Red Pill Quotes

We've searched our database for all the quotes and captions related to Red Pill. Here they are! All 100 of them:

She handed him a glass of water and two Aleve gelcaps. “They’re anti-inflammatories. They will dull the pain a little bit and keep down swelling and redness. Swallow the pills, don’t chew.” “Well, I thought I’d stick them into my nose and impersonate a walrus, but if you insist, I’ll swallow them.
Ilona Andrews (On the Edge (The Edge, #1))
Women would rather share a high value Man than be saddled with a faithful loser.
Rollo Tomassi (The Rational Male)
You take the blue pill, the story ends, you wake up in your bed and believe whatever you want to believe. You take the red pill, you stay in Wonderland, and I show you how deep the rabbit hole goes.
Lilly Wachowski (The Matrix: The Shooting Script)
Women will cry a river about wanting Mr. Dependable and then go off to fuck Mr. Exciting.
Rollo Tomassi (The Rational Male)
To be white, or straight, or male, or middle class is to be simultaneously ubiquitious and invisible. You’re everywhere you look, you’re the standard against which everyone else is measured. You’re like water, like air. People will tell you they went to see a “woman doctor” or they will say they went to see “the doctor.” People will tell you they have a “gay colleague” or they’ll tell you about a colleague. A white person will be happy to tell you about a “Black friend,” but when that same person simply mentions a “friend,” everyone will assume the person is white. Any college course that doesn’t have the word “woman” or “gay” or “minority” in its title is a course about men, heterosexuals, and white people. But we call those courses “literature,” “history” or “political science.” This invisibility is political.
Michael S. Kimmel (Privilege: A Reader)
Nothing is as simultaneously fear inspiring and arousing for women as a Man she suspects is self-aware of his own value.
Rollo Tomassi (The Rational Male)
Women want to be with Men who other women want to fuck, and other men want to be.
Rollo Tomassi (The Rational Male)
Stimulating a woman’s imaginings is the single most potent talent you can develop in any context of a relationship.
Rollo Tomassi (The Rational Male)
This is your last chance. After this, there is no turning back. You take the blue pill – the story ends, you wake up in your bed and believe whatever you want to believe. You take the red pill – you stay in Wonderland, and I show you how deep the rabbit hole goes. Remember, all I'm offering is the truth – nothing more.
Morpheus
Is the woman who applies make up everyday ‘being herself”?
Rollo Tomassi (The Rational Male)
The only way to determine genuine motivation and/or intent is to observe the behavior of an individual.
Rollo Tomassi (The Rational Male)
Women, being the calculating gender, know all too well to hit the gym months prior to a break up – she’s not getting in shape for you, she’s getting ready to hit the ground running with the next guy she’ll be fucking.
Rollo Tomassi (The Rational Male)
Women will gladly overlook character flaws or a lack of assets in favor of fucking the physical Alpha while she approaches her own sexual apex.
Rollo Tomassi (The Rational Male)
Feminization from a behavioral psychology perspective, is nothing less than a socialized effort in deliberate behavioral modification of men’s natural drives and predilections to better fit the feminine imperative.
Rollo Tomassi (The Rational Male)
Women crave the chemical rush that comes from suspicion and indignation. If you don’t provide it, they’ll happily get it from tabloids, romance novels, The View, Tyra Banks or otherwise living vicariously through their single girlfriends.
Rollo Tomassi (The Rational Male)
I enjoy sitting at home eating a whole pizza, washing it down with a six pack of Budweiser and watching Anime on a Friday evening, can I realistically expect that hot fitness instructor at the gym to come on over and genuinely want to fuck my brains out?
Rollo Tomassi (The Rational Male)
Leading people is like cooking Don’t stir too much
It annoys the ingredients
And spoils the food
Rick Julian
Women who want to fuck will find a way to fuck.
Rollo Tomassi (The Rational Male)
God curse Carl Jung’s rotten corpse to hell for ever convincing popular culture that each sex had equal, but unexpressed, measures of feminine and masculine energies.
Rollo Tomassi (The Rational Male)
You can either take the blue pill (become depressed about an artificial reality that is never going to return) or take the red pill (fully enter the Choose Yourself era and take advantage of its opportunities).
James Altucher (Choose Yourself)
Shweder’s writings were my red pill. I began to see that many moral matrices coexist within each nation. Each matrix provides a complete, unified, and emotionally compelling worldview, easily justified by observable evidence and nearly impregnable to attack by arguments from outsiders.
Jonathan Haidt (The Righteous Mind: Why Good People are Divided by Politics and Religion)
Failure is our greatest teacher Blame blinds us to her lessons
Rick Julian
You are who you believe you are, and you are who she perceives you to be.
Rollo Tomassi (The Rational Male)
My doctors were fundamentally servants of the status quo. Their work was predicated on the assumption that the world is bearable, and anyone who finds it otherwise should be coaxed or medicated into acceptance. But what if it isn’t? What if the reasonable reaction is endless horrified screaming?
Hari Kunzru (Red Pill)
If you’re at all familiar with Charles Bukowski, you’ll know he was one of the last true son’s of bitches – the unapologetic epitome of gloriously arrogant self-concern and masculine independence. For what he lacked in polish he made up for in talent and a brutal honesty that could never be acknowledged in the feminine centric social order of today. In the mid 60’s he was a feral, instinctually Red Pill Man
Rollo Tomassi (The Rational Male – Preventive Medicine)
You do not buy into a good marriage or LTR, you create one, you build one.
Rollo Tomassi (The Rational Male)
Now what I think of when I think of my “self” is the atrocious waste of my years.
Hari Kunzru (Red Pill)
Women flake on dates at least 56% of the time9, but field reports from men in the Red Pill community put it closer to 70%.
Myron Gaines (Why Women Deserve Less)
It's entirely possible that the Great Sorting Hat at the End of Time won't give a damn which side we thought we were on - Rebel or stormtrooper, Red Pill or Blue - but only our intentions. Which flag we flew, which uniform we wore will yield to something much simpler. Were we coming from fear or love? Were we standing for all of us or only some of us? Were we playing Team Finite, or Team Infinite?
Jamie Wheal (Recapture the Rapture: Rethinking God, Sex, and Death in a World That's Lost its Mind)
You are to consider that a certain melancholy and often a certain irascibility accompany advancing age: indeed it might be said that advancing age equals ill-temper. On reaching the middle years a man perceives that he is no longer able to do certain things, that what looks he may have had are deserting him, that he has a ponderous great belly, and that however much he may yet burn he is no longer attractive to women; and he rebels. Fortitude, resignation and philosophy are of more value than any pills, red, white or blue.
Patrick O'Brian (The Truelove (Aubrey & Maturin, #15))
I also want people to wake up to the true nature of the world. But the conspiracy theory rabbit hole is not the way to do it, it’s full of seductive nonsensical theories, a bizarre wonderland of time-wasting and harmful falsehoods that are taking people further away from the real world, not closer. It’s not a blue pill or a red pill, it’s a poison pill.
Mick West (Escaping the Rabbit Hole: How to Debunk Conspiracy Theories Using Facts, Logic, and Respect)
Love melts the hardest hearts Enters between the cracks
Rick Julian
Even Freud was fooled by the hysterics of women’s responses and wrote them off as largely incapable, random and duplicitous to their own interests.
Rollo Tomassi (The Rational Male)
What if the Reasonable Reaction to the World is Endless Horrified Screaming?
Hari Kunzru (Red Pill)
Plot is the artificial reduction of life’s complexity and randomness. It is a way to give aesthetic form to reality.
Hari Kunzru (Red Pill)
Every touchy-feely therapist will tell you to open up and express yourself, but all that leads to is the negotiation of desire and the disingenuous obligations based on those terms.
Rollo Tomassi (The Rational Male)
The door is cracked We used to meet like water does land no not that more like when skin touches skin kissing fingertips or when air escapes a lung and is felt across the world I've leapt over cracks in sidewalks and swallowed away troublesome back pains that could only be fixed with someone else's pills We met by your house one stray day and you drove me to the bay where we sat and kissed like it was yesterday And here you told me that you loved me and that you always loved me and that you would always love me the wind blew and I held you You rested your head on my shoulder and the wind blew warm Later, in your big red truck, we smoked some green and I kissed you harder and held your breasts, and felt between your legs and with a gasp you told me you were in love with me And then you drove me back and we promised it wouldn't be the end not this time The quill and inkwell on your foot I'm a writer and you are my greatest art I returned to my hell and dreamt of you once more
Dave Matthes (Strange Rainfall on the Rooftops of People Watchers: Poems and Stories)
He smirked. “Decision time, pretty lady... back to reality?” She touched his cheek. “Or down the rabbit hole?
Jake Vander-Ark (Fallout Dreams)
Although her parents didn’t know it, Debra had gotten a prescription for birth control pills at Planned Parenthood when she was only ten.
Ann Rule (Green River, Running Red: The Real Story of the Green River Killer--America's Deadliest Serial Murderer)
Alone, we are food for the wolves. That’s how they want us. Isolated. Prey. So we must find each other. We must remember that we do not exist alone.
Hari Kunzru (Red Pill)
Some only perceive a red and blue pill as if there are two choices. However, they are two halves not choices. Combine them and you can take the purple pill and see all sides.
C.A.A. Savastano
Men are born with nothing with which to buy. Women are born with something to sell.
Mokokoma Mokhonoana (P for Pessimism: A Collection of Funny yet Profound Aphorisms)
Red pill or blue pill? If only it were that simple. You've been watching the wrong movies.
H.M. Forester (Game of Aeons)
I didn’t hear the rest of Steven’s musings. I was in the Matrix and I’d just unwittingly taken the red pill
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
This is your chance. If blue pill, continue. If red pill, return to the Matrix.
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
Most of us were fortunate enough to be born with the Blue pill until the RED pill eventually found us.
Kayo K.
When The Matrix debuted in 1999, it was a huge box-office success. It was also well received by critics, most of whom focused on one of two qualities—the technological (it mainstreamed the digital technique of three-dimensional “bullet time,” where the on-screen action would freeze while the camera continued to revolve around the participants) or the philosophical (it served as a trippy entry point for the notion that we already live in a simulated world, directly quoting philosopher Jean Baudrillard’s 1981 reality-rejecting book Simulacra and Simulation). If you talk about The Matrix right now, these are still the two things you likely discuss. But what will still be interesting about this film once the technology becomes ancient and the philosophy becomes standard? I suspect it might be this: The Matrix was written and directed by “the Wachowski siblings.” In 1999, this designation meant two brothers; as I write today, it means two sisters. In the years following the release of The Matrix, the older Wachowski (Larry, now Lana) completed her transition from male to female. The younger Wachowski (Andy, now Lilly) publicly announced her transition in the spring of 2016. These events occurred during a period when the social view of transgender issues radically evolved, more rapidly than any other component of modern society. In 1999, it was almost impossible to find any example of a trans person within any realm of popular culture; by 2014, a TV series devoted exclusively to the notion won the Golden Globe for Best Television Series. In the fifteen-year window from 1999 to 2014, no aspect of interpersonal civilization changed more, to the point where Caitlyn (formerly Bruce) Jenner attracted more Twitter followers than the president (and the importance of this shift will amplify as the decades pass—soon, the notion of a transgender US president will not seem remotely implausible). So think how this might alter the memory of The Matrix: In some protracted reality, film historians will reinvestigate an extremely commercial action movie made by people who (unbeknownst to the audience) would eventually transition from male to female. Suddenly, the symbolic meaning of a universe with two worlds—one false and constructed, the other genuine and hidden—takes on an entirely new meaning. The idea of a character choosing between swallowing a blue pill that allows him to remain a false placeholder and a red pill that forces him to confront who he truly is becomes a much different metaphor. Considered from this speculative vantage point, The Matrix may seem like a breakthrough of a far different kind. It would feel more reflective than entertaining, which is precisely why certain things get remembered while certain others get lost.
Chuck Klosterman (But What If We're Wrong?: Thinking about the Present as If It Were the Past)
Only an unsatisfied preference is bad. In other words, he argues that although it is good to have fulfilled whatever desires one might have, one is not better off having a fulfilled desire than having no desire at all. By way of example, consider the case in which we ‘paint the tree nearest to Sydney Opera house red and give Kate a pill that makes her wish that the tree nearest to Sydney Opera House were red’*. Professor Fehige plausibly denies that we do Kate any favour in doing this. She is no better off than had we done nothing. What matters is not that people have satisfied desires but that they do not have unsatisfied ones. It is the avoidance of frustration that is important. * Fehige, Christoph, ‘A Pareto Principle for Possible People’, 513–14.
David Benatar (Better Never to Have Been: The Harm of Coming into Existence)
First of all understand that I get it. That there are millions and millions of women who are steely eyed realists. And millions and millions of men who are anything but. However. For lack of a better term I would say that the feminine values are the values of america : Sensitivity is more important than Truth. Feelings are more important than Facts. Commitment is more important than Individuality. Children are more important than People. Safety is more important than Fun. I always hear women say 'Y'know married men live longer'. Yes. And an indoor cat also, lives longer.
Bill Maher
To the Red Pill Stoic, the feelings of anger and frustration experienced by these disempowered communities are actually moral failings, proof of their lack of internal fortitude, moral compass, and right to hold authority in the public sphere.
Donna Zuckerberg (Not All Dead White Men: Classics and Misogyny in the Digital Age)
The “Relationships are work” meme is a feminine Social Convention. How often do you hear men say these words? This convention has filtered into popular consciousness even amongst men now. For the LTR men who subscribe to this I’d also speculate that many of them are in relationships where they are “doing the work” for the women who are giving them the ‘grade’ so to speak. And of the single men who subscribe to this mythology, each had to be conditioned to believe this is the case in LTRs by women.
Rollo Tomassi
It is only the man whose intellect is clouded by his sexual instinct that could give that stunted, narrow-shouldered, broad-hipped, and short-legged race the name of the fair sex; for the entire beauty of the sex is based on this instinct. One would be more justified in calling them the unaesthetic sex than the beautiful. Neither for music, nor for poetry, nor for fine art have they any real or true sense and susceptibility, and it is mere mockery on their part, in their desire to please, if they affect any such thing.
Arthur Schopenhauer (On Women: Wisdom For Men: 19th Century Red Pill Knowledge)
The Doper's Dream Last night I dreamed I was plugged right in To a bubblin' hookah so high, When all of a sudden some Arab jinni Jump up just a-winkin' his eye. 'I'm here to obey all your wishes,' he told me. As for words I was trying to grope. 'Good buddy,' I cried, 'you could surely oblige me By turning me on to some dope!' With a bigfat smile he took ahold of my hand, And we flew down the sky in a flash, And the first thing I saw in the land where he took me Was a whole solid mountain of hash! All the trees was a-bloomin' with pink 'n' purple pills, Whur the Romilar River flowed by, To the magic mushrooms as wild as a rainbow, So pretty that I wanted to cry. All the girls come to greet us, so sweet in slow motion, Mourning glories woven into their hair, Bringin' great big handfuls of snowy cocaine, All their dope they were eager to share. We we dallied for days, just a-ballin' and smokin', In the flowering Panama Red, Just piggin' on peyote and nutmeg tea, And those brownies so kind to your head. Now I could've passed that good time forever, And I really was fixing to stay, But you know that jinni turned out, t'be a narco man, And he busted me right whur I lay. And he took me back to a cold, cold world 'N' now m'prison's whurever I be... And I dream of the days back in Doperland And I wonder, will I ever go free?
Thomas Pynchon (Gravity’s Rainbow)
This is your last chance. After this there is no turning back. You take the blue pill, the story ends, you wake up in your bed and believe whatever you want to believe. You take the red pill, you stay in Wonderland and l show how deep the rabbit-hole goes1.” —Morpheus
Michael J. Shank (Muscle and a Shovel (Muscle and a Shovel Series Vol. 1))
As colleges move to replace some of the dead white men of the literary canon with writers who are not dead, not white, and not men, the living white men of the Red Pill have appeared as the self-appointed guardians and defenders of the cultural legacy of Western civilization.
Donna Zuckerberg (Not All Dead White Men: Classics and Misogyny in the Digital Age)
These Red Pill analyses of ancient texts may seem simplistic and misguided to us. In fact, they are not really producing analyses at all. Their interpretations of the Classics should be approached not as readings of the ancient world, but rather as aspirational representations of the world they wish we inhabited.
Donna Zuckerberg (Not All Dead White Men: Classics and Misogyny in the Digital Age)
Maybe I am one of the last people in history who will feel the things I do. Maybe everything I hoped about the world, and hoped to bring about in it, is doomed to fail. Instead of learning useful things, I have filled my brain with obsolete philosophies, ideas with no more purchase or veracity than the four humors or spontaneous generations. I could say I regret it all, the useless information, but what would be the point? It’s too late now. These are the elements that make me who I am.
Hari Kunzru (Red Pill)
Systems, however metaphysical or abstract, are never innocent.
Hari Kunzru (Red Pill)
Ο άνθρωπος μόνος του είναι κρέας για τους λύκους. Έτσι μας θέλουν. Απομονωμένους. Θηράματα. Άρα πρέπει να βρούμε ο ένας τον άλλον. Πρέπει να θυμόμαστε ότι δεν μπορούμε να υπάρξουμε μόνοι.
Hari Kunzru (Red Pill)
Over the years, Skye sampled every drug she could find, and like many addicts, had a working knowledge of pharmacology. She snorted coke and swallowed pills. She took downers—orange and red Seconal, red and ivory Dalmane, Miltown, Librium, Luminal, Nembutal, and Quaaludes. Blue devils, red birds, purple hearts. Enough of them sank her in a kind of coma, where she watched her own limbs suspended in front of her in syrup. For a party, there was Benzedrine, rushing in her veins and making her talk for an hour in one long sentence. Day to day, she carried yellow tablets loose in her pockets, Dilaudid and Percodan, and chewed them in the back of classrooms. But her favorite was the greatest pain reliever of them all, named for the German word for hero.
Frederick Weisel (Teller)
I THINK IT IS POSSIBLE to track the onset of middle age exactly. It is the moment when you examine your life and instead of a field of possibility opening out, an increase in scope, you have a sense of waking from sleep or being washed up onshore, newly conscious of your surroundings. So this is where I am, you say to yourself. This is what I have become. It is when you first understand that your condition—physically, intellectually, socially, financially—is not absolutely mutable, that what has already happened will, to a great extent, determine the rest of the story. What you have done cannot be undone, and much of what you have been putting off for “later” will never get done at all. In short, your time is a finite and dwindling resource. From this moment on, whatever you are doing, whatever joy or intensity or whirl of pleasure you may experience, you will never shake the almost-imperceptible sensation that you are traveling on a gentle downward slope into darkness.
Hari Kunzru (Red Pill)
It was a red-flannel chest-protector, one of those large quasi-hygienic objects that with pills and medicines take the place of beneficial relics and images among the Protestant peoples of Christendom.
H.G. Wells
Driving a desk was sometimes lonely, but Eddie had been in the drivers'-seat himself more than once, his aspirator riding there with him on the dashboard, its trigger reflected ghostly in the windshield (and a bucket-load of pills in the glove compartment), and he knew that real loneliness was a smeary red: the color of the taillights of the car ahead of you reflected on wet hottop in a driving rain.
Stephen King (It)
Incels use the metaphor of the red pill to describe the moment a man's blinkers fall away and he suddenly realizes that he has been lied to his whole life. The world that he has been forced to believe works in his favour is actually hopelessly stacked against him. Everything from our government to our wider society, is designed to promote women over men. The myth of male privilege, so the story goes...
Laura Bates (Men Who Hate Women)
Given the right conditions, the body heals itself. If you whack your shin really hard on a coffee table, it can get red, swollen, and painful. But your shin will heal naturally if you just stand back and let your body work its magic. But what if you kept whacking it in the same place three times a day—say, at breakfast, lunch, and dinner? It would never heal. You could go to your doctor and complain that your shin hurts. “No problem,” he or she might say, whipping out a pad to write you a prescription for painkillers. You’d go back home, still whacking your shin three times a day, but the pain pills would make it feel so much better. Thank heavens for modern medicine!
Michael Greger (How Not To Die: Discover the Foods Scientifically Proven to Prevent and Reverse Disease)
Gran, are you all right? Do you want one of your little red pills?” she asked. “Of course not. Don’t be ridiculous, girl,” snapped the old lady. “Red pills, white pills, blue pills. It’s all pills these days,” she grumbled. “And other pills too, for girls who should know better. What a world! I suppose you get a lot of that at Oxford, Dr Grant?” “Girls who should know better, do you mean? Oh, and young men too,” said Patrick. “After all, it takes two to make that sort of mistake, doesn’t it?
Margaret Yorke (Dead in the Morning (Patrick Grant Series Book 1))
You can bet dicks to donuts that every interested party from the religious to the feminist will fight this method’s release to the public at large and come up with every sort of veiled explanation for its demonization in order to put the agency of birth control exclusively into men’s control.
Rollo Tomassi (The Rational Male)
For the TL;DR (too long; didn’t read), generation dating is just one more arena vying for our headspace. The days of introspection and developing relationships have been replaced with instant, curated imagery, all intended to get to the point of selling our sexual market brand in the best picture before the swipe. Image and perception are king.
Rollo Tomassi (The Rational Male - The Players Handbook: A Red Pill Guide to Game)
But mostly it was pills. I wasn't strong enough to get through life without being able to go to sleep on command. Maybe you won't need to take pills. I dream that you'll be so much stronger. One time on an island I swam in a green lagoon and saw through the clearness of the water the simple fact of my limbs. I watched the purple, red, and blue fish moving around my body and I paddled to keep myself afloat for a long time. Afterward, I lay down on the sand and concentrated on the warming my kneecaps and my shoulders. I can count moments like that on my hands. My dream is for you to have many such moments, so many that you notice only the times you slip into your own brain and recognize those instances for the traps that they are
Lisa Taddeo (Animal)
And I almost forgot, my father wants this added to the dessert course. He said to use the pits, too. For all her jokes about pills and pigs, there was nothing pharmaceutical in the wrinkled, thumb-sized dates Aida gave me. I bit into one. As I didn't collapse, or foam at the mouth, I blitzed both fruit and pit into a powder that I folded through batter, the surface glossing rusty, red.
C Pam Zhang (Land of Milk and Honey)
Alicia, enough!’ We all froze. My dad had only invoked his Code Red Warning: You’ve Done It Now voice twice in my lifetime. The first was when Val was trying to feed me ‘magical pills’ from the medicine cabinet when I was four, and other was when my mom thought he was being too flirty with my aunt. ‘He’s twenty-fucking-two years old! If he doesn’t want to go, he doesn’t want to go, okay?
Barry Brennessel (Tinseltown)
He was the one, however, with whom no one wanted his or her picture taken, the one to whom no one wanted to introduce his son or daughter. Louis and Gage knew him; they had met him and faced him down in New England, some time ago. He was waiting to choke you on a marble, to smother you with a dry-cleaning bag, to sizzle you into eternity with a fast and lethal boggie of electricity—Available at Your Nearest Switchplate or Vacant Light Socket Right Now. There was death in a quarter bag of peanuts, an aspirated piece of steak, the next pack of cigarettes. He was around all the time, he monitored all the checkpoints between the mortal and the eternal. Dirty needles, poison beetles, downed live wires, forest fires. Whirling roller skates that shot nurdy little kids into busy intersections. When you got into the bathtub to take a shower, Oz got right in there too—Shower with a Friend. When you got on an airplane, Oz took your boarding pass. He was in the water you drank, the food you ate. Who’s out there? you howled into the dark when you were frightened and all alone, and it was his answer that came back: Don’t be afraid, it’s just me. Hi, howaya? You got cancer of the bowel, what a bummer, so solly, Cholly! Septicemia! Leukemia! Atherosclerosis! Coronary thrombosis! Encephalitis! Osteomyelitis! Hey-ho, let’s go! Junkie in a doorway with a knife. Phone call in the middle of the night. Blood cooking in battery acid on some exit ramp in North Carolina. Big handfuls of pills, munch em up. That peculiar blue cast of the fingernails following asphyxiation—in its final grim struggle to survive the brain takes all the oxygen that is left, even that in those living cells under the nails. Hi, folks, my name’s Oz the Gweat and Tewwible, but you can call me Oz if you want—hell, we’re old friends by now. Just stopped by to whop you with a little congestive heart failure or a cranial blood clot or something; can’t stay, got to see a woman about a breach birth, then I’ve got a little smoke-inhalation job to do in Omaha. And that thin voice is crying, “I love you, Tigger! I love you! I believe in you, Tigger! I will always love you and believe in you, and I will stay young, and the only Oz to ever live in my heart will be that gentle faker from Nebraska! I love you . . .” We cruise . . . my son and I . . . because the essence of it isn’t war or sex but only that sickening, noble, hopeless battle against Oz the Gweat and Tewwible. He and I, in our white van under this bright Florida sky, we cruise. And the red flasher is hooded, but it is there if we need it . . . and none need know but us because the soil of a man’s heart is stonier; a man grows what he can . . . and tends it.
Stephen King (Pet Sematary)
Breitbart began holding forth at length in various venues about the evils of “cultural Marxism.” He appeared on Fox News and told Sean Hannity and his audience: “For much of the latter half of the twentieth century, America dealt with Communism, which was economic Marxism. And what America was susceptible to during that period of time was cultural Marxism. Cultural Marxism is political correctness, it’s multiculturalism, and it’s a war on Judeo-Christianity.
David Neiwert (Red Pill, Blue Pill: How to Counteract the Conspiracy Theories That Are Killing Us)
RECIPE FOR MAKING WONKA-VITE Take a block of finest chocolate weighing one ton (or twenty sackfuls of broken chocolate, whichever is the easier). Place chocolate in very large cauldron and melt over red-hot furnace. When melted, lower the heat slightly so as not to burn the chocolate, but keep it boiling. Now add the following, in precisely the order given, stirring well all the time and allowing each item to dissolve before adding the next: THE HOOF OF A MANTICORE THE TRUNK (AND THE SUITCASE) OF AN ELEPHANT THE YOLKS OF THREE EGGS FROM A WHIFFLE-BIRD A WART FROM A WART-HOG THE HORN OF A COW (IT MUST BE A LOUD HORN) THE FRONT TAIL OF A COCKATRICE SIX OUNCES OF SPRUNGE FROM A YOUNG SLIMESCRAPER TWO HAIRS (AND ONE RABBIT) FROM THE HEAD OF A HIPPOCAMPUS THE BEAK OF A RED-BREASTED WILBATROSS A CORN FROM THE TOE OF A UNICORN THE FOUR TENTACLES OF A QUADROPUS THE HIP (AND THE PO AND THE POT) OF A HIPPOPOTAMUS THE SNOUT OF A PROGHOPPER A MOLE FROM A MOLE THE HIDE (AND THE SEEK) OF A SPOTTED WHANGDOODLE THE WHITES OF TWELVE EGGS FROM A TREE-SQUEAK THE THREE FEET OF A SNOZZ-WANGER (IF YOU CAN’T GET THREE FEET, ONE YARD WILL DO) THE SQUARE-ROOT OF A SOUTH AMERICAN ABACUS THE FANGS OF A VIPER (IT MUST BE A VINDSCREEN VIPER) THE CHEST (AND THE DRAWERS) OF A WILD GROUT When all the above are thoroughly dissolved, boil for a further twenty-seven days but do not stir. At the end of this time, all liquid will have evaporated and there will be left in the bottom of the cauldron only a hard brown lump about the size of a football. Break this open with a hammer and in the very centre of it you will find a small round pill. This pill is WONKA-VITE.
Roald Dahl (Charlie and the Great Glass Elevator (Charlie Bucket, #2))
In the silence, in the darkness of solitude, our thoughts become the monsters that torment us like little children in the night. I cannot tell myself this is a nightmare. O heaven high above me, how I wish…wish I were crazy, safe in some asylum, in a straightjacket…how I wish this were all made up like a terrible dream…all to be awoken from with the swallowing of a little red and green pill. But it is happening and no matter how hard I scratch and bite my flesh I will not wake up. Silence. Wer ist das? (The sound of breath, it takes me a minute to realize that it is mine own). Strange, but even then I do not know who that is.
Michael Szymczyk (Toilet: The Novel)
Though I thought Red (Auerbach) wasn't mean enough to (Tommy) Heinsohn it seemed he was too mean to Satch (Sanders) and (Don) Nelson. He'd yell at them for no reason at all, as a pair, and he was cruel. He used to embarrass the whole team as he jumped up and down and yell at them as though they were referees. This offended my sense of justice, and so when of my first reforms when I succeeded Red as coach was to being giving Satch and Nelson the respect they deserved. That season, unfortunately, Satch and Nelson played like ghosts at first. ... It wasn't that they were goofing up, but neither of them seemed to be there, and I couldn't put my finger on exactly what they were doing wrong, but finally I'd boil over and yell at them. Then, of course, they'd play better. For weeks I tried yelling at them only when they were guilty of something, but I didn't work. Then I tried yelling at them when they were clearly innocent; some players, like Heinsohn, could become productively engaged when wrongly accused. But that didn't help either. Then it dawned on me that it didn't matter so much why I yelled at Satch and Nelson; I just had to do it regularly, at certain intervals, the way you take vitamin pills. After only a few months as player -coach I found myself thinking, "Okay, it's 7:20. Time to yell at Satch and Nelson." Needless to say, Red became less of an ogre to me and I became more of one to the players.
Bill Russell (Second Wind)
Joe looked out of the window again. He had the feeling that outside the window there should have been hover-cars, men in trilby hats and jet packs, spider-webs of passageways spreading out of the distant tops of the towers. There should have been women in silver suits taking in a show at the tri-vids before indulging in a spot of lunch, the kind that came in three-course pills, great big subservient robots trailing behind them. Instead there was a brown man in overalls collecting rubbish with a long stick outside an adult cinema, and the cars were halted, bumper-to-bumper, beside a traffic light that seemed to be stuck permanently on red. There was a siren in the distance. There was the sound of car horns, a door slamming, someone cursing loudly in American English.
Lavie Tidhar (Osama)
Girls seemed to have it easy in comparison. They mostly stood there in blue frocks or tight jeans or frilly skirts or whatever and handed out judgement, like flocks of Caesars in lipstick, crushing my fledging ego with their precious thumbs. And just like Caesar, they never seemed to earn the right to do that, it was theirs by birth. Who had decided this? I sure was never consulted. I had no choice, forced to bury my head in a game I had never agreed to join. I resented girls for it, and that cost me dearly. It nearly crippled me for life. But the winds of power were beginning to shift now. Just as those girls were becoming women, approaching the big 30 and being overtaken by a new batch of free riders, I was starting to get noticed. Time was a great leveller, and time was here.
MT Burell
You can’t even last five minutes without flirting with me.” “Well, you’re setting me up for failure if you expect me to last five minutes around you.” I give him a once-over. “Disappointed but not surprised.” His face turns red in five seconds flat. “That’s not what I meant.” “No need to be embarrassed. You’re older now, so I get it. I’m sure with the right pills that problem can get sorted out real quick.” He takes a step closer. “I’m not embarrassed. I’m enraged.” I fake a sigh. “Male fragility at its finest.” “Lana.” One word. Four letters. A thousand sparks blasting off my skin as he clasps on to the back of my neck and drags me against his chest. Our lips hover inches apart, the heat of his minty breath hitting my face. No vodka. My fingers curl against his chest. His fingers press into the side of my throat. “I need to defend my honor.” “I’m amazed there is still something left to protect.
Lauren Asher (Final Offer (Dreamland Billionaires, #3))
Potassium Cyanide si hatari inapokuwa nje. Ni hatari inapojichanganya na asidi za tumboni ambapo hubadilika na kuwa gesi ya 'hydrogen cyanide'. Gesi ya 'hydrogen cyanide' ni miongoni mwa sumu hatari zaidi ulimwenguni. Mtu akimeza kidonge cha 'cyanide' atapata madhara makubwa. Kichwa chake kitamuuma hapohapo na atachanganyikiwa akili. Ngozi yake itakuwa nyekundu, kwa sababu damu yake itakuwa nyekundu zaidi – kutokana na kuzidi kwa oksijeni katika damu. Mwili hautakuwa na uwezo tena wa kuchukua oksijeni kutoka katika damu ili uitumie, kwa hiyo damu itazidi kuwa na oksijeni zaidi. Atapumua kwa shida. Mapafu yake yatafanya kazi vizuri lakini mwili wake hautakuwa na uwezo wa kutumia oksijeni yoyote – hivyo atadhani ana matatizo katika mfumo wake wa kupumua. Atazimia. Yaani, oksijeni haitafika kwenye ubongo. Atapata kifafa na atatapika nyongo. Ubongo wake utashindwa kufanya kazi na atakuwa mahututi ndani ya sekunde kumi! Baada ya hapo moyo wake utasimama kufanya kazi, na atafariki dunia.
Enock Maregesi
Globalization has shipped products at a faster rate than anything else; it’s moved English into schools all over the world so that now there is Dutch English and Filipino English and Japanese English. But the ideologies stay in their places. They do not spread like the swine flu, or through sexual contact. They spread through books and films and things of that nature. The dictatorships of Latin America used to ban books, they used to burn them, just like Franco did, like Pope Gregory IX and Emperor Qin Shi Huang. Now they don’t have to because the best place to hide ideologies is in books. The dictatorships are mostly gone—Brazil, Argentina, Uruguay. The military juntas. Our ideologies are not secrets. Even the Ku Klux Klan holds open meetings in Alabama like a church. None of the Communists are still in jail. You can buy Mao’s red book at the gift shop at the Museum of Communism. I will die soon, in the next five to ten years. I have not seen progress during my lifetime. Our lives are too short and disposable. If we had longer life expectancies, if we lived to 200, would we work harder to preserve life or, do you think that when Borges said, ‘Jews, Christians, and Muslims all profess belief in immortality, but the veneration paid to the first century of life is proof that they truly believe in only those hundred years, for they destine all the rest, throughout eternity, to rewarding or punishing what one did when alive,’ we would simply alter it to say ‘first two centuries’? I have heard people say we are living in a golden age, but the golden age has passed—I’ve seen it in the churches all over Latin America where the gold is like glue. The Middle Ages are called the Dark Ages but only because they are forgotten, because the past is shrouded in darkness, because as we lay one century of life on top of the next, everything that has come before seems old and dark—technological advances provide the illusion of progress. The most horrendous tortures carried out in the past are still carried out today, only today the soldiers don’t meet face to face, no one is drawn and quartered, they take a pill and silently hope a heart attack doesn’t strike them first. We are living in the age of dissociation, speaking a government-patented language of innocence—technology is neither good nor evil, neither progress nor regress, but the more advanced it becomes, the more we will define this era as the one of transparent secrets, of people living in a world of open, agile knowledge, oceans unpoliced—all blank faces, blank minds, blank computers, filled with our native programming, using electronic appliances with enough memory to store everything ever written invented at precisely the same moment we no longer have the desire to read a word of it.
John M. Keller (Abracadabrantesque)
Once upon a time I'd left Los Angeles and been swallowed down the throat of a life in which my sole loyalty was to my tongue. My belly. Myself. My mother called me selfish and so selfish I became. From nineteen to twenty-five I was a mouth, sating. For myself I made three-day braises and chose the most marbled meats, I played loose with butter and cream. My arteries were young, my life pooling before me, and I lapped, luxurious, from it. I drank, smoked, flew cheap red-eyes around Europe, I lived in thrilling shitholes, I found pills that made nights pass in a blink or expanded time to a soap bubble, floating, luminous, warm. Time seemed infinite, then. I begged famous chefs for the chance to learn from them. I entered competitions and placed in a few. I volunteered to work brunch, turn artichokes, clean the grease trap. I flung my body at all of it: the smoke and singe of the grill station, a duck's breast split open like a geode, two hundred oysters shucked in the walk-in, sex in the walk-in, drunken rides around Paris on a rickety motorcycle and no helmet, a white truffle I stole and shaved in secret over a bowl of Kraft mac n' cheese for me, just me, as my body strummed the high taut selfish song of youth. On my twenty-fifth birthday I served black-market fugu to my guests, the neurotoxin stinging sweetly on my lips as I waited to see if I would, by eating, die. At that age I believed I knew what death was: a thrill, like brushing by a friend who might become a lover.
C Pam Zhang (Land of Milk and Honey)
I picked her up and carried her down the hall to the bathroom, just a pitiful skeleton with skin stretched over the top and a great red scar across her chest. She sank onto the plastic seat we had got from the hospital and closed her eyes as I washed her, leaning her poor bald head back exhaustedly against the back of the shower cubicle. "I'll just change the sheets," I said, "I won't be a minute - would you rather sit under the water, or shall I turn it off and wrap you up in a towel ?" "Under the water," she whispered. I had to strip the bed entirely, and two of the pillows were saturated. I replaced them with pillows from my bed, and while I was at it my duvet as well. Then I propped the poor woman up against the bathroom sink to dry and dress her, picked her up and carried her back to bed. Never have I been so grateful to be, after all, a strapping wench rather than a delicate wisp of a girl. As I pulled the covers up under her chin she opened her eyes, looked at me sternly and said with nearly her old decision, "This is not the way I wish to be remembered, Josephine." "I know," I whispered, the tears spilling unchecked down my cheeks. Nurses are supposed to be bright and matter-of-fact about these things: my bracing professional manner left a lot to be desired. "I'll get you some dinner." "No," she said. "Just my pills, love." Back in the kitchen I stood for a moment in a trance of indecision, wondering where the hell to start. It didn't really matter - when you're overcome with lethargy you just have to do something. And then the next thing, and then the next, and eventually, although you'd have sworn you were far too tired and depressed to accomplish anything, you're finished. I turned on the tap about the big concrete sink by the back door and began to scrub sheets and blankets.
Danielle Hawkins (Dinner at Rose's)
it died away, Stu said: “This wasn’t on the agenda, but I wonder if we could start by singing the National Anthem. I guess you folks remember the words and the tune.” There was that ruffling, shuffling sound of people getting to their feet. Another pause as everyone waited for someone else to start. Then a girl’s sweet voice rose in the air, solo for only the first three syllables: “Oh, say can—” It was Frannie’s voice, but for a moment it seemed to Larry to be underlaid by another voice, his own, and the place was not Boulder but upstate Vermont and the day was July 4, the Republic was two hundred and fourteen years old, and Rita lay dead in the tent behind him, her mouth filled with green puke and a bottle of pills in her stiffening hand. A chill of gooseflesh passed over him and suddenly he felt that they were being watched, watched by something that could, in the words of that old song by The Who, see for miles and miles and miles. Something awful and dark and alien. For just a moment he felt an urge to run from this place, just run and never stop. This was no game they were playing here. This was serious business; killing business. Maybe worse. Then other voices joined in. “—can you see, by the dawn’s early light,” and Lucy was singing, holding his hand, crying again, and others were crying, most of them were crying, crying for what was lost and bitter, the runaway American dream, chrome-wheeled, fuel-injected, and stepping out over the line, and suddenly his memory was not of Rita, dead in the tent, but of he and his mother at Yankee Stadium—it was September 29, the Yankees were only a game and a half behind the Red Sox, and all things were still possible. There were fifty-five thousand people in the Stadium, all standing, the players in the field with their caps over their hearts, Guidry on the mound, Rickey Henderson was standing in deep left field (“—by the twilight’s last gleaming—”), and the light-standards were on in the purple gloaming, moths and night-fliers banging softly against them, and New York was around them, teeming, city of night and light. Larry joined the singing too, and when it was done and the applause rolled out once more, he was crying a bit himself. Rita was gone. Alice Underwood was gone. New York was gone. America was gone. Even if they could defeat Randall Flagg, whatever they might make would never be the same as that world of dark streets and bright dreams.
Stephen King (The Stand)
Globalization has shipped products at a faster rate than anything else; it’s moved English into schools all over the world so that now there is Dutch English and Filipino English and Japanese English. But the ideologies stay in their places. They do not spread like the swine flu, or through sexual contact. They spread through books and films and things of that nature. The dictatorships of Latin America used to ban books, they used to burn them, just like Franco did, like Pope Gregory IX and Emperor Qin Shi Huang. Now they don’t have to because the best place to hide ideologies is in books. The dictatorships are mostly gone—Brazil, Argentina, Uruguay. The military juntas. Our ideologies are not secrets. Even the Ku Klux Klan holds open meetings in Alabama like a church. None of the Communists are still in jail. You can buy Mao’s red book at the gift shop at the Museum of Communism. I will die soon, in the next five to ten years. I have not seen progress during my lifetime. Our lives are too short and disposable. If we had longer life expectancies, if we lived to 200, would we work harder to preserve life or, do you think that when Borges said, ‘Jews, Christians, and Muslims all profess belief in immortality, but the veneration paid to the first century of life is proof that they truly believe in only those hundred years, for they destine all the rest, throughout eternity, to rewarding or punishing what one did when alive,’ we would simply alter it to say ‘first two centuries’? I have heard people say we are living in a golden age, but the golden age has passed—I’ve seen it in the churches all over Latin America where the gold is like glue. The Middle Ages are called the Dark Ages but only because they are forgotten, because the past is shrouded in darkness, because as we lay one century of life on top of the next, everything that has come before seems old and dark—technological advances provide the illusion of progress. The most horrendous tortures carried out in the past are still carried out today, only today the soldiers don’t meet face to face, no one is drawn and quartered, they take a pill and silently hope a heart attack doesn’t strike them first. We are living in the age of dissociation, speaking a government-patented language of innocence—technology is neither good nor evil, neither progress nor regress, but the more advanced it becomes, the more we will define this era as the one of transparent secrets, of people living in a world of open, agile knowledge, oceans unpoliced—all blank faces, blank minds, blank computers, filled with our native programming, using electronic appliances with enough memory to store everything ever written invented at precisely the same moment we no longer have the desire to read a word of it.” ― John M. Keller, Abracadabrantesque
John M. Keller
February 2009 January 4. January 4. January 4. I rubbed the paper on my red calendar. I cried into the little box, into the last day we had sex. I was a tornado. I puked hurricanes. I was Jodi Arias. There were no more tears for him. Swirling eddies of vodka, pills, fattening food, and tears. Vortexes corralled other vortexes. They joined forces with the eyes of other storms far out into the Gulf, and Atlantic, and castrated my heart first, then everything below the neck. Fuck the heart; my brain was mauled into mush. He didn’t have a heart—and possibly, neither did I. The heart had nothing to do with a whirlpool of circles and left and rights I navigated.
Christy Heron (Unrequited - One Girl, Thirteen Boyfriends, and Vodka.)
It’s just so easy popping a pill—the quickest route to Sleepy Land. And now I won’t be able to.
Laurie Faria Stolarz (Red is for Remembrance (Blue is for Nightmares, #4))
She needed water, but it would take a tsunami to avert the hangover that awaited. She needed Advil, but she feared the red pills that she popped like M&M’s at moments like this were distant. They were in the medicine bag in her own hotel room. In her own hotel.
Chris Bohjalian (The Flight Attendant)
You take the blue pill—the story ends, you wake up in your bed and believe whatever you want to believe. You take the red pill—you stay in Wonderland, and I show you how deep the rabbit hole goes.
Morpheus, The Matrix
Claire joined her, absently watching a lone squirrel hop across the decking and drink saline water from the pool. Asking what to do next was a loaded question, because what it all boiled down to was whether or not Claire wanted to know more. This was past red pill/blue pill. This was skinning the proverbial onion.
Karin Slaughter (Pretty Girls)
The Emanuels described a third type of doctor-patient relationship, which they called “interpretive.” Here the doctor’s role is to help patients determine what they want. Interpretive doctors ask, “What is most important to you? What are your worries?” Then, when they know your answers, they tell you about the red pill and the blue pill and which one would most help you achieve your priorities.
Atul Gawande (Being Mortal: Medicine and What Matters in the End)
Red Pill writers...have appropriated the texts and history of ancient Greece and Rome to bolster their most abhorrent ideas: that all women are deceitful and degenerate; that white men are by nature more rational than (and therefore superior to) everyone else; that women's sexual boundaries exist to be manipulated and crossed; and, finally, that society as a whole would benefit if men were given the responsibility for making all decisions for women, particularly over their sexual and reproductive choices.
Donna Zuckerberg (Not All Dead White Men: Classics and Misogyny in the Digital Age)
The choice between Blue Pill marketing and Red Pill marketing is ultimately a choice between complacency and growth.
Simba Mudonzvo (Simba's Content Matrix (Simba's Teach Yourself Digital Marketing))
As a GP and former parliamentarian, [Former Australian Greens Leader Bob Brown]'s seen the costs of trying to artificially bring on that most basic of human functions. Brown was famously on duty at London's St Mary Abbot's Hospital on 18 September 1970 when Jimi Hendrix, aged twenty-seven, was brought in having died in his sleep after a cocktail of red wine and sleeping pills.
Fleur Anderson (On Sleep)
Red pill or blue pill you can’t have both so you may as well choose which one is gonna be more beneficial for you in the long run when it comes to money think about this I’m not usually a money person. usually money is not that important but in this case yes it is when it’s dealing with things you both want so red pill or blue pill
Elena Melanson
Girls seemed to have it easy in comparison. They mostly stood there in blue frocks or tight jeans or frilly skirts or whatever and handed out judgement, like flocks of Caesars in lipstick, crushing my fledging ego with their precious thumbs. And just like Caesar, they never seemed to earn the right to do that, it was theirs by birth. Who had decided this? I sure was never consulted. I had no choice, forced to bury my head in a game I had never agreed to join. I resented girls for it, and that cost me dearly. It nearly crippled me for life. But the winds of power were beginning to shift now. Just as those girls were becoming women, approaching the big 30 and being overtaken by a new batch of free riders, I was starting to get noticed. Time was a great leveller, and time was here.
M.T Burell
Je me souviens avoir dit quelque chose à propos de la tyrannie de l’utilité et quelque chose d’autre à propos de la pression impitoyable de l’instinct de conservation.
Hari Kunzru (Red Pill)
Le refus a un sens quand il est mené en masse, mais la plupart des gens préfèrent se rapprocher de quiconque possède une parcelle de pouvoir, et rien n'est plus terrifiant que de rester en première quand la foule reflue derrière vous
Hari Kunzru (Red Pill)
Don’t be fooled," she said, "there are some dark souls behind those bright smiles!” And then she laughed, and I couldn’t help thinking that she was laughing at my naivety.
M.T Burell (Striven)
A Sad Child You're sad because you're sad. It's psychic. It's the age. It's chemical. Go see a shrink or take a pill, or hug your sadness like an eyeless doll you need to sleep. Well, all children are sad but some get over it. Count your blessings. Better than that, buy a hat. Buy a coat or pet. Take up dancing to forget. Forget what? Your sadness, your shadow, whatever it was that was done to you the day of the lawn party when you came inside flushed with the sun, your mouth sulky with sugar, in your new dress with the ribbon and the ice-cream smear, and said to yourself in the bathroom, I am not the favorite child. My darling, when it comes right down to it and the light fails and the fog rolls in and you're trapped in your overturned body under a blanket or burning car, and the red flame is seeping out of you and igniting the tarmac beside your head or else the floor, or else the pillow, none of us is; or else we all are.
Margaret Atwood (Eating Fire : Selected Poetry, 1965-95)