“
Now you listen to me," says Ove calmly while he carefully closes the door. "You've given birth to two children and quite soon will be squeezing out a third. You've come here from a land far away and most likely you fled war and persecution and all sorts of other nonsense. You've learned a new language and got yourself an education and you're holding together a family of obvious incompetents. And I'll be damned if I've seen you afraid of a single bloody thing in this world before now....I'm not asking for brain surgery. I'm asking you to drive a car. It's got an accelerator, a brake and a clutch. Some of the greatest twits in world history have sorted out how it works. And you will as well." And then he utters seven words, which Parvaneh will always remember as the loveliest compliment he'll ever give her. "Because you are not a complete twit.
”
”
Fredrik Backman (A Man Called Ove)
“
Good. Now the first thing you do is press in the clutch and slide the gear into reverse."
She placed his hand on the gear shift in the center of her car, and showed him how to move it up and down.
"You know, you really shouldn't fondle that in front of me, Grace. It's cruel."
"Julian! Do you mind? I'm only trying to show you how to shift my gears."
He snorted. "I wish you'd shift my gears like that.
”
”
Sherrilyn Kenyon (Fantasy Lover (Hunter Legends, #1))
“
People say all the time that they’d do anything for the people they love. But would you really? Would you do anything? Would you give everything? I don’t know that a child knows that kind of selfless love. A mother, yes. A mother will clutch her children and jump from a moving car to keep them from harm. She will do it without thinking. But I don’t think the child knows how to do that, not instinctively. It’s something the child has to learn.
”
”
Trevor Noah (Born a Crime: Stories From a South African Childhood)
“
Imagine teaching a fifteen-year-old how to drive a car with manual transmission. First, you have to press down the clutch. Then you have to whisper a secret into one of the cup holders.
”
”
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
“
Just because something is addictive doesn't mean that you will get addicted to it. But . . . if your stomach ties up in knots while you count the seconds waiting for a phone call from that special someone . . . if you hear a loud buzzing in your ears when you see a certain person's car (or one just like it) . . . if your eyes burn when you hear a random love song or see a couple holding hands . . . if you suffer the twin agonies of craving for and withdrawing from a series of unrequited crushes or toxic relationships . . . if you always feel like you're clutching at someone's ankle and dragged across the floor as they try to leave the room . . . welcome to the club.
”
”
Ethlie Ann Vare
“
I pulled the MG in beside him at the curb and he got in.
"This thing ain't big enough for either one of us," he said. "When you getting something that fits?"
"It goes with my preppy look," I said. "You get one of these, they let you drive around the north shore, watch polo, anything you want."
I let the clutch in and turned right on Dartmouth.
"How you get laid in one of these?" Hawk said.
"You just don't understand preppy," I said. "I know it's not your fault. You're only a couple generations out of the jungle. I realize that. But if you're preppy you don't get laid in a car."
"Where do you get laid if you preppy?"
I sniffed. "One doesn't," I said.
"Preppies gonna be outnumbered in a while," Hawk said.
”
”
Robert B. Parker
“
I want students to engage the way a clutch on a car gets engaged: an engine can be running, making appropriate noises, burning fuel and creating exhaust fumes, but unless the clutch is engaged, nothing moves. It's all sound and smoke, and nobody gets anywhere.
”
”
Robert L. Fried (The Passionate Teacher: A Practical Guide)
“
At the sight of him, I was clutched by a feeling like that precarious moment just past the top of a roller coaster's highest hill when gravity takes hold and the car barrels downward.
”
”
April Lindner (Jane)
“
I wondered if maybe this kind of thing happened all the time in Vegas -- cars full of late-arriving passengers screeching desperately across the runway, dropping off wild eyed Samoans clutching mysterious canvas bags who would sprint onto planes at the last possible second and then roar off into the sunrise.
”
”
Hunter S. Thompson (Fear and Loathing in Las Vegas)
“
Noah was no longer at my side when I turned. He had Kent from algebra pinned against the car. "I should injure you considerably," he said in a low voice
"Dude, chill." Kent was completely calm.
"Noah," I heard myself say. "Its not worth it."
Noah's eyes narrowed, but apon hearing my voice, he released Kent who straightened his shirt and brushed the front of his khakis.
"Get fucked, Kent," Noah said as he turned away.
The idiot laughed, "Oh, I will."
Noah whirled around and I heard the unmistakable impact of knuckles meeting face. Kent was on the concrete, his hands clutching his nose. When he started to get up, Noah said, "I wouldn't. I'm barely above kicking the shit out of you on the ground. Barely."
"You broke my nose!" Blood streamed down Kents shirt and a crowd formed a small circle around the three of us. A teacher parted the throng and called out, "Principals office NOW, Shaw."
Noah ignored him and walked over to me, inordinately calm. He placed his good hand on the small of my back and my legs threatened to dissolve. The bell rang and I looked at Noah as he leaned in and brushed his lips against my ear.
He whispered into my hair, "It was worth it." - The Unbecoming Of Mara Dyer
”
”
Michelle Hodkin
“
While they waited, Ronan decided to finally take up the task of teaching Adam how to drive a stick shift. For several minutes, it seemed to be going well, as the BMW had an easy clutch, Ronan was brief and to the point with his instruction, and Adam was a quick study with no ego to get in the way.
From a safe vantage point beside the building, Gansey and Noah huddled and watched as Adam began to make ever quicker circles around the parking lot. Every so often their hoots were audible through the open windows of the BMW.
Then—it had to happen eventually—Adam stalled the car. It was a pretty magnificent beast, as far as stalls went, with lots of noise and death spasms on the part of the car. From the passenger seat, Ronan began to swear at Adam. It was a long, involved swear, using every forbidden word possible, often in compound-word form. As Adam stared at his lap, penitent, he mused that there was something musical about Ronan when he swore, a careful and loving precision to the way he fit the words together, a black-painted poetry. It was far less hateful sounding than when he didn’t swear.
Ronan finished with, “For the love of . . . Parrish, take some care, this is not your mother’s 1971 Honda Civic.”
Adam lifted his head and said, “They didn’t start making the Civic until ’73.”
There was a flash of fangs from the passenger seat, but before Ronan truly had time to strike, they both heard Gansey call warmly, “Jane! I thought you’d never show up. Ronan is tutoring Adam in the ways of manual transmissions.”
Blue, her hair pulled every which way by the wind, stuck her head in the driver’s side window. The scent of wildflowers accompanied her presence. As Adam catalogued the scent in the mental file of things that made Blue attractive, she said brightly, “Looks like it’s going well. Is that what that smell is?”
Without replying, Ronan climbed out of the car and slammed the door.
Noah appeared beside Blue. He looked joyful and adoring, like a Labrador retriever. Noah had decided almost immediately that he would do anything for Blue, a fact that would’ve needled Adam if it had been anyone other than Noah.
Blue permitted Noah to pet the crazy tufts of her hair, something Adam would have also liked to do, but felt would mean something far different coming from him.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
It was six hours to Hosannah Beach and he didn't glance at the silver coin that Dad had given him, not even once. All the way he clutched it tight in the palm of his hand and fel the bevelled edge bite into his skin. [...] Waiting in the car while Yvonne unlocked the house, he brought his hand up to his face and opened it. His sweat had the bitter smell of hot metal, hot and bitter, this was what leaving home would always smell like.
”
”
Rupert Thomson (The Five Gates of Hell)
“
I’m not asking for brain surgery. I’m asking you to drive a car. It’s got an accelerator, a brake, and a clutch. Some of the greatest twits in world history have sorted out how it works. And you will as well.
”
”
Fredrik Backman (A Man Called Ove)
“
Trevor slowed the car to a crawl, made sure Zach was breathing, speeded back up to twenty or so. If he rolled through stop signs, he could drive all the way to Kinsey’s house in second gear. It would be hell on the clutch,
”
”
Poppy Z. Brite (Drawing Blood: A Novel)
“
What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult?
Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully.
“Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.”
On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.”
“I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done.
Dead silence crashes over the kitchen.
Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list.
That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it...
“I just have one question,” Garrett starts.
“Really?” Tuck says. “Because I have many.”
Sighing, I put my pen down. “Go ahead. Get it out of your systems.”
Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.”
“It’s for Grace,” I reply through clenched teeth.
My best friend nods solemnly.
Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing.
“What are you doing?” I demand.
“Texting Wellsy. She needs to know this.”
“I hate you.”
I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.”
“Cutlass?” Garrett wheezes. “Like the sword?”
“The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.”
Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.”
He’s right. I should have. I’m a terrible poet and I do know it.
“Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.”
“Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.”
I ponder the next line. “How sweet…”
“Your ass,” Tucker supplies.
Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again.
“Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.”
“Call my girlfriend a ho one more time and you won’t have a bro.”
Tucker chuckles. “Seriously, why are you writing poetry for this chick?”
“Because I’m trying to win her back. This is one of her requirements.”
That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?”
“None of your fucking business.”
“Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!”
I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.”
Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
Imagine teaching a fifteen-year-old how to drive a car with mutual transmission. First, you have to press down the clutch. Then you have to whisper a secret into one of the cup holders. In Diane's case, this was easy, as she was not a very social or public person, and most any mundane thing in her life could be a secret. In Josh's case this was hard, because for teenagers most every mundane thing in their lives is a secret that they do not like sharing in front of their parents.
”
”
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
“
The road looked as if no one had traveled on it in months.
"It's not much farther," the grandmother said and just as she said it, a horrible thought came to her. The thought was so embarrassing that she turned red in the face and her eyes dilated and her feet jumped up, upsetting her valise in the corner. The instant the valise moved, the newspaper top she had over the basket under it rose with a snarl and Pitty Sing, the cat, sprang onto Bailey's shoulder.
The children were thrown to the floor and their mother, clutching the baby, was thrown out the door onto the ground; the old lady was thrown into the front seat. The car turned over once and landed right-side-up in a gulch off the side of the road. Bailey remained in the driver's seat with the cat gray-striped with a broad white face and an orange nose clinging to his neck like a caterpillar.
As soon as the children saw they could move their arms and legs, they scrambled out of the car, shouting, "We've had an ACCIDENT!" The grandmother was curled up under the dashboard, hoping she was injured so that Bailey's wrath would not come down on her all at once. The horrible thought she had had before the accident was that the house she had remembered so vividly was not in Georgia but in Tennessee.
”
”
Flannery O'Connor (A Good Man Is Hard to Find and Other Stories)
“
In the crush men used the women to play silent games with themselves. One stared ironically at a dark-haired girl to see if she would lower her gaze. One, with his eyes, caught a bit of lace between two buttons of a blouse, or harpooned a strap. Others passed the time looking out the window into cars for a glimpse of an uncovered leg, the play of muscles as a foot pushed break or clutch, a hand absentmindedly scratching the inside of a thigh.
”
”
Elena Ferrante (Troubling Love)
“
Nothing's going to happen between us until you're ready for it to happen."
She stared at him, stil clutching her stick in a death grip, then finally nodded and silently walked to her car. She let Toby in the backseat, then opened the passenger door and slid the tip of her stick on the floor to lean it against the console.
"Jess," Ian said quietly.
She turned, still not saying anything.
"Just so long as you know that it is going to happen.
”
”
Janet Chapman (Highlander for the Holidays (Highlander, #8))
“
Where are we?” she asked when I pulled into a parking lot.
“The park.”
“Isn’t it dangerous at night?”
“Not here. Come on.” I pulled her out of her seat and grabbed a blanket from the trunk before trekking through the soft grass.
“You always keep a blanket in your car?”
“Yeah, for emergencies. Never know when you might need it. Food, water, first-aid kit, too.”
“Oh!” she grunted and caught my arm as one of her heels pierced the soft dirt and sank.
“You should take those off.”
“And walk around barefoot? Hello? Ever heard of hookworms and tetanus?”
“Ever heard of snapping your ankles as you fall flat on your face in the dark?” I asked as I squatted in front of her and slipped her foot out of the high heels.
“What are you doing?” she gasped, tumbling forward and grabbing onto my shoulders for support.
“Removing your obstacles.”
She landed a bare foot on the grass as I undid the other shoe. “So now I get tetanus?”
I looked up at her, my hands lightly stroking her ankles up to her calves. “You worry too much.”
“It’s a real risk. Ask Preeti.”
I stood slowly, moving up her body, and hovered above her.
“How…how far are we walking?” she asked.
“To the river.”
“In the dark?”
I nodded and handed her the shoes.
“Took these off and you won’t even carry them?”
“I’ll carry them,” I replied, swooped down, and threw her over the blanket on my shoulder.
Liya yelped. “Put me down!”
“So you can get tetanus?” I asked and walked toward the river.
She laughed. “I hate you!”
“You love it.”
She slapped my butt and then poked her pointy elbows into my shoulder as she arched her back. “Enjoying the view of my backside from over there?”
I slid my hand up the back of her thighs and tugged her dress down to keep her covered.
“This isn’t so bad,” she said.
“Oh, yeah?”
“Yeah.” She slapped my butt again. “Giddyap!”
“All right. You asked for it.”
Her next words were swallowed up in a scream as I took off at a full sprint.
She gripped my shirt, clutching for my waist, as the breeze broke around us. I ran the short distance to the riverside in no time, slowing only when the moonlit gleam on the water’s surface appeared.
I placed Liya on the grass, but she swayed away. I grabbed her by the waist to steady her and chuckled. “Are you okay?”
“You try doing that upside down.
”
”
Sajni Patel (The Trouble with Hating You (The Trouble with Hating You, #1))
“
Now you listen to me,’ says Ove calmly while he carefully closes the door. ‘You’ve given birth to two children and quite soon you’ll be squeezing out a third. You’ve come here from a land far away and most likely you fled war and persecution and all sorts of other nonsense. You’ve learned a new language and got yourself an education and you’re holding together a family of obvious incompetents. And I’ll be damned if I’ve seen you afraid of a single bloody thing in this world before now.’ Ove rivets his eyes into her. Parvaneh is still agape. Ove points imperiously at the pedals under her feet. ‘I’m not asking for brain surgery. I’m asking you to drive a car. It’s got an accelerator, a brake and a clutch. Some of the greatest twits in world history have sorted out how it works. And you will as well.
”
”
Fredrik Backman (A Man Called Ove)
“
As I speak, his fingers trail down my arm. I’m just so relieved he’s willing to touch me after I’ve told him this. He turns my hand over and traces the fine lines on my palm. “And?” He looks up beneath heavy lids. “What else should I know about you?”
“My skin—” I stop, swallow.
He leans down, presses his lips to my wrist in a feathery kiss. “What about your skin?”
“You know. You’ve seen it,” I rasp. “It changes. The color becomes—”
“Like fire.” His gaze lifts from my wrist and he says that word he said so long ago surrounded in cold mists, tucked on a ledge above a whispering pool of water. “Beautiful.”
“You said that before. In the mountains.”
“I meant it. Still do.”
I laugh weakly. “I guess this means you’re not mad at me.”
“I would be mad, if I could.” He frowns. “I should be.” He inches closer to me on the couch. We sink deeper into the tired cushions. “This is impossible.”
“This what?” I clutch the collar of his shirt in my fingers. His face is so close I study the varying color of his eyes.
For a long time, he says nothing. Stares at me in that way that makes me want to squirm. For a moment, it seems that his irises glow and the pupils shrink to slits. Then, he mutters, “A hunter in love with his prey.”
My chest squeezes. I suck in a breath. Pretty wonderful, I think, but am too embarrassed to say it. Even after what he just admitted.
He loves me?
Studying him, I let myself consider this and whether he can possibly mean it. But what else could it be? What else could drive him to this moment with me? To turn his back on his family’s way of life?
As he looks at me in that desperate, devouring way, I’m reminded of those moments in his car when he tended the cut on my palm and ran his hand over my leg. My belly twists.
I glance around, see how seriously, dangerously alone we are. More alone than in the stairwell. Or even the first time together, on that ledge. I lick my lips. Now we’re alone with no school bell ready to rip us apart. Even more alarming, no more secrets stand between us. No barriers. Nothing to stop us at all.
I hold my breath until I feel the first press of his lips, certain I’ve never been this close to another soul, this vulnerable. We kiss until we’re both breathless, warm and flushed, twisting against each other on the couch. His hands brush my bare back beneath my shirt, trace every bump of my spine. My back tingles, wings vibrating just beneath the surface. I drink the cooler air from his lips, drawing it into my fiery lungs.
I don’t even mind when he stops and watches my skin change colors, or touches my face as it blurs in and out. He kisses my changing face. Cheeks, nose, the corners of my eyes, sighing my name it like a benediction between each caress. His lips slide to my neck and I moan, arch, lost to everything but him. In this, with him . . . I’m as close to the sky as I’ve ever been.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
The car is on fire, and there's no driver at the wheel
And the sewers are all muddied with a thousand lonely suicides
And a dark wind blows
The government is corrupt
And we're on so many drugs
With the radio on and the curtains drawn
We're trapped in the belly of this horrible machine
And the machine is bleeding to death
The sun has fallen down
And the billboards are all leering
And the flags are all dead at the top of their poles
It went like this:
The buildings tumbled in on themselves
Mothers clutching babies
Picked through the rubble
And pulled out their hair
The skyline was beautiful on fire
All twisted metal stretching upwards
Everything washed in a thin orange haze
I said, "Kiss me, you're beautiful -
These are truly the last days"
You grabbed my hand
And we fell into it
Like a daydream
Or a fever
We woke up one morning and fell a little further down
For sure it's the valley of death
I open up my wallet
And it's full of blood
”
”
Efrim Menuck
“
She is watching a man lying dead or asleep on a blanket nearby dressed in a crumpled tan suit with blood discolouring his sleeve, his hand clutching a plastic bag filled with bread rolls, alone black shoe on a foot. Another man she saw been carried into the emergency room was wearing just one sport shoe, so many shoes gone astray she thinks, so many shoes dislodged while their owners are carried by the arms and legs or dragged by the armpits into the backs of cars and vans and dragged again into emergency rooms without a gurney, the orphaned shoes kicked aside in the rush or left to die on the street or on footpaths like an unblinking eye awaiting the return of its owner
”
”
Paul Lynch (Prophet Song)
“
When you grow up Indian, you quickly learn that the so-called American Dream isn't for you. For you that dream's a nightmare. Ask any Indian kid: you're out just walking across the street of some little off-reservation town and there's this white cop suddenly comes up to you, grabs you by your long hair, pushes you up against a car, frisks you, gives you a couple good jabs in the ribs with his nightstick, then sends you off with a warning sneer: "Watch yourself, Tonto!" He doesn't do that to white kids, just Indians. You can hear him chuckling with delight as you limp off, clutching your bruised ribs. If you talk smart when they hassle you, off to the slammer you go. Keep these Injuns in their place, you know.
Truth is, they actually need us. Who else would they fill up their jails and prisons with in places like the Dakotas and New Mexico if they didn't have Indians? Think of all the cops and judges and guards and lawyers who'd be out of work if they didn't have Indians to oppress! We keep the system going. We help give the American system of injustice the criminals it needs. At least being prison fodder is some kind of reason for being. Prison's the only university, the only finishing school many young Indian brothers ever see. Same for blacks and Latinos. So-called Latinos, of course, are what white man calls Indians who live south of the Rio Grande. White man's books will tell you there are only 2.5 million or so of us Indians here in America. But there are more than 200 million of us right here in this Western Hemisphere, in the Americas, and hundreds of millions more indigenous peoples around this Mother Earth.
We are the Original People. We are one of the fingers on the hand of humankind. Why is it we are unrepresented in our own lands, and without a seat — or many seats — in the United Nations? Why is it we're allowed to send our delegates only to prisons and to cemeteries?
”
”
Leonard Peltier (Prison Writings: My Life Is My Sun Dance)
“
If a car can represent something, this one represents contradiction. For most of his life, my dad has been able to have any woman he wants. In response, he’s gone through as many as possible, betraying each for someone younger and more absurd. Conversely, for most of his life he’s been able to have any car he wants, too. In response, he’s remained married to this, a 1982 Porsche with a tricky clutch.
”
”
Matthew Norman (Domestic Violets)
“
You know, I still feel in my wrists certain echoes of the pram-pusher’s knack, such as, for example, the glib downward pressure one applied to the handle in order to have the carriage tip up and climb the curb. First came an elaborate mouse-gray vehicle of Belgian make, with fat autoid tires and luxurious springs, so large that it could not enter our puny elevator. It rolled on sidewalks in a slow stately mystery, with the trapped baby inside lying supine, well covered with down, silk and fur; only his eyes moved, warily, and sometimes they turned upward with one swift sweep of their showy lashes to follow the receding of branch-patterned blueness that flowed away from the edge of the half-cocked hood of the carriage, and presently he would dart a suspicious glance at my face to see if the teasing trees and sky did not belong, perhaps to the same order of things as did rattles and parental humor. There followed a lighter carriage, and in this, as he spun along, he would tend to rise, straining at his straps; clutching at the edges; standing there less like the groggy passenger of a pleasure boat than like an entranced scientist in a spaceship; surveying the speckled skeins of a live, warm world; eyeing with philosophic interest the pillow he had managed to throw overboard; falling out himself when a strap burst one day. Still later he rode in one of those small contraptions called strollers; from initial springy and secure heights the child came lower and lower, until, when he was about one and a half, he touched ground in front of the moving stroller by slipping forward out of his seat and beating the sidewalk with his heels in anticipation of being set loose in some public garden. A new wave of evolution started to swell, gradually lifting him again from the ground, when, for his second birthday, he received a four-foot-long, silver-painted Mercedes racing car operated by inside pedals, like an organ, and in this he used to drive with a pumping, clanking noise up and down the sidewalk of the Kurfurstendamm while from open windows came the multiplied roar of a dictator still pounding his chest in the Neander valley we had left far behind.
”
”
Vladimir Nabokov
“
In the rearview mirror, they saw the young officer stumble out of the precinct just in time to see them speed away.
"A little slower on the turns, Alfred," Bruce managed to say as they screeched around a corner and bolted into a freeway tunnel.
Alfred chuckled. He still had his hospital band wrapped around his wrist. "WayneTech cars aren't made for slow turns, Master Wayne."
"And you wonder where I get it from." Bruce felt as if his stomach could touch his spine. Even in his Aston Martin, he'd never been able to drive the way Alfred was now.
"I used to be in the Royal Air Force, Master Wayne," Alfred answered in a dry tone. "At least I have an excuse. Just because one can doesn't mean one should. I expect you not to use this against me the next time you go for a joyride."
"I'll try not to," Bruce managed to reply as he clutched the edges of his seat. In the back seat, Harvey looked green.
”
”
Marie Lu (Batman: Nightwalker)
“
have a list of my negotiations.” “Your what?” Her eyes narrowed—green, perhaps hazel? It was hard to tell from the street light that filtered through the window. “One, no anal.” “Oh, here we go. Get out of my car.” “Fine, anal, but only on your birthday.” “I’m not interested in…that…on my birthday, or any other day of the year.” She gasped out a relieved sound and put a check mark on a piece of paper she held clutched in her hand. “I like that. Exit only, am I right?
”
”
T.S. Joyce (Lumberman Werebear (Saw Bears #7))
“
My mother’s greatest fear was that I would end up paying the black tax, that I would get trapped by the cycle of poverty and violence that came before me. She had always promised me that I would be the one to break that cycle. I would be the one to move forward and not back. And as I looked at that nurse outside the emergency room, I was petrified that the moment I handed her my credit card, the cycle would just continue and I’d get sucked right back in. People say all the time that they’d do anything for the people they love. But would you really? Would you do anything? Would you give everything? I don’t know that a child knows that kind of selfless love. A mother, yes. A mother will clutch her children and jump from a moving car to keep them from harm. She will do it without thinking. But I don’t think the child knows how to do that, not instinctively. It’s something the child has to learn. I pressed my credit card into the nurse’s hand.
”
”
Trevor Noah (Born a Crime: Stories from a South African Childhood)
“
Would it hurt him, just once, to do what she wanted and shut up about it?
"If I wasn't sure," she snapped, "I wouldn't have said.... ow shitshitshitshitshit!"
She dropped the wand again to clutch the top of her head, which she'd just slammed against the underside of the sink. It hurt, enough to bring tears to her eyes, and she dropped back to sit on the floor and cradle her head, completely defeated. "Ow. And don't you dare open that door."
Naturally, he opened the door.
”
”
Kendra Leigh Castle (Call of the Highland Moon (The MacInnes Werewolves Trilogy, #1))
“
Can you drive it?"
"No. I can't drive a stick at all. It's why I took Andy's car and not one of yours."
"Oh people, for goodness' sake...move over." Choo Co La Tah pushed past Jess to take the driver's seat.
Curious about that, she slid over to make room for the ancient.
Jess hesitated. "Do you know what you're doing?"
Choo Co La Tah gave him a withering glare. "Not at all. But I figured smoeone needed to learn and no on else was volunteering. Step in and get situated. Time is of the essence."
Abigail's heart pounded. "I hope he's joking about that." If not, it would be a very short trip. Ren changed into his crow form before he took flight. Jess and Sasha climbed in, then moved to the compartment behind the seat. A pall hung over all of them while Choo Co La Tah adjusted the seat and mirrors.
By all means, please take your time. Not like they were all about to die or anything...
She couldn't speak as she watched their enemies rapidly closing the distance between them. This was by far the scariest thing she'd seen. Unlike the wasps and scorpions, this horde could think and adapt.
They even had opposable thumbs.
Whole different ball game.
Choo Co La Tah shifted into gear. Or at least he tried. The truck made a fierce grinding sound that caused jess to screw his face up as it lurched violently and shook like a dog coming in from the rain.
"You sure you odn't want me to try?" Jess offered.
Choo Co La Tah waved him away. "I'm a little rusty. Just give me a second to get used to it again."
Abigail swallowed hard. "How long has it been?"
Choo Co La Tah eashed off the clutch and they shuddred forward at the most impressive speed of two whole miles an hour. About the same speed as a limping turtle. "Hmm, probably sometime around nineteen hundred and..."
They all waited with bated breath while he ground his way through more gears. With every shift, the engine audibly protested his skills.
Silently, so did she.
The truck was really moving along now. They reached a staggering fifteen miles an hour. At this rate, they might be able to overtake a loaded school bus...
by tomorrow.
Or at the very least, the day after that.
"...must have been the summer of...hmm...let me think a moment. Fifty-three. Yes, that was it. 1953. The year they came out with color teles. It was a good year as I recall. Same year Bill Gates was born."
The look on Jess's and Sasha's faces would have made her laugh if she wasn't every bit as horrified.
Oh my God, who put him behind the wheel?
Sasha visibly cringed as he saw how close their pursuers were to their bumper. "Should I get out and push?"
Jess cursed under his breath as he saw them, too. "I'd get out and run at this point. I think you'd go faster."
Choo Co La Tah took their comments in stride. "Now, now, gentlemen. All is well. See, I'm getting better." He finally made a gear without the truck spazzing or the gears grinding.
”
”
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
“
Imagine teaching a fifteen-year-old how to drive a car with manual transmission. First, you have to press down the clutch. Then you have to whisper a secret into one of the cup holders. In Diane’s case, this was easy, as she was not a very social or public person, and most any mundane thing in her life could be a secret. In Josh’s case this was hard, because for teenagers most every mundane thing in their lives is a secret that they do not like sharing in front of their parents. Then, after the clutch and the secret, the driver has to grab the stick shift, which is a splintered wood stake wedged into the dashboard, and shake it until something happens—anything really—and then simultaneously type a series of code numbers into a keyboard on the steering wheel. All this while sunglasses-wearing agents from a vague yet menacing government agency sit in a heavily tinted black sedan across the street taking pictures (and occasionally waving). This is a lot of pressure on a first-time driver.
”
”
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
“
Now come on, we’re off.”
He marched out of the room. They heard the front door open, but Dudley did not move and after a few faltering steps Aunt Petunia stopped too.
“What now?” barked Uncle Vernon, reappearing in the doorway.
It seemed that Dudley was struggling with concepts too difficult to put into words. After several moments of apparently painful internal struggle he said, “But where’s he going to go?”
Aunt Petunia and Uncle Vernon looked at each other. It was clear that Dudley was frightening them. Hestia Jones broke the silence.
“But…surely you know where your nephew is going?” she asked, looking bewildered.
“Certainly we know,” said Vernon Dursley. “He’s off with some of your lot, isn’t he? Right, Dudley, let’s get in the car, you heard the man, we’re in a hurry.”
Again, Vernon Dursley marched as far as the front door, but Dudley did not follow.
“Off with some of our lot?”
Hestia looked outraged. Harry had met this attitude before: Witches and wizards seemed stunned that his closest living relatives took so little interest in the famous Harry Potter.
“It’s fine,” Harry assured her. “It doesn’t matter, honestly.”
“Doesn’t matter?” repeated Hestia, her voice rising ominously. “Don’t these people realize what you’ve been through? What danger you are in? The unique position you hold in the hearts of the anti-Voldemort movement?”
“Er--no, they don’t,” said Harry. “They think I’m a waste of space, actually, but I’m used to--”
“I don’t think you’re a waste of space.”
If Harry had not seen Dudley’s lips move, he might not have believed it. As it was, he stared at Dudley for several seconds before accepting that it must have been his cousin who had spoken; for one thing, Dudley had turned red. Harry was embarrassed and astonished himself.
“Well…er…thanks, Dudley.”
Again, Dudley appeared to grapple with thoughts too unwieldy for expression before mumbling, “You saved my life.”
“Not really,” said Harry. “It was your soul the dementor would have taken…”
He looked curiously at his cousin. They had had virtually no contact during this summer or last, as Harry had come back to Privet Drive so briefly and kept to his room so much. It now dawned on Harry, however, that the cup of cold tea on which he had trodden that morning might not have been a booby trap at all. Although rather touched, he was nevertheless quite relieved that Dudley appeared to have exhausted his ability to express his feelings. After opening his mouth once or twice more, Dudley subsided into scarlet-faced silence.
Aunt Petunia burst into tears. Hestia Jones gave her an approving look that changed to outrage as Aunt Petunia ran forward and embraced Dudley rather than Harry.
“S-so sweet, Dudders…” she sobbed into his massive chest. “S-such a lovely b-boy…s-saying thank you…”
“But he hasn’t said thank you at all!” said Hestia indignantly. “He only said he didn’t think Harry was a waste of space!”
“Yeah, but coming from Dudley that’s like ‘I love you,’” said Harry, torn between annoyance and a desire to laugh as Aunt Petunia continued to clutch at Dudley as if he had just saved Harry from a burning building.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
you’ve thrilled yourself with these dark imaginings you end with the ultimate in wish-fulfilment: the EU is a front for a German cabal and this will save Brexit. It is hard to overstate the extent to which Brexit depended on the idea of who really runs the EU: German car manufacturers. For some of those at the top of the Labour Party, the idea of the EU as a mere front for the bosses and moguls of Europe was a reason to be secretly pleased that Brexit would allow Britain to escape their clutches and build socialism in one country.
”
”
Fintan O'Toole (Heroic Failure: Brexit and the Politics of Pain)
“
Yes, atheists pray in their foxholes—in this case, with a yearning new to me and sharp as lust, for a clean and honorable death by shark bite, lightning strike, sniper fire, car crash. Let me be hacked to death by a madman, was my silent supplication—anything but suffocation by the pink sticky sentiment embodied in that bear and oozing from the walls of the changing room. I didn’t mind dying, but the idea that I should do so while clutching a teddy and with a sweet little smile on my face—well, no amount of philosophy had prepared me for that.
”
”
Barbara Ehrenreich (Bright-Sided: How the Relentless Promotion of Positive Thinking Has Undermined America)
“
The subway was the great leveler—underground, the Wall Street titans stood in the shuddering car and clutched the same poles as the junior IT guys to create a totem of fists, the executive vice presidents in charge of new product marketing pressed thighs with the luckless and the dreamers, who got off at their stations when instructed by the computer’s voice and were replaced by devisers of theoretical financial instruments of unreckoned power, who vacated their seats and were replaced in turn by unemployable homunculi clutching yesterday’s tabloids. They jostled one another, competed for space below as they did above, in a minuet of ruin and triumph. In the subway, down in the dark, no citizen was more significant or more decrepit than another. All were smeared into a common average of existence, the A’s and the C’s tumbling or rising to settle into a ruthless mediocrity. No escape. This was the plane where Mark Spitz lived. They were all him. Middling talents who got by, barnacles on humanity’s hull, survivors who had not yet been extinguished. Perhaps it was only a matter of time.
”
”
Colson Whitehead (Zone One)
“
With that in mind, I pull the door shut and look for a seat belt to buckle. I find only the frayed end of a seat belt and a broken buckle.
“Where did you find this piece of junk?” says Christina.
“I stole it from the factionless. They fix them up. It wasn’t easy to get it to start. Better ditch those jackets, girls.”
I ball up our jackets and toss them out the half-open window. Marcus shifts the truck into drive, and it groans. I half expect it to stay still when he presses the gas pedal, but it moves.
From what I remember, it takes about an hour to drive from the Abnegation sector to Amity headquarters, and the trip requires a skilled driver. Marcus pulls onto one of the main thoroughfares and pushes his foot into the gas pedal. We lurch forward, narrowly avoiding a gaping hole in the road. I grab the dashboard to steady myself.
“Relax, Beatrice,” says Marcus. “I’ve driven a car before.”
“I’ve done a lot of things before, but that doesn’t mean I’m any good at them!”
Marcus smiles and jerks the truck to the left so that we don’t hit a fallen stoplight. Christina whoops as we bump over another piece of debris, like she’s having the time of her life.
“A different kind of stupid, right?” she says, her voice loud enough to be heard over the rush of wind through the cab.
I clutch the seat beneath me and try not to think of what I ate for dinner.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
They made a sweeping turn into Park Avenue and Herzog clutched the broken window handle. It wouldn’t open. But if it opened dust would pour in. They were demolishing and raising buildings. The avenue was filled with concrete-mixing trucks, smells of wet sand and powdery gray [sic] cement. Crashing, stamping pile-driving below, and, higher, structural steel, interminably and hungrily going up into the cooler, more delicate blue. Orange beams hung from the cranes like straws. But down in the street where the buses were spurting the poisonous exhaust of cheap fuel, and the cars were crammed together, it was stifling, grinding, the racket of machinery and the desperately purposeful crowds - horrible!
”
”
Saul Bellow (Herzog)
“
In order to survive the humiliations of Jim Crow life, we sustained one another through laughter, food, music. And to that end, in the clutch of a community’s embrace, Centennial Hill nourished us, and I was protected from the worst of it. It was a place where folks saved the tears for church and left their burdens on the altar. It seemed unfathomable to me that anything like this would ever happen to someone close to me. Even with all I knew about the cruelty of humans—the beatings, the murders, the disappearances—I had still somehow underestimated people, and the girls had paid a price for that naiveté. No wonder my car got hit. It was a lesson on the laws of physics. There are consequences in life.
”
”
Dolen Perkins-Valdez (Take My Hand)
“
and drew her strength directly from our magickal Oklahoma earth. “U-we-tsi-a-ge-ya, it seems I need help at the lavender booth. I simply cannot believe how busy we are.” Grandma had barely spoken when a nun hurried up. “Zoey, Sister Mary Angela could use your help filling out cat adoption forms.” “I’ll help you, Grandma Redbird,” Shaylin said. “I love the smell of lavender.” “Oh, honey, that would be so sweet of you. First, could you run to my car and get into the trunk. There is another box of lavender soaps and sachets tucked back there. Looks like I’m going to sell out completely,” Grandma said happily. “Sure thing.” Shaylin caught the keys Grandma tossed to her and hurried toward the main exit of the school grounds which led to the parking lot, as well as the tree-lined road that joined Utica Street. “And I’ll call my momma. She said just let her know if we get too busy over here. She and the PTA moms will be back here in a sec,” said Stevie Rae. “Grandma, do you mind if I give Street Cats a hand? I’ve been dying to check out their new litter of kittens.” “Go on, u-we-tsi-a-ge-ya. I think Sister Mary Angela has been missing your company.” “Thanks, Grandma.” I smiled at her. Then I turned to Stevie Rae. “Okay, if your mom’s group is coming back, I’m gonna go help the nuns.” “Yeah, no problem.” Stevie Rae, shielding her eyes and peering through the crowd, added, “I see her now, and she’s got Mrs. Rowland and Mrs. Wilson with her.” “Don’t worry. We can handle this,” Shaunee said. “’Kay,” I said, grinning at both of them. “I’ll be back as soon as I can.” I left the cookie booth and noticed Aphrodite, clutching her big purple Queenies cup, was right on my heels. “I thought you didn’t want a lecture from the nuns.” “Better than a lecture from PTA moms.” She shuddered. “Plus, I like cats more than people.” I shrugged. “Okay, whatever.” We’d only gotten partway to the Street Cats tent when Aphrodite slowed way down. “Seriously. Effing. Pathetic.” She was muttering around her straw, narrowing her eyes, and glaring. I followed her gaze and joined her frown. “Yeah, no matter how many times I see them together, I still don’t get it.” Aphrodite and I had stopped to watch Shaunee’s ex-Twin BFF, Erin, hang all over Dallas. “I really thought she was better than that.” “Apparently not,” Aphrodite said. “Eeew,” I said, looking away from their way too public display of locked lips. “I’m telling you, there’s not enough booze in Tulsa to make watching those two suck face okay.” She made a gagging sound, which changed to a snort and a laugh. “Check out the wimple, twelve o’clock.” Sure enough, there was a nun I vaguely recognized as Sister Emily (one of the more uptight of the nuns) descending on the too-busy-with-their-tongues-to-notice couple. “She looks serious,” I said. “You know, a nun may very well be the direct opposite of an aphrodisiac. This should be entertaining. Let’s watch.” “Zoey! Over here!” I looked from the train wreck about to happen to see Sister Mary Angela waving me over to her.
”
”
P.C. Cast (Revealed (House of Night #11))
“
I was afraid of anyone in a costume. A trip to see Santa might as well have been a trip to sit on Hitler's lap for all the trauma it would cause me. Once, when I was four, my mother and I were in a Sears and someone wearing an enormous Easter Bunny costume headed my way to present me with a chocolate Easter egg. I was petrified by this nightmarish six-foot-tall bipedal pink fake-fur monster with human-sized arms and legs and a soulless, impassive face heading toward me. It waved halfheartedly as it held a piece of candy out in an evil attempt to lure me into its clutches. Fearing for my life, I pulled open the bottom drawer of a display case and stuck my head inside, the same way an ostrich buries its head in the sand. This caused much hilarity among the surrounding adults, and the chorus of grown-up laughter I heard echoing from within that drawer only added to the horror of the moment. Over the next several years, I would run away in terror from a guy in a gorilla suit whose job it was to wave customers into a car wash, a giant Uncle Sam on stilts, a midget dressed like a leprechaun, an astronaut, the Detroit Tigers mascot, Ronald McDonald, Big Bird, Bozo the Clown, and every Mickey Mouse, Minnie Mouse, Donald Duck, Pluto, Chip and Dale, Uncle Scrooge, and Goofy who walked the streets at Disneyland. Add to this an irrational fear of small dogs that saw me on more than one occasion fleeing in terror from our neighbor's four-inch-high miniature dachschund as if I were being chased by the Hound of the Baskervilles and a chronic case of germ phobia, and it's pretty apparent that I was--what some of the less politically correct among us might call--a first-class pussy.
”
”
Paul Feig (Kick Me: Adventures in Adolescence)
“
Wait in the car." He opened the door and started to climb out.
"Hold on! How long should I give you? What if you don't come back in a certain number of minutes? Should I call the cops?"
"Don't do anything. Don't call anyone. I'll be fine."
"But what if you're not?"
"Then go home."
And with that, he got out and jogged down the street, like if I heard screams or gunshots or whatever I would just drive on home like nothing happened. Well, good for you, I thought, watching him climb a short cement staircase and put a key in the door. You don't need anyone. Fine.
I watched the clock. Three minutes went by, four. I thought about knocking on the door, having of course no idea what I would actually do once I got there. Maybe I'd have to break the door down, wrestle Cameron away from the bad men, and then carry him out the way you hear people when they get a huge burst of adrenaline. Except the person I pictured rescuing was little Cameron, in shorts and a striped T-shirt, his arms wrapped around my neck.
Then there he was, bursting out of the apartment door and bounding down the steps, a big garbage bag in hand. He ran to the car, fast. I reached over and opened the passenger door and he jumped in.
"Go."
You can't exactly peel out in a '94 Escort, but I did my best. Cameron breathed hard, clutching the garbage bag to his chest.
"What happened?" I drove a good fifteen miles per hour over the speed limit, convinced we were being chased by angry roommates with guns.
"Nothing. You can slow down."
I didn't. "Nothing? Nothing happened?"
"They weren't even there."
Then I did slow down. "No one was there? At all?"
"Right." His breathing had returned to almost normal.
"Then what's the deal with freaking me out like that?" My voice came out high and hysterical and I realized how nervous I'd been, imagining some dangerous scenario from which Cameron had barely escaped, an echo of that day at his house.
"I don't know. I started to picture one of them pulling up and finding me there and...I panicked.
”
”
Sara Zarr (Sweethearts)
“
No one called him Fai except his grandmother. What sort of name is Frank? she would scold. That is not a Chinese name. I’m not Chinese, Frank thought, but he didn’t dare say that. His mother had told him years ago: There is no arguing with Grandmother. It’ll only make you suffer worse. She’d been right. And now Frank had no one except his grandmother. Thud. A fourth arrow hit the fence post and stuck there, quivering. “Fai,” said his grandmother. Frank turned. She was clutching a shoebox-sized mahogany chest that Frank had never seen before. With her high-collared black dress and severe bun of gray hair, she looked like a school teacher from the 1800s. She surveyed the carnage: her porcelain in the wagon, the shards of her favorite tea sets scattered over the lawn, Frank’s arrows sticking out of the ground, the trees, the fence posts, and one in the head of a smiling garden gnome. Frank thought she would yell, or hit him with the box. He’d never done anything this bad before. He’d never felt so angry. Grandmother’s face was full of bitterness and disapproval. She looked nothing like Frank’s mom. He wondered how his mother had turned out to be so nice—always laughing, always gentle. Frank couldn’t imagine his mom growing up with Grandmother any more than he could imagine her on the battlefield—though the two situations probably weren’t that different. He waited for Grandmother to explode. Maybe he’d be grounded and wouldn’t have to go to the funeral. He wanted to hurt her for being so mean all the time, for letting his mother go off to war, for scolding him to get over it. All she cared about was her stupid collection. “Stop this ridiculous behavior,” Grandmother said. She didn’t sound very irritated. “It is beneath you.” To Frank’s astonishment, she kicked aside one of her favorite teacups. “The car will be here soon,” she said. “We must talk.” Frank was dumbfounded. He looked more closely at the mahogany box. For a horrible moment, he wondered if it contained his mother’s ashes, but that was impossible. Grandmother had told him there would be a military burial. Then why did Grandmother hold the box
”
”
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
“
FOXFIRE NEVER SAYS NEVER!
By the time the kidnapped turquoise-and-chrome car overturns--turns and turns and turns!--in a snow-drifted field north of Tydeman's Corners Legs Sadovsky will have driven eleven miles from Eddy's Smoke Shop on Fairfax Avenue, six wild miles with the Highway Patrol cop in pursuit bearing up swiftly when the highway is clear and the girls are hysterical with excitement squealing and clutching one another thrown from side to side as Legs grimaces sighting the bridge ahead, it's one of those old-fashioned nightmare bridges with a steep narrow ramp, narrow floor made of planks but there's no time for hesitation Legs isn't going to use the brakes, she's shrewd, reasoning too that the cop will have to slow down, the fucker'll be cautious thus she'll have several seconds advantage won't she?--several seconds can make quite a difference in a contest like this so the Buick's rushing up the ramp, onto the bridge, the front wheels strike and spin and seem at first to be lifting in decorous surprise Oh! oh but astonishingly the car holds, it's a heavy machine of power that seems almost intelligent until flying off the bridge hitting a patch of slick part-melted ice the car swerves, now the rear wheels appear to be lifting, there's a moment when all effort ceases, all gravity ceases, the Buick a vessel of screams as it lifts, floats, it's being flung into space how weightless! Maddy's eyes are open now, she'll remember all her life this Now, now how without consequence! as the car hits the earth again, yet rebounds as if still weightless, turning, spinning, a machine bearing flesh, bones, girls' breaths plunging and sliding and rolling and skittering like a giant hard-shelled insect on its back, now righting itself again, now again on its back, crunching hard, snow shooting through the broken windows and the roof collapsing inward as if crushed by a giant hand upside-down and the motor still gunning as if it's frantic to escape, they're buried in a cocoon of bluish white and there's a sound of whimpering, panting,sobbing, a dog's puppyish yipping and a strong smell of urine and Legs is crying breathlessly half in anger half in exultation, caught there behind the wheel unable to turn, to look around, to see, "Nobody's dead--right?"
Nobody's dead.
”
”
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
“
Ove nods by way of confirmation and lets him back down on the ground. Then turns around, walks around the SUV, and gets back into the Saab. Parvaneh stares at him, with her mouth hanging open. “Now, you listen to me,” says Ove calmly while he carefully closes the door. “You’ve given birth to two children and quite soon you’ll be squeezing out a third. You’ve come here from a land far away and most likely you fled war and persecution and all sorts of other nonsense. You’ve learned a new language and got yourself an education and you’re holding together a family of obvious incompetents. And I’ll be damned if I’ve seen you afraid of a single bloody thing in this world before now.” Ove rivets his eyes into her. Parvaneh is still agape. Ove points imperiously at the pedals under her feet. “I’m not asking for brain surgery. I’m asking you to drive a car. It’s got an accelerator, a brake, and a clutch. Some of the greatest twits in world history have sorted out how it works. And you will as well.” And then he utters seven words, which Parvaneh will always remember as the loveliest compliment he’ll ever give her. “Because you are not a complete twit.
”
”
Fredrik Backman (A Man Called Ove)
“
The very first dram Ronan had ever been truly proud of, truly euphoric over, had been a copy.
It had been in high school. Ronan wasn't good at surviving high school and he wasn't good at surviving friendship, and so while his friend Gansey's back was turned, he'd stolen Gansey's car. It was a beautiful car. A 1973 bright orange Camaro with stripes right up its hood and straight down its ass. Ronan had wanted to drive it for months, despite Gansey forbidding it.
Maybe because of him forbidding it.
Within hours of stealing it, Ronan had totaled it.
Gansey hadn't wanted him to drive it because he thought he'd grind the clutch, or curb it, or burn out the tires, or maybe, maybe blow the engine.
And here Ronan had totaled it.
Ronan had loved Richard C. Gansey III far more than he loved himself at that point, and he hadn't known how he was ever going to face him when he returned from out of town.
And then, Joseph Kavinsky had taught him to dream a copy.
Before that, all of Ronan's dreams--that he knew about, Matthew didn't count--had been accidents and knickknacks, the bizarre and the useless. When he'd successfully copied a car, an entire car, he'd been out of his mind with glee. The dreamt car had been perfect down to the last detail. Exactly like the original. The pinnacle of dreaming.
Now a copy was the least impressive thing to him. He could copy anything he put his mind to. That just made him a very ethereal photocopier. A one-man 3-D printer.
The dreams he was proud of now were the dreams that were originals. Dreams that couldn't exist in any other way. Dreams that took full advantage of the impossibility of dreamspace in a way that was cunning or lovely or effective or all of the above. The sundogs. Lindenmere. Dreams that had to be dreams.
In the past, all his good dreams like this were gifts from Lindenmere or accidents rather than things he had consciously constructed. He was beginning to realize, after listening to Bryde, that this was because he'd been thinking too small. His consciousness was slowly becoming the shape of the concrete, waking world, and it was shrinking all his dreams to the probable. He needed to start realizing that possible and impossible didn't mean the same thing for him as they did for other people. He needed to break himself of the habit of rules, of doubts, of physics. His "what if" had grown so tame.
"You are made of dreams and this world is not for you."
He would not let the nightwash take him and Matthew.
He would not let this world kill him slowly.
He deserved a place here, too.
He woke.
”
”
Maggie Stiefvater (Call Down the Hawk (Dreamer, #1))
“
The gate downstairs has a dead bolt,” said Frost. “There’s no way you could pick the lock.” “Then how could anyone …” She went dead silent. Turned toward the doorway. Footsteps were thumping up the stairs. In an instant her weapon was drawn and clutched in both hands. Pushing aside Mr. Kwan, she quickly slipped out of the bedroom. As she eased her way across the living room, she felt her heart banging, heard Frost’s footsteps creaking on her right. Smelled incense and mold and sweat, a dozen details assaulting her at once. But it was the stairwell door she focused on, a black portal to something that was now climbing toward them. Something that suddenly took on the shape of a man. “Freeze!” Frost commanded. “Boston PD!” “Whoa, Frost.” Johnny Tam gave a startled laugh. “It’s just me.” Behind her, Jane heard Mr. Kwan give a squawk of fear. “Who is he? Who is he?” “What the hell, Tam,” said Frost, huffing out a breath as he holstered his weapon. “I could have blown your head off.” “You did tell me to meet you here, didn’t you? I would’ve gotten here sooner, but I got stuck in traffic coming back from Springfield.” “You talk to the owner of that Honda?” “Yeah. Said it was stolen right out of his driveway. And that wasn’t his GPS in the car.” He swept his flashlight around the room. “So what’s going on in here?” “Mr. Kwan’s giving us a tour of the building.” “It’s been boarded up for years.
”
”
Tess Gerritsen (The Silent Girl (Rizzoli & Isles, #9))
“
But here they are, leaving the stress and shit food and endless misunderstandings. Leaving. The jobcentre, the classroom, the pub, the gym, the car park, the flat, the filth, the TV, the constant swiping of newsfeeds, the hoover, the toothbrush, the laptop bag, the expensive hair product that makes you feel better inside, the queue for the cash machine, the cinema, the bowling alley, the phone shop, the guilt, the absolute nothingness that never stops chasing, the pain of seeing a person grow into a shadow. The people’s faces twisting into grimaces again, losing all their insides in the gutters, clutching lovers till the breath is faint and love is dead, wet cement and spray paint, the kids are watching porn and drinking Monster. Watch the city fall and rise again through mist and bleeding hands. Keep holding on to power-ballad karaoke hits. Chase your talent. Corner it, lock it in a cage, give the key to someone rich and tell yourself you’re staying brave. Tip your chair back, stare into the eyes of someone hateful that you’ll take home anyway. Tell the world you’re staying faithful. Nothing’s for you but it’s all for sale, give until your strength is frail and when it’s at its weakest, burden it with hurt and secrets. It’s all around you screaming paradise until there’s nothing left to feel. Suck it up, gob it, double-drop it. Pin it deep into your vein and try for ever to get off it. Now close your eyes and stop it. But it never stops. They
”
”
Kae Tempest (The Bricks that Built the Houses)
“
He stared down at her for a moment, wanting to heal every
cut on her soft skin. But he couldn’t, not yet. He needed to get her,
and her car, far from this place so neither he nor Kate would be
implicated in any way with the gruesome murder site.
It also meant he would have to drive.
In all his years, he had never driven an automobile. The closest he
had come was watching various assistants through the years as they
chauffeured him. He wasn’t sure he could even remember how to
start the car, but right now he had no choice.
Grudgingly, he got into the driver’s seat, and finding the lever
underneath, he pushed it back so he sat comfortably behind the
wheel. After trying three different keys, he found one that slipped into
the ignition.
From what he had seen over the past hundred years, driving was
not a complex operation, and he was an immortal with reflexes far
more keen than a human man.
How difficult could it be?
He turned the key and nearly jerked the wheel off the steering
column when the car surprised him by lurching forward. The car went
silent. The engine wasn’t running. What was he doing wrong?
He stared at the gearshift, wondering if he should move it. His
frustration reared up, but his agitation would not make the car drive
itself. He had to keep a cool head.
Not knowing what else to try, he pushed one of the pedals at his
feet to the floor and turned the key again. This time the car didn’t
move, and it roared to life. Grasping the gearshift, he jammed it into
the first position and glanced over at Kate.
Why couldn’t she have owned a car with an automatic
transmission?
Shaking his head, he put some pressure on the gas pedal and
slowly released the clutch. Thankfully the car rolled a few feet, but
without warning it jumped forward. He pressed the clutch back to the
floor before the engine lost power again.
Calisto slammed his hand against the wheel, muttering under his
breath in Spanish. At this rate it would take him all night to drive her
home.
The faded yellow convertible pitched forward again, threatening
to stall as he continued out of the parking lot, thankful it was late. The
streets were fairly empty. At least he wouldn’t get into an accident
with another car. Her car staggered ahead, lurching each time he
tried to release the clutch, bouncing and jostling them both until Kate
finally stirred and woke up.
§
“Are we out of gas or something?”
Calisto watched her with a tight smile. “Not exactly.”
Kate winced in pain when she laughed. “You can’t drive a stickshift,
can you?”
“Does it show?” Calisto pulled over, finally allowing the engine to
stall.
She nodded her head slowly to avoid more pain. “Just a little.
What happened?”
“You don’t remember?”
“I remember being mugged. And I remember seeing you, but
everything after that is blank.” She watched his eyes as Calisto
reached over to brush her hair back from her face, and his touch sent
shivers through her body. This wasn’t how she had hoped she would
run into him, but she learned a long time ago fate didn’t always work
out the way you expected.
”
”
Lisa Kessler (Night Walker (Night, #1))
“
A folktale in Hokkaido just after the war and passed from conductor to conductor held that the floor of heaven is laced with silver train tracks, and the third rail is solid pearl. The trains that ran along them were fabulous even by the Shinkansen of today: carriages containing whole pine forests hung with gold lanterns, carriages full of rice terraces, carriages lined in red silk where the meal service bought soup, rice-balls, and a neat lump of opium with persimmon tea poured over it in the most delicate of cups. These trains sped past each other, utterly silent, carrying each a complement of ghosts who clutched the branches like leather handholds, and plucked the green rice to eat raw, amd fell back insensate into the laps of women whose faces were painted red from brow to chin. They never stop, never slow, and only with great courage and grace could a spirit slowly progress from car to car, all the way to the conductor's cabin, where all accounts cease, and no man knows what lies therein.
In Hokkaido, where the snow and the ice are so white and pure they glow blue, it is said only the highest engineers of Japan Railways know the layout of the railroads on the floor of heaven. They say that these exalted engineers are working slowly, generation by generation, to lay the tracks to earth so that they mirror exactly the tracks in heaven. When this is done, those marvelous carriages will fall from the sky, and we may know on earth, without paying the terrible fare of death, the gaze of the red women, the light of the forest lanterns, and the taste of persimmon tea.
”
”
Catherynne M. Valente (Palimpsest)
“
You said to step on the brake to put us into drive, then to step on the right one to-"
"Not at the same time!"
"Well, you should have told me that. How was I supposed to know?"
I snort. "You acted like the freaking Dalai Lama when I tried to tell you how to shift gears. I told you, one was for go and one was for stop. You can't stop and go at the same time! You have to make up your mind."
From the expression on her face, she's either about to punch me or call me something really bad. She opens her mouth, but the really bad something doesn't come out; she shuts it again. Then she giggles. Now I've seen everything.
"Galen tells me that all the time," she chortles. "That I can never make up my mind." Then she bursts out laughing so hard she spits all over the steering wheel. She keeps laughing until I'm convinced an unknown force is tickling her senseless.
What? As far as I can tell, her indecisiveness almost got us killed. Killed isn't funny.
"You should have seen your face," she says, between gulps of breaths. "You were all, like-" And she makes the face of a drunk clown. "I bet you wet yourself, didn't you?" She cracks herself up so much she clutches her side as if she's holding in her own guts.
I feel my lips fracture into a smile before I can stop them. "You were more scared than me. You swallowed like ten flies while you were screaming."
She spits all over the steering wheel again. And I spew laughter onto the dash. It takes a good five minutes for us to sober up enough for another driving lesson. My throat is dry, and my eyes are wet when I say, "Okay, now. Let's concentrate. The sun is going down. These woods probably get pretty creepy at night."
She clears her throat, still giggling a little. "Okay. Concentrate. Right."
"So, this time, when you take your foot off the brake, the car will go on its own. There, see?" We slink along the road at an idle two miles per hour.
She huffs up at her bangs. "This is boring. I want to go faster."
I start to say, "Not too fast," but she squashes the gas under her foot, and my words are snatched away by the wind. She gives a startled shout, which I find hypocritical because after all, I'm the one helpless in the passenger seat, and she's the one screaming like a teapot, turning the wheel back and forth like the road isn't straight as a pencil.
"Brake, brake, brake!" I shout, hoping repetition will somehow penetrate the small part of her brain that actually thinks.
Everything happens fast. We stop. There's a crunching sound. My face slams into the dash. No wait, the dash becomes an airbag. Rayna's scream is cut off by her airbag. I open my eyes. A tree. A freaking tree. The metal frame groans, and something under the hood lets out a mechanical hiss. Smoke billows up from the front, the universal symbol for "you're screwed."
I turn to the rustling sound beside me. Rayna is wrestling with the airbag like it has attacked her instead of saved her life.
"What is this thing?" she wails, pushing it out of her way and opening the door.
One Mississippi...two Mississippi...
"Well, are you just going to sit there? We have a long walk home. You're not hurt are you? Because I can't carry you."
Three Mississippi...four Mississippi...
"What are those flashing blue lights down there?
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
checked the load, and slipped it under my belt behind my right hip. “Are you supposed to be wearing a bulletproof vest, are you supposed to be carrying a gun?” a guard asked. “Isn’t that against the rules?” “What rules?” I said. He didn’t have an answer for that. I put on my leather coat. The money was still packed in the gym bags, the gym bags strapped to the dolly in the center of my living room. I grabbed the handle and started wheeling it to the back door of my house. I had a remote control hanging from the lock on the window overlooking my unattached garage. I used it to open the garage door. “There’s no reason for you guys to hang around anymore,” I said. The guards followed me out of my back door, across the driveway, and into the garage just the same. They stood by and watched while I loaded the dolly and the gym bags into the trunk of the Audi. “Nice car,” one of them said. If he had offered me ten bucks, I would have sold the Audi and all of its contents to him right then and there. Because he didn’t, I unlocked the driver’s door and slid behind the wheel. “Good luck,” the guard said and closed the door for me. He smiled like I was a patient about to be wheeled into surgery; smiled like he felt sorry for me. I put the key in the ignition, started up the car, depressed the clutch, put the transmission in reverse, and—sat there for five seconds, ten, fifteen … Why are you doing this? my inner voice asked. Are you crazy? The guard watched me through the window, an expression of concern mixed with puzzlement on his face. “McKenzie, are you okay?” he asked. “Never better,” I said. I slowly released the clutch and backed the Audi out of my driveway
”
”
David Housewright (Curse of the Jade Lily (Mac McKenzie, #9))
“
Driving alone along the Northway, feeling more haunted than I really had the courage to be, I cried in the car the way one does when leaving someone in a bitter and unbearable way. I don't know why I should have picked that time to grieve, to summon everything before me--my own monsterousness, my two-bit affections, three-bit, four. It could have been sooner, it could have been later, it could have been one of the hot, awkward funerals (my grandmother's, LaRoue's, my father who one morning in Vero Beach clutched his fiery arm and fell dead off his chair mouthing to my mother, "Help. Heart. I love you" --how every death makes the world a lonelier place), it oculd have been some other time when the sun wasn't so bright, and there was no news on the raido, and my arms were not laced in a bird's nest on the steering wheel, my life going well, I believed, pretty well. It could have been any other time. But it was then: I cried for Sils and LaRoue, all that devotion and remorse, stars streaming light a million years after dying; I cried for the boyfriends I was no longer with, the people and places I no longer knew very well, for my parents and grandmother ailing and stuck in Florida, their rough, unchanging forms conjured only in memory; a jewel box kept in the medicine cabinet in the attic of a house on the moon; that's where their unchanging forms were kept. I cried for everyone and for all the scrabbly, funny love one sent out into the world like some hit song that enters space and bounds off to another galaxy, a tune so pretty you think the words are true, you do! There was never any containing a song like that, keeping it. It went off and out, speeding out of earshot or imagining or any reach at all, like a rocket invented in sleep.
”
”
Lorrie Moore (Who Will Run the Frog Hospital?)
“
Shortly before you were born, I was pulled over by the PG County police, the same police that all the D.C. poets had warned me of. They approached on both sides of the car, shining their flashing lights through the windows. They took my identification and returned to the squad car. I sat there in terror. By then I had added to the warnings of my teachers what I’d learned about PG County through reporting and reading the papers. And so I knew that the PG County police had killed Elmer Clay Newman, then claimed he’d rammed his own head into the wall of a jail cell. And I knew that they’d shot Gary Hopkins and said he’d gone for an officer’s gun. And I knew they had beaten Freddie McCollum half-blind and blamed it all on a collapsing floor. And I had read reports of these officers choking mechanics, shooting construction workers, slamming suspects through the glass doors of shopping malls. And I knew that they did this with great regularity, as though moved by some unseen cosmic clock. I knew that they shot at moving cars, shot at the unarmed, shot through the backs of men and claimed that it had been they who’d been under fire. These shooters were investigated, exonerated, and promptly returned to the streets, where, so emboldened, they shot again. At that point in American history, no police department fired its guns more than that of Prince George’s County. The FBI opened multiple investigations—sometimes in the same week. The police chief was rewarded with a raise. I replayed all of this sitting there in my car, in their clutches. Better to have been shot in Baltimore, where there was the justice of the streets and someone might call the killer to account. But these officers had my body, could do with that body whatever they pleased, and should I live to explain what they had done with it, this complaint would mean nothing. The officer returned. He handed back my license. He gave no explanation for the stop.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
I heard the fear in the first music I ever knew, the music that pumped from boom boxes full of grand boast and bluster. The boys who stood out on Garrison and Liberty up on Park Heights loved this music because it told them, against all evidence and odds, that they were masters of their own lives, their own streets, and their own bodies. I saw it in the girls, in their loud laughter, in their gilded bamboo earrings that announced their names thrice over. And I saw it in their brutal language and hard gaze, how they would cut you with their eyes and destroy you with their words for the sin of playing too much. “Keep my name out your mouth,” they would say. I would watch them after school, how they squared off like boxers, vaselined up, earrings off, Reeboks on, and leaped at each other.
I felt the fear in the visits to my Nana’s home in Philadelphia. You never knew her. I barely knew her, but what I remember is her hard manner, her rough voice. And I knew that my father’s father was dead and that my uncle Oscar was dead and that my uncle David was dead and that each of these instances was unnatural. And I saw it in my own father, who loves you, who counsels you, who slipped me money to care for you. My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that is exactly what was happening all around us. Everyone had lost a child, somehow, to the streets, to jail, to drugs, to guns. It was said that these lost girls were sweet as honey and would not hurt a fly. It was said that these lost boys had just received a GED and had begun to turn their lives around. And now they were gone, and their legacy was a great fear.
Have they told you this story? When your grandmother was sixteen years old a young man knocked on her door. The young man was your Nana Jo’s boyfriend. No one else was home. Ma allowed this young man to sit and wait until your Nana Jo returned. But your great-grandmother got there first. She asked the young man to leave. Then she beat your grandmother terrifically, one last time, so that she might remember how easily she could lose her body. Ma never forgot. I remember her clutching my small hand tightly as we crossed the street. She would tell me that if I ever let go and were killed by an onrushing car, she would beat me back to life. When I was six, Ma and Dad took me to a local park. I slipped from their gaze and found a playground. Your grandparents spent anxious minutes looking for me. When they found me, Dad did what every parent I knew would have done—he reached for his belt. I remember watching him in a kind of daze, awed at the distance between punishment and offense. Later, I would hear it in Dad’s voice—“Either I can beat him, or the police.” Maybe that saved me. Maybe it didn’t. All I know is, the violence rose from the fear like smoke from a fire, and I cannot say whether that violence, even administered in fear and love, sounded the alarm or choked us at the exit. What I know is that fathers who slammed their teenage boys for sass would then release them to streets where their boys employed, and were subject to, the same justice. And I knew mothers who belted their girls, but the belt could not save these girls from drug dealers twice their age. We, the children, employed our darkest humor to cope. We stood in the alley where we shot basketballs through hollowed crates and cracked jokes on the boy whose mother wore him out with a beating in front of his entire fifth-grade class. We sat on the number five bus, headed downtown, laughing at some girl whose mother was known to reach for anything—cable wires, extension cords, pots, pans. We were laughing, but I know that we were afraid of those who loved us most. Our parents resorted to the lash the way flagellants in the plague years resorted to the scourge.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
I close my eyes, groaning softly as I slowly work myself with my fingers. "You got undressed so fast. I'm impressed."
I move quicker, savoring the ache between my legs as it slowly intensifies. When I open my eyes, he leans so close to my face, I can feel the hot breath from his mouth coat my lips.
"I can do a lot of things quickly if I'm tempted. And you, Joelle..." He shudders as he works himself in his hand, his eyes never leaving mine. "Seeing you touch yourself is the ultimate temptation."
My mouth is on him instantly. With my free hand, I claw at his hair, and we kiss each other breathless. Soon we're moaning into each other's mouths. Max's hand is on my waist, and then he slides down to squeeze my ass.
Something inside me takes hold. I grab his hand and push it between my legs to take over.
"Please," I whine. "I know we can't have each other the way we want right now, but I just... I need you to touch me."
He nods at me, jaw clenched, like he's determined to take this task and run with it. And run with it he does. His massive hand works me into a tizzy, and soon all of the muscles in my body are tense with pleasure.
"Joelle," he rasps against my mouth. "I want you any way I can have you. Always."
Even though I'm lying down on my side, I'm dizzy with arousal. God, even just his words are enough to send me over the edge. I clutch his bulging arm as the ache inside me builds. When I burst, he's right there to absorb it all: my screams with his mouth, my thrashing body with his own.
When I finally come down, I set my sights on what's between his legs. I reach down and take my time with him, relishing his ragged breaths and growls, how his muscles go tense, how his eyes focus when he breaks apart, and how shy his gaze turns when he's finished.
I press a kiss to his lips, then lean up to grab napkins from the center console to help him clean up. When we're through, we're a sweaty, panting mess, and the inside of the car feels ten degrees warmer.
”
”
Sarah Echavarre Smith (The Boy With the Bookstore)
“
Curtis Bane screamed and though I came around fast and fired in the same motion, he’d already pulled a heater and begun pumping metal at me. We both missed and I was empty, that drum clicking uselessly. I went straight at him. Happily, he too was out of bullets and I closed the gap and slammed the butt of the rifle into his chest. Should’ve knocked him down, but no. The bastard was squat and powerful as a wild animal, thanks to being a coke fiend, no doubt. He ripped the rifle from my grasp and flung it aside. He locked his fists and swung them up into my chin, and it was like getting clobbered with a hammer, and I sprawled into a row of trash cans. Stars zipped through my vision. A leather cosh dropped from his sleeve into his hand and he knew what to do with it all right. He swung it in a short chopping blow at my face and I got my left hand up and the blow snapped my two smallest fingers, and he swung again and I turned my head just enough that it only squashed my ear and you better believe that hurt, but now I’d drawn the sawback bayonet I kept strapped to my hip, a fourteen-inch grooved steel blade with notched and pitted edges—Jesus-fuck who knew how many Yankee boys the Kraut who’d owned it gashed before I did for him—and stabbed it to the guard into Bane’s groin. Took a couple of seconds for Bane to register it was curtains. His face whitened and his mouth slackened, breath steaming in the chill, his evil soul coming untethered. He had lots of gold fillings. He lurched away and I clutched his sleeve awkwardly with my broken hand and rose, twisting the handle of the blade side to side, turning it like a car crank into his guts and bladder, putting my shoulder and hip into it for leverage. He moaned in panic and dropped the cosh and pried at my wrist, but the strength was draining from him and I slammed him against the wall and worked the handle with murderous joy. The cords of his neck went taut and he looked away, as if embarrassed, eyes milky, a doomed petitioner gaping at Hell in all its fiery majesty. I freed the blade with a cork-like pop and blood spurted down his leg in a nice thick stream and he collapsed, folding into himself like a bug does when it dies.
”
”
Laird Barron (The Beautiful Thing That Awaits Us All)
“
After that, we don’t talk, instead we get hammered. Shot after shot we down, chasing each one with a Little Debbie snack. Before we know it, we’re hanging on to the bar counter floating around in a sugar and alcohol coma, just the way I like it.
“There’s my girl,” Racer shouts as he topples off his stool and onto the floor, laughing hysterically. Georgie stops in her tracks and looks over at Emma, who’s standing next to her, both holding two boxes of Little Debbie snacks each.
“Emmmmmmmma,” Tucker drags out, waving his glass in the air. “You brought the snacks.”
“Oh, Jesus,” Emma mutters as she approaches us.
I point to my mouth and say, “Feed me. Daddy needs sugar.”
Racer is beside me, tangled in the pegs of his bar stool, still laughing. “Did you bring Oatmeal Pies, George? Please tell me you have the pies.”
“Uh, I think you’ve had enough for tonight,” she says, looking down at her boyfriend.
“Never!” Racer struggles to get up and finally knocks the chair over to free himself. “Fucking bitch chair, digging into me with its claws.” Talking to the stool directly he says, “I’m taken, warm someone else’s ass.”
“He’s going to propose, chair, leave him alone,” Tucker announces, causing me to cringe.
“Dude, don’t say it out loud.” I punch Tucker in the shoulder. “Georgie is right there.” All three of us turn to Georgie, who’s shaking her head in humor. Hopefully.
“I’ll take Aaron,” Emma tells Georgie. “Seems like Racer is more of a handful.”
“Hell yeah, I am.” Racer stumbles while cupping his crotch. “A giant handful.”
Georgie rolls her eyes. “And that’s our cue to leave.”
“But we didn’t eat our snacks.”
“Seems like you had enough.” Georgie grabs Racer by the hand. “Come on.”
As they walk away, Racer asks, “Want to have sex in the car?”
“Not even a little.”
“Here, you two, you can have your boxes of snacks.” Emma hands Tucker and me both a box of Oatmeal Pies that we clutch to our chests.
“You’re the best,” I admit.
“She is, isn’t she?” Tucker says. “I love her so fucking hard. Best wife ever.”
She pulls on both of our hands to get us moving. “She wins wife of the year award,” I announce. “Best wife goes to Emma. Can we get a round of applause?”
Tucker breaks open his Oatmeal Pies and starts spraying them like confetti. “Emma. Emma. Emma.” He chants, getting the three other patrons in the bar to join in.
I pump my fist as well, forgetting everything from earlier. I knew I could count on my guys.
“Emma. Emma. Emma . . .”
And then, everything fades to black. Emotions and feelings are non-existent as I pass out, just the way I like it. Just the way I need it.
”
”
Meghan Quinn (The Other Brother (Binghamton, #4))
“
Jenks and I stood there like statues watching him twitch, his eyes rolling up in his head. He clutched at his clothes pulling the wooden pole they hung from down on top of him. Slowly his right hand came scrambling out away from his body to clutch at my left leg. Without thinking I shoved my crucifix at him and he pulled his hand back with a hiss, shielding his face again. As quickly as I could, I dug my tubes of Holy Water out of my coat pocket and emptied them on his head. He shrieked again and clawed at his face. Jenks followed suit, pouring his two vials on Skorzeny's body and legs. Skorzeny started to foam and bubble before our eyes.
I was paralyzed. I couldn't quite believe what was happening. Those books hadn't described any of this. I was feeling dizzy and sick. The shrieks turned to groans and a gurgling deep in his throat. He pulled his hands away from his face and it looked like the disintegrating Portrait of Dorian Gray.
I looked over to Jenks who had an odd expression on his face.
I looked over to Jenks who had on odd expression on his face. He motioned to me and reached for my left hand which, I noticed, was still clutching the airline hag with the stake and hammer in it. I dropped it and he grabbed it off the floor, moving over to the smoking form still squirming in the closet which smelled even more foul than before, and oozing a greenish yellow pus from the crumpled clothing on his scarecrow frame.
Jenks looked back at me and handed me the stake and hammer. 'Go ahead. This was your idea. Finish it.' I declined, turning away.
Jenks spun me around violently and thrust the stake into my left hand. He pushed me toward what was left of Skorzeny and forced me to my knees. He forced my hand toward Skorzeny, positioning the stake over the man's chest. Then he stuck the hammer in my right hand.
'Do it, you gutless sonofabitch. Finish it... now!' And he stepped away.
I looked at him and back at Skorzeny. Then I gave one vicious swing and hit the stake dead center. The thing made a gurgling grunt, like a pig snuffling for food, and started to regurgitate a blackish fluid from its mouth. I closed my eyes, took a deep breath and hit the stake three more times. Then I fell back and threw up.
When I looked back, Skorzeny's hands, or what was left of them, clutched at the stake trying to pull it out. Suddenly, he emitted a kind of moaning, sucking sound, gagged and more bile-colored liquid flecked with black and red came coiling up in a viscous rope like some evil worm from his mouth. And he stopped moving, his hands still clutching the stake.
Then a sort of gaseous mist started to rise from his body and it was so much worse than the original smell that I pushed Jenks aside and ran from the house. I ran all the way to a patrol car where I slumped against the left front wheel as Jenks slowly strolled toward me. He walked past me, ignoring me, and opened his trunk, taking out a couple of small gas cans, and headed back to the house. I wasn't paying much attention until he left the house again
and I saw it was aflame.
”
”
Jeff Rice (The Night Stalker)
“
I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets
returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted
stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one
eye on the black-and-white television in the distance; of the old booksellers who lurch from
one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of
the barbers who complain that men don’t shave as much after an economic crisis; of the
children who play ball between the cars on cobblestoned streets; of the covered women
who stand at remote bus stops clutching plastic shopping bags and speak to no one as they
wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of
the teahouses packed to the rafters with unemployed men; of the patient pimps striding up
and down the city’s greatest square on summer evenings in search of one last drunken
tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of
the wooden buildings whose every board creaked even when they were pashas’ mansions,
all the more now that they have become municipal headquarters; of the women peeking
through their curtains as they wait for husbands who never manage to come home in the
evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in
the courtyards of mosques; of the tens of thousands of identical apartment house entrances,
their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries
on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the
markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled;
of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the
pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold
mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of
the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the
smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings,
now porn cinemas frequented by shamefaced men; of the avenues where you never see a
woman alone after sunset; of the crowds gathering around the doors of the state-controlled
brothels on one of those hot blustery days when the wind is coming from the south; of the
young girls who queue at the doors of establishments selling cut-rate meat; of the holy
messages spelled out in lights between the minarets of mosques on holidays that are
missing letters where the bulbs have burned out; of the walls covered with frayed and
blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces
in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow
alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose
lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like
gateways to a second world, and of their cypress trees; of the dim lights that you see of an
evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets
who try to sell the same packet of tissues to every passerby; of the clock towers no one ever
notices; of the history books in which children read about the victories of the Ottoman
Empire and of the beatings these same children receive at home; of the days when
everyone has to stay home so the electoral roll can be compiled or the census can be taken;
of the days when a sudden curfew is announced to facilitate the search for terrorists and
everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE
”
”
Orhan Pamuk (Istanbul: Memories and the City)
“
The neighbor’s dog burst into frenzied barking. Devon jumped so hard, she clutched the door. Toby was a big dog with a loud bark. He sounded right outside the window, crazy loud snarling barks like he wanted to tear something apart. The barking stopped. Devon heard a car, and a faraway truck, and birds. Then a creak from the front of the house. Her heart slammed. Devon couldn’t tell if the sound came from inside the house, or out. It could have been the wind. It might be Toby. Thump. Devon peeked up the hall. The hall was empty, but her heart beat a vicious patter, and she wanted to run. Thump. Creak. She ducked into the office, but stayed at the door. Listening. Straining to hear. Inside or out, she still couldn’t tell. Stop! You’re imagining things! Maybe from the dining room, a noise from outside coming through the open slider. Her phone buzzed, startling her as much as the barking. Devon had forgotten her phone. She saw Cole’s name, and covered her mouth.
”
”
Robert Crais (The Wanted (Elvis Cole, #17; Joe Pike, #6))
“
Soon after three o'clock on the afternoon of April 22nd 1973, a 35-year-old architect named Robert Maitland was driving down the high-speed exit lane of the Westway interchange in central London. Six hundred yards from the junction with the newly built spur of the M4 motorway, when the Jaguar had already passed the 70 m.p.h. speed limit, a blow-out collapsed the front nearside tyre. The exploding air reflected from the concrete parapet seemed to detonate inside Robert Maitland's skull. During the few seconds before his crash he clutched at the whiplashing spokes of the steering wheel, dazed by the impact of the chromium window pillar against his head. The car veered from side to side across the empty traffic lanes, jerking his hands like a puppet's. The shredding tyre laid a black diagonal stroke across the white marker lines that followed the long curve of the motorway embankment. Out of control, the car burst through the palisade of pinewood trestles that formed a temporary barrier along the edge of the road. Leaving the hard shoulder, the car plunged down the grass slope of the embankment. Thirty yards ahead, it came to a halt against the rusting chassis of an overturned taxi. Barely injured by this violent tangent that had grazed his life, Robert Maitland lay across his steering wheel, his jacket and trousers studded with windshield fragments like a suit of lights.
”
”
J.G. Ballard (Concrete Island)
“
I took a shower, threw my covers back, and slipped into bed wearing nothing but Jamie’s T-shirt. I clutched the note to my chest as I pressed the button to listen to my nightly message. I went sailing today with Chelsea, he said. I thought about your hair whipping across your face, your pink cheeks, and the huge smile you had on your face as we sailed across the bay. I just wanted you to know that I was thinking about you. I can’t get you out of my mind. I’m always thinking about you.
Me too.
I pressed END and reached down beside the bed to where I had set the note. When I read it again, this time I cried.
Katy, my angel,
I had to go to Portland. My father had a heart attack and they don’t know if he’s going to make it through the night. Please don’t leave. If I can’t get back by tomorrow, I’ll send a car and get you a flight up here. Please, please don’t leave. I have something really important to tell you besides the fact that I am completely in love with you.
—J
In the morning, the note was crumpled up on my chest. I got up and spread it out on the counter. I underlined the last line and then wrote WHY? underneath it. I stuffed it into an envelope and mailed to it the R. J. Lawson Winery. I laughed to myself as I wrote Attn: The Owner. I spent Sunday in my apartment, not moping. I did a yoga video, edited some of Beth’s latest article, and then devoted the afternoon and evening to a marathon of MythBusters, during which I learned that Jack’s death in Titanic was totally unnecessary. Had that selfish bitch, Rose, given up her life jacket to tie under that wooden door, it would have been buoyant enough to hold them both. Damn her. I slid into bed at seven and listened to Jamie’s latest voice mail over and over.
”
”
Renee Carlino (Nowhere but Here)
“
As Regina McGowan pulled her silver Volvo SUV into the driveway in front of the huge, farmhouse-style home, all Megan could see was boys. Boys everywhere. All seven of them plus their dad, running and laughing and shoving each other around on the front lawn, engaged in what appeared to be a full-contact, tackle version of ultimate Frisbee. They were playing shirts and skins. Shirts and mighty-fine-lookin’ skins.
Megan’s pulse pounded in her ears. Forget evil, laughing little monsters. These guys had been touched by the Abercrombie gods. They were a blur of toned, suntanned perfection.
For a few seconds, Megan had trouble focusing on any one of them, but then one of the skins scored a goal and jumped up, arms thrust in the air, whooping in triumph as he clutched the Frisbee in one hand. His six-pack abs were dotted with sweat and a couple of stray pieces of torn grass. His smile sent shivers right through Megan’s core. He had shaggy blond hair, a square chin, and the most perfect shoulder muscles Megan had ever seen. One of his brothers slapped him on the back and pointed toward the Volvo. He turned around and looked right at Megan.
The rest of the world ceased to exist.
“Well, here we are,” Regina said, killing the engine. “Megan?”
He smiled slowly--a perfect, open, happy smile.
“Megan?”
Something touched Megan’s arm.
“Oh! Uh…yeah?” Megan whipped her eyes away from Mr. Perfection and blushed.
Regina’s brown eyes twinkled with amusement and sympathy. “You can live in the car if you want to, but they’ll find a way to get to you anyway.”
“Oh…uh…” God, did she just catch me drooling all over one of her kids? Gross!
“Don’t worry. They promised me they would be on their best behavior,” Regina said, unbuckling her seat belt. She swung her long dark hair over her shoulder as she got out of the car and leaned down to look at Megan. “My advice? Just be yourself. I’m sure you’ll be fine.”
Megan managed to smile and Regina slammed the car door. Be myself. Yeah. Right. Because that’s gotten me so far in the past.
”
”
Kate Brian (Megan Meade's Guide to the McGowan Boys)
“
I clutched her hand and pulled it to my chest. "Make me a promise, Reagan," I whispered.
"Anything, name it."
"If I ever treat you anything less than precious, promise that you'll tell me so and remind me of this conversation."
"I promise, and promise me that you'll do the same."
We linked our fingers as we did sitting in my car, which seemed like a lifetime ago. The feeling of that connection was the last thing I was aware of before we both drifted off to sleep.
”
”
Robin Alexander (Gift of Time)
“
Story 6: Ferrari In 1948, a peasant farmer started a business making tractors. Within five years this man – Ferruccio – was one of the richest men in Italy. He amassed a fine collection of cars – Alfa Romeos, Maseratis, Lancias – but his heart belonged to his Ferraris, of which he owned six. Just one thing bothered him: all of his Ferraris had clutch problems. One day in his workshop he discovered why: the clutch in his Ferraris was the same part he used in his tractors. Ferruccio complained to Enzo Ferrari, who replied: “Ferruccio, you may be able to drive a tractor but you will never be able to handle a Ferrari properly.” Ferruccio was furious. He vowed to make a car worthy of beating a Ferrari. And as it happens, that’s exactly what he did. He took his revenge by creating one of the most powerful, well renowned cars in the world. The farmer’s full name: Ferruccio Lamborghini. How to use this story
This story works well any time you’re working on a goal that some people doubt can be achieved. It’s good for encouraging your audience to dig deep and prove the doubters wrong!
”
”
Ian Harris (Hooked On You: The Genius Way to Make Anybody Read Anything)
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There was more security around the building, lately. Some days, cars were searched when they arrived. Protesters had started showing up, sometimes in ones and twos, sometimes by the dozen. Often, mothers would come, clutching blown-up photographs of their dead children. They looked like the Mothers of the Disappeared in Argentina. Some chanted their loved ones’ names; others just stood there silently, bearing stark witness, embodying, with an awful steadfast dignity, the idea that Nan Goldin kept repeating about how a generation of people had been wiped out.
”
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Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty)
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There are so many subtle ways we women subconsciously protect ourselves throughout the day; protect ourselves from shadows, from unseen predators. From cautionary tales and urban legends. So subtle, in fact, that we hardly even realize we’re doing them. Leave work before dark. Clutch our purses to our chest with one hand, hold our keys between our fingers in the other, like a weapon, as we shuffle toward our car, strategically parked beneath a streetlight in case we weren’t able to leave work before dark. Approach our car, glance in the back seat before unlocking the front. Grip our phone tight, pointer finger just a swipe away from 9-1-1. Step inside. Lock it again. Do not idle. Drive away quickly.
”
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Stacy Willingham (A Flicker in the Dark)
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Dudley gently released himself from his mother’s clutches and walked towards Harry, who had to repress an urge to threaten him with magic. Then Dudley held out his large, pink hand. ‘Blimey, Dudley,’ said Harry, over Aunt Petunia’s renewed sobs, ‘did the Dementors blow a different personality into you?’ ‘Dunno,’ muttered Dudley. ‘See you, Harry.’ ‘Yeah …’ said Harry, taking Dudley’s hand and shaking it. ‘Maybe. Take care, Big D.’ Dudley nearly smiled, then lumbered from the room. Harry heard his heavy footfalls on the gravelled drive, and then a car door slammed.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
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CALL TO LOVING ARMS “Can’t you hear it?” I didn’t need a car in London. But when we moved to America, my husband taught me to drive on the manual-shift car he’d bought second-hand at age 16. I struggled to learn when to change gears. I’d start in first and accelerate until the car was pleading for second. Focused on the road ahead, I’d miss the tell-tale sound. “Can’t you hear it?” Bryan would ask. I’d rush to switch from accelerator to clutch, grab the gear stick, pull it back, and slide it across so I could push it forward again into second. And so we’d go on, until the car was crying out for third. Perhaps, like me, you’re a follower of Jesus, and you want to keep your foot on the gas. There is so much that we Christians need to do, and so far we need to go to see people from every tribe and nation won for Christ. But after 12 years living in America, I’m convinced that in order to make progress we must change gears. Rather than just ramming our foot down, we must pull the gear stick back and do the hard work of repentance before shifting into second or third.
”
”
Rebecca McLaughlin (The Secular Creed: Engaging Five Contemporary Claims)
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THIRTY-THREE MUNICH, GERMANY
1:00 PM WILKERSON HAD SLEPT WELL, SATISFIED BOTH WITH HOW HE’D handled himself at the lodge and with Dorothea afterward. Having access to money, few responsibilities, and a beautiful woman weren’t bad substitutes for not being an admiral. Provided, of course, that he could stay alive. In preparation for this assignment, he’d back-checked the Oberhauser family thoroughly. Assets in the billions, and not old money—ancient money that had lasted through centuries of political upheavals. Opportunists? Surely. Their family crest seemed to explain it all. A dog clutching a rat in its mouth, encased inside a crested cauldron. What myriad contradictions. Much like the family itself. But how else could they have survived? Time, though, had taken a toll. Dorothea and her sister were all the Oberhausers left. Both beautiful, high-strung creatures. Nearing fifty. Identical in appearance, though each tried hard to distinguish herself. Dorothea had pursued business degrees and actively worked with her mother in the family concerns. She’d married in her early twenties and birthed a son, but he was killed five years ago, a week after his twentieth birthday, in a car accident. All reports indicated that she changed after that. Hardened. Became enslaved to deep anxieties and unpredictable moods. To shoot a man with a shotgun, as she’d done last night, then make love afterward with such an unfettered intensity, proved that dichotomy. Business had never interested Christl, nor had marriage or children. He’d met her only once, at a social function Dorothea and
”
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Steve Berry (The Charlemagne Pursuit (Cotton Malone, #4))
“
Max grinned triumphantly and grabbed a chair, turning it so that he could sit on it backwards as he leaned close to me.
“Tell me about the boyfriend who left you to drown in that car,” he urged, reaching out to touch my cheek. “Did you give him your V-card too?”
A flicker of fear shuddered through me as I remembered sinking to the bottom of that river. But he’d been wrong about the V-card guess. I’d given my virginity to a wholly different asshole.
“No,” I breathed. “I didn’t.”
“You wanna tell the group who did then?” Max asked with a grin, his power wrapping me in thick cords and refusing to let go. In place of the fear that had been pulling at me, I felt lust building in my veins and my flesh heated at the memory of a dark room, roaming hands-
Oh hell no, you psychotic asshole!
I shoved all of my will into fighting off the pull of his gift and my fist snapped out with every inch of rage I was harbouring against this douchebag. My knuckles collided directly with the centre of his throat. Max fell back off of the chair with a cry of pain and hit the floor with the chair on top of him. The Siren spell was broken and I was on my feet half a second later, flames springing to life in my hands.
I spared half a glance at the other Heirs but they only looked on in surprise. This was between me and Max and they weren’t going to get involved for once.
“You crazy bitch,” Max wheezed, his voice strangled with pain.
“I am a crazy bitch,” I agreed, glaring down at him. “And if you try that screwed up Siren shit on me ever again you’ll find out just how much of a bitch I can be.”
He hissed a curse and raised a palm, throwing a wave of water at me. I unleashed the fire in my hands, throwing a torrent of power into the blow and the two Elements collided in the space between us, cancelling each other out with a hiss of steam.
Max scrambled backwards, preparing a second blow and adrenaline shot through my limbs. I was outmatched here and he knew it.
I may not have been able to fight him with magic but I’d grown up in the shittiest part of town and I sure as hell knew how to brawl like a cornered alley cat.
Before he could cast another spell at me, I aimed a kick at his balls.
Max grunted a curse as he doubled in on himself, clutching his manhood. I leaned down to speak to him in a low tone.
“I’d think long and hard about trying to pull any more secrets from my lips,” I hissed. “Because some of the ones I’m keeping aren’t my own.”
His eyes widened in surprise as he looked up at me.
“If you tell anyone what I said when you were Song-Spelled then I’ll-”
I interrupted him before he could threaten me with anything, my voice low and cold. “It won’t matter what you do to me after. Your secret will be out there. So I think you were just about to agree to keeping your leech powers to yourself.”
Max scowled as he propped himself up on one arm, the pain in his balls obviously easing off.
“Fine,” he spat, as if he was going to get up but I wanted to really make sure he got the point.
I lifted my palms at Max as Darcy cried out in encouragement and I sent a wave of air crashing into him. It caught him in its grip and sent him flying into the air and tumbling away from me across the room.
(Tory)
”
”
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
“
I haven’t been drained that low in a long time. I shouldn’t have tried to take so much all at once,” I muttered, wanting to apologise but not quite finding the right words beyond that statement.
“Well feel free to just steal all of mine then,” Darcy spat icily, clutching her neck tighter. I had the urge to heal her, but knew if I tried to touch her again, she’d only recoil.
The ambulance pulled away and I glanced around, double checking Darius wasn’t here and I was glad to find he’d listened to me for once. That was something anyway.
“Come on, I can drive you girls back in my car,” I offered. I’d left my Faerrari parked at the Acrux Hotel when I’d last visited Tucana, opting to stardust home because I’d been too drunk to drive. But I hadn’t had any magical drinks tonight, so I’d healed myself of the effects of the whiskey I’d consumed before coming to get Darius from the nightclub.
Tory’s lip curled back as she glared at me with poison in her gaze.
“We’re not going anywhere alone with you,” Darcy said bitterly, distrust in her eyes.
“Don’t be ridiculous,” I snapped, stepping forward to get hold of her. I’d protect her tonight whether she liked it or not.
Tory moved to intercept me and Caleb joined her too like a prime asshole.
“You don’t fucking touch her again,” Tory growled.
I narrowed my eyes at her, about to object, but as my gaze slid to Darcy over her shoulder and I saw the wall in her eyes that told me to get fucked, I knew I wasn’t going to win this fight.
“Bastard,” Darcy hissed at me, looking woozy. Shit, I needed to heal her. And I could get her a blood replenishing potion back at the academy.
“Come on, girls. The bus is gonna leave soon,” Caleb said, tugging Tory after him but she dug her heels in, waiting for Darcy.
I opened my mouth to try and find the words that would convince Blue to stay with me, but she walked straight past me with her cheek turned and Tory threw me one more filthy look before they all headed down the street to the bus stop where mountains of students were gathering. Professors were among them and I knew they were safe enough in numbers, but my feet were still rooted to the pavement as I watched Darcy leave.
You drank way too much. You have to get a grip. How are you going to keep feeding from her if you act like a monster every time your teeth are in her?
I’d never had this problem before. The only thing I could compare it to was when my magic had been Awakened and my Order had Emerged. That first feed had made me feel like a ravenous beast with a bottomless stomach, and yet it still didn’t have a pinch on what it was like to feed from Blue.
Caleb led Tory and Darcy past the queue straight onto the bus and my hackles rose as they joined Max and Seth on the back seats. And as Seth pulled Darcy close to him and nuzzled against her cheek, that feral animal in me awoke once more.
I took out my Atlas and shot an update to Francesca, anxiously scoring my fingers through my hair.
Just as the bus pulled away and rounded a corner, the FIB appeared on the street and I was immediately surrounded by three agents with dark frowns on their faces.
“Lance Orion, you need to come down to the station and make a statement,” Captain Hoskins said and I sighed, knowing it was going to be a long ass night.
I agreed and as I was stardusted away to the precinct, my heart was tugged in another direction, nearly forcing the stars to guide me elsewhere. But the captain ensured I made it to where he wanted to take me and I made a silent prayer to the stars that Darcy wouldn’t end up in Seth Capella’s bed tonight. Because I wasn’t sure I could control the demon in me who’d want his head for that.
(ORION POV)
”
”
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
“
In Minnesota, they were seizing cars from every siding, from the Mesabi Range, from the ore mines of Paul Larkin where the cars had stood waiting for a dribble of iron. They were pouring wheat into ore cars, into coal cars, into boarded stock cars that went spilling thin gold trickles along the track as they clattered off. They were pouring wheat into passenger coaches, over seats, racks and fixtures, to send it off, to get it moving, even if it went moving into trackside ditches in the sudden crash of breaking springs, in the explosions set off by burning journal boxes. They fought for movement, for movement with no thought of destination, for movement as such, like a paralytic under a stroke, struggling in wild, stiff, incredulous jerks against the realization that movement was suddenly impossible. There were no other railroads: James Taggart had killed them; there were no boats on the Lakes: Paul Larkin had killed them. There was only the single line of rail and a net of neglected highways. The trucks and wagons of waiting farmers started trickling blindly down the roads, with no maps, no gas, no feed for horses—moving south, south toward the vision of flour mills awaiting them somewhere, with no knowledge of the distances ahead, but with the knowledge of death behind them—moving, to collapse on the roads, in the gullies, in the breaks of rotted bridges. One farmer was found, half a mile south of the wreck of his truck, lying dead in a ditch, face down, still clutching a sack of wheat on his shoulders. Then rain clouds burst over the prairies of Minnesota; the rain went eating the wheat into rot at the waiting railroad stations; it went hammering the piles spilled along the roads, washing gold kernels into the soil.
”
”
Ayn Rand (Atlas Shrugged)
“
I close and lock my car door and gather my clutch in my hands, positioning it in front of my belly. My first ultrasound is in three days and I plan to tell Ian’s parents about the pregnancy afterwards—as long as everything looks good.
”
”
Sunday Tomassetti (You Have to Believe Me)
“
He cracks his neck from side to side, cursing under his breath before stepping in my direction. He grabs the door handle and pulls the door open. I clutch the seat belt as I stare up at him. “Out,” he says again.
“No.”
“This is a part of your job.”
“No, I get paid to sing.”
“You get paid because I allow it, but your ass is mine while I have you. Now, get out of the car.
”
”
Kia Carrington-Russell (Deranged Vows (Lethal Vows #4))
“
You have no other choice, I tell myself. There is no other way.
With that in mind, I pull the door shut and look for a seat belt to buckle. I find only the frayed end of a seat belt and a broken buckle.
“Where did you find this piece of junk?” says Christina.
“I stole it from the factionless. They fix them up. It wasn’t easy to get it to start. Better ditch those jackets, girls.”
I ball up our jackets and toss them out the half-open window. Marcus shifts the truck into drive, and it groans. I half expect it to stay still when he presses the gas pedal, but it moves.
From what I remember, it takes about an hour to drive from the Abnegation sector to Amity headquarters, and the trip requires a skilled driver. Marcus pulls onto one of the main thoroughfares and pushes his foot into the gas pedal. We lurch forward, narrowly avoiding a gaping hole in the road. I grab the dashboard to steady myself.
“Relax, Beatrice,” says Marcus. “I’ve driven a car before.”
“I’ve done a lot of things before, but that doesn’t mean I’m any good at them!”
Marcus smiles and jerks the truck to the left so that we don’t hit a fallen stoplight. Christina whoops as we bump over another piece of debris, like she’s having the time of her life.
“A different kind of stupid, right?” she says, her voice loud enough to be heard over the rush of wind through the cab.
I clutch the seat beneath me and try not to think of what I ate for dinner.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
In order to select a gear, the clutch pedal must be depressed - I don’t mean ‘not happy’, I mean pushed fully to the floor!
”
”
Martin Woodward (Clutch Control & Gears Explained - Learn the Easy Way to Drive a Manual (Stick Shift) Car and Pass the Driving Test With Confidence!)
“
Several times, I woke to the sound of him tapping his grey nails against the steering wheel. When I opened my eyes to look at him, I could see his elongated canines. At those times, I wanted to reach over and pat his leg, but I held myself back. When I woke to see his ears pointed too, I quietly studied him for a few minutes. I knew I was the cause of his agitation. He’d sensed my withdrawal. I hadn’t wanted him to see my confusion. I wanted to talk to Sam first, before saying anything to Clay. But my approach obviously wasn’t the right one. Clay had stuck by me through everything. I needed to trust that he wouldn’t turn away from me after I revealed what had happened. “Clay...” He paused his tapping. “Could you pull over for a minute?” He glanced at me, lifted a concerned brow, but did as I asked. The tires crunched on the snowy shoulder. He stopped the car then turned toward me. A sad smile lifted my lips. I hated to see him like this. I tapped my lips. I needed affirmation that we still had our connection, and he needed assurance I was fine. His tight grip on the steering wheel loosened, and he shook his head in amusement. I held my breath as he leaned toward me. Clay cradled my face in his hands and kissed me tenderly. I clutched his shirt, dragging him closer. When he opened his mouth to nip my bottom lip, I groaned and willingly let him in. We steamed the windows. My lungs burned for air. Finally, I had to pull away to catch my breath. He wrapped his arms around me and placed small gentle kisses on the top of my head. His neck hovered in my line of sight. I could give him what he wanted. A quick bite and I wouldn’t need to worry about other potential Mates. I could Claim him as my own. But I didn’t want to hurt him anymore. Physically or emotionally. I pulled back from our make-out session. Clay gave me one last kiss on the lips then put the car in drive. The smooth, tan skin of his very human ears called my attention, as did his clean, pink nails. He looked content, no longer tapping his fingers while he stared ahead at the snow-covered roads. I
”
”
Melissa Haag (Hope(less) (Judgement of the Six #1))
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No matter where he went in the City, there was an odoriferous mix of food and vehicles, like the alchemic concoctions of some mad gourmet mechanic: Kung Pao Saab Turbo, Buick Skylark Carbonara, Sweet-and-Sour Metro Bus, Honda Bolognese with Burning Clutch Sauce.
”
”
Christopher Moore (Bloodsucking Fiends (A Love Story, #1))
“
Jo!” I heard a voice call.
I straightened just in time to see Alex dash up the front walk.
“I thought you had practice,” I said.
“Cancelled,” Alex said shortly. He made the front porch and pushed back the hood of the sweatshirt he had on beneath his letterman’s jacket. His breathing was quick, as if he’d run all the way from school. “I tried to catch you guys but you’d already gone.”
“Elaine’s at her house,” I said.
Alex gave an exasperated laugh and moved to put his hands on my shoulders, a thing that pretty much made me forget all about my dad’s car in the drive. Apparently Alex had decided that the waiting period was over.
“I didn’t sprint ten blocks to see Elaine,” he said. “I came to see you. There’s something I want to ask you, Jo.”
“No, you can’t borrow my math homework,” I said.
“Shut up, you idiot,” Alex said, giving me a shake. “I want you to go with me to the prom.”
I opened my mouth, then closed it again. An action which no doubt made me look exactly like a fish out of water.
“That wasn’t a question,” I finally said.
Alex rolled his eyes. “Do you want to know why I like you?” he asked. “It took me a while, but I figured it out. It’s because you’re so impossible.”
A laugh bubbled up and out before I could stop it.
“Impossible,” I repeated. “What about annoying?”
“That too,” Alex nodded. “You’re impossible and annoying and unpredictable. Will you please go with me to the prom?”
“Aren’t you worried about what will happen if I say yes?” I asked.
“Uh-uh,” Alex shook his head. “I’m only worried that you’ll say no.”
“I’m not going to do that,” I answered steadily. “Thank you, Alex. I’d love to go with you to the prom.”
For a moment, he simply stood, his hands on my shoulders. “You’d better hold still,” he warned.
“Why’s that?”
“Because I’m going to kiss you now.”
Words failed me. Which turned out to be a very good thing as, for the next few minutes, I needed my lips for something else anyhow.
The kiss ended and Alex eased back. There was an expression on his face I’d never seen before. Sort of startled and blank all at once, as if he’d just discovered something he hadn’t expected but couldn’t quite put a name to.
“Well,” he said.
“Bet you say that to all the girls,” I replied.
“I’m that obvious, huh?”
“Actually, no.”
“Now who’s being nice?” Alex said. He stuck his hands in his pockets. “So, I guess I’ll see you tomorrow.”
“Okay,” I said. He turned, and I watched him sprint off down the walk. It was only then that I realized I was still clutching my sopping wet shoes.
Very smooth, Jo. No wonder the guy can’t resist you, I thought.
”
”
Cameron Dokey (How Not to Spend Your Senior Year (Simon Romantic Comedies))
“
A piercing cry came from the playroom. Preacher was on his feet at the same moment Chris came flying into the kitchen, holding his forearm with his other hand. He ran to his mother, with a look of pain and fear, his mouth open in a wail, tears on his face. Paige instantly drew him in, asking, “What’s wrong? What’s wrong?” Preacher leaned over, pulled Chris’s hand away, saw the perfect outline of a juvenile mouth and, with an expression of sheer horror and disbelief, leveled his gaze at Bud. “Someone bit him!” “Aw, kids. They’ll work it out,” Bud said, waving his hand, as though leaving them completely unsupervised had nothing to do with him. Gin said, “I’ll get something for that,” and jumped up. Dolores left the table saying, “Ice. I’ll get ice.” Preacher gently drew Chris away from Paige and lifted him up against his broad chest. Chris put his head on Preacher’s shoulder and cried. He met Paige’s eyes and he was sure that despite his greatest effort to remain calm, his were ablaze. Paige stood, regally, Preacher thought with a touch of pride, and said, “We’ll be going now.” “Sit down,” Bud said sharply, and Preacher was as close as he’d ever been to coming completely unhinged. He passed Chris back to his mother as calmly as he could, then leaned both hands on the table, pressed his face close enough to Bud’s so that Bud actually leaned back a little bit. Out of the corner of his eye, he saw that Paige had her bag over one shoulder and Chris lying against the other, headed for the front door. “We’re going to miss those steaks,” he said in a very menacing whisper. Then he picked up the fork he’d been squeezing and saw that it was a little bent. He bent it the rest of the way, folding it in half with one meaty hand. He dropped it on top of Bud’s salad. “Don’t get up.” By the time Preacher caught up with Paige, she was halfway down the walk toward the truck and already the women were fluttering out the door, calling after her. With no experience at this at all, having never before been in this position, Preacher knew what was going down. They were going to make excuses for Bud, maybe apologize for him, probably beg Paige to come back. He put a soft hand on her shoulder and she stopped, turning toward him. He reached for Chris. “Here,” he said, taking the boy tenderly. “Say goodbye. We’ll get settled.” He got Chris in the car seat while Paige and the other women were still on the walk. Each one of them took one of Paige’s hands, but she pulled out of their clutch. “Lemme see that arm, buddy,” Preacher said to Chris. “Aw, that’s going to be all right. Hey, how about pancakes? Breakfast for supper, huh?” He nodded and sniffed back tears. Preacher wiped a big thumb under each eye. “Yeah, pancakes. And chocolate milk.” Chris nodded again, a slight smile on his lips. Preacher
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Robyn Carr (Shelter Mountain (Virgin River, #2))
“
calm herself down. “I’m getting married today. Today.” “Just relax,” I command in a stern, take-charge voice. “What’s going on?” “Oh, Helen. I’m just so stressed out. Where are you? I was hoping you’d show up last night. Aren’t you coming? I thought you’d be coming.” “Yeah,” I tell her, groaning and repositioning my sore body. Liam has turned on the car to begin warming us up, but it hasn’t started working yet. “I’m on my way to you. I was living in New Hampshire, so it’s a bit of a trip.” “Thank goodness,” Carmen says, and her tears abate almost immediately. “I can’t wait to see you! How long until you get here?” “Uh. I don’t know. A few hours?” “Great! Oh, I’m so glad you’re coming home, Hellie. I invited a bunch of great guys that I went to school with, so maybe I can introduce them to you, and one of them can be your date!” “Wait, what?” I say grouchily, blinking and rubbing my eyes. My vision might not work, but my eyes still feel gross after sleeping for a few hours. “A date? Why do I need a date?” “Because you’re my sister! You can’t be single at your sister’s wedding. Everyone knows that. We need to find a handsome man for you to wear on your arm. There’s this guy, Brad—I met him in a philosophy class, but now he’s a copyright lawyer. He’s very passionate about intellectual property. I figured that you two might have something in common, since he sort of works with books?” “Carmen, are you insane?” I say angrily, clutching my head. “I don’t want to date some douchebag lawyer. I’m
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Loretta Lost (Clarity (Clarity, #1))
“
Please reconsider.” Mitch’s words were soft, yet firm, as if he was fighting back a demand he couldn’t quite leash. “I don’t want you staying here.” She fixed her attention on the lobby door. The vacancy sign winked mockingly. She clutched the credit card more tightly. “I can’t.” He turned, shifting in his seat, his long legs hitting the console. “Why?” She bit the inside of her cheek. Why was this so hard? It should be easy to walk away. For all intents and purposes, he was a stranger: leaving should be simple. Her gaze dipped down to the door handle. The hard lump of guilt sat like a rock in her stomach. What kind of a person was she that she’d had an easier time walking away from her wedding than getting out of this car? Next to her, Mitch waited; the air was tense with everything unsaid. He was different from Steve in that way. If she’d had this conversation with Steve, he would have answered his own question already. She traced her index finger along the cool metal door handle. If he bothered to even ask the question in the first place. She took a deep breath and expelled it slowly. “People have been taking care of me for so long, I can’t remember what it’s like to make my own decisions.
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Jennifer Dawson (Take a Chance on Me (Something New, #1))
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I guess there’s nothing else to say.” “Oh, I don’t know about that,” he said, crooking a finger. “Come here.” Her throat went dry, and her heart gave a thud. On instinct, she shook her head. His expression turned ruthlessly intent. “Maddie, I’ve been thinking about that mouth of yours for almost twenty-four hours straight. You don’t think I’m going to let you go without touching you, do you?” Had it only been one day? How was that even possible? It seemed as though a lifetime had passed since she’d run out on her wedding. “Um . . .” She swallowed hard and squeaked out, “Yes?” A long pause filled with sexual awareness so thick it practically coated the air. How did he do it, flip the mood? Only moments ago, she’d felt bereft, but with one wicked glance she’d forgotten everything dogging her. “I’ll tell you what.” He smiled, and it was so filled with cunning that the fine hairs on her neck rose in anticipation. “Tell me you won’t regret it and we can end things right here with a friendly pat on the back.” “I-I d-don’t know what you mean,” she lied, loving and hating the direction the conversation had taken. “Do I need to spell it out?” “No?” The word was a question instead of the statement she’d intended. “You want to take care of yourself, right?” She nodded, sensing a trap but unable to stop playing into his hands. He leaned close, placing his elbow on the console, taking up every spare inch of breathing room. “You’re ready to ditch the good Catholic girl and start doing what you want?” The strange mixture of lust and irritation he evoked pulled in her stomach. “Well, when you put it that way.” The curve of his lips held a distinct sexual tilt. “If you get out of this car untouched, tell me you won’t lie in bed late at night and regret it. Tell me you won’t wonder and wish you’d done things differently.” Her pulse hammered and her throat dried up, leaving her unable to breathe, let alone speak. He stroked a path over the line of her jaw, and Maddie forced her eyes to stay open instead of fluttering closed from sheer desire. Why did it feel like an eternity since he’d touched her? Even more troubling, why did his hands feel so right? The slightly rough pads of his fingers trailed down the curve of her neck, leaving an explosion of tingles coursing through her. “And remember, Princess,” he said, in a deep rumble of a voice that vibrated through her as though he were her own personal tuning fork. “Lying is a sin.” She gasped, sucking in the last available bit of air left in the car. “That’s a low blow.” He gave a seductive laugh, filled with heat and promise and the kind of raw passion she’d always dreamed about. “I’m not above playing dirty.” A sly smirk as he rubbed a lazy circle over skin she hadn’t known was sensitive. “In fact, I think you prefer it that way.” “I do not!” Her heart beating far too fast, she clutched at the credit card hard enough to snap it in two. “Liar.” He slipped under the collar of her T-shirt to wrap a possessive hand around the nape of her neck. “I’m waiting.” She gritted her teeth to keep from moaning. How did one man feel so good? Hot and sinful. Irresistible. She whispered, “For what?” “My answer,” he said, inching closer. Their mouths mere inches away. She swallowed hard. The truth sat on the tip of her tongue, and for once in her life, she decided to speak it instead of stuffing it back down. “I’d regret it.” “Exactly,” he said, the word a soft breath against her skin. The pad of his thumb brushed over her bottom lip, sliding over the dampness until it felt swollen. Needy. “I can’t live with myself unless I’ve tasted this mouth.” This
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Jennifer Dawson (Take a Chance on Me (Something New, #1))
“
In the back of the van, the teenager was sitting on a layer of small bricks wrapped in wax paper. He was clutching what looked like a slot car controller, his fist clenched around it. “Release-activated detonator,” Ice stated calmly, “and probably at least half a ton of C4.” “I’ve seen this before,” said Vance. “You see how he’s clean-shaven, head and all. I’ve seen this before in Yemen. He’s been purified for the big bang. Poor bastard’s well and truly been brainwashed.
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Jack Silkstone (PRIMAL Origin (PRIMAL, #1))
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They shouted at us to come with them. I knew what they were going to do; we had heard enough stories of the brutal rapes and murders. Clutching each other’s hands, Munira and I tried to make a run for it, but it was too late. We were both grabbed by the men and dragged toward the waiting car, its engine still running. Again I cried out to God, and as I did, the Holy Spirit fell on me. I was praying in heavenly language as I hit and punched, using karate kicks and tae kwon do moves. In a few minutes I got free and thought Munira was, too. I started running, but as I looked back, I saw my friend, paralyzed by fear and unable to fight or run, being bundled into the car. “Munira,” I shouted, running back. I couldn’t leave her. With a supernatural strength that was not mine, I grabbed Munira and tried to pull her from their clutches. It was a real fight, but eventually we were both free, although bruised and bleeding. We ran as fast as we could out of the area. Later I realized that even though the men had guns, they hadn’t shot at us. I knew that this was God. He had again protected us.
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Samaa Habib (Face to Face with Jesus: A Former Muslim's Extraordinary Journey to Heaven and Encounter with the God of Love)
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In a fit of sudden rage, Gary stripped the book from Chiang-gong’s grasp, clutched it with a white-knuckled, vicelike grip, groaning, and then threw it out the door of the house where it hit the car and dropped to the ground, the pages fluttering in the wind. Quietly, Chiang-gong walked outside and picked it up. He stared down the street and he shielded his eyes, squinting at something in the distance. Then he turned to the others in the house and shouted, “Soldier, they coming!
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B.C. Chase (Paradeisia: Fall of Paradise)
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Damn.” I slumped back into the seat of the car as Rene drove, worrying like crazy despite the reassuring presence of Drake beside me.
“You do not have the look of a bride,” Rene commented, watching me in the rearview mirror, narrowly missing plowing down a group of schoolgirls crossing the road. “You have the look of one carrying the load of many burdens upon her shoulders.”
“Ack!” I yelled, pointing out the front window.
He glanced at the large truck against which we had, by some miracle, escaped smashing ourselves to smithereens. “Pfft. I was nowhere near that lorry.”
“Had to be a good two inches of space between us,” Jim commented, peering out the window at the truck as its driver screamed and clutched his chest while slamming on his brakes. “You’re losing your touch, Rene.”
My friend, chauffeur, and fate extraordinaire just grinned and gave his particularly Gallic shrug. “I will do better the next time, hein?”
“My money is on you, my man,” Jim replied.
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Katie MacAlister (Holy Smokes (Aisling Grey, #4))
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I’ve got my wife, Judy, in the car,” John said.
“I’ve heard of her,“ a young man shouted from the crowd.
“What you heard about her is not true,” John replied. “They never went to bed.”
Smokey was astonished. John was crazy drunk, making no sense.
“This guy is a killer,” John said, pointing at Smokey and throwing the problem of the stranger his way. Smokey backed away and guided John outside.
“What the hell was that about Judy?” Smokey asked. “It’s between us,” John replied.
In the limousine, the others were drinking champagne. “
I’m tired of you fooling around
,” John said to Judy.
She threw her glass of champagne in his face.
John leapt out of the car and ran toward the club. Smokey followed and grabbed John in a full body embrace, locking his arms at his side.
“Let me celebrate my birthday!” John yelled. He broke loose, turned and clutched Smokey’s jacket. “You piss me off,” he said. “Don’t ever grab me again—never, never!”
Smokey nodded. They walked to the car. Before they had driven the four blocks to Morton Street, John had passed out. Smokey carried him inside, undressed him and put him into bed.
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Bob Woodward (Wired: The Short Life and Fast Times of John Belushi)
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Your father negotiated a marriage contract for you. You’re meeting the man today. As in right now. His car just pulled up.” Lili falls still. She swallows. Other than that, she has no reaction. “You took that better than I expected. Brave girl. So that’s the bad news. The good news is that if I don’t approve of his choice, the contract will be canceled.” She closes her eyes, exhales, and says faintly, “Holy fucking buckets of cat shit.” “Very creative. Anything else?” She opens her eyes and stares at me in panic, clutching my hands so hard, it hurts. “I don’t want to get married, zia.” “Of course you don’t. You’re sane.
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J.T. Geissinger (Brutal Vows (Queens & Monsters #4))
“
This is it. This is where I die. By my car, clutching my favorite tube of mascara.
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Kat Blackthorne (Ghost (The Halloween Boys, #1))
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What the fuck is going on?” Sloane asks, worry etched in her features, the green hues of her hazel eyes more vibrant against the bloodshot evidence of the worried tears she must have shed during her drive here. “I thought you hated Lachlan. You can’t be serious about marrying him.” “What gave you the impression I hate him?” “You saying, ‘Lachlan is a dickhead, I really hate that guy,’ might be one reason.” I let out an unsteady laugh as I try not to fidget with the bouquet clutched in my iron grip. “Well, he can kind of be a dickhead, sure, but hate might be a bit strong.” Sloane turns toward me, the car still idling in park. “Tell me what the fuck is going on, Lark. You’re my best friend. You’re the most impetuous person I know, but this? A random-as-fuck wedding to Lachlan Kane when you’ve spoken to each other what, like, five times? And all those times have been some kind of miserable? There has to be a reason for this sudden one-eighty.” She shakes her head as fresh tears well at her lash line. Her voice is barely more than a strained squeak when she says, “The math. It ain’t mathin’.
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Brynne Weaver (Leather & Lark (Ruinous Love, #2))
“
Is that the only reason you’re helping me?”
“Isn’t it enough?”
“It is. I’m just wondering if there’s something else.”
“No,” he harrumphed. “Wait, yes. Now I remember—I also want to fuck you again.”
I tripped over my own feet, about to dive into the ground. He caught me by the hem of my shirt, jerking me upright.
I’ll always catch you. When have I ever let you take the hit for something, Dot?
“You did not just say that.” I slapped branches out of my way as I regained my balance.
“Did too. Fair warning—I want much more than fucking this time around. I want dates. I want laughs. I want you to be honest with me. All the stuff that freaks you out for some reason. No strings attached. No commitment. Just fun. A perfect do-over.”
“Why do you need a do-over?”
“So my last memory of us won’t be you almost vomiting because we had sex.”
“I almost vomited because your sister caught us!” I shrieked. “Which is exactly why this won’t happen again. You’re high if you think I’m betraying her trust a second time around.”
“Thought you’d say that. I have great news for you.”
“What?”
“She no longer gives a fuck.”
“That’s not tru—”
“It is. Ask her yourself.”
The confidence with which he’d said that made my heart twist like Play-Doh. What had changed between then and now? Why was she okay with us hooking up all of a sudden?
“Why wouldn’t she care?” I asked in a panic.
“Because it no longer matters.”
“How c—”
“Come on, Bitchy. Put two and two together.”
Bitchy.
He’d called me Bitchy.
The rain intensified, knocking on our faces. I skidded to an abrupt stop. A wave of memories crashed into me all at once, nearly knocking me down on my ass. Everything became crystal clear in one swift moment.
Row defending me when Dylan caught us having sex.
Row teaching me how to slow dance in his room before my very first prom because I knew I would be too terrified to ever dance with anyone else and didn’t want to miss out.
Row and I sitting on the hood of his car, in front of an endless ocean, the moon, and the stars. Me saying, “Isn’t it beautiful?” and him answering, “Yes, you are.”
Row being essentially in love with me.
I couldn’t even touch the other revelation right now. It was too much to process.
Bitchy. Bitchy. Bitchy.
McMonster. Selfless, sweet McMonster. Who seemed to know me inside out. Who could read me like an open book. Could it be?
But it couldn’t be.
No. It couldn't.
Not him.
not the shinest boy in Staindrop.
"No more running." I planted my feet on the pavement, clutching my knees, panting. Tears prickled the back of my eyeballs. Row looked on high alert. Neither of us seemed ready to acknowledge the fact that he was McMonster and I was Bitchy.
For the first time since I'd known him, he looked like a boy. Not a heartthrob, not a world-famous chef, not a formidable boss-- just a boy.
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L.J. Shen (Truly Madly Deeply (Forbidden Love, #1))
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Beauregard hit the clutch and shifted into third. There were no numbers on the gearshift knob. It was an old 8-ball his Daddy had fixed to fit on top of the shifter. He didn’t need numbers. He knew what gear he was in by feel. By sound. The car shivered like a wolf shaking its pelt.
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S.A. Cosby (Blacktop Wasteland)
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She’s old an’ she’s ornery,’’ he said gravely. “I gave the whole thing a good goin’-over ’fore we bought her. Didn’ listen to the fella talkin’ what a hell of a bargain she was. Stuck my finger in the differential an’ they wasn’t no sawdust. Opened the gear box an’ they wasn’t no sawdust. Test’ her clutch an’ rolled her wheels for line. Went under her an’ her frame ain’t splayed none. She never been rolled. Seen they was a cracked cell in her battery an’ made the fella put in a good one. The tires ain’t worth a damn, but they’re a good size. Easy to get. She’ll ride like a bull calf, but she ain’t shootin’ no oil. Reason I says buy her is she was a pop’lar car. Wreckin’ yards is full a Hudson Super-Sixes, an’ you can buy parts cheap. Could a got a bigger, fancier car for the same money, but parts too hard to get, an’ too dear. That’s how I figgered her anyways.
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John Steinbeck (The Grapes of Wrath)
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I know,” said Beth, hugging her tightly. “I know.” She looked back fearfully at the black hole in the ice. Then she turned her back on it. Clutching her sister, she started up the bank on wobbly legs toward the car and the road home.
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Patricia MacDonald (Little Sister)
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The April moon was up and the moonlight clutched at her heart with icy fingers. Everything was cold, oh so cold and grey! She had intended to call the driver and to tell him to bring the car, but now she walked away with slow steps deep into the shadows of the garden. All around her was a hush and a stillness and the whole pale world seemed to say, “This has been before, so many many times before; this will be again, so many times again.” “But not to me, not to me,” she cried. “This will also pass” sighed the cypress, “love is a dream!” “Then let me have my dream,” she whispered. “Go to him!” chirped the cricket, and she turned her steps towards the drive, when, from the shadows an owl hooted mournfully “No hope! No hope!” She sighed once again and looked up at the moon and it had such a cynical smile on its old face that she walked quickly towards the verandah...
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Mumtaz Shah Nawaz (The Heart Divided)
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Tokyo." Mr. Fuchigami's voice inflates with pride. "Formerly Edo, almost destroyed by the 1923 Great Kantō earthquake, then again in 1944 by nighttime firebombing raids. Tens of thousands were killed." The chamberlain grows silent. "Kishikaisei."
"What does that mean?" There's a skip in my chest. We've entered the city now. The high-rises are no longer cut out shapes against the skyline, but looming gray giants. Every possible surface is covered in signs---neon and plastic or painted banners---they all scream for attention. It's noisy, too. There is a cacophony of pop tunes, car horns, advertising jingles, and trains coasting over rails. Nothing is understated.
"Roughly translated, 'wake from death and return to life.' Against hopeless circumstances, Tokyo has risen. It is home to more than thirty-five million people." He pauses. "And, in addition, the oldest monarchy in the world."
The awe returns tenfold. I clutch the windowsill and press my nose to the glass. There are verdant parks, tidy residential buildings, upmarket shops, galleries, and restaurants. For each sleek, new modern construction, there is one low-slung wooden building with a blue tiled roof and glowing lanterns. It's all so dense. Houses lean against one another like drunk uncles.
Mr. Fuchigami narrates Tokyo's history. A city built and rebuilt, born and reborn. I imagine cutting into it like a slice of cake, dissecting the layers. I can almost see it. Ash from the Edo fires with remnants of samurai armor, calligraphy pens, and chipped tea porcelain. Bones from when the shogunate fell. Dust from the Great Earthquake and more debris from the World War II air raids.
Still, the city thrives. It is alive and sprawling with neon-colored veins. Children in plaid skirts and little red ties dash between business personnel in staid suits. Two women in crimson kimonos and matching parasols duck into a teahouse.
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Emiko Jean (Tokyo Ever After (Tokyo Ever After, #1))