“
It is curious how people take it for granted that they have a right to preach at you and pray over you as soon as your income falls below a certain level.
”
”
George Orwell (Down and Out in Paris and London)
“
It is a feeling of relief, almost of pleasure, at knowing yourself at last genuinely down and out. You have talked so often of going to the dogs — and well, here are the dogs, and you have reached them, and you can stand it. It takes off a lot of anxiety.
”
”
George Orwell (Down and Out in Paris and London)
“
The stars are a free show; it don’t cost anything to use your eyes
”
”
George Orwell (Down and Out in Paris and London)
“
If you set yourself to it, you can live the same life, rich or poor. You can keep on with your books and your ideas. You just got to say to yourself, "I'm a free man in here" - he tapped his forehead - "and you're all right.
”
”
George Orwell (Down and Out in Paris and London)
“
Within certain limits, it is actually true that the less money you have, the less you worry.
”
”
George Orwell (Down and Out in Paris and London)
“
He was an embittered atheist (the sort of atheist who does not so much disbelieve in God as personally dislike Him), and took a sort of pleasure in thinking that human affairs would never improve.
”
”
George Orwell (Down and Out in Paris and London)
“
The mass of the rich and the poor are differentiated by their incomes and nothing else, and the average millionaire is only the average dishwasher dressed in a new suit.
”
”
George Orwell (Down and Out in Paris and London)
“
It is fatal to look hungry. It makes people want to kick you.
”
”
George Orwell (Down and Out in Paris and London)
“
Poverty frees them from ordinary standards of behaviour, just as money frees people from work.
”
”
George Orwell (Down and Out in Paris and London)
“
A plongeur is a slave, and a wasted slave, doing stupid and largely unnecessary work. He is kept at work, ultimately, because of a vague feeling that he would be dangerous if he had leisure. And educated people, who should be on his side, acquiesce in the process, because they know nothing about him and consequently are afraid of him.
”
”
George Orwell (Down and Out in Paris and London)
“
After knowing him I saw the force of the proverb ‘Trust a snake before a Jew and a Jew before a Greek, but don’t trust an Armenian.
”
”
George Orwell (Down and Out in Paris and London)
“
In all the modern talk about energy, efficiency, social service and the rest of it, what meaning is there except "Get money, get it legally, and get a lot of it"? Money has become the grand test of virtue.
”
”
George Orwell (Down and Out in Paris and London)
“
I have no particular love for the idealized “worker” as he appears in the bourgeois Communist’s mind, but when I see an actual flesh-and-blood worker in conflict with his natural enemy, the policeman, I do not have to ask myself which side I am on.
”
”
George Orwell (Homage To Catalonia / Down And Out In Paris And London: (Authorized Orwell Edition): Mariner Books Classics (2 Works))
“
People are wrong when they think that an unemployed man only worries about losing his wages; on the contrary, an illiterate man, with the work habit in his bones, needs work even more than he needs money. An educated man can put up with enforced idleness, which is one of the worst evils of poverty. But a man like Paddy, with no means of filling up time, is as miserable out of work as a dog on the chain. That is why it is such nonsense to pretend that those who have 'come down in the world' are to be pitied above all others.
The man who really merits pity is the man who has been down from the start,
and faces poverty with a blank, resourceless mind.
”
”
George Orwell (Down and Out in Paris and London)
“
The Paris slums are a gathering-place for eccentric people - people who have fallen into solitary, half-mad grooves of life and given up trying to be normal or decent. Poverty frees them from ordinary standards of behavior, just as money frees people from work.
”
”
George Orwell (Down and Out in Paris and London)
“
Fear of the mob is a superstitious fear. It is based on the idea that there is some mysterious, fundamental difference between rich and poor, as though they were two different races, like Negroes and white men. But in reality there is no such difference. The mass of the rich and the poor are differentiated by their incomes and nothing else, and the average millionaire is only the average dishwasher dressed in a new suit. Change places, and handy dandy, which is the justice, which is the thief? Everyone who has mixed on equal terms with the poor knows this quite well. But the trouble is that intelligent, cultivated people, the very people who might be expected to have liberal opinions, never do mix with the poor. For what do the majority of educated people know about poverty?
”
”
George Orwell (Down and Out in Paris and London)
“
Dirt is a great respecter of persons; it lets you alone when you are well dressed, but as soon as your collar is gone it flies towards you from all directions.
”
”
George Orwell (Down and Out in Paris and London)
“
I have tipped waiters, and I have been tipped by waiters.
”
”
George Orwell (Down and Out in Paris and London)
“
In practice nobody cares if work is useful or useless, productive or parasitic; the sole thing demanded is that it shall be profitable. In all the modern talk about energy, efficiency, social service and the rest of it, what meaning is there except " Get money, get it legally, and get a lot of it"? Money has become the grand test of virtue. By this test beggars fail, and for this they are despised.
”
”
George Orwell (Down and Out in Paris and London)
“
الفندق الأنيق هو أساسًا مكان يكدح فيه مائة انسان كالشياطين حتى يدفع مائتا شخص مبالغ كبيرة لأشياء لايريدونها حقًا
”
”
George Orwell (Down and Out in Paris and London)
“
the strange thing is that when a word is well established as a swear word, it seems to lose its original meaning; that is, it loses the thing that made it into a swear word. A word becomes an oath because it means a certain thing, and, because it has become an oath, it ceases to mean that thing.
”
”
George Orwell (Down and Out in Paris and London)
“
Money has become the grand test of virtue. By this test beggars fail, and for this they are despised. If one could earn even ten pounds a week at begging, it would become a respectable profession immediately. A beggar, looked at realistically, is simply a businessman, getting his living, like other businessmen, in the way that comes to hand. He has not, more than most modem people, sold his honour; he has merely made the mistake of choosing a trade at which it is impossible to grow rich.
”
”
George Orwell (Down and Out in Paris and London)
“
It is this fear of a supposedly dangerous mob that makes nearly all intelligent people conservative in their opinions.
”
”
George Orwell (Down and Out in Paris and London)
“
The food we were given was no more than eatable, but the patron was not mean about drink; he allowed us two litres of wine a day each, knowing that if a plongeur is not given two litres he will steal three.
”
”
George Orwell (Down and Out in Paris and London)
“
The educated man pictures a horde of submen, wanting only a day's liberty to loot his house, burn his books, and set him to work minding a machine or sweeping out a lavatory. 'Anything,' he thinks, 'any injustice, sooner than let that mob loose.' He does not see that since there is no difference between the mass of rich and poor, there is no question of setting the mob loose. The mob is in fact loose now, and--in the shape of rich men--is using its power to set up enormous treadmills of boredom, such as 'smart' hotels.
”
”
George Orwell (Down and Out in Paris and London)
“
The Rue du Coq d'Or, Paris, seven in the morning.
”
”
George Orwell (Down and Out in Paris and London)
“
إن صممت فبمقدورك أن تحيا الحياة ذاتها، فقيرا كنت أم غنيا.
بمقدورك أن تظل مع كتبك وأفكارك.
فقط عليك أن تقول لنفسك: (أنا رجل حر هنا) -ودق على جبهته-كي تكون بخير
”
”
George Orwell (Down and Out in Paris and London)
“
And there is another feeling that is a great consolation in poverty. I believe everyone who has been hard up has experienced it. It is a feeling of relief, almost of pleasure, at knowing yourself at last genuinely down and out. You have talked so often of going to the dogs — and well, here are the dogs, and you have reached them, and you can stand it.
”
”
George Orwell (Down and Out in Paris and London)
“
المرء الذي يتقبل الإحسان يكره المحسن عادة .
”
”
George Orwell (Down and Out in Paris and London)
“
He might be ragged and cold or even starving, but so long as he could read, think and watch for meteors, he was, as he said, free in his own mind.
”
”
George Orwell (Down and Out in Paris and London)
“
It is worth saying something about the social position of beggars, for when one has consorted with them, and found that they are ordinary human beings, one cannot help being struck by the curious attitude that society takes towards them. People seem to feel that there is some essential difference between beggars and ordinary 'working' men. They are a race apart--outcasts, like criminals and prostitutes. Working men 'work', beggars do not 'work'; they are parasites, worthless in their very nature. It is taken for granted that a beggar does not 'earn' his living, as a bricklayer or a literary critic 'earns' his. He is a mere social excrescence, tolerated because we live in a humane age, but essentially despicable.
Yet if one looks closely one sees that there is no ESSENTIAL difference between a beggar's livelihood and that of numberless respectable people. Beggars do not work, it is said; but, then, what is WORK? A navvy works by swinging a pick. An accountant works by adding up figures. A beggar works by standing out of doors in all weathers and getting varicose veins, chronic bronchitis, etc. It is a trade like any other; quite useless, of course--but, then, many reputable trades are quite useless. And as a social type a beggar compares well with scores of others. He is honest compared with the sellers of most patent medicines, high-minded compared with a Sunday newspaper proprietor, amiable compared with a hire-purchase tout--in short, a parasite, but a fairly harmless parasite. He seldom extracts more than a bare living from the community, and, what should justify him according to our ethical ideas, he pays for it over and over in suffering. I do not think there is anything about a beggar that sets him in a different class from other people, or gives most modern men the right to despise him.
Then the question arises, Why are beggars despised?--for they are despised, universally. I believe it is for the simple reason that they fail to earn a decent living. In practice nobody cares whether work is useful or useless, productive or parasitic; the sole thing demanded is that it shall be profitable. In all the modem talk about energy, efficiency, social service and the rest of it, what meaning is there except 'Get money, get it legally, and get a lot of it'? Money has become the grand test of virtue. By this test beggars fail, and for this they are despised. If one could earn even ten pounds a week at begging, it would become a respectable profession immediately. A beggar, looked at realistically, is simply a businessman, getting his living, like other businessmen, in the way that comes to hand. He has not, more than most modem people, sold his honour; he has merely made the mistake of choosing a trade at which it is impossible to grow rich.
”
”
George Orwell (Down and Out in Paris and London)
“
We know that poverty is unpleasant; in fact, since it is so remote, we rather enjoy harrowing ourselves with the thought of its unpleasantness. But don't expect us to do anything about it. We are sorry for you lower classes, just as we are sorry for a, cat with the mange, but we will fight like devils against any improvement of your condition. We feel that you are much safer as you are. The present state of affairs suits us, and we are not going to take the risk of setting you free, even by an extra hour a day. So, dear brothers, since evidently you must sweat to pay for our trips to Italy, sweat and be damned to you.
”
”
George Orwell (Down and Out in Paris and London)
“
I said. ‘It seems to me that when you take a man’s money away he’s fit for nothing from that moment.’
‘No, not necessarily. If you set yourself to it, you can live the same life, rich or poor. You can still keep on with your books and your ideas. You just got to say to yourself, ‘I’m a free man in HERE‘‘—he tapped his forehead—‘and you’re all right.
”
”
George Orwell (Down and Out in Paris and London)
“
The moral is, never be sorry for a waiter. Sometimes when you sit in a restaurant, still stuffing yourself half an hour after closing time, you feel that the tired waiter at your side must surely be despising you. But he is not. He is not thinking as he looks at you, 'What an overfed lout'; he is thinking, 'One day, when I have saved enough money, I shall be able to imitate that man.' He is ministering to a kind of pleasure he thoroughly understands and admires. And that is why waiters are seldom Socialists, have no effective trade union, and will work twelve hours a day--they work fifteen hours, seven days a week, in many cafés. They are snobs, and they find the servile nature of their work rather congenial.
”
”
George Orwell (Down and Out in Paris and London)
“
He was an embittered atheist (the sort of atheist who does not so much disbelieve in God as personally dislike Him)...
”
”
George Orwell (Down and Out in Paris and London)
“
You discover that a man who has gone even a week on bread and margarine is not a man any longer, only a belly with a few accessory organs.
”
”
George Orwell (Down and Out in Paris and London)
“
Waiters are seldom socialists.
”
”
George Orwell (Down and Out in Paris and London)
“
Sharp knives, of course, are the secret of a successful restaurant.
”
”
George Orwell (Down and Out in Paris and London)
“
Of its very nature swearing is as irrational as magic — indeed, it is a species of magic.
”
”
George Orwell (Down and Out in Paris and London)
“
إنه لأمر ٌ ذو غرابة، ارتطامك الأول بالبؤس، لقد فكرت طويلاً بالبؤس -فهو الشيء الذي خشيته طوال حياتك، الشيء الذي تعرف أنه سيحصل لك عاجلاً أو آجلاً، لكن ما فكرت به مختلف كليةً، أنت ظننت أنه سيكون في غاية البساطة، غير معقدٍ جداً. أنت حسبته رهيباً، والحق أنه وسخٌ ومضجرُ فقط. إن ما تكتشفه أولاً هو الضعة الخاصة بالبؤس، الحيل التي يضعك فيها، الشحُ المعقّد ومسحُ الفُتات.
”
”
George Orwell (Down and Out in Paris and London)
“
A man receiving charity practically always hates his benefactor -- it is a fixed characteristic of human nature; and, when he has fifty or a hundred others to back him, he will show it.
”
”
George Orwell (Down and Out in Paris and London)
“
Fear of the mob is a superstitious fear. It is based on the idea that there is some mysterious, fundamental difference between rich and poor, as though they were two different races, like negroes and white men. But in reality there is no such difference. The mass of the rich and the poor are differentiated by their incomes and nothing else, and the average millionaire is only the average dishwasher dressed in a new suit.
”
”
George Orwell (Down and Out in Paris and London)
“
Is a PLONGEUR'S work really necessary to civilization? We have a feeling that it must be 'honest' work, because it is hard and disagreeable, and we have made a sort of fetish of manual work. We see a man cutting down a tree, and we make sure that he is filling a social need, just because he uses his muscles; it does not occur to us that he may only be cutting down a beautiful tree to make room for a hideous statue. I believe it is the same with a PLONGEUR. He earns his bread in the sweat of his brow, but it does not follow that he is doing anything useful; he may be only supplying a luxury which, very often, is no luxury at all.
”
”
George Orwell (Down and Out in Paris and London)
“
I believe that this instinct to perpetuate useless work is, at bottom, simply fear of the mob. The mob (the thought runs) are such low animals that they would be dangerous if they had leisure; it is safer to keep them too busy to think.
”
”
George Orwell (Down and Out in Paris and London)
“
Bisa dikatakan semakin mahal makanan, semakin banyak keringat dan ludah yang harus dimakan.
”
”
George Orwell (Down and Out in Paris and London)
“
Bukan berarti karena tinggal di jalanan lantas tidak bisa berpikir lebih dari sekedar teh dan dua potong roti.
”
”
George Orwell (Down and Out in Paris and London)
“
Indeed, when one sees how tramps let themselves be bullied by the workhouse officials, it is obvious that they are the most docile, broken-spirited creatures imaginable.
”
”
George Orwell (Down and Out in Paris and London)
“
Remember that the bad days are not forever, and the trouble which seems so terrible at last.
”
”
George Orwell (Down and Out in Paris and London)
“
Essentially, a ‘smart’ hotel is a place where a hundred people toil like devils in order that two hundred may pay through the nose for things they do not really want.
”
”
George Orwell (Down and Out in Paris and London)
“
A smart hotel is a place where 100 people toil like devils in order that 200 may pay through the nose for things they do not really want.
”
”
George Orwell (Down and Out in Paris and London)
“
Now and again I go out at night and watch for meteors. The stars are a free show; it don't cost anything to use your eyes.
”
”
George Orwell (Down and Out in Paris and London)
“
إنه لأمر ذو غرابة، ارتطامك الأول بالبؤس. لقد فكرت طويلًا بالبؤس -فهو الشئ الذس خشيته طوال حياتك، الشئ الذي تعرف أنه سيحصل لك عاجلًا أو آجلًا، لكن ما فكرت به مختلف كليًا. أنت ظننت أنه سيكون في غاية البساطة، غير إنه معقد جدًا. أنت حسبته رهيبًا، و الحق أنه وسخٌ و مضجرٌ فقط.
”
”
George Orwell (Down and Out in Paris and London)
“
No born Londoner (it is different with people of Scotch or Irish origin) now says 'bloody,' unless he is a man of some education. The word has, in fact, moved up in the social scale and ceased to be a swear word for the purposes of the working classes. The current London adjective, now tacked on to every noun, is -----. No doubt in time -----, like 'bloody,' will find its way into the drawing room and replaced by some other word.
”
”
George Orwell (Down and Out in Paris and London)
“
I am not saying, of course, that most tramps are ideal characters; I am only saying that they are ordinary human beings, and that if they are worse than other people it is the result and not the cause of their way of life.
”
”
George Orwell (Down and Out in Paris and London)
“
If you set yourself to it, you can live the same life, rich or poor, you can still keep on with your books and your ideas. You just got to say to yourself, "Im a free man in here"- he tapped his forehead- and you're all right
”
”
George Orwell (Down and Out in Paris and London)
“
Hunger reduces one to an utterly spineless, brainless condition, more like the after-effects of influenza than anything else. It is as though one had been turned into a jellyfish, or as though all one’s blood had been pumped out and lukewarm water substituted.
”
”
George Orwell (Down and Out in Paris and London)
“
Baju adalah sesuatu yang berkuasa. Dengan berpakaian gelandangan, sangat sulit, untuk tidak merasakan bahwa kamu sedang mengalami penurunan status.
”
”
George Orwell (Down and Out in Paris and London)
“
The mob is in fact loose now, and–in the shape of rich men–is using its power to set up enormous treadmills of boredom, such as ‘smart’ hotels.
”
”
George Orwell (Down and Out in Paris and London)
“
It is the peculiar lowness of poverty that you discover first; the shifts that it puts you to, the complicated meanness, the crust-wiping.
”
”
George Orwell (Down and Out in Paris and London)
“
Each day they expend innumerable foot-pounds of energy—enough to plough thousands of acres, build miles of road, put up dozens of houses—in mere, useless walking.
”
”
George Orwell (Down and Out in Paris and London)
“
The man who really merits pity is the man who has been down from the start, and faces poverty with a blank, resourceless mind.
”
”
George Orwell (Down and Out in Paris and London)
“
Be more gay, I beseech you!
”
”
George Orwell (Down and Out in Paris and London)
“
Though waiters always die poor, they have long runs of luck occasionally.
”
”
George Orwell (Down and Out in Paris and London)
“
In Paris, if you had no money and could not find a public bench, you would sit on the pavement. Heaven knows what sitting on the pavement would lead to in London-prison probably.
”
”
George Orwell (Down and Out in Paris and London)
“
After knowing him I saw the force of the proverb “Trust a snake before a Jew and a Jew before a Greek, but don’t trust an Armenian,
”
”
George Orwell (Down and Out in Paris and London)
“
A slave, Marcus Cato said, should be working when he is not sleeping. It does not matter whether his work is needed or not, he must work, because work in itself is good—for slaves, at least. This sentiment still survives, and it has piled up mountains of useless drudgery.
”
”
George Orwell (Down and Out in Paris and London)
“
Koki sangat kasar, tapi dia juga seorang seniman. Karena alasan kemampuan dan ketepatan waktu, dan bukan karena kelebihan dalam keahlian memasak, koki laki-laki lebih disukai daripada perempuan.
”
”
George Orwell (Down and Out in Paris and London)
“
Beggars do not work, it is said; but, then, what is WORK? A navvy works by swinging a pick. An accountant works by adding up figures. A beggar works by standing out of doors in all weathers and getting varicose veins, chronic bronchitis, etc. It is a trade like any other; quite useless, of course--but, then, many reputable trades are quite useless.
”
”
George Orwell (Down and Out in Paris and London)
“
The scene had interested me. It was so different from the ordinary demeanour of tramps--from the abject worm-like gratitude with which they normally accept charity. The explanation, of course, was that we outnumbered the congregation and so were not afraid of them. A man receiving charity practically always hates his benefactor--it is a fixed characteristic of human nature; and, when he has fifty or a hundred others to back him, he will show it.
”
”
George Orwell (Down and Out in Paris and London)
“
Well it seems to me that there are books that tell stories, and then there are books that tell truths...," I began.
"Go on," she said
"The first kind, they show you life like you want it to be. With villains getting what they deserve and the hero seeing what a fool he's been and marrying the heroine and happy ending and all that. Like Sense and Sensibility or Persuasion. But the second kind, they show you life more like it is. Like in Huckleberry Finn where Huck's pa is a no-good drunk and Jim suffers so. The first kind makes you cheerful and contented, but the second kind shakes you up."
"People like happy ending, Mattie. They don't want to be shaken up."
"I guess not, ma'am. It's just that there are no Captain Wentworths, are there? But there are plenty of Pap Finns. And things go well for Anne Elliot in the end, but they don't go well for most people." My voice trembled as I spoke, as it did whenever I was angry. "I feel let down sometimes. The people in the books-the heroes- they're always so...heroic. And I try to be, but..."
"...you're not," Lou said, licking deviled ham off her fingers.
"...no, I'm not. People in books are good and noble and unselfish, and people aren't that way... and I feel, well... hornswoggled sometimes. By Jane Austen and Charles Dickens and Louisa May Alcott. Why do writers make things sugary when life isn't that way?" I asked too loudly. "Why don't they tell the truth? Why don't they tell how a pigpen looks after the sow's eaten her children? Or how it is for a girl when her baby won't come out? Or that cancer has a smell to it? All those books, Miss Wilcox," I said, pointing at a pile of them," and I bet not one of them will tell you what cancer smells like. I can, though. It stinks. Like meat gone bad and dirty clothes and bog water all mixed together. Why doesn't anyone tell you that?"
No one spoke for a few seconds. I could hear the clock ticking and the sound of my own breathing. Then Lou quietly said, "Cripes, Mattie. You oughtn't to talk like that."
I realized then that Miss Wilcox had stopped smiling. Her eyes were fixed om me, and I was certain she'd decided I was morbid and dispiriting like Miss Parrish had said and that I should leave then and there.
"I'm sorry, Miss Wilcox," I said, looking at the floor. "I don't mean to be coarse. I just... I don't know why I should care what happens to people in a drawing room in London or Paris or anywhere else when no one in those places cares what happens to people in Eagle Bay."
Miss Wilcox's eyes were still fixed on me, only now they were shiny. Like they were the day I got my letter from Barnard. "Make them care, Mattie," she said softly. "And don't you ever be sorry.
”
”
Jennifer Donnelly (A Northern Light)
“
It is worth saying something about the social position of beggars, for when one has consorted with them, and found that they are ordinary human beings, one cannot help being struck by the curious attitude that society takes towards them. People seem to feel that there is some essential difference between beggars and ordinary ‘working’ men. They are a race apart—outcasts, like criminals and prostitutes. Working men ‘work’, beggars do not ‘work’; they are parasites, worthless in their very nature. It is taken for granted that a beggar does not ‘earn’ his living, as a bricklayer or a literary critic ‘earns’ his. He is a mere social excrescence, tolerated because we live in a humane age, but essentially despicable.
Yet if one looks closely one sees that there is no ESSENTIAL difference between a beggar’s livelihood and that of numberless respectable people. Beggars do not work, it is said; but, then, what is WORK? A navvy works by swinging a pick. An accountant works by adding up figures. A beggar works by standing out of doors in all weathers and getting varicose veins, chronic bronchitis, etc. It is a trade like any other; quite useless, of course—but, then, many reputable trades are quite useless.
”
”
George Orwell (Down and Out in Paris and London)
“
A tramp, therefore, is a celibate from the moment when he takes to the road. He is absolutely without hope of getting a wife, a mistress, or any kind of woman except — very rarely, when he can raise a few shillings — a prostitute.
It is obvious what the results of this must be: homosexuality, for instance, and occasional rape cases. But deeper than these there is the degradation worked in a man who knows that he is not even considered fit for marriage. The sexual impulse, not to put it any higher, is a fundamental impulse, and starvation of it can be almost as demoralizing as physical hunger. The evil of poverty is not so much that it makes a man suffer as that it rots him physically and spiritually. And there can be no doubt that sexual starvation contributes to this rotting process. Cut off from the whole race of women, a tramp feels himself degraded to the rank of a cripple or a lunatic. No humiliation could do more damage to a man’s self-respect.
”
”
George Orwell (Down and Out in Paris and London)
“
The clerks are French, and, like most French people, are in a bad temper till they have eaten their lunch.
”
”
George Orwell (Down and Out in Paris and London)
“
Görüntü; görüntü her şeyden önemlidir mon ami... Aç görünmek ölümcüldür. İnsanlarda seni tekmeleme isteği uyandırır.
”
”
George Orwell (Down and Out in Paris and London)
“
Kirlilik, oteller ile lokantaların özünde vardır çünkü yiyeceğin temizliği, dakiklik ve şıklık uğruna gözden çıkarılır.
”
”
George Orwell (Down and Out in Paris and London)
“
Bir yemeğe ne kadar çok para verirseniz o kadar çok ter ve tükürük yemek zorunda kalırsınız.
”
”
George Orwell (Down and Out in Paris and London)
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Ayaktakımı öyle aşağılık bir yaratıktır ki boş vakti kalırsa tehlike arz eder; onu düşünemeyecek kadar meşgul tutmak daha güvenlidir.
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George Orwell (Down and Out in Paris and London)
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Roughly speaking, the more one pays for food, the more sweat and spittle one is obliged to eat with it.
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George Orwell (Down and Out in Paris and London)
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The fact is that the Salvation Army are so in the habit of thinking themselves a charitable body that they cannot even run a lodging-house without making it stink of charity.
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George Orwell (Down and Out in Paris and London)
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The slum, with its dirt and its queer lives, was first an object-lesson in poverty, and then the background of my own experiences.
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George Orwell (Down and Out in Paris and London)
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So, dear brothers, since evidently you must sweat to pay for our trips to Italy, sweat and be damned to you.
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George Orwell (Down and Out in Paris and London)
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I should like to understand what really goes on in the souls of plongeurs and tramps and Embankment sleepers. At present I do not feel that I have seen more than the fringe of poverty.
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George Orwell (Down and Out in Paris and London)
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And there is another feeling that is a great consolation in poverty. I believe everyone who has been hard up has experienced it. It is a feeling of relief, almost of pleasure, at knowing yourself at last genuinely down and out. You have talked so often of going to the dogs—and well, here are the dogs, and you have reached them, and you can stand it. It takes off a lot of anxiety.
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George Orwell (Down and Out in Paris and London)
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People are wrong when they think that an unemployed man only worries about losing his wages; on the contrary, an illiterate man, with the work habit in his bones, needs work even more than he needs money. An educated man can put up with enforced idleness, which is one of the worst evils of poverty. But a man like Paddy, with no means of filling up time, is as miserable out of work as a dog on the chain.
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George Orwell (Down and Out in Paris and London)
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Mengapa pengemis direndahkan? Aku yakin alasannya sangat sederhana, yaitu karena mereka gagal hidup layak. Dalam prakteknya, orang tidak peduli apakah suatu pekerjaan itu berguna atau tidak, produktif atau bersifat parasit; satu-satunya hal yang penting adalah bahwa pekerjaan itu harus menguntungkan. Dalam semua perbincangan modern tentang efisiensi, pelayanan sosial dan lain-lain, adakah makna lain selain 'Dapatkan uang, bikin jadi legal, dan dapatkan banyak-banyak'? Uang sudah menjadi alat ukur utama moralitas. Dengan ukuran ini pengemis gagal, dan karenanya mereka direndahkan. Kalau orang bisa berpendapatan sepuluh pound seminggu sebagai pengemis, profesi ini akan segera menduduki posisi terhormat. Seorang pengemis, dilihat secara realistis, adalah sekedar seorang pengusaha yang mencoba bertahan hidup, seperti halnya pengusaha lain, dengan cara menggunakan tangannya. Dia tidak pernah menjual kehormatannya, lebih dari kebanyakan orang modern; dia hanya berbuat kesalahan dengan memilih usaha yang tidak memberinya kemungkinan untuk jadi kaya (hal. 268)
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George Orwell (Down and Out in Paris and London)
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Similarly with the plongeur. He is a king compared with a rickshaw puller or a gharry pony, but his case is
analogous. He is the slave of a hotel or a restaurant, and his slavery is more or less useless. For, after all, where is
the REAL need of big hotels and smart restaurants?
They are supposed to provide luxury, but in reality they provide only a cheap, shoddy imitation of it. Nearly everyone hates hotels. Some restaurants are better than others, but it is impossible to get as good a meal in a restaurant as one can get, for the same expense, in a private house. No doubt hotels and restaurants must exist, but there is no need that they should enslave hundreds of people. What makes the work in them is not the essentials; it is the shams that are supposed to represent luxury. Smartness, as it is called, means, in effect, merely that the staff work more and the customers pay more; no one benefits except the proprietor, who will presently buy himself a striped villa at Deauville.
Essentially, a ‘smart’ hotel is a place where a hundred people toil like devils in order that two hundred may pay through the nose for things they do not really want. If the nonsense were cut out of hotels and restaurants, and the work done with simple efficiency, plongeurs might work six or eight hours a day instead of ten or fifteen.
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George Orwell (Down and Out in Paris and London)
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We see a man cutting down a tree, and we make sure that he is filling a social need, just because he uses his muscles; it does not occur to us that he may only be cutting down a beautiful tree to make room for a hideous statue.
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George Orwell (Down and Out in Paris and London)
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Seorang buruh adalah salah satu budak dalam dunia modern. Tidak berarti kita perlu meratapinya, karena dia adalah pekerja lebih ahli dibandingkan banyak pekerja manual, namun tetap saja, dia tidak lebih bebas dari pada budak yang diperjual belikan. Pekerjaannya kasar dan tanpa cita rasa seni, ia dibayar hanya cukup untuk bertahan hidup. Dia tidak mungkin menikah, atau kalaupun dia menikah istrinya harus bekerja juga. Ia tak bisa keluar dari kehidupannya, tetap terpenjara, kecuali ada keberuntungan. Kita tidak bisa mengatakan bahwa itu hanya karena mereka bodoh. Mereka hanya terjebak dalam rutinitas yang tidak memberi kesempatan untuk berpikir. Kalau para budak punya kesempatan untuk berpikir, sudah sejak lama mereka akan membentuk organisasi dan berdemonstrasi menuntut perlakukan yang lebih baik. Tapi mereka tidak berpikir, karena mereka tidak memiliki kemewahan untuk itu, kehidupan telah memperbudak mereka.
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George Orwell (Down and Out in Paris and London)
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You don't want to have any pity on these here tramps – scum, they are. You don't want to judge them by the same standards as men like you and me. They're scum, just scum.' It was interesting to see the subtle way in which he disassociated himself from 'these here tramps'. He had been on the road six months, but in the sight of God, he seemed to imply, he was not a tramp. I imagine there are quite a lot of tramps who thank God they are not tramps. They are like the trippers who say such cutting things about trippers.
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George Orwell (Down and Out in Paris and London)
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There.You're officially Canadian. Try not to abuse your new power."
"Whatever.I'm totally going out tonight."
"Good." He slows down. "You should."
We're both standing still. He's so close to me.His gaze is locked on mine, and my heart pounds painfully in my chest. I step back and look away. Toph. I like Toph,not St. Clair. Why do I have to keep reminding myself of this? St. Clair is taken.
"Did you paint these?" I'm desperate to change the mood. "These above your bed?" I glance back,and he's still staring at me.
He bites his thumbnail before replying. His voice is odd. "No.My mum did."
"Really? Wow,they're good. Really, really...good."
"Anna..."
"Is this here in Paris?"
"No,it's the street I grew up on. In London."
"Oh."
"Anna..."
"Hmm?" I stand with my back to him, trying to examine the paintings. They really are great. I just can't seem to focus. Of course it's not Paris. I should've known-
"That guy.Sideburns.You like him?"
My back squirms. "You've asked me that before."
"What I meant was," he says, flustered. "Your feelings haven't changed? Since you've been here?"
It takes a moment to consider the question. "It's not a matter of how I feel," I say at last. "I'm interested,but...I don't know if he's still interested in me."
St. Clair edges closer. "Does he still call?"
"Yeah.I mean,not often. But yes."
"Right.Right,well," he says, blinking. "There's your answer."
I look away. "I should go.I'm sure you have plans with Ellie."
"Yes.I mean,no. I mean, I don't know. If you aren't doing any-"
I open his door. "So I'll see you later. Thank you for the Canadian citizenship." I tap the patch on my bag.
St. Clair looks strangely hurt. "No problem. Happy to be of service."
I take the stairs two at a time to my floor. What just happened? One minute we were fine,and the next it was like I couldn't leave fast enough. I need to get out of here.I need to leave the dorm. Maybe I'm not a brave American,but I think I can be a brave Canadian.I grab the Pariscope from inside my room and jog downstairs.
I'm going to see Paris.Alone.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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There is no law to say that the beds in a lodging-house must be comfortable. This would be quite an easy thing to enforce—much easier, for instance, than restrictions upon gambling. The lodging-house keepers should be compelled to provide adequate bedclothes and better mattresses, and above all to divide their dormitories into cubicles.
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George Orwell (Down and Out in Paris and London)
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I believe that this instinct to perpetuate useless work is, at bottom, simply fear of the mob. The mob (the thought runs) are such low animals that they would be dangerous if they had leisure; it is safer to keep them too busy to think. A rich man who happens to be intellectually honest, if he is questioned about the improvement of working conditions, usually says something like this: “We know that poverty is unpleasant; in fact, since it is so remote, we rather enjoy harrowing ourselves with the thought of its unpleasantness. But don’t expect us to do anything about it. We are sorry for you lower classes, just as we are sorry for a cat with the mange, but we will fight like devils against any improvement of your condition.
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George Orwell (Down and Out in Paris and London)
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To sum up. A plongeur is a slave, and a wasted slave, doing stupid and largely unnecessary work. He is kept at work, ultimately, because of a vague feeling that he would be dangerous if he had leisure. And educated people, who should be on his side, acquiesce in the process, because they know nothing about him and consequently are afraid of him. I say this of the plongeur because it is his case I have been considering; it would apply equally to numberless other types of worker. These are only my own Ideas about the basic facts of a plongeur’s life, made without reference to immediate economic questions, and no doubt largely platitudes. I present them as a sample of the thoughts that are put into one’s head by working in a hotel.
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George Orwell (Down and Out in Paris and London)
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Read! Read cookbooks, trade magazines — I recommend Food Arts, Saveur, Restaurant Business magazines. They are useful for staying abreast of industry trends, and for pinching recipes and concepts. Some awareness of the history of your business is useful, too. It allows you to put your own miserable circumstances in perspective when you've examined and appreciated the full sweep of culinary history. Orwell's Down and Out in Paris and London is invaluable. As is Nicolas Freleng's The Kitchen, David Blum's Flash in the Pan, the Batterberrys' fine account of American restaurant history, On the Town in New York, and Joseph Mitchell's Up in the Old Hotel. Read the old masters: Escoffier, Bocuse et al as well as the Young Turks: Keller, Marco-Pierre White, and more recent generations of innovators and craftsmen.
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Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
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At present I do not feel that I have seen more than the fringe of poverty. Still, I can point to one or two things I have definitely learned by being hard up. I shall never again think that all tramps are drunken scoundrels, nor expect a beggar to be grateful when I give him a penny, nor be surprised if men out of work lack energy, nor subscribe to the Salvation Army, nor pawn my clothes, nor refuse a handbill, nor enjoy a meal at a smart restaurant. That is a beginning
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George Orwell (Down and Out in Paris and London)
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One cannot imagine the average Englishman deliberately turning parasite, and this national character does not necessarily change because a man is thrown out of work. Indeed, if one remembers that a tramp is only an Englishman out of work, forced by law to live as a vagabond, then the tramp-monster vanishes. I am not saying, of course, that most tramps are ideal characters; I am only saying that they are ordinary human beings, and that if they are worse than other people it is the result and not the cause of their way of life.
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George Orwell (Down and Out in Paris and London)
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I will tell you what Jews are like. Once, in the early months of the war, we were on the march, and we had halted at a village for the night. A horrible old Jew, with a red beard like Judas Iscariot, came sneaking up to my billet. I asked him what he wanted. ‘Your honour,’ he said, ‘I have brought a girl for you, a beautiful young girl only seventeen. It will only be fifty francs.’ ‘Thank you,’ I said, ‘you can take her away again. I don’t want to catch any diseases.’ ‘Diseases!’ cried the Jew, ‘mais, monsieur le capitaine, there’s no fear of that. It’s my own daughter!’ That is the Jewish national character for you. “Have
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George Orwell (Down and Out in Paris and London)
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He was an embittered atheist (the sort of atheist who does not so much disbelieve in God as personally dislike Him), and took a sort of pleasure in thinking that human affairs would never improve. Sometimes, he said, when sleeping on the Embankment, it had consoled him to look up at Mars or Jupiter and think that there were probably Embankment sleepers there. He had a curious theory about this. Life on earth, he said, is harsh because the planet is poor in the necessities of existence. Mars, with its cold climate and scanty water, must be far poorer, and life correspondingly harsher. Whereas on earth you are merely imprisoned for stealing sixpence, on Mars you are probably boiled alive. This thought cheered Bozo, I do not know why. He was a very exceptional man.
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George Orwell (Down and Out in Paris and London)
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A slave, Marcus Cato said, should be working when he is not sleeping. It does not matter whether his work in itself is good in itself—for slaves, at least. This sentiment still survives, and it has piled up mountains of useless drudgery.
I believe that this instinct to perpetuate useless work is, at bottom, simply fear of the mob. The mob (the thought runs) are such low animals that they would be dangerous if they had leisure; it is safer to keep them too busy to think. A rich man who happens to be intellectually honest, if he is questioned about the improvement of working conditions, usually says something like this:
"We know that poverty is unpleasant; in fact, since it is so remote, we rather enjoy harrowing ourselves with the thought of its unpleasantness. But don’t expect us to do anything about it. We are sorry fort you lower classes, just as we are sorry for a cat with the mange, of your condition. We feel that you are much safer as you are. The present state of affairs suits us, and we are not going to take the risk of setting you free, even by an extra hour a day. So, dear brothers, since evidently you must sweat to pay for our trips to Italy, sweat and be damned to you.”
This is particularly the attitude of intelligent, cultivated people; one can read the substance if it in a hundred essays. Very few cultivated people have less than (say) four hundred pounds a year, and naturally they side with the rich, because they imagine that any liberty conceded to the poor is a threat to their own liberty. foreseeing some dismal Marxian Utopia as the alternative, the educated man prefers to keep things as they are. Possibly he does not like his fellow-rich very much, but he supposes that even the vulgarest of them are less inimical to his pleasures, more his kind of people, than the poor, and that he had better stand by them. It is this fear of a supposedly dangerous mob that makes nearly all intelligent people conservative in their opinions.
Fear of the mob is a superstitious fear. It is based on the idea that there is some mysterious, fundamental difference between rich and poor, as though they were two different races, like negroes and white men. But in reality there is no such difference. The mass of the rich and the poor are differentiated by their incomes and nothings else, and the average millionaire is only the average dishwasher dressed in a new suit. Change places, and handy dandy, which is the justice, which is the thief? Everyone who has mixed on equal terms with the poor knows this quite well. But the trouble is that intelligent, cultivated people, the very people who might be expected to have liberal opinions, never do mix with the poor. For what do the majority of educated people know about poverty? In my copy of Villon’s poems the editor has actually thought it necessary to explain the line “Ne pain ne voyent qu'aux fenestres” by a footnote; so remote is even hunger from the educated man’s experience. From this ignorance a superstitious fear of the mob results quite naturally. The educated man pictures a horde of submen, wanting only a day’s liberty to loot his house, burn his books, and set him to work minding a machine or sweeping out a lavatory. “Anything,” he thinks, “any injustice, sooner than let that mob loose.
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George Orwell (Down and Out in Paris and London)
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Yet if one looks closely one sees that there is no essential difference between a beggar’s livelihood and that of numberless respectable people. Beggars do not work, it is said; but, then, what is work? A navvy works by swinging a pick. An accountant works by adding up figures. A beggar works by standing out of doors in all weathers and getting varicose veins, chronic bronchitis, etc. It is a trade like any other; quite useless, of course—but, then, many reputable trades are quite useless. And as a social type a beggar compares well with scores of others. He is honest compared with the sellers of most patent medicines, high-minded compared with a Sunday newspaper proprietor, amiable compared with a hire-purchase tout—in short, a parasite, but a fairly harmless parasite. He seldom extracts more than a bare living from the community, and, what should justify him according to our ethical ideas, he pays for it over and over in suffering. I do not think there is anything about a beggar that sets him in a different class from other people, or gives most modern men the right to despise him.
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George Orwell (Down and Out in Paris and London)