“
Doing better next time. That’s what life is.
”
”
Joe Abercrombie (The First Law Trilogy)
“
But some things have to be done. It’s better to do them, than to live with the fear of them.
”
”
Joe Abercrombie (The First Law Trilogy)
“
A few glasses of wine can be the difference between finding a man a hilarious companion or an insufferable moron.
”
”
Joe Abercrombie (The First Law Trilogy)
“
lies. The hardest kind to see through. The kind you tell yourself.
”
”
Joe Abercrombie (The First Law Trilogy)
“
The blade itself incites to deeds of violence’ Homer
”
”
Joe Abercrombie (The First Law Trilogy Boxed Set: The Blade Itself, Before They Are Hanged, Last Argument of Kings)
“
Nothing to it. You treat folk the way you’d want to be treated, and you can’t go far wrong.
”
”
Joe Abercrombie (The First Law Trilogy Boxed Set: The Blade Itself, Before They Are Hanged, Last Argument of Kings)
“
Greer. She’s younger by nine years. She’s a first-year associate at a big law firm here in town. She’s currently working her ass off while she could have a cushy job with me. But she’s stubborn as hell, and won’t come over to the dark side, as she calls it.
”
”
Meghan March (Dirty Billionaire (The Dirty Billionaire Trilogy, #1))
“
More often than not bad luck meant bad plans.
”
”
Joe Abercrombie (The First Law Trilogy Boxed Set: The Blade Itself, Before They Are Hanged, Last Argument of Kings)
“
Sand dan Glokta, shield to the helpless. Is it ever too late to be . . . a good man?
”
”
Joe Abercrombie (The First Law Trilogy)
“
There are few ills a good cup of tea won’t help with.
”
”
Joe Abercrombie (The First Law Trilogy)
“
You don’t pick your family, you take what you’re given and you make the best of it.
”
”
Joe Abercrombie (The First Law Trilogy Boxed Set: The Blade Itself, Before They Are Hanged, Last Argument of Kings)
“
Come,” he whispered. They all were welcome.
They scattered for the racks, seizing their spiked swords, and their sharp axes, and the Bloody-Nine laughed to watch them. Armed or not, their death was a thing already decided. It was written into the cavern in lines of fire and lines of shadow. Now he would write it in lines of blood. “Die!” he roared, and the blade made circles, savage and beautiful, the letter on the metal burning red and leaving bright trails behind. And where the circles passed everything would be made right. The Shanka would scream and gibber, and the pieces of them would scatter, and they would be sliced and divided as neatly as meat on the butcher’s block
The Bloody-Nine showed his teeth, and smiled to be free, and to see the good work done so well. He knocked a barbed sword from a Flathead’s hand, seized it by the scruff of the neck and forced its face down into the channel where the molten steel flowed, furious yellow, and its head hissed and bubbled, shooting out stinking steam.
“Burn!” laughed the Bloody-Nine, and the ruined corpses, and their gaping wounds, and their fallen weapons, and the boiling bright iron laughed with him.
Only the Shanka did not laugh. They knew their hour was come.
”
”
Joe Abercrombie (The First Law Trilogy)
“
The best lessons one teaches oneself.
”
”
Joe Abercrombie (The First Law Trilogy)
“
Perhaps we’ll have some answers, at least, before the end. I always dreamed of dying well-informed.
”
”
Joe Abercrombie (The First Law Trilogy Boxed Set: The Blade Itself, Before They Are Hanged, Last Argument of Kings)
“
He had discovered early in his military career that if one has an effective and experienced officer above, coupled with effective and experienced soldiers below, one need do, and know, nothing.
”
”
Joe Abercrombie (The First Law Trilogy)
“
Men don’t fence for their King, or for their families, or for the exercise either, before you try that one on me. They fence for the recognition, for the glory. They fence for their own advancement. They fence for themselves. I should know.
”
”
Joe Abercrombie (The Blade Itself (The First Law Trilogy Book 1))
“
Many are scared to live in a society without laws, because they fear people will act lawlessly. But it is not law as laid down by a court that keeps people honest and kind. Anyone who has lived in a society that is truly equal only fears losing it.
Dire of the Belt
”
”
Linden A. Lewis (The Last Hero (The First Sister Trilogy, #3))
“
More stringent security measures. Universal electronic surveillance. No-knock laws. Stop and frisk laws. Government inspection of first-class mail. Automatic fingerprinting, photographing, blood tests, and urinalysis of any person arrested before he is charged with a crime. A law making it unlawful to resist even unlawful arrest. Laws establishing detention camps for potential subversives. Gun control laws. Restrictions on travel. The assassinations, you see, establish the need for such laws in the public mind. Instead of realizing that there is a conspiracy, conducted by a handful of men, the people reason—or are manipulated into reasoning—that the entire populace must have its freedom restricted in order to protect the leaders. The people agree that they themselves can’t be trusted.
”
”
Robert Shea (The Illuminatus! Trilogy: The Eye in the Pyramid/The Golden Apple/Leviathan)
“
Arin said, “If I win, I will ask a question, and you will answer.”
She felt a nervous flutter. “I could lie. People lie.”
“I’m willing to risk it.”
“If those are your stakes, then I assume my prize would be the same.”
“If you win.”
She still could not quite agree. “Questions and answers are highly irregular stakes in Bite and Sting,” she said irritably.
“Whereas matches make the perfect ante, and are so exciting to win and lose.”
“Fine.” Kestrel tossed the box to the carpet, where it landed with a muffled sound.
Arin didn’t look satisfied or amused or anything at all. He simply drew his hand. She did the same. They played in intent concentration, and Kestrel was determined to win.
She didn’t.
“I want to know,” Arin said, “why you are not already a soldier.”
Kestrel couldn’t have said what she had thought he would ask, but this was not it, and the question recalled years of arguments she would rather forget. She was curt. “I’m seventeen. I’m not yet required by law to enlist or marry.”
He settled back in his chair, toying with one of his winning pieces. He tapped a thin side against the table, spun the tile in his fingers, and tapped another side. “That’s not a full answer.”
“I don’t think we specified how short or long these answers should be. Let’s play again.”
“If you win, will you be satisfied with the kind of answer you have given me?”
Slowly, she said, “The military is my father’s life. Not mine. I’m not even a skilled fighter.”
“Really?” His surprise seemed genuine.
“Oh, I pass muster. I can defend myself as well as most Valorians, but I’m not good at combat. I know what it’s like to be good at something.”
Arin glanced again at the piano.
“There is also my music,” Kestrel acknowledged. “A piano is not very portable. I could hardly take it with me if I were sent into battle.”
“Playing music is for slaves,” Arin said. “Like cooking or cleaning.”
Kestrel heard anger in his words, buried like bedrock under the careless ripple of his voice. “It wasn’t always like that.”
Arin was silent, and even though Kestrel had initially tried to answer his question in the briefest of ways, she felt compelled to explain the final reason behind her resistance to the general. “Also…I don’t want to kill.” Arin frowned at this, so Kestrel laughed to make light of the conversation. “I drive my father mad. Yet don’t all daughters? So we’ve made a truce. I have agreed that, in the spring, I will either enlist or marry.”
He stopped spinning the tile in his fingers. “You’ll marry, then.”
“Yes. But at least I will have six months of peace first.”
Arin dropped the tile to the table. “Let’s play again.”
This time Kestrel won, and wasn’t prepared for how her blood buzzed with triumph.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
As they left the library, Arin said, “Kestrel--”
“Not a word. Don’t speak until we are in the carriage.”
They walked swiftly down the halls--Arin’s halls--and when Kestrel stole sidelong looks at him he still seemed stunned and dizzy. Kestrel had been seasick before, at the beginning of her sailing lessons, and she wondered if this was how Arin felt, surrounded by his home--like when the eyes can pinpoint the horizon but the stomach cannot.
Their silence broke when the carriage door closed them in.
“You are mad.” Arin’s voice was furious, desperate. “It was my book. My doing. You had no right to interfere. Did you think I couldn’t bear the punishment for being caught?”
“Arin.” Fear trembled through her as she finally realized what she had done. She strove to sound calm. “A duel is simply a ritual.”
“It’s not yours to fight.”
“You know you cannot. Irex would never accept, and if you drew a blade on him, every Valorian in the vicinity would cut you down. Irex won’t kill me.”
He gave her a cynical look. “Do you deny that he is the superior fighter?”
“So he will draw first blood. He will be satisfied, and we will both walk away with honor.”
“He said something about a death-price.”
That was the law’s penalty for a duel to the death. The victor paid a high sum to the dead duelist’s family. Kestrel dismissed this. “It will cost Irex more than gold to kill General Trajan’s daughter.”
Arin dropped his face into his hands. He began to swear, to recite every insult against the Valorian’s the Herrani had invented, to curse them by every god.
“Really, Arin.”
His hands fell away. “You, too. What a stupid thing for you to do. Why did you do that? Why would you do such a stupid thing?”
She thought of his claim that Enai could never have loved her, or if she had, it was a forced love.
“You might not think of me as your friend,” Kestrel told Arin, “but I think of you as mine.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Agreeable even though the rector, when he arrived some years earlier, had looked around, seen a fair number of Bajians and Barbadians, who were Church of England—many of them domestics working for East Orange’s white rich, many of them island people who knew their place and sat at the back and thought they were accepted—leaned on his pulpit, and, before beginning the sermon on his first Sunday, said, “I see we have some colored families here. We’ll have to do something about that.” After consulting with the seminary in New York, he had seen to it that various services and Sunday schools for the colored were conducted, outside basic church law, in the colored families’ houses. Later, the swimming pool at the high school was shut down by the school superintendent so that the white kids wouldn’t have to swim with the colored kids. A big swimming pool, used for swimming classes and a swimming team, a part of the physical education program for years, but since there were objections from some of the white kids’ parents who were employers of the black kids’ parents—the ones working as maids and housemen and chauffeurs and gardeners and yardmen—the pool was drained and covered over.
”
”
Philip Roth (The Human Stain (The American Trilogy, #3))
“
A challenge.” He tsked. “I’ll let you take it back. Just this one.”
“I cannot take it back.”
At that, Irex drew his dagger and imitated Kestrel’s gesture. They stood still, then sheathed their blades.
“I’ll even let you choose the weapons,” Irex said.
“Needles. Now it is to you to choose the time and place.”
“My grounds. Tomorrow, two hours from sunset. That will give me time to gather the death-price.”
This gave Kestrel pause. But she nodded, and finally turned to Arin.
He looked nauseated. He sagged in the senators’ grip. It seemed they weren’t restraining him, but holding him up.
“You can let go,” Kestrel told the senators, and when they did, she ordered Arin to follow her. As they left the library, Arin said, “Kestrel--”
“Not a word. Don’t speak until we are in the carriage.”
They walked swiftly down the halls--Arin’s halls--and when Kestrel stole sidelong looks at him he still seemed stunned and dizzy. Kestrel had been seasick before, at the beginning of her sailing lessons, and she wondered if this was how Arin felt, surrounded by his home--like when the eyes can pinpoint the horizon but the stomach cannot.
Their silence broke when the carriage door closed them in.
“You are mad.” Arin’s voice was furious, desperate. “It was my book. My doing. You had no right to interfere. Did you think I couldn’t bear the punishment for being caught?”
“Arin.” Fear trembled through her as she finally realized what she had done. She strove to sound calm. “A duel is simply a ritual.”
“It’s not yours to fight.”
“You know you cannot. Irex would never accept, and if you drew a blade on him, every Valorian in the vicinity would cut you down. Irex won’t kill me.”
He gave her a cynical look. “Do you deny that he is the superior fighter?”
“So he will draw first blood. He will be satisfied, and we will both walk away with honor.”
“He said something about a death-price.”
That was the law’s penalty for a duel to the death. The victor paid a high sum to the dead duelist’s family. Kestrel dismissed this. “It will cost Irex more than gold to kill General Trajan’s daughter.”
Arin dropped his face into his hands. He began to swear, to recite every insult against the Valorian’s the Herrani had invented, to curse them by every god.
“Really, Arin.”
His hands fell away. “You, too. What a stupid thing for you to do. Why did you do that? Why would you do such a stupid thing?”
She thought of his claim that Enai could never have loved her, or if she had, it was a forced love.
“You might not think of me as your friend,” Kestrel told Arin, “but I think of you as mine.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
A monopoly on the means of communication may define a ruling elite more precisely than the celebrated Marxian formula of “monopoly on the means of production.” Since man extends his nervous system through channels of communications like the written word, the telephone, radio, etc., he who controls these media controls part of the nervous system of every member of society. The contents of these media become part of the contents of every individual’s brain.
Thus, in pre-literate societies taboos on the spoken word are more numerous and more Draconic than at any more complex level of social organization. With the invention of written speech — hieroglyphic, ideographic, or alphabetical — the taboos are shifted to this medium; there is less concern with what people say and more concern with what they write.
(Some of the first societies to achieve literacy, such as Egypt and the Mayan culture of ancient Mexico, evidently kept a knowledge of their hieroglyphs a religious secret which only the higher orders of the priestly and royal families were allowed to share.) The same process repeats endlessly: Each step forward in the technology of communication is more heavily tabooed than the earlier steps. Thus, in America today (post-Lenny Bruce), one seldom hears of convictions for spoken blasphemy or obscenity; prosecution of books still continues, but higher courts increasingly interpret the laws in a liberal fashion, and most writers feel fairly confident that they can publish virtually anything; movies are growing almost as desacralized as books, although the fight is still heated in this area; television, the newest medium, remains encased in neolithic taboo.
(When the TV pundits committed lèse majesté after an address by the then Dominant Male, a certain Richard Nixon, one of his lieutenants quickly informed them they had overstepped, and the whole tribe — except for the dissident minority — cheered for the reassertion of tradition.) When a more efficient medium arrives, the taboos on television will decrease.
”
”
Robert Shea (The Illuminatus! Trilogy)
“
Declan had been told a long time ago that he had to know what he wanted, or he'd never get it. Not by his father, because his father would never have delivered such pragmatic advice in such a pragmatic way. No, even if Niall Lynch believed in the sentiment, he would have wrapped it up in a long story filled with metaphor and magic and nonsense riddles. Only years after the storytelling would Declan be sitting somewhere and realize that all along Niall had been trying to teach him to balance his checkbook, or whatever the tale had really been about. Niall could never just say the thing.
No, this piece of advice--You have to know what you want, or you'll never get it--was given to Declan by a senator from Nevada he'd met during a DC field trip back in eighth grade. The other children had been bored by the pale stone restraint of the city and the sameness of the law and government offices they toured. Declan, however, had been fascinated. He'd asked the senator what advice he had for those looking to get into politics.
"Come from money," the senator had said first, and then when all the eighth graders and their teachers had stared without laughing, he added, "You have to know what you want, or you'll never get it. Make goals."
Declan made goals. The goal was DC. The goal was politics. The goal was structure, and more structure, and yet more structure. He took AP classes on political science and policy. When he traveled with his father to black markets, he wrote papers. When he took calls from gangsters and shady antique auction houses, he arranged drop-offs near DC and wrangled meetings with HR people. Aglionby Academy made calls and pulled strings; he got names, numbers, internships. All was going according to plan. His father's will conveniently left him a townhouse adjacent to DC. Declan pressed on. He kept his brothers alive; he graduated; he moved to DC.
He made the goal, he went towards the goal.
When he took his first lunch meeting with his new boss, he found himself filled with the same anticipation he'd had as an eighth grader. This was the place, he thought, where things happened. Just across the road was the Mexican embassy. Behind him was the IMF. GW Law School was a block away. The White House, the USPS, the Red Cross, all within a stone's throw.
This was before he understood there was no making it for him. He came from money, yeah, but the wrong kind of money. Niall Lynch's clout was not relevant in this daylight world; he only had status in the night. And one could not rise above that while remaining invisible to protect one's dangerous brother.
On that first day of work, Declan walked into the Renwick Gallery and stood inside an installation that had taken over the second floor around the grand staircase. Tens of thousands of black threads had been installed at points all along the ceiling, tangling around the Villareal LED sculpture that normally lit the room, snarling the railing over the stairs, blocking out the light from the tall arches that bordered the walls, turning the walkways into dark, confusing rabbit tunnels. Museumgoers had to pick their way through with caution lest they be snared and bring the entire world down with them.
He had, bizarrely, felt tears burning the corners of his eyes.
Before that, he hadn't understood that his goals and what he wanted might not be the same thing.
This was where he'd found art.
”
”
Maggie Stiefvater (Mister Impossible (Dreamer Trilogy, #2))
“
I can’t walk forever, Malacus, I can’t fight forever. How much of this horrible shit should a man have to take? I need to sit down a minute. In a proper fucking chair! Is that too much to ask? Is it?
”
”
Joe Abercrombie (The Blade Itself (The First Law Trilogy Book 1))
“
I do declare,’ said Brint, ‘if I didn’t think the Major would stick me with his sword, I’d be tempted to stick his sister with mine, eh?
”
”
Joe Abercrombie (The First Law Trilogy)
“
Couldn’t find a comfortable position to put his fruits in. Always squashed, however often he jammed his hand down inside his belt to move ’em.
”
”
Joe Abercrombie (The First Law Trilogy)
“
She tipped back her head and swilled down the last of her wine. ‘Having fucked the groom is really no excuse for missing a wedding, you know.
”
”
Joe Abercrombie (The First Law Trilogy Boxed Set: The Blade Itself, Before They Are Hanged, Last Argument of Kings)
“
Ibn Sina was born in a tiny settlement called Afshanah, outside the village of Kharmaythan, and soon after his birth his family moved to the nearby city of Bukhara. While he was still a small boy his father, a tax collector, arranged for him to study with a teacher of Qu’ran and a teacher of literature, and by the time he was ten he had memorized the entire Qu’ran and absorbed much of Muslim culture. His father met a learned vegetable peddler named Mahmud the Mathematician, who taught the child Indian calculation and algebra. Before the gifted youth grew his first facial hairs he had qualified in law and delved into Euclid and geometry, and his teachers begged his father to allow him to devote his life to scholarship. He began the study of medicine at eleven and by the time he was sixteen he was lecturing to older physicians and spending much of his time in the practice of law. All his life he would be both jurist and philosopher, but he noted that although these learned pursuits were given deference and respect by the Persian world in which he lived, nothing mattered more to an individual than his well-being and whether he would live or die. At an early age, fate made Ibn Sina the servant of a series of rulers who used his genius to guard their health, and though he wrote dozens of volumes on law and philosophy—enough to win him the affectionate sobriquet of Second Teacher (First Teacher being Mohammed)—it was as the Prince of Physicians that he gained the fame and adulation that followed him wherever he traveled. In Ispahan, where he had gone at
”
”
Noah Gordon (The Physician (The Cole Trilogy, 1))
“
Children? Hope, and prospects, and all that happy life ahead of them? I despise the little bastards!
”
”
Joe Abercrombie (The First Law Trilogy)
“
Life is the misery we endure between dissappointments
”
”
Joe Abercrombie (The First Law Trilogy)
“
Do you have to?’ he muttered, looking her right in one yellow eye. ‘Have to what?’ ‘Be a cunt. Do you have to?’ She frowned at him for a moment, opened her mouth, paused, then shrugged her shoulders.
”
”
Joe Abercrombie (The First Law Trilogy)
“
Unreliable? Nonsense, Superior! Out of luck is all, and we both know how that goes, no? Why, there’s not a man of them I wouldn’t trust my mother to.’ ‘Are you sure?’ ‘She’s been dead these twenty years. What harm could they do her now?
”
”
Joe Abercrombie (The First Law Trilogy)
“
For the first time, the Foundation has been faced, or perhaps, is in the last stages of facing, civil war. Till now, the attacks from without have been adequately beaten off, and inevitably so, according to the strict laws of psycho-history. The attack at present is that of a too-undisciplined outer group of the Foundation against the too-authoritarian central government. The procedure was necessary, the result obvious.
”
”
Isaac Asimov (Foundation and Empire (The Foundation Trilogy #2))
“
we must first begin by believing in the power of thoughts to alter reality. This is a belief about a general aspect of reality that is beyond the self; it is a belief about a basic law of reality.
”
”
John Kreiter (Manifest Wealth and Prosperity with Thought Forms and Servitors (The Servitor Trilogy Book 3))
“
One of the fundamental laws of Nature is that when a great ape (or ape-man) visits a big city for the first time, he kidnaps a young, beautiful woman and climbs up a tower. The laws of magic can be broken, but no one argues with Nature. Bali picked Maya up and threw her over his shoulder.
”
”
Samit Basu (The Simoqin Prophecies (GameWorld Trilogy, #1))
“
Jezal shrugged pleasantly. ‘It’s not my fault you’re shit.
”
”
Joe Abercrombie (The First Law Trilogy)
“
A legal requirement closes the case and obliges us to take the next step. The day after such a legal act, people will feel obliged to come up with a new title because only informal titles really count. In this system, each ruler is a runner heading to a moving finish line which keeps receding as fast as he runs. This is the law of politics, and Augustus knows it, so, for example, he does not resort to terror. The people say it’s from the goodness of his heart. In fact, it’s due to careful calculation. Whoever cuts off the first head will soon have to cut off too many of them.
”
”
Jacek Bocheński (Naso the Poet: The Loves and Crimes of Rome's Greatest Poet (The Notorious Roman Trilogy))
“
The only thing worse than a city full of people is a city with no people at all.
”
”
Joe Abercrombie (The First Law Trilogy)
“
He looked around his quarters. Or Davoust’s quarters. That’s where an old wizard terrified me in the middle of the night. That’s where I watched the city burn. That’s where I was nearly eaten by a fourteen-year-old girl. Ah, the happy memories . . .
”
”
Joe Abercrombie (The First Law Trilogy)
“
At first Father Henri gave an evasive reply to the request and asked instead to be informed of what the laws outside the walls said about lay brother Arn’s behavior
”
”
Jan Guillou (The Road to Jerusalem (The Crusades Trilogy, 1))
“
All I have I would have given, gladly, not to be standing here today.” The chamber became hushed. He had struck exactly the right note of sorrowful humility. It was a good start, George thought. Johnson continued in the same vein, speaking with slow dignity. If he felt the impulse to rush, he was controlling it firmly. He wore a dark-blue suit and tie, and a shirt with a tab-fastened collar, a style considered formal in the South. He looked occasionally from one side to the other, speaking to the whole of the chamber and at the same time seeming to command it. Echoing Martin Luther King, he talked of dreams: Kennedy’s dreams of conquering space, of education for all children, of the Peace Corps. “This is our challenge,” he said. “Not to hesitate, not to pause, not to turn about and linger over this evil moment, but to continue on our course so that we may fulfill the destiny that history has set for us.” He had to stop, then, because of the applause. Then he said: “Our most immediate tasks are here on this hill.” This was the crunch. Capitol Hill, where Congress sat, had been at war with the president for most of 1963. Congress had the power to delay legislation, and used it often, even when the president had campaigned and won public support for his plans. But since John Kennedy announced his civil rights bill they had gone on strike, like a factory full of militant workers, delaying everything, mulishly refusing to pass even routine bills, scorning public opinion and the democratic process. “First,” said Johnson, and George held his breath while he waited to hear what the new president would put first. “No memorial oration or eulogy could more eloquently honor President Kennedy’s memory than the earliest possible passage of the civil rights bill for which he fought so long.” George leaped to his feet, clapping for joy. He was not the only one: the applause burst out again, and this time went on longer than previously. Johnson waited for it to die down, then said: “We have talked long enough in this country about civil rights. We have talked for one hundred years or more. It is time, now, to write the next chapter—and to write it in the books of law.” They applauded again. Euphoric, George looked at the few black faces in the chamber: five Negro congressmen, including Gus Hawkins of California, who actually looked white; Mr. and Mrs. Wright in the presidential box, clapping; a scatter of dark faces among the spectators in the gallery. Their expressions showed relief, hope, and gladness. Then his eye fell on the rows of seats behind the cabinet, where the senior senators sat, most of them Southerners, sullen and resentful. Not a single one was joining in the applause. •
”
”
Ken Follett (Edge of Eternity (The Century Trilogy, #3))
“
A monopoly on the means of communication may define a ruling elite more precisely than the celebrated Marxian formula of “monopoly on the means of production.” Since man extends his nervous system through channels of communication like the written word, the telephone, radio, etc., he who controls these media controls part of the nervous system of every member of society. The contents of these media become part of the contents of every individual’s brain. Thus, in pre-literate societies taboos on the spoken word are more numerous and more Draconic than at any more complex level of social organization. With the invention of written speech—hieroglyphic, ideographic, or alphabetical —the taboos are shifted to this medium; there is less concern with what people say and more concern with what they write. (Some of the first societies to achieve literacy, such as Egypt and the Mayan culture of ancient Mexico, evidently kept a knowledge of their hieroglyphs a religious secret which only the higher orders of the priestly and royal families were allowed to share.) The same process repeats endlessly: Each step forward in the technology of communication is more heavily tabooed than the earlier steps. Thus, in America today (post-Lenny Bruce), one seldom hears of convictions for spoken blasphemy or obscenity; prosecution of books still continues, but higher courts increasingly interpret the laws in a liberal fashion, and most writers feel fairly confident that they can publish virtually anything; movies are growing almost as desacralized as books, although the fight is still heated in this area; television, the newest medium, remains encased in neolithic taboo. (When the TV pundits committed lèse majesté after an address by the then Dominant Male, a certain Richard Nixon, one of his lieutenants quickly informed them they had overstepped, and the whole tribe—except for the dissident minority—cheered for the reassertion of tradition.) When a more efficient medium arrives, the taboos on television will decrease.
”
”
Robert Shea (The Illuminatus! Trilogy: The Eye in the Pyramid/The Golden Apple/Leviathan)
Joe Abercrombie (The First Law Trilogy)
“
I couldn’t go back to Maa and Pitaji.” She knew as well as I did that, once married, a woman was her husband’s property. Unhappy wives couldn’t just go back home to their parents, expecting sympathy. Some families even changed their daughter-in-law’s first name as soon as she came to their household, as if her previous self had never existed.
”
”
Alka Joshi (The Henna Artist (The Jaipur Trilogy, #1))