Red Satin Quotes

Her eyes went so wide they nearly bulged. It was probably wrong of me to find that amusing. Or to want to take a photo of Nicholas with his fangs out and wearing a black cape lined with red satin and then hang it over my pillow in a heart-shaped frame.

Subject: Sundown Date: June 14 2011 09:35 To: Christian Grey Dear Completely & Utterly Smitten I love waking up with you, too. But I love being in bed with you and in elevators and on pianos and billiard tables and boats and desks and showers and bathtubs and strange wooden crosses with shackles and four poster beds with red satin sheets and boathouses and childhood bedrooms. Yours Sex Mad and Insatiable xx

When I am an old woman I shall wear purple with a red hat which doesn't go, and doesn't suit me. And I shall spend my pension on brandy and summer gloves and satin sandles, and say we've no money for butter. I shall sit down on the pavement when I'm tired And gobble up samples in shops and press alarm bells And run my stick along the public railings And make up for the sobriety of my youth. I shall go out in my slippers in the rain and pick flowers in other people's gardens And learn to spit. You can wear terrible shirts and grow more fat And eat three pounds of sausages at a go Or only bread and pickle for a week And hoard pens and pencils and beer mats and things in boxes. But now we must have clothes that keep us dry And pay our rent and not swear in the street And set a good example for the children.

The kid pulled a Buck knife out of his pants pocket. "How about giving me your purse, bitch?" Sally hiked up his skirt, reached into his briefs and pulled out a Glock. "How about using that knife to slice off your balls?" Lula whipped a gun out of her red satin purse and Grandma hauled out her .45 long-barrel. "Day my make, punk," Grandma said. "Hey, I don't want any trouble," the kid said. "We were just having some fun." "I want to shoot him," Sally said. "Nobody'll tell, right?" "No fair," Lula said. "I want to shoot him." "Okay," Grandma said. "On the count of three, we'll all shoot him.

The next day she’d examined her red satin sandals and with a frown said, “I’m thinking about buying two snakes.” His are you kidding me “Why?” had caused her to shrug. “I’d name them Leftie and Rightie and when they were big enough, they’d become Mamma’s boots.

To: Christian Grey Dear Completely & Utterly Smitten I love waking up to you, too. But I love being in bed with you and in elevators and on pianos and billiard tables and boats and desks and showers and bathtubs and strange wooden crosses with shackels and four-poster beds with red satin sheets and boathouses and childhood bedrooms.

I don’t have black lace underwear and a matching garter belt,” I told Lee. Eddie leaned back and chuckled again. Lee’s face didn’t change. “I have red lace underwear and a matching garter belt,” I said. This was true, I did. Eddie quit chuckling. “And black satin underwear and a garter belt. And then there’s my purple teddy thing with attached garters.” I paused. “I’ll model them all and you can choose.” I looked at Eddie out of the corner of my eye and the smile was gone. Then I sat back. My work was done. Lee granted me A Smile. It was small but it was meaningful. “You’ve always been a lucky fuck,” Eddie murmured to Lee.

Part calico choir girl...........and part satin dance hall doll, with amber eyes and a dash of hellcat red in her hair --- the kind of woman that a man wants in his bedroom when he's sick.............and in his bed when he's not.

Now, Miss Bentley,” he said with mock seriousness.   “I’ll have you know that yes, you are correct, I will always be the master in a relationship.   I will always be the master when it comes to sex.   I am the man.” Harly was having a hard time trying to maintain her own contrite, meek expression; her quivering lips gave that away.   “Yes, Sir.” “See, when I say strip, you strip.   When I say come here, you come.   When I say kiss me, you kiss me.   When I say you’re walking around in my presence in nothing but silk stockings and a garter belt and a red satin bra, you will do so.” “Not happening.” “Insubordination will not be tolerated.” “I’ll tell my mother.” “I’m not scared of her.” “All right.   I’ll tell your mother.” “Okay, some insubordination will be tolerated.” “I thought so.” “And when I say get the bondage gear-” She guffawed right in his face.

She was yawning, and he saw the red interior of her mouth as if it had been a snake’s. She had stretched one arm so high above her coiled-up cable of hair that he could see its satin delicacy above the sunburn; her face was flushed with sleep, and her eyelids hung heavy over their pupils.The brim-fulness of her nature breathed from her.It was a moment when a woman’s soul is more incarnate than at any other time; when the most spiritual beauty bespeaks itself flesh; and sex takes the outside place in the presentation.

When you undress a woman you discover in her lingerie clues to her mood and desires. These whispers of silk and satin are our armour, our feathers and fantasy – black-sexy, pink-girlie, white-virginal, red-anything might happen and (we pray) almost certainly will.

She heard a chirp and a twitter, and when she looked at the bare flower-bed at her left side there he was hopping about and pretending to peck things out of the earth to persuade her that he had not followed her. But she knew he had followed her and the surprise so filled her with delight that she almost trembled a little. "You do remember me!" she cried out. "You do! You are prettier than anything else in the world!" She chirped, and talked, and coaxed and he hopped, and flirted his tail and twittered. It was as if he were talking. His red waistcoat was like satin and he puffed his tiny breast out and was so fine and so grand and so pretty that it was really as if he were showing her how important and like a human person a robin could be. Mistress Mary forgot that she had ever been contrary in her life when he allowed her to draw closer and closer to him, and bend down and talk and try to make something like robin sounds. Oh! to think that he should actually let her come as near to him as that! He knew nothing in the world would make her put out her hand toward him or startle him in the least tiniest way. He knew it because he was a real person—only nicer than any other person in the world. She was so happy that she scarcely dared to breathe.

If sex could be painted on a body, that’s what this dress would be. Red satin, hugging her every curve from her shoulders to just below her knees before it flares into a little mermaid-looking thing. I have no earthly idea how the fuck she’s going to walk in it, but I don’t care. I’ll fucking carry her.

And at the end of the night, he stared down at her in puzzlement. He didn’t know which facet of her he liked better. The siren in black satin that made his cock and fangs ache or this angel with her bright red hair spread across his pillow—who made his chest ache.

He shoved up my shirt, exposing the red satin bra I’d decided to wear while cleaning his house for no particular reason I cared to acknowledge.

Or to want to take a photo of Nicholas with his fangs out and wearing a black cape lined with red satin and then hang it over my pillow in a heart-shaped frame.

She had not heard him enter, and hardly realized his presence there. She was yawning, and he saw the red interior of her mouth as if it had been a snake's. She had stretched one arm so high above her coiled-up cable of hair that he could see its satin delicacy above the sunburn; her face was flushed with sleep, and her eyelids hung heavy over their pupils. The brim-fulness of her nature breathed from her. It was a moment when a woman's soul is more incarnate than at any other time; when the most spiritual beauty bespeaks itself flesh; and sex takes the outside place in the presentation.

Not a red rose or a satin heart. I give you an onion. It is a moon wrapped in brown paper, It promises light Like the careful undressing of love. Here. It will blind you with tears Like a lover.

Well?" Dad asked. "How do I look?" "Like you want us to follow you into an alley so you can flash us," Nick said. "Like you own sixteen birds with complicated backstories for each," Seth said. "Like you're the bass player in a Christian punk band called Please Us, Jesus," Jazz said, leaning her head out of Matilda. "Like you have red satin sheets on your bed and mirrors on the ceiling," Gibby said, her head just above Jazz's. "Like you know how to show a guy a good time," Burrito Jerry said. 'they've got a point, man," Trey said as Bob nodded. "I feel like you want to give me a body-cavity search with gloves you brouqht from home.

No man but Emerson would have considered walking across the fields in full evening kit, much less expect me to trail my red satin skirts and lace ruffles through the dirt; but Emerson is unique. When he behaves irrationally it is necessary to be firm with him. He

Susannah Buxton, costume designer: This dress (above) was made of original beading so delicate that it couldn't be worn again. The red dress (right) is made from a turn-of-the-century Spanish evening dress. We sourced beautiful silk chiffon and had it pleated for the cap sleeves and bands across the front. We built layers for the final effect, with embroidered lace laid over the deep-red satin under-dress. We used evening gloves from the costume house selection, which are "dipped down" - that is, run through with dyes to take the brightness out of the fabric.

As for describing the smell of a spaniel mixed with the smell of torches, laurels, incense, banners, wax candles and a garland of rose leaves crushed by a satin heel that has been laid up in camphor, perhaps Shakespeare, had he paused in the middle of writing Antony and Cleopatra — But Shakespeare did not pause. Confessing our inadequacy, then, we can but note that to Flush Italy, in these the fullest, the freest, the happiest years of his life, meant mainly a succession of smells. Love, it must be supposed, was gradually losing its appeal. Smell remained. Now that they were established in Casa Guidi again, all had their avocations. Mr. Browning wrote regularly in one room; Mrs. Browning wrote regularly in another. The baby played in the nursery. But Flush wandered off into the streets of Florence to enjoy the rapture of smell. He threaded his path through main streets and back streets, through squares and alleys, by smell. He nosed his way from smell to smell; the rough, the smooth, the dark, the golden. He went in and out, up and down, where they beat brass, where they bake bread, where the women sit combing their hair, where the bird-cages are piled high on the causeway, where the wine spills itself in dark red stains on the pavement, where leather smells and harness and garlic, where cloth is beaten, where vine leaves tremble, where men sit and drink and spit and dice — he ran in and out, always with his nose to the ground, drinking in the essence; or with his nose in the air vibrating with the aroma. He slept in this hot patch of sun — how sun made the stone reek! he sought that tunnel of shade — how acid shade made the stone smell! He devoured whole bunches of ripe grapes largely because of their purple smell; he chewed and spat out whatever tough relic of goat or macaroni the Italian housewife had thrown from the balcony — goat and macaroni were raucous smells, crimson smells. He followed the swooning sweetness of incense into the violet intricacies of dark cathedrals; and, sniffing, tried to lap the gold on the window- stained tomb. Nor was his sense of touch much less acute. He knew Florence in its marmoreal smoothness and in its gritty and cobbled roughness. Hoary folds of drapery, smooth fingers and feet of stone received the lick of his tongue, the quiver of his shivering snout. Upon the infinitely sensitive pads of his feet he took the clear stamp of proud Latin inscriptions. In short, he knew Florence as no human being has ever known it; as Ruskin never knew it or George Eliot either.

Josh stared at Kate. She was watching the happy couple, smiling. The warm spring breeze caught her hair and ruffled it like a shining curtain in an open window. It also caught her dress, flipping up the front and giving him an eyeful of long, slender thigh. He could remember planting kisses up that thigh, listening to her sighs as he refused to stop there. She looked ravishing, and all of a sudden he felt a surge of naughtiness, like a schoolboy passing an open box of sweets. He walked up to her, holding a handful of confetti. Slowly he pulled the front of her dress forward and stuffed the paper in the bodice, his fingers lingering against her warm, slightly damp skin. Then he patted the red satin carefully flat. Probably for slightly longer than was necessary.

Ed Lim’s daughter, Monique, was a junior now, but as she’d grown up, he and his wife had noted with dismay that there were no dolls that looked like her. At ten, Monique had begun poring over a mail-order doll catalog as if it were a book–expensive dolls, with n ames and stories and historical outfits, absurdly detailed and even more absurdly expensive. ‘Jenny Cohen has this one,’ she’d told them, her finger tracing the outline of a blond doll that did indeed resemble Jenny Cohen: sweet faced with heavy bangs, slightly stocky. 'And they just made a new one with red hair. Her mom’s getting it for her sister Sarah for Hannukkah.’ Sarah Cohen had flaming red hair, the color of a penny in the summer sun. But there was no doll with black hair, let alone a face that looked anything like Monique’s. Ed Lim had gone to four different toy stores searching for a Chinese doll; he would have bought it for his daughter, whatever the price, but no such thing existed. He’d gone so far as to write to Mattel, asking them if there was a Chinese Barbie doll, and they’d replied that yes, they offered 'Oriental Barbie’ and sent him a pamphlet. He had looked at that pamphlet for a long time, at the Barbie’s strange mishmash of a costume, all red and gold satin and like nothing he’d ever seen on a Chinese or Japanese or Korean woman, at her waist-length black hair and slanted eyes. I am from Hong Kong, the pamphlet ran. It is in the Orient, or Far East. Throughout the Orient, people shop at outdoor marketplaces where goods such as fish, vegetables, silk, and spices are openly displayed. The year before, he and his wife and Monique had gone on a trip to Hong Kong, which struck him, mostly, as a pincushion of gleaming skyscrapers. In a giant, glassed-in shopping mall, he’d bought a dove-gray cashmere sweater that he wore under his suit jacket on chilly days. Come visit the Orient. I know you will find it exotic and interesting. In the end he’d thrown the pamphlet away. He’d heard, from friends with younger children, that the expensive doll line now had one Asian doll for sale – and a few black ones, too – but he’d never seen it. Monique was seventeen now, and had long outgrown dolls.

HUSAM There is a way of passing away from the personal, a dying that makes one plural. A gnat lights in buttermilk to become nourishment for many. Your soul is like that, Husam. Hundreds of thousands of impressions from the invisible world are eagerly wanting to come through you! I get dizzy with the abundance. When life is this dear, it means the source is pulling us. Freshness comes from there. We're given the gift of continuously dying and being resurrected, ocean within ocean. The body's death now to me is like going to sleep. No fear of drowning, I'm in another water. Stones don't dissolve in rain. This is the end of the fifth book of the Masnavi. With constellations in the night sky, some look up and point. Others can be guided by the arrangements: the Sagittarian bow piercing enemies, the Water Jar soaking fruit trees, the Bull plowing and sowing its truth, the Lion tearing darkness open to red satin. Use these words to change. Be kind and honest, and harmful poisons will turn sweet inside you.

Sure enough, he saw Kat in the distance, wearing a red coat with a fur-lined collar, trudging through the snow at a leisurely pace. Immediately, he made plans to buy her at least two other outfits in that startling shade. It brought out the soft pink in her skin and the dark midnight of her hair. Perhaps a nightgown in red. Red satin that he could peel off her shoulders... His body clenched with need as hot blood moved to the most uncomfortable places. She inspired such strong reactions in him. Such outrageous desires.

Anyway, that guy. This is all his damned fault. It's his fault I'm bent over the edge of the bed with my red satin panties hanging from my one ankle. It's his fault I've got a little hot, gooey cum dripping from my chin. It's his fault my heart is still pounding from my first non-DIY orgasm. My first thundering, shuddering orgasm that I didn't tease out with my wet, dripping fingers, the corner of the dryer or 'Jumbo', the 7-inch ribbed black dildo I keep as my shameful little secret, tucked in the gap between my mattress and the headboard. ... Fuck you, Michael Cera. Fuck you hard. Sincerely, Jill Travers

The day Emilienne met Satin Lush, she was wearing her cloche hat, newly painted with red poppies. Her hair was curled and peeked lightly out from under the hat to cup the curve of her chin. There was a rip in her stocking. It was May and heavy wet lines of spring rain streamed down the windows of the café where Emilienne had just spent her day serving black coffee and sticky buns to dreamless Irishmen. The smell of glazed sugar and folded pride still lingered on her clothes. As she waited for the rain to let up, the bells of Saint Peter’s chimed five times and the water fell only harder upon the awning over her head. She

valentine my friends stitched it up with golden thread like a red satin pillow they gave me other whole ones too roses and charms and red candles milagros to repair the real one they told me i was no longer allowed to give it away a pretty pin cushion a piece of mexican folk art a hundred beating poems left unanswered like a thing to wear around the neck they said you must heal we will protect you but i sat weeping at the computer forging ahead anyway with the small stitched thing struggling in my chest it knew that it had needed to be torn so that it could recognize and receive the hundred kindnesses traveling across three thousand miles at the speed of light a storm of petals and beautiful words and tiny hearts to keep it company

A flaming red flapper dress, a sleek black dress with full, satin purple sleeves and a matching flounce, a summery cotton frock with a cheerful red poppy print, and a musketeer's gold-trimmed jacket tumbled out of the pile of clothing. A mound of scarves fluttered onto the bed. Marge fingered the frayed, tasseled edge of a silk jacquard scarf in shades of amethyst and emerald green.

Mila held out a dress so lovely that Snow gasped. She lovingly touched the blue bodice with the cap sleeves that had red accents woven throughout and the shining yellow satin. She hadn't had anything new to wear in a very long time. She almost hesitated to put the dress on- what if she ruined it in the woods? But when else would she have a chance to wear such a fine gown? She slipped into it with glee.

He remembered as never before how exquisite and beautiful she was, and her kisses tasting of crème de menthe and her fragrance of Coty perfume would be new and sweeter than ever after the coca and the rustic perfumes of these valleys. What a feeling of satin, that of her red lips under his cracked by the wind and the sun! The astonishment in her blue eyes when he related his odyssey through these wild mountains!

Yeah, ignore me." Aaro pawed through the bags until he found one with stenciled hearts on it. "By the way, you never did tell me your size. Hope nothing binds or pinches your tender pink places, babe." He let the bag fly. It landed on Lily's lap. She shrank back as if it were a venomous snake. Fuck-me-please panties spilled out. A tangle of satin, lace and silk. Red, black, peach, flesh-tone. Bruno growled expletives in a Calabrese dialect as he shoved underwear into the bag. It was his standard tension reliever. None of the people he insulted knew he was commenting on their grandmother's predilection for sex with sheep. "I am not wearing that slutty, disgusting stuff." Lily's voice was haughty. "Certainly not after you're pawed it. Dog." "Arf, arf." Aaro's tone was more cheerful than it had been so far any time this morning. "I love it when she spits bile.

(From Chapter 9: Hearts and Gizzards) I’m lying on the hard and narrow bed, on the mattress made of coarse ticking, which is what they call the covering of a mattress, though why do they call it that as it is not a clock. The mattress is filled with dry straw that crackles like a fire when I turn over, and when I shift it whispers to me, hush hush. It’s dark as a stone in this room, and hot as a roasting heart; if you stare into the darkness with your eyes open you are sure to see something after a time. I hope it will not be flowers. But this is the time they like to grow, the red flowers, the shining red peonies which are like satin, which are like splashes of paint. The soil for them is emptiness, it is empty space and silence. I whisper, Talk to me; because I would rather have talking than the slow gardening that takes place in silence, with the red satin petals dripping down the wall. I think I sleep. [...] I’m outside, at night. There are the trees, there is the pathway, and the snake fence with half a moon shining, and my bare feet on the gravel. But when I come around to the front of the house, the sun is just going down; and the white pillars of the house are pink, and the white peonies are glowing red in the fading light. My hands are numb, I can’t feel the ends of my fingers. There’s the smell of fresh meat, coming up from the ground and all around, although I told the butcher we wanted none. On the palm of my hand there’s a disaster. I must have been born with it. I carry it with me wherever I go. When he touched me, the bad luck came off on him. I think I sleep. I wake up at cock crow and I know where I am. I’m in the parlour. I’m in the scullery. I’m in the cellar. I’m in my cell, under the coarse prison blanket, which I likely hemmed myself. We make everything we wear or use here, awake or asleep; so I have made this bed, and now I am lying in it.

About sexuality of English mice. A warm perfume is growing little by little in the room. An orchard scent, a caramelized sugar scent. Mrs. MOUSE roasts apples in the chimney. The apple fruits smell grass of England and the pastry oven. On a thread drawn in the flames, the apples, from the buried autumn, turn a golden color and grind in tempting bubbles. But I have the feeling that you already worry. Mrs. MOUSE in a Laura Ashley apron, pink and white stripes, with a big purple satin bow on her belt, Mrs. MOUSE is certainly not a free mouse? Certainly she cooks all day long lemon meringue tarts, puddings and cheese pies, in the kitchen of the burrow. She suffocates a bit in the sweet steams, looks with a sigh the patched socks trickling, hanging from the ceiling, between mint leaves and pomegranates. Surely Mrs. MOUSE just knows the inside, and all the evening flavours are just good for Mrs. MOUSE flabbiness. You are totally wrong - we can forgive you – we don’t know enough that the life in the burrow is totally communal. To pick the blackberries, the purplish red elderberries, the beechnuts and the sloes Mr. and Mrs. MOUSE escape in turn, and glean in the bushes the winter gatherings. After, with frozen paws, intoxicated with cold wind, they come back in the burrow, and it’s a good time when the little door, rond little oak wood door brings a yellow ray in the blue of the evening. Mr. and Mrs. MOUSE are from outside and from inside, in the most complete commonality of wealth and climate. While Mrs. MOUSE prepares the hot wine, Mr. MOUSE takes care of the children. On the top of the bunk bed Thimoty is reading a cartoon, Mr. MOUSE helps Benjamin to put a fleece-lined pyjama, one in a very sweet milky blue for snow dreams. That’s it … children are in bed …. Mrs. MOUSE blazes the hot wine near the chimney, it smells lemon, cinnamon, big dry flames, a blue tempest. Mr. and Mrs. MOUSE can wait and watch. They drink slowly, and then .... they will make love ….You didn’t know? It’s true, we need to guess it. Don’t expect me to tell you in details the mice love in patchwork duvets, the deep cherry wood bed. It’s just good enough not to speak about it. Because, to be able to speak about it, it would need all the perfumes, all the silent, all the talent and all the colors of the day. We already make love preparing the blackberries wine, the lemon meringue pie, we already make love going outside in the coldness to earn the wish of warmness and come back. We make love downstream of the day, as we take care of our patiences. It’s a love very warm, very present and yet invisible, mice’s love in the duvets. Imagine, dream a bit ….. Don’t speak too badly about English mice’s sexuality …..

The Wheel Revolves You were a girl of satin and gauze Now you are my mountain and waterfall companion. Long ago I read those lines of Po Chu I Written in his middle age. Young as I was they touched me. I never thought in my own middle age I would have a beautiful young dancer To wander with me by falling crystal waters, Among mountains of snow and granite, Least of all that unlike Po’s girl She would be my very daughter. The earth turns towards the sun. Summer comes to the mountains. Blue grouse drum in the red fir woods All the bright long days. You put blue jay and flicker feathers In your hair. Two and two violet green swallows Play over the lake. The blue birds have come back To nest on the little island. The swallows sip water on the wing And play at love and dodge and swoop Just like the swallows that swirl Under and over the Ponte Vecchio. Light rain crosses the lake Hissing faintly. After the rain There are giant puffballs with tortoise shell backs At the edge of the meadow. Snows of a thousand winters Melt in the sun of one summer. Wild cyclamen bloom by the stream. Trout veer in the transparent current. In the evening marmots bark in the rocks. The Scorpion curls over the glimmering ice field. A white crowned night sparrow sings as the moon sets. Thunder growls far off. Our campfire is a single light Amongst a hundred peaks and waterfalls. The manifold voices of falling water Talk all night. Wrapped in your down bag Starlight on your cheeks and eyelids Your breath comes and goes In a tiny cloud in the frosty night. Ten thousand birds sing in the sunrise. Ten thousand years revolve without change. All this will never be again.

Privately, in the depths of my heart, I would have given my soul to have stood beside her in a large, yes, a large, fashionable church, crammed with people, with old reverend clergymen, with The Voice that breathed o’er Eden, with palms and the smell of scent, knowing there was a red carpet and confetti outside, and somewhere, a wedding-cake and champagne and a satin shoe to throw after the carriage—if I could have slipped our wedding-ring on to her finger. Not because I cared for such horrible shows, but because I felt it might possibly perhaps lessen this ghastly feeling of absolute freedom, her absolute freedom, of course.

Liam was wrenched out of sleep the next morning by Kim banging on the attic door and shouting his name. His instincts had him on his feet and wrenching open the door before his brain even knew he was awake. He found Kim in the hall, her eyes blazing, in a big black T-shirt with a Guinness logo on it. Kim had obviously slept in the rumpled T-shirt, which she must have found in Liam’s dresser drawer. Liam knew she’d be warm and very naked beneath it, and then he realized he was naked himself, prepared to shift. One part of him was shifting already. “Gods, Kim, why are you out here yelling like a banshee?” Kim held up a small bit of satin fabric, her eyes wide with fury. “Who packed this? It was a man, wasn’t it?” “Probably. Why?” She shook the red satin patch. “This is a thong. Have you ever worn a thong? Do you know how it feels to have a string up your ass all day?” Liam sensed the rest of his family listening: Connor sitting up in bed behind him, Sean in the hall below, Dylan behind him in the same clothes he’d worn last night, which meant he’d slept next door. “What’s wrong with a thong?” Liam asked her. “I bet it’s sexy on you.” He pictured it, and immediately clamped down on his imagination. Gods. “Oh, right,” Kim said. “I’m standing in a courtroom, trying to think on my feet while the prosecution is laughing its butt off at me, but that’s all right— at least my underwear is sexy.

Poor little Tom, in his rags, approached, and was moving slowly and timidly past the sentinels, with a beating heart and a rising hope, when all at once he caught sight through the golden bars of a spectacle that almost made him shout for joy. Within was a comely boy, tanned and brown with sturdy outdoor sports and exercises, whose clothing was all of lovely silks and satins, shining with jewels; at his hip a little jeweled sword and dagger; dainty buskins on his feet, with red heels; and on his head a jaunty crimson cap, with drooping plumes fastened with a great sparkling gem. Several gorgeous gentlemen stood near,—his servants, without a doubt. Oh! he was a prince—a prince, a living prince, a real prince—without the shadow of a question; and the prayer of the pauper-boy’s heart was answered at last.

Jake opened one eye and blinked confusedly at the sunlight pouring through the window high above. Disoriented, he rolled over on a lumpy, unfamiliar bed and found himself staring up at an enormous black animal who flattened his ears, bared his teeth, and tried to bite him through the slats of his stall. “You damned cannibal!” he swore at the evil-tempered horse. “Spawn of Lucifer!” Jake added, and for good measure he aimed a hard kick at the wooden slats by way of retaliation for the attempted bite. “Ouch, dammit!” he swore as his bootless foot hit the board. Shoving himself to a sitting position, he raked his hands through his thick red hair and grimaced at the hay that stuck between his fingers. His foot hurt, and his head ached from the bottle of wine he’d drunk last night. Heaving himself to his feet, he pulled on his boots and brushed off his woolen shirt, shivering in the damp chill. Fifteen years ago, when he’d come to work on the little farm, he’d slept in this barn every night. Now, with Ian successfully investing the money Jake made when they sailed together, he’d learned to appreciate the comforts of feather mattresses and satin covers, and he missed them sorely. “From palaces to a damned cowshed,” he grumbled, walking out of the empty stall he’d slept in. As he passed Attila’s stall, a hoof punched out with deadly aim, narrowly missing Jake’s thigh. “That’ll cost you an early breakfast, you miserable piece of living glue,” he spat, and then he took considerable pleasure in feeding the other two horses while the black looked on. “You’ve put me in a sour mood,” he said cheerfully as the jealous horse shifted angrily while the other two steeds were fed. “Maybe if it improves later on, I’ll feed you.

Mesmerized by the gilt ghastliness of it all, Elizabeth slowly turned in a full circle. Above the fireplace there was a gilt-framed painting of a lady attired in nothing whatsoever but a scrap of nearly-transparent red silk that had been draped across her hips. Elizabeth jerked her eyes away from that shocking display of nudity and found herself confronted by a veritable army of cavorting cupids. They reposed in chubby, gilt splendor atop the mantel and the bed tables; a cluster of them formed the tall candelabra beside the bed, which held twelve candles-one of which the footman had lit-and more cupids surrounded an enormous mirror. “It’s…” Berta uttered as she gazed through eyes the size of saucers, “it’s…I can’t find words,” she breathed, but Elizabeth had passed through her own state of shock and was perilously close to hilarity. “Unspeakable?” Elizabeth suggested helpfully, and a giggle bubbled up from her throat. “U-Unbelievable?” she volunteered, her shoulders beginning to shake with mirth. Berta made a nervous, strangled sound, and suddenly it was too much for both of them. Days of relentless tension erupted into gales of hilarity, and they gave in to it with shared abandon. Great gusty shouts of laughter erupted from them, sending tears trickling down their cheeks. Berta snatched for her missing apron, then remembered her new, elevated station in life and instead withdrew a handkerchief from her sleeve, dabbing at the corners of her eyes; Elizabeth simply clutched the forgotten bust to her chest, perched her chin upon its smooth head, and laughed until she ached. So complete was their absorption that neither of them realized their host was entering the bedchamber until Sir Francis boomed enthusiastically, “Lady Elizabeth and Lady Berta!” Berta let out a muffled scream of surprised alarm and quickly shifted her handkerchief from the corners of her eyes to her mouth. Elizabeth took one look at the satin-clad figure who rather resembled the cupids he obviously admired, and the dire reality of her predicament hit her like a bucket of icy water, banishing all thoughts of laughter. She dropped her gaze to the floor, trying wildly to remember her plan and to believe she could make it work. She had to make it work, for if she failed, this aging roué with the penchant for gilded cupids could very likely become her husband.

Female sensibility is layers, words, membranes, cotton, cloth, rope, repetition, bodies, wet, opening, closing repetition, lists, lifestories, grids, destroying grids, houses, intimacy, doorways, breasts, vaginas, flow, strong, building, putting together many disparaging elements, repetition, red, ink, black, earth feel colors, the sun, the moon, roots skins, walls, yellow, flowers, streams, puzzles, questions, stuffing, sewing, fluffing, satin, hearts, tearing, tearing, tearing, tying, decorating, baking, feeding, holding, listening, seeing thru the layers, oil, varnish, shellac, jell, paste, glue, seeds, thread, more, not less, repetition, women critics, women, writers, women artists, either nourishing us or eating us up alive, tokenism, curators, universities, tokenism, fear of other women to acknowledge female sensibility, hostile boy artists, accepting men artists, separating the men from the boys, dividing women, piece of pie-ism, money, art, sex, beasts, layers, symphonies, multi-roled, multi-part, stories, narrative, paint/flesh, serious, overwhelming, soft, hard, women working, working women, hanging, dangling, breaking, being fruity, angry, naïve, born again and trying to describe hot white flesh ties.

She went alone to the vast room where the second-hand clothes were kept. Later, she thought it the happiest hour of her life. There were silks and brocades by the yard, and pile upon pile of hats, wigs, cloaks, and masks. After two years in wretched rags, even the linen shifts felt as soft as thistledown. She whirled from one delight to another- clutching lace, burying her nose in furs, holding flashy paste jewels next to her new-bleached skin. Catching her reflected eye in the mirror she laughed out loud, her red mouth wide and knowing. She put aside a few carefully-chosen costumes and elbow-length mittens. Then, finally, she chose a few costumes of a particular nature: shiny satin, ebony black. Lastly, she gathered the garments she would wear for her journey: a grass-green woolen gown and a lace cap and apron. The effect was somewhat grand for a domestic servant. Her auburn locks were pinned tightly, her figure flattered by a frilled muslin kerchief, crisscrossed in an 'X' over her breast. Pulling out a few auburn tendrils from her cap, she adjusted her bodice to show a little more flesh. Then she grew very still, and smiled slowly into the empty space before her. "How do you do, sir," she said with a graceful curtsy. "Now, what pretty dish might you care for tonight?

Is this a date? Are you on a date with him? And who the hell’s car is this?” Before I can answer, Genevieve makes a move toward me, which I dodge. I run behind the pillar. “Don’t be such a baby, Lara Jean,” she says. “Just accept that you lose and I win!” I peek from behind the pillar, and John is giving me a look--a look that says, Get in. Quickly I nod. Then he throws open the passenger door, and I run for it, as fast as I can. I’ve barely got the door closed before he’s driving off, Peter and Gen in our dust. I turn back to look. Peter is staring after us, his mouth open. He’s jealous, and I’m glad. “Thanks for the save,” I say, still trying to catch my breath. My heart is pounding in my chest so hard. John is looking straight ahead, a broad smile on his face. “Anytime.” We stop at a stoplight, and he turns his head and looks at me, and then we’re looking at each other, laughing like crazy, and I’m breathless again. “Did you see the looks on their faces?” John gasps, dropping his head on the steering wheel. “It was classic!” “Like a movie!” He grins at me, jubilant, blue eyes alight. “Just like a movie,” I agree, leaning my head back against the seat and opening my eyes wide up at the moon, so wide it hurts. I’m in a red Mustang convertible sitting next to a boy in uniform, and the night air feels like cool satin on my skin, and all the stars are out, and I’m happy. The way John is still grinning to himself, I know he is too. We got to play make-believe for the night.

If it was a video-file that I was trying to watch, then at the bottom of the screen there’d be that line, that bar that slowly fills itself in—twice: once in bold red and, at the same time, running ahead of that, in fainter grey; the fainter section, of course, has to remain in advance of the bold section, and of the cursor showing which part of the video you’re actually watching at a given moment; if the cursor and red section catch up, then buffering sets in again. Staring at this bar, losing myself in it just as with the circle, I was granted a small revelation: it dawned on me that what I was actually watching was nothing less than the skeleton, laid bare, of time or memory itself. Not our computers’ time and memory, but our own. This was its structure. We require experience to stay ahead, if only by a nose, of our consciousness of experience—if for no other reason than that the latter needs to make sense of the former, to (as Peyman would say) narrate it both to others and ourselves, and, for this purpose, has to be fed with a constant, unsorted supply of fresh sensations and events. But when the narrating cursor catches right up with the rendering one, when occurrences and situations don’t replenish themselves quickly enough for the awareness they sustain, when, no matter how fast they regenerate, they’re instantly devoured by a mouth too voracious to let anything gather or accrue unconsumed before it, then we find ourselves jammed, stuck in limbo: we can enjoy neither experience nor consciousness of it. Everything becomes buffering, and buffering becomes everything. The revelation pleased me. I decided I would start a dossier on buffering.

Mrs. Barnstable took her to a beautiful room with windows overlooking the gardens. “This is yours,” the housekeeper said. “No one has occupied it before.” The bed was made of light blue upholstered panels, the bedclothes of white linen. There was a graceful lady’s writing desk in the corner, and a satin maple wardrobe with a looking glass set in the door. “Mr. Merripen personally selected the wallpaper,” Mrs. Barnstable said. “He nearly drove the interior architect mad with his insistence on seeing hundreds of samples until he found this pattern.” The wallpaper was white, with a delicate pattern of flowering branches. And at sparse intervals, there was the motif of a little robin perched on one of the twigs. Slowly Win went to one of the walls and touched one of the birds with her fingertips. Her vision blurred. During her long recuperation from the scarlet fever, when she had grown tired of holding a book in her hands and no one had been available to read to her, she had stared out the window at a robin’s nest in a nearby maple tree. She had watched the fledglings hatch from their blue eggs, their bodies pink and veined and fuzzy. She had watched their feathers grow in, and she had watched the mother robin working to fill their ravenous beaks. And Win had watched as, one by one, they had flown from the nest while she remained in bed. Merripen, despite his fear of heights, had often climbed a ladder to wash the second-floor window for her. He had wanted her view of the outside world to be clear. He had said the sky should always be blue for her. “You’re fond of birds, Miss Hathaway?” the housekeeper asked. Win nodded without looking around, afraid that her face was red with unexpressed emotion. “Robins especially,” she half-whispered.

I’m standing in front of Enrique’s Auto Body, doing deep-breathing exercises to keep from being nervous. Enrique’s Camry is nowhere in sight, so I know Alex is alone. I’m going to seduce Alex. If what I’m wearing doesn’t capture his attention, nothing will. I’m giving this my all…bringing out all the artillery. I rap on the door, then close my eyes tight and pray this goes as planned. I open my long, silver satin jacket and the cool night air rushes onto my exposed skin. When the creak of the door alerts me to Alex’s presence, I slowly open my eyes. But it’s not Alex’s black eyes staring at my scantily clad body. It’s Enrique--who’s staring at my pink lace bra and pom-pom skirt as if he’s won the lottery. Ripped with embarrassment, I wrap my coat around myself. If I could wrap it around twice, I would. “Uh, Alex,” Enrique laughs. “There’s a trick-or-treater here to see you.” My face is probably beet red, but I’m determined to see this through. I’m here to show Alex I’m not going to desert him. “Who is it?” comes Alex’s voice from somewhere inside the garage. “I was just leavin’,” Enrique says, slipping past me. “Tell Alex to lock up. Adiós.” Enrique walks across the darkened street, humming to himself. “Yo, Enrique. ¿Quién está ahi?” Alex’s voice fades when he reaches the front of the shop. He looks at me with contemp. “Need directions or your car fixed.” “None of the above,” I say. “Trick-or-treatin’ on my side of town?” “No.” “It’s over, mujer. ¿Me oyes? Why do you keep droppin’ into my life and fuckin’ with my head? Besides, aren’t you supposed to be at the Halloween dance with some college guy?” “I blew him off. Can we talk?” “Listen, I’ve got a shitload of work that still needs to get done. What did you come here for? And where’s Enrique?” “He, uh, left,” I say nervously. “I think I scared him away.” “You? I don’t think so.” “I showed him what I was wearing under my coat.” Alex’s eyebrows shoot up.

Hannah Winter was sixty all of a sudden, as women of sixty are. Just yesterday - or the day before, at most - she had been a bride of twenty in a wine-coloured silk wedding gown, very stiff and rich. And now here she was, all of a sudden, sixty. (...) This is the way it happened! She was rushing along Peacock Alley to meet her daughter Marcia. Anyone who knows Chicago knows that smoke-blackened pile, the Congress Hotel; and anyone who knows the Congress Hotel has walked down that glittering white marble crypt called Peacock Alley. It is neither so glittering nor so white nor, for that matter, so prone to preen itself as it was in the hotel's palmy '90s. But it still serves as a convenient short cut on a day when Chicago's lake wind makes Michigan Boulevard a hazard, and thus Hannah Winter was using it. She was to have met Marcia at the Michigan Boulevard entrance at two, sharp. And here it was 2.07. When Marcia said two, there she was at two, waiting, lips slightly compressed. (...) So then here it was 2.07, and Hannah Winter, rather panicky, was rushing along Peacock Alley, dodging loungers, and bell-boys, and traveling salesmen and visiting provincials and the inevitable red-faced delegates with satin badges. In her hurry and nervous apprehension she looked, as she scuttled down the narrow passage, very much like the Rabbit who was late for the Duchess's dinner. Her rubber-heeled oxfords were pounding down hard on the white marble pavement. Suddenly she saw coming swiftly toward her a woman who seemed strangely familiar - a well-dressed woman, harassed-looking, a tense frown between her eyes, and her eyes staring so that they protruded a little, as one who runs ahead of herself in her haste. Hannah had just time to note, in a flash, that the woman's smart hat was slightly askew and that, though she walked very fast, her trim ankles showed the inflexibility of age, when she saw that the woman was not going to get out of her way. Hannah Winter swerved quickly to avoid a collision. So did the other woman. Next instant Hannah Winter brought up with a crash against her own image in that long and tricky mirror which forms a broad full-length panel set in the marble wall at the north end of Peacock Alley. Passerby and the loungers on near-by red plush seats came running, but she was unhurt except for a forehead bump that remained black-and-blue for two weeks or more. The bump did not bother her, nor did the slightly amused concern of those who had come to her assistance. She stood there, her hat still askew, staring at this woman - this woman with her stiff ankles, her slightly protruding eyes, her nervous frown, her hat a little sideways - this stranger - this murderess who had just slain, ruthlessly and forever, a sallow, high-spirited girl of twenty in a wine-coloured silk wedding gown.

My father had a sister, Mady, who had married badly and ‘ruined her life.’ Her story was a classic. She had fallen in love before the war with an American adventurer, married him against her family’s wishes, and been disinherited by my grandfather. Mady followed her husband romantically across the sea. In America he promptly abandoned her. By the time my parents arrived in America Mady was already a broken woman, sick and prematurely old, living a life two steps removed from destitution. My father, of course, immediately put her on an allowance and made her welcome in his home. But the iron laws of Victorian transgression had been set in motion and it was really all over for Mady. You know what it meant for a woman to have been so disgraced and disinherited in those years? She had the mark of Cain on her. She would live, barely tolerated, on the edge of respectable society for the rest of her life. A year after we arrived in America, I was eleven years old, a cousin of mine was married out of our house. We lived then in a lovely brownstone on New York’s Upper West Side. The entire house had been cleaned and decorated for the wedding. Everything sparkled and shone, from the basement kitchen to the third-floor bedrooms. In a small room on the second floor the women gathered around the bride, preening, fixing their dresses, distributing bouquets of flowers. I was allowed to be there because I was only a child. There was a bunch of long-stemmed roses lying on the bed, blood-red and beautiful, each rose perfection. Mady walked over to them. I remember the other women were wearing magnificent dresses, embroidered and bejeweled. Mady was wearing only a simple white satin blouse and a long black skirt with no ornamentation whatever. She picked up one of the roses, sniffed deeply at it, held it against her face. Then she walked over to a mirror and held the rose against her white blouse. Immediately, the entire look of her plain costume was altered; the rose transferred its color to Mady’s face, brightening her eyes. Suddenly, she looked lovely, and young again. She found a long needle-like pin and began to pin the rose to her blouse. My mother noticed what Mady was doing and walked over to her. Imperiously, she took the rose out of Mady’s hand and said, ‘No, Mady, those flowers are for the bride.’ Mady hastily said, ‘Oh, of course, I’m sorry, how stupid of me not to have realized that,’ and her face instantly assumed its usual mask of patient obligation. “I experienced in that moment an intensity of pain against which I have measured every subsequent pain of life. My heart ached so for Mady I thought I would perish on the spot. Loneliness broke, wave after wave, over my young head and one word burned in my brain. Over and over again, through my tears, I murmured, ‘Unjust! Unjust!’ I knew that if Mady had been one of the ‘ladies’ of the house my mother would never have taken the rose out of her hand in that manner. The memory of what had happened in the bedroom pierced me repeatedly throughout that whole long day, making me feel ill and wounded each time it returned. Mady’s loneliness became mine. I felt connected, as though by an invisible thread, to her alone of all the people in the house. But the odd thing was I never actually went near her all that day. I wanted to comfort her, let her know that I at least loved her and felt for her. But I couldn’t. In fact, I avoided her. In spite of everything, I felt her to be a pariah, and that my attachment to her made me a pariah, also. It was as though we were floating, two pariahs, through the house, among all those relations, related to no one, not even to each other. It was an extraordinary experience, one I can still taste to this day. I was never again able to address myself directly to Mady’s loneliness until I joined the Communist Party. When I joined the Party the stifled memory of that strange wedding day came back to me. . .

Gavin nearly matched it when he freed enough buttons to expose her bright red lace and satin bra.

He had moved closer to the fire and was turning his laced sleeves back when he saw her. Her red hair was a blaze across the white ermine lap throw in which she was wrapped. She was sound asleep, lying on the settee, and he could see the pinched white misery of her face, the paleness of her lips, the faint spattering of freckles against her skin. He wondered if he could redden those lips. Would she pay the logical price for rescue? She was in his house, in his power, and if she were even the slightest bit knowledgeable about the way the world worked, she'd know what was expected of her. She was probably lying naked beneath that soft white fur, expecting him. A sudden rush of desire washed over him, and he examined it, surprised. It had been a very long time since the thought of a soft, sweet body had aroused his interest, not to mention another, more demanding part of him. But Emma Brown, with her murderous ways, her soft, shy mouth, and her astonishing bravery, had done just that. He moved to stand over her. He considered unfastening his breeches and taking her there on the sofa. After all, she must be a doxy, despite that innocence. No one could look as she did, find herself in the situations she did untouched, and remain untouched. He reached out a hand, tugging the fur down, hoping to see exposed skin. Instead he saw that miserable gray serge that he'd wanted to rip off her when he'd unfastened it earlier. She wasn't made for gray serge. She was made for silks and satins and furs. And the pristine whiteness of bed linen and smooth skin. "What are you doing?" His damnable guest, Nathaniel, appeared in the doorway, his brown hair ruffled from sleep, a glowering expression on his face. "Admiring Miss Brown," Killoran said lazily, turning his gaze back to the sleeping woman.

Tell her what you want to tell her then, Cass.” Cass gave Siena a quick summary of what she and Falco had discovered at the graveyard. The maid’s eyes got bigger and bigger as Cass relayed finding the open crypt door and the body, and then receiving the note. “But Signorina Cass, you might be in danger!” “That’s why we’re going to figure out who’s responsible,” Cass said, with more confidence than she felt. “Speaking of which…” Falco nodded at the costume bag, which Cass had completely forgotten. A silky garment, trimmed with lace and beaded elaborately, had fallen out during the scuffle. Siena looked down, and even in the flickering light, Cass could see that her pale skin went bright pink. The lady’s maid knelt to retrieve the outfit, a low-cut satin chemise. She pressed the clothing into Cass’s hands without meeting her eyes. Cass felt her own face get red. “It’s--it’s just a costume. We’re going to try to locate some of the dead girl’s patrons.” “You mean you’re going to masquerade as a…” The shy maid couldn’t choke out the rest. “Hired woman,” Cass confirmed, wondering if it would have been easier just to let Siena believe that she and Falco had met up for a tryst. She wasn’t sure which would have been more scandalizing. “I know it’s dangerous, but it’s more dangerous to do nothing while a madman plots against me. And Falco will be by my side the whole time. Please don’t tell my aunt.” Siena didn’t say anything for a minute. She looked back and forth from Cass to Falco. Finally, she nodded. And then, to Cass’s amazement, her red face lit up with a huge smile. “You’ll need me to do your hair, Signorina.” “Hair?” Cass wasn’t sure she had heard correctly. “What are you talking about?” “Your hair and your makeup.” Siena reached out to stroke Cass’s thick hair. “Otherwise, no one will believe you are anything other than a noblewoman. I’ll put the sides in braids, and twist the back into a knot.” Falco nodded approvingly at Siena. “Excellent idea. We want to make sure everyone can see that beautiful face tonight.” Cass thought her skin might turn permanently red if she continued blushing.

Take your cloak off,” she said quickly. “Trying to undress me?” Falco asked. He slid out of his cloak and looked questioningly at Cass. “Hold it up,” she ordered. She adjusted his hands so that the cloak shielded her, and fumbled to undo the bindings around her chest. She began to sweat as she unknotted the laces; in the dark, images of Agnese and Luca floated in front of her, their faces cold with disapproval. “You all right in there?” Falco asked. “You’re thrashing about like you’re performing a self-exorcism.” Cass emerged a minute later, red faced but triumphant. She waved her ivory-colored stays above her head. “Now,” she said, “I can breathe.” Falco plucked the fabric from her hand. He fingered it and feigned surprise. “Good Lord. What is this thing made of?” he asked. “Steel?” “Whalebone.” Cass clasped a hand over her mouth to stifle a yelp as Falco tossed her stays over the edge of the Rialto Bridge. “Consider yourself liberated,” he said. “Do you feel better?” Cass couldn’t respond. She couldn’t describe it, the way it felt to be able to inhale and exhale completely, like for once she was using all of her lungs. Her satin chemise curled and folded against her bare chest, giving her the sensation of being both cold and hot at the same time. Falco touched his forehead to hers again. His nose brushed against the side of her cheek. Cass’s heart sped up. But this time, he didn’t try to kiss her. He just held her in the dark, his mouth so close to hers that their breath mingled together like mist off the canals.

The fact that there were more adults than children at her party didn't seem to faze Dixie. "That child is like a dandelion," Lettie said. "She could grow through concrete." Dixie's birthday party had a combination Mardi Gras/funeral wake feel to it. Mr. Bennett and Digger looped and twirled pink crepe paper streamers all around the white graveside tent until it looked like a candy-cane castle. Leo Stinson scrubbed one of his ponies and gave pony rides. Red McHenry, the florist's son, made a unicorn's horn out of flower foam wrapped with gold foil, and strapped it to the horse's head. "Had no idea that horse was white," Leo said, as they stood back and admired their work. Angela, wearing an old, satin, off-the-shoulder hoop gown she'd found in the attic, greeted each guest with strings of beads, while Dixie, wearing peach-colored fairy wings, passed out velvet jester hats. Charlotte, who never quite grasped the concept of eating while sitting on the ground, had her driver bring a rocking chair from the front porch. Mr. Nalls set the chair beside Eli's statue where Charlotte barked orders like a general. "Don't put the food table under the oak tree!" she commanded, waving her arm. "We'll have acorns in the potato salad!" Lettie kept the glasses full and between KyAnn Merriweather and Dot Wyatt there was enough food to have fed Eli's entire regiment. Potato salad, coleslaw, deviled eggs, bread and butter pickles, green beans, fried corn, spiced pears, apple dumplings, and one of every animal species, pork barbecue, fried chicken, beef ribs, and cold country ham as far as the eye could see.

Drake looked down at his bride, pride nearly crushing him. She looked the picture of virtue in a gown the color of dark cream. Her hair sat atop her head in a shining red-gold mass of thick braids and curls. A band of small pink rosebuds haloed the curls, their stems a tightly intertwined crown. There was no cap now. Her face was pale and glowing, her neck as graceful as any swan's he had ever seen on the lakes of Northumberland, her delicate collarbones as elegant and stately as the jewels of a queen. What he wouldn't have done to give her the magnificent London wedding she deserved. He would relish seeing her in rich satin and jewels, the envy of the civilized world. But Serena would never be in London... would probably not 'wish' to be, he realized. Gazing at her beauty, her tranquility, he had a blinding realization that caused him to grasp more tightly to her hand and almost falter as he turned toward the minister: Had he not left all behind, he never would have found her. For the first time, he had something to be thankful for in the wake of his ruined existence. Had he stayed in London, he would have wed one of the haughty women of the ton, a woman in whose eyes he would have seen a hunger that was never satisfied. Instead, he was marrying a woman of quiet strength and faith, all of which gave the very air around her peace. Was she not worth a dukedom? Yes. A thousand times yes. That and more. She was worth all that he had gone through to have her.

She also felt herself wincing every time she moved. Her hips were bruised purple and marred with deep red cuts, blood trailing down her legs. She liked the wounds, though. He desired her so intensely he had crushed her in his grasp. Her entry felt especially sore and opened. By transference she felt as though her whole self had been opened and she was herself transformed.

When I approached, he casually bookmarked his page with a thin red satin ribbon and set the book down on the table beside him. He arched an eyebrow at me.

Thus Sampath was gradually provided with all sorts of comforts and, the more elaborate his living arrangements, the happier he was. He made a lovely picture, seated there amidst the greenery, reclining upon his cot at a slight angle to the world; propped against numerous cushions; tucked up, during chilly evenings, in a glamorous satin quilt covered with leopard-skin spots, chosen by Ammaji in the bazaar. On his head, he sported a tea-cosy-like red woollen hat, also given to him by Ammaji, who had knitted it and raised it to him on a stick.

He was wearing white Adidas boxing shoes and long black satin shorts and another of his endless supply of “Black Mamba” T-shirts, this one with Kobe Bryant’s likeness on it. In comparison, I was the one who looked like the thug, in a Red Sox T-shirt cut to the shoulders and baggy gray sweatpants and sneakers to match. “Good news for you,” Hawk said, watching me move from side to side in front of the bag, “is that your workout clothes won’t never go out of fashion, on account of never having been in no fashion in the first place.” “You planning to review my workout along with my functional attire?” I said. “Don’t require much planning. You been letting your elbow fly out from underneath your shoulder lately when you throw your hook.” “You’re just pointing that out now?” “Been workin’ up to it, I know how sensitive you are ’bout what’s left of your form.

Your highness,” he said below the burble of conversations. “You have just snubbed the Baroness of Crawford.” “Have I?” Her fine eyes were alight and her mouth offered him the smile he found himself wishing she reserved for him alone. “I must be terribly rude.” “On her afternoon calls tomorrow she will undoubtedly inform her every acquaintance of your outrageous foreign snobbery.” “She did not notice I passed. None of them ever do.” “Why—” “Oh, let’s not talk about that,” she said hurriedly. “Tell me what you wished to speak with me about.” “Did I?” “Of course you did. You were staring at me from all the way across the room.” Her tongue was sweet and gentle over the harsh Saxon syllables of his native language. She wrote in French, the language most of her people adopted at birth— though Cam had learned from her diary that the Sensaire dialect was, in some instances, quite a different thing indeed. He wished he knew the endearments she spoke to her fantasy version of him. “I thought it rather the opposite,” he said honestly. “Oh, it could not have been, my lord. Princesses do not stare.” He glanced aside. “Only queens, I suppose.” She shifted her attention to her mother and released a short breath of frustration. “Daggers, as they say,” he murmured. “Daggers indeed.” “She doesn’t like it when I speak with you, does she?” he said because he knew it to be true, and justifiably so. If Claire were eight years older, he wouldn’t like her talking to a man like him either. “No. She does not. But I do.” She seemed to study him. Her lips parted, then closed abruptly. “Your highness?” he said quietly. “Sometimes,” she said upon a rush of air, “I wish that I were an entirely different person and not a princess at all.” He watched her eyes, wide and without any hint of spoiled complaint in them. “Do you?” “Yes. For instance, I wish that I were standing here wearing a shockingly red satin gown and singing Christmas carols at the top of my lungs.” He chuckled. “Do you like singing, princess?” “Singing?” Twin creases appeared between her brows. “What about the red gown? Shouldn’t you ask me about that first?” “Probably. But since I should like to see you wearing a shockingly red satin gown, it wasn’t my principal curiosity.” Her mouth split into a perfect smile. “Now you’ve done it,” he said. “Your mother will have you cleaning the floors in punishment for that grin.” Candlelight twinkled in her eyes. “Princesses do not grin, my lord.” “Perhaps not. But they smile beautifully.” -Cam & Jacqueline

Aren’t the embroideries beautiful? I was inspired by a Chinese Ming dynasty Qípáo when I designed this ensemble.” Before he could continue, I said, “My mother wore qípáos at formal functions. She has a cheongsam with a thousand brocade butterflies embroidered on a red satin fabric.

He sat with his arm still around her, watching her face and smiling as she fumbled with the elegant gold wrapping, her agile fingers suddenly clumsy. She lifted the lid off and stared speechlessly at the simple pendant that lay on satin lining like a cobweb of gold. A dark red heart, chiseled and planed, was attached to the chain. “That’s a ruby,” she stammered. “No,” he corrected gently, lifting it from the box and placing it around her neck. “That’s my heart.” The chain was long, and the ruby heart slid down her chest to nestle between her breasts, gleaming with dark fire as it lay against her honeyed skin. “Wear that forever,” he murmured his eyes on the lush curves that his gift used as a pillow. “And my heart will always be touching yours.

You call that a kiss?” “Yep.” Okay, so I’m in shock the girl put my hand on her creamy cheek. Damn, you’d think I was on drugs by the way my body reacted. She had me totally under her spell a minute ago. Then the pretty witch turned my game around so she was the one with the upper hand. She surprised me, that’s for sure. I laugh, deliberately calling attention to us because I know it’s exactly what she doesn’t want. “Shh,” Brittany says, hitting me on the shoulder to shut me up. When I laugh louder, she whacks my arm with the heavy chem book. My bad arm. I wince. “Ow!” The cut on my biceps feels like a million little bees are stinging it. ¡Cabrón me dolioǃ She bites her Bobbi Brown Sandwash Petal’d frosted bottom lip, which in my opinion looks fine on her. Though I wouldn’t mind seeing her in the Pink Blossom color, too. “Did I hurt you?” she asks. “Yes,” I say through gritted teeth as I concentrate on her lip gloss instead of the pain. “Good.” I lift my sleeve to examine my wound, which now (thanks to my chem partner) has blood trickling from one of the staples the doc at the free clinic put in it after the fight at the park with the Satin Hoods. Brittany’s got a pretty good whack for someone who probably weighs a buck ten soaking wet. She sucks in her breath and scoots away. “Oh my God! I didn’t mean to hurt you, Alex. Really, I didn’t. When you threatened to show me the scar, you lifted your left sleeve.” “I wasn’t really gonna show you,” I say. “I was fuckin’ with you. It’s okay,” I tell her. Geez, you’d think the girl never saw red blood before. Then again, her blood probably runs blue. “No, it’s not okay,” she insists while shaking her head. “Your stitches are bleeding.” “They’re staples,” I correct her, trying to lighten the mood. The girl is even whiter than she usually is. And she’s breathing heavy, almost panting. If she passes out, I swear I’m losing the bet with Lucky. If she can’t handle a little streak of my blood, how’s she gonna handle having sex with me? Unless we’re not naked, so she doesn’t have to see my various scars. Or if it’s dark, then she can pretend I’m someone white and rich. Fuck that, I want the lights on…I want to feel all of her against me and want her to know it’s me she’s with and not some other culero. “Alex, are you okay?” Brittany asks, looking totally concerned. Should I tell her I was spacing out while thinking about us having sex?

Red-heeled shoes and silk stockings clocked in black. Gray satin breeches with silver knee buckles. Snowy linen, with Brussels lace six inches deep at cuff and jabot. The coat, a masterpiece in heavy gray with blue satin cuffs and crested silver buttons, hung behind the door, awaiting its turn.

Henry had bought a Phillies hat as we'd gotten off the subway at Broad and had tucked his substantial ponytail over the adjustable strap in the back. He could have been from Philadelphia; he could have been a very large Indian from Philadelphia, but he could have been from Philadelphia. I was blending in even better. I had left my hat at the hospital on Lena Moretti's head, had purchased a natty fitted cap and a vast red-satin jacket from the Broad Street vendo, and now approached the major league ballpark looking like a British phone box.

Lily stepped back to admit him, her gaze catching on the chocolates again. It was Caleb’s aim to make her look at him just the way she was looking at that red satin box. He extended the candy and knew by the pleasure in her eyes that she’d received few gifts in her life. And for one insensible, fevered moment Caleb wanted to give her everything. He wanted to drag the world to her feet and make it bow.

She gathered her quilt around her body and went inside, made her way gingerly around furniture to the living room, and curled up in a chair in a dark corner, flipped on the lamp beside her and jumped two feet straight up. Roxie was sitting in a rocking chair not two feet away. Pink sponge curlers covered her head. She wore some kind of whitish-green mask on her face. Her yellow satin caftan had splashes of red flowers the size of dinner plates all over it. One yellow satin slipper with marabou trip and two-inch heels dangled from the end of her right foot, which was slung over the leg of the chair. “So do we get two shovels and bury him, or did he have some kind of tale to tell that kept his heart beating a while longer?” Roxie asked.

Matching Doll Pajamas by Leveret, Inc Does your girl love holding on to her favorite doll at night? Now surprise her with this Together ForeverMatching Girl And Doll Pajama Set. Your girl will enjoy the shared fashion between herself and her best friend. This girl and doll pajama set comes with a full-size outfit for your little one and an 18" set for the doll. Shop the best assortment of matching pajamas and sleepwear sets for girls and their dolls New collections for every season! Sets include a matching doll outfit Great fashion and great fun! Leveret Matching Girl & Doll 2 Piece Pajamas 100% Cotton. These pajama style pants and shirt are made from a comfortable cotton with hearts of red and pink all over it. Girls' Pajamas and Nightgowns with Matching 18 Inch Doll Sleepwear, Sizes 4-16: Leveret.com. Matching Girl & Doll Nightgown Set makes playtime and bedtime even more special. It comes with a printed nightgown for her and one for her 18" doll in the same design. The ruffle trim and lively colors will make this set a favorite. Find great deals on leveret for matching doll pajamas. They are trimmed with white satin and floral embroidery, button in the front and have matching little white satin slippers topped with purple pom-poms.

The private ballroom, with its elaborate plasterwork scenes of Neptune, mermaids, porpoises, and fish, was a perfect backdrop for Vivien. She resembled a mermaid herself, wearing a green silk gown that clung to every curve of her body. The deep neckline and hem of the gown were trimmed with ruchings of white satin and dark green gauze, and the sleeves were mere wisps of gauze at the shoulders. It did not escape Grant's or any other man's attention that Vivien had dampened her skirts to cling more closely to her legs and hips, heedless of the bitter clime outside. That first sight of her was like a blow to the stomach. She wasn't classically beautiful, but she was as vibrant as a flame, with an intriguing combination of sweetness and witchery in her face. Her mouth was a fantasy come true, tender, full, and unmistakably carnal. The mass of her sunset-red curls had been pinned at the crown of her head, exposing a vulnerable neck and the most beautiful ivory shoulders Grant had ever seen.

Satine was my favorite, and now I’ll never be able to fuck her or whip her again. Damn girls and their damn fucking feelings.

Dark green satin, its bottom trimmed with red-and-beige plaid.

I’ll cover you with my body as much as I can.” He reached inside his pocket and got out a wide, red, satin ribbon. “And this is for you.” “What’s this?” “A blindfold.

Cyra, the phoenix, who’d finally regained the ability to assume a human form, stood at the front in a deep red satin dress flowing over a slightly pudgy body that caught the fabric in some of her belly folds. She was clearly not interested in Spanx. I was glad for it. She was a badass who’d nearly taken Austin down. I was glad she wasn’t forcing herself to be uncomfortable in order to fit a certain body mold. I’d always hated Spanx.

Bawdy shouts and whistles snapped me out of my own mind. A woman in red sat on the edge of the table next to the one I’d left. She wore a gown made of scraps of red satin and gauze that barely covered her thighs. One of the men grabbed a fistful of the diaphanous little skirt. Smacking his hand away with a saucy grin, she lay back, her body forming a sensual curve. Her thick, blonde curls spilled across forgotten coins and chips. “Who wants to win me tonight?” Her voice was deep and smoky as she slid her hands along the waist of the frilly corset. “I can assure you boys, I will last longer than any pot of gold will.” “And what if it’s a tie?” one of the men asked, the fine cut of his coat suggesting that he was a well-to-do merchant or businessman of some sort. “Then it will be a far more entertaining

you buy perfume from the yemenites for only 100 francs perfumes in golden lids, colours of satin red, persian blue the whole shuttle bus stinks of you, love even after you leave you complain when they run out too quickly but you are a somali girl

What an impact! Wrapped together in strips of piecrust... ... the two distinct layers of stuffing each amplify the deliciousness of the other! The top layer is a chicken mousse! Tender, juicy cooked chicken... ... put through a food processor with heavy cream and seasonings until it was a silky-smooth puree! Its thick yet gentle savory flavor, accented with a touch of sweetness, slides across the tongue like satin! And the bottom layer is a beef meat loaf! Its flavors are perfectly paired with both the creamy chicken mousse and the demi-glace. What a frighteningly defined dish!" "Okay, but he used convenience store food for all that?! There's no way it could be that delicious..." "Oh, but it is. His skill elevated the ingredients to new heights." "Um, i-it really wasn't all that much. All I did was, well... To give the chicken mousse a more luxuriant texture, I carefully mixed in some egg whites beaten into a stiff meringue... And then added a little mushroom paste (Duxelles) to boost its richness. Canned mushrooms have a mild funk to them, so to get rid of that smell, I minced and sautéed them until nearly all their moisture was gone. I also reduced some red wine as far as I could, leaving behind just its umami components, and added that to the demi-glace. It isn't the best, but I had only cheap ingredients to work with. What about that isn't "all that much"?! "The main common ingredients he used were a precooked hamburger patty, chicken salad and a frozen piecrust. They're prepackaged foods anyone can buy, designed to be tasty right out of the box. In other words... They're average foods with completely average flavors! Use them as they are and you'll never pass this trial! Out of all of them, he singled out the ones that could stand up to haute cuisine cooking... ... and melded them together into a harmonious whole that brought out their best qualities while eliminating anything inferior! It's a level of quality only someone of Eishi Tsukasa's skill could reach!

This thing right here is an edgy sex-type thing: all po-mo and throwback, at once passionate and insincere. It creeps around downtown, goes underground in the financial district, resurfaces on Queen West, becomes a full-blown geyser in bars like this. The Cramp are on, and everybody’s All Tore Up, probably snorting coke in the bathroom, shooting bourbon at the bar, and pretty soon it’ll be The Creature from the Black Leather Lagoon, red satin curtains in the window behind the stage, hubcaps on the walls.

Take off your jeans.” She smiled up at him. “I can see it is dangerous. Now, why would I want to do something that is obviously going to get me in big trouble?” His hand stroked her waist, traced each rib under her satin skin. He could feel her tremble in answer. “Because I want you to. Because you want to please me.” Shea laughed out loud, her eyebrows winging upward. “Oh, really? That’s what I want to do?” He nodded solemnly. “Above all else.” She moved away from him, deliberately enticing him. “I see. I didn’t know that. Thank you for pointing it out.” “You are welcome,” he countered gravely, his eyes following her every movement. Shea was graceful and seductive, a siren beckoning him to follow. His body stirred, and ruefully he decided the pools might be a safer place to watch her. He entered the nearest hot springs, wincing as the bubbles added to the sensation of fingers stroking his sensitive skin. Her taunting laughter followed him, brushing provocatively at his nerve endings with the very tip of a flame. Shea felt an unexpected rush of power. Jacques was such an invincible being, yet she could see his body trembling, hear his heart beating even over the roar of the falls. All for her. Deliberately she slid her jeans low, exposing her slender body, the fiery red triangle beckoning him, teasing him. Her shirt floated to the ground, and she lifted her arms skyward, a seductress tempting the heavens. Jacques’ body tightened in anticipation. His black gaze didn’t miss one graceful sway, not one rhythmic movement of her shapely form. Shea waded into the pool slowly, allowed the bubbling water to lap at her body like a sensuous tongue. She moved out into the middle of the water and finally slipped under the surface like a sleek, gleaming otter. Jacques sat on the edge of a rock, his legs under the water, bubbles lapping around his hips. He watched her swim toward him, away, her body flashing in the water, breaking the surface, disappearing once again.

He found hunger, weakness, fear for his recovery, his sanity, fear of who and what he was. Guilt that she had slept instead of watching over him. An urgent need to complete her work, her research. Compassion for him, terror that he would not heal and that perhaps she had made his suffering worse. Fear they would be found before he was strong enough to go his own way. His eyebrows went up. Our way is the same. She sat up gingerly, swept back her tangled, wild hair. “You could have said you speak English. How do you do that? How can you talk in my head instead of aloud?” He simply watched her curiously with his black, fathomless eyes. Shea eyed him warily. “You aren’t getting ready to bite me again, are you? I’ve got to tell you, there isn’t a place on my body that isn’t sore.” She flashed him a wan smile. “Just out of curiosity, your rabies shots are up to date, aren’t they?” His eyes were doing something to her insides, causing a flood of warmth where it shouldn’t be. His gaze dropped to her lips. The shape of her mouth fascinated him, along with the light so clearly shining from her soul. He raised a hand to cup her cheek, to feather his thumb along her delicate jawline; his fingertip traveled up to her chin to find the satin perfection of her full lower lip. Her heart somersaulted and heat rushed low, pooling into a distinct ache. His hand slid around to the nape of her neck. Slowly, inexorably, he forced her head down toward his. Shea closed her eyes, wanting, yet dreading his taking her blood. “I’d hate to have to feed you every day,” she muttered rebelliously. And then his mouth touched hers. Featherlight, a skimming brush Shea felt right down to her toes. His teeth scraped her lower lip, teasing, tempting, enticing. Darts of fire raced through her bloodstream. Her stomach muscles clenched. Open your mouth for me, stubborn little red hair. His teeth tugged; his tongue followed with a soothing caress. Shea gasped as much at the tender, teasing note as at the feel of his lips on hers. He took advantage immediately, fastening his mouth to hers, his tongue exploring every inch of her velvet-soft interior.

I tried to imagine her in my grandfather’s clothes. Everything about her was feminine and tailored and perfect. Everything about her felt the opposite of me. I could imagine me in my grandfather’s clothes. But not her. I wanted you. I wanted you growing in my body, I wanted you in my arms, I wanted you over my shoulder— She got quiet. And then the wanting was gone, wasn’t it? She shook her head. More time passed before she spoke again. It wasn’t gone. Just different. You’re going to learn this. I mean, I hope you learn this. Love changes and changes. Then it changes again. Today, the love is me wanting to see you in that dress, she said. I want to see me in you because Me in that dress was over a long time ago. Sixteen was gone. Then seventeen, eighteen—all of it. I pulled the dress closer to me—lace over silk and satin, tea length, mandarin collared. A tailor had cinched the waist and let out the hips. He’d lifted the hem to see if there was extra fabric there to lengthen it. When there was only just enough, he used satin binding over the raw edge to squeeze the last of the length from it. My grandmother was so proud of his work. As I stood in his shop turning for the two of them, the tailor nodded approvingly and my grandmother dabbed at her eyes.

I need you to do as I ask you,” he said in desperation, fighting the beast lifting its head hungrily. Her laughter was soft, enticing, the sound dancing over his skin. “No, you don’t. Too many people think your word is law. You need someone to defy you a little bit. I know you won’t hurt me, Mikhail. I can feel your fear of yourself. You think there’s something in you I can’t love, some kind of monster you’re afraid for me to see. I know you better than you know yourself.” “You are so reckless, Raven, so heedless of danger.” He gripped the back of a chair so hard the wood threatened to disintegrate into dust. As it was, it would hold the imprint of his fingers for all time. “Danger, Mikhail?” She tipped her head to one side, her hair falling in a slide over one shoulder. Her hands went to the top button of her blouse. “I would never be in danger from you, even if you were furious with me. The only danger right now is to my clothes.” She took a step back, laughing again, letting the sound warm him, ignite the fuse deep inside him. Heat coiled, spread; need slammed into him, hard and urgent. Hunger tore at him, a blind red haze. “You, little one, are playing with fire, and I am totally out of control.” He made one last attempt to save her. Why couldn’t she see how selfish he really was? How he had taken over her life and would never release her? He was the monster she couldn’t see. Perhaps with the rest of the world cold logic and justice ruled him, but not with her. With Raven he was taken over by emotions with which he was so unfamiliar that he could not control them. He did things he felt were unconscionable. He let her see the violence in his mind, tearing her clothes, taking her body without thought or control. She answered him in her mind, warmth, love, her body eager for his, receptive, accepting of his violent side. She had total trust and faith in his feelings for her, in his commitment to her. He swore softly, ripping the clothes from his fettered body, leaping upon her like an attacking jungle cat. “Mikhail, I love this dress,” she whispered against his throat, laughter still spilling into his mind. Laughter. Joy. No fear. “Get out of the damned thing,” he said hoarsely, not realizing he was confirming her belief in him. She took her time, teasing him by fumbling at buttons, making him find the hook in her skirt. “You do not know what you are doing,” he objected raggedly, but his hands were gentle on her body, carefully stripping away her clothes until she was all bare satin skin and long silky hair.

The satin evening dress Lady Gwendolyn was wearing in the photograph was dark in color and luminous, bias-cut so that it clung lightly to her curves. Dolly had searched high and low in the wardrobes until she finally found it, draped over a hanger among a host of others- imagine her pleasure to discover it was deepest red, surely the most magnificent of all colors.

A similar couch was on this side of the room and the whole wall above it, on either side of the door, was painted with two brilliant murals. One was of four women and three men with no clothes on, doing what might be expected of four women and three men with no clothes on, and the other was just as much fun. It was a bold, red and black painting of a semi-nude, black-skinned woman and a dark red satyr, the lascivious demigod of mythology, both under the gaze of a laughing, sharp-horned, scarlet devil. More huge silk-and-satin-covered pillows, plus two round black hassocks, were scattered on the carpet. In another minute, it would be ten o'clock. I walked to the projector, a new Bell and Howell sixteen-millimeter job, the Filmosound Model 385 with all the gadgets. Switches to start, stop, or reverse the film, a switch for showing single frames, the works. A rubber-covered cord ran from the base of the projector down along the carpet to the front wall and disappeared under the black drapery. One reel of film was