Red Color Meaning Quotes

You know the days when you get the mean reds? Paul Varjak: The mean reds. You mean like the blues? Holly Golightly: No. The blues are because you’re getting fat, and maybe it’s been raining too long. You’re just sad, that’s all. The mean reds are horrible. Suddenly you’re afraid, and you don’t know what you’re afraid of. Do you ever get that feeling?

Ghosts don't haunt us. That's not how it works. They're present among us because we won't let go of them." "I don't believe in ghosts," I said, faintly. "Some people can't see the color red. That doesn't mean it isn't there," she replied.

Every Valentine's Day, the student council sponsered a holiday fundraiser by selling roses that would be delievered in class. The roses came in four colors:white, yellow, red, pink, and the subtleties of thier meaning were parsed and analyzed by the female population to no end. Mimi had always understood it thus:white for love, yellow for friendship, red for passion, and pink for a secret crush.

I have a dream that one day this nation will rise up and live out the true meaning of its creed: "We hold these truths to be self-evident, that all men are created equal." I have a dream that one day on the red hills of Georgia, the sons of former slaves and the sons of former slave owners will be able to sit down together at the table of brotherhood. I have a dream that one day even the state of Mississippi, a state sweltering with the heat of injustice, sweltering with the heat of oppression, will be transformed into an oasis of freedom and justice. I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character. I have a dream today! I have a dream that one day, down in Alabama, with its vicious racists, with its governor having his lips dripping with the words of "interposition" and "nullification" -- one day right there in Alabama little black boys and black girls will be able to join hands with little white boys and white girls as sisters and brothers. I have a dream today! I have a dream that one day every valley shall be exalted, and every hill and mountain shall be made low, the rough places will be made plain, and the crooked places will be made straight; "and the glory of the Lord shall be revealed and all flesh shall see it together.

It was a bird. A bird struggling through stickiness: a bird coated in paint, floundering in its nest, splashing color everywhere. Red. Red. Red. Dozens of them: black feathers coated thickly with crimson-colored paint, fluttering among the branches. Red means run.

Look at this!" he shouted "look at it! what has that one-woman force of chaos done to these spells?" Sophie and Michael whirled round and looked at Howl. His hair was wet, but, apart from that, neither of them could see that it looked any different. "If you mean me-" Sophie began. "I do mean you! Look!" Howl shrieked. He sat down with a thump on the three-legged stool and jabbed at his wet head with his fingers. "Look. Survey. Inspect. My hair is ruined! I look like a pan of bacon and eggs!" Michael and Sophie bent nervously over Howl's head. it seemed the usual flaxen color right down to the roots. The only difference might have been a slight, very slight, trace of red. Sophie found that agreeable. It reminded her a little of the color her own hair should have been. "I think it's nice," she said. "Nice!" screamed Howl. "You would! You did it on purpose. You couldn't rest until you made me miserable too. Look at it! It's ginger! I shall have to hide until it's grown out!" He spread his arms out passionately. "Dispair!" he yelled. "Anguish! Horror!

Green is a soothing color, isn’t it? I mean Gryffindor rooms are all well and good but the trouble with red is — it is said to send you a little mad — not that I’m casting aspersions . . .

One evening, when we were already resting on the floor of our hut, dead tired, soup bowls in hand, a fellow prisoner rushed in and asked us to run out to the assembly grounds and see the wonderful sunset. Standing outside we saw sinister clouds glowing in the west and the whole sky alive with clouds of ever-changing shapes and colors, from steel blue to blood red. The desolate grey mud huts provided a sharp contrast, while the puddles on the muddy ground reflected the glowing sky. Then, after minutes of moving silence, one prisoner said to another, "How beautiful the world could be...

Let me guess, Jessie. You ran across some poor woman in the park who had the misfortune of wearing a gown that clashed with yours, so you slit her throat with that clever little parasol of yours. Do I have it right?” Jessamine bared her teeth at him. “You’re being ridiculous.” “You are, you know,” Charlotte told him. “I mean, I’m wearing blue. Blue goes with everything,” Jessamine went on. “Which, really, you ought to know. You’re vain enough about your own clothes.” “Blue does not go with everything,” Will told her. “It does not go with red, for instance.” “I have a red and blue striped waistcoat,” Henry interjected, reaching for the peas. “And if that isn’t proof that those two colors should never be seen together under Heaven, I don’t know what is.

But there’s a reason. There’s a reason. There’s a reason for this, there’s a reason education sucks, and it’s the same reason that it will never, ever, ever be fixed. It’s never gonna get any better. Don’t look for it. Be happy with what you got. Because the owners of this country don't want that. I'm talking about the real owners now, the real owners, the big wealthy business interests that control things and make all the important decisions. Forget the politicians. The politicians are put there to give you the idea that you have freedom of choice. You don't. You have no choice. You have owners. They own you. They own everything. They own all the important land. They own and control the corporations. They’ve long since bought and paid for the senate, the congress, the state houses, the city halls, they got the judges in their back pockets and they own all the big media companies so they control just about all of the news and information you get to hear. They got you by the balls. They spend billions of dollars every year lobbying, lobbying, to get what they want. Well, we know what they want. They want more for themselves and less for everybody else, but I'll tell you what they don’t want: They don’t want a population of citizens capable of critical thinking. They don’t want well informed, well educated people capable of critical thinking. They’re not interested in that. That doesn’t help them. Thats against their interests. Thats right. They don’t want people who are smart enough to sit around a kitchen table to figure out how badly they’re getting fucked by a system that threw them overboard 30 fucking years ago. They don’t want that. You know what they want? They want obedient workers. Obedient workers. People who are just smart enough to run the machines and do the paperwork, and just dumb enough to passively accept all these increasingly shittier jobs with the lower pay, the longer hours, the reduced benefits, the end of overtime and the vanishing pension that disappears the minute you go to collect it, and now they’re coming for your Social Security money. They want your retirement money. They want it back so they can give it to their criminal friends on Wall Street, and you know something? They’ll get it. They’ll get it all from you, sooner or later, 'cause they own this fucking place. It's a big club, and you ain’t in it. You and I are not in the big club. And by the way, it's the same big club they use to beat you over the head with all day long when they tell you what to believe. All day long beating you over the head in their media telling you what to believe, what to think and what to buy. The table is tilted folks. The game is rigged, and nobody seems to notice, nobody seems to care. Good honest hard-working people -- white collar, blue collar, it doesn’t matter what color shirt you have on -- good honest hard-working people continue -- these are people of modest means -- continue to elect these rich cocksuckers who don’t give a fuck about them. They don’t give a fuck about you. They don’t give a fuck about you. They don't care about you at all -- at all -- at all. And nobody seems to notice, nobody seems to care. That's what the owners count on; the fact that Americans will probably remain willfully ignorant of the big red, white and blue dick that's being jammed up their assholes everyday. Because the owners of this country know the truth: it's called the American Dream, because you have to be asleep to believe it.

On Satan the color red is one thing; on women, it is altogether another

Everything we think we know is really only perceived by our senses,' he explains patiently. 'The sounds we hear are just waves in the air; colors are electromagnetic radiation; your sense of taste comes from molecules that match a specific area on your tongue. Hey, if our eyes could access the infrared part of the light spectrum, the sky would be green and trees would be red. Some animals see in completely different ways, so who knows what colors look like to them. Nothing is really how we perceive it.

Halloween colors, less or more, are pumpkin, witch, and bloody gore.” “You must mean orange, black, and red.” “Indeed, that’s what I said.

Neither black/red/yellow nor woman but poet or writer. For many of us, the question of priorities remains a crucial issue. Being merely "a writer" without a doubt ensures one a status of far greater weight than being "a woman of color who writes" ever does. Imputing race or sex to the creative act has long been a means by which the literary establishment cheapens and discredits the achievements of non-mainstream women writers. She who "happens to be" a (non-white) Third World member, a woman, and a writer is bound to go through the ordeal of exposing her work to the abuse and praises and criticisms that either ignore, dispense with, or overemphasize her racial and sexual attributes. Yet the time has passed when she can confidently identify herself with a profession or artistic vocation without questioning and relating it to her color-woman condition.

I suppose you think you know what autumn looks like. Even if you live in the Los Angeles dreamed of by September’s schoolmates, you have surely seen postcards and photographs of the kind of autumn I mean. The trees go all red and blazing orange and gold, and wood fires burn at night so everything smells of crisp branches. The world rolls about delightedly in a heap of cider and candy and apples and pumpkins and cold stars rush by through wispy, ragged clouds, past a moon like a bony knee. You have, no doubt, experienced a Halloween or two. Autumn in Fairyland is all that, of course. You would never feel cheated by the colors of a Fairyland Forest or the morbidity of a Fairyland moon. And the Halloween masks! Oh, how they glitter, how they curl, how their beaks and jaws hook and barb! But to wander through autumn in Fairyland is to look into a murky pool, seeing only a hazy reflection of the Autumn Provinces’ eternal fall. And human autumn is but a cast-off photograph of that reflecting pool, half burnt and drifting through the space between us and Fairyland. And so I may tell you that the leaves began to turn red as September and her friends rushed through the suddenly cold air on their snorting, roaring high wheels, and you might believe me. But no red you have ever seen could touch the crimson bleed of the trees in that place. No oak gnarled and orange with October is half as bright as the boughs that bent over September’s head, dropping their hard, sweet acorns into her spinning spokes. But you must try as hard as you can. Squeeze your eyes closed, as tight as you can, and think of all your favorite autumns, crisp and perfect, all bound up together like a stack of cards. That is what it is like, the awful, wonderful brightness of Fairy colors. Try to smell the hard, pale wood sending up sharp, green smoke into the afternoon. To feel to mellow, golden sun on your skin, more gentle and cozier and more golden than even the light of your favorite reading nook at the close of the day.

Just then he noticed that Amy had that look, as though she wanted the street to buckle and split so she could fall right in. Dan saw the cool crowd from her school hanging at a table in the front. So that was why she didn't want to go in. Evan Tolliver was at the head of the table. Dan sighed. Even, the human supercomputer, was Amy's dream crush. Whenever Evan was near, she got her stutter back. "Oh, excuse me, I didn't notice Luke Skywalker," Dan said. "Or is it Darth Vader?" "Shhh," Amy said. Her cheeks were red. "He's coming." "You mean Evan Tolliver himself is about to set his foot on the sidewalk? Did you bring the rose petals?" "Cut it out, dweeb!" Amy said fiercely. "Hi, Amy," Evan said from behind her. Amy's color went from summer rose to summer tomato. She shot Dan a look that told him he was in serious trouble. "Hey, Evan," he said. "I'm Amy's little brother, Dweeb. Nice to meet you, man.

I say to you today, my friends, that in spite of the difficulties and frustrations of the moment, I still have a dream. It is a dream deeply rooted in the American dream. I have a dream that one day this nation will rise up and live out the true meaning of its creed: "We hold these truths to be self-evident: that all men are created equal." I have a dream that one day on the red hills of Georgia the sons of former slaves and the sons of former slaveowners will be able to sit down together at a table of brotherhood. I have a dream that one day even the state of Mississippi, a desert state, sweltering with the heat of injustice and oppression, will be transformed into an oasis of freedom and justice. I have a dream that my four children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character.

Someone has already taken out a Minolta cellular phone and called for a car, and then, when I'm not really listening, watching instead someone who looks remarkably like Marcus Halberstam paying a check, someone asks, simply, not in relation to anything, "Why? " and though I'm very proud that I have cold blood and that I can keep my nerve and do what I'm supposed to do, I catch something, then realize it: Why? and automatically answering, out of the blue, for no reason, just opening my mouth, words coming out, summarizing for the idiots: "Well, though I know I should have done that instead of not doing it, I'm twenty-seven for Christ sakes and this is, uh, how life presents itself in a bar or in a club in New York, maybe anywhere, at the end of the century and how people, you know, me, behave, and this is what being Pat rick means to me, I guess, so, well, yup, uh..." and this is followed by a sigh, then a slight shrug and another sigh, and above one of the doors covered by red velvet drapes in Harry's is a sign and on the sign in letters that match the drapes' color are the words THIS IS NOT AN EXIT.

But any idea of plainness is simply contrary to the fancy color that is red.

I have many names, and none of them matter. Names are not important. To speak is to name names, but to speak is not important. A thing happens once that has never happened before. Seeing it, a man looks upon reality. He cannot tell others what he has seen. Others wish to know, however, so the question him saying, 'What is it like, this thing you have seen?' So he tries to tell them. Perhaps he has seen the very first fire in the world. He tells them, 'It is red, like a poppy, but through it dance other colors. It has no form, like water, flowing everywhere. It is warm, like the sun of summer, only warmer. It exists for a time upon a piece of wood, and then the wood is gone, as though it were eaten, leaving behind that which is black and can be sifted like sand. When the wood is gone, it too is gone.' Therefore, the hearers must think reality is like a poppy, like water, like the sun, like that which eats and excretes. They think it is like to anything that they are told it is like by the man who has known it. But they have not looked upon fire. They cannot really know it. They can only know of it. But fire comes again into the world, many times. More men look upon fire. After a time, fire is as common as grass and clouds and the air they breathe. They see that, while it is like a poppy, it is not a poppy, while it is like water, it is not water, while it is like the sun, it is not the sun, and while it is like that which eats and passes wastes, it is not that which eats and passes wastes, but something different from each of these apart or all of these together. So they look upon this new thing and they make a new word to call it. They call it 'fire.' If they come upon one who still has not seen it and they speak to him of fire, he does not know what they mean. So they, in turn, fall back upon telling him what fire is like. As they do so, they know from their own experience that what they are telling him is not the truth, but only part of it. They know that this man will never know reality from their words, though all the words in the world are theirs to use. He must look upon the fire, smell of it, warm his hands by it, stare into its heart, or remain forever ignorant. Therefore, 'fire' does not matter, 'earth' and 'air' and 'water' do not matter. 'I' do not matter. No word matter. But man forgets reality and remembers words. The more words he remembers, the cleverer do his fellows esteem him. He looks upon the great transformations of the world, but he does not see them as they were seen when man looked upon reality for the first time. Their names come to his lips and he smiles as he tastes them, thinking he knows them in the naming. The thing that has never happened before is still happening. It is still a miracle. The great burning blossom squats, flowing, upon the limb of the world, excreting the ash of the world, and being none of these things I have named and at the same time all of them, and this is reality-the Nameless.

A heart of gold is pure and can shine bright. However a heart mixed with the colors of gold and red can mean pure love.

And What Good Will Your Vanity Be When The Rapture Comes” says the man with a cart of empty bottles at the corner of church and lincoln while I stare into my phone and I say I know oh I know while trying to find the specific filter that will make the sun’s near-flawless descent look the way I might describe it in a poem and the man says the moment is already right in front of you and I say I know but everyone I love is not here and I mean here like on this street corner with me while I turn the sky a darker shade of red on my phone and I mean here like everyone I love who I can still touch and not pass my fingers through like the wind in a dream but I look up at the man and he is a kaleidoscope of shadows I mean his shadows have shadows and they are small and trailing behind him and I know then that everyone he loves is also not here and the man doesn’t ask but I still say hey man I’ve got nothing I’ve got nothing even though I have plenty to go home to and the sun is still hot even in its endless flirt with submission and the man’s palm has a small river inside I mean he has taken my hand now and here we are tethered and unmoving and the man says what color are you making the sky and I say what I might say in a poem I say all surrender ends in blood and he says what color are you making the sky and I say something bright enough to make people wish they were here and he squints towards the dancing shrapnel of dying light along a rooftop and he says I love things only as they are and I’m sure I did once too but I can’t prove it to anyone these days and he says the end isn’t always about what dies and I know I know or I knew once and now I write about beautiful things like I will never touch a beautiful thing again and the man looks me in the eyes and he points to the blue-orange vault over heaven’s gates and he says the face of everyone you miss is up there and I know I know I can’t see them but I know and he turns my face to the horizon and he says we don’t have much time left and I get that he means the time before the sun is finally through with its daily work or I think I get that but I still can’t stop trembling and I close my eyes and I am sobbing on the corner of church and lincoln and when I open my eyes the sun is plucking everyone who has chosen to love me from the clouds and carrying them into the light-drunk horizon and I am seeing this and I know I am seeing this the girl who kissed me as a boy in the dairy aisle of meijer while our parents shopped and the older boy on the basketball team who taught me how to make a good fist and swing it into the jaw of a bully and the friends who crawled to my porch in the summer of any year I have been alive they were all there I saw their faces and it was like I was given the eyes of a newborn again and once you know what it is to be lonely it is hard to unsee that which serves as a reminder that you were not always empty and I am gasping into the now-dark air and I pull my shirt up to wipe whatever tears are left and I see the man walking in the other direction and I chase him down and tap his arm and I say did you see it did you see it like I did and he turns and leans into the glow of a streetlamp and he is anchored by a single shadow now and he sneers and he says have we met and he scoffs and pushes his cart off into the night and I can hear the glass rattling even as I watch him become small and vanish and I look down at my phone and the sky on the screen is still blood red.

I picked up scallop shells in diverse colors and sizes — warm reds and yellows; cool, stippled grays — and reflected on the diversity of God’s creation, and what might be the use and meaning of his making so many varieties of a single thing. If he created scallops simply for our nourishment, why paint each shell with delicate and particular colors? And why, indeed, trouble making so many different things to nourish us, when in the Bible we read that a simple manna fed the Hebrews day following day? It came to me then that God must desire us to use each of our senses, to take delight in the varied tastes and sights and textures of his world.

Remember the year I stopped eating apples? Remember the summer I kept bringing home abandoned chairs? A lucid Vincent wrote to his brother: I have tried to express the terrible passions of humanity by means of red and green. His self-portrait now hangs in the Fogg. Remember the summer I had to walk to the Lake just to feel anything at all? When I descend late in the afternoon there’s a blue plate of heart- shaped cookies, there’s an orange on the kitchen counter. I notice a crack in the seam of the ceiling, a spider vein on the inside of my knee. What a still still life! The rest of the day is a slanted floorboard. The rest of the day is the color of absinthe. Note the personal and detached attitude. Note the application of arbitrary color. The tilted perspective. This poem is all surface. You may stand where you choose. This poem has no vanishing point.

DAYS WENT BY, and weeks. Jonas learned, through the memories, the names of colors; and now he began to see them all, in his ordinary life (though he knew it was ordinary no longer, and would never be again). But they didn’t last. There would be a glimpse of green—the landscaped lawn around the Central Plaza; a bush on the riverbank. The bright orange of pumpkins being trucked in from the agricultural fields beyond the community boundary—seen in an instant, the flash of brilliant color, but gone again, returning to their flat and hueless shade. The Giver told him that it would be a very long time before he had the colors to keep. “But I want them!” Jonas said angrily. “It isn’t fair that nothing has color!” “Not fair?” The Giver looked at Jonas curiously. “Explain what you mean.” “Well . . .” Jonas had to stop and think it through. “If everything’s the same, then there aren’t any choices! I want to wake up in the morning and decide things! A blue tunic, or a red one?” He looked down at himself, at the colorless fabric of his clothing. “But it’s all the same, always.” Then he laughed a little. “I know it’s not important, what you wear. It doesn’t matter. But—” “It’s the choosing that’s important, isn’t it?” The Giver asked him. Jonas nodded.

This is because I define myself in part by my color. And I know it is the proverbial slippery slope: That there are associations with red hair that I utterly reject and others I wear proudly means nothing to anyone else, since I don't get to choose how the observer sorts those same traits. Grazing through the stereotypes, I am on the delicatessen plan, winding a way over the menu offerings, picking, choosing and rejecting; adhering to some, dismissing others. Having adopted a method of personal vigilance that allows me to be on the lookout for associations that suffuse my color with preferred associations and to reject those I choose not to adopt, I enhance my self-image. But to other people my red hair is more a take-it-or-leave-it experience: Red-haired, to them, I may also be a certain type of person, complete with temperament.

Silver is the color of the spirit of this world and of the Crone. Black and gray are the colors of magic. Purple is the color of the soul. Red is the color of war. White has many meanings; it is the color of divination, visions, anything involving power and consciousness. This is why the moon is sacred to all aspects of the Goddess. Its light is all-powerful.

I’ll never let you go is scrawled three inches long down the side of my ribcage. The skin is still an angry red color, puffy and irritated looking. My gaze drifts up to Colin’s in the mirror. I suck in a sharp breath as I’m caught up in a tornado of emotion. He has the same thing on his arm. They are simple, black ink only, but the meaning of the words are anything but.

Watching him, his hands buried in his pockets—to keep from circling her neck she supposed—she couldn't help but marvel at the curious mix of Southern courtesy and male arrogance, the natural assumption he shouldered of being lawfully in control. "Engaging in a moral battle isn't always hazardous to one's health, you know." "Doesn't look like it's doing wonders for yours." "Saints be praised, it can actually be rewarding." Looking over his shoulder, he halted in the middle of the room. "Irish." "I beg your pardon?" "You. Irish. The green eyes, the tiny bit of red in your hair. Is Connor your real name?" "Yes, why..." she said, stammering. Bloody hell. "Of course." "Liar." She felt the slow, hot roll of color cross her cheeks. "What could that possibly have to do with anything?" "I don't know, but I have a feeling it means something. It's the first I've heard come out of that sassy mouth of yours that didn't sound like some damned speech." He tapped his head, starting to pace again. "What I wonder is, where are you in there?

Other trophies included a bundle of captured flags, which he sent to City Point that evening by a special messenger. Lincoln was delighted. “Here is something material,” he said as he unfurled the shot-torn rebel colors; “something I can see, feel, and understand. This means victory. This is victory.

Peter, Adam's Son," said Father Christmas. "Here, sir," said Peter. "These are your presents," was the answer, "and they are tools, not toys. The time to use them is perhaps near at hand. Bear them well." With these words he handed to Peter a shield and a sword. The shield was the color of silver and across it there ramped a red lion, as bright as a ripe strawberry at the moment when you pick it. The hilt of the sword was of gold and it had a sheath and a sword belt and everything it needed, and it was just the right size and weight for Peter to use. Peter was silent and solemn as he received these gifts, for he felt they were a very serious kind of present. "Susan, Eve's Daughter," said Father Christmas. "These are for you," and he handed her a bow and a quiver full of arrows and a little ivory horn. "You must use the bow only in great need," he said, "for I do not mean you to fight in the battle. It does not easily miss. And when you put this horn to your lips and blow it, then, wherever you are, I think help of some kind will come to you." Last of all he said, "Lucy, Eve's Daughter," and Lucy came forward. He gave her a little bottle of what looked like glass (but people said afterwards that it was made of diamond) and a small dagger. "In this bottle," he said, "there is a cordial made of the juice of one of the fire-flowers that grow on the mountains of the sun. If you or any of your friends is hurt, a few drops of this will restore them. And the dagger is to defend yourself at great need. For you also are not to be in the battle." "Why, sir?" said Lucy. "I think- I don't know- but I think I could be brave enough." "That is not the point," he said. "But battles are ugly when women fight.

I'll be right here. Good luck, or break a leg, or something.” As Jay and Gregory turned and headed into the crowd, my traitorous eyes returned to the corner and found another pair or eyes staring darkly back. I dropped my gaze for three full seconds, and then lifted my eyes again, hesitant. The drummer was still staring at me, oblivious to the three girls trying to win back his attention. He put up one finger at the girls and said something that looked like, “Excuse me.” Oh, my goodness. Was he...? Oh, no. Yes, he was walking this way. My nerves shot into high alert. I looked around, but nobody else was near. When I looked back up, there he was, standing right in front of me. Good gracious, he was sexy-a word that had not existed in my personal vocabulary until that moment. This guy was sexy like it was his job or something. He looked straight into my eyes, which threw me off guard, because nobody ever looked me in the eye like that. Maybe Patti and Jay, but they didn't hold my stare like he was doing now. He didn't look away, and I found that I couldn't take my gaze off those blue eyes. “Who are you?” he asked in a blunt, almost confrontational way. I blinked. It was the strangest greeting I'd ever received. “I'm...Anna.” “Right. Anna. How very nice.” I tried to focus on his words and not his luxuriously accented voice, which made everything sound lovely. He leaned in closer. “But who are you?” What did that mean? Did I need to have some sort of title or social standing to enter his presence? “I just came with my friend Jay?” Oh, I hated when I got nervous and started talking in questions. I pointed in the general direction of the guys, but he didn't take his eyes off me. I began rambling. “They just wrote some songs. Jay and Gregory. That they wanted you to hear. Your band, I mean. They're really...good?” His eyes roamed all around my body, stopping to evaluate my sad, meager chest. I crossed my arms. When his gaze landed on that stupid freckle above my lip, I was hit by the scent of oranges and limes and something earthy, like the forest floor. It was pleasant in a masculine way. “Uh-huh.” He was closer to my face now, growling in that deep voice, but looking into my eyes again. “Very cute. And where is your angel?” My what? Was that some kind of British slang for boyfriend? I didn't know how to answer without continuing to sound pitiful. He lifted his dark eyebrows, waiting. “If you mean Jay, he's over there talking to some man in a suit. But he's not my boyfriend or my angel or whatever.” My face flushed with heat and I tightened my arms over my chest. I'd never met anyone with an accent like his, and I was ashamed of the effect it had on me. He was obviously rude, and yet I wanted him to keep talking to me. It didn't make any sense. His stance softened and he took a step back, seeming confused, although I still couldn't read his emotions. Why didn't he show any colors? He didn't seem drunk or high. And that red thing...what was that? It was hard not to stare at it. He finally looked over at Jay, who was deep in conversation with the manager-type man. “Not your boyfriend, eh?” He was smirking at me now. I looked away, refusing to answer. “Are you certain he doesn't fancy you?” Kaidan asked. I looked at him again. His smirk was now a naughty smile. “Yes,” I assured him with confidence. “I am.” “How do you know?” I couldn't very well tell him that the only time Jay's color had shown mild attraction to me was when I accidentally flashed him one day as I was taking off my sweatshirt, and my undershirt got pulled up too high. And even then it lasted only a few seconds before our embarrassment set in.

My army cries in protest. They don’t understand. Golds don’t do this. Golds don’t sacrifice for one another. Leaders take; they do not give. My army cries out again. I ask them, how is this worse than the rape they were all so comfortable with? Is not Nyla now one of us? Is she not part of the body? Like Reds are. Like Obsidians are. Like all the Colors are. Pax tries to go light. But it’s Pax, so when he’s done, my back looks like chewed goatmeat. I stand up. Do everything I can to prevent myself from wobbling. I’m seeing stars. I want to wail. Want to cry. Instead, I tell them that anyone who does anything vile—they know what I mean—will have to whip me like this in front of the entire army. I see how they look at Tactus now, how they look at Pax, how they look at my back. “You do not follow me because I am the strongest. Pax is. You do not follow me because I am the brightest. Mustang is. You follow me because you do not know where you are going. I do.” I motion Tactus to come toward me. He wavers, pale, confused as a newborn lamb. Fear marks his face. Fear of the unknown. Fear of the pain I willingly bore. Fear when he realizes how different he is from me. “Don’t be afraid,” I tell him. I pull him forward into a hug. “We are blood brothers, you little shit. Blood brothers.” I’m learning.

Redheads are a variant that survived, a color minority, though not a skin color precisely, not a race, but still subject to identification by the wary eyes and wagging tongues of the majority.

How do I know that when I talk about red you know what I'm talking about? That you are seeing the same color that I'm seeing? Or hen I talk abut something else, like being bored, that you know what I mean?

Gustavo Tiberius speaking." “It’s so weird you do that, man,” Casey said, sounding amused. “Every time I call.” “It’s polite,” Gus said. “Just because you kids these days don’t have proper phone etiquette.” “Oh boy, there’s the Grumpy Gus I know. You miss me?” Gus was well aware the others could hear the conversation loud and clear. He was also aware he had a reputation to maintain. “Hadn’t really thought about it.” “Really.” “Yes.” “Gus.” “Casey.” “I miss you.” “I miss you too,” Gus mumbled into the phone, blushing fiercely. “Yeah? How much?” Gus was in hell. “A lot,” he said truthfully. “There have been allegations made against my person of pining and moping. False allegations, mind you, but allegations nonetheless.” “I know what you mean,” Casey said. “The guys were saying the same thing about me.” Gus smiled. “How embarrassing for you.” “Completely. You have no idea.” “They’re going to get you packed up this week?” “Ah, yeah. Sure. Something like that.” “Casey.” “Yes, Gustavo.” “You’re being cagey.” “I have no idea what you mean. Hey, that’s a nice Hawaiian shirt you’ve got on. Pink? I don’t think I’ve seen you in that color before.” Gus shrugged. “Pastor Tommy had a shitload of them. I think I could wear one every day for the rest of the year and not repeat. I think he may have had a bit of a….” Gus trailed off when his hand started shaking. Then, “How did you know what I was wearing?” There was a knock on the window to the Emporium. Gus looked up. Standing on the sidewalk was Casey. He was wearing bright green skinny jeans and a white and red shirt that proclaimed him to be a member of the 1987 Pasadena Bulldogs Women’s Softball team. He looked ridiculous. And like the greatest thing Gus had ever seen. Casey wiggled his eyebrows at Gus. “Hey, man.” “Hi,” Gus croaked. “Come over here, but stay on the phone, okay?” Gus didn’t even argue, unable to take his eyes off Casey. He hadn’t expected him for another week, but here he was on a pretty Saturday afternoon, standing outside the Emporium like it was no big deal. Gus went to the window, and Casey smiled that lazy smile. He said, “Hi.” Gus said, “Hi.” “So, I’ve spent the last two days driving back,” Casey said. “Tried to make it a surprise, you know?” “I’m very surprised,” Gus managed to say, about ten seconds away from busting through the glass just so he could hug Casey close. The smile widened. “Good. I’ve had some time to think about things, man. About a lot of things. And I came to this realization as I drove past Weed, California. Gus. It was called Weed, California. It was a sign.” Gus didn’t even try to stop the eye roll. “Oh my god.” “Right? Kismet. Because right when I entered Weed, California, I was thinking about you and it hit me. Gus, it hit me.” “What did?” Casey put his hand up against the glass. Gus did the same on his side. “Hey, Gus?” “Yeah?” “I’m going to ask you a question, okay?” Gustavo’s throat felt very dry. “Okay.” “What was the Oscar winner for Best Song in 1984?” Automatically, Gus answered, “Stevie Wonder for the movie The Woman in Red. The song was ‘I Just Called to Say I Love You.’” It was fine, of course. Because he knew answers to all those things. He didn’t know why Casey wanted to— And then he could barely breathe. Casey’s smile wobbled a little bit. “Okay?” Gus blinked the burn away. He nodded as best he could. And Casey said, “Yeah, man. I love you too.” Gus didn’t even care that he dropped his phone then. All that mattered was getting as close to Casey as humanely possible. He threw open the door to the Emporium and suddenly found himself with an armful of hipster. Casey laughed wetly into his neck and Gus just held on as hard as he could. He thought that it was possible that he might never be in a position to let go. For some reason, that didn’t bother him in the slightest.

I know, Mamá. But I already told you—” “You’ll look like a … frog but in heels.” Gee, thanks, Mother. I chuckled and shook my head. “It doesn’t matter because I’m wearing the red dress.” A gasp came through the line. “Ay. Why didn’t you tell me this before? You let me talk for half an hour about all your other options.” “I told you as soon as it came up. You just—” “Well, I must have let myself get carried away, cariño.” I opened my mouth to confirm that, but she didn’t give me the chance. “Perfect,” she cut in. “That is such a beautiful dress, Lina. It’s classy and flirty.” Flirty? What was that supposed to mean? “Your boobs will be entering the banquet before you.” Oh … oh. So, that was what she meant. “But the color does really flatter your skin, body shape, and face. Not like the frog dress.” “Thanks,” I muttered. “I don’t think I’ll ever wear green again.

What exactly is a Rubik’s Cube party?” Becca asked. “It’s simple: everyone wears different colors - red shirt, blue shorts, green socks, whatever - and once you get to the party, you have to swap clothes with people until you’re wearing all of the same color.” Kinsley tsked. “Sounds like an excuse to see people in their skivvies.” I tossed my luggage onto my bed. “Yes, well, isn’t that basically the meaning of life in the first place?

Traffic was in confusion for several days. For red to mean "stop' was considered impossibly counterrevolutionary. It should of course mean "go." And traffic should not keep to the right, as was the practice, it should be on the left. For a few days we ordered the traffic policemen aside and controlled the traffic ourselves. I was stationed at a street corner telling cyclists to ride on the left. In Chengdu there were not many cars or traffic lights, but at the few big crossroads there was chaos. In the end, the old rules reasserted themselves, owing to Zhou Enlai, who managed to convince the Peking Red Guard leaders. But the youngsters found justifications for this: I was told by a Red Guard in my school that in Britain traffic kept to the left, so ours had to keep to the right to show our anti-imperialist spirit. She did not mention America. As a child I had always shied away from collective activity. Now, at fourteen, I felt even more averse to it. I suppressed this dread because of the constant sense of guilt I had come to feel, through my education, when I was out of step with Mao. I kept telling myself that I must train my thoughts according to the new revolutionary theories and practices. If there was anything I did not understand, I must reform myself and adapt. However, I found myself trying very hard to avoid militant acts such as stopping passersby and cutting their long hair, or narrow trouser legs, or skirts, or breaking their semi-high-heeled shoes. These things had now become signs of bourgeois decadence, according to the Peking Red Guards. My own hair came to the critical attention of my schoolmates. I had to have it cut to the level of my earlobes. Secretly, though much ashamed of myself for being so "petty bourgeois," I shed tears over losing my long plaits. As a young child, my nurse had a way of doing my hair which made it stand up on top of my head like a willow branch. She called it "fireworks shooting up to the sky." Until the early 1960s I wore my hair in two coils, with rings of little silk flowers wound around them. In the mornings, while I hurried through my breakfast, my grandmother or our maid would be doing my hair with loving hands. Of all the colors for the silk flowers, my favorite was pink.

What're you reading?" "Gertrude Stein." I shook my head. I'd never heard of her. "The poet?" he asked. "You know, 'A rose is a rose is a rose'?" I shook my head again. "During the last year of her life, my mother became obsessed with her," Grant said. "She'd spent most of her life reading the Victorian poets, and when she found Gertrude Stein, she told me she was a comfort." "What does she mean, 'A rose is a rose is a rose'?" I asked. Snapping the biology book shut, I was confronted with the skeleton of a human body. I tapped the empty eye socket. "That things just are what they are," he said. " 'A rose is a rose.' " " 'Is a rose,' " he finished, smiling faintly. I thought about all the roses in the garden below, their varying shades of color and youth. "Except when it's yellow," I said. "Or red, or pink, or unopened, or dying." "That's what I've always thought," said Grant. "But I'm giving Ms. Stein the opportunity to convince me.

Little Jang Li-Li, eight years old, misting the orchids in the Room of a Thousand Fountains. A bright day, sunlight pouring through transparisteel panels, Li-Li making puffs of water with her master and shrieking with laughter as every little cloud she made broke a sunbeam into colors, fugitive bars of red and violet and green. Master, Master, I’m making rainbows! Those colors hadn’t come to mean military signals, yet, or starship navigating lights, or lightsaber blades. Just a girl making rainbows.

Then I saw the keyboard of an organ which filled one whole side of the walls. On the desk was a music-book covered with red notes. I asked leave to look at it and read, ‘Don Juan Triumphant.’ ‘Yes,’ he said, 'I compose sometimes.’ I began that work twenty years ago. When I have finished, I shall take it away with me in that coffin and never wake up again.’ 'You must work at it as seldom as you can,’ I said. He replied, 'I sometimes work at it for fourteen days and nights together, during which I live on music only, and then I rest for years at a time.’ 'Will you play me something out of your Don Juan Triumphant?’ I asked, thinking to please him. 'You must never ask me that,’ he said, in a gloomy voice. 'I will play you Mozart, if you like, which will only make you weep; but my Don Juan, Christine, burns; and yet he is not struck by fire from Heaven.’ Thereupon we returned to the drawing-room. I noticed that there was no mirror in the whole apartment. I was going to remark upon this, but Erik had already sat down to the piano. He said, 'You see, Christine, there is some music that is so terrible that it consumes all those who approach it. Fortunately, you have not come to that music yet, for you would lose all your pretty coloring and nobody would know you when you returned to Paris. Let us sing something from the Opera, Christine Daae.’ He spoke these last words as though he were flinging an insult at me.” “What did you do?” “I had no time to think about the meaning he put into his words. We at once began the duet in Othello and already the catastrophe was upon us. I sang Desdemona with a despair, a terror which I had never displayed before. As for him, his voice thundered forth his revengeful soul at every note. Love, jealousy, hatred, burst out around us in harrowing cries. Erik’s black mask made me think of the natural mask of the Moor of Venice. He was Othello himself. Suddenly, I felt a need to see beneath the mask. I wanted to know the FACE of the voice, and, with a movement which I was utterly unable to control, swiftly my fingers tore away the mask. Oh, horror, horror, horror!” Christine stopped, at the thought of the vision that had scared her, while the echoes of the night, which had repeated the name of Erik, now thrice moaned the cry: “Horror! … Horror! … Horror!

It isn’t fair that nothing has color!” “Not fair?” The Giver looked at Jonas curiously. “Explain what you mean.” “Well . . .” Jonas had to stop and think it through. “If everything’s the same, then there aren’t any choices! I want to wake up in the morning and decide things! A blue tunic, or a red one?

Her parents noticed, when Dominika turned five, that the little girl had a prodigious memory. She could recite lines from Pushkin, identify the concertos of Tchaikovsky. And when music was played, Dominika would dance barefoot around the Oriental carpet in the living room, perfectly in time with the notes, twirling and jumping, perfectly in balance, her eyes gleaming, her hands flashing. Vassily and Nina looked at each other, and her mother asked Dominika how she had learned all this. “I follow the colors,” said the little girl. “What do you mean, ‘the colors’?” asked her mother. Dominika gravely explained that when the music played, or when her father read aloud to her, colors would fill the room. Different colors, some bright, some dark, sometimes they “jumped in the air” and all Dominika had to do was follow them. It was how she could remember so much. When she danced, she leapt over bars of bright blue, followed shimmering spots of red on the floor. The parents looked at each other again. “I like red and blue and purple,” said Dominika. “When Batushka reads, or when Mamulya plays, they are beautiful.” “And when Mama is cross with you?” asked Vassily. “Yellow, I don’t like the yellow,” said the little girl, turning the pages of a book. “And the black cloud. I do not like that.

Wheel of fire Meaning: The color of my fate Stenocarpus sinuatus | Queensland and New South Wales Profuse bright red and orange flowers create a spectacular display from summer to autumn. Shaped like the spokes of a wheel before they open, these symmetrical blossoms get their name from their resemblance to a spinning fire.

The dawn of a color, blooms with a rose. Telling tales, meanings of vibrant with the red of fire. Loyalty extending like the blue ocean blues. Quality like the orange sunset set with romance and friendship. In hindsight, these are meanings and colors, but the important and honest trait...you gave one to someone you love and they admire it and you.

Importantly, Haemophilus are what are called fastidious bacteria, meaning they need an iron source to grow, and unlike most other bacteria, they usually get it from the hemoglobin in our blood to which iron is bonded (giving blood its red color). Protecting the blood cells through the use of something like sida is crucial in treating this kind of infection.

The problems will be mostly resolved once everyone understands how cities and farms are parts of a whole, not divisible one from another. When we all realize that, as we munch our good, fresh food, it will not only mean a better environment for all, but the end to this silly political anger that colors everything blue or red instead of a lovely productive green. Another

All over this country people talk about a silver spoon, but truth be told, the spoon is gold. And solid. And stacked high and across. That’s how you have to do if you’re colored, black, Negro, brown . . . Whatever you’re calling yourself that isn’t white. Lord. But when your child shows up with a belly and she’s not even full grown yet, you think for a minute that all those blocks of gold don’t mean a damn thing out in the world if you haven’t even taught your own child how to stay pure. How to hold on. How to grow into womanhood right. You cry into the night until your throat is raw and there’s not another heave left inside of you. Not another drop of water left for your body to squeeze out. Not enough ways left to curse God and yourself.

For some, the blackness or darkness of the Madonna remains unresolved. Some claim that the Madonna is black because she survived fires that destroyed all but her; others say that she was darkened by candle smoke. I say that she is dark because she has entered so many lives on fire, because she's absorbed so much suffering. Some conclude that the Madonna is black for no reason, that her darkness means nothing. Others say she is a symbol, an archetype, psyche's shadow. I say that the Black Madonna is all these things and that she is a black woman, a woman of color, a brown woman, a red woman, and more. She is not white. She is more, she includes all colors. She is dark because we come in so many colors, hues, and shades, and no one, no one is to be left out.

Bat's wing coral tree Meaning: Cure for heartache Erythrina vespertilio | Central and northeast Australia Ininti (Pit.) wood is widely used for making spear throwers and bowls. Bark, fruit and stems are used for traditional medicine. Has bat's-wing-shaped leaves, and coral-colored flowers in spring/summer. Attractive, glossy bean-shaped seeds vary in color from deep yellow to blood red, and are used for decoration and jewelry.

The street signs”, she replied simply. I simply felt stupid. “When you learn how to read, you can read Stop, Go, and the colors matter too!” “Yeah?”, (sigh). “Yup! That leaf is green, it means Go. The yellow like the bus means careful. The red is Stop. Oh and there’s crossing guards. And if you fall anyway you don’t have to worry.” “Really? Why not?” “Because you can always get up. And see?” she showed me her scar once more, “It hurts at first, but then it heals.

By the time I make it out of the room, he’s already on the elevator. As the doors close, he shoots me a beaming smile. What did he mean by that? The sound of chuckling takes my attention away from the departing antagonist, to my family staring with obvious amusement. “Red’s a good color on you, Sis.” Dru chuckles, bumping me shoulder to shoulder. “I’m not wearing red!” I snap. But then it hits me. Duh! “Oh whatever, Dru.” I turn, storming back to the room to avoid more jokes.

His thumb rubbed over her knee, and Priss wondered if he was aware of doing it, if he did it on purpose to turn her on, or if it was extension of the thoughts she saw flickering across his face. “Trace . . .” “It occurs to me that I didn’t see a single freckle on you. Not on your face.” He gave her a quick, level look. “And not on your body.” “Yeah, so?” “That’s kind of curious, don’t you think, given the color of your hair?” Priss lifted his hand and dropped it over next to him. “Okay, first off, hands to yourself. Got it?” He said nothing, but she saw the corner of his mouth tilt up in the slightest of smiles. “Secondly, did you happen to notice that my brows and lashes are a darker brown without a hint of red?” “Meaning?” “Meaning I’m not like other redheads who are . . .” Her face heated. “Red all over.” “Yeah?” He glanced at her lap meaningfully. “Do tell.” Priss punched him in the shoulder. “I don’t like what you’re thinking.” “You don’t know what I’m thinking.” And with another provoking grin, “Do you?” Like she’d say it out loud? No way. Priss crossed her arms. “If you were hinting that you think I dye my hair, I don’t. Everything on me is natural.” “We’ll see.” “No, we will not see a damn thing!” Under his breath, Trace said, “I damn near saw today. If I’d moved a foot closer for a better look—” “Stop it!” Priss felt heat throbbing in her face, and she hated it. “And that reminds me. I want you to delete that damned picture.” “Not a chance. Seeing you in that getup was a trophy moment for me.

The souvenir hunters were prowling among them, carefully ripping insignia off tunics, slipping rings off fingers, or pistols off belts. There was Souvenirs himself, stepping gingerly from corpse to corpse, armed with his plyers and a dentist flashlight that he had had the forethought to purchase in Melbourne. I stood among the heaps of dead, they lay crumpled, useless, defunct. The vital force was fled. A bullet or a mortar fragment had torn a hole in these frail vessels, and the substance had leapt out. The mysteries of the universe had once inhabited these lulling lumps, had given each an identity, a way of walking, perhaps a special habit of address or a way with words or a knack of putting color on canvas. They had been so different then, now they were nothing, heaps of nothing. Can a bullet or a mortar fragment do this? Does this force, this mystery, I mean this soul, does this spill out on the ground along with the blood? No. It is somewhere, I know it. For this red and yellow lump I look down upon this instant was once a man. And the thing that energized him, the word that gave to airy nothing a local habitation and a name, the word from a higher word this cannot have been obliterated by a quarter inch of heated metal. The mystery of the universe has departed him and it is no good to say that the riddle is solved. The mystery is over because it has changed residences. The thing that shaped the flare of that nostril, that broadened that arm now bleeding, that wrought so fine that limply lying hand, that thing exists still and has still the power to flare that nostril, to bend that arm to clench that fist exactly as it did before. Because it is gone you cannot say it will not return; even though you may say it has never yet returned-you cannot say that it will not. It is blasphemy to say a bit of metal has destroyed life, just as it is presumptuous to say that because life has disappeared it has been destroyed. I stood among the heaps of the dead and I knew-no, I felt that death is only a sound we make to signify the Thing we do not know.

Every stimulus which quickens the imagination and raises the spirits, is as necessary to our life as air. It invigorates the body, and deepens our vision of human fellowship. Without stimuli, in one form or another, creative work is impossible, nor indeed the spirit of kindliness and generosity. The fact that some great geniuses have seen their reflection in the goblet too frequently, does not justify Puritanism in attempting to fetter the whole gamut of human emotions. A Byron and a Poe have stirred humanity deeper than all the Puritans can ever hope to do. The former have given to life meaning and color; the latter are turning red blood into water, beauty into ugliness, variety into uniformity and decay. Puritanism, in whatever expression, is a poisonous germ. On the surface everything may look strong and vigorous; yet the poison works its way persistently, until the entire fabric is doomed. With Hippolyte Taine, every truly free spirit has come to realize that “Puritanism is the death of culture, philosophy, humor, and good fellowship; its characteristics are dullness, monotony, and gloom.

God saw Hansen tighten his chokehold on Day and he could see his lover fighting to breathe. Day’s ears and neck were bright red. His lips were turning a darker color as his body was deprived of oxygen. Hansen pressed the barrel in deeper and yelled. “Two minutes and fifteen seconds before I get to zero and I provide the great state of Georgia the luxury of one less narc.” God’s mind exploded at the thought of not having Day in a world he lived in. He looked into his partner’s glistening eyes and saw he was turning blue and possibly getting ready to faint. Day was still looking at him, looking into God’s green eyes. No, no, no! He’s saying good-bye. God closed his eyes and released a loud, gut-wrenching growl cutting off the SWAT leader’s negotiations. “Godfrey, get yourself under control,” his captain said while grabbing for him. God jerked himself away from the hold and stepped forward, his angry eyes boring into Hansen’s dark ones. Hansen stared at him as if God was crazy. Little did he know God was at that moment. “Godfrey, get back here and stand down. That’s an order, Detective!” his captain barked. God’s large hands clenched at his sides fighting not to pull out his weapons. He ground his teeth together so hard his jaw ached. “Do you have any idea of the shit storm you’re about to bring down on your life,” God spoke with a menacing snarl while his large frame shook with fury. “In your arms you hold the only thing in this world that means anything to me. The man that you are pointing a gun at is my only purpose for living. You are threating to kill the only person in this world that gives a fuck about me.” God took two more steps forward and was vaguely aware of the complete silence surrounding him. Hansen’s finger hovered shakily over the trigger as he took two large steps back with Day still tight against his chest. God growled again and he saw a shade of fear ghost over Hansen’s sweaty face. “If you kill that man, I swear on everything that is holy, I will track you to the ends of the earth, killing and destroying any and everything you hold dear. I will take everything from you and leave you alive to suffer through it. I will bestow upon you the same misery that you have given to me.” Hansen shook his head and inched closer to the door behind him. “Stay back,” he yelled again but this time the demand lacked the courage and venom he exhibited before. “You kill that man, and you’ll have no idea of the monster you will create. Have you ever met a man with no heart…no conscience…no soul…no purpose?” God rumbled, his voice at least twelve octaves lower than the already deep baritone. God yanked his Desert Eagle from his holster in a flash and cocked the hammer back chambering the first round. Hansen stumbled back again, his eyes gone wide with fear. God’s entire body instinctually flexed every muscle in his body and it felt like the large vein in his neck might rupture. His body burned like he had a sweltering fever and he knew his wrath had him a brilliant shade of red. “I’m asking you a goddamn question, Hansen! No soul! No conscience! I’m asking you have you ever met the devil!” God’s thunderous voice practically rattled the glass in the hanger. “If you kill the man I love, you better make your peace with God, because I’m gonna meet your soul in hell.” His voice boomed.

One evening, when we were already resting on the floor of our hut, dead tired, soup bowls in hand, a fellow prisoner rushed in and asked us to run out to the assembly grounds and see the wonderful sunset. Standing outside we saw sinister clouds glowing in the west and the whole sky alive with clouds of ever-changing shapes and colors, from steel blue to blood red. The desolate grey mud huts provided a sharp contrast, while the puddles on the muddy ground reflected the glowing sky. Then, after minutes of moving silence, one prisoner said to another, “How beautiful the world could be!

A brick is a lot like love. I mean, I’m sure it is. It simply must be. However, I can’t think of how at the moment, but that’s natural, because I’m not Cupid. OK, here’s something: A brick has six sides, and love—wait, no, love only has five sides. Damn! A brick is red, and love—is transparent (visually it’s invisible, and truthfully it’s transparent). So color is out, shape is out—which leaves sound. A brick is silent, while love sounds like the hum of an electric generator. After a while, you may not hear it and you think it’s silent, but that’s only because you’re acclimated to it and have tuned it out.


When light shines on a leaf, or a daub of paint, or a lump of butter, it actually causes it to rearrange its electrons, in a process called "transition." There the electrons are, floating quietly in clouds within their atoms, and suddenly a ray of light shines on them. Imagine a soprano singing a high C and shattering a wineglass, because she catches its natural vibration. Something similar happens with the electrons, if a portion of the light happens to catch their natural vibration. It shoots them to another energy level and that relevant bit of light, that glass-shattering "note," is used up and absorbed. The rest is reflected out, and our brains read it as "color.".... The best way I've found of understanding this is to think not so much of something "being" a color but of it "doing" a color. The atoms in a ripe tomato are busy shivering - or dancing or singing, the metaphors can be as joyful as the colors they describe - in such a way that when white light falls on them they absorb most of the blue and yellow light and they reject the red - meaning paradoxically that the "red" tomato is actually one that contains every wavelength except red. A week before, those atoms would have been doing a slightly different dance - absorbing the red light and rejecting the rest, to give the appearance of a green tomato instead.

Deacon met my glare with an impish grin. “Anyway, did you celebrate Valentine’s Day when you were slumming with the mortals?” I blinked. “Not really. Why?” Aiden snorted and then disappeared into one of the rooms. “Follow me,” Deacon said. “You’re going to love this. I just know it.” I followed him down the dimly-lit corridor that was sparsely decorated. We passed several closed doors and a spiral staircase. Deacon went through an archway and stopped, reaching along the wall. Light flooded the room. It was a typical sunroom, with floor-to-ceiling glass windows, wicker furniture, and colorful plants. Deacon stopped by a small potted plant sitting on a ceramic coffee table. It looked like a miniature pine tree that was missing several limbs. Half the needles were scattered in and around the pot. One red Christmas bulb hung from the very top branch, causing the tree to tilt to the right. “What do you think?” Deacon asked. “Um… well, that’s a really different Christmas tree, but I’m not sure what that has to do with Valentine’s Day.” “It’s sad,” Aiden said, strolling into the room. “It’s actually embarrassing to look at. What kind of tree is it, Deacon?” He beamed. “It’s called a Charlie Brown Christmas Tree.” Aiden rolled his eyes. “Deacon digs this thing out every year. The pine isn’t even real. And he leaves it up from Thanksgiving to Valentine’s Day. Which thank the gods is the day after tomorrow. That means he’ll be taking it down.” I ran my fingers over the plastic needles. “I’ve seen the cartoon.” Deacon sprayed something from an aerosol can. “It’s my MHT tree.” “MHT tree?” I questioned. “Mortal Holiday Tree,” Deacon explained, and smiled. “It covers the three major holidays. During Thanksgiving it gets a brown bulb, a green one for Christmas, and a red one for Valentine’s Day.” “What about New Year’s Eve?” He lowered his chin. “Now, is that really a holiday?” “The mortals think so.” I folded my arms. “But they’re wrong. The New Year is during the summer solstice,” Deacon said. “Their math is completely off, like most of their customs. For example, did you know that Valentine’s Day wasn’t actually about love until Geoffrey Chaucer did his whole courtly love thing in the High Middle Ages?” “You guys are so weird.” I grinned at the brothers. “That we are,” Aiden replied. “Come on, I’ll show you your room.” “Hey Alex,” Deacon called. “We’re making cookies tomorrow, since it’s Valentine’s Eve.” Making cookies on Valentine’s Eve? I didn’t even know if there was such a thing as Valentine’s Eve. I laughed as I followed Aiden out of the room. “You two really are opposites.” “I’m cooler!” Deacon yelled from his Mortal Holiday Tree room

Preschoolers make a number of assumptions about words and their meaning as they acquire language, one of the most important of which is what the psychologist Ellen Markman calls the principle of mutual exclusivity. Simply put, this means that small children have difficulty believing that any one object can have two different names. The natural assumption of children, Markman argues, is that if an object or person is given a second label, then that label must refer to some secondary property or attribute of that object. You can see how useful this assumption is to a child faced with the extraordinary task of assigning a word to everything in the world. A child who learns the word elephant knows, with absolute certainty, that it is something different from a dog. Each new word makes the child's knowledge of the world more precise. Without mutual exclusivity, by contrast, if a child thought that elephant could simply be another label for dog, then each new word would make the world seem more complicated. Mutual exclusivity also helps the child think clearly. "Suppose," Markman writes, "a child who already knows 'apple' and 'red' hears someone refer to an apple as 'round.' By mutual exclusivity, the child can eliminate the object (apple) and its color (red) as the meaning of 'round' and can try to analyze the object for some other property to label.

In the morning we shed our blue sheep’s clothing. Our border shirts came out of satchels and onto our backs. We preferred this means of dress for it was more flatout and honest. The shirts were large with pistol pockets, and usually colored red or dun. Many had been embroidered with ornate stitching by loving women some were blessed enough to have. Mine was plain, but well broken in. I can think of no more chilling a sight than that of myself all astride my big bay horse with six or eight pistols dangling from my saddle, my rebel locks aloft on the breeze and a whoopish yell on my lips. When my awful costume was multiplied by that of my comrades, we stopped feint hearts just by our mode of dread stylishness.

Dying, finds Lala, is something like surfing a rainbow with very bright colors in all shapes and forms, dancing out of a point that is perpetually spilling them so that you are forever traveling forward on swaths of billowing reds and blues but never really getting anywhere, just forever traveling toward a tiny hole where all the color originates and where it ends. She wonders whether this is how her daughter must have felt when she was dying—the glorious, giddy kaleidoscope hurtling toward a hole that inexplicably remains the same distance away. Lala thinks that if, perhaps, to die means the eternal roller coaster of color, the giddy dance on blues and greens and reds and purples, then—possibly—to kill could be a kindness.

Rach-Uh, my mom says they'll help me blend in better. She says the color would just draw attention to me." Emma snorts. "Oh, she's definitely right. Blue eyes make you look so much more average. In fact, I almost didn't notice you standing there." "That hurts my feelings, Emma." He grins. She giggles. He says, "I'd consider forgiving you-if you come with me to the beach." She sighs. "I can't go with you, Galen." He runs a hand through his hair. "Honestly, Emma, I don't know how much more rejection I can take," he blurts out. In fact, he doesn't remember ever being rejected, except by Emma. Of course, that could be due to the fact that he's a Royal. Or maybe it's because he doesn't spend a lot of time with his kind anyway, let alone the females. Actually, he doesn't spend a lot of time with anyone except Rachel. And Rachel would give him her beating heart if he asked for it. "I'm sorry. It's not about you this time. Well, actually, it kind of is. My mom...well, she thinks we're dating." Her cheeks-and those lips-deepen to red. "Dating?" What is dating again? He tries to remember what Rachel told him...She said it's easy to remember because it's almost the same as...what is the rhyme for it? And then he remembers. "It's easy to remember, because dating rhymes with mating, and they're almost the same," she'd said. He blinks at Emma. "You're mom thinks we're ma-Uh, dating?" She nods biting her lip. For reasons he can't explain, this pleases him. He leans against the passenger door of her car. "Oh. Well. What does it matter if she thinks that?" "I told her we weren't dating, though. Just this morning. Going to the beach with you makes me look like a liar." He scratches the back of his neck. "I don't understand. If you told her we weren't dating, then why does she think we are?" She relaxes against his driver-side door. "Well, this is all actually your fault, not mine." "I'm obviously not asking the right questions-" "The way you acted toward me when I hit my head, Galen. Some people saw that. And they told my mom. She thinks I've been hiding you from her, keeping you a secret. Because she thinks we've been...we've been..." "Dating?" he offers. He can't understand why she'd have a difficult time discussing dating, if it means what he thinks it does-spending time with one human more than others to see if he or she would be a good mate. The Syrena do the same, only they call it sifting-and sifting doesn't take nearly as long as dating. A Syrena can sift out a mate within a few days. He'd laughed when Rachel said some humans date for years. So indecisive. Then an echo of Toraf's voice whispers to him, calling him a hypocrite. You're twenty years old. Why haven't you sifted for a mate? But that doesn't make him indecisive. He just hasn't had time to sift and keep his responsibility watching the humans. If it weren't for that, he'd already be settled down. How can Toraf think Emma's the reason he hasn't sifted yet? Up until three weeks ago, he didn't even know she existed.

The FHA had adopted a system of maps that rated neighborhoods according to their perceived stability. On the maps, green areas, rated “A,” indicated “in demand” neighborhoods that, as one appraiser put it, lacked “a single foreigner or Negro.” These neighborhoods were considered excellent prospects for insurance. Neighborhoods where black people lived were rated “D” and were usually considered ineligible for FHA backing. They were colored in red. Neither the percentage of black people living there nor their social class mattered. Black people were viewed as a contagion. Redlining went beyond FHA-backed loans and spread to the entire mortgage industry, which was already rife with racism, excluding black people from most legitimate means of obtaining a mortgage.

She throws away the inedible toast and looks at me, her blue eyes sad. “I'm a bad cook.” My first inclination is to say, “You're just realizing this now?”, but I don't. Instead I shrug. “You're good at a lot of other things.” “I can't crochet either.” I purse my lips to keep from agreeing. “Well...you—” “And I can't sing. I don't even remember the shade of my natural hair color and I've had this outfit since the eighties.” I glance at her red top and tan pants. Yeah. Those should really go—along with a lot of other things in the house. “You're sort of making it hard for me to make you feel better when you keep tossing all the things you aren't good at, at me.” I brighten. “You can dance! You're a great dancer.” “I'm having a mid-life crisis.” “You're forty-six,” I scoff. “You're too young for that. I mean, maybe in four years...

You need some help, Rosie?” His footsteps quicken behind me, and before I can respond, I feel his calloused hands on my waist. I accidently slide back against his chest and inhale the scent that has always clung to his whole family—something like forests, damp leaves, and sunshine. I suppose when your father is a woodsman you’re bound to carry the scent of oak in your veins. One breath is all I get the chance for, though; he kicks the door open and sets me down on the front stoop, then takes a step back. I turn to face him, hoping to thank him for the help and in the same sentence admonish him for carrying me like a little girl. Instead, I smile. He’s still Silas—Silas who left a year ago, the boy just a little older than my sister. His eyes are still sparkling and expressive, hair still the brown-black color of pine bark, body broad-shouldered and a little too willowy for his features. He’s still there, but it’s as if someone new has been layered on top of him. Someone older and stronger who isn’t looking a me as if I’m Scarlett’s kid sister . . . someone who makes me feel dizzy and quivery. How did this happen? Calm down. It’s just Silas. Sort of. “You’re staring,” he says cautiously, looking worried. “Oh. Um, sorry,” I say, shaking my head. Silas shoves his hands into his pockets with a familiar sway. “It’s just been a while, that’s all.” “Yeah, no kidding. You’re heavier than I remember.” I frown, mortified. “Oh, no, wait. I didn’t mean it like that, just that you’ve gotten older. Wait, that doesn’t sound much better . . .” Silas runs a hand through his hair and curses under his breath. “No, I get it.” I let him off the hook, grinning. Something about seeing him nervous thaws some of my shyness.

In camp, too, a man might draw the attention of a comrade working next to him to a nice view of the setting sun shining through the tall trees of the Bavarian woods (as in the famous water color by Dürer), the same woods in which we had built an enormous, hidden munitions plant. One evening, when we were already resting on the floor of our hut, dead tired, soup bowls in hand, a fellow prisoner rushed in and asked us to run out to the assembly grounds and see the wonderful sunset. Standing outside we saw sinister clouds glowing in the west and the whole sky alive with clouds of ever-changing shapes and colors, from steel blue to blood red. The desolate grey mud huts provided a sharp contrast, while the puddles on the muddy ground reflected the glowing sky. Then, after minutes of moving silence, one prisoner said to another, “How beautiful the world could be!

We're working on disrupting an old family tradition." He accepted the glass the Justice offered. "He means feud," Shelby explained at her mother's blank look. She sipped the liqueur,approved it, then sat on the arm of Myra's chair. "Oh...Oh," Deborah repeated as she remembered. "The Campbells and the MacGregors were blood enemies in Scotland-though I can't quite remember why." "They stole our land," Alan put in mildly. "That's what you say." Shelby shot him a look as she sipped again. "We acquired MacGregor land through a royal decree.They weren't good sports about it." Alan gave her a thoughtful smile. "I'd be interested to hear you debate that issue with my father." "What a match," Myra said, brightening at the thought. "Herbert,can you just see our Shelby nose-to-nose with Daniel? All that red hair and stubbornness. You really should arrange it, Alan." "I've been giving it some thought." "Have you?" Shelby's brows lifted to disappear completely under her frizz of bangs. "Quite a bit of thought," he said in the same even tone. "I've been to that wonderful anachronism in Hyannis Port." Myra gave Shelby a brief pat on the thigh. "It's right up your alley,dear.She's so fond of the-well,let's say unique,shall we?" "Yes." Deborah sent Shelby a fond smile. "I could never figure out why. But then,both of my children have always been a mystery.Perhaps it's because they're so bright and clever and restless.I'm always hoping they'll settle down." This time she beamed the smile at Alan. "You're not married, either,are you,Senator?" "If you'd like," Shelby said as she studied the color of her liqueur through the crystal, "I could just step out while you discuss the terms of the dowry." "Shelby,really," Deborah murmured over the sound of the Justice's chuckle.

that white is a color. It is not a mere absence of color; it is a shining and affirmative thing, as fierce as red, as definite as black. When, so to speak, your pencil grows red-hot, it draws roses; when it grows white-hot, it draws stars. And one of the two or three defiant verities of the best religious morality, of real Christianity, for example, is exactly this same thing; the chief assertion of religious morality is that white is a color. Virtue is not the absence of vices or the avoidance of moral dangers; virtue is a vivid and separate thing, like pain or a particular smell. Mercy does not mean not being cruel or sparing people revenge or punishment; it means a plain and positive thing like the sun, which one has either seen or not seen. Chastity does not mean abstention from sexual wrong; it means something flaming, like Joan of Arc. In a word, God paints in many colors; but He never paints so gorgeously, I had almost said so gaudily, as when He paints in white.

How to describe the woman? Silky hair, velvety lips. No, it won’t do, I’m using fabrics, constructing a doll. How about coppery hair, or golden locks of hair, or platinum blonde? No, now I’m doing some kind of industrial metallurgy with precious metals; in addition to everything else, the woman sounds like a commodity. And what’s “locks of hair” supposed to mean? Lock, some kind of bondage? No, strike it out. Ruby lips, pearly white teeth, brilliant smile. No, now I’m making the woman out of precious stones, and out of clichés. Almond-shaped eyes, hazel-colored eyes, pear-shaped waist, apple-red cheeks, lips like the bud of a moist flower, peachy fuzz on her upper lip. Now I’m making up a woman out of fruits, plants. She strode like a gazelle. Her snaky waist coiled and uncoiled. Now I’m demeaning the woman, making her into an animal. On the other hand, you can call a woman a goddess. Aphrodite, Venus, or at least a demi-god, angelic beauty. But these terms were all invariably overused, clichés. In addition, if you call a woman Aphrodite, it might seem like an oblique way of saying that the woman is overweight.

This photo is classic aestheticism. The engaging expression, the loose dress and fluid posture. Early to mid-1860's, if I had to guess." "It reminded me of the Pre-Raphaelites." "Related, definitely; and of course the artists of the time were all inspired by one another. They obsessed over things like nature and truth; color, composition, and the meaning of beauty. But where the Pre-Raphaelites strove for realism and detail, the painters and photographers of the Magenta Brotherhood were devoted to sensuality and motion." "There's something moving about the quality of light, don't you think?" "The photographer would be thrilled to hear you say so. Light was of principal concern to them: they took their name from Goethe's color wheel theories, the interplay of light and dark, the idea that there was a hidden color in the spectrum, between red and violet, that closed the circle. You have to remember, it was right in the middle of a period when science and art were exploding in all directions. Photographers were able to use technology in ways they hadn't before, to manipulate light and experiment with exposure times to create completely new effects.

You’re the only person who doesn’t see the advantage in such a match.” “That’s because I don’t believe in marriages of convenience. Given your family’s history, I’d think that you wouldn’t either.” She colored. “And why do assume it would be such a thing? Is it so hard to believe that a man might genuinely care for me? That he might actually want to marry me for myself?” “Why would anyone wish to marry the reckless Lady Celia, after all,” she went on in a choked voice, “if not for her fortune or to shore up his reputation?” “I didn’t mean any such thing,” he said sharply. But she’d worked herself up into a fine temper. “Of course you did. You kissed me last night only to make a point, and you couldn’t even bear to kiss me properly again today-“ “Now see here,” he said, grabbing her shoulders. “I didn’t kiss you ‘properly’ today because I was afraid if I did I might not stop.” That seemed to draw her up short. “Wh-What?” Sweet God, he shouldn’t have said that, but he couldn’t let her go on thinking she was some sort of pariah around men. “I knew that if I got his close, and I put my mouth on yours…” But now he was this close. And she was staring up at him with that mix of bewilderment and hurt pride, and he couldn’t help himself. Not anymore. He kissed her, to show her what she seemed blind to. That he wanted her. That even knowing it was wrong and could never work, he wanted to have her. She tore her lips from his. “Mr. Pinter-“ she began in a whisper. “Jackson,” he growled. “Let me hear you say my name.” Backing away from him, she cast him a wounded expression. “Y-you don’t have to pretend-“ “I’m not pretending anything, damn it!” Grabbing her by the sleeves, he dragged her close and kissed her again, with even more heat. How could she not see that he ached to take her? How could she not know what a temptation she was? Her lips intoxicated him, made him light-headed. Made him reckless enough to kiss her so impudently that any other woman of her rank would be insulted. When she pulled away a second time, he expected her to slap him. But all she did was utter a feeble protest. “Please, Mr. Pinter-“ “Jackson,” he ordered in a low, unsteady voice, emboldened by the melting look in her eyes. “Say my Christian name.” Her lush dark lashes lowered as a blush stained her cheeks. “Jackson…” His breath caught in his throat at the intimacy of it, and fire exploded in his brain. She wasn’t pushing him away, so to hell with trying to be a gentleman. He took her mouth savagely this time, plundering every part of its silky warmth as his blood pulsed high in his veins. She tasted of red wine and lemon cake, both tart and sweet at once. He wanted to eat her up. He wanted to take her, right here in this room. So when she pulled out of his arms to back away, he walked after her. She didn’t stop backing away, but neither did she turn tail and run. “Last night you claimed this wouldn’t happen again.” “I know. And yet it has.” Like someone in an opium den, he’d been craving her for months. And how that he’d suddenly had a taste of the very thing he craved, he had to have more. When she came up against the writing table, he caught her about the waist. She turned her head away before he could kiss her, so he settled for burying his face in her neck to nuzzle the tender throat he’d been coveting. With a shiver, she slid her hands up his chest. “Why are you doing this?” “Because I want you,” he admitted, damning himself. “Because I’ve always wanted you.” Then he covered her mouth with his once more.

I have a friend whose elderly mother lives with her and is driving her crazy. Her mother was once a talented artist, an intellectual with myriad interests. Now, my friend says, “she gets up in the morning and makes a cup of coffee and she’s so slow, doing it. I mean, I just watch her sometimes to see how she can possibly be so slow. Then she sits at the kitchen table and talks about what might be for lunch. I just can’t stand it! All she talks about is her cup of coffee in the morning and the weather and what her next meal will be. I really wonder…..is there any meaning to the end of life?” I suppose one way to answer that question is to think about how a baby’s meaning in life is a ray of sunshine, the color red, the nearness of his mother’s flesh. For a teenager, it is music, fitting in, hormone management. In midlife, meaning comes from focusing on our families, our jobs, our involvement with the world outside our kitchens. Which is to say that the meaning of life is ever-changing, even as we are. Who’s to say that the richest time of life might not be when a cup of morning coffee fills the world? If you found a holy man hidden away on a mountain who found fulfillment in such seemingly simple things, would you not admire him?

She sighed “Can’t you just think about sex like a normal guy?” He blinked. “Excuse me?” “How are you not thinking about sex right now?” “You don’t know what I’m thinking about.” “Yeah, but I know what you’re feeling. And you’re feeling…happy. Where’s all the desire and want?” He picked up another arrow. “Are you seriously mad at me right now because I’m not having lustful thoughts?” “No. I’m just confused. I mean, I’m thinking about sex. But you’re over there coating arrows in blood and thinking about God knows what—“ “Star Wars figurines.” “What?” “That’s what I was thinking about.” She blinked in confusion. “Star Wars figurines make you happy?” He smiled and went back to the arrows on the table. “No. You make me happy. My happy feelings are because of you. My desire and want feelings—which I have plenty of—are also because of you, but I have those contained right now because I’m trying not to overwhelm you with emotions.” “Oh.” “Trust me,” he grabbed another arrow. “You don’t want me to think about sex when you can feel my emotions. It’s very intense. I could barely handle it with you and I had five hundred years of practice.” She shot her eyes to him. “What are you trying to say? That I’m some kind of baby? I can handle it.” He shook his head and smiled. “You have no idea what you’re talking about.” “Try me.” This was a dangerous game, but since only his life was at stake… “Okay.” He shrugged and started thinking about sex. With Scarlet. He watched as she stood frozen and the color drained from her face as everything he felt rolled into her. Then bright red color returned to her face and she looked like she might catch fire. He kept his eyes on her as his feelings stayed in the hottest parts of his being. She looked at him with hungry eyes and moved her mouth to speak but no sound came out. He watched her breathing grow heavier. She dropped the arrows she held and stared at him. He changed his pattern of thought and tried to calm his emotions so she wouldn’t do anything she regretted. Once his thoughts were back on happy non-sexual things, he glanced at Scarlet, who was still frozen in place with red cheeks and parted lips. “Scar?” He leaned to the side to look in her far away eyes. “You okay?” She mouthed something and nodded, then tried again. “Yeah.” Her voice cracked. She was staring at the wall with big eyes. “I’m, uh…I’m good. I’m great.” He went back to the arrows and smiled. “Told you.” Scarlet blinked a few times and looked at Tristan. “We definitely need a chaperone.

It takes some getting used to,' Mr. Forkle said. 'But what you're seeing is a visual representation of each other's moods.' 'So that means if I do this...' Keefe tickled Sophie's neck. 'GAH--everything just went supersonic!' Fitz said. Sophie snatched Keefe's wrist as he reached to tickle her again. 'Don't. You. Dare.' 'Whoa, now everything's red and ripply,' Fitz said. 'Is that because she's angry?' 'Precisely, Mr. Vacker. Every time her emotions shift, the patterns and colors will change. And with practice, you'll learn to interpret what you see.' 'Okay, but...can't they just say, "Hey, I'm feeling this?"' Keefe asked. 'People aren't always honest about their feelings--even with themselves,' Mr. Forkle told him. 'Plus, many telepathic missions involve stealth and secrecy. So for this exercise I'm going to need both of you to forget everything around you. Let the world drop away, leaving only you two.' Keefe sighed. 'Just tell them to stare into each other's eyes and they'll be good.' 'None of that, Mr. Sencen. From this moment on, you have one job and one job only: to judge their translations of the various emotions I'll be triggering.' 'Triggering how?' Sophie asked. 'You'll see soon enough. And you'll go first, Miss Foster. For this to work, Mr. Vacker, it's crucial that you not react externally. No yelling or thrashing or screaming or--' 'Uhhh, what are you going to do to me?' Fitz asked. 'Nothing you won't survive. Consider it an exercise in self-control. And try not to listen to his thoughts, Miss Foster. Study only the changes in his emotional center and make your deduction. We begin now.' Sophie closed her eyes and focus on the colors weaving around Fitz's mind. She was about to ask if she was missing something when the pattern exploded into a swirl of pale blue tendrils. The color felt to bright to be sad, but also too wild to be peaceful. 'Tension?' she guessed. 'Kinda close,' Keefe told her. The laughter in his voice made her wonder what had happened to poor Fitz. She tried to think of other emotions as his mind turned electric blue. 'Shock?' she guessed. 'That counts,' Keefe said. 'Though the best answer would've been "surprise."' 'Is that an emotion?' she asked. 'Indeed it is,' Mr. Forkle said. 'One of the most common emotions you'll experience as you navigate someone's mind--hence why I chose it as our starting point.' 'Can I talk now?' Fitz asked. 'Because that was seriously disgusting!' Sophie opened her eyes and tried not to laugh when she saw red fruit smashed all over Fitz's face. He wiped his cheeks on his sleeves, but that only smeared the pulp. 'I think I'm going to like this assignment,' Keefe said. 'What else can we fling at Fitz?' 'Nothing for the moment,' Mr. Forkle told him. 'It's his turn to interpret. Everyone close your eyes. And remember, no cues of any kind, Miss Foster.' Sophie counted the seconds, bracing for the worst--and when nothing chaned, she opened her eyes and found Mr. Forkle with his finger over his lips in a 'shhh' sign. 'Um...confusion,' Fitz guessed. 'That works,' Keefe said. 'It started as anticipation, but then it shifted.' 'Very good,' Mr. Forkle said. 'And well done, Mr. Sencen. I wasn't sure you'd recognize confusion. It's one of the more challenging emotions for Empaths.' 'Maybe on other people,' Keefe said. 'But on Foster it's easy. Why are her emotions so much stronger?' 'Honestly, I'm not sure,' Mr. Forkle admitted. 'I suspect it stems from the combination of her inflicting ability and her human upbringing. But it was one of the surprises of her development. Much like her teleporting. Okay, Miss Foster, it's your turn to guess again.' She closed her eyes and watched as the lines of color in Fitz's mind blossomed to a snowflake of purple. 'Pride?' she guessed. Keefe laughed. 'Wow, add more fail points to Sophitz.' 'Quiet,' Mr. Forkle told him.

The speaker standing on an upturned barrel at the intersection of 135th Street and Seventh Avenue was shouting monotonously: “BLACK POWER! BLACK POWER! Is you is? Or is you ain’t? We gonna march this night! March! March! March! Oh, when the saints — yeah, baby! We gonna march this night!” Spit flew from his looselipped mouth. His flabby jowls flopped up and down. His rough brown skin was greasy with sweat. His dull red eyes looked tired. “Mistah Charley been scared of BLACK POWER since the day one. That’s why Noah shuffled us off to Africa the time of the flood. And all this time we been laughing to keep from whaling.” He mopped his sweating face with a red bandanna handkerchief. He belched and swallowed. His eyes looked vacant. His mouth hung open as though searching for words. “Can’t keep this up,” he said under his breath. No one heard him. No one noticed his behavior. No one cared. He swallowed loudly and screamed. “TONIGHT’S THE NIGHT! We launch our whale boats. Iss the night of the great white whale. You dig me, baby?” He was a big man and flabby all over like his jowls. Night had fallen but the black night air was as hot as the bright day air, only there was less of it. His white short-sleeved shirt was sopping wet. A ring of sweat had formed about the waist of his black alpaca pants as though the top of his potbelly had begun to melt. “You want a good house? You got to whale! You want a good car? You got to whale! You want a good job? You got to whale! You dig me?” His conked hair was dripping sweat. For a big flabby middle-aged man who would have looked more at home in a stud poker game, he was unbelievably hysterical. He waved his arms like an erratic windmill. He cut a dance step. He shuffled like a prizefighter. He shadowed with clenched fists. He shouted. Spit flew. “Whale! Whale! WHALE, WHITEY! WE GOT THE POWER! WE IS BLACK! WE IS PURE!” A crowd of Harlem citizens dressed in holiday garb had assembled to listen. They crowded across the sidewalks, into the street, blocking traffic. They were clad in the chaotic colors of a South American jungle. They could have been flowers growing on the banks of the Amazon, wild orchids of all colors. Except for their voices. “What’s he talking ’bout?” a high-yellow chick with bright red hair wearing a bright green dress that came down just below her buttocks asked the tall slim black man with smooth carved features and etched hair. “Hush yo’ mouth an’ lissen,” he replied harshly, giving her a furious look from the corners of muddy, almond-shaped eyes. “He tellin’ us what black power mean!

Her parents noticed, when Dominika turned five, that the little girl had a prodigious memory. She could recite lines from Pushkin, identify the concertos of Tchaikovsky. And when music was played, Dominika would dance barefoot around the Oriental carpet in the living room, perfectly in time with the notes, twirling and jumping, perfectly in balance, her eyes gleaming, her hands flashing. Vassily and Nina looked at each other, and her mother asked Dominika how she had learned all this. “I follow the colors,” said the little girl. “What do you mean, ‘the colors’?” asked her mother. Dominika gravely explained that when the music played, or when her father read aloud to her, colors would fill the room. Different colors, some bright, some dark, sometimes they “jumped in the air” and all Dominika had to do was follow them. It was how she could remember so much. When she danced, she leapt over bars of bright blue, followed shimmering spots of red on the floor. The parents looked at each other again. “I like red and blue and purple,” said Dominika. “When Batushka reads, or when Mamulya plays, they are beautiful.” “And when Mama is cross with you?” asked Vassily. “Yellow, I don’t like the yellow,” said the little girl, turning the pages of a book. “And the black cloud. I do not like that.

They are aficionados at this point, and are hoping to see the green flash at sunset. Apparently Earth’s gravity, or atmosphere, they argue about which, bends the light from the sun in such a way that just before it dips under the horizon and disappears, the Earth is actually physically between the observer and the sun, but the sunlight is curving around the globe because of the atmosphere, or gravity, and as blue light curves more than red light, this curve around the Earth splits the light as if passing it through a prism, and this means that the last visible point of sunlight turns, not blue, which would be too much of a bend and too much like the sky’s color, but green, said to be a pure brilliant emerald green. “This we have to see!” Aram declares. Badim agrees. “Strange to be as old as we are, and see it for the first time.” He turns and calls to Freya. “Girl, come see this green flash that may occur!” “You’re not that old,” she says to him. “You’re like the hundredth-oldest person in the ship.” “Well, even that would be old, but in fact I think I’m down to about fifteenth now. But let’s stay focused on the sunset. I’m told when the sun is three-quarters gone, you can look at it without damaging your eyes. Not for long, mind you, but long enough to see the green flash when it comes.

he’s disastrously hot, wearing a goddamn corset vest. The satiny black vest has vertical ribs that taper his chest into his waist in the very definition of a perfect V. I want nothing more than to drop to my knees and weep, good lord how I have never seen a corset vest before—I mean, I’ve seen one, but I’ve never seen one, not on someone whose body looks physically sculpted to fill out this apex of human fashion. He’s got the only pop of color in the entire group, a scarlet silk button-up under the vest, the color such a deep red that there’s no question it’s meant to symbolize gore and darkness rather than Christmas’s cherry brightness. Tight black pants taper into calf-high combat boots and the tips of his black hair now brush his shoulders, half the strands pulled behind his head, showing—displaying—the blade-edge sharpness of his jaw and cheekbones and the array of piercings up the shell of his left ear. Wide, observant dark eyes rimmed with black liner go from the floor up to my dad and Iris, no emotion at all on his face, but that lack of emotion is reaction enough—I get the distinct feeling he’s pissed to be here. His hands hang at his sides, loosely clenched in fists, most of his fingers set with thick silver rings. “The royal house of Halloween,” an announcer bellows. “King Ichabod Hallow. Queen Carina Hallow. And their son Prince Hex Hallow.

Auric Colors and Their Meanings. Ÿ Black: represents hatred, malice, revenge, and similar feelings. Ÿ Gray: of a bright shade, represents selfishness. Ÿ Gray: of a peculiar shade (almost that of a corpse) , represents fear and terror. Ÿ Gray: of a dark shade, represents depression and melancholy. Ÿ Green: of a dirty shade, represents jealousy. If much anger is mingled with the jealousy, it will appear as red flashes on the green background. Ÿ Green: of almost a slate color shade, represents low deceit. Ÿ Green: of a peculiar bright shade, represents tolerance to the opinions and beliefs of others, easy adjustment to changing conditions, adaptability, tact, politeness, worldly wisdom, etc., and qualities which some might possibly consider "refined deceit." Ÿ Red: of a shade resembling the dull flame when it bursts out of a burning building, mingled with the smoke, represents sensuality and the animal passions. Ÿ Red: seen in the shape of bright red flashes resembling the lightning flash in shape, indicates anger. These are usually shown on a black background in the case of anger arising from hatred or malice, but in cases of anger arising from jealousy they appear on a greenish background. Anger arising from indignation or defense of a supposed "right," lacks these backgrounds, and usually shows as red flashes independent of a background. Ÿ Blue: of a dark shade, represents religious thought, emotion, and feeling. This color, however, varies in clearness according to the degree of unselfishness manifest in the religious conception. The shades and degrees of clearness vary from a dull indigo to Ÿ Crimson: represents love, varying in shade according to the character of the passion. A gross sensual love will be a dull and heavy crimson, while one mixed with higher feelings will appear in lighter and more pleasing shades. A very high form of love shows a color almost approaching a beautiful rose color. Ÿ Brown: of a reddish tinge, represents avarice and greed. Ÿ Orange: of a bright shade, represents pride and ambition. Ÿ Yellow: in its various shades, represents intellectual power. If the intellect contents itself with things of a low order, the shade is a dark, dull yellow; and as the field of the intellect rises to higher levels, the color grows brighter and clearer, a beautiful golden yellow betokening great intellectual attainment, broad and brilliant reasoning, etc. a beautiful rich violet, the latter representing the highest religious feeling. § Light Blue: of a peculiarly clear and luminous shade, represents spirituality. Some of the higher degrees of spirituality observed in ordinary mankind show themselves in this shade of blue filled with luminous bright points, sparkling and twinkling like stars on a clear winter night.

At the sight of Ruth, singing and crying in the moonlight, they say Jacob Wyld crouched wordlessly and planted seeds at her feet, in the earth between the roots of the gum tree. What grew from that night, where Ruth's tears fell to the earth, was a heath of wild vanilla lilies, and an equally heady love affair between Ruth and Jacob. They met at the river whenever Ruth could get away. He brought her flower seeds and she brought him whatever meager food scraps she could sneak from the house. Soon Ruth had enough seeds to till a small, shaded corner of dirt near the house, where a nearly dead, lone wattle tree stood. The dirt was so dry it took her a month to soften it with whatever water she could carry from the river. Eventually, the wattle tree exploded into flower, a winter blaze of sweet yellow. Ruth fell to her knees at the sight. The scent floated all the way into town. Bees droned around the tree, drunk on its nectar. Beneath the wattle were circles of green shoots. Ruth sketched each one in her small notebook. As they bloomed, so different to the foxgloves and snowdrops of her mother's songs, Ruth noted down what they meant to her, adapting the Victorian language of flowers. The strange and beautiful native flowers, able to flourish in the harshest conditions, enchanted Ruth; none more so than the deep scarlet flowers with red centres the color of the darkest blood. Meaning, Ruth wrote in her notebook, have courage, take heart.

January 31 The Holy Spirit – Our Helper “And I will ask the Father, and He will give you another Counselor to be with you forever—the Spirit of truth. The world cannot accept Him, because it neither sees Him nor knows Him. But you know Him, for He lives with you and will be in you.”—John 14:16-17 My son played basketball in high school. I enjoyed watching, and could understand the game fairly well. But when my husband said, “He’s got to pick and roll”, I couldn’t understand. I was not fitted with the innate capacity to see it. In decorating, using color I say, “That red is not right. It has yellow in it. We need one with more blue.” My husband stares and says, “What do you mean? Red is red.” Of course, that’s not true! He is not fitted to see it. When Jesus left the earth, God the Father sent His Holy Spirit to be our Counselor. He was the One designated to walk along beside us to help us, show us the way, and reveal truth. As we study scripture, the Holy Spirit is the One who makes us fitted to understand it. He opens our spiritual eyes to see the truth. Jesus said the world (those without Christ) would not see or know Him. They are not able to understand spiritual truths—they are not fitted to see. That’s why they often don’t understand Christians. What a wonderful gift the Holy Spirit is. He is our helper. We don’t have to make it on our own. We have His presence to help us, enable us, and work through us. If you are a believer, you have the Holy Spirit living in you. Thank God today for His fitting you with this blessed gift.

This is my army,” I say more loudly. “This is my army. Its evils are mine as much as yours, as much as they are Tactus’s. Every time any of you commit a crime like this, something gratuitous and perverse, you will own it and I will own it with you, because when you do something wicked, it hurts all of us.” Tactus stands there like a fool. He’s confused. I shove him hard in the chest. He stumbles back. I follow him, shoving. “What were you going to do?” I push his hand holding the leather switch back toward his chest. “I don’t know what you mean …” he murmurs as I shove him. “Come on, man! You were going to shove your prick inside someone in my army. Why not whip me while you’re at it? Why not hurt me too? It’ll be easier. Milia won’t even try to stab you. I promise.” I shove him again. He looks around. No one speaks. I strip off my shirt and go to my knees. The air is cold. Knees on stone and snow. My eyes lock with Mustang’s. She winks at me and I feel like I can do anything. I tell Tactus to give me twenty-five lashes. I’ve taken worse. His arms are weak and so is his will to do it. It still stings, but I stand up after five lashes and give the lash to Pax. They start the count at six. “Start over!” I shout. “A little rapist cur can’t swing hard enough to hurt me.” But Pax bloodywell can. My army cries in protest. They don’t understand. Golds don’t do this. Golds don’t sacrifice for one another. Leaders take; they do not give. My army cries out again. I ask them, how is this worse than the rape they were all so comfortable with? Is not Nyla now one of us? Is she not part of the body? Like Reds are. Like Obsidians are. Like all the Colors are. Pax

I stood among the heaps of dead. They lay crumpled, useless, defunct. The vital force was fled. A bullet or a mortar fragment had torn a hole in these frail vessels and the substance had leaked out. The mystery of the universe had once inhabited these lolling lumps, had given each an identity, a way of walking, perhaps a special habit of address or a way with words or a knack of putting color on canvas. They had been so different, then. Now they were nothing, heaps of nothing. Can a bullet or a mortar fragment do this? Does this force, this mystery, I mean this soul — does this spill out on the ground along with the blood? No. It is somewhere, I know it. For this red-and-yellow lump I look down upon this instant was once a man, and the thing that energized him, the Word that gave “to airy nothing a local habitation and a name,” the Word from a higher Word — this cannot have been obliterated by a quarter-inch of heated metal. The mystery of the universe has departed him, and it is no good to say that the riddle is solved, the mystery is over — because it has changed residences. The thing that shaped the flare of that nostril, that broadened that arm now bleeding, that wrought so fine that limply lying hand — that thing exists still, and has still the power to flare that nostril, to bend that arm, to clench that fist exactly as it did before. Because it is gone you cannot say it will not return; even though you may say it has never yet returned — you cannot say that it will not. It is blasphemy to say a bit of metal has destroyed life, just as it is presumptuous to say that because life has disappeared it has been destroyed. I stood among the heaps of the dead and I knew — no, I felt that death is only a sound we make to signify the Thing we do not know.

And today, for the first time, we are given a real recipe: making chocolate pudding from scratch. We stir cocoa and cornstarch and sugar together, then stir in milk. Chef guides us step by step and we all clean our stations as the pudding chills. As I'm putting away my ingredients, a little red bottle in the pantry calls my attention. I snatch it up and sprinkle some on my pudding. When Chef Ayden calls us up to test our dishes, I'm the first student to set my bowl in front of him. He grabs a clean plastic spoon and pulls my dish closer to him, leaning down to inspect it, turning the dish slowly in a circle. "Mmm. Nice chocolate color, smooth texture; you made sure the cream didn't break, which is great. And I'm curious what this is on top." He takes a tiny spoonful and pops it into his mouth, and the moment his mouth closes around the spoon his eyelids close, too. I wonder if my cooking woo-woo will work on him. "What is that?" he asks, his eyes still closed. I assume he means the spice on top and not whatever memory may have been loosened by my pudding. His eyes open and I realize the question was in fact for me. "I used a little smoked paprika," I say. Heat creeps up my neck. I hadn't even thought about what would happen if I used an ingredient that wasn't in the original recipe. "You trying to show off, Emoni?" Chef Ayden asks me very, very seriously. "No, Chef. I wasn't." "The ancient Aztecs too would pair chocolate with chipotle and cayenne and other spices, although it is not so common now. Why'd you add it?" "I don't know. I saw it in the pantry and felt the flavors would work well together." He takes another spoonful. Chef told us from the beginning that since every student is evaluated, he would very rarely take more than one bite of any single dish. I'm surprised he does so now, but he closes his eyes again as if the darkness behind his lids will help him better taste the flavors. His eyes pop open. "This isn't bad." He drops his spoon. "Emoni, I think creativity is good. And this, this..." He gives a half laugh like he's surprised he doesn't know what to say. He clears his throat and it seems almost like a memory has him choked up.

Should I be scared?” “I think you should get ready for quite an inquiry, but they’re necessary questions that must be answered if I want to ask you out on a second date.” “What if I don’t want to go on a second date?” “Hmm.” He taps his chin with his fork, ready to dig in the minute the plate arrives at our table. “That’s a good point. All right. If the question arose, would you go on a second date with me?” “Well, now I feel pressured to say yes just so I can hear the inquiry.” “You’re going to have to deal with the pressure, sweet cheeks.” “Fine. Hypothetically, if you were to ask me out on a second date, I would hypothetically, possibly say yes.” “Great.” He bops his own nose with his fork and then sets it down on the table. “Here goes.” He looks serious; both his hands rest palm down on the table and his shoulders stiffen. Looking me dead in the eyes, he asks, “Bobbies and Rebels are in the World Series, what shirt do you wear?” “Bobbies obviously.” He blinks. Sits back. “What?” “Bobbies for life.” “But I’m on the Rebels.” “Yes, but are we dating, are we married? Are we just fooling around? There’s going to have to be a huge commitment on my part in order to put a Rebels shirt on. Sorry.” “We’re dating.” “Eh.” I wave my hand. “Fine. We’re living together.” “Hmm, I don’t know.” I twist a strand of hair in my finger. “Christ, we’re married.” “Ugh.” I wince. “I’m sorry, I just don’t think it will ever happen.” “Not even if we’re married, for fuck’s sake?” he asks, dumbfounded. It’s endearing, especially since he’s pushing his hand through his hair in distress, tousling it. “Do we have kids?” I ask. “Six.” “Six?” Now it’s time for my eyes to pop out of their sockets. “Do you really think I want to birth six children?” “Hell, no.” He shakes his head. “We adopted six kids from all around the world. We’re going to have the most diverse and loving family you’ll ever see.” Adopting six kids, now that’s incredibly sweet. Or mad? No, it’s sweet. In fact, it’s extremely rare to meet a man who not only knows he wants to adopt kids, but is willing to look outside of the US, knowing how much he could offer that child. Good God, this man is a unicorn. “We have the means for it, after all,” he says, continuing. “You’re taking over the city of Chicago, and I’ll be raining home runs on every opposing team. We would be the power couple, the new king and queen of the city. Excuse me, Oprah and Steadman, a new, hip couple is in town. People would wear our faces on their shirts like the royals in England. We’re the next Kate and William, the next Meghan and Harry. People will scream our name and then faint, only for us to give them mouth-to-mouth because even though we’re super famous, we are also humanitarians.” “Wow.” I sit back in my chair. “That’s quite the picture you paint.” I know what my mom will say about him already. Don’t lose him, Dorothy. He’s gold. Gorgeous and selfless. “So . . . with all that said, our six children at your side, would you wear a Rebels shirt?” I take some time to think about it, mulling over the idea of switching to black and red as my team colors. Could I do it? With the way Jason is smiling at me, hope in his eyes, how could I ever deny him that joy—and I say that as if we’ve been married for ten years. “I would wear halfsies. Half Bobbies, half Rebels, and that’s the best I can do.” He lifts his finger to the sky. “I’ll take it.

Vishnu is the god who sustains and maintains what Brahma creates and what Shiva seeks to destroy. He is also pure consciousness. His name means “pervader.” Vishnu pervades and enlivens all things. For devotees of Vishnu, Vishnu’s blue color indicates that he is as pervasive and intangible as the sky, while his consort Laxmi’s red sari represents earth’s all-containing fertility. He is the protector; she is the provider:

They go out to their work, searching for food…. —Job 24:5 (NKJV) My husband, Keith, and I decided to drive down to Tulip Town and wander the fields of vibrant color the Skagit Valley is famous for. Enchanted, we ordered about twenty different varieties for our half-barrel planters. I loved deciding between the American Dream and the Peking Red, the Black Diamond and the Purissima, the Monte Carlo and the Gudoshnik. We planted the bulbs in September, but it was a bad winter. When spring came, I saw only about one-tenth of the tulips we’d planted. Closer inspection revealed squirrels had lived off our bulbs when other food was really scarce. I was upset and complained loudly, angrily, to Keith, but he only said, “The squirrels needed food.” I grumped about that for a while but slowly came to realize that he was right: Providing nourishment should trump surface beauty every time. I came to see the squirrels as survivors and was glad that the tulips had helped them get through the winter. Lord, help me to understand more quickly that being part of the balance of life means I don’t always get to do things my way. —Rhoda Blecker Digging Deeper: Prv 18:17; Ez 34:18

The studio’s photographic activity lay quietly in hibernation, and not even your mother’s friends left their beloved Södermalm to support the studio despite their eagerly expressed curiosity for what they called “the colorful, multicultural suburb.” I never really understood the meaning of this expression. The neighborhood in the vicinity of the studio was not particularly separated from the neighborhood in Hornstull where you localized your lodgings. The same rectangular box houses, the same brown house colors. The same brightly shining mailboxes, the same Konsum grocery, the same Apoteket sign. The same red-nosed alcoholics who sat mumbling on the benches outside Systembolaget. The same Assyrians who started the same pizzerias with the same clever Italian names. Sometimes I noticed that people from Södermalm truly enjoyed pointing out every crucial difference between “the suburbs” and “downtown.” Sometimes I thought that the situation was similar to when tourists in Tabarka enjoyed pointing out the crucial difference between “the mystique of the Orient” and “the stress and pressure of the Western world.

March 17, 1916. When I travel by rail between assignments, I usually go in the rearmost car; here it is called “caboose,” a word with maritime origins, meaning originally a ship’s galley. The caboose car is red in color and is where the conductor sits, also where he keeps his tools, lanterns, and flares. He can observe the whole train from a small tower that sticks up from the roof of the car. I chat with the conductor

Why do you suppose the sky is blue? Why not green or red?” I shrug and follow her gaze. The sun has almost set, the pale blue of day transforming into dark velvet. “It has to do with the light waves. Blue scatters differently than red does.” Emily looks at me quizzically. “You say such odd things at times, Rebecca.” I smile, a little embarrassed. I probably shouldn’t show my nerdy side unless under duress. I’m pretty sure there’s a rule about that in the Social Climber’s Guide to Regency England. “What is this you speak of?” Alex’s voice is so deep and unexpected I jerk my eyes from the stars and look at him. “I’m sorry?” “The light waves. What do you mean by them?” Oh. Right. “Um, well, light comes from the sun in waves. Of color. And then they reflect on different things in the atmosphere and…Oh never mind.” It’s sort of stupid to explain the whole thing, given how complicated it is. Alex looks straight at me for a long moment, and then turns back to stare at the sky. “And who told you such a thing?” I snort. “People much smarter than you.” “I’m smarter than you think,” he says, avoiding my eyes. It’s almost dark out. What is he even looking at? “And I’m not as ignorant as you think,” I say. He turns so abruptly I’m surprised he doesn’t strain his neck. His jaw tightens, but he doesn’t say anything. I dare him to disagree. I wait for it. But then he just turns away.

It took me a minute to figure out that Colored didn’t mean red and blue toilets. In Remus, nobody was scared to use the same john as a black man. I knew from experience: white shit doesn’t look any different from colored. Remus

To learn never consists in being made capable of repeating the same gesture, but of providing an adapted response to the situation by different means. Nor is the response acquired with regard to an individual situation. It is rather a question of a new aptitude for resolving a series of problems of the same form. It is known that, in children, the acquisition of differential behavior with respect to colors is slow and difficult. When the child has succeeded in distinguishing red and green and naming them comcretely, what is acquired is not properly speaking the discrimination of these two qualities as such; it is a general power of comparing and distinguishing colors: all pairs of colors benefit from the distinction of red and green and differential behavior progresses not from one to the other but by a finer and finer discrimination with regard to all of them.

Everything we eat affects each of us differently; so it is with how we relate with our own energies. We are the only ones who know what wakes us up and what puts us to sleep. So we sit here on these red cushions in this brightly lit room with this fancy, colorful shrine and this huge picture of the Karmapa. Outside, the snow is falling and the wind howling. Hour after hour we sit here and just come back to the present moment as much as we can, acknowledge what’s going on in our minds, come back to the present moment as much as we can, acknowledge what’s going on in our minds, follow the out-breath, label our thoughts “thinking,” come back to the present moment, acknowledge what’s going on in our minds. The instruction is to be as honest and warmhearted in the process as you can, to learn gradually what it means to let go of holding on and holding back.

Perhaps all Creation as we know it is an extraction from a totality, which I have chosen to call the ‘Source'. Three psychics have told me the same thing: ‘You’ve touched Source energy.’ Though I don’t know what that means, sometimes I do have an experience of traveling to a place in which everything I need for healing is in infinite supply. My mind moves into super-consciousness and a sense of higher intelligence, then past that into peace, and past that into Nothingness – a place of pure potential where all possibilities exist at the same time. The higher I go, the less I feel. The Source doesn’t do anything, it just is. The best way I can describe the Nothing that contains Everything is through the metaphor of white light. Physicists tell us it contains all other colors: when we see red or green or yellow, that’s a subtraction from white. Perhaps by touching the Source I can give my patients what they need to heal, because the Source offers an infinite number of simultaneous existences transcending time and space. Just as I speculate that Creation may be a subtraction from the perfection of Nothingness, I see disease as a subtraction from perfect health. I find that I am unconsciously drawn to physical need in others, and that somehow I’m able to offer a patient what he or she requires. Instead of time travel backward or forward perhaps I’m able to access some kind of universal energy, intelligence, awareness, or information beyond my perception. I can’t describe any of this more clearly – that’s why we have poets!

Celebrate vegetables and fruits: Cover half of your plate with them. Aim for color and variety. Keep in mind that potatoes don’t count (see “The Spud Is a Dud” on page 167). THE HARVARD HEALTHY EATING PLATE Figure 1. The Harvard Healthy Eating Plate was created to address deficiencies in the USDA’s MyPlate. It provides simple but detailed guidance to help people make the best eating choices. • Go for whole grains—about one-quarter of your plate. Intact and whole grains, such as whole wheat, barley, wheat berries, quinoa, oats, brown rice, and foods made with them, have a milder effect on blood sugar and insulin than white bread, white rice, and other refined grains (see chapter six). • Choose healthy protein packages—about one-quarter of your plate. Fish, chicken, beans, soybeans, and nuts are all healthy, versatile protein sources. Limit red meat, and try to stay away from processed meats such as bacon and sausage (see chapter seven). • Use healthy plant oils, such as olive, canola, soy, corn, sunflower, and peanut, in moderation. Stay away from foods containing partially hydrogenated oils, which contain unhealthy artificial trans fats (see “Trans fats,” page 83). If you like the taste of butter or coconut oil, use them when their flavor is important but not as primary dietary fats. Keep in mind that low-fat does not mean healthy (see chapter five).

She'd make all the ingredients individually for her kimchi-jjigae," he went on. "Anchovy stock. Her own kimchi, which made the cellar smell like garlic and red pepper all the time. The pork shoulder simmering away. And when she'd mix it all together..." He trailed off, tipping his head back against the seat. It was the first movement he'd made over the course of his speaking; his hands rested still by his sides. "It was everything. Salty, sour, briny, rich, and just a tiny bit sweet from the sesame oil. I've been trying to make it for years, and mine has never turned out like hers." My anxiety manifestation popped up out of nowhere, hovering invisibly over one off Luke's shoulders. The boy doesn't know that the secret ingredient in every grandma's dish is love. He needs some more love in his life, said Grandma Ruth, eyeing me beadily. Maybe yours. Is he Jewish? I shook my head, banishing her back to the ether. "I get the feeling," I said. "I can make a mean matzah ball soup, with truffles and homemade broth boiled for hours from the most expensive free-range chickens, and somehow it never tastes as good as the soup my grandma would whip up out of canned broth and frozen vegetables." Damn straight, Grandma Ruth said smugly. Didn't I just banish you? I thought, but it was no use. "So is that the best thing you've ever eaten?" Luke asked. "Your grandma's matzah ball soup?" I shook my head. I opened my mouth, about to tell him about Julie Chee's grilled cheese with kimchi and bacon and how it hadn't just tasted of tart, sour kimchi and crunchy, smoky bacon and rich, melted cheese but also belonging and bedazzlement and all these feelings that didn't have names, like the dizzy, accomplished feeling you'd get after a Saturday night dinner rush when you were a little drunk but not a lot drunk because you had to wake up in time for Sunday brunch service, but then everything that happened with Derek and the Green Onion kind of changed how I felt about it. Painted over it with colors just a tiny bit off. So instead I told him about a meal I'd had in Lima, Peru, after backpacking up and down Machu Picchu. "Olive tofu with octopus, which you wouldn't think to put together, or at least I wouldn't have," I said. The olive tofu had been soft and almost impossibly creamy, tasting cleanly of olives, and the octopus had been meaty and crispy charred on the outside, soft on the inside.

Tokyo." Mr. Fuchigami's voice inflates with pride. "Formerly Edo, almost destroyed by the 1923 Great Kantō earthquake, then again in 1944 by nighttime firebombing raids. Tens of thousands were killed." The chamberlain grows silent. "Kishikaisei." "What does that mean?" There's a skip in my chest. We've entered the city now. The high-rises are no longer cut out shapes against the skyline, but looming gray giants. Every possible surface is covered in signs---neon and plastic or painted banners---they all scream for attention. It's noisy, too. There is a cacophony of pop tunes, car horns, advertising jingles, and trains coasting over rails. Nothing is understated. "Roughly translated, 'wake from death and return to life.' Against hopeless circumstances, Tokyo has risen. It is home to more than thirty-five million people." He pauses. "And, in addition, the oldest monarchy in the world." The awe returns tenfold. I clutch the windowsill and press my nose to the glass. There are verdant parks, tidy residential buildings, upmarket shops, galleries, and restaurants. For each sleek, new modern construction, there is one low-slung wooden building with a blue tiled roof and glowing lanterns. It's all so dense. Houses lean against one another like drunk uncles. Mr. Fuchigami narrates Tokyo's history. A city built and rebuilt, born and reborn. I imagine cutting into it like a slice of cake, dissecting the layers. I can almost see it. Ash from the Edo fires with remnants of samurai armor, calligraphy pens, and chipped tea porcelain. Bones from when the shogunate fell. Dust from the Great Earthquake and more debris from the World War II air raids. Still, the city thrives. It is alive and sprawling with neon-colored veins. Children in plaid skirts and little red ties dash between business personnel in staid suits. Two women in crimson kimonos and matching parasols duck into a teahouse.