Red Rose Quotes

We've searched our database for all the quotes and captions related to Red Rose. Here they are! All 100 of them:

When it was dark, you always carried the sun in your hand for me.
Seán O'Casey (THREE MORE PLAYS BY SEAN O'CASEY:THE SILVER TASSIE;PURPLE DUST;RED ROSES FOR ME [Paperback])
He stepped back and threw his arms out. "I'm always crazy around you Rose. Here, I'm going to write an impromptu poem for you." He tipped his head back and shouted to the sky: "Rose is in red But never in blue Sharp as a thorn Fights like one too.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
All the best, Sydney P.S. "The Red Hurricane" is what I named the car. P.P.S. Just because I like you, it doesn't mean I still don't think you're an evil creature of the night. You are.
Richelle Mead
dear kiara, The women in the shop told me that yellow rose represents friendship and red rose shows love. And the rosery is the only thing i own that i care for, its yours i'm yours C
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
The red rose cries, "She is near, she is near;" And the white rose weeps, "She is late;" The larkspur listens, "I hear, I hear;" And the lily whispers, "I wait.
Alfred Tennyson
My mother says that pain is hidden in everyone you see. She says try to imagine it like big bunches of flowers that everyone is carrying around with them. Think of your pain like a big bunch of red roses, a beautiful thorn necklace. Everyone has one.
Francesca Lia Block (Witch Baby (Weetzie Bat, #2))
I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.
James Joyce (Ulysses)
Rose: Look at you, beaming away like you're Father Christmas! The Doctor: Who says I'm not, red-bicycle-when-you-were-twelve? Rose: [shocked] What? The Doctor: And everybody lives, Rose! Everybody lives! I need more days like this! Go on, ask me anything; I'm on fire!
Steven Moffat
He took something out of his jacket and handed it to her. It was a long thin dagger in a leather sheath. The hilt of the dagger was set with a single red stone carved in the shape of a rose. She shook her head. "I wouldn't even know how to use that--" He pressed it into her hand, curling her fingers around it. "You'd learn." He dropped his voice. "It's in your blood." She drew her hand back slowly. "All right." "I could give you a thigh sheath to put that in," Isabelle offered. "I've got tons." "CERTAINLY NOT," said Simon.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Roses are red, violets are blue, I have five fingers, the middle one is for you.
Gena Showalter (The Queen of Zombie Hearts (White Rabbit Chronicles, #3))
Red roses for young lovers. French beans for longstanding relationships
Ruskin Bond (Ruskin Bond's Book Of Nature)
Rose is in red, But never in blue, Sharp as a thorn, Fights like one too.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
No mistake about it. Ice is cold; roses are red; I'm in love. And this love is about to carry me off somewhere. The current's too overpowering; I don't have any choice. It may very well be a special place, some place I've never seen before. Danger may be lurking there, something that may end up wounding me deeply, fatally. I might end up losing everything. But there's no turning back. I can only go with the flow. Even if it means I'll be burned up, gone forever.
Haruki Murakami (Sputnik Sweetheart)
My love is like a red, red rose That's newly sprung in June: My love is like the melody That's sweetly played in tune. How fair art thou, my bonnie lass, So deep in love am I; And I will love thee still, my dear, Till all the seas gang dry. Till all the seas gang dry, my dear, And the rocks melt with the sun; I will love thee still, my dear, While the sands of life shall run. And fare thee weel, my only love. And fare thee weel awhile! And I will come again, my love, Though it were ten thousand mile.
Robert Burns
Roses! I swear you men have all your romance from the same worn book. Flowers are a good thing, a sweet thing to give a lady. But it is always roses, always red, and always perfect hothouse blooms when they can come by them.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
My mistress' eyes are nothing like the sun; Coral is far more red than her lips' red; If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head. I have seen roses damask'd, red and white, But no such roses see I in her cheeks; And in some perfumes is there more delight Than in the breath that from my mistress reeks. I love to hear her speak, yet well I know That music hath a far more pleasing sound; I grant I never saw a goddess go; My mistress, when she walks, treads on the ground: And yet, by heaven, I think my love as rare As any she belied with false compare.
William Shakespeare (Shakespeare's Sonnets)
Ah, on what little things does happiness depend! I have read all that the wise men have written, and all the secrets of philosophy are mine, yet for want of a red rose is my life made wretched.
Oscar Wilde (The Nightingale and the Rose)
Selfishness is not living as one wishes to live, it is asking others to live as one wishes to live. And unselfishness is letting other people's lives alone, not interfering with them. Selfishness always aims at creating around it an absolute uniformity of type. Unselfishness recognizes infinite variety of type as a delightful thing, accepts it, acquiesces in it, enjoys it. It is not selfish to think for oneself. A man who does not think for himself does not think at all. It is grossly selfish to require of one's neighbor that he should think in the same way, and hold the same opinions. Why should he? If he can think, he will probably think differently. If he cannot think, it is monstrous to require thought of any kind from him. A red rose is not selfish because it wants to be a red rose. It would be horribly selfish if it wanted all the other flowers in the garden to be both red and roses.
Oscar Wilde (The Soul of Man & Prison Writings)
Red", I write "is the color of life. It's blood, passion, rage. It's menstrual flow and after birth. Beginnings and violent end. Red is the color of love. Beating hearts and hungry lips. Roses, Valentines, cherries. Red is the color of shame. Crimson cheeks and spilled blood. Broken hearts, opened veins. A burning desire to return to white.
Mary Hogan (Pretty Face)
Dearest Annie, Roses are red. Violets are blue. I’m using my hand But I’m thinking of you. - Ronan P.S. Just to clarify, I’m using my hand to write this note…get your mind out of the gutter.
L.H. Cosway (The Hooker and the Hermit (Rugby, #1))
Blue is for cruel bargains; green is for daring what you oughtn’t; violet is for brute force. I will say to you: Coral coaxes; pink insists; red compels. I will say to you: You are dear to me as attar of roses. Please do not get eaten.
Catherynne M. Valente (Deathless)
Roses are red, And ready for plucking, You're sixteen, And ready for high school.
Kurt Vonnegut Jr. (Breakfast of Champions)
Dear Prince, I must leave you, but I will never forget you, and next spring I will bring you back two beautiful jewels in place of those you have given away. The ruby shall be redder than a red rose, and the sapphire shall be as blue as the great sea.
Oscar Wilde (The Happy Prince)
Be happy, cried the Nightingale, be happy; you shall have your red rose. I will build it out of music by moonlight, and stain it with my own heart's-blood. All that I ask of you in return is that you will be a true lover, for Love is wiser than Philosophy, though she is wise, and mightier than Power, though he is mighty. Flame-coloured are his wings, and coloured like flame is his body. His lips are sweet as honey, and his breath is like frankincense.
Oscar Wilde (The Nightingale and the Rose)
He rose like heroes, and I rose like rows of red roses. Love grows wherever you plant it, so I try to farm it wherever I go.
Jarod Kintz (This Book is Not for Sale)
For millions of years flowers have been producing thorns. For millions of years sheep have been eating them all the same. And it's not serious, trying to understand why flowers go to such trouble to produce thorns that are good for nothing? It's not important, the war between the sheep and the flowers? It's no more serious and more important than the numbers that fat red gentleman is adding up? Suppose I happen to know a unique flower, one that exists nowhere in the world except on my planet, one that a little sheep can wipe out in a single bite one morning, just like that, without even realizing what he'd doing - that isn't important? If someone loves a flower of which just one example exists among all the millions and millions of stars, that's enough to make him happy when he looks at the stars. He tells himself 'My flower's up there somewhere...' But if the sheep eats the flower, then for him it's as if, suddenly, all the stars went out. And that isn't important?
Antoine de Saint-Exupéry (The Little Prince)
Innocent tourists? You make me sound like the big bad wolf.” “And you’re not?” I questioned. “Only if you’re Red Riding Hood,” he said flirtatiously. “Wow, that’s original.
Alyssa Rose Ivy (Flight (The Crescent Chronicles, #1))
She handed him a glass of water and two Aleve gelcaps. “They’re anti-inflammatories. They will dull the pain a little bit and keep down swelling and redness. Swallow the pills, don’t chew.” “Well, I thought I’d stick them into my nose and impersonate a walrus, but if you insist, I’ll swallow them.
Ilona Andrews (On the Edge (The Edge, #1))
Think of your pain like a bunch of red roses, a beautiful thorn necklace. Everyone has one.
Francesca Lia Block
You know, it's funny; when you look at someone through rose-colored glasses, all the red flags just look like flags.
Wanda from Bojack Horseman
I want your body. I want your mouth. I want your red hair in my hands. I want your laugh and your funny faces. I want your friendship and your inspirational thoughts. I want Shakespeare and Amber Rose novels ... And I want you to come with me when I go.
Amy Harmon (Making Faces)
The heavy red roses smoldering in the foggy morning, blood-colored and uninhibited, made me greedy, and tempted me powerfully to steal one--I asked the prices merely so I could come as near them as possible.
Knut Hamsun (Hunger)
I read somewhere once that souls were like flowers,' said Priscilla. 'Then your soul is a golden narcissus,' said Anne, 'and Diana's is like a red, red rose. Jane's is an apple blossom, pink and wholesome and sweet.' 'And your own is a white violet, with purple streaks in its heart,' finished Priscilla.
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
Roses are red Violets are blue Everything's possible Nothing is true.
Alan Moore (V for Vendetta #8 (of 10))
Roses are red, violets are blue, I'm schizophrenic, and so am I.
Oscar Levant
He grabs me and scoops me up like I weigh nothing, then he raises his voice as he swings around, angry and commanding. “It’s because of this woman I’m still fighting!” A sudden silence falls across the crowd, and Remington’s hard, enraged voice continues telling them, “Next time I'm on the ring, I'm going to fucking win for her, and I want all of you who hurt her tonight to bring her a red rose and tell her it’s from me!
Katy Evans (Real (Real, #1))
I sometimes think that never blows so red The Rose as where some buried Caesar bled; That every Hyacinth the Garden wears Dropt in its Lap from some once lovely Head.
Omar Khayyám (Rubáiyát of Omar Khayyám)
A red rose absorbs all colors but red; red is therefore the one color that it is not.
Aleister Crowley (The Book of Lies)
Every Valentine's Day, the student council sponsered a holiday fundraiser by selling roses that would be delievered in class. The roses came in four colors:white, yellow, red, pink, and the subtleties of thier meaning were parsed and analyzed by the female population to no end. Mimi had always understood it thus:white for love, yellow for friendship, red for passion, and pink for a secret crush.
Melissa de la Cruz (Masquerade (Blue Bloods, #2))
The jagged mountains were pure blue in the dawn and everywhere birds twittered and the sun when it rose caught the moon in the west so that they lay opposed to each other across the earth, the sun whitehot and the moon a pale replica, as if they were the ends of a common bore beyond whose terminals burned worlds past all reckoning.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
Roses are red Violets are blue Be very afraid We're coming for you.
Gena Showalter (The Queen of Zombie Hearts (White Rabbit Chronicles, #3))
Watching my parents I've learnt a lesson many do not recognize. True love is not signaled by romantic, candle light dinners, red roses glistening with dew, or even Valentine's day celebrations. While these things may accompany our feelings, love is truly more than all those! Love is being with your spouse even when its not pleasing. Sometimes, love is walking down the hall, with your spouse hanging onto your shoulders and walking at a turtle's pace down the hall, just because surgery made life a burden. Love is patient, love is kind, love is Jesus! May we always remember love is not always tied in bows!
Mary Kate
At least I have the flowers of myself, and my thoughts, no god can take that; I have the fervour of myself for a presence and my own spirit for light; and my spirit with its loss knows this; though small against the black, small against the formless rocks, hell must break before I am lost; before I am lost, hell must open like a red rose for the dead to pass.
H.D.
Maybe nothingness is to be without your presence, without you moving, slicing the noon like a blue flower, without you walking later through the fog and the cobbles, without the light you carry in your hand, golden, which maybe others will not see, which maybe no one knew was growing like the red beginnings of a rose. In short, without your presence: without your coming suddenly, incitingly, to know my life, gust of a rosebush, wheat of wind: since then I am because you are, since then you are, I am, we are, and through love I will be, you will be, we will be.
Pablo Neruda
I asked him for it. For the blood, for the rust, for the sin. I didn’t want the pearls other girls talked about, or the fine marble of palaces, or even the roses in the mouth of servants. I wanted pomegranates— I wanted darkness, I wanted him. So I grabbed my king and ran away to a land of death, where I reigned and people whispered that I’d been dragged. I’ll tell you I’ve changed. I’ll tell you, the red on my lips isn’t wine. I hope you’ve heard of horns, but that isn’t half of it. Out of an entire kingdom he kneels only to me, calls me Queen, calls me Mercy. Mama, Mama, I hope you get this. Know the bed is warm and our hearts are cold, know never have I been better than when I am here. Do not send flowers, we’ll throw them in the river. ‘Flowers are for the dead’, ‘least that’s what the mortals say. I’ll come back when he bores me, but Mama, not today.
Daniella Michalleni
When you die, you’ll be wearing your white dress with red roses, and your hair will be long and falling around your shoulders. When they shoot you, up on your damn roof or walking alone on the street, your blood will look like another red rose on your dress, and no one will notice, not even you when you bleed out for Mother Russia.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Roses are red, Violets are blue, No amount of money, Can stop me from loving you, Try as they may, Try as they might, I’m not letting go, Without a fight, Some say it’s wicked, Some say it’s sinful, Some it’s wrong, And just wrong, I don’t know much, But when push comes to shove, I definitely don’t believe, There’s such thing wrong as love.
Chris Colfer (Struck By Lightning: The Carson Phillips Journal (The Land of Stories))
Oh, hey. This looks promising. " We came to a stop before a high, barbwire fence with an enormous PRIVATE PROPERTY--NO UNAUTHORIZED PERSONNEL ALLOWED sign on it. The lettering was red, apparently to emphasize how serious they were. Personally, I would have added a skull and crossbones to really drive the message home.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
She had brillant red hair, like honey and roses and the sun all together.
Kiera Cass (The Prince (The Selection, #0.5))
She was a monster, a bride of the darkness, and she rose to face her destiny as though it were the blood-red sunrise of a new day.
Julie C. Dao (Forest of a Thousand Lanterns (Rise of the Empress, #1))
The difference between you and her (whom I to you did once prefer) Is clear enough to settle: She like a diamond shone, but you Shine like an early drop of dew Poised on a red rose petal. The dew-drop carries in its eye Mountain and forest, sea and sky, With every change of weather; Contrariwise, a diamond splits The prospect into idle bits That none can piece together.
Robert Graves
Her magic sent him sprawling, and it then hurled into Rhysand again - so hard that his head cracked against the stones and the knife dropped from his splayed fingers. No one made a move to help him, and she struck him once more with her power. The red marble splintered where he hit it, spiderwebbing toward me. With wave after wave she hit him. Rhys groaned. "Stop," I breathed, blood filling my mouth as I strained a hand to reach her feet. "Please." Rhys's arms buckled as he fought to rise, and blood dripped from his nose, splattering on the marble. His eyes met mine. The bond between us went taut. I flashed between my body and his, seeing myself through his eyes, bleeding and broken and sobbing. I snapped back into my own mind as Amarantha turned to me again. "Stop? Stop? Don't pretend you care, human," she crooned, and curled her finger. I arched my back, my spine straining to the point of cracking, and Rhysand bellowed my name as I lost my grip on the room.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
They rode on and the sun in the east flushed pale streaks of light and then a deeper run of color like blood seeping up in sudden reaches flaring planewise and where the earth drained up into the sky at the edge of creation the top of the sun rose out of nothing like the head of a great red phallus until it cleared the unseen rim and sat squat and pulsing and malevolent behind them.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
Somewhere, in some shadowy bedroom of a leaf-strewn town, a father bolts the door to a child's room, then steps closer to the bed. In a neighbor's garden lurks a weed with a funny, blade-petaled flower, its poison choking the red roses. Somewhere a car is crashing; a phone is ringing in the center of night. The spider waits poised in the slipper. The bird swoops headlong into glass it thought was farther air. The strangler envisions a neighborhood of throats. The head finds the noose; the foot kicks the chair.
Scott Heim (We Disappear)
Roses are red. Lemons are sour. If you open your legs, I'll be there in an hour.
K. Bromberg (Fueled (Driven, #2))
This came from Sandra. "Roses are red, violets are blue, rhyming is hard. Wine.
Penny Reid (Beauty and the Mustache (Knitting in the City, #4; Winston Brothers, #0))
A Robin said: The Spring will never come, And I shall never care to build again. A Rosebush said: These frosts are wearisome, My sap will never stir for sun or rain. The half Moon said: These nights are fogged and slow, I neither care to wax nor care to wane. The Ocean said: I thirst from long ago, Because earth's rivers cannot fill the main. — When Springtime came, red Robin built a nest, And trilled a lover's song in sheer delight. Grey hoarfrost vanished, and the Rose with might Clothed her in leaves and buds of crimson core. The dim Moon brightened. Ocean sunned his crest, Dimpled his blue, yet thirsted evermore.
Christina Rossetti
I took that smile and I put it right where the hole in my chest was. It was better than coffee, or chocolate, or a perfect pirouette. I clutched it and held it tight.
Cecil Castellucci (Rose Sees Red)
The year is a book, isn’t it, Marilla? Spring’s pages are written in Mayflowers and violets, summer’s in roses, autumn’s in red maple leaves, and winter in holly and evergreen.
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
Rose petals of a thousand shades fall from the trees as Golds fight beneath them. They're all red in the end.
Pierce Brown (Golden Son (Red Rising Saga, #2))
Shouts of dismay rose as the red flesh splattered against the table. It was only a tomato, but one would think I was pulping a decaying heart by the noise the big, strong FIB officers were making.
Kim Harrison (Dead Witch Walking (The Hollows, #1))
Life is uncertain. Today you get a rose. Tomorrow you feel the thorns. But the end result is red, always!!
Shillpi S Banerrji
I must be in love with this woman, Sumire realized with a start. No mistake about it. Ice is cold; roses are red; I'm in love. And this love is about to carry me off somewhere. This current's too overpowering; I don't have any choice. It may very well be a special place, some place I've never seen before. Danger may be lurking there, something that may end up wounding me deeply, fatally. I might end up losing everything. But there's no turning back. I can only go with the flow. Even if it means I'll be burned up, gone forever.
Haruki Murakami (Sputnik Sweetheart)
...the girl with the tip-tilted nose, the forget-me-not eyes, the rose red cheeks and the lily-white neck and shoulders who gave the explanation in a trembling voice: “It’s the ghost!
Gaston Leroux (The Phantom of the Opera)
There has fallen a splendid tear From the passion-flower at the gate. She is coming, my dove, my dear; She is coming, my life, my fate. The red rose cries, "She is near, she is near;" And the white rose weeps, "She is late;" The larkspur listens, "I hear, I hear;" And the lily whispers, "I wait." She is coming, my own, my sweet; Were it ever so airy a tread, My heart would hear her and beat, Were it earth in an earthy bed; My dust would hear her and beat, Had I lain for a century dead, Would start and tremble under her feet, And blossom in purple and red.
Alfred Tennyson
Roses are red, love; violets are blue. Birds in the heavens know I love you.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Then she gave one last burst of music. The white Moon heard it, and she forgot the dawn, and lingered on in the sky. The red rose heard it, and it trembled all over with ecstasy, and opened its petals to the cold morning air. Echo bore it to her purple cavern in the hills, and woke the sleeping shepherds from their dreams. It floated through the reeds of the river, and they carried its message to the sea.
Oscar Wilde (The Nightingale and the Rose)
Death is a great price to pay for a red rose,” cried the Nightingale, “and Life is very dear to all.  It is pleasant to sit in the green wood, and to watch the Sun in his chariot of gold, and the Moon in her chariot of pearl.  Sweet is the scent of the hawthorn, and sweet are the bluebells that hide in the valley, and the heather that blows on the hill.  Yet Love is better than Life, and what is the heart of a bird compared to the heart of a man?
Oscar Wilde (The Happy Prince and Other Tales)
Be sure you include a gift card for Tim Hortons,” he said. “That’s how we say ‘sorry for killing your firstborn son’ in Canada.
Seanan McGuire (A Red-Rose Chain (October Daye, #9))
How very lovable her face was to him. Yet there was nothing ethereal about it; all was real vitality, real warmth, real incarnation. And it was in her mouth that this culminated. Eyes almost as deep and speaking he had seen before, and cheeks perhaps as fair; brows as arched, a chin and throat almost as shapely; her mouth he had seen nothing to equal on the face of the earth. To a young man with the least fire in him that little upward lift in the middle of her red top lip was distracting, infatuating, maddening. He had never before seen a woman’s lips and teeth which forced upon his mind with such persistent iteration the old Elizabethan simile of roses filled with snow. Perfect, he, as a lover, might have called them off-hand. But no — they were not perfect. And it was the touch of the imperfect upon the would-be perfect that gave the sweetness, because it was that which gave the humanity.
Thomas Hardy (Tess of the D’Urbervilles)
I thought of how proud he was when he took the marks- cutting the skin of his throat in a long slash and then packing it with ashes until keloid scars rose up. He called it his second smile.
Holly Black (Red Glove (Curse Workers, #2))
If I could tell you about Red I would sing to you of fire Sweet like cherries Burning like cinnamon Smelling like a rose in the sun
Dixie Dawn Miller Goode (Rainbows Around Us)
Strigoi have red eyes, " I explained. "Do his eyes look red?" The boy leaned forward. "No. They're brown. " "What else do you know about Strigoi?" I asked. "They have fangs like us, " the boy replied. "Do you have fangs?" I asked Dimitri in a singsong voice. I had a feeling this was already-covered territory, but it took on a new feel when asked from a child's perspective. Dimitri smiled--a full, wonderful smile that caught me off guard. "Okay, Jonathan, " said his mother anxiously. "You asked. Let's go now. " "Strigoi are super strong, " continued Jonathan, who possibly aspired to be a future lawyer. "Nothing can hurt them. " Jonathan fixed Dimitri with a piercing gaze. "Are you super strong? Can you be hurt?" "Of course I can, " replied Dimitri. "I'm strong, but all sorts of things can still hurt me. " And then, being Rose Hathaway, I said something I really shouldn't have to the boy. "You should go punch him and find out. " Jonathan's mother screamed again, but he was a fast little bastard, eluding her grasp. He ran up to Dimitri before anyone could stop him--well, I could have--and pounded his tiny fist against Dimitri's knee. Then, with the same reflexes that allowed him to dodge enemy attacks, Dimitri immediately feinted falling backward, as though Jonathan had knocked him over. Clutching his knee, Dimitri groaned as though he were in terrible pain. Several people laughed, and by then, one of the other guardians had caught hold of Jonathan and returned him to his near-hysterical mother. As he was being dragged away, Jonathan glanced over his shoulder at Dimitri. "He doesn't seem very strong to me. I don't think he's a Strigoi. " This caused more laughter
Richelle Mead (Spirit Bound (Vampire Academy, #5))
Death is a great price to pay for a red rose“, cried the Nightingale, "and Life is very dear to all. “ It is pleasant to sit in the green wood, and watch the Sun in his chariot of gold, and the Moon in her chariot of pearl. Sweet is the scent oft he hawthorn, and sweet are the bluebells that hide in the valley, and the heather that blows on the hill. Yet Love is better than Life, and what is the heart of a bird compared to the heart of a man?
Oscar Wilde
My captivity with Dimitri. The way his mouth—so, so warm, despite his cold skin—had kissed mine. The feel of his fangs pressing into my neck and the sweet bliss that followed... He looked exactly the same too, with that chalky white pallor and red-ringed eyes that so conflicted with the soft, chin-length brown hair and otherwise gorgeous lines of his face. He even had a leather duster on.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
What - what was I doing the whole time?" So much for Alis's warning. Lucien let out a sharp breath, running a hand through his red hair. "He had you dance for him for most of the night. And when you weren't dancing, you were sitting in his lap." "What kind of dancing?" I pushed. "Not the kind you were doing with Tamlin on Solstice," Lucien said, and my face heated. From the murkiness of my memories of last night, I recalled the closeness of a certain pair of violet eyes - eyes that sparkled with mischief as they beheld me. "In front of everyone?" "Yes," Lucien replied - more gently than I'd heard him speak to me before.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
He rose and turned toward the lights of town. The tidepools bright as smelterpots among the dark rocks where the phosphorescent seacrabs clambered back. Passing through the salt grass he looked back. The horse had not moved. A ship's light winked in the swells. The colt stood against the horse with its head down and the horse was watching, out there past men's knowing, where the stars are drowning and whales ferry their vast souls through the black and seamless sea.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
Now you’re going to get it,” I said, guessing Al was coming when the ones in the back scattered. “You should have been nice.” With a weird cry, the closest surface demon fell back, but it was too late. A flash of red light exploded overhead, smashing the buildings away as if I were at the center of an atomic explosion. The surface demons scattered like brown leaves, the remnants of their clothes and auras fluttering. It was Al, and he burst into existence in a grand mood, an old-fashioned lantern in his hand and a walking cane at his side. “Rachel Mariana Morgan!” he shouted enthusiastically, raising the lantern high, and I painfully rose from my crouch, breaking my bubble with a small thought. “I’ve come to save you, love!
Kim Harrison (Pale Demon (The Hollows, #9))
Here's a nice image for a life in balance,” she said. “You're juggling these four balls that you've named work, family, friends, spirit. Now, work is a rubber ball. If you drop it, it bounces back. The other balls they're made of glass.” “I've dropped a few of those glass balls in my day. Sometimes they chip, sometimes they shatter to pieces.
James Patterson (Roses Are Red (Alex Cross, #6))
Hey Sydney," she said, giving me a small, crooked smile as she entered the room. Her flashing, dark eyes were friendly, but they were also assessing everything in the room, much as Eddie's gaze was. It was a guardian thing. Rose was about my height and dressed very casually in jeans and a red tank top. But, as always, there was something as exotic and dangerous about her beauty that made her stand out from everyone else. She was like a tropical flower in this dark, stuffy room. One that could kill you.
Richelle Mead (Bloodlines (Bloodlines, #1))
oxygen Everything needs it: bone, muscles, and even, while it calls the earth its home, the soul. So the merciful, noisy machine stands in our house working away in its lung-like voice. I hear it as I kneel before the fire, stirring with a stick of iron, letting the logs lie more loosely. You, in the upstairs room, are in your usual position, leaning on your right shoulder which aches all day. You are breathing patiently; it is a beautiful sound. It is your life, which is so close to my own that I would not know where to drop the knife of separation. And what does this have to do with love, except everything? Now the fire rises and offers a dozen, singing, deep-red roses of flame. Then it settles to quietude, or maybe gratitude, as it feeds as we all do, as we must, upon the invisible gift: our purest, sweet necessity: the air.
Mary Oliver (Thirst)
Where are you going, Master?' cried Sam, though at last he understood what was happening. 'To the Havens, Sam,' said Frodo. 'And I can't come.' 'No, Sam. Not yet, anyway, not further than the Havens. Though you too were a Ring-bearer, if only for a little while. Your time may come. Do not be too sad, Sam. You cannot always be torn in two. You will have to be one and whole, for many years. You have so much to enjoy and to be, and to do.' 'But,' said Sam, and tears started in his eyes, 'I thought you were going to enjoy the Shire, too, for years and years, after all you have done.' 'So I thought too, once. But I have been too deeply hurt, Sam. I tried to save the Shire, and it has been saved, but not for me. It must often be so, Sam, when things are in danger: some one has to give them up, lose them, so that others may keep them. But you are my heir: all that I had and might have had I leave to you. And also you have Rose, and Elanor; and Frodo-lad will come, and Rosie-lass, and Merry, and Goldilocks, and Pippin; and perhaps more that I cannot see. Your hands and your wits will be needed everywhere. You will be the Mayor, of course, as long as you want to be, and the most famous gardener in history; and you will read things out of the Red Book, and keep alive the memory of the age that is gone, so that people will remember the Great Danger, and so love their beloved land all the more. And that will keep you as busy and as happy as anyone can be, as long as your part in the Story goes on. 'Come now, ride with me!
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
Daisy. She seem to blaze like a torch. James had always known she was beautiful-How he always known? Have there been a moment he had realized it? – But still the sight of her hit him like a blow. She was all fire, or heat and light, from the gold silk roses woven into her dark red hair to the ribbons and beads on her golden dress. The hilt of Cortana was visible over her left shoulder; the straps that secured it had been fashioned from thick gold ribbons.
Cassandra Clare (Chain of Iron (The Last Hours, #2))
He says that woman speaks with nature. That she hears voices from under the earth. That wind blows in her ears and trees whisper to her. That the dead sing through her mouth and the cries of infants are clear to her. But for him this dialogue is over. He says he is not part of this world, that he was set on this world as a stranger. He sets himself apart from woman and nature. And so it is Goldilocks who goes to the home of the three bears, Little Red Riding Hood who converses with the wolf, Dorothy who befriends a lion, Snow White who talks to the birds, Cinderella with mice as her allies, the Mermaid who is half fish, Thumbelina courted by a mole. (And when we hear in the Navaho chant of the mountain that a grown man sits and smokes with bears and follows directions given to him by squirrels, we are surprised. We had thought only little girls spoke with animals.) We are the bird's eggs. Bird's eggs, flowers, butterflies, rabbits, cows, sheep; we are caterpillars; we are leaves of ivy and sprigs of wallflower. We are women. We rise from the wave. We are gazelle and doe, elephant and whale, lilies and roses and peach, we are air, we are flame, we are oyster and pearl, we are girls. We are woman and nature. And he says he cannot hear us speak. But we hear.
Susan Griffin (Woman and Nature: The Roaring Inside Her)
want to draw you,” I said. “As my birthday present to me.” His smile was positively feline. I added, flipping open my sketchbook and turning to the first page, “You said once that nude would be best.” Rhys’s eyes glowed, and a whisper of his power through the room had the curtains parting, flooding the space with midmorning sunshine. Showing every glorious naked inch of him sprawled across the bed, illuminating the faint reds and golds of his wings. “Do your worst, Cursebreaker.” My very blood sparking, I pulled out a piece of charcoal and began.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
Rose, I’m sorry I had to leave so quickly, but when the Alchemists tell me to jump … well, I jump. I’ve hitched a ride back to that farm town we stayed in so that I can pick up the Red Hurricane, and then I’m off to Saint Petersburg. Apparently, now that you’ve been delivered to Baia, they don’t need me to stick around anymore. I wish I could tell you more about Abe and what he wants from you. Even if I was allowed to, there isn’t much to say. In some ways, he’s as much a mystery to me as he is to you. Like I said, a lot of the business he deals in is illegal—both among humans and Moroi. The only time he gets directly involved with people is when something relates to that business—or if it’s a very, very special case. I think you’re one of those cases, and even if he doesn’t intend you harm, he might want to use you for his own purposes. It could be as simple as him wanting to contract you as a bodyguard, seeing as you’re rogue. Maybe he wants to use you to get to others. Maybe this is all part of someone else’s plan, someone who’s even more mysterious than him. Maybe he’s doing someone a favor. Zmey can be dangerous or kind, all depending on what he needs to accomplish. I never thought I’d care enough to say this to a dhampir, but be careful. I don’t know what your plans are now, but I have a feeling trouble follows you around. Call me if there’s anything I can help with, but if you go back to the big cities to hunt Strigoi, don’t leave any more bodies unattended! All the best, Sydney P.S. “The Red Hurricane” is what I named the car. P.P.S. Just because I like you, it doesn’t mean I still don’t think you’re an evil creature of the night. You are.
Richelle Mead (Blood Promise (Vampire Academy, #4))
Tarquin turned from the table, just as the tent flaps parted for a pair of broad shoulders— Varian. He didn’t so much as look at his High Lord, his focus going right to where Amren sat at the head of the table. As if he’d sensed she was here—or someone had reported. And he’d come running. Amren’s eyes flicked up from the Book as Varian halted. A coy smile curved her red lips. There was still blood and dirt splattered on Varian’s brown skin, coating his silver armor and close-cropped white hair. He didn’t seem to notice or care as he strode for Amren. And none of us dared to speak as Varian dropped to his knees before Amren’s chair, took her shocked face in his broad hands, and kissed her soundly. ... None of us lasted long after dinner. Amren and Varian didn’t even bother to join us. No, she’d just wrapped her legs around his waist, right there in front of us, and he’d stood, lifting her in one swift movement. I wasn’t entirely sure how Varian managed to walk them out of the tent while still kissing her, Amren’s hands dragging through his hair, letting out noises that were unnervingly like purring as they vanished into the camp. Rhys had let out a low laugh as we all gawked in their wake. “I suppose that’s how Varian decided he’d tell Amren he was feeling rather grateful she ordered us to go to Adriata.” Tarquin cringed. “We’ll alternate who has to deal with them on holidays.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
If Feyre can't be bothered to listen to orders, then I can't be held accountable for the consequences." "Accountable?" I sputtered, placing my hands flat on the table. "You cornered me in the hall like a wolf with a rabbit!" Lucien propped an arm on the table and covered his mouth with has hand, his russet eye bright. "While I might have been not myself, Lucien and I both told you to stay in your room," Tamlin said, so calmly that I wanted to rip out my hair. I couldn't help it. Didn't even try to fight the red-hot temper that razed my senses. "Faerie pig!" I yelled, and Lucien howled, almost tipping back in his chair. At the sight of Tamlin's growing smile, I left.
Sarah J. Maas
I took the liberty of designing your pennant,” said Rhy, resting his elbows on the gallery’s marble banister. “I hope you don’t mind.” Kell cringed. “Do I even want to know what’s on it?” Rhy tugged the folded piece of fabric from his pocket, and handed it over. The cloth was red, and when he unfolded it, he saw the image of a rose in black and white. The rose had been mirrored, folded along the center axis and reflected, so the design was actually two flowers, surrounded by a coil of thorns. “How subtle,” said Kell tonelessly. “You could at least pretend to be grateful.” “And you couldn’t have picked something a little more … I don’t know … imposing? A serpent? A great beast? A bird of prey?” “A bloody handprint?” retorted Rhy. “Oh, what about a glowing black eye?” Kell glowered. “You’re right,” continued Rhy, “I should have just drawn a frowning face. But then everyone would know it’s you. I thought this was rather fitting.
V.E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
She stared at him for long minutes, the unusual paleness of his face, the brows still scrunched with worry, as if he fretted for her even in his sleep. The sun gilded his dark hair and shone through his wings, bringing out undertones of reds and golds in both. Like a knight guarding his lady. She couldn't stop the image, sprung from the pages of her childhood books. Like a warrior-prince, with those tattoos and that muscle-bound chest. Her throat tightened unbearably, her eyes stinging. She would not let herself cry, not for herself or for the sight of him keeping watch beside her bed all night.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
The eastern sky was red as coals in a forge, lighting up the flats along the river. Dew had wet the million needles of the chaparral, and when the rim of the sun edged over the horizon the chaparral seemed to be spotted with diamonds. A bush in the backyard was filled with little rainbows as the sun touched the dew. It was tribute enough to sunup that it could make even chaparral bushes look beautiful, Augustus thought, and he watched the process happily, knowing it would only last a few minutes. The sun spread reddish-gold light through the shining bushes, among which a few goats wandered, bleating. Even when the sun rose above the low bluffs to the south, a layer of light lingered for a bit at the level of the chaparral, as if independent of its source. The the sun lifted clear, like an immense coin. The dew quickly died, and the light that filled the bushes like red dirt dispersed, leaving clear, slightly bluish air. It was good reading light by then, so Augustus applied himself for a few minutes to the Prophets. He was not overly religious, but he did consider himself a fair prophet and liked to study the styles of his predecessors. They were mostly too long-winded, in his view, and he made no effort to read them verse for verse—he just had a look here and there, while the biscuits were browning.
Larry McMurtry (Lonesome Dove (Lonesome Dove, #1))
The Gentle Gardener I'd like to leave but daffodils to mark my little way, To leave but tulips red and white behind me as I stray; I'd like to pass away from earth and feel I'd left behind But roses and forget-me-nots for all who come to find. I'd like to sow the barren spots with all the flowers of earth, To leave a path where those who come should find but gentle mirth; And when at last I'm called upon to join the heavenly throng I'd like to feel along my way I'd left no sign of wrong. And yet the cares are many and the hours of toil are few; There is not time enough on earth for all I'd like to do; But, having lived and having toiled, I'd like the world to find Some little touch of beauty that my soul had left behind.
Edgar A. Guest
I watched her fade, but I loved her always. Because it was her love that made me real, Merry. Not faerie, not wild magic, but the magic of love. I thought I was giving up what life I had to save Rose, but the consort had asked if I would give up everything I was, and I did. I became what she needed me to be. When I realized that I would not age with her I wept, because I could not imagine being without her." He came to his knees and put his hands on my arms, and stared down into my face. "I will love you always. When this red hair is white, I will still love you. When the smooth softness of youth is replaced by the delicate softness of age, I will still want to touch your skin. When your face is full of the lines of every smile you have ever smiled, of every surprise I have seen flash through your eyes, when every tear you have ever cried has left its mark upon your face, I will treasure you all the more, because I was there to see it all. I will share your life with you, Meredith, and I will love you until the last breath leaves your body or mine
Laurell K. Hamilton (A Lick of Frost (Merry Gentry, #6))
I have leveled with the girls - from Anchorage to Amarillo. I tell them that all marriages are happy It's the living together afterward that's tough. I tell them that a good marriage is not a gift, It's an achievement. that marriage is not for kids It takes guts and maturity. It separates the men from the boys and the women from the girls. I tell them that marriage is tested dily by the ability to compromise. Its survival can depend on being smart enough to know what's worth fighting about. Or making an issue of or even mentioning. Marriage is giving - and more important, it's forgiving. And it is almost always the wife who must do these things. Then, as if that were not enough, she must be willing to forget what she forgave. Often that is the hardest part. Oh, I have leveled all right. If they don't get my message, Buster, It's because they don't want to get it. Rose-colored glasses are never made in bifocals Because nobody wants to red the small print in dreams.
Ann Landers
Humanity came out of hell, Darrow. Gold did not rise out of chance. We rose out of necessity. Out of chaos, born from a species that devoured its planet instead of investing in the future. Pleasure over all, damn the consequences. The brightest minds enslaved to an economy that demanded toys instead of space exploration or technologies that could revolutionize our race. They created robots, neutering the work ethic of mankind, creating generations of entitled locusts. Countries hoarded their resources, suspicious of one another. There grew to be twenty different factions with nuclear weapons. Twenty—each ruled by greed or zealotry. “So when we conquered mankind, it wasn’t for greed. It wasn’t for glory. It was to save our race. It was to still the chaos, to create order, to sharpen mankind to one purpose—ensuring our future. The Colors are the spine of that aim. Allow the hierarchies to shift and the order begins to crumble. Mankind will not aspire to be great. Men will aspire to be great.
Pierce Brown (Golden Son (Red Rising Saga, #2))
There is one thing I like about the Poles—their language. Polish, when it is spoken by intelligent people, puts me in ecstasy. The sound of the language evokes strange images in which there is always a greensward of fine spiked grass in which hornets and snakes play a great part. I remember days long back when Stanley would invite me to visit his relatives; he used to make me carry a roll of music because he wanted to show me off to these rich relatives. I remember this atmosphere well because in the presence of these smooth−tongued, overly polite, pretentious and thoroughly false Poles I always felt miserably uncomfortable. But when they spoke to one another, sometimes in French, sometimes in Polish, I sat back and watched them fascinatedly. They made strange Polish grimaces, altogether unlike our relatives who were stupid barbarians at bottom. The Poles were like standing snakes fitted up with collars of hornets. I never knew what they were talking about but it always seemed to me as if they were politely assassinating some one. They were all fitted up with sabres and broad−swords which they held in their teeth or brandished fiercely in a thundering charge. They never swerved from the path but rode rough−shod over women and children, spiking them with long pikes beribboned with blood−red pennants. All this, of course, in the drawing−room over a glass of strong tea, the men in butter−colored gloves, the women dangling their silly lorgnettes. The women were always ravishingly beautiful, the blonde houri type garnered centuries ago during the Crusades. They hissed their long polychromatic words through tiny, sensual mouths whose lips were soft as geraniums. These furious sorties with adders and rose petals made an intoxicating sort of music, a steel−stringed zithery slipper−gibber which could also register anomalous sounds like sobs and falling jets of water.
Henry Miller (Sexus (The Rosy Crucifixion, #1))
TO HIS HEART, BIIDING IT HAVE NO FEAR Be you still, be you still, trembling heart; Remember the wisdom out of the old days: Him who trembles before the flame and the flood, And the winds that blow through the starry ways, Let the starry winds and the flame and the flood Cover over and hide, for he has no part With the lonely, majestical multitude. THE CAP AND THE BELLS The jester walked in the garden: The garden had fallen still; He bade his soul rise upward And stand on her window-sill. It rose in a straight blue garment, When owls began to call: It had grown wise-tongued by thinking Of a quiet and light footfall; But the young queen would not listen; She rose in her pale night-gown; She drew in the heavy casement And pushed the latches down. He bade his heart go to her, When the owls called out no more; In a red and quivering garment It sang to her through the door. It had grown sweet-tongued by dreaming Of a flutter of flower-like hair; But she took up her fan from the table And waved it off on the air. 'I have cap and bells,' he pondered, 'I will send them to her and die'; And when the morning whitened He left them where she went by. She laid them upon her bosom, Under a cloud of her hair, And her red lips sang them a love-song Till stars grew out of the air. She opened her door and her window, And the heart and the soul came through, To her right hand came the red one, To her left hand came the blue. They set up a noise like crickets, A chattering wise and sweet, And her hair was a folded flower And the quiet of love in her feet.
W.B. Yeats (The Wind Among the Reeds)
On the first day of November last year, sacred to many religious calendars but especially the Celtic, I went for a walk among bare oaks and birch. Nothing much was going on. Scarlet sumac had passed and the bees were dead. The pond had slicked overnight into that shiny and deceptive glaze of delusion, first ice. It made me remember sakes and conjure a vision of myself skimming backward on one foot, the other extended; the arms become wings. Minnesota girls know that this is not a difficult maneuver if one's limber and practices even a little after school before the boys claim the rink for hockey. I think I can still do it - one thinks many foolish things when November's bright sun skips over the entrancing first freeze. A flock of sparrows reels through the air looking more like a flying net than seventy conscious birds, a black veil thrown on the wind. When one sparrow dodges, the whole net swerves, dips: one mind. Am I part of anything like that? Maybe not. The last few years of my life have been characterized by stripping away, one by one, loves and communities that sustain the soul. A young colleague, new to my English department, recently asked me who I hang around with at school. "Nobody," I had to say, feeling briefly ashamed. This solitude is one of the surprises of middle age, especially if one's youth has been rich in love and friendship and children. If you do your job right, children leave home; few communities can stand an individual's most pitiful, amateur truth telling. So the soul must stand in her own meager feathers and learn to fly - or simply take hopeful jumps into the wind. In the Christian calendar, November 1 is the Feast of All Saints, a day honoring not only those who are known and recognized as enlightened souls, but more especially the unknowns, saints who walk beside us unrecognized down the millennia. In Buddhism, we honor the bodhisattvas - saints - who refuse enlightenment and return willingly to the wheel of karma to help other beings. Similarly, in Judaism, anonymous holy men pray the world from its well-merited destruction. We never know who is walking beside us, who is our spiritual teacher. That one - who annoys you so - pretends for a day that he's the one, your personal Obi Wan Kenobi. The first of November is a splendid, subversive holiday. Imagine a hectic procession of revelers - the half-mad bag lady; a mumbling, scarred janitor whose ravaged face made the children turn away; the austere, unsmiling mother superior who seemed with great focus and clarity to do harm; a haunted music teacher, survivor of Auschwitz. I bring them before my mind's eye, these old firends of my soul, awakening to dance their day. Crazy saints; but who knows what was home in the heart? This is the feast of those who tried to take the path, so clumsily that no one knew or notice, the feast, indeed, of most of us. It's an ugly woods, I was saying to myself, padding along a trail where other walkers had broken ground before me. And then I found an extraordinary bouquet. Someone had bound an offering of dry seed pods, yew, lyme grass, red berries, and brown fern and laid it on the path: "nothing special," as Buddhists say, meaning "everything." Gathered to formality, each dry stalk proclaimed a slant, an attitude, infinite shades of neutral. All contemplative acts, silences, poems, honor the world this way. Brought together by the eye of love, a milkweed pod, a twig, allow us to see how things have been all along. A feast of being.
Mary Rose O'Reilley (The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd)
ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my breath yes he said I was a flower of the mountain yes so we are flowers all a womans body yes that was one true thing he said in his life and the sun shines for you today yes that was why I liked him because I saw he understood or felt what a woman is and I knew I could always get round him and I gave him all the pleasure I could leading him on till he asked me to say yes and I wouldnt answer first only looked out over the sea and the sky I was thinking of so many things he didnt know of Mulvey and Mr Stanhope and Hester and father and old captain Groves and the sailors playing all birds fly and I say stoop and washing up dishes they called it on the pier and the sentry in front of the governors house with the thing round his white helmet poor devil half roasted and the Spanish girls laughing in their shawls and their tall combs and the auctions in the morning the Greeks and the jews and the Arabs and the devil knows who else from all the ends of Europe and Duke street and the fowl market all clucking outside Larby Sharons and the poor donkeys slipping half asleep and the vague fellows in the cloaks asleep in the shade on the steps and the big wheels of the carts of the bulls and the old castle thousands of years old yes and those handsome Moors all in white and turbans like kings asking you to sit down in their little bit of a shop and Ronda with the old windows of the posadas glancing eyes a lattice hid for her lover to kiss the iron and the wineshops half open at night and the castanets and the night we missed the boat at Algeciras the watchman going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and the pink and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.
James Joyce (Ulysses)
I don’t know what to . . . to think.” There was a horrifying burn of tears crawling up my throat. “This is all overwhelming for you, I imagine. The whole world as you know it is on the brink of great change, and you’re here and don’t even know my name.” The man smiled so broadly, I wondered if it hurt. “You can call me Rolland.” Then he extended a hand. My gaze dropped to it and I made no attempt to take it. Rolland chuckled as he turned and strolled back to the desk. “So, you’re a hybrid? Mutated and linked to him on such an intense level that if one of you dies, so does the other?” His question caught me off guard, but I kept quiet. He sat on the edge of the desk. “You’re actually the first hybrid I’ve seen.” “She really isn’t anything special.” The redhead sneered. “Frankly, she’s rather filthy, like an unclean animal.” As stupid as it was, my cheeks heated, because I was filthy, and Daemon had just physically removed me from him. My pride—my everything—was officially wounded. Rolland chuckled. “She’s had a rough day, Sadi.” At her name, every muscle in my body locked up, and my gaze swung back to her. That was Sadi? The one Dee said was trying to molest Daemon—my Daemon? Anger punched through the confusion and hurt. Of course it would have to be a freaking walking and talking model and not a hag. “Rough day or not, I can’t imagine she cleans up well.” Sadi looked at Daemon as she placed a hand on his chest. “I’m kind of disappointed.” “Are you?” Daemon replied.
 Every hair on my body rose as my arms unfolded.
 “Yes,” she purred. “I really think you can do better. Lots better.” As she spoke, she trailed red-painted fingers down the center of his chest, over his abdomen, heading straight for the button on his jeans. And oh, hell to the no. “Get your hands off him.”
 Sadi’s head snapped in my direction. “Excuse me?”
 “I don’t think I stuttered.” I took a step forward. “But it looks like you need me to repeat it. Get your freaking hands off him.” One side of her plump red lips curled up. “You want to make me?”
 In the back of my head, I was aware that Sadi didn’t move or speak like the other Luxen. Her mannerisms were too human, but then that thought was quickly chased away when Daemon reached down and pulled her hand away. “Stop it,” he murmured, voice dropped low in that teasing way of his. I saw red. The pictures on the wall rattled and the papers on the desk started to lift up. Static charged over my skin. I was about to pull a Beth right here, seconds away from floating to the ceiling and ripping out every strand of red— “And you stop it,” Daemon said, but the teasing quality was gone from his words. There was a warning in them that took the wind right out of my pissed-off sails. The pictures settled as I gaped at him. Being slapped in the face would’ve been better.
Jennifer L. Armentrout (Opposition (Lux, #5))