people, puts me in ecstasy. The sound of the language evokes strange images in which there is always a greensward of fine spiked grass in which hornets and snakes play a great part. I remember days long back when Stanley would invite me to visit his relatives; he used to make me carry a roll of music because he wanted to show me off to these rich relatives. I remember this atmosphere well because in the presence of these smooth−tongued, overly polite, pretentious and thoroughly false Poles I always felt miserably uncomfortable. But when they spoke to one another, sometimes in French, sometimes in Polish, I sat back and watched them fascinatedly. They made strange Polish grimaces, altogether unlike our relatives who were stupid barbarians at bottom. The Poles were like standing snakes fitted up with collars of hornets. I never knew what they were talking about but it always seemed to me as if they were politely assassinating some one. They were all fitted up with sabres and broad−swords which they held in their teeth or brandished fiercely in a thundering charge. They never swerved from the path but rode rough−shod over women and children, spiking them with long pikes beribboned with blood−red pennants. All this, of course, in the drawing−room over a glass of strong tea, the men in butter−colored gloves, the women dangling their silly lorgnettes. The women were always ravishingly beautiful, the blonde houri type garnered centuries ago during the Crusades. They hissed their long polychromatic words through tiny, sensual mouths whose lips were soft as geraniums. These furious sorties with adders and rose petals made an intoxicating sort of music, a steel−stringed zithery slipper−gibber which could also register anomalous sounds like sobs and falling jets of water.

Are you prepared to be the complete Watson?" he asked. "Watson?" "Do-you-follow-me-Watson; that one. Are you prepared to have quite obvious things explained to you, to ask futile questions, to give me chances of scoring off you, to make brilliant discoveries of your own two or three days after I have made them myself all that kind of thing? Because it all helps." "My dear Tony," said Bill delightedly, "need you ask?" Antony said nothing, and Bill went on happily to himself, "I perceive from the strawberry-mark on your shirt-front that you had strawberries for dessert. Holmes, you astonish me. Tut, tut, you know my methods. Where is the tobacco? The tobacco is in the Persian slipper. Can I leave my practice for a week? I can.

Drenched in British purples, I have offered up my tones: pigeon breast, hind belly, balky mule lung, monkey bottom pink, lapis lazuli and malachite, excited nymph thigh, panther pee-pee, high-smelling hen hair, hedgehog in aspic, barrel-maker's brothel, revered rose, monkeybush, turkey-like white, sly violet, page's slipper, immaculate nun spring, unspeakable red, Ensor azure, affected yellow, mummy skull, rock-hard gray, brunt celadon, shop soiled smoke ring.

My story was not a fairy tale of a cruel-hearted girl whose shoes danced her to death, or a kindhearted one who threw her red shoes into the river. This was not a story about a wicked queen made to wear iron heels, or a lovely, golden-haired girl in slippers of glass. This had been about a fever, a nightmare, a dance made into a curse. It was about women turning their own fears into their sharpest blades.

Imagine this: Instead of waiting in her tower, Rapunzel slices off her long, golden hair with a carving knife, and then uses it to climb down to freedom. Just as she’s about to take the poison apple, Snow White sees the familiar wicked glow in the old lady’s eyes, and slashes the evil queen’s throat with a pair of sewing scissors. Cinderella refuses everything but the glass slippers from her fairy godmother, crushes her stepmother’s windpipe under her heel, and the Prince falls madly in love with the mysterious girl who dons rags and blood-stained slippers. Imagine this: Persephone goes adventuring with weapons hidden under her dress. Persephone climbs into the gaping chasm. Or, Persephone uses her hands to carve a hole down to hell. In none of these versions is Persephone’s body violated unless she asks Hades to hold her down with his horse-whips. Not once does she hold out on eating the pomegranate, instead biting into it eagerly and relishing the juice running down her chin, staining it red. In some of the stories, Hades never appears and Persephone rules the underworld with a crown of her own making. In all of them, it is widely known that the name Persephone means Bringer of Destruction. Imagine this: Red Riding Hood marches from her grandmother’s house with a bloody wolf pelt. Medusa rights the wrongs that have been done to her. Eurydice breaks every muscle in her arms climbing out of the land of the dead. Imagine this: Girls are allowed to think dark thoughts, and be dark things. Imagine this: Instead of the dragon, it’s the princess with claws and fiery breath who smashes her way from the confines of her castle and swallows men whole.

I do admit, I am quite threatening.” He’s wearing a bathrobe and slippers.

A red backless slipper slowly slid off her foot...and Franz, bending down after it, plunged softly into dark slumber.

I stifle a laugh. Ruby red slippers. Just like Cinderella: it always comes back to the shoes.

While dragging herself up she had to hang onto the rail. Her twisted progress was that of a cripple. Once on the open deck she felt the solid impact of the black night, and the mobility of the accidental home she was about to leave. Although Lucette had never died before—no, dived before, Violet—from such a height, in such a disorder of shadows and snaking reflections, she went with hardly a splash through the wave that humped to welcome her. That perfect end was spoiled by her instinctively surfacing in an immediate sweep — instead of surrendering under water to her drugged lassitude as she had planned to do on her last night ashore if it ever did come to this. The silly girl had not rehearsed the technique of suicide as, say, free-fall parachutists do every day in the element of another chapter. Owing to the tumultuous swell and her not being sure which way to peer through the spray and the darkness and her own tentaclinging hair—t,a,c,l—she could not make out the lights of the liner, an easily imagined many-eyed bulk mightily receding in heartless triumph. Now I’ve lost my next note. Got it. The sky was also heartless and dark, and her body, her head,and particularly those damned thirsty trousers, felt clogged with Oceanus Nox, n,o,x. At every slap and splash of cold wild salt, she heaved with anise-flavored nausea and there was an increasing number, okay, or numbness, in her neck and arms. As she began losing track of herself, she thought it proper to inform a series of receding Lucettes—telling them to pass it on and on in a trick-crystal regression—that what death amounted to was only a more complete assortment of the infinite fractions of solitude. She did not see her whole life flash before her as we all were afraid she might have done; the red rubber of a favorite doll remained safely decomposed among the myosotes of an un-analyzable brook; but she did see a few odds and ends as she swam like a dilettante Tobakoff in a circle of brief panic and merciful torpor. She saw a pair of new vairfurred bedroom slippers, which Brigitte had forgotten to pack; she saw Van wiping his mouth before answering, and then, still withholding the answer, throwing his napkin on the table as they both got up; and she saw a girl with long black hair quickly bend in passing to clap her hands over a dackel in a half-tom wreath. A brilliantly illumined motorboat was launched from the not-too-distant ship with Van and the swimming coach and the oilskin-hooded Toby among the would-be saviors; but by that time a lot of sea had rolled by and Lucette was too tired to wait. Then the night was filled with the rattle of an old but still strong helicopter. Its diligent beam could spot only the dark head of Van, who, having been propelled out of the boat when it shied from its own sudden shadow, kept bobbing and bawling the drowned girl’s name in the black, foam-veined, complicated waters.

Jiminy," says the old woman. The mothballs gleam with excitement and she claps her hands. "A wolf!" "Gram!" Siobhan glares across the room. She turns to me. "You'll have to excuse her. She's real old. Wasn't a lot integrating between the species back in her day." I pad over and put out a paw. "Pleased to meet you, madam." She blushes, the varicose veins in her cheeks swelling with blood. Instead of taking my paw to shake, however, she turns it over as if it's a piece of bruised fruit in a market. "Hmmm..." She pores over my palm, nodding like a fortune-teller. Her spectacles slide comically down the bridge of her nose, and when she looks up at me, her face is full of mock astonishment. "Oh, my! What big teeth you have!" She giggles and kicks her slippered feet. "Gram!! The old elf claps her tiny hands. "I always wanted to say that!

It took hours, but all of a sudden as she was drawing the plug-in for a vacuum pump that felt as if it was radiating cold, although she didn't know how, Claire saw . . . something. It was like a flash of intuition, one of those moments that came to her sometimes when she thoughtabout higher-order physics problems. Not calculation, exactly, not logic. Instinct.She saw what he was doing, and for that one second, it was beautiful.Crazy, but in a beautiful kind of way. Like everything Myrnin did, it twisted the basicrules of physics, bent them and reshaped them until they became . . . something else. He's agenius, she thought. She'd always known that, but this . . . this was something else. Something beyond all his usual tinkering and weirdness. "It's going to work," she said. Her voice sounded odd. She carefully set the vacuum pumpin its place on the meticulously labeled canvas sheet. Myrnin, who was sitting in his armchair with his feet comfortably on a hassock, looked up. He was reading a book through tiny little square spectacles that might have once belonged to Benjamin Franklin. "Well, of course it's going to work," he said. "What did you expect? I do know what I'm doing." This from a man wearing clothing from the OMG No store, and his battered vampire-bunny slippers. He'd crossed his feet at the ankles on top of a footstool, and both the bunnies' red mouths were flapping open to reveal their sharp, pointy teeth. Claire grinned, suddenly full of enthusiasm for what she was doing. "I didn't expectanything else," she said. "When's lunch?

I turned on Nikolai and kicked him hard in the shin. He yelped, but that wasn’t nearly satisfying enough. I kicked him again. “Feel better?” he asked. “Next time you try something like that, I won’t kick you,” I said angrily. “I’ll cut you in half.” He brushed a speck of lint from his trousers. “Not sure that would be wise. I’m afraid the people rather frown on regicide.” “You’re not king yet, Sobachka,” I said sharply. “So don’t tempt me.” “I don’t see why you’re upset. The crowd loved it.” “I didn’t love it.” He raised a brow. “You didn’t hate it.” I kicked him again. This time his hand snaked out like a flash and captured my ankle. If it had been winter, I would have been wearing boots, but I was in summer slippers and his fingers closed over my bare leg. My cheeks blazed red. “Promise not to kick me again, and I’ll promise not to kiss you again,” he said. “I only kicked you because you kissed me!” I tried to pull my leg back, but he kept a hard grip. “Promise,” he said. “All right,” I bit out. “I promise.” “Then we have a deal.” He dropped my foot, and I drew it back beneath my kefta, hoping he couldn’t see my idiotic blush. “Great,” I said. “Now get out.” “It’s my coach.” “The deal was only for kicking. It did not prohibit slapping, punching, biting, or cutting you in half.

After a long and happy life, I find myself at the pearly gates (a sight of great joy; the word for “pearl” in Greek is, by the way, margarita). Standing there is St. Peter. This truly is heaven, for finally my academic questions will receive answers. I immediately begin the questions that have been plaguing me for half a century: “Can you speak Greek? Where did you go when you wandered off in the middle of Acts? How was the incident between you and Paul in Antioch resolved? What happened to your wife?” Peter looks at me with some bemusement and states, “Look, lady, I’ve got a whole line of saved people to process. Pick up your harp and slippers here, and get the wings and halo at the next table. We’ll talk after dinner.” As I float off, I hear, behind me, a man trying to gain Peter’s attention. He has located a “red letter Bible,” which is a text in which the words of Jesus are printed in red letters. This is heaven, and all sorts of sacred art and Scriptures, from the Bhagavad Gita to the Qur’an, are easily available (missing, however, was the Reader’s Digest Condensed Version). The fellow has his Bible open to John 14, and he is frenetically pointing at v. 6: “Jesus says here, in red letters, that he is the way. I’ve seen this woman on television (actually, she’s thinner in person). She’s not Christian; she’s not baptized - she shouldn’t be here!” “Oy,” says Peter, “another one - wait here.” He returns a few minutes later with a man about five foot three with dark hair and eyes. I notice immediately that he has holes in his wrists, for when the empire executes an individual, the circumstances of that death cannot be forgotten. “What is it, my son?” he asks. The man, obviously nonplussed, sputters, “I don’t mean to be rude, but didn’t you say that no one comes to the Father except through you?” “Well,” responds Jesus, “John does have me saying this.” (Waiting in line, a few other biblical scholars who overhear this conversation sigh at Jesus’s phrasing; a number of them remain convinced that Jesus said no such thing. They’ll have to make the inquiry on their own time.) “But if you flip back to the Gospel of Matthew, which does come first in the canon, you’ll notice in chapter 25, at the judgment of the sheep and the goats, that I am not interested in those who say ‘Lord, Lord,’ but in those who do their best to live a righteous life: feeding the hungry, visiting people in prison . . . ” Becoming almost apoplectic, the man interrupts, “But, but, that’s works righteousness. You’re saying she’s earned her way into heaven?” “No,” replies Jesus, “I am not saying that at all. I am saying that I am the way, not you, not your church, not your reading of John’s Gospel, and not the claim of any individual Christian or any particular congregation. I am making the determination, and it is by my grace that anyone gets in, including you. Do you want to argue?” The last thing I recall seeing, before picking up my heavenly accessories, is Jesus handing the poor man a Kleenex to help get the log out of his eye.

The stories aren’t what I expected; they’re like German fairy tales, except for the absence of red-hot iron slippers and nail-studded casks. I wonder if this mercy descends from the original tellers, from the translator or from the publisher

She was also wearing vampire bunny slippers. Myrnin had given them each a pair for Christmas, since they’d all found his so hilarious, and as Eve marched toward Claire, the rabbit slippers’ mouths flapped up and down, their red tongues flashing and plush teeth biting the ground.

How could anything be the same? The red of blood lay over the market road in slick pools mingled with a yellow spread of dal someone must have brought in anticipation of a picnic after the parade, and there were flies on it, left behind odd slippers, and a sad pair of broken spectacles, even a tooth. It was rather like the government warning about safety that appeared in the cinema before the movie with the image of a man cycling to work, a poor man but with a wife who loved him, and she had sent his lunch with him in a tiffin container; then came a blowing of horns and small, desperate cycle tinkle, and a messy blur clearing into the silent still image of a spread of food mingled with blood. Those mismatched colors, domesticity shuffled with death, sureness running into the unexpected, kindness replaced by the image of violence, always made the cook feel like throwing up and weeping both together.

This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night. Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset. All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic. She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic. When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all. The boat rocked and an actual laugh pierced the quiet. Tella froze. The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses. Tella’s skin prickled; gooseflesh rose on her bare arms. At her feet a puddle of petals formed a seductive trail of red. Tella might not have known Legend’s true name, but she knew he favored red and roses and games. Was this his way of toying with her? Did he know what she was up to? The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges. She turned the knob. And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine. But none of it was for Tella. It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch. Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian. They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of. This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.

Then he looked down, and saw that the blood streamed so much from the shoe, that her white stockings were quite red. So he turned his horse and brought her also back again. 'This is not the true bride,' said he to the father; 'have you no other daughters?' 'No,' said he; 'there is only a little dirty Ashputtel here, the child of my first wife; I am sure she cannot be the bride.' The prince told him to send her. But the mother said, 'No, no, she is much too dirty; she will not dare to show herself.' However, the prince would have her come; and she first washed her face and hands, and then went in and curtsied to him, and he reached her the golden slipper. Then she took her clumsy shoe off her left foot, and put on the golden slipper; and it fitted her as if it had been made for her.

Here at the palace, Hitler encountered suffocating palace etiquette for the first time. The noble Italian chief of protocol bowed before him and then led his guests up the long, shallow flight of stairs, striking every plush red-carpeted tread solemnly with a gold-encrusted staff. He was accustomed to this measured tread, but Hitler was not: the nervous foreign visitor fell out of step, found himself gaining on the uniformed nobleman ahead, stopped abruptly, causing confusion and clatter on the steps behind, then started again, walking more quickly until he was soon alongside the Italian again. The latter affected not to notice, but perceptibly quickened his own pace, his lacquered slippers and silken stockings flashing, until the whole throng was trotting up the last few stairs in an undignified Charlie Chaplin gallop. There

Montaigne also had an audience with the current octogenarian Pope, Gregory XIII. The secretary described the ritual in detail. First Montaigne and one of his young traveling companions entered the room where the Pope was seated, and knelt to receive a benediction. They sidled along the wall, then cut across towards him; halfway there, they stopped for another benediction. Then they knelt on a velvet carpet at the Pope’s feet, beside the French ambassador, who was presenting them. The ambassador knelt too, and pulled back the Pope’s robe to expose his right foot, shod in a red slipper with a white cross. The visitors each bent towards this foot and kissed it; Montaigne noted that the Pope lifted his toes a little to make the kiss easier. After this almost erotic performance, the ambassador covered the papal foot again, and rose to deliver a speech about the visitors.

Seems safe enough,” Cal said, and Aislinn shrugged. “Well, there you go,” she said. Without so much as a “Hey, try not to get killed,” she turned back for the stone hut. I wouldn’t let my eyes follow Aislinn. If I looked back, I was afraid I’d go running after her. Instead I walked out to stand next to Cal. Underfoot, the surface gave slightly. Gingerly, we made our way down the watery road. “Brannicks and magic and hell, oh my,” I joked, and Cal gave a snort of what might have been laughter. I hit a particularly slipper spot and wobbled for a second before Cal grabbed my elbow. I didn’t want it to be awkward, and I really didn’t want my entire face to go red, but that’s exactly what happened. I glanced up. Our eyes met, and Cal jerked his hand back so fast that he overbalanced. As he started to fall, I went to grab him, and the next thing I knew, we both went down. I hit the wall of water to my right, just as Cal slid to the left. I fell into the water, completely immersed, only to have it spit me back out onto the path. I sat there, arms and legs akimbo, hair dripping water into my eyes. Cal sat opposite me, every bit as drenched, looking totally bewildered. Once again, we locked eyes. And this time, we both burst out laughing. “Oh God,” I spluttered. “Your face!” “My face?” he said, his laughter dwindling to a chuckle. “You should see your hair.” He rose to his feet, leaning down to offer me a hand. I took it gratefully. Once I was upright again, I ran my hand in front of my body, magic fluttering out of my fingertips to dry my hair and clothes. Cal did the same to himself, and then we studied each other. “All right, now that the weirdness between us has caused actual physical damage, I think it’s time we talked it out, don’t you?

On this particular day her father, the vicar of a parish on the sea-swept outskirts of Lower Wessex, and a widower, was suffering from an attack of gout. After finishing her household supervision Elfride became restless, and several times left the room, ascended the staircase, and knocked at her father's chamber-door. 'Come in!' was always answered in a heart out-of-door voice from the inside. 'Papa,' she said on one occasion to the fine, red-faced, handsome man of forty, who, puffing and fizzing like a bursting bottle, lay on the bed wrapped in a dressing-gown, and every now and then enunciating, in spite of himself, about one letter of some word or words that were almost oaths; 'papa, will you not come downstairs this evening?' She spoke distinctly: he was rather deaf. 'Afraid not - eh-h-h! - very much afraid I shall not, Elfride. Piph-ph-ph! I can't bear even a handkerchief upon this deuced toe of mine, much less a stocking or slipper - piph-ph-ph! There 'tis again! No, I shan't get up till tomorrow.' 'Then I hope this London man won't come; for I don't know what I should do, papa.' 'Well, it would be awkward, certainly.' 'I should hardly think he would come today.' 'Why?' 'Because the wind blows so.' 'Wind! What ideas you have, Elfride! Who ever heard of wind stopping a man from doing his business? The idea of this toe of mine coming on so suddenly!... If he should come, you must send him up to me, I suppose, and then give him some food and put him to bed in some way. Dear me, what a nuisance all this is!' 'Must he have dinner?' 'Too heavy for a tired man at the end of a tedious journey.' 'Tea, then?' 'Not substantial enough.' 'High tea, then? There is cold fowl, rabbit-pie, some pasties, and things of that kind.' 'Yes, high tea.' 'Must I pour out his tea, papa?' 'Of course; you are the mistress of the house.' 'What! sit there all the time with a stranger, just as if I knew him, and not anybody to introduce us?' 'Nonsense, child, about introducing; you know better than that. A practical professional man, tired and hungry, who has been travelling ever since daylight this morning, will hardly be inclined to talk and air courtesies tonight. He wants food and shelter, and you must see that he has it, simply because I am suddenly laid up and cannot. There is nothing so dreadful in that, I hope? You get all kinds of stuff into your head from reading so many of those novels.

Hermes had said, the giant was about ten feet tall, which made him small compared to some other giants I’d seen. But Cacus made up for it by being bright and gaudy. He had curly orange hair, pale skin, and orange freckles. His face was smeared upward with a permanent pout, upturned nose, wide eyes, and arched eyebrows, so he appeared both startled and unhappy. He wore a red velour housecoat with matching slippers. The housecoat was open, revealing silky Valentine-patterned boxer shorts and luxurious chest hair of a red/pink/orange color not found in nature. Annabeth made a small gagging sound. “It’s the ginger giant.

During a famine, the father and stepmother of Hansel and Gretel abandon them in a forest so that they will starve to death. The children stumble upon an edible house inhabited by a witch, who imprisons Hansel and fattens him up in preparation for eating him. Fortunately Gretel shoves the witch into a fiery oven, and “the godless witch burned to death in a horrible way.” 41 • Cinderella’s stepsisters, when trying to squeeze into her slippers, take their mother’s advice and cut off a toe or heel to make them fit. Doves notice the blood, and after Cinderella marries the prince, they peck out the stepsisters’ eyes, punishing them “for their wickedness and malice with blindness for the rest of their lives.” Snow White arouses the jealousy of her stepmother, the queen, so the queen orders a hunter to take her into the forest, kill her, and bring back her lungs and liver for the queen to eat. When the queen realizes that Snow White has escaped, she makes three more attempts on her life, two by poison, one by asphyxiation. After the prince has revived her, the queen crashes their wedding, but “iron slippers had already been heated up for her over a fire of coals.... She had to put on the red-hot iron shoes and dance in them until she dropped to the ground dead.

Never play the princess when you can be the queen: rule the kingdom, swing a scepter, wear a crown of gold. Don’t dance in glass slippers, crystal carving up your toes -- be a barefoot Amazon instead, for those shoes will surely shatter on your feet. Never wear only pink when you can strut in crimson red, sweat in heather grey, and shimmer in sky blue, claim the golden sun upon your hair. Colors are for everyone, boys and girls, men and women -- be a verdant garden, the landscape of Versailles, not a pale primrose blindly pushed aside. Chase green dragons and one-eyed zombies, fierce and fiery toothy monsters, not merely lazy butterflies, sweet and slow on summer days. For you can tame the most brutish beasts with your wily wits and charm, and lizard scales feel just as smooth as gossamer insect wings. Tramp muddy through the house in a purple tutu and cowboy boots. Have a tea party in your overalls. Build a fort of birch branches, a zoo of Legos, a rocketship of Queen Anne chairs and coverlets, first stop on the moon. Dream of dinosaurs and baby dolls, bold brontosaurus and bookish Belle, not Barbie on the runway or Disney damsels in distress -- you are much too strong to play the simpering waif. Don a baseball cap, dance with Daddy, paint your toenails, climb a cottonwood. Learn to speak with both your mind and heart. For the ground beneath will hold you, dear -- know that you are free. And never grow a wishbone, daughter, where your backbone ought to be.

The Thwaites lived on Central Park West in the upper Eighties, in a building that, while manifestly grand, particularly to someone from Ohio, was by no means the most elegant among its neighbors. Its lobby, for one thing, was little more than a wide corridor, with two drably upholstered wing chairs propped against a wall and, between them, a glass table upon which rested an elaborate but unaesthetic arrangement of silk flowers. The light in the corridor was greenish, dim and lavatorial, barely illuminating the shallowly carved figures that marched, in pseudo-Egyptian fashion, along the pink stone tiles as far as the elevator. The floor, incongruously, was of a black and white parquet, upon which all but the softest slippers echoed ominously. And the elevator itself—paneled, with brass fixtures and a single tiny red velvet stool, presumably for its operator’s comfort—seemed again of a different, though no less ancient, era.

Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.

Cookies are the cornerstone of pastry. But for many of us, they are also at the core of our memories, connecting our palate to our person. Cookies wait for us after school, anxious for little ones to emerge from a bus and race through the door. They fit themselves snugly in boxes, happy to be passed out to neighbors on cold Christmas mornings; trays of them line long tables, mourning the loss of the dearly departed. While fancy cakes and tarts walk the red carpet, their toasted meringue piles, spun sugar, and chocolate curls boasting of rich rewards that often fail to sustain, cookies simply whisper knowingly. Instead of pomp and flash, they offer us warm blankets and cozy slippers. They slip us our favorite book, they know the lines to our favorite movies. They laugh at our jokes, they stay in for the night. They are good friends, they are kind words. They are not jealous, conceited, or proud. They evoke a giving spirit, a generous nature. They beg to be shared, and rejoice in connection. Cookies are home.

Pandora looked dully at the red wax seal on the envelope, stamped with an elaborate family crest. If Gabriel had written something nice to her, she didn’t want to read it. If he’d written something not nice, she didn’t want to read that either. “By the holy poker,” Ida exclaimed, “just open it!” Reluctantly Pandora complied. As she pulled a small folded note from the envelope, a tiny, fuzzy object fell out. Reflexively she yelped, thinking it was an insect. But at second glance, she realized it was a bit of fabric. Picking it up gingerly, she saw that it was one of the decorative felt leaves from her missing Berlin wool slipper. It had been carefully snipped off. My lady, Your slipper is being held for ransom. If you ever want to see it again, come alone to the formal drawing room. For every hour you delay, an additional embellishment will be removed. —St. Vincent Now Pandora was exasperated. Why was he doing this? Was he trying to draw her into another argument? “What does it say?” Ida asked. “I have to go downstairs for a hostage negotiation,” Pandora said shortly. “Would you help put me to rights?” “Yes, milady.

per hour. Handbrake knew that he could keep up with the best of them. Ambassadors might look old-fashioned and slow, but the latest models had Japanese engines. But he soon learned to keep it under seventy. Time and again, as his competitors raced up behind him and made their impatience known by the use of their horns and flashing high beams, he grudgingly gave way, pulling into the slow lane among the trucks, tractors and bullock carts. Soon, the lush mustard and sugarcane fields of Haryana gave way to the scrub and desert of Rajasthan. Four hours later, they reached the rocky hills surrounding the Pink City, passing in the shadow of the Amber Fort with its soaring ramparts and towering gatehouse. The road led past the Jal Mahal palace, beached on a sandy lake bed, into Jaipur’s ancient quarter. It was almost noon and the bazaars along the city’s crenellated walls were stirring into life. Beneath faded, dusty awnings, cobblers crouched, sewing sequins and gold thread onto leather slippers with curled-up toes. Spice merchants sat surrounded by heaps of lal mirch, haldi and ground jeera, their colours as clean and sharp as new watercolor paints. Sweets sellers lit the gas under blackened woks of oil and prepared sticky jalebis. Lassi vendors chipped away at great blocks of ice delivered by camel cart. In front of a few of the shops, small boys, who by law should have been at school, swept the pavements, sprinkling them with water to keep down the dust. One dragged a doormat into the road where the wheels of passing vehicles ran over it, doing the job of carpet beaters. Handbrake honked his way through the light traffic as they neared the Ajmeri Gate, watching the faces that passed by his window: skinny bicycle rickshaw drivers, straining against the weight of fat aunties; wild-eyed Rajasthani men with long handlebar moustaches and sun-baked faces almost as bright as their turbans; sinewy peasant women wearing gold nose rings and red glass bangles on their arms; a couple of pink-faced goras straining under their backpacks; a naked sadhu, his body half covered in ash like a caveman. Handbrake turned into the old British Civil Lines, where the roads were wide and straight and the houses and gardens were set well apart. Ajay Kasliwal’s residence was number

Rhys laughed, finally sauntering toward the other end of the hall, which ended in a veranda open to the stars. 'I'm willing to accept your thanks at any time, you know,' he called to me without looking back. Red exploded in my vision, and I couldn't breathe fast enough, couldn't think above the roar in my head. One heartbeat, I was staring at him- the next, I had my shoe in a hand. I hurled it at him with all my strength. All my considerable, immortal strength. I barely saw my silk slipper as it flew through the air, fast as a shooting star, so fast that even a High Lord couldn't detect it as it neared- And slammed into his head. Rhys whirled, a hand rising to the back of his head, his eyes wide. I already had the other shoe in my hand. Rhys's lip pulled back from his teeth. 'I dare you.' Temper- he had to be in some mood today to let his temper show this much. Good. That made two of us. I flung my other shoe right at his head, as swift and hard as the first one. His hand snatched up, grabbing the shoe mere inches from his face. Rhys hissed and lowered the shoe, his eyes meeting mine as the silk dissolved to glittering black dust in his fist. His fingers unfurled, the last of the sparkling ashes blowing into oblivion, and he surveyed my hand, my body, my face. 'Interesting,' he murmured, and continued on his way. I debated tackling him and pummelling that face with my firsts, but I wasn't stupid. I was in his home, on top of a mountain in the middle of absolutely nowhere, it seemed. No one would be coming to rescue me- no one was even here to witness my screaming. So I turned toward the doorway he'd indicated, heading for the dim stairwell beyond. I'd nearly reached it, not daring to breathe too loudly, when a bright, amused female voice said behind me- far away, from wherever Rhys had gone to at the opposite end of the hall, 'So, that went well.' Rhys's answering snarl sent my footsteps hurrying away.

Jane, the captain, and the colonel begged out of cards, sat by the window, and made fun of Mr. Nobley. She glanced once at the garden, imagined Martin seeing her now, and felt popular and pretty--Emma Woodhouse from curls to slippers. It certainly helped that all the men were so magnificent. Unreal, actually. Austenland was feeling cozier. “Do you think he hears us?” Jane asked. “See how he doesn’t lift his eyes from that book? In all, his manners and expression are a bit too determined, don’t you think?” “Right you are, Miss Erstwhile,” Colonel Andrews said. “His eyebrow is twitching,” Captain East said gravely. “Why, so it is, Captain!” the colonel said. “Well observed.” “Then again, the eyebrow twitch could be caused by some buried guilt,” Jane said. “I believe you’re right again, Miss Erstwhile. Perhaps he does not hear us at all.” “Of course I hear you, Colonel Andrews,” said Mr. Nobley, his eyes still on the page. “I would have to be deaf not to, the way you carry on.” “I say, do not be gruff with us, Nobley, we are only having a bit of fun, and you are being rather tedious. I cannot abide it when my friends insist on being scholarly. The only member of our company who can coax you away from those books is our Miss Heartwright, but she seems altogether too pensive tonight as well, and so our cause is lost.” Mr. Nobley did look up now, just in time to catch Miss Heartwright’s face turn away shyly. “You might show a little more delicacy around the ladies, Colonel Andrews,” he said. “Stuff and nonsense. I agree with Miss Erstwhile, you are acting like a scarecrow. I do not know why you put on this act, Nobley, when around the port table or out in the field you’re rather a pleasant fellow.” “Really? That is curious,” Jane said. “Why, Mr. Nobley, are you generous in your attentions with gentlemen and yet taciturn and withdrawn around the fairer sex?” Mr. Nobley’s eyes were back on the printed page, though they didn’t scan the lines. “Perhaps I do not possess the type of conversation that would interest a lady.” “You say ‘perhaps’ as though you do not believe it yourself. What else might be the reason, sir?” Jane smiled. Needling Mr. Nobley was feeling like a very productive use of the evening. “Perhaps another reason might be that I myself do not find the conversation of ladies to be very stimulating.” His eyes were dark. “Hm, I just can’t imagine why you’re still unmarried.” “I might say the same for you.” “Mr. Nobley!” cried Aunt Saffronia. “No, it’s all right, Aunt,” Jane said. “I asked for it. And I don’t even mind answering.” She put a hand on her hip and faced him. “One reason why I am unmarried is because there aren’t enough men with guts to put away their little boy fears and commit their love and stick it out.” “And perhaps the men do not stick it out for a reason.” “And what reason might that be?” “The reason is women.” He slammed his book shut. “Women make life impossible until the man has to be the one to end it. There is no working it out past a certain point. How can anyone work out the lunacy?” Mr. Nobley took a ragged breath, then his face went red as he seemed to realize what he’d said, where he was. He put the book down gently, pursed his lips, cleared his throat. No one in the room made eye contact. “Someone has issues,” said Miss Charming in a quiet, singsongy voice. “I beg you, Lady Templeton,” Colonel Andrews said, standing, his smile almost convincingly nonchalant, “play something rousing on the pianoforte. I promised to engage Miss Erstwhile in a dance. I cannot break a promise to such a lovely young thing, not and break her heart and further blacken her view of the world, so you see my urgency.” “An excellent suggestion, Colonel Andrews,” Aunt Saffronia said. “It seems all our spirits could use a lift.

But now, strange as it seems, a peasant's small, scrawny. light brown nag is harnessed to such a large cart, one of those horses he's seen it often that sometimes strain to pull some huge load of firewood or hay. Especially if the cart has gotten stuck in the mud or a rut. The peasants always whip the horse so terribly, so very painfully, sometimes even across its muzzle and eyes, and he would always feel so sorry, so very sorry to witness it that he would feel like crying, and his mother would always lead him away from the window. Now things are getting extremely boisterous: some very large and extremely drunken peasants in red and blue shirts, their heavy coats slung over their shoulders. come out of the tavern shouting, singing. and playing balalaikas. “Git in. everyone git in!" shouts one peasant, a young lad with a thick neck and a fleshy face, red as a beet, “I'll take ya all. Git in!" But there is a burst of laughter and shouting: “That ol’ nag ain't good for nothin'!" “Hey, Mikolka, you must be outta yer head to hitch that ol' mare to yer cart!" “That poor ol' horse must be twenty if she's a day, lads!" “Git in, I'll take ya all!" Mikolka shouts again,jumping in first, taking hold of the reins, and standing up straight in the front of the cart. “Matvei went off with the bay," he cries from the cart, “and as for this ol' mare here, lads, she's only breakin' my heart: I don't give a damn ifit kills ’er; she ain't worth her salt. Git in, I tell ya! I'll make 'er gallop! She’ll gallop, all right!" And he takes the whip in his hand, getting ready to thrash the horse with delight. "What the hell, git in!" laugh several people in the crowd. "You heard 'im, she'll gallop!" “I bet she ain't galloped in ten years!" "She will now!" “Don't pity 'er, lads; everyone, bring yer whips, git ready!" "That's it! Thrash 'er!" They all clamber into Mikolka's cart with guffaws and wisecracks. There are six lads and room for more. They take along a peasant woman, fat and ruddy. She's wearing red calico, a headdress trimmed with beads, and fur slippers; she‘s cracking nuts and cackling. The crowd’s also laughing; as a matter of fact, how could one keep from laughing at the idea of a broken down old mare about to gallop, trying to pull such a heavy load! Two lads in the cart grab their whips to help Mikolka. The shout rings out: “Pull!" The mare strains with all her might, but not only can’t she gallop, she can barely take a step forward; she merely scrapes her hooves, grunts, and cowers from the blows of the three whips raining down on her like hail. Laughter redoubles in the cart and among the crowd, but Mikolka grows angry and in his rage strikes the little mare with more blows, as if he really thinks she’ll be able to gallop. “Take me along, too, lads!" shouts someone from the crowd who’s gotten a taste of the fun. “Git in! Everyone, git inl" cries Mikolka. “She'll take everyone. I‘ll flog 'er!" And he whips her and whips her again; in his frenzy, he no longer knows what he’s doing. “Papa, papa," the boy cries to his father. “Papa, what are they doing? Papa, they‘re beating the poor horse!" “Let's go, let's go!" his father says. “They’re drunk, misbehaving, those fools: let’s go. Don't look!" He tries to lead his son away. but the boy breaks from his father‘s arms; beside himself, he runs toward the horse. But the poor horse is on her last legs. Gasping for breath, she stops, and then tries to pull again, about to drop. “Beat 'er to death!" cries Mikolka. ”That's what it's come to. I‘ll flog ‘er!" “Aren't you a Christian. you devil?" shouts one old man from the crowd. “Just imagine, asking an ol' horse like that to pull such a heavy load,” adds another. “You‘ll do 'er in!" shouts a third. “Leave me alone! She’s mine! I can do what I want with 'er! Git in, all of ya! Everyone git in I'm gonna make 'er gallop!

Josephine!" A stentorian bellow shook the candles in their sconces. Unconsciously, Amy grabbed Richard’s arm, looking about anxiously for the source of the roar. About the room, people went on chatting as before. "Steady there." Richard patted the delicate hand clutching the material of his coat. "It’s just the First Consul." Snatching her hand away as though his coat were made of live coals, Amy snapped, "You would know." "Josephine!" The dreadful noise repeated itself, cutting off any further remarks. Out of an adjoining room charged a blur of red velvet, closely followed by the scurrying form of a young man. Amy sidestepped just in time, swaying on her slippers to avoid toppling into Lord Richard. The red velvet came to an abrupt stop beside Mme Bonaparte’s chair. "Oh. Visitors." Once still, the red velvet resolved into a man of slightly less than medium height, clad in a long red velvet coat with breeches that must once have been white, but which now bore assorted stains that proclaimed as clearly as a menu what the wearer had eaten for supper. "I do wish you wouldn’t shout so, Bonaparte." Mme Bonaparte lifted one white hand and touched him gently on the cheek. Bonaparte grabbed her hand and planted a resounding kiss on the palm. "How else am I to make myself heard?" Affectionately tweaking one of her curls, he demanded, "Well? Who is it tonight?" "We have some visitors from England, sir,"his stepdaughter responded. "I should like to present…" Hortense began listing their names. Bonaparte stood, legs slightly apart, eyes hooded with apparent boredom, and one arm thrust into the opposite side of his jacket, as though in a sling. Bonaparte inclined his head, looked down at his wife, and demanded, "Are we done yet?" Thwap! Everyone within earshot jumped at the sound of Miss Gwen’s reticule connecting with Bonaparte’s arm. "Sir! Take that hand out of your jacket! It is rude and it ruins your posture. A man of your diminutive stature needs to stand up straight." Something suspiciously like a chuckle emerged from Lord Richard’s lips, but when Amy glanced sharply up at him, his expression was studiedly bland. A dangerous hush fell over the room. Flirtations in the far corners of the room were abandoned. Business deals were dropped. The non-English speakers among the assemblage tugged at the sleeves of those who had the language, and instant translations began to be whispered about the room – suitably embellished, of course. "It’s an assassination attempt!" a woman next to Amy cried dramatically, swooning back into the arms of an officer who looked as though he didn’t quite know what to do with her, but would really be happiest just dropping her. "No, it’s not, it’s just Miss Gwen," Amy tried to explain. Meanwhile, Miss Gwen was advancing on Bonaparte, backing him up so that he was nearly sitting on Josephine’s lap. "While we are speaking, sir, this habit you have of barging into other people’s countries without invitation – it is most rude. I will not have it! You should apologise to the Italians and the Dutch at the first opportunity!" "Mais zee Italians, zey invited me!" Bonaparte exclaimed indignantly. Miss Gwen cast Bonaparte the severe look of a governess listening to substandard excuses from a wayward child. "That may well be," she pronounced in a tone that implied she thought it highly unlikely. "But your behaviour upon entering their country was inexcusable! If you were to be invited to someone’s home for a weekend, sirrah, would you reorganise their domestic arrangements and seize the artwork from their walls? Would you countenance any guest who behaved so? I thought not." Amy wondered if Bonaparte could declare war on Miss Gwen alone without breaking his peace with England. "So much for the Peace of Amiens!" she started to whisper to Jane, but Jane was no longer beside her.

brilliant discoveries of your own two or three days after I have made them myself all that kind of thing? Because it all helps." "My dear Tony," said Bill delightedly, "need you ask?" Antony said nothing, and Bill went on happily to himself, "I perceive from the strawberry-mark on your shirt-front that you had strawberries for dessert. Holmes, you astonish me. Tut, tut, you know my methods. Where is the tobacco? The tobacco is in the Persian slipper. Can I leave my practice for a week? I can." Antony smiled and went on smoking. After waiting hopefully for a minute or two, Bill said in a firm voice: "Well then, Holmes, I feel bound to ask you if you have deduced anything. Also whom do you suspect?" Antony began to talk. "Do you remember," he said, "one of

It was a truly remarkable fall, with bright yellows, crisp oranges, and rusty reds speckling the streets, and the smells of pumpkin and spice lingering in the air. It was cozy—a time for knit sweaters and stolen slippers and long books read by the fire.

Galder Weatherwax, Supreme Grand Conjuror of the Order of the Silver Star, Lord Imperial of the Sacred Staff, Eighth Level Ipsissimus and 304th Chancellor of Unseen University, wasn’t simply an impressive sight even in his red nightshirt with the hand-embroidered mystic runes, even in his long cap with the bobble on, even with the Wee Willie Winkie candlestick in his hand. He even managed to very nearly pull it off in fluffy pompom slippers as

I just wish they’d remember I’m thirty-two and not fifteen.” Colin looked down at her feet, and his lips twitched. She followed his gaze. She had on a cozy red plaid onesie with fake fur lining the hood and reindeer slippers on her feet. She shrugged, smiling up at him. “What can I say? I love Christmas.

She gathered her quilt around her body and went inside, made her way gingerly around furniture to the living room, and curled up in a chair in a dark corner, flipped on the lamp beside her and jumped two feet straight up. Roxie was sitting in a rocking chair not two feet away. Pink sponge curlers covered her head. She wore some kind of whitish-green mask on her face. Her yellow satin caftan had splashes of red flowers the size of dinner plates all over it. One yellow satin slipper with marabou trip and two-inch heels dangled from the end of her right foot, which was slung over the leg of the chair. “So do we get two shovels and bury him, or did he have some kind of tale to tell that kept his heart beating a while longer?” Roxie asked.

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The wind was howling in long gusts, driving the rain straight across his face, against his slippers and pants legs. He listened for some sound of an idling motor, strained his eyes against the wind and the rain to see some indication—a stain of red light or blue light, perhaps—of the truck or car that must be waiting for the fireman on the next block. But there was nothing he could see, or hear above the sound of the wind and the rain and the shaking leaves. Across the street the blue storm light briefly caught the blind windows of his neighbors’ homes. He stepped back and closed the door. His

I’d called ahead, so Coach wasn’t surprised. The shock was on my side. Out with the red cap and whistle, in with the leather slippers and sad old man smell. The bushy eyebrows were white. He clapped me on the back and sat me in his living room on furniture I recognized from the old house. But the apartment looked as new inside as out. Carpet with vacuum marks, never-used fireplace. Coach was a whole new man in a tidy room. That’s the deal of sober life: celebrate the fresh start, suck up your sadness for all that was left behind. In Coach’s case, a shit ton of random sports equipment.

I lifted my foot and gently pushed the footstool sideways a few inches. The heels of the slippers moved reluctantly over the jacquard surface, not with it. The man was as stiff as a board. So I reached down and touched his ankle. Ice was never half as cold. On a table at his right elbow was half of a dead drink, an ashtray full of butts and ash. Three of the butts had lipstick on them. Bright Chinese red lipstick. What a blond would use. There was another ashtray beside another chair. Matches in it and a lot of ash, but no stubs. On the air of the room a rather heavy perfume struggled with the smell of death, and lost. Although defeated, it was still there.

I could see into the kitchen from where I sat. A black bug, maybe a cockroach, was crawling around on the dirty dishes piled in the sink. Lilly talked on as she wiped peach juice off her bare thighs. She dangled a slipper from one foot, in which I could see the red and blue blood vessels. I always think these are lovely, seen through the skin.

Most of all her ‘vote’ was for my highest-heeled red slippers. ‘Going to a wake, I take it, dear?

THE FIRE That winter it seemed the city was always burning — night after night the flames leaped, the ladders pitched forward. Scorched but alive, the homeless wailed as they ran for the cold streets. That winter my mind had turned around, shedding, like leaves, its bolts of information — drilling down, through history, toward my motionless heart. Those days I was willing, but frightened. What I mean is, I wanted to live my life but I didn’t want to do what I had to do to go on, which was: to go back. All winter the fires kept burning, the smoke swirled, the flames grew hotter. I began to curse, to stumble and choke. Everything, solemnly, drove me toward it — the crying out, that’s so hard to do. Then over my head the red timbers floated, my feet were slippers of fire, my voice crashed at the truth, my fists smashed at the flames to find the door — wicked and sad, mortal and bearable, it fell open forever as I burned.

Sagittarius: Paperwhite narcissus, Christmas cactus, red clover, dandelion Capricorn: Holly, carnation, mistletoe, pansy Aquarius: Carnation, wild rose, lady slipper Pisces: Lotus, passion flower, violet, narcissus, wisteria

Lucifer peered down at his bright red duckie slippers, sporting an ivory set of horns. “Dammit. I meant to change out of those before coming to this meeting.” - Hell's Geek by Eve Langlais.

All your suits, cravats, socks, and shoes are black. All your shirts and underwear are white.’ He looked at the rug by the bed. ‘And your slippers are red tartan. You don’t have outfits, Johannes. You have a uniform.

You can’t fix dead.  The world stops for no one. Time heals. No. Rather, we learn to navigate, maneuver, dodge, climb, crawl, fight, withdraw, duck, and run.  This continued movement on our part, is what leads others to believe we are healing.  If only it was as easy as spin around three times, click your red, ruby slippers together, and immediately you are transported back to the day before Time rose from its chair and said, “Now.