“
Black for hunting through the night
For death and mourning the color's white
Gold for a bride in her wedding gown
And red to call the enchantment down
White silk when our bodies burn
Blue banners when the lost return
Flame for the birth of a Nephilim
And to wash away our sins.
Gray for the knowledge best untold
Bone for those who don't grow old
Saffron lights the victory march
Green to mend our broken hearts
Silver for the demon towers
And bronze to summon wicked powers
-Shadowhunter children's rhyme
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Black for hunting through the night
For death and sorrow, the color’s white
Gold for a bride in her wedding gown,
And red to call enchantment down.
”
”
Cassandra Clare
“
Celaena." She looked back at him, her red gown sweeping around her. His eyes shone as he flashed her a crooked grin. "I missed you this summer."
She met his stare unflinchingly, returning the smile as she said, "I hate to admit it, Sam Cortland, but I missed your sorry ass, too.
”
”
Sarah J. Maas (The Assassin and the Empire (Throne of Glass, #0.5))
“
It hurts so much, she thought. Our children, Ned, all our sweet babes. Rickon, Bran, Arya, Sansa, Robb… Robb… please, Ned, please, make it stop, make it stop hurting… The white tears and the red ones ran together until her face was torn and tattered, the face that Ned had loved. Catelyn Stark raised her hands and watched the blood run down her long fingers, over her wrists, beneath the sleeves of her gown. Slow red worms crawled along her arms and under her clothes. It tickles. That made her laugh until she screamed. “Mad,” someone said, “she’s lost her wits,” and someone else said, “Make an end,” and a hand grabbed her scalp just as she’d done with Jinglebell, and she thought, No, don’t, don’t cut my hair, Ned loves my hair. Then the steel was at her throat, and its bite was red and cold.— Catelyn Stark
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
Puck and Ironhorse each grabbed a rope and began drawing the platform up the side of the building. The dark, mirrored walls reflected a strange party back at us: a cat, two elf-boys, a girl in a slightly tattered gown, and a monstrous black man with glowing red eyes. I contemplated how strange my life had become, but was interrupted by a soft hiss overhead.
”
”
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
“
Regardless, you ask why I
did not greet you. Well, let us assume that I had acted as you suggest I
should. Upon your approach, you would have had me gush over you?”
“Naturally.”
“You would have me point out how stunning you appear in that gown?”
“I wouldn’t complain.”
“Mention how your dazzling eyes glisten in the fireworks like burning
embers?”
“That would be nice.”
“Expound on how your lips are so perfectly red that they could leave any
man breathless with wonder, yet drive him compose the most brilliant of
poetry each time he recalled the moment?”
“I’d be flattered for certain.”
“And you claim you want these reactions from me?”
“I do.”
“Well blast it, woman,” Lightsong said, picking up his cup. “If I’m
stunned, dazzled, and breathless, then how the hell am I supposed to greet
you? By definition, won’t I be struck dumb?”
She laughed. “Well, then, you’ve obviously found your tongue now.”
“Surprisingly, it was in my mouth,” he said. “I always forget to check
there.
”
”
Brandon Sanderson (Warbreaker)
“
Courage is the thing. All goes if courage goes."
[The Rectorial Address Delivered by James M. Barrie at St. Andrew's University May 3, 1922, to the Red Gowns of St. Andrews, Canada, 1922]
”
”
J.M. Barrie
“
Belize: Hell or heaven?
[Roy indicates "Heaven" through a glance]
Belize: Like San Francisco.
Roy Cohn: A city. Good. I was worried... it'd be a garden. I hate that shit.
Belize: Mmmm. Big city. Overgrown with weeds, but flowering weeds. On every corner a wrecking crew and something new and crooked going up catty corner to that. Windows missing in every edifice like broken teeth, fierce gusts of gritty wind, and a gray high sky full of ravens.
Roy Cohn: Isaiah.
Belize: Prophet birds, Roy. Piles of trash, but lapidary like rubies and obsidian, and diamond-colored cowspit streamers in the wind. And voting booths.
Roy Cohn: And a dragon atop a golden horde.
Belize: And everyone in Balencia gowns with red corsages, and big dance palaces full of music and lights and racial impurity and gender confusion. And all the deities are creole, mulatto, brown as the mouths of rivers. Race, taste and history finally overcome. And you ain't there.
Roy Cohn: And Heaven?
Belize: That was Heaven, Roy.
”
”
Tony Kushner (Angels in America)
“
Let me guess, Jessie. You ran across some poor woman in the park who had the misfortune of wearing a gown that clashed with yours, so you slit her throat with that clever little parasol of yours. Do I have it right?”
Jessamine bared her teeth at him. “You’re being ridiculous.”
“You are, you know,” Charlotte told him.
“I mean, I’m wearing blue. Blue goes with everything,” Jessamine went on. “Which, really, you ought to know. You’re vain enough about your own clothes.”
“Blue does not go with everything,” Will told her. “It does not go with red, for instance.”
“I have a red and blue striped waistcoat,” Henry interjected, reaching for the peas.
“And if that isn’t proof that those two colors should never be seen together under Heaven, I don’t know what is.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
Thankfully,two old friends stood next to the throne. Horus wore full battle armor and a khopesh sword at his side.is kohl-lined eyes-one gold, one silver-were as piercing as ever. At his side stood Isis in a shimmering white gown, with wings of light.
"Welcome," Horus said.
"Um, hi," I said.
"He has a way with words," Isis muttered, which made Sadie snort.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
Afraid she and I had a summer romance?" That insufferable grin was still there.
"I hope you did. I certainly enjoyed myself this summer."
The smile faded at that. "What do you mean?"
She brushed an invisible fleck of dust off her red gown. "Let's just say that the son of the Mute Master was far more welcoming than the other Silent Assassins.
”
”
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
“
Wearing an antique bridal gown, the beautiful queen of the vampires sits all alone in her dark, high house under the eyes of the portraits of her demented and atrocious ancestors, each one of whom, through her, projects a baleful posthumous existence; she counts out the Tarot cards, ceaselessly construing a constellation of possibilities as if the random fall of the cards on the red plush tablecloth before her could precipitate her from her chill, shuttered room into a country of perpetual summer and obliterate the perennial sadness of a girl who is both death and the maiden.
”
”
Angela Carter (The Bloody Chamber and Other Stories)
“
You'll want all your strength for the wedding night."
I cannot think why I should need strength," she said, ignoring a host of spine-tingling images rising in her mind's eye. "All I have to do is lie there."
"Naked," he said grimly.
"Truly?" She shot him a glance from under her lashes. "Well, if I must, I must, for you have the advantage of experience in these matters. Still, I do wish you'd told me sooner. I should not have put the modiste to so much trouble about the negligee."
"The what?"
"It was ghastly expensive," she said, "but the silk is as fine as gossamer, and the eyelet work about the neckline is exquisite. Aunt Louisa was horrified. She said only Cyprians wear such things, and it leaves nothing to the imagination."
Jessica heard him suck in his breath, felt the muscular thigh tense against hers.
"But if it were left to Aunt Louisa," she went on,"I should be covered from my chin to my toes in thick cotton ruffled with monstrosities with little bows and rosebuds. Which is absurd, when an evening gown reveals far more, not to mention--"
"What color?" he asked. His low voice had roughened.
"Wine red," she said, "With narrow black ribbons threaded through the neckline. Here." She traced a plunging U over her bosom. "And there's the loveliest openwork over my...well, here." She drew her finger over the curve of her breast a bare inch above the nipple. "And openwork on the right side of the skirt. From here" --she pointed to her hip--"down to the hem. And I bought---"
"Jess." Her name was a strangled whisper.
"--slippers to match," she continued." Black mules with--"
"Jess." In one furious flurry of motion he threw down the reins and hauled her into his lap.
”
”
Loretta Chase (Lord of Scoundrels (Scoundrels, #3))
“
Yes, and I suppose she wore a red gown for her meeting with the Saint. I suppose she was as clean as a licked kitten and smelled of rosemary.” When Kit grimaced, Melaugo said, “You have not seen death, my lord. You have only seen the mask we put on it.
”
”
Samantha Shannon (The Priory of the Orange Tree (The Roots of Chaos, #1))
“
A radiant girl with red hair caught Charlotte's eye. She was dressed in a gorgeous embroidered, jewel-encrusted gown and Elizabethan headdress. In her hand she held a book. She smiled sweetly at Jane, and reached for the man beside her, who, to Charlotte's total astonishment, suddenly turned into a horse.
”
”
Cynthia Hand (My Plain Jane (The Lady Janies, #2))
“
You know, when you go to Oxford to get a degree in English literature, as I have, people always want to know who your favorite English author is. The press team compiled a list of acceptable answers. [...] In the end they picked Dickens, which is hilarious. They wanted something less fruity than the truth, but truly, what is gayer than a woman who languishes away in a crumbling mansion wearing her wedding gown every day of her life, for the drama?
”
”
Casey McQuiston (Red, White & Royal Blue)
“
TO HIS HEART, BIIDING IT HAVE NO FEAR
Be you still, be you still, trembling heart;
Remember the wisdom out of the old days:
Him who trembles before the flame and the flood,
And the winds that blow through the starry ways,
Let the starry winds and the flame and the flood
Cover over and hide, for he has no part
With the lonely, majestical multitude.
THE CAP AND THE BELLS
The jester walked in the garden:
The garden had fallen still;
He bade his soul rise upward
And stand on her window-sill.
It rose in a straight blue garment,
When owls began to call:
It had grown wise-tongued by thinking
Of a quiet and light footfall;
But the young queen would not listen;
She rose in her pale night-gown;
She drew in the heavy casement
And pushed the latches down.
He bade his heart go to her,
When the owls called out no more;
In a red and quivering garment
It sang to her through the door.
It had grown sweet-tongued by dreaming
Of a flutter of flower-like hair;
But she took up her fan from the table
And waved it off on the air.
'I have cap and bells,' he pondered,
'I will send them to her and die';
And when the morning whitened
He left them where she went by.
She laid them upon her bosom,
Under a cloud of her hair,
And her red lips sang them a love-song
Till stars grew out of the air.
She opened her door and her window,
And the heart and the soul came through,
To her right hand came the red one,
To her left hand came the blue.
They set up a noise like crickets,
A chattering wise and sweet,
And her hair was a folded flower
And the quiet of love in her feet.
”
”
W.B. Yeats (The Wind Among the Reeds)
“
Seriously hot, seriously dangerous man with a tiny, adorable baby in his arms, both of them fascinated with one another?” Uncaring of her stunning ankle-length gown in poppy red, Brenna fell dramatically onto the ground, arms flung out. “Dead.” Pushing up onto her elbows, she said, “Especially since it’s my hot man holding a baby.
”
”
Nalini Singh (Allegiance of Honor (Psy-Changeling, #15))
“
This womens skin is shimmering and pale, her long black hair is tied with dozens of silver ribbons that fall over her shoulders. Her gown is white, covered in what to Bailey looks like looping black embroidery, but as he walks closer he sees that the black marks are actually words written across the fabric. When he is near enough to read parts of the gown, he realizes that they are love letters, inscribed in handwritten text. Words of desire and longing wrapping around her waist, flowing down the train of her gown as it spills over the platform.
The statue herself is still, but her hand is held out and only then does Bailey notice the young woman with a red scarf standing in front of her, offering the love letter-clad statue a sungle crimson rose.
The movement is so subtle that it is almost undetectable, but slowly, very, very slowly, the statue reaches to accept the rose.
Her fingers open, and the young woman with the rose waits patiently as the statue gradually closes her hand around the stem, releasing it only when it is secure.
....The statue is lifting the rose, gradually, to her face. Her eye lids slowly close.
”
”
Erin Morgenstern (The Night Circus)
“
There’s a distinct bitter aftertaste of Lady’s Gown in the tea, and I welcome it. Anything to sleep without dreaming.
”
”
Cat Hellisen (When the Sea Is Rising Red (Hobverse #1))
“
...you’d best warn them to bring an extra pair of balls , because I’ll be ripping off the first and wearing them for earrings...the red should complement my gown nicely.
”
”
Jay Kristoff (Godsgrave (The Nevernight Chronicle, #2))
“
My dreams were always the same I could see myself laughing . I was standing somewhere in a forest a raindrop rolled down a branch and fell on my nose . My hair was a sparkling red color and I was wearing a white flowing ball gown made from silk. I could feel him the one I loved staring at me intensely . His eyes as gold as the sun . I could hear him saying my love Fleur .. you are everything to me. His fingertips lightly shivering as he touched my face beckoning for me to come closer. I don't know what I would do if I lost you . "Are you sure you want to be with me?" My body protested as I fought for him to stay but he never did. As soon as I woke up his presence was gone.
”
”
Isabella Kruger (Afterlife (A Discovery of Vampires, #1))
“
The door of the jail being flung open, the young woman stood fully revealed before the crowd. It seemed to be her first impulse to clasp the infant closely to her bosom that she might conceal a certain token which was wrought or fastened to her dress. In a moment, however, wisely judging that one token of her shame would but poorly serve to hide another, she took the baby on her arm, and, with a burning blush and yet a haughty smile, looked around at her townspeople and neighbors. On the breast of her gown, in fine red cloth, surrounded with an elaborate embroidery and fantastic flourishes of gold thread, appeared the letter A.
”
”
Nathaniel Hawthorne (The Scarlet Letter)
“
She'd assumed she'd be married and have kids by this age, that she would be grooming her own daughter for this, as her friends were doing. She wanted it so much she would dream about it sometimes, and then she would wake up with the skin at her wrists and neck red from the scratchy lace of the wedding gown she'd dreamed of wearing. But she'd never felt anything for the men she'd dated, nothing beyond her own desperation. And her desire to marry wasn't strong enough, would never be strong enough, to allow her to marry a man she didn't love.
”
”
Sarah Addison Allen (The Peach Keeper)
“
I noticed her red dressing gown was monogramed with the initials WF. I wondered what life a person must lead in order for them to need to identify their dressing gown from others with such regularity that monograming would seem a wise choice.
”
”
Marianne Cronin (The One Hundred Years of Lenni and Margot)
“
All, Pyle? Wait until you're afraid of living ten years alone with no companion and a nursing home at the end of it. THen you'll start running in any direction, even away from that girl in the red dressing-gown, to find someone, anyone, who last until you are through.
”
”
Graham Greene
“
And then he began to laugh in a peculiar way of his own which was both violent and soundless. His heavy reclining body, draped in its black gown, heaved to and fro. His knees drew themselves up to his chin. His arms dangled over the sides of the chair and were helpless. His head rolled from side to side. It was as though he were in the last stages of strychnine poisoning. But no sound came, nor did his mouth even open. Gradually the spasm grew weaker, and when the natural sand colour of his face had returned (for his corked-up laughter had turned it dark red) he began his smoking again in earnest.
”
”
Mervyn Peake (Gormenghast (Gormenghast, #2))
“
The day might come when I would just take into my head to pass her haughtily by without glancing once towards her. Ay, it might happen that I would venture to do this, even if she were to gaze straight into my eyes, and have a blood-red gown on into the bargain.
”
”
Knut Hamsun (Hunger)
“
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked.
It took every particle of his will to keep his voice controlled. “Not particularly.”
“I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.”
Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—”
Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth.
Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.”
Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—”
“You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.”
Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him.
He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.”
“I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him.
“Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.”
Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.”
“Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Disillusionment of Ten O'Clock"
The houses are haunted
By white night-gowns.
None are green,
Or purple with green rings,
Or green with yellow rings,
Or yellow with blue rings.
None of them are strange,
With socks of lace
And beaded ceintures.
People are not going
To dream of baboons and periwinkles.
Only, here and there, an old sailor,
Drunk and asleep in his boots,
Catches tigers
In red weather.
”
”
Wallace Stevens (Harmonium)
“
Violet
232 books | 49 friends
see comment history Black for hunting through the night
For death and mourning the color’s white
Gold for a bride in her wedding gown
And red to call enchantment down.
White silk when our bodies burn,
Blue banners when the lost return.
Flame for the birth of a Nephilim,
And to wash away our sins.
Gray for knowledge best untold,
Bone for those who don’t grow old.
Saffron lights the victory march,
Green will mend our broken hearts.
Silver for the demon towers,
And bronze to summon wicked powers.
”
”
Cassandra Clare
“
She was beautiful, only hers was the dark beauty of night, just as Sherry's was the bright beauty of daytime. Her hair was raven-black, ending in a sort of widow's peak low on her forehead, and her face and arms were alabaster- white. Her gown was a clinging thing of swirling black, almost like smoke, and two peculiar shoulder-draperies she wore, hanging down loosely and caught at the wrists, almost suggested great triangular wings when her arms were in motion.
Her lips were a red gash in the pallor of her face, and they glistened as though she had daubed them with fresh blood instead of rouge.
"What's your name?" I asked.
"Call me Faustine," she said low. I saw her staring fixedly at me, with a sort of half-smile on her face, but her gaze rested a little lower than my own face. I fingered my neck uneasily. "Is there something on my collar?"
("Vampire's Honeymoon")
”
”
Cornell Woolrich (Vampire's Honeymoon)
“
She wore a loose-fitting purple velvet Pre-Raphaelite gown, and her abundant dark-brown hair flowed down her back and shoulders to her waist. As she drew near, I noticed her warm brown eyes peeping at me beneath lush, un-plucked brows, her smiling red lips and smooth, un-powdered cheeks almost begging for kisses. She possessed a beauty much different from Daisy, more like a wildflower in the unspoiled earth than a prize-winning rose in a formal garden. However, her Pre-Raphaelite fashion might have been an affectation of a different kind, a bit closer to nature but a stylish imitation just the same.
”
”
Gary Inbinder (The Flower to the Painter)
“
Milady,” she said quietly, “I hardly recognize ye.” Holly's smile wavered, and she took a deep breath. “Is that a good thing or a bad thing, Maude? What would my husband have said, if he had ever seen me like this?” “I think Master George would have loved to see ye in that red gown,” Maude replied thoughtfully. “He was a man, after all.
”
”
Lisa Kleypas (Where Dreams Begin)
“
Reera did not keep them in misery more than a few seconds, for she touched each one with her right hand and instantly the fishes were transformed into three tall and slender young women, with fine, intelligent faces and clothed in handsome, clinging gowns. The one who had been a goldfish had beautiful golden hair and blue eyes and was exceedingly fair of skin; the one who had been a bronzefish had dark brown hair and clear gray eyes and her complexion matched these lovely features. The one who had been a silverfish had snow-white hair of the finest texture and deep brown eyes. The hair contrasted exquisitely with her pink cheeks and ruby-red lips, nor did it make her look a day older than her two companions.
”
”
L. Frank Baum (Glinda of Oz (Illustrated))
“
but truly, what is gayer than a woman who languishes away in a crumbling mansion wearing her wedding gown every day of her life, for the drama?
”
”
Casey McQuiston (Red, White & Royal Blue)
“
When the maids pinch and pull me into a gown, I feel like a corpse being dressed for her funeral.
”
”
Victoria Aveyard (Red Queen (Red Queen, #1))
“
Fifteen minutes later, after suffering through tight leather leggings, a draping gown, and other strange, impractical clothes, we settle on the plainest thing I can find in the closet of wonders.
”
”
Victoria Aveyard (Red Queen (Red Queen, #1))
“
A girl who never smiles has such power—what men will do to turn up but one corner of her mouth! She already wears her red war-gown and her circlet of cinnabar poppies. They bring out the color in her grimace.
”
”
Catherynne M. Valente (The Lily and the Horn)
“
Wild Peaches"
When the world turns completely upside down
You say we’ll emigrate to the Eastern Shore
Aboard a river-boat from Baltimore;
We’ll live among wild peach trees, miles from town,
You’ll wear a coonskin cap, and I a gown
Homespun, dyed butternut’s dark gold color.
Lost, like your lotus-eating ancestor,
We’ll swim in milk and honey till we drown.
The winter will be short, the summer long,
The autumn amber-hued, sunny and hot,
Tasting of cider and of scuppernong;
All seasons sweet, but autumn best of all.
The squirrels in their silver fur will fall
Like falling leaves, like fruit, before your shot.
2
The autumn frosts will lie upon the grass
Like bloom on grapes of purple-brown and gold.
The misted early mornings will be cold;
The little puddles will be roofed with glass.
The sun, which burns from copper into brass,
Melts these at noon, and makes the boys unfold
Their knitted mufflers; full as they can hold
Fat pockets dribble chestnuts as they pass.
Peaches grow wild, and pigs can live in clover;
A barrel of salted herrings lasts a year;
The spring begins before the winter’s over.
By February you may find the skins
Of garter snakes and water moccasins
Dwindled and harsh, dead-white and cloudy-clear.
3
When April pours the colors of a shell
Upon the hills, when every little creek
Is shot with silver from the Chesapeake
In shoals new-minted by the ocean swell,
When strawberries go begging, and the sleek
Blue plums lie open to the blackbird’s beak,
We shall live well — we shall live very well.
The months between the cherries and the peaches
Are brimming cornucopias which spill
Fruits red and purple, sombre-bloomed and black;
Then, down rich fields and frosty river beaches
We’ll trample bright persimmons, while you kill
Bronze partridge, speckled quail, and canvasback.
4
Down to the Puritan marrow of my bones
There’s something in this richness that I hate.
I love the look, austere, immaculate,
Of landscapes drawn in pearly monotones.
There’s something in my very blood that owns
Bare hills, cold silver on a sky of slate,
A thread of water, churned to milky spate
Streaming through slanted pastures fenced with stones.
I love those skies, thin blue or snowy gray,
Those fields sparse-planted, rendering meagre sheaves;
That spring, briefer than apple-blossom’s breath,
Summer, so much too beautiful to stay,
Swift autumn, like a bonfire of leaves,
And sleepy winter, like the sleep of death.
”
”
Elinor Wylie
“
You don't have books?!' Rose almost sat up and banged her head on the roof rafters. That made the rats jump. 'How can you live without reading?'
'Pretty well so far.' I laughed. 'Stories are just made-up stuff anyway.'
'Says who? I think they're a different way of telling the truth.' Then, 'Seriously - no books? Oh, Ella, you have no idea what you've been missing! Stories are food and drink and life...I mean, haven't you heard the story about a girl who made a gown out of starlight?'
'A gown out of starlight? How could you even do that...?'
'Well,' said Rose. 'Once upon a time...'
And that was that. No sleep for me till Rose wrapped up with a triumphant The End.
”
”
Lucy Adlington (The Red Ribbon)
“
Nuit Blanche"
A music coaxed from humming strings would please;
Not plucked, but drawn in creeping cadences
Across a sunset wall where some Marquise
Picks a pale rose amid strange silences.
Ghostly and vaporous her gown sweeps by
The twilight dusking wall, I hear her feet
Delaying on the gravel, and a sigh,
Briefly permitted, touches the air like sleet
And it is dark, I hear her feet no more.
A red moon leers beyond the lily-tank.
A drunken moon ogling a sycamore,
Running long fingers down its shining flank.
A lurching moon, as nimble as a clown,
Cuddling the flowers and trees which burn like glass.
Red, kissing lips, I feel you on my gown—
Kiss me, red lips, and then pass—pass.
Music, you are pitiless to-night.
And I so old, so cold, so languorously white.
”
”
Amy Lowell (The Complete Poetical Works of Amy Lowell)
“
Theo shook out the half square of heavy silk. "It will make all the difference to this insipid gown." With one sharp wrench she pulled out the lace fichu tucked into her bodice and replaced it with the scarf. It flashed raspberry red against the almond-colored muslin of her gown.
”
”
Eloisa James (The Ugly Duchess (Fairy Tales, #4))
“
Before his death your father begged a promise from me. He made me swear that I would look after you and your mother.”
“And you have,” she insisted.
He held up his hand to prevent her from saying more. “And made me give my word that I would never touch you in any manner other than brotherly.” Another rueful smile. “So you see, I preferred being able to pretend that I had kept my promise rather than face the truth of breaking my word.”
He broke her heart, damn him. “He made me promise not to become attached to you,” she confided, continuing with the evening’s truthful trend. “It seems Papa saw something that neither one of us did.”
“Oh, I saw it. I’ve seen it since you were eighteen years old and we danced together at some insipid ball. I don’t remember where it was, or the day of the week, but I remember that you wore a pale tea-colored gown with Belgian lace, and that you had pearls in your hair.”
She couldn’t breathe. The tilt of his lips, the bleakness of his gaze, it was all too horrible. “And you wore a red cravat,” she whispered. “I thought you looked so rakish in it.”
“I was rakish,” he admitted. “Your father knew that.
”
”
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
“
He lifted the book from the purse. The cover sported a painting of a stunning redhead in a long, pink gown who stared out the window over rolling green hills. The cover was slightly narrower than the rest of the book, and from underneath peeked out what looked to be a second cover. He turned the page and was startled at what he saw. Another full-color painting, but this one of a shirtless man smashing the heavily bosomed redhead onto a red couch. Her clothes were torn and their torsos met violently. The man’s face was savage; the woman’s head thrown back in surrender.
Sam flicked back and forth between the image of the prim, composed woman on the front cover and her ribald, passionate abandon on the inside cover.
He glanced out the window to see Ally emerge onto the street below, her head held high and her gait tight and focused as she marched away, prim and composed.
He flipped to the inside cover.
Hot damn.
”
”
Diana Holquist (How to Tame a Modern Rogue)
“
Leslie Ann was now agonizing over a full-length Flame gown that actually appeared to be burning fire covering her lush body: cool blue flames hugging her neck, red-hot flames usually covering her breasts, fluttering orange and yellow fire hips, all down along her white-hot legs to her Bunsen burner tipped high-heel shoes.
”
”
@hg47 (Daughter Moon)
“
As she reached the entrance hall, she saw Lady St. Vincent coming in from the back terrace, her cheeks wind-brightened, the hem of her gown littered with bits of leaves and grass. She looked like an untidy angel, with her lovely calm face and rippling red hair, and the playful spray of light gold freckles across her nose.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night.
Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset.
All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic.
She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic.
When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all.
The boat rocked and an actual laugh pierced the quiet.
Tella froze.
The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses.
Tella’s skin prickled; gooseflesh rose on her bare arms.
At her feet a puddle of petals formed a seductive trail of red.
Tella might not have known Legend’s true name, but she knew he favored red and roses and games.
Was this his way of toying with her? Did he know what she was up to?
The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges.
She turned the knob.
And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine.
But none of it was for Tella.
It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch.
Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian.
They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of.
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.
”
”
Stephanie Garber (Legendary (Caraval, #2))
“
Wedding Superstitions
The Bridal Gown
White - You have chosen right.
Grey - You'll go far away.
Black - You'll wish yourself back.
Red - You'll wish yourself dead.
Green - Ashamed to be seen.
Blue - You'll always be true.
Pearl - You'll live in a whirl.
Peach - A love out of reach.
Yellow - Ashamed of your fellow.
Pink - Your Spirits will sink.
The Wedding Day
Monday for health, Tuesday for wealth,
Wednesday best of all,
Thursday for losses, Friday for crosses,
Saturday for no luck at all.
The Wedding Month
Marry in May, and you'll rue the day,
Marry in Lent, you'll live to repent.
Married when the year is new,
He'll be loving, kind and true.
When February birds do mate,
You wed nor dread your fate.
If you wed when March winds blow,
Joy and sorrow both you'll know.
Marry in April when you can,
Joy for maiden and the man.
Marry in the month of May,
And you'll surely rue the day.
Marry when the June roses grow,
Over land and sea you'll go.
Those who in July do wed,
Must labour for their daily bread.
Whoever wed in August be,
Many a change is sure to see.
Marry in September's shine,
Your living will be rich and fine.
If in October you do marry,
Love will come, but riches tarry.
If you wed in bleak November,
Only joys will come, remember,
When December's snows fall fast,
Marry and true love will last.
Married in January's roar and rime,
Widowed you'll be before your prime.
Married in February's sleepy weather,
Life you'll tread in time together.
Married when March winds shrill and roar,
Your home will lie on a distant shore.
Married 'neath April's changeful skies,
A checkered path before you lies.
Married when bees o'er May blossoms flit,
Strangers around your board will sit.
Married in month of roses June,
Life will be one long honeymoon.
Married in July with flowers ablaze,
Bitter-sweet memories in after days.
Married in August's heat and drowse,
Lover and friend in your chosen spouse.
Married in September's golden glow,
Smooth and serene your life will go.
Married when leaves in October thin,
Toil and hardships for you begin.
Married in veils of November mist,
Fortune your wedding ring has kissed.
Married in days of December's cheer,
Love's star shines brighter from year to year
”
”
New Zealand Proverb
“
There is also the fact that red and gold are my colors,” he went on. “They are the colors on my family’s banners and devices, worn by all Chiavari males when they ride into battle, and worn by their ladies at tournaments or other important occasions. You can imagine my surprise when a lady wearing Chiavari colors fell into my arms inside a drafty castle in England.”
“I doubt the color of my gown was the first thing you noticed,” she teased.
“No, that was not the first thing I noticed.” His voice had gone soft with the memory. The first thing he had noticed was how right she had felt in his arms, the realization that his arms had been empty until that moment when he found what belonged there, who belonged there.
”
”
Elizabeth Elliott (The Dark Knight (Montagues, #4))
“
You can wear a variety of clothing. But you should have one designer you favor. I suggest Amano."
"Ooh," Noriko hums. "I love him."
Ichiko taps out something on her tablet and hands me photographs of his latest runway show. "I see it now. You are a small-town girl who supports the local artist. An up-and-comer like you. That's your brand." She winks at me. "Amano's pieces are flattering with a nod to classical elements, but with a certain modern flair."
Women strut down a white runway. One wears a black silk furisode with flowing kimono sleeves and a lotus flower motif. Another sports a red evening gown with a matching capelet. Another, a turquoise fitted dress with a square neckline and beaded belt. All so pretty. I like.
”
”
Emiko Jean (Tokyo Dreaming (Tokyo Ever After, #2))
“
You see de white gown she wears, richly embroidered, showing de family’s wealth and influence,” said Daphne authoritatively. “De red rose in her hair symbolizes her Spanish ancestry. De prayer book in her left hand to display de Catholic allegiance.”
“What does the dog symbolize?” Sarah asked. Daphne blinked at her for a moment.
“De dog is just a dog,” she said, finally.
”
”
Magnus Flyte (City of Dark Magic (City of Dark Magic, #1))
“
This woman's skin is shimmering and pale, her long black hair is tied with dozens of silver ribbons that fall over her shoulders. Her gown is white, covered in what to Bailey looks like looping black embroidery, but as he walks closer he sees that the black marks are actually words written across the fabric. When he is near enough to read parts of the gown, he realizes that they are love letters, inscribed in handwritten text. Words of desire and longing wrapping around her waist, flowing down the train of her gown as it spills over the platform. The statue herself is still, but her hand is held out, and only then does Bailey notice the young woman with a red scarf standing in front of her, offering the love-letter clad statue a single crimson rose.
”
”
Erin Morgenstern (The Night Circus)
“
Even in the warm faelight of the foyer, the gown glittered and gleamed like a fresh-cut jewel.
We had taken my gown from Starfall and refashioned it, adding sheer silk panels to the back shoulders, the glittering material like woven starlight as it flowed behind me in lieu of a veil or cape. If Rhysand was Night Triumphant, I was the star that only glowed thanks to his darkness, the light only visible because of him.
I scowled up the stairs. That is, if he bothered to show up on time.
My hair, Nuala had swept into an ornate, elegant arc across my head, and in front of it...
I caught Cassian glancing at me for the third time in less than a minute and demanded, 'What?'
His lips twitched at the corners. 'You just look so...'
'Here we go,' Mor muttered from where she picked at her red-tinted nails against the stair banister. Rings glinted at every knuckle, on every finger; stacks of bracelets tinkled against each other on either wrist.
'Official,' Cassian said with an incredulous look in her direction. He waved a Siphon-topped hand to me. 'Fancy.'
'Over five hundred years old,' Mor said, shaking her head sadly, 'a skilled warrior and general, famous throughout territories, and complementing ladies is still something he finds next to impossible. Remind me why we bring you on diplomatic meetings?'
Azriel, wreathed in shadows by the front door, chuckled quietly. Cassian shot him a glare. 'I don't see you spouting poetry, brother.'
Azriel crossed his arms, still smiling faintly. 'I don't need to resort to it.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
Mila held out a dress so lovely that Snow gasped. She lovingly touched the blue bodice with the cap sleeves that had red accents woven throughout and the shining yellow satin. She hadn't had anything new to wear in a very long time. She almost hesitated to put the dress on- what if she ruined it in the woods? But when else would she have a chance to wear such a fine gown? She slipped into it with glee.
”
”
Jen Calonita (Mirror, Mirror)
“
Anita Kleinman was a slight woman in her seventies. Her hair was thinning and white with a touch of pink, and was swept back from her face in unbroken waves. She wore a full-length Chinese silk gown covered with bright gold dragons on a blue background. Her fingers were tipped with long red nails and heavy with gold rings. She held out her arms in an expression of welcome and perhaps to show me the full extent of her dragons.
”
”
Frederick Weisel (Teller)
“
It was Lillian Bowman-now Lady Westcliff- dashing and radiant in a wine-red gown. Her fair complexion was lightly glazed with color from the southern Italian sun, and her black hair was caught fashionably at the nape of her neck with a beaded silk-cord net. Lillian was tall and slender, the kind of raffish girl one could envision as captaining her own pirate ship... a girl clearly made for dangerous and unconventional pursuits. Though not as romantically beautiful as Annabelle Hunt, Lillian possessed a striking, clean-featured appeal that proclaimed her Americanness even before one heard her distinctly New York accent.
Of their circle of friends, Lillian was the one that Evie felt the least close to. Lillian did not possess Annabelle's maternal softness, or Daisy's sparkling optimism... she had always intimidated Evie with her sharp tongue and prickly impatience. However, Lillian could always be counted on in times of trouble.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
In a private room down the hall, a tired but delighted Cecily was watching her husband with his brand-new son. Cecily had thought that the expression on Tate’s face at their wedding would never be duplicated. But when they placed the tiny little boy in his father’s gowned arms in the delivery room, and he saw his child for the first time, the look on his face was indescribable. Tears welled in his eyes. He’d taken the tiny little fist in his big, dark hand and smoothed over the perfect little fingers and then the tiny little face, seeking resemblances.
“Generations of our families,” he said softly, “all there, in that face.” He’d looked down at his wife with unashamedly wet eyes. “In our son’s face.”
She wiped her own tears away with a corner of the sheet and coaxed Tate’s head down so that she could do the same for him where they were, temporarily, by themselves.
Now she was cleaned up, like their baby, and drowsy as she lay on clean white sheets and watched her husband get acquainted with his firstborn. “Isn’t he beautiful?” he murmured, still awed by the child. “Next time, we have to have a little girl,” he said with a tender smile, “so that she can look like you.”
Her heart felt near to bursting as she stared up at that beloved face, above the equally beloved face of their firstborn.
“My heart is happy when I see you,” she whispered in Lakota.
He chuckled, having momentarily forgotten that he’d taught her how to say it. “Mine is equally happy when I see you,” he replied in English.
She reached out and clasped his big hand with her small one. On the table beside her was a bouquet of roses, red and crisp with a delightful soft perfume. Her eyes traced them, and she remembered the first rose he’d ever given her, when she was seventeen: a beautiful red paper rose that he’d brought her from Japan. Now the roses were real, not imitation. Just as her love for him, and his for her, had become real enough to touch.
He frowned slightly at her expression. “What is it?” he asked softly.
“I was remembering the paper rose you brought me from Japan, just after I went to live with Leta.” She shrugged and smiled self-consciously.
He smiled back. “And now you’re covered in real ones,” he discerned.
She nodded, delighted to see that he understood exactly what she was talking about. But, then, they always had seemed to read each others’ thoughts-never more than now, with the baby who was a living, breathing manifestation of their love. “Yes,” she said contentedly. “The roses are real, now.”
Outside the window, rain was coming down in torrents, silver droplets shattering on the bright green leaves of the bushes. In the room, no one noticed. The baby was sleeping and his parents were watching him, their eyes full of warm, soft dreams.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
BRIDE SONG
Too late for love, too late for joy,
Too late, too late!
You loitered on the road too long,
You trifled at the gate:
The enchanted dove upon her branch
Died without a mate;
The enchanted princess in her tower
Slept, died, behind the grate;
Her heart was starving all this while
You made it wait.
Ten years ago, five years ago,
One year ago,
Even then you had arrived in time,
Though somewhat slow;
Then you had known her living face
Which now you cannot know:
The frozen fountain would have leaped,
The buds gone on to blow,
The warm south wind would have awaked
To melt the snow.
Is she fair now as she lies?
Once she was fair;
Meet queen for any kingly king,
With gold-dust on her hair,
Now these are poppies in her locks,
White poppies she must wear;
Must wear a veil to shroud her face
And the want graven there:
Or is the hunger fed at length,
Cast off the care?
We never saw her with a smile
Or with a frown;
Her bed seemed never soft to her,
Though tossed of down;
She little heeded what she wore,
Kirtle, or wreath, or gown;
We think her white brows often ached
Beneath her crown,
Till silvery hairs showed in her locks
That used to be so brown.
We never heard her speak in haste;
Her tones were sweet,
And modulated just so much
As it was meet:
Her heart sat silent through the noise
And concourse of the street.
There was no hurry in her hands,
No hurry in her feet;
There was no bliss drew nigh to her,
That she might run to greet.
You should have wept her yesterday,
Wasting upon her bed:
But wherefore should you weep today
That she is dead?
Lo we who love weep not today,
But crown her royal head.
Let be these poppies that we strew,
Your roses are too red:
Let be these poppies, not for you
Cut down and spread.
”
”
Christina Rossetti (Poems of Christina Rossetti)
“
On this particular day her father, the vicar of a parish on the sea-swept outskirts of Lower Wessex, and a widower, was suffering from an attack of gout. After finishing her household supervision Elfride became restless, and several times left the room, ascended the staircase, and knocked at her father's chamber-door.
'Come in!' was always answered in a heart out-of-door voice from the inside.
'Papa,' she said on one occasion to the fine, red-faced, handsome man of forty, who, puffing and fizzing like a bursting bottle, lay on the bed wrapped in a dressing-gown, and every now and then enunciating, in spite of himself, about one letter of some word or words that were almost oaths; 'papa, will you not come downstairs this evening?' She spoke distinctly: he was rather deaf.
'Afraid not - eh-h-h! - very much afraid I shall not, Elfride. Piph-ph-ph! I can't bear even a handkerchief upon this deuced toe of mine, much less a stocking or slipper - piph-ph-ph! There 'tis again! No, I shan't get up till tomorrow.'
'Then I hope this London man won't come; for I don't know what I should do, papa.'
'Well, it would be awkward, certainly.'
'I should hardly think he would come today.'
'Why?'
'Because the wind blows so.'
'Wind! What ideas you have, Elfride! Who ever heard of wind stopping a man from doing his business? The idea of this toe of mine coming on so suddenly!... If he should come, you must send him up to me, I suppose, and then give him some food and put him to bed in some way. Dear me, what a nuisance all this is!'
'Must he have dinner?'
'Too heavy for a tired man at the end of a tedious journey.'
'Tea, then?'
'Not substantial enough.'
'High tea, then? There is cold fowl, rabbit-pie, some pasties, and things of that kind.'
'Yes, high tea.'
'Must I pour out his tea, papa?'
'Of course; you are the mistress of the house.'
'What! sit there all the time with a stranger, just as if I knew him, and not anybody to introduce us?'
'Nonsense, child, about introducing; you know better than that. A practical professional man, tired and hungry, who has been travelling ever since daylight this morning, will hardly be inclined to talk and air courtesies tonight. He wants food and shelter, and you must see that he has it, simply because I am suddenly laid up and cannot. There is nothing so dreadful in that, I hope? You get all kinds of stuff into your head from reading so many of those novels.
”
”
Thomas Hardy (A Pair of Blue Eyes)
“
A gentle breeze rustled through the leaves, bringing with it the scent of fresh-turned earth and lavender blossoms. Amanda drew to the side of the balcony, where she was completely concealed from view. As she leaned against the wall of the house, the rough texture of the red brick gently abraded her bare shoulders.
She had worn a pale blue, corded-silk gown with a low-cut back, and draperies of gauze that crossed over the bodice in an X pattern. The long sleeves of the gown were made of more transparent gauze, while her hands were encased in white gloves. The flash of her bare arms beneath the filmy blue silk made Amanda feel sophisticated and daring.
”
”
Lisa Kleypas (Suddenly You)
“
At the end of its eight-minute journey from the sun, light passes through the stained glass of St Matthias Church in Richmond, London, and enters the dual darkrooms of Jasper’s eyeballs. The rods and cones packing his retinas convert the light into electrical impulses that travel along optic nerves into his brain, which translates the varying wavelengths of light into ‘Virgin Mary blue’, ‘blood of Christ red’, ‘Gethsemane green’, and interprets the images as twelve disciples, each occupying a segment of the cartwheel window. Vision begins in the heart of the sun. Jasper notes that Jesus’s disciples were, essentially, hippies: long hair, gowns, stoner expressions, irregular employment, spiritual convictions, dubious sleeping arrangements and a guru.
”
”
David Mitchell (Utopia Avenue)
“
At the end of its eight-minute journey from the sun, light passes through the stained glass of St. Matthias Church in Richmond, London, and enters the dual darkrooms of Jasper’s eyeballs. The rods and cones packing his retinas convert the light into electrical impulses that travel along optic nerves into his brain, which translates the varying wavelengths of light into “Virgin Mary blue,” “blood of Christ red,” “Gethsemane green,” and interprets the images as twelve disciples, each occupying a segment of the cartwheel window. Vision begins in the heart of the sun. Jasper notes that Jesus’s disciples were, essentially, hippies: long hair, gowns, stoner expressions, irregular employment, spiritual convictions, dubious sleeping arrangements, and a guru.
”
”
David Mitchell (Utopia Avenue)
“
She laughed, a sound of pure joy, and she cried more, because that joy was a miracle.
'That's a sound I never thought to hear from you, girl,' Amren said beside her.
The delicate female was regal in a gown of light grey, diamonds at her throat and wrists, her usual black bob silvered with the starlight.
Nesta wiped away her tears, smearing the stardust upon her cheeks and not caring. For a long moment, her throat worked, trying to sort through all that sought to rise from her chest. Amren just held her stare, waiting.
Nesta fell to one knee and bowed her head. 'I am sorry.'
Amren made a sound of surprise, and Nesta knew others were watching, but she didn't care. She kept her head lowered and let the words flow from her heart. 'You gave me kindness, and respect, and your time, and I treated them like garbage. You told me the truth, and I did not want to hear it. I was jealous, and scared, and too proud to admit it. But losing your friendship is a loss I can't endure.'
Amren said nothing, and Nesta lifted her head to find the female smiling, something like wonder on her face. Amren's eyes became lined with silver, a hint of how they had once been. 'I went poking about the House when we arrived an hour ago. I saw what you did to the place.'
Nesta's brow furrowed. She hadn't changed anything.
Amren grabbed Nesta under the shoulder, hauling her up. 'The House sings. I can hear it in the stone. And when I spoke to it, it answered. Granted, it gave me a pile of romance novels by the end of it, but... you caused this House to come alive, girl.'
'I didn't do anything.'
'You Made the House,' Amren said, smiling again, a slash of red and white in the glowing dark. 'When you arrived here, what did you wish for most?'
Nesta considered, watching a few stars whiz past. 'A friend. Deep down, I wanted a friend.'
'So you Made one. Your power brought the House to life with a silent wish born from loneliness and desperate need.'
'But my power only creates terrible things. The House is good,' Nesta breathed.
'Is it?'
Nesta considered. 'The darkness in the pit of the library- it's the heart of the House.'
Amren nodded. 'And where is it now?'
'It hasn't made an appearance in weeks. But it's still there. I think it's just... being managed. Maybe it's the House's knowledge that I'm aware of it, and didn't judge it, makes it easier to keep in check.'
Amren put a hand above Nesta's heart. 'That's the key, isn't it? To know the darkness will always remain, but how you choose to face it, handle it... that's the important part. To not let it consume. To focus upon the good, the things that fill you with wonder.' She gestured to the stars zooming past. 'The struggle with that darkness is worth it, just to see such things.'
But Nesta's gaze had slid from the stars- finding a familiar face in the crowd, dancing with Mor. Laughing, his head thrown back. So beautiful she had no words for it.
Amren chuckled gently. 'And worth it for that, too.'
Nesta looked back at her friend. Amren smiled, and her face became as lovely as Cassian's, as the stars arching past. 'Welcome back to the Night Court, Nesta Archeron.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
Lady Isabeau was tall for a woman, nearly as tall as Molly, but slender where Molly was stout, with a smooth immobile face that looked as if it had been carved from ivory, pale and serene. Hob stared at her: glossy black hair bound about the brows with a broad white linen fillet and partly concealed by a veil that draped down her neck; dark eyes beneath dark brows plucked thin; unsmiling lips, full and well-shaped. There was so little expression on her face, and its beauty was so unworldly, that Hob had a moment when he thought her an apparition, or a graven figure. “Blanche comme la neige,” came to his mind, a song Molly had taught him, “belle comme le jour.” The thinnest of scars ran from her hairline down her forehead, divided her left eyebrow, and curved along her cheek to the corner of her mouth, and seemed at once to augment her beauty and to reinforce its carven stillness, as if some wright's chisel had slipped in the course of fashioning her visage. A linen band of the sort known as a barbette ran down from the fillet at her temples and passed under her chin, framing her face, and rendering her features all the more austere.
Her gown was a muted purple; heavy embroidery of red and blue circled its neckline, and it was gathered by a zone of gray silk, sewn with pearls, that circled her hips. From this belt depended a silver ring, as wide around as a big man's fist. On the ring was a bunch of black iron keys, of varying sizes: the symbol and reality of her standing as administrator of the household. As she spoke, she fiddled with the keys as though they were prayer beads; they gave off a continual muted clink, just barely audible to Hob above the rumble of voices, the thuds and thumps of plank tabletops settling onto their trestles.
”
”
Douglas Nicholas
“
Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.
”
”
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
“
The room was two-tiered,
its marble balconies filled with rams and water nymphs in fancy
dress; a kaleidoscope of colours swayed in time to the beat of
hypnotic music. A concerto of absent musicians, it played only in
her mind. The numerous chandeliers with sculptured metal frames
hung down from chains, with endless fireflies attached. At the far
end stretched a grand staircase, dressed with a plush velvet carpet
in deep cerise, and ceiling paintings edged with gold embossed
dado rails clung to the walls.
Then Eve honed in on herself and saw that she wore a crushed
white taffeta A-line gown that fit her trim figure like a glove. Her
butterfly mask with floral patterns embroidered in red and gold
silk sat against her pale skin, her reflection like that of a porcelain
doll. A matching shawl rested softly on her shoulders. Everything
was so beautiful that she almost totally lost herself in the mirror’s
reflection."
(little snippet from our book)
”
”
L. Wells
“
We look amazing," I repeated, as if I could make up for our brother's rudeness.
And we did look amazing. Käthe and I were dressed as an angel and a demon, but to my surprise, my sister had chosen to be the devil. She looked majestic in her gown of black velvet, her golden curls draped with black silk and lace, cleverly twisted together and pinned to resemble horns growing from her head. She had rouged her lips a bright red, and her blue eyes looked imperious from behind her black mask. For a moment, the image of moldering gowns on dress forms rose up in my mind, a polished bronze mirror reflecting an endless line of faded Goblin Queens. I swallowed.
The dress my sister had made for me was nearly innocent in its simplicity. Yards and yards of fine white muslin had made a floating, ethereal gown, while Käthe had somehow fashioned a brocade cape into the shape of folded angel wings, which grew from my shoulder blades and cascaded to the floor. She had braided gold into a crown about my head for a halo, and I carried a lyre to complete the picture.
”
”
S. Jae-Jones (Shadowsong (Wintersong, #2))
“
Next to my own skin, her pearls. My mistress
bids me wear them, warm them, until evening
when I'll brush her hair. At six, I place them
round her cool, white throat. All day I think of her,
resting in the Yellow Room, contemplating silk
or taffeta, which gown tonight? She fans herself
whilst I work willingly, my slow heat entering
each pearl. Slack on my neck, her rope.
She's beautiful. I dream about her
in my attic bed; picture her dancing
with tall men, puzzled by my faint, persistent scent
beneath her French perfume, her milky stones.
I dust her shoulders with a rabbit's foot,
watch the soft blush seep through her skin
like an indolent sigh. In her looking-glass
my red lips part as though I want to speak.
Full moon. Her carriage brings her home. I see
her every movement in my head.... Undressing,
taking off her jewels, her slim hand reaching
for the case, slipping naked into bed, the way
she always does.... And I lie here awake,
knowing the pearls are cooling even now
in the room where my mistress sleeps. All night
I feel their absence and I burn.
”
”
Carol Ann Duffy
“
Cursing himself, he glided his fingertips from her shoulder inward along the elegant line of her collarbone.
She responded to him with a sigh of intoxicated pleasure, arching her head back, lifting her breasts slightly as her body rose to his touch. His eyes glazed over as he realized then that she was awake enough to know what she wanted.
He leaned down at once and kissed her shoulder softly, whispering her name. "Wake to me." She touched his head in answer, draping her arm weakly over his neck.
He moved onto the bed with her, his heart pounding. He lay beside her, close enough to consume with his lips the small, heady sigh that escaped hers.
He watched the dreamy smile that curved her lips as he began caressing her with seductive reassurance, letting her get accustomed to his touch.
"That's right. You just relax," he breathed. He skimmed his palm down her arm, but at her elbow, he diverted his explorations to her slender waist. From there, he ran his hand down lower, to her hip.
She stretched a little like a pampered cat under his patient stroking. He bent his head at length and pressed a kiss to the white line of her tender neck.
He was rewarded with another enticing undulation of her body, drawing him closer. As his lips worked his way higher, Kate turned her mouth to his invitingly. She met his gaze for a fleeting instant before he kissed her; her glittering, heavy-lidded eyes teemed with feverish desire.
"Hullo there," he whispered, then he bent his head and claimed her mouth. Her low moan passed from her lips to his. Rohan answered in kind as he deepened the kiss, capturing her chin between his finger and thumb. She clutched two fistfuls of his shirt for a passing instant.
Her mouth tasted of red wine. He drank deeper. As she opened her mouth to his hungry kiss, he skimmed his fingertips down her throat to her chest. He slipped his hand into her gown and cupped her breast.
With tingling hands, he took her nipple between his finger and thumb and held it lightly as he kissed her. Her approving groan asked wordlessly for more. She touched his shoulders, arms, and chest as he moved downward over her body to indulge himself in sampling her breasts.
She made no move to stop him, no longer cold or shivering as she had been in the great hall, but panting, her skin aglow with newfound heat as he undid the bodice of her skimpy gown and bared her lovely breasts.
Closing his eyes, he took her nipple into his mouth and sucked until it swelled to glorious fullness against his tongue. The kiss went on and on, for she was even sweeter than he had already fantasized in the great hall. Now that he had her nipple in his mouth, he could not get enough of her.
But when she began to writhe hungrily beneath him, her moans climbing, he obliged her, taking his hand down slowly over her quivering stomach through her gown. She was wanton, but he stoked her fire by keeping a leisurely pace for now. He put his hand between her legs, giving her a taste of what she craved. She began rubbing restlessly against the snug hold of his hand cupping her mound.
He was rock hard, and enjoyed pleasuring her for a while further, feeling the dampness of her core permeating the thin cloth of her gown
”
”
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
“
Well, now, if we’d known we were going to have such…ah…gra…that is, illustrious company, we’d have-“
“Swept off the chairs?” Lucinda suggested acidly. “Shoveled off the floor?”
“Lucinda!” Elizabeth whispered desperately. “They didn’t know we were coming.”
“No respectable person would dwell in such a place even for a night,” she snapped, and Elizabeth watched in mingled distress and admiration as the redoubtable woman turned around and directed her attack on their unwilling host. “The responsibility for our being here is yours, whether it was a mistake or not! I shall expect you to rout your servants from their hiding places and have them bring clean linens up to us at once. I shall also expect them to have this squalor remedied by morning! It is obvious from your behavior that you are no gentleman; however, we are ladies, and we shall expect to be treated as such.”
From the corner of her eye Elizabeth had been watching Ian Thornton, who was listening to all of this, his jaw rigid, a muscle beginning to twitch dangerously in the side of his neck.
Lucinda, however, was either unaware of or unconcerned with his reaction, for, as she picked up her skirts and turned toward the stairs, she turned on Jake. “You may show us to our chambers. We wish to retire.”
“Retire!” cried Jake, thunderstruck. “But-but what about supper?” he sputtered.
“You may bring it up to us.”
Elizabeth saw the blank look on Jake’s face, and she endeavored to translate, politely, what the irate woman was saying to the startled red-haired man.
“What Miss Throckmorton-Jones means is that we’re rather exhausted from our trip and not very good company, sir, and so we prefer to dine in our rooms.”
“You will dine,” Ian Thornton said in an awful voice that made Elizabeth freeze, “on what you cook for yourself, madam. If you want clean linens, you’ll get them yourself from the cabinet. If you want clean rooms, clean them! Am I making myself clear?”
“Perfectly!” Elizabeth began furiously, but Lucinda interrupted in a voice shaking with ire: “Are you suggesting, sirrah, that we are to do the work of servants?”
Ian’s experience with the ton and with Elizabeth had given him a lively contempt for ambitious, shallow, self-indulgent young women whose single goal in life was to acquire as many gowns and jewels as possible with the least amount of effort, and he aimed his attack at Elizabeth. “I am suggesting that you look after yourself for the first time in your silly, aimless life. In return for that, I am willing to give you a roof over your head and to share our food with you until I can get you to the village. If that is too overwhelming a task for you, then my original invitation still stands: There’s the door. Use it!”
Elizabeth knew the man was irrational, and it wasn’t worth riling herself to reply to him, so she turned instead to Lucinda. “Lucinda,” she said with weary resignation, “do not upset yourself by trying to make Mr. Thornton understand that his mistake has inconvenienced us, not the other way around. You will only waste your time. A gentleman of breeding would be perfectly able to understand that he should be apologizing instead of ranting and raving. However, as I told you before we came here, Mr. Thornton is no gentleman. The simple fact is that he enjoys humiliating people, and he will continue trying to humiliate us for as long as we stand here.”
Elizabeth cast a look of well-bred disdain over Ian and said, “Good night, Mr. Thornton.” Turning, she softened her voice a little and said, “Good evening, Mr. Wiley.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Hunter filled the opening in the privacy curtains. He wore green scrubs like the doctors and nurses who had scraped me off the pavement. For a split second I mistook him for an adorable doctor who looked a lot like Hunter. I knew it was Hunter when he gaped at me with a mixture of outrage and horror, his face pale, and demanded, “What did you do?”
“Crossed the street,” I said. “Badly.” Wincing, I eased up from the gurney, putting my weight on my hand and my good hip. Only a few minutes had passed since they had brought me in, ascertained I wasn’t dying, and dumped me here. I still felt very shaky from the shock of being hit. But I didn’t want to face Hunter lying down.
In two steps he bent over me and wrapped his arms around me. He was careful not to press on my hospital gown low against my back where the road rash was, but his touch on my shoulders radiated pain to the raw parts. I winced again.
“Oh, God. I’m sorry.” He let me go but hovered over me, placing his big hands on my shoulder blades. He was so close that the air felt hot between us. “What did you hurt?”
“This is just where I skidded across the road.” I gestured behind my back and then flinched at the sting in my skin as I moved my arm.
“How far down does it go?” My back felt cold as he lifted on flap of my paper gown and looked.
I kept my head down, my red cheeks hidden. He was peering at my back where my skin was missing. What could be sexier? Even if the circumstances had been happier, I was wearing no makeup and I was sure my hair was matted from my scarf. There was no reason for my blood to heat as if we were on a date instead of a gurney.
But my body did not listen to logic when it came to Hunter. He was no examining my wound. He was captivated by the sight of my lovely and unblemished bottom. I was a novelist. I could dream, couldn’t I?
Lightly I asked, “Are you asking whether I have gravel embedded in my ass? By the grace of God, no.”
Hunter let my gown go and stood up “The doc said the car hit your hip,” he insisted. “Is it broken?”
I rolled on my side to face him. “It really hurts,” I said. “If it were broken, I think it would hurt worse.”
He nodded. “When I broke my ribs, I couldn’t breathe.”
“That’s because your ribs punctured your lung.”
He pointed at me. “True.” Then he cocked his head to one side, blond hair falling into his eyes. “I’m surprised you remember that.
”
”
Jennifer Echols (Love Story)
“
whenever two people kiss the world is born,
a drop of light with guts of transparency
the room like a fruit splits and begins to open
or burst like a star among the silences
and all laws now rat-gnawed and eaten away,
barred windows of banks and penitentiaries,
the bars of paper, and the barbed-wire fences,
the stamps and the seals, the sharp prongs and the spurs,
the one-note sermon of the bombs and wars,
the gentle scorpion in his cap and gown,
the tiger who is the president of the Society
for the Prevention of Cruelty and the Red Cross,
the pedagogical ass, and the crocodile
set up as saviour, father of his country,
the founder, the leader, the shark, the architect
of the future of us all, the hog in uniform,
and then that one, the favourite son of the Church
who can be seen brushing his black teeth
in holy water and taking evening courses
in English and democracy, the invisible
barriers, the mad and decaying masks
that are used to separate us, man from man,
and man from his own self
they are thrown down
for an enormous instant and we see darkly
our own lost unity, how vulnerable it is
to be women and men, the glory it is to be man
and share our bread and share our sun and our death,
the dark forgotten marvel of being alive;
”
”
Octavio Paz (Selected Poems)
“
She went alone to the vast room where the second-hand clothes were kept. Later, she thought it the happiest hour of her life. There were silks and brocades by the yard, and pile upon pile of hats, wigs, cloaks, and masks. After two years in wretched rags, even the linen shifts felt as soft as thistledown. She whirled from one delight to another- clutching lace, burying her nose in furs, holding flashy paste jewels next to her new-bleached skin.
Catching her reflected eye in the mirror she laughed out loud, her red mouth wide and knowing. She put aside a few carefully-chosen costumes and elbow-length mittens. Then, finally, she chose a few costumes of a particular nature: shiny satin, ebony black.
Lastly, she gathered the garments she would wear for her journey: a grass-green woolen gown and a lace cap and apron. The effect was somewhat grand for a domestic servant. Her auburn locks were pinned tightly, her figure flattered by a frilled muslin kerchief, crisscrossed in an 'X' over her breast. Pulling out a few auburn tendrils from her cap, she adjusted her bodice to show a little more flesh. Then she grew very still, and smiled slowly into the empty space before her.
"How do you do, sir," she said with a graceful curtsy. "Now, what pretty dish might you care for tonight?
”
”
Martine Bailey (A Taste for Nightshade)
“
And as he looked with this intention, he was struck anew with her great beauty. He had never seen her in such dress before and yet now it appeared as if such elegance of attire was so befitting her noble figure and lofty serenity of countenance, that she ought to go always thus apparelled. She was talking to Fanny; about what, he could not hear; but he saw his sister’s restless way of continually arranging some part of her gown, her wandering eyes, now glancing here, now there, but without any purpose in her observation; and he contrasted them uneasily with the large soft eyes that looked forth steadily at one object, as if from out their light beamed some gentle influence of repose: the curving lines of the red lips, just parted in the interest of listening to what her companion said—the head a little bent forwards, so as to make a long sweeping line from the summit, where the light caught on the glossy raven hair, to the smooth ivory tip of the shoulder; the round white arms, and taper hands, laid lightly across each other, but perfectly motionless in their pretty attitude. Mr. Thornton sighed as he took in all this with one of his sudden comprehensive glances. And then he turned his back to the young ladies, and threw himself, with an effort, but with all his heart and soul, into a conversation with Mr. Hale.
”
”
Elizabeth Gaskell (North and South)
“
Six Significant Landscapes"
I
An old man sits
In the shadow of a pine tree
In China.
He sees larkspur,
Blue and white,
At the edge of the shadow,
Move in the wind.
His beard moves in the wind.
The pine tree moves in the wind.
Thus water flows
Over weeds.
II
The night is of the colour
Of a woman's arm:
Night, the female,
Obscure,
Fragrant and supple,
Conceals herself.
A pool shines,
Like a bracelet
Shaken in a dance.
III
I measure myself
Against a tall tree.
I find that I am much taller,
For I reach right up to the sun,
With my eye;
And I reach to the shore of the sea
With my ear.
Nevertheless, I dislike
The way ants crawl
In and out of my shadow.
IV
When my dream was near the moon,
The white folds of its gown
Filled with yellow light.
The soles of its feet
Grew red.
Its hair filled
With certain blue crystallizations
From stars,
Not far off.
V
Not all the knives of the lamp-posts,
Nor the chisels of the long streets,
Nor the mallets of the domes
And high towers,
Can carve
What one star can carve,
Shining through the grape-leaves.
VI
Rationalists, wearing square hats,
Think, in square rooms,
Looking at the floor,
Looking at the ceiling.
They confine themselves
To right-angled triangles.
If they tried rhomboids,
Cones, waving lines, ellipses --
As, for example, the ellipse of the half-moon --
Rationalists would wear sombreros.
”
”
Wallace Stevens (The Collected Poems)
“
It had been years since he'd seen a woman handle a crowd of admirers so deftly- not since Lily in her gambling days. Fascinated, he wondered where the hell she had come from. He knew about all the new arrivals in London, and he'd never seen her before. She must be some diplomat's wife, or some exclusive courtesan. Her lips were red and pouting, her pale white shoulders enticingly bare above the blue velvet of her gown. She laughed frequently, tossing her head back in a way that caused her chestnut curls to dance. Like the other men present, Derek was captivated by her figure, the luscious round breasts, the tiny waist, all revealed by a well-fitted gown that was unlike the shapeless Grecian styles of the other women.
"A toast to the loveliest bosom in London!" Lord Bromley, a rakish ne'er-do-well, exclaimed. Titillated and excited, the crowd raised their glasses with a cheer. Waiters rushed to bring more liquor.
"Miss," one of them begged, "I entreat you to cast my dice for me."
"Whatever good luck I have is yours," she assured him, and shook the dice in the box so vigorously that her breasts quivered beneath their shallow covering. The temperature in the room escalated rapidly as a host of admiring sighs greeted the display. Derek decided to intervene before the crowd's mood became too highly charged. Either the vixen didn't realize the lust she was inciting, or she was doing it deliberately. Either way, he wanted to meet her.
”
”
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
“
Lillian’s lashes lowered as she let him ease her closer, his hand sliding over the length of her spine. Her breasts and waist felt swollen within the insulating grip of her corset, and she suddenly longed to be rid of it. Taking as deep a breath as the stays would allow, she became aware of a sweetly spicy scent in the air.
“What is that?” she murmured, drawing in the fragrance. “Cinnamon and wine…” Turning in the circle of his arms, she looked around the spacious bedroom, past the poster bed to the small table that had been set near the window. There was a covered silver dish on the table, from which a few traces of sweet-scented steam were still visible. Perplexed, she twisted back to look at Marcus.
“Go and find out,” he said.
Curiously Lillian went to investigate. Taking hold of the cover’s handle, which had been wrapped with a linen napkin, she lifted the lid, letting a soft burst of intoxicating fragrance into the air. Momentarily puzzled, Lillian stared at the dish, and then burst out laughing. The white porcelain dish was filled with five perfect pears, all standing on end, their skin gleaming and ruby-red from having been poached in wine. They sat in a pool of clear amber sauce that was redolent of cinnamon and honey.
“Since I couldn’t obtain a pear from a bottle for you,” came Marcus’s voice from behind her, “this was the next best alternative.”
Lillian picked up a spoon and dug into one of the melting-soft pears, lifting it to her lips with relish. The bite of warm, wine-soaked fruit seemed to dissolve in her mouth, the spiced honey sauce causing a tingle in the back of her throat. “Mmmm…” She closed her eyes in ecstasy.
Looking amused, Marcus turned her to face him. His gaze fell to the corner of her lips, where a stray drop of honey sauce glittered. Ducking his head, he kissed and licked away the sticky drop, the caress of his mouth causing a new pleasurable ache deep inside her. “Delicious,” he whispered, his lips settling more firmly, until she felt as if her blood were flowing in streams of white-hot sparks. She dared to share the taste of wine and cinnamon with him, tentatively exploring his mouth with her tongue, and his response was so encouraging that she wrapped her arms around his neck and pressed herself closer. He was delicious, the taste of his mouth clean and sweet, the feel of his lean, solid body immeasurably exciting. Her lungs expanded with shaky-hot breaths, restrained by the clench of her corset stays, and she broke the kiss with a gasp.
“I can’t breathe.”
Wordlessly Marcus turned her around and unfastened the gown. Reaching her corset, he untied the laces and loosened them with a series of expert tugs, until the stays expanded and Lillian gulped in relief. “Why did you lace so tightly?” she heard him ask.
“Because the dress wouldn’t fasten otherwise. And because, according to my mother, Englishmen prefer their women to be narrow-waisted.”
Marcus snorted as he eased her back to face him. “Englishmen prefer women to have larger waists in lieu of fainting from lack of oxygen. We’re rather practical that way.” Noticing that the sleeve of her unfastened gown had slipped over her white shoulder, he lowered his mouth to the smooth curve.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
I love this song, can you turn it up?”
I reached and turned the dial up on the Vance Joy song “Red Eye.” Adam bobbed his head to the music. At the stoplight I looked over at him. He was wearing the black beanie my brother had given him, his black Wayfarers, and the hospital gown.
I laughed.
He turned to me and smiled. “What?” he said.
“You’re cute.”
“Oh yeah? Wanna fool around?” He grinned.
I was glad that Adam couldn’t see my eyes welling up behind my sunglasses.
The car behind us honked. I hit the gas and my car lurched forward from the intersection. “How much time do we have?” I asked.
“What? Are you serious?”
“Yes, Adam, I am serious.” He was having a good day.
He reached for my phone. “We have like an hour and a half before Leah freaks out.”
I knew I was taking a big chance, but how could I say no to him? There was so much joy in him that day just because he got to go to the drive-thru at In-N-Out.
“Okay.” I glanced over at him and flattened my lips. “You better not have a seizure on me.”
“I can’t think of a better place to have a seizure. Although I can see how that wouldn’t be much fun for you.”
I laughed hysterically. “Oh man, I didn’t mean literally on me; I meant on my watch.”
“Well, Charlotte, I don’t have much control over that, but I’ll try. You know what helps?”
“What?”
“Alcohol.”
“Really?”
As we passed the Four Seasons he said, “Pull in here.”
“This is too expensive, Adam.”
“What? Are you crazy?” The energy in the car was tangible. “This may be the last time I ever go to a hotel with a girl. I’m paying. I have a ton of money. Come on, Charlotte, please?” His mood was instantly lighter than it had been in several days.
“Okay.” I did a U-turn and pulled into the driveway of the hotel.
”
”
Renee Carlino (Wish You Were Here)
“
to think “my fangs”) had been poisonous? They passed Mrs. Norris, who turned her lamplike eyes upon them and hissed faintly, but Professor McGonagall said, “Shoo!” Mrs. Norris slunk away into the shadows, and in a few minutes they had reached the stone gargoyle guarding the entrance to Dumbledore’s office. “Fizzing Whizbee,” said Professor McGonagall. The gargoyle sprang to life and leapt aside; the wall behind it split in two to reveal a stone staircase that was moving continuously upward like a spiral escalator. The three of them stepped onto the moving stairs; the wall closed behind them with a thud, and they were moving upward in tight circles until they reached the highly polished oak door with the brass knocker shaped like a griffin. Though it was now well past midnight, there were voices coming from inside the room, a positive babble of them. It sounded as though Dumbledore was entertaining at least a dozen people. Professor McGonagall rapped three times with the griffin knocker, and the voices ceased abruptly as though someone had switched them all off. The door opened of its own accord and Professor McGonagall led Harry and Ron inside. The room was in half darkness; the strange silver instruments standing on tables were silent and still rather than whirring and emitting puffs of smoke as they usually did. The portraits of old headmasters and headmistresses covering the walls were all snoozing in their frames. Behind the door, a magnificent red-and-gold bird the size of a swan dozed on its perch with its head under its wing. “Oh, it’s you, Professor McGonagall . . . and . . . ah.” Dumbledore was sitting in a high-backed chair behind his desk; he leaned forward into the pool of candlelight illuminating the papers laid out before him. He was wearing a magnificently embroidered purple-and-gold dressing gown over a snowy-white nightshirt
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
Why would you do that with me? A simple kiss was enough. What could you be thinking?"
"What indeed." He pushed a hand through his hair, more than a little offended at her accusatory tone. "I'm male. You rubbed your... femaleness all over me. I didn't think. I reacted."
"You reacted."
"Yes."
"To..." She shifted her weight from one foot to the other. "To me."
"It is a natural response. Aren't you a scientist? Then you should understand. Any red-blooded man would react to such stimulus."
She stepped back. She dipped her chin and peered at him over her spectacles. "So you find me stimulating."
"That's not what I-" He bit off the rest of that sentence. The only way to end a nonsensical conversation was to simply cease talking.
Colin drew a deep breath and squared his shoulders. He closed his eyes briefly. And then he opened them and looked at her. Really looked at her, as though for the first time. He saw thick, dark hair a man could gather by the fistful. Prim spectacles, perched on a gently sloped nose. Behind the lenses, wide-set eyes- dark and intelligent. And that mouth. That ripe, pouting, sensual mouth.
He let his gaze drift down her form. There was a wicked thrill to knowing lushness smoldered beneath that modest sprigged muslin gown. To having felt her shape, scouting and chartering her body with all the nerve endings of his own.
Their bodies had met. More than that. They'd grown acquainted.
Nothing more would come from it, of course. Colin had rules for himself, and as for her... she didn't even liked him, or pretend to. But she showed up in the middle of the night, hatching schemes that skirted the line between academic logic and reckless adventure. She started kisses she had no notion how to continue.
Taken all together, she was simply...
A surprise. A fresh, bracing gust of the unexpected, for good or ill.
"Perhaps," he said cautiously, "I do find you stimulating.
”
”
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
“
I stand on a vast grass field of many gently sloping hills. It is night, yet the sky is bright. There is no sun, but a hundred blazing blue stars, each shining in a long river of nebulous cloud. The air is warm, pleasant, fragrant with the perfume of a thousand invisible flowers. In the distance a stream of people walk toward a large vessel of some type, nestled between the hills. The ship is violet, glowing; the bright rays that stab forth from it seem to reach to the stars. Somehow I know that it is about to leave and that I am supposed to be on it. Yet, before I depart, there is something I have to discuss with Lord Krishna.
He stands beside me on the wide plain, his gold flute in his right hand, a red lotus slower in his left. His dress is simple, as is mine - long blue gowns that reach to the ground. Only he wears a single jewel around his neck - the brilliant Kaustubha gem, in which the destiny of every soul can be seen. He does not look at me but toward the vast ship, and the stars beyond. He seems to be waiting for me to speak, but for some reason I cannot remember what he said last. I only know that I am a special case. Because I do not know what to ask, I say what is most on my mind.
"When will I see you again, my Lord?"
He gestures to the vast plain, the thousands of people leaving. "The earth is a place of time and dimension. Moments here can seem like an eternity there. It all depends on your heart. When you remember me, I am there in the blink of an eye."
"Even on earth?"
He nods. "Especially there. It is a unique place. Even the gods pray to take birth there."
"Why that, my Lord?"
He smiles faintly. His smile is bewitching. It has been said, I know, that the smile of the Lord has bewildered the minds of the angels. It has bewildered mine.
"One quest always leads to another question. Some things are better to wonder about." He turns toward me finally, his long black hair blowing in the soft night breeze. The stars reflect in his black pupils; the whole universe is there. The love that flows from him is the sweetest ambrosia in all the heavens. Yet it breaks my heart to feel because I know it will soon be gone. "It is all maya," he says. "Illusion."
"Will I get lost in this illusion, my Lord?"
"Of course. It is to be expected. You will be lost for a long time.
”
”
Christopher Pike (Thirst No. 1: The Last Vampire, Black Blood, and Red Dice (Thirst, #1))
“
Hannah Winter was sixty all of a sudden, as women of sixty are. Just yesterday - or the day before, at most - she had been a bride of twenty in a wine-coloured silk wedding gown, very stiff and rich. And now here she was, all of a sudden, sixty. (...) This is the way it happened!
She was rushing along Peacock Alley to meet her daughter Marcia. Anyone who knows Chicago knows that smoke-blackened pile, the Congress Hotel; and anyone who knows the Congress Hotel has walked down that glittering white marble crypt called Peacock Alley. It is neither so glittering nor so white nor, for that matter, so prone to preen itself as it was in the hotel's palmy '90s. But it still serves as a convenient short cut on a day when Chicago's lake wind makes Michigan Boulevard a hazard, and thus Hannah Winter was using it. She was to have met Marcia at the Michigan Boulevard entrance at two, sharp. And here it was 2.07. When Marcia said two, there she was at two, waiting, lips slightly compressed. (...)
So then here it was 2.07, and Hannah Winter, rather panicky, was rushing along Peacock Alley, dodging loungers, and bell-boys, and traveling salesmen and visiting provincials and the inevitable red-faced delegates with satin badges. In her hurry and nervous apprehension she looked, as she scuttled down the narrow passage, very much like the Rabbit who was late for the Duchess's dinner. Her rubber-heeled oxfords were pounding down hard on the white marble pavement. Suddenly she saw coming swiftly toward her a woman who seemed strangely familiar - a well-dressed woman, harassed-looking, a tense frown between her eyes, and her eyes staring so that they protruded a little, as one who runs ahead of herself in her haste. Hannah had just time to note, in a flash, that the woman's smart hat was slightly askew and that, though she walked very fast, her trim ankles showed the inflexibility of age, when she saw that the woman was not going to get out of her way. Hannah Winter swerved quickly to avoid a collision. So did the other woman. Next instant Hannah Winter brought up with a crash against her own image in that long and tricky mirror which forms a broad full-length panel set in the marble wall at the north end of Peacock Alley. Passerby and the loungers on near-by red plush seats came running, but she was unhurt except for a forehead bump that remained black-and-blue for two weeks or more. The bump did not bother her, nor did the slightly amused concern of those who had come to her assistance. She stood there, her hat still askew, staring at this woman - this woman with her stiff ankles, her slightly protruding eyes, her nervous frown, her hat a little sideways - this stranger - this murderess who had just slain, ruthlessly and forever, a sallow, high-spirited girl of twenty in a wine-coloured silk wedding gown.
”
”
Edna Ferber (Gigolo)
“
First came the flower girls, pretty little lasses in summery frocks, skipping down the aisle, tossing handfuls of petals and, in one case, the basket when it was empty.
Next came the bridesmaids, Luna, strutting in her gown and heels, a challenging dare in her eyes that begged someone to make a remark about the girly getup she was forced to wear. Next came Reba and Zena, giggling and prancing, loving the attention.
This time, Leo wasn’t thrown by Teena’s appearance, nor was he fooled.
How could he have mistaken her for his Vex?
While similar outwardly, Meena’s twin lacked the same confident grin, and the way she moved, with a delicate grace, did not resemble his bold woman at all. How unlike they seemed. Until Teena tripped, flailed her arms, and took out part of a row before she could recover! Yup, they were sisters all right.
With a heavy sigh, and pink cheeks, Teena managed to walk the rest of the red carpet, high heels in hand— one of which seemed short a heel.
With all the wedding party more or less safely arrived, there was only one person of import left. However, she didn’t walk alone.
Despite his qualms, which Leo heard over the keg they’d shared the previous night, Peter appeared ready to give his daughter away.
Ready, though, didn’t mean he looked happy about it.
The seams of the suit his soon-to-be father-in-law wore strained, the rented tux not the best fit, but Leo doubted that was why he looked less than pleased.
Leo figured there were two reasons for Peter’s grumpy countenance. The first was the fact that he had to give his little girl away. The second probably had to do with the snickers and the repetition of a certain rumor, “I hear he lost an arm-wrestling bet and had to wear a tie.”
For those curious, Leo had won that wager, and thus did his new father-in-law wear the, “gods-damned-noose” around his neck. However, who cared about that sore loser when upon his arm rested a vision of beauty.
Meena’s long hair tumbled in golden waves over her shoulders, the ends curled into fat ringlets that tickled her cleavage. At her temples, ivory combs swept the sides up and away, revealing the creamy line of her neck. The strapless gown made her appear as a goddess. The bust, tight and low cut, displayed her fantastic breasts so well that Leo found himself growling. He didn’t like the appreciative eyes in the crowd. Yet, at the same time, he felt a certain pride.
His bride was beautiful, and it was only right she be admired.
From her impressive breasts, the gown cinched in before flaring out. The filmy white fabric of the skirt billowed as she walked.
He noted she wore flats. Reba’s suggestion so she wouldn’t get a heel stuck. Her gown didn’t quite touch the ground. Zena’s idea to ensure she wouldn’t trip on the hem. They’d taken all kinds of precautions to ensure her the smoothest chance of success.
She might lack the feline grace of other ladies. She might have stumbled a time or two and been kept upright only by the smooth actions of her father, but dammit, in his eyes, she was the daintiest, most beautiful sight he’d ever seen.
And she is mine.
”
”
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
“
He went straight to ‘his alley,’ and when he reached the
end of it he perceived, still on the same bench, that wellknown
couple. Only, when he approached, it certainly was
the same man; but it seemed to him that it was no longer the
same girl. The person whom he now beheld was a tall and
beautiful creature, possessed of all the most charming lines
of a woman at the precise moment when they are still combined
with all the most ingenuous graces of the child; a pure
and fugitive moment, which can be expressed only by these
two words,— ‘fifteen years.’ She had wonderful brown hair,
shaded with threads of gold, a brow that seemed made of
marble, cheeks that seemed made of rose-leaf, a pale flush,
an agitated whiteness, an exquisite mouth, whence smiles
darted like sunbeams, and words like music, a head such
as Raphael would have given to Mary, set upon a neck that
Jean Goujon would have attributed to a Venus. And, in order
that nothing might be lacking to this bewitching face,
her nose was not handsome— it was pretty; neither straight
nor curved, neither Italian nor Greek; it was the Parisian
nose, that is to say, spiritual, delicate, irregular, pure,—
which drives painters to despair, and charms poets.
When Marius passed near her, he could not see her eyes,
which were constantly lowered. He saw only her long chestnut
lashes, permeated with shadow and modesty.
This did not prevent the beautiful child from smiling as
she listened to what the white-haired old man was saying to
her, and nothing could be more fascinating than that fresh
smile, combined with those drooping eyes.
For a moment, Marius thought that she was another
daughter of the same man, a sister of the former, no doubt.
But when the invariable habit of his stroll brought him, for
the second time, near the bench, and he had examined her
attentively, he recognized her as the same. In six months the
little girl had become a young maiden; that was all. Nothing
is more frequent than this phenomenon. There is a moment
when girls blossom out in the twinkling of an eye, and become
roses all at once. One left them children but yesterday;
today, one finds them disquieting to the feelings.
This child had not only grown, she had become idealized.
As three days in April suffice to cover certain trees
with flowers, six months had sufficed to clothe her with
beauty. Her April had arrived.
One sometimes sees people, who, poor and mean, seem
to wake up, pass suddenly from indigence to luxury, indulge
in expenditures of all sorts, and become dazzling, prodigal,
magnificent, all of a sudden. That is the result of having
pocketed an income; a note fell due yesterday. The young
girl had received her quarterly income.
And then, she was no longer the school-girl with her felt
hat, her merino gown, her scholar’s shoes, and red hands;
taste had come to her with beauty; she was a well-dressed
person, clad with a sort of rich and simple elegance, and
without affectation. She wore a dress of black damask, a
cape of the same material, and a bonnet of white crape. Her
white gloves displayed the delicacy of the hand which toyed
with the carved, Chinese ivory handle of a parasol, and her
silken shoe outlined the smallness of her foot. When one
passed near her, her whole toilette exhaled a youthful and
penetrating perfume.
”
”
Hugo
“
Lord Martin."
The voice came to him from behind. He felt a great jolt in his senses.
He turned and saw her- Evelyn- looking ravishing in a dark red silk gown and matching mantle. Her hair was swept up into a braided knot on top of her head, and she wore a fashionable black hat tilted forward at a daring angle.
He knew then that he really had made a difference in her life, for she was not the aloof young woman she had been in his younger days, nor was she the cool, dignified widow she used to be. She was proud and confident and dazzling in her beauty.
He suddenly wished he could sit down, because she was so lovely, he feared his legs might give out beneath him.
”
”
Julianne MacLean (Surrender to a Scoundrel (American Heiresses, #6))
“
Lillian came to them, looking radiant in a dark red gown, her sable hair neatly confined in a snood made of jeweled netting. With her brilliant smile and relaxed friendliness, she was so engaging that Hannah understood why the famously dignified earl of Westcliff had married her.
”
”
Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))
“
I stand on a vast grass field of many gently sloping hills. It is night, yet the sky is bright. There is no sun, but a hundred blazing blue stars, each shining in a long river of nebulous cloud. The air is warm, pleasant, fragrant with the perfume of a thousand invisible flowers. In the distance a stream of people walk toward a large vessel of some type, nestled between the hills. The ship is violet, glowing; the bright rays that stab forth from it seem to reach to the stars. Somehow I know that it is about to leave and that I am supposed to be on it. Yet, before I depart, there is something I have to discuss with Lord Krishna.
He stands beside me on the wide plain, his gold flute in his right hand, a red lotus slower in his left. His dress is simple, as is mine - long blue gowns that reach to the ground. Only he wears a single jewel around his neck - the brilliant Kaustubha gem, in which the destiny of every soul can be seen. He does not look at me but toward the vast ship, and the stars beyond. He seems to be waiting for me to speak, but for some reason I cannot remember what he said last. I only know that I am a special case. Because I do not know what to ask, I say what is most on my mind.
"When will I see you again, my Lord?"
He gestures to the vast plain, the thousands of people leaving. "The earth is a place of time and dimension. Moments here can seem like an eternity there. It all depends on your heart. When you remember me, I am there in the blink of an eye."
"Even on earth?"
He nods. "Especially there. It is a unique place. Even the gods pray to take birth there."
"Why that, my Lord?"
He smiles faintly. His smile is bewitching. It has been said, I know, that the smile of the Lord has bewildered the minds of the angels. It has bewildered mine.
"One question always leads to another question. Some things are better to wonder about." He turns toward me finally, his long black hair blowing in the soft night breeze. The stars reflect in his black pupils; the whole universe is there. The love that flows from him is the sweetest ambrosia in all the heavens. Yet it breaks my heart to feel because I know it will soon be gone. "It is all maya," he says. "Illusion."
"Will I get lost in this illusion, my Lord?"
"Of course. It is to be expected. You will be lost for a long time.
”
”
Christopher Pike (Thirst No. 1: The Last Vampire, Black Blood, and Red Dice (Thirst, #1))
“
Jack reached up to tuck a loose strand of hair behind her ear. The perfume was growing on him. “How are your blisters?”
It didn’t work. “They sting,” said Jane shortly. “But I didn’t mind that. I didn’t mind any of it. As I would have told you if you had only
listened.”
Jack pressed his eyes shut. Somehow he had gone from being noble and wronged to just being wrong. He wasn’t quite sure how that had happened. “I thought you wanted a bath and a proper bed.”
“There is,” said Jane dangerously, “a vast difference between wanting a proper bed and requiring coronets on my sheets. Did it ever occur to you that I didn’t care what sort of bed it was as long as you were in it?”
The words rang through the small room. Jack’s throat felt sore, swollen. He couldn’t seem to force words out, even if there had been any words to say. Jane’s chest was rising and falling rapidly, her bosom swelling distractingly over the low neckline of her white gauze gown.
“Jane—” Jack managed, but it was too late.
Jane jerked away, knocking over a bag of meal in the process. “I don’t need another man to put me on a pedestal. I have enough of those already.” She wrenched open the door to the drilling ground, the sky flaming red and orange behind her. “Congratulations on a successful mission, Moonflower.”
And the door slammed, taking with it Jane and the last of the light.
”
”
Lauren Willig (The Lure of the Moonflower (Pink Carnation, #12))
“
The fact that there were more adults than children at her party didn't seem to faze Dixie.
"That child is like a dandelion," Lettie said. "She could grow through concrete."
Dixie's birthday party had a combination Mardi Gras/funeral wake feel to it. Mr. Bennett and Digger looped and twirled pink crepe paper streamers all around the white graveside tent until it looked like a candy-cane castle. Leo Stinson scrubbed one of his ponies and gave pony rides. Red McHenry, the florist's son, made a unicorn's horn out of flower foam wrapped with gold foil, and strapped it to the horse's head.
"Had no idea that horse was white," Leo said, as they stood back and admired their work.
Angela, wearing an old, satin, off-the-shoulder hoop gown she'd found in the attic, greeted each guest with strings of beads, while Dixie, wearing peach-colored fairy wings, passed out velvet jester hats.
Charlotte, who never quite grasped the concept of eating while sitting on the ground, had her driver bring a rocking chair from the front porch. Mr. Nalls set the chair beside Eli's statue where Charlotte barked orders like a general.
"Don't put the food table under the oak tree!" she commanded, waving her arm. "We'll have acorns in the potato salad!"
Lettie kept the glasses full and between KyAnn Merriweather and Dot Wyatt there was enough food to have fed Eli's entire regiment. Potato salad, coleslaw, deviled eggs, bread and butter pickles, green beans, fried corn, spiced pears, apple dumplings, and one of every animal species, pork barbecue, fried chicken, beef ribs, and cold country ham as far as the eye could see.
”
”
Paula Wall (The Rock Orchard)
“
You should have some new gowns made up as well,” he said. “I'm tired of seeing you in all that halfmourning—gray, brown, lavender… No one expects it of you any longer. Order as many as you like. I'll take care of the expense.” Holly stared at him openmouthed. “Not only are you daring to complain about my appearance, you are also insulting me by offering to pay for my clothes?” “I didn't mean it as an insult,” he countered warily. “You know very well that a gentleman would never purchase items of apparel for a lady. Not even a pair of gloves.” “Then I'll subtract the necessary amount from your salary.” Bronson gave her a cajoling smile. “A woman with your looks deserves to wear something beautiful. I'd like to see you in jade green, or yellow. Or red.” The idea seemed to spark his imagination as he continued. “I can't imagine a finer sight in the world than you in a red gown.” Holly was not mollified by the flattery. “I most certainly will not order new gowns, and I'll thank you to spare me further mention of the subject. A red gown, indeed! Do you know what would become of my reputation?” “It's already tarnished,” he pointed out. “You may as well enjoy yourself.” He seemed to enjoy her spluttering outrage at the comment. “You sir, may… may…” “Go to the devil?” he suggested helpfully. She seized on the expression with enthusiasm. “Yes, go right at once to the devil!
”
”
Lisa Kleypas (Where Dreams Begin)
“
Drake looked down at his bride, pride nearly crushing him.
She looked the picture of virtue in a gown the color of dark cream. Her hair sat atop her head in a shining red-gold mass of thick braids and curls. A band of small pink rosebuds haloed the curls, their stems a tightly intertwined crown. There was no cap now. Her face was pale and glowing, her neck as graceful as any swan's he had ever seen on the lakes of Northumberland, her delicate collarbones as elegant and stately as the jewels of a queen.
What he wouldn't have done to give her the magnificent London wedding she deserved. He would relish seeing her in rich satin and jewels, the envy of the civilized world. But Serena would never be in London... would probably not 'wish' to be, he realized.
Gazing at her beauty, her tranquility, he had a blinding realization that caused him to grasp more tightly to her hand and almost falter as he turned toward the minister: Had he not left all behind, he never would have found her. For the first time, he had something to be thankful for in the wake of his ruined existence. Had he stayed in London, he would have wed one of the haughty women of the ton, a woman in whose eyes he would have seen a hunger that was never satisfied. Instead, he was marrying a woman of quiet strength and faith, all of which gave the very air around her peace.
Was she not worth a dukedom?
Yes. A thousand times yes. That and more. She was worth all that he had gone through to have her.
”
”
Jamie Carie (The Duchess and the Dragon)
“
Flares of light began to pulse from Evie’s chest, just as they had when her father’s scale sank into the cauldron. She glared at Hardcastle with fierce righteousness, and found that she was no longer alone on that black tower. She stood in a vast, sun-washed meadow of flowing grass and tiny yellow flowers. A figure materialized from the crisp, clear air behind her, a woman in an ethereal violet gown with a lily in her hair. The same princess she had seen the first time she looked into the dragon’s blood. “You are not alone,” she said. “Who are you?” “I am Princess Middlemiss. And I am always with you. We are all always with you.” A sheet of air glistened behind her, and dozens of others appeared. They were princesses of all ages, all shapes and shades and types. She saw a woman with black hair and sharp blue eyes and knew her instantly as Princess Snow White. There were others she recognized from Volf’s books: Blackstone and Rose-Red and Chambéry. The great princesses of the past and present, all standing with her now. “As long as there is goodness in your heart, you are never alone.
”
”
M.A. Larson (Pennyroyal Academy (Pennyroyal Academy, #1))
“
kinds of disguises and dance to all sorts of tunes to make myself Harry’s addiction. If he had not been fatally flawed, early corrupted by the brutality of his school, I should never have been able to keep him from Celia. I knew I was a hundred times more beautiful than she, a hundred times stronger. But I could not always remember that, when I saw the quiet strength she drew on when she believed she was morally right. And I could not be certain that every man would prefer me, when I remembered how Harry had looked at her with such love when we came back from France. I would never forgive Celia for that summer. Even though it was the summer when I cared nothing for Harry but rode and danced day and night with John, I would not forget that Celia had taken my lover from me without even making an effort at conquest. And now my husband bent to kiss her hand as if she were a queen in a romance and he some plighted knight. I might give a little puff of irritation at this scene played out before my very window. Or I might measure the weakness in John and think how I could use it. But use it I would. Even if I had felt nothing else for John I should have punished him for turning his eyes to Celia. Whether I wanted him or not was irrelevant. I did not want my husband loving anyone else. For dinner that afternoon I dressed with extra care. I had remodelled the black velvet gown that I had worn for the winter after Papa’s death. The Chichester modiste knew her job and the deep plush folds fitted around my breasts and waist like a tight sheath, flaring out in lovely rumpled folds over the panniers at my hips. The underskirt was of black silk and whispered against the thick velvet as I walked. I made sure Lucy powdered my hair well, and set in it some black ribbon. Finally, I took off my pearl necklace and tied a black ribbon around my throat. With the coming of winter, my golden skin colour was fading to cream, and against the black of the gown I looked pale and lovely. But my eyes glowed green, dark-lashed and heavy-lidded, and I nipped my lips to make them red as I opened the parlour door. Harry and John were standing by the fireplace. John was as far away from Harry as he could be and still feel the fire. Harry was warming his plump buttocks with his jacket caught up, and drinking sherry. John, I saw in my first sharp glance, was sipping at lemonade. I had been right. Celia was trying to save my husband. And he was hoping to get his unsteady feet back on the road to health. Harry gaped openly when he saw me, and John put a hand on the mantelpiece as if one smile from me might destroy him. ‘My word, Beatrice, you’re looking very lovely tonight,’ said Harry, coming forward
”
”
Philippa Gregory (Wideacre)
“
Grace.
Her name whispered through Jack's mind like the silken stroke of a hand.
He'd never seen her look as pretty as she did tonight, the vibrant bronze hue of her gown lending her skin a creamy luminosity, her hair gleaming a rich, fiery red that reminded him of living flame.
And passion.
He wondered if that same intense fire lay hidden inside her, and he relished the idea of finding out.
”
”
Tracy Anne Warren (Seduced by His Touch (The Byrons of Braebourne, #2))
“
A woman I didn't recognize tapped my arm. She was elderly, but still stood tall, her dark eyes bright with sadness. She wore a black brocade gown edged with red. She held out a bouquet of red carnations and white narcissus. She stepped forward and placed the flowers on Bartolomeo's headstone, then stepped back and slipped into the crowd so fast I could not see where she went.
I stared down at the flowers. Narcissus was a common spring flower at funerals, but red carnations meant only love, deep abiding love. I had never seen her before. Who was she?
”
”
Crystal King (The Chef's Secret)
“
Celaena." She looked back at him, her red gown sweeping around her. His eyes shone as he flashed her a crooked grin. "I missed you this summer."
She met his stare unflinchingly, returning the smile as she said, I hate to admit it, Sam Cortland, but I missed your sorry ass, too.
”
”
Sarah J. Maas (The Adventures of Stanely)
“
But as my gaze landed on Tory Vega where she stood alone at the bar, looking utterly devastating in a black gown which clung to her figure like a spill of oil, those doubts rose in me again.
She ordered herself a drink and I shot through the crowd before I could stop myself, coming to a halt at her side and leaning against the bar like I'd been there for hours instead of moments.
“It’s not too late,” I said, unable to help myself as I cast a quick glance around the room for the other Heirs. I wasn’t entirely sure what they had planned for her aside from it taking place at the pool, but I knew it wouldn’t be anything good.
Tory turned to look at me, offering me half a smile as she gave me a solid once over with those deep green eyes of hers which made my chest puff up and my dick start paying a whole lot more attention.
“Not too late for what?” she asked, taking a sip of her drink and drawing my focus to the blood red lipstick she wore.
“To sneak out of here and have some real fun,” I offered, reaching out to brush my fingertips along her arm. If she'd just agree then I could get her out of here in less than a heartbeat, I could save her from this attempt to get rid of her and spend the night dedicating myself to her pleasure.
I told myself I was offering that because she was my Source and it was my duty to protect her, but it was more than that, like this feeling in my gut that what me and the other Heirs were planning was the wrong thing. The wrong move. I still believed it would make us look weak rather than strong and though I’d been forced to back down against the three of them, I got the feeling this wouldn’t even work anyway. These girls might not have been raised in this kingdom, but they were Fae and I was sure they’d come back fighting no matter how hard we went at them tonight, so why do it?
Tory looked like she was actually considering my offer but then she just shook her head lightly in refusal, dashing my hopes.
“You’ll have to work harder than that if you want me,” she taunted and any other night I'd have been more than willing to take her up on that offer, but tonight I needed her to let me get her back to my room first.
I leaned a little closer, my mouth against her ear as I spoke seductively, trying to coax an agreement from her lips. “I promise you, I’ll work really hard.”
She looked at me with heat in her eyes and for a moment I thought I had her, but then she shrugged a little and shook her head like she'd never considered it at all.
“Tempting...but no.”
I pursed my lips in disappointment, opening my mouth to say something else to convince her, but before I could figure out what that might have been, Max and Darius appeared at the other end of the bar.
The two of them shot me and Tory death glares like they knew exactly what I'd been up to and my stomach dropped as I gave in to the inevitable.
Darius beckoned me over and I straightened, suppressing a sigh. I might not have liked this but I knew where my loyalties lay and that would always be right alongside the other Heirs.
“Off you run,” Tory muttered and I hesitated a moment, not liking the implication that I was being summoned like a good dog, but I also couldn't deny that my place was with them. And if I had to choose then it would be my brothers every time against every alternative.
I smiled ruefully as I took a step away. “I’m not switching allegiances, Tory,” I said, resigning myself to how the night had to play out now. “No matter how good you look in that dress. We still can’t let you take our throne.”
I walked away but I heard the words she muttered bitterly at my back. “I don’t want your damn throne.”
I just wished her saying that was enough for the Councillors to accept it.
(Caleb POV)
”
”
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
“
At the next street-lamp, she sees a woman with painted lips and smudged eyes waiting in a doorway. A hansom cab drives up, stops, and a man in a tail coat and a shining silk top-hat gets out. Even though the woman in the doorway wears a low-cut evening gown that might once have belonged to a lady of the gentleman’s social class, the black-clad watcher does not think the gentleman is here to go dancing. She sees the prostitute’s haggard eyes, haunted with fear no matter how much her red-smeared lips smile. One like her was recently found dead a few streets away, slit wide open. Averting her gaze, the searcher in black walks on. An unshaven man lounging against a wall winks at her. “Missus, what yer doing all alone? Don’t yer want some company?” If he were a gentleman, he would not have spoken to her without being introduced. Ignoring him, she hastens past. She must speak to no one. She does not belong here. The knowledge does not trouble her, for she has never belonged anywhere. And in a sense she has always been alone. But her heart is not without pain as she scans the shadows, for she has no home now, she is a stranger in the world’s
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Nancy Springer (The Case of the Missing Marquess (Enola Holmes, #1))
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Mor continued through them, a flash of colour and life in this strange cold place.
She wore deepest red, the gossamer and gauze of her sleeveless gown clinging to her breasts and hips, while carefully placed shafts left much of her stomach and back exposed. Her hair was down in rippling waves, and cuffs of solid gold glinted around her wrists. A queen- a queen who bowed to no one, a queen who had faced them all down and triumphed. A queen who owned her body, her life, her destiny, and never apologised for it.
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Sarah J. Maas