“
And who are you, the proud Lord said
that I must bow so low?
Only a cat of a different coat,
that's all the truth I know.
In a coat of gold or a coat of red,
a lion still has claws.
And, mine are as long and sharp, my Lord
as long and sharp as yours.
And so he spoke, and so he spoke,
that Lord of Castamere,
but now the rains weep o'er his hall,
with no one there to hear.
Yes, now the rains weep o'er his hall,
and not a soul to hear.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
I don't know you. The only thing I know about you is, you're reading this. I don't know if your happy or not; I don't know whether you're young or not. I sort of hope you're young and sad. If you're old and happy, I can imagine that you'll smile to yourself when you hear me going, he broke my heart. You'll remember someone who broke your heart, and you'll think to yourself, Oh yes, i remember how that feels. But you can't, you smug old git. Oh you'll remember feeling sort of plesantly sad. You might remember listening to music and eating chocolates in your room, or walking along the embankment on your own, wrapped up in a winter coat and feeling lonely and brave. But can you remember how with every mouthful of food it felt like you were biting into your own stomach? Can you remember the taste of red wine as it came back up and into the toilet bowl? Can you remember dreaming every night that you were still together, that he was talking to you gently and touching you, so that every morning when you woke up you had to go through it all over again?
”
”
Nick Hornby (A Long Way Down)
“
The planet’s famous red colour is from iron oxide coating everything. So it’s not just a desert. It’s a desert so old it’s literally rusting.
”
”
Andy Weir (The Martian)
“
A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained wedding veil and some in headgear or cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a Spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or sabre done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses' ears and tails worked with bits of brightly colored cloth and one whose horse's whole head was painted crimson red and all the horsemen's faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
Love Sorrow
Love sorrow. She is yours now, and you must
take care of what has been
given. Brush her hair, help her
into her little coat, hold her hand,
especially when crossing a street. For, think,
what if you should lose her? Then you would be
sorrow yourself; her drawn face, her sleeplessness
would be yours. Take care, touch
her forehead that she feel herself not so
utterly alone. And smile, that she does not
altogether forget the world before the lesson.
Have patience in abundance. And do not
ever lie or ever leave her even for a moment
by herself, which is to say, possibly, again,
abandoned. She is strange, mute, difficult,
sometimes unmanageable but, remember, she is a child.
And amazing things can happen. And you may see,
as the two of you go
walking together in the morning light, how
little by little she relaxes; she looks about her;
she begins to grow.
”
”
Mary Oliver (Red Bird)
“
I'll let you and Zia have some quality time," she told me. "Just the two of you and your coat.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
Doughboy, we need to talk.”
Doughboy opened his wax eyes. “Finally! You realize how stuffy it is in there? At last you’ve remembered that you need my brilliant guidance.”
“Actually we need to become a coat.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
I knew, as sure as I knew my name, that tomorrow he would send me another coat, in a big fancy box, with a big bow on it. It would be the right size, it would be a top brand, and it would be warm.
...............
It was cranberry red, with a removable liner, a detachable hood, and tortoiseshell buttons.
”
”
Charlaine Harris (Dead to the World (Sookie Stackhouse, #4))
“
bantams with big puffy chests and exotic head-dresses, bright orange coats with black tails. A couple of roosters sport bright red combs and wattles.
”
”
Rebecca Rosenberg (Champagne Widows: First Woman of Champagne, Veuve Clicquot)
“
Party lights hang over the street, yellow and red and green. Sadie stumbles over someone’s chair, but I’m ready for this and I catch her easily by the arm.
“Sorry, clumsy,” she says.
“You always were, Sadie. One of your more endearing traits.”
Before she can ask about that I slip my arm around her waist. She slips hers around mine, still looking up at me. The lights skate across her cheeks and shine in her eyes. We clasp hands, fingers folding together naturally, and for me the years fall away like a coat that’s too heavy and too tight. In that moment, I hope on thing above all others: that she was not too busy to find at least one good man …
She speaks in a voice almost too low to be heard over the music. But I hear her – I always did. “Who are you, George?”
“Someone you knew in another life, honey.
”
”
Stephen King (11/22/63)
“
He's Gandalf on crack and an IV of Red Bull, with a big leather coat and a .44 revolver in his pocket.
”
”
Jim Butcher
“
Small, red, and upright he waited,
gripping his new bookbag tight
in one hand and touching a lucky penny inside his coat pocket with the other,
while the first snows of winter
floated down on his eyelashes and covered the branches around him and silenced
all trace of the world.
”
”
Anne Carson (Autobiography of Red)
“
When Josey woke up and saw the feathery frost on her windowpane, she smiled. Finally, it was cold enough to wear long coats and tights. It was cold enough for scarves and shirts worn in layers, like camouflage. It was cold enough for her lucky red cardigan, which she swore had a power of its own. She loved this time of year. Summer was tedious with the light dresses she pretended to be comfortable in while secretly sure she looked like a loaf of white bread wearing a belt. The cold was such a relief.
”
”
Sarah Addison Allen (The Sugar Queen)
“
As the sun shines low and red across the water, I wade into the ocean. The water is still high and brown and murky with the memory of the storm, so if there’s something below it, I won’t know it. But that’s part of this, the not knowing. The surrender to the possibilities beneath the surface. It wasn’t the ocean that killed my father, in the end. The water is so cold that my feet go numb almost at once. I stretch my arms out to either side of me and close my eyes. I listen to the sound of water hitting water. The raucous cries of the terns and the guillemots in the rocks of the shore, the piercing, hoarse questions of the gulls above me. I smell seaweed and fish and the dusky scent of the nesting birds onshore. Salt coats my lips, crusts my eyelashes. I feel the cold press against my body. The sand shifts and sucks out from under my feet in the tide. I’m perfectly still. The sun is red behind my eyelids. The ocean will not shift me and the cold will not take me.
”
”
Maggie Stiefvater (The Scorpio Races)
“
He crossed the street toward the man in the trench coat, which left me with two choices: follow my dad and see what was going on, or do what I was told.
I decided on the slightly less dangerous path.
I went to retrieve my sister
”
”
Rick Riordan (The Red Pyramid (Kane Chronicles, #1))
“
Let's get something clear up front. I'm not Harry Dresden. Harry's a wizard. A genuine, honest-to-goodness wizard. He's Gandalf on crack and an IV of Red Bull, with a big leather coat and a .44 revolver in his pocket. He'll spit in the eye of gods and demons alike if he thinks it needs to be done, and to hell with the consequences -- and yet somehow my little brother manages to remain a decent human being. I'll be damned if I know how. But then, I'll be damned regardless. My name is Thomas Raith, and I'm a monster.
”
”
Jim Butcher (Backup (The Dresden Files, #10.5))
“
Black-on black crime' is jargon, violence on language, which vanishes the men who engineered the covenants, who fixed the loans, who planned the projects, who built the streets and sold red ink by the barrel.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
It was a bird. A bird struggling through stickiness: a bird coated in paint, floundering in its nest, splashing color everywhere.
Red. Red. Red.
Dozens of them: black feathers coated thickly with crimson-colored paint, fluttering among the branches.
Red means run.
”
”
Lauren Oliver (Pandemonium (Delirium, #2))
“
I had a mother who left when I was a child. I didn’t miss her. Maeve was there, with her red coat and her black hair, standing at the bottom of the stairs, the white marble floor with the little black squares, the snow coming down in glittering sheets in the windows behind her, the windows as wide as a movie screen, the ship in the waves of the grandfather clock rocking the minutes away.
”
”
Ann Patchett (The Dutch House)
“
He had let Aunt Peg live in his house and married her, so clearly he had a thing for flaky American types who liked to sneak off in the dead of night. That was, as Ginny remembered it, how America won the Revolution in the first place. The English walked around in bright red coats in straight lines and took breaks for tea, and the Americans snuck around dressed in rags and hid in trees and stole their horses. Or something. Whatever. She had to do this-it was her birthright. It was what George Washington would have wanted.
”
”
Maureen Johnson (The Last Little Blue Envelope (Little Blue Envelope, #2))
“
I knew him instantly, even though he'd...changed. I think in a crowd of a million people, I would have recognized him. The connection between us would allow nothing else. And after being deprived of him for so long, I drank in every feature. The dark, chin-length hair, worn loose tonight and curling slightly around his face. The familiar set of lips, quirked now in an amused yet chilling smile. He even wore the duster he always wore, the long leather coat that could have come straight out of a cowboy movie.
[...]
The eyes. Oh God, the eyes.
Even with that sickening red ring around his pupils, his eyes still reminded me of the Dimitri I'd known. The look in his eyes—the soulless, malicious gleam—that was nothing like him. But there was just enough resemblance to stir my heart, to overwhelm my senses and feelings. My stake was ready. All I had to do was keep swinging to make the kill. I had momentum on my side...
But I couldn't. I just needed a few more seconds, a few more seconds to drink him in before I killed him. And that's when he spoke.
"Roza." His voice had the same wonderful lowness, the same accent...it was just colder. "You forgot my first lesson: Don't hesitate.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
Seven, ten, fifteen, eighteen years old and still there is nothing finer than a blank sheet of paper, the white promise that the world can be what I make it. A magical place, an adventurous place, a possible place. Erasers take away the mistakes. Another coat of paint to cover them up. Black and red and purple and blue. Always Blue.
”
”
Stacey Jay (Juliet Immortal (Juliet Immortal, #1))
“
At such times I feel I could die for love of her, my little stranger, my heart swelling dangerously so that the only release is to run too, my red coat flapping around my shoulders like wings, my hair a comet’s tail in the patchy blue sky.
”
”
Joanne Harris (Chocolat (Chocolat, #1))
“
The front door is painted a rich, bright red. The corners of my mouth curl into a smile. Have I mentioned my love affair with red? It's a beautiful, trusting relationship. Nothing coated in such a wondrous color could ever be bad.
”
”
Victoria Scott (The Collector (Dante Walker, #1))
“
You wrote this right?” he said. “It tells how to defeat Set.”
Thoth unfolded the papyrus pages. “Oh, dear. I hate reading my old work. Look at this sentence. I’d never write it that way now.” He patted his lab coat pockets. “Red pen—does anyone have one?”
Isis chafed against my willpower, insisting that we blast some sense into Thoth. One fireball, she pleaded. Just one enormous magical fireball?
I couldn’t say I was tempted, but I kept her under control.
“Since when does drool make you powerful?
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
A few weeks later, in the wood,
I came across Miss Riding Hood.
But what a change! No cloak of red,
No silly hood upon her head.
She said, 'Hello, and do please note
My lovely furry wolfskin coat.
”
”
Roald Dahl
“
One picture puzzle piece
Lyin' on the sidewalk,
One picture puzzle piece
Soakin' in the rain.
It might be a button of blue
On the coat of the woman
Who lived in a shoe.
It might be a magical bean,
Or a fold in the red
Velvet robe of a queen.
It might be the one little bite
Of the apple her stepmother
Gave to Snow White.
It might be the veil of a bride
Or a bottle with some evil genie inside.
It might be a small tuft of hair
On the big bouncy belly
Of Bobo the Bear.
It might be a bit of the cloak
Of the Witch of the West
As she melted to smoke.
It might be a shadowy trace
Of a tear that runs down an angel's face.
Nothing has more possibilities
Than one old wet picture puzzle piece.
”
”
Shel Silverstein
“
Even the sun-clouds this morning cannot manage such skirts
Nor the woman in the ambulance
Whore red heart blooms through her coat so astoundingly
....
Oh my God, what am I
That these late mouths should cry open
In a forest of frost, in a dawn of cornflowers
”
”
Sylvia Plath
“
I hope we shall get on together, you and I;
I've come to cheer you up - That's why
I'm dressed up like an aristocrat
In a fine red coat with golden stitches,
A stiff silk cape on top of that,
A long sharp dagger in my breeches,
And a cockerel's feather in my hat.
Take my advice - if I were you,
I'd get an outfit like this too;
Then you'd be well equipped to see
Just how exciting life can be.
”
”
Johann Wolfgang von Goethe (Faust)
“
I looked at our hands, caked and coated in red, but entwined. The pristine moment when they were clasped like that earlier in the day seemed weeks ago.
"Clean." Peter said.
"Can I get a water bottle or something to clean his hands?" I scanned the crowd. He drew my attention back to him with a pull of my hand.
"No," Peter said. "I'm...clean."
I had missed who Peter was until that very moment.
I had called him names and treated him callously. I had read every micro expression in a vacuum of how it related to Austin Glass. And in return Peter had cared for my wounds, treated me tenderly and assured me that he was HIV negative while bleeding out in a hallway of strangers.
I broke. It wasn't a visible fracture. I didn't sob or explode into anguish. I didn't give in to my vomitus urge that came from the burst of self-loathing. But I shattered nonetheless.
”
”
Dani Alexander (Shattered Glass (Shattered Glass, #1))
“
I close my eyes again. There’s the smell of mountain snow on the air. I shiver. I would have brought a coat if I’d known I was going to be in Wyoming today. I’m a wuss about cold.
You’re my California flower, I remember Tucker saying to me once. We were sitting on the pasture fence at the Lazy Dog, watching his dad break in a colt, the leaves in the trees red just like they are today. I started shivering so hard my teeth actually began to chatter, and Tucker laughed at me and called me that—his delicate California flower— and wrapped me in his coat.
”
”
Cynthia Hand (Boundless (Unearthly, #3))
“
I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible.
When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth.
"Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger."
Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud?
"Grilled cheese?" I said hesitantly.
"Okay, good. What else?"
I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.
”
”
Stephanie Klein (Straight Up and Dirty)
“
Eve held his eyes and confidently licked the length of the razor-sharp blade with the tip of her tongue. Red blood beaded up on her tongue, and she licked her lips, giving them a fresh coat of color. Eve used the knife to blow a kiss in Beckett’s direction and disappeared into the crowd. Beckett forgot to keep dancing. He stood stock still with Kyle still twirling around him.
Eve had just f*cked his mind so hard, he wanted to smoke a cigarette and cuddle like some soap-watching woman.
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice.
Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember.
“Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms.
She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire.
Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.”
“What to get the Shadowhunter who has everything,” Simon said with a grin.
“Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?”
“A piano.”
“Simon.”
“A really huge metronome that could also double as a weapon?”
Clary sighed, exasperated.
“Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.”
“Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?”
“I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets.
“Oh, come on. Isabelle’s easy.”
“That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.”
“You really have to DTR, Simon.”
“What?”
“Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?”
Simon blanched. “What? Seriously?”
“Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—”
“Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother.
where are you? It’s an emergency.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Tarquin turned from the table, just as the tent flaps parted for a pair of broad shoulders—
Varian. He didn’t so much as look at his High Lord, his focus going right to where Amren sat at the head of the table. As if he’d sensed she was here—or someone had reported. And he’d come running.
Amren’s eyes flicked up from the Book as Varian halted. A coy smile curved her red lips.
There was still blood and dirt splattered on Varian’s brown skin, coating his silver armor and close-cropped white hair. He didn’t seem to notice or care as he strode for Amren.
And none of us dared to speak as Varian dropped to his knees before Amren’s chair, took her shocked face in his broad hands, and kissed her soundly.
...
None of us lasted long after dinner.
Amren and Varian didn’t even bother to join us.
No, she’d just wrapped her legs around his waist, right there in front of us, and he’d stood, lifting her in one swift movement. I wasn’t entirely sure how Varian managed to walk them out of the tent while still kissing her, Amren’s hands dragging through his hair, letting out noises that were unnervingly like purring as they vanished into the camp.
Rhys had let out a low laugh as we all gawked in their wake. “I suppose that’s how Varian decided he’d tell Amren he was feeling rather grateful she ordered us to go to Adriata.”
Tarquin cringed. “We’ll alternate who has to deal with them on holidays.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
We will have to cut our coats to suit our cloth, and wait and see.
”
”
Philippa Gregory (The Red Queen (The Plantagenet and Tudor Novels, #3))
“
But you want me to die. You think I’m somehow wrong. Broken.”
“I think we’re all broken,” said Serena, tossing her the red coat. “Put that on.”
“I don’t feel broken,” Sydney said quietly as she tugged on the too-big sleeves. “And even if I am, I can fix other people.
”
”
Victoria E. Schwab (Vicious (Villains, #1))
“
Mars is a barren wasteland and I am completely alone here. I already knew that, of course. But there’s a difference between knowing it and really experiencing it. All around me there was nothing but dust, rocks, and endless empty desert in all directions. The planet’s famous red color is from iron oxide coating everything. So it’s not just a desert. It’s a desert so old it’s literally rusting.
”
”
Andy Weir (The Martian)
“
laid his head in my hand. I almost cried at what I saw. His coat was dirty and mud-caked. His skin was
”
”
Wilson Rawls (Where the Red Fern Grows)
“
It’s like watching a James Bond movie. Morpheus—in a black trench-coat-style blazer that hangs to his thighs, gray tweed pants, a dark gray vest, skinny red tie, and black pin-striped dress shirt—could pass for a punk-fae secret agent who’s captured his villain. His thick blue waves touch his shoulders from under a gray tweed flat cap, and his wings drape down his back and across the floor, fluttering sporadically as he keeps his balance against Jeb’s resistance.
”
”
A.G. Howard (Unhinged (Splintered, #2))
“
in the heart’s rain
in the eye’s fog
in the winter’s smoky snow
in whirling snow
in storms
wind which wants to tear my coat off
legends stories
the blood red dawn of the mind
the warm spring between your thighs
the only haven
”
”
Nils-Aslak Valkeapää
“
[Stephanie] "This won't be so bad," I said to her, making an effort at convincing myself. "How about your blanket? We could wrap him up in the blanket. Then we could pick him up without actually touching him."
"I suppose that'd be all right," Lula said. "We could give it a try"
I spread the blanket on the ground beside Elliot Harp, took a deep breath, hooked my fingers around his belt and rolled him onto the blanket. I jumped back, squeezed my eyes closed tight and exhaled. No matter how much violent death I saw, I would never get used to it. "I'm gonna definitely have the runs," Lula said. "I can feel it coming on."
"Forget about the runs and help me with this body!" Lula grabbed hold of the head end of the blanket, and I grabbed hold of the foot end. Harp had full rigor and wouldn't bend, so we put him in the trunk headfirst with his legs sticking out. We carefully closed the lid on Harp's knees and secured the lid with a piece of rope Lula had in her trunk.
"Hold on," Lula said, pulling a red flowered scarf from her coat pocket, tying the scarf on Harp's foot like a flag. "Don't want to get a ticket. I hear the police are real picky about having things sticking out of your trunk."
Especially dead guys.
”
”
Janet Evanovich (Three to Get Deadly (Stephanie Plum, #3))
“
Not worrying wasn’t a choice, not one Red had anyway. In her darkest moments, those winter nights when she had to wear her coat to bed, over two pairs of pajamas and five pairs of socks, and still shivered anyway,
”
”
Holly Jackson (Five Survive)
“
You lean back against the door with bowed head making ready to set out. By the time you open your eyes your feet have disappeared and the skirt of your great coat come to rest on the surface of the snow. The dark scene seems lit from below. You see yourself at the last outset leaning against the door with closed eyes waiting for the word from you to go. To be gone.Then the snowlit scene. You lie in the dark with closed eyes and see yourself there as described making ready to strike out and away across the expanse of light. You hear again the click of the door pulled gently to and the silence before the steps can start. Next thing you are on your way across the white pasture afrolic with lambs in spring and strewn with red placantae.
”
”
Samuel Beckett (Nohow On: Company, Ill Seen Ill Said, Worstward Ho)
“
Well, well, well,” Santa said once the elf had retreated. “Come and sit on my lap, little boy.”
This Santa’s beard was real, and so was his hair. He wasn’t fucking around.
“I’m not really a little boy,” I pointed out.
“Get on my lap, then, big boy.”
I walked up to him. There wasn’t much lap under his belly. And even though he tried to disguise it, as I went up there, I swear he adjusted
his crotch.
“Ho ho ho!” he chortled.
I sat gingerly on his knee, like it was a subway seat with gum on it.
“Have you been a good little boy this year?” he asked.
I didn’t feel that I was the right person to determine my own goodness or badness, but in the interest of speeding along this encounter, I said yes.
He actually wobbled with joy.
“Good! Good! Then what can I bring you this Christmas?”
I thought it was obvious.
“A message from Lily,” I said. “That’s what I want for Christmas. But I want it right now.”
“So impatient!” Santa lowered his voice and whispered in my ear. “But Santa does have a little something for you”—he shifted a little in
his seat—“right under his coat. If you want to have your present, you’ll have to rub Santa’s belly.”
“What?” I asked.
He gestured with his eyes down to his stomach. “Go ahead.”
I looked closely and saw the faint outline of an envelope beneath his red velvet coat.
“You know you want it,” he whispered.
The only way I could survive this was to think of it as the dare it was.
Fuck off, Lily. You can’t intimidate me.
I reached right under Santa’s coat. To my horror, I found he wasn’t wearing anything underneath. It was hot, sweaty, Geshy, hairy … and
his belly was this massive obstacle, blocking me from the envelope. I had to lean over to angle my arm in order to reach it, the whole time
having Santa laugh, “Oh ho ho, ho ho oh ho!” in my ear.
I heard the elf scream, “What the hell!” and various parents start to shriek. Yes, I was feeling up Santa. And now the corner of the envelope was in my hand. He tried to jiggle it away from me, but I held tight and yanked it
out, pulling some of his white belly hair with me. “OW ho ho!” he cried. I jumped o1 his lap.
“Security’s here!” the elf proclaimed.
The letter was in my hand, damp but intact.
“He touched Santa!” a young child squealed.
”
”
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
I am fat with love! Husky with ardor! Morbidly obese with devotion! A happy, busy bumblebee of marital enthusiasm. I positively hum around him, fussing and fixing. I have become a strange thing. I have become a wife. I find myself steering the ship of conversations- bulkily, unnaturally- just so I can say his name aloud. I have become a wife, I have become a bore, I have been asked to forfeit my Independent Young Feminist card. I don't care. I balance his checkbook, I trim his hair. I've gotten so retro, at one point I will probably use the word pocketbook, shuffling out the door in my swingy tweed coat, my lips red, on the way to the beauty parlor. Nothing bothers me. Everything seems like it will turn out fine, every bother transformed into an amusing story to be told over dinner. 'So I killed a hobo today, honey...hahahaha! Ah, we have fun
”
”
Gillian Flynn (Gone Girl)
“
Red Fox
The red fox crosses the ice
intent on none of my business.
It's winter and slim pickings.
I stand in the bushy cemetery,
pretending to watch birds,
but really watching the fox
who could care less.
She pauses on the sheer glare
of the pond. She knows I'm there,
sniffs me in the wind at her shoulder.
If I had a gun or dog
or a raw heart, she'd smell it.
She didn't get this smart for nothing.
She's a lean vixen: I can see
the ribs, the sly
trickster's eyes, filled with longing
and desperation, the skinny
feet, adept at lies.
Why encourage the notion
of virtuous poverty?
It's only an excuse
for zero charity.
Hunger corrupts, and absolute hunger
corrupts absolutely,
or almost. Of course there are mothers,
squeezing their breasts
dry, pawning their bodies,
shedding teeth for their children,
or that's our fond belief.
But remember - Hansel
and Gretel were dumped in the forest
because their parents were starving.
Sauve qui peut. To survive
we'd all turn thief
and rascal, or so says the fox,
with her coat of an elegant scoundrel,
her white knife of a smile,
who knows just where she's going:
to steal something
that doesn't belong to her -
some chicken, or one more chance,
or other life.
”
”
Margaret Atwood (Morning In The Burned House: Poems)
“
Pushkin loved to throw rocks. As soon as he saw a rock, he would throw it. Sometimes he became so excited that he stood, all red in the face, waving his arms, throwing rocks, simply something awful.
Pushkin had four sons, all idiots. One didn't even know how to sit in a chair and fell off all the time. Pushkin himself also sat on a chair rather badly. It was simply killing: they sat at the table; at one end, Pushkin kept falling off his chair continually, and at the other end, his son. Simply enough to make one split one's sides with laughter.
”
”
Daniil Kharms (The Man with the Black Coat: Russia's Literature of the Absurd)
“
Her hair was simply red and her coat was deacon blue.
”
”
Robert Rankin (Retromancer)
“
When I return to that house it will be with my son in my arms. I shall have a red coat on him and red-flowered trousers and on his head a hat with a small gilded Buddha sewn on the front and on his feet tiger-faced shoes. And I will wear new shoes and a new coat of black sateen and I will go into the kitchen where I spent my days and I will go into the great hall where the Old One sits with her opium, and I will show myself and my son to all of them.
”
”
Pearl S. Buck (The Good Earth (House of Earth, #1))
“
Clothes as text, clothes as narration, clothes as a story. Clothes as the story of our lives. And if you were to gather all the clothes you have ever owned in all your life, each baby shoe and winter coat and wedding dress, you would have your autobiography. You could wear, once more, your own life in all its stages, from whatever they wrapped you in when you emerged from the dark red naked warmth of the womb to your deathbed.
”
”
Linda Grant (The Thoughtful Dresser)
“
Try not to breathe,” I tell Lira. “It might get stuck halfway out.”
Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.”
“They’re pearls of wisdom, actually.”
I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow.
Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.”
“Or gold,” I tell her smugly. “I hear it’s worth its weight.”
Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.”
“Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun.
“I don’t need you to flirt with me,” he says. “I already know you find me irresistible.”
Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.”
Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile.
“Is it because you think I look sexier wearing nothing?”
Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin.
“I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.”
“Okay,” Madrid says. “Now I feel nauseated.”
I laugh.
”
”
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
“
I see the crown dripping blood. A storm without thunder. Shadow twisting on a bed of flames. I see lakes flooding their shores, swallowing men whole. I see a man with one red eye, his coat blue, his gun smoking-
”
”
Victoria Aveyard (Glass Sword (Red Queen, #2))
“
One of the odder services the Villa Candessa provided for its long-term guests was its “likeness cakes”—little frosted simulacra fashioned after the guests by the inn’s Camorr-trained pastry sculptor. On a silver tray beside the looking glass, a little sweetbread Locke (with raisin eyes and almond-butter blond hair) sat beside a rounder Jean with dark chocolate hair and beard. The baked Jean’s legs were already missing. A few moments later, Jean was brushing the last buttery crumbs from the front of his coat. “Alas, poor Locke and Jean.” “They died of consumption,” said Locke.
”
”
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
“
My uniform felt like a costume. I put on a fresh coat of black nail polish. I twisted up a tube of Revlon Red and put my war paint on. I sharpened the tips of my Fierce Words so they were like a row of shiny arrows.
”
”
Shirley Marr (Fury)
“
Where human children have years and years in which to grow their hearts and learn to live with them while staying safe from all the troubles a heart hauls with it, a Changeling starts out raw and red and full of longing. Some small ones learn to stitch together a Coat of Scowls r s SCarf of Jokes to hide their Hearts. Some hammer up a Fort of Books to protect theirs. Some walk around naked, though no one can see it but you and I.
”
”
Catherynne M. Valente (The Boy Who Lost Fairyland (Fairyland, #4))
“
They’d been told they would be meeting with only two members of the Triumvirate, but three people stood by the pool. Jesper knew the one-eyed girl in the red-and-blue kefta must be Genya Safin, and that meant the shockingly gorgeous girl with the thick fall of ebony hair was Zoya Nazyalensky. They were accompanied by a fox-faced man in his twenties wearing a teal frock coat, brown leather gloves, and an impressive set of Zemeni revolvers slung around his hips. If these people were what Ravka had to offer, maybe Jesper should consider a visit.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Dirk was unused to making quite such a miniscule impact on anybody. He checked to be sure that he did have his huge leather coat and his absurd red hat on and that he was properly and dramatically silhouetted by the light on the doorway.
He felt momentarily deflated and said, "Er..." by was of self-introduction, but it didn't get the boy's attention. He didn't like this. The kid was deliberately and maliciously watching television at him.
”
”
Douglas Adams (The Long Dark Tea-Time of the Soul (Dirk Gently, #2))
“
Alex is frozen, registering the press of Henry's lips and the wool cuffs of his coat grazing his jaw. The world fuzzes out into static, and his brain is swimming hard to keep up, adding up the equation of teenage grudges and wedding cakes and two a.m. texts and not understanding the variable that got him here, except it's...well, surprisingly, he really doesn't mind. Like, at all.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
The streets bustled with revelers bundled in coats and scarves, and a light coating of snow dusted everything—the shops, the stalls, the carriages, the street. Wreaths with red bows hung from nearly every door. The wind caught at the ribbons and made the tails dance.
”
”
Shelby Mahurin (Serpent & Dove (Serpent & Dove, #1))
“
When my sister was released from the mental hospital, she came to live with me in the tilting and crumbling one-bedroom house I'd bought with the small amount of money I inherited when our parents died. She arrived one afternoon unannounced in a taxi. She must have known instinctively that I'd take her in. I don't know how or why they released her. Probably due to overcrowding, and they had her scratch her name on a form then pushed her out the door. Or maybe she just slipped away when no one was looking (who'd notice in a place like that?)--she never did tell me and I didn't ask her. I was so happy to have her with me again that the last thing I wanted to do was break the spell by letting reality intrude. Ever since they'd dragged her away weeping with laughter and reaching out for me with our parents' blood still coating her hands with shiny red gloves, I'd felt amputated, like they'd pulled her kicking and screaming and insane out of my guts.
”
”
Michael Gira (The Consumer)
“
I remember when one of our daughters went on a blind date. She was all dressed up and waiting for her date to arrive when the doorbell rang. In walked a man who seemed a little old, but she tried to be polite. She introduced him to me and my wife and the other children; then she put on her coat and went out the door. We watched as she got into the car, but the car didn’t move. Eventually our daughter got out of the car and, red faced, ran back into the house. The man that she thought was her blind date had actually come to pick up another of our daughters who had agreed to be a babysitter for him and his wife.
We all had a good laugh over that. In fact, we couldn’t stop laughing. Later, when our daughter’s real blind date showed up, I couldn’t come out to meet him because I was still in the kitchen laughing. Now I realize that our daughter could have felt humiliated and embarrassed. But she laughed with us, and as a result, we still laugh about it today.
The next time you’re tempted to groan, you might try to laugh instead. It will extend your life and make the lives of all those around you more enjoyable.
”
”
Joseph B. Wirthlin
“
Daemon pulled the bright, deep-red sweater over his head and adjusted the collar of the gold-and-white-checked shirt. Satisfied, he studied his reflection. His eyes were butter melted by humor and good spirits, his face subtly altered by the relaxed, boyish grin. The change in his appearance startled him, but after a moment he just shook his head and brushed his hair. The difference was Jaenelle and the incalculable ways she worried, intrigued, fascinated, incensed, and delighted him. More than that, now, when he was so long past it, she was giving him—the bored, jaded Sadist—a childhood. She colored the days with magic and wonder, and all the things he’d ceased to pay attention to he saw again new. He grinned at his reflection. He felt like a twelve-year-old. No, not twelve. He was at least a sophisticated fourteen. Still young enough to play with a girl as a friend, yet old enough to contemplate the day he might sneak his first kiss. Daemon shrugged into his coat, went into the kitchen, pinched a couple of apples from the basket, sent Cook a broad wink, and gave himself up to a morning with Jaenelle.
”
”
Anne Bishop (Daughter of the Blood (The Black Jewels, #1))
“
Spring comes to the Australian Alps like an invisible spirit. There is not the tremendous surge of upthrust life that there is in the lowland valleys, and no wild flowers bloom in the snow mountains till the early summer, but there is an immense stirring of excitement. A bright red and blue lowrie flits through the trees; snow thaws, and the streams become full of foaming water; the grey, flattened grass grows upwards again and becomes greener; wild horses start to lose their winter coats and find new energy; wombats sit, round and fat, blinking in the evening sunshine; at night there is the cry of a dingo to its mate.
”
”
Elyne Mitchell
“
In the evening they went to say good-bye to Bilbo. 'Well, if you must go, you must,' he said. 'I am sorry. I shall miss you. It is nice just to know that you are about the place. But I am getting very sleepy.' Then he gave Frodo his mithril-coat and Sting, forgetting that he had already done so; and he gave him also three books of lore that he had made at various times, written in his spidery hand, and labelled on their red backs: Translations from the Elvish, by B. B.
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
Reyna had always pictured him as solid white with dove-like wings, but Pegasus’s coat was rich brown, mottled with red and gold around the muzzle – which Hedge claimed were the marks where the stallion had emerged from the blood and ichor of his beheaded mother, Medusa. Pegasus’s wings were the colours of an eagle’s – gold, white, brown and rust – which made him look much more handsome and regal than plain white. He was the colour of all horses, representing all his offspring.
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
She can outstare anyone, and I am almost as good. We’re impervious, we scintillate, we are thirteen. We wear long wool coats with tie belts, the collars turned up to look like those of movie stars, and rubber boots with the tops folded down and men’s work socks inside. In our pockets are stuffed the kerchiefs our mothers make us wear but that we take off as soon as we’re out of their sight. We scorn head coverings. Our mouths are tough, crayon-red, shiny as nails. We think we are friends.
”
”
Margaret Atwood (Cat’s Eye)
“
Anne sewed and planned little winter wardrobes..."Nan must have a red dress, since she is so set on it"...and sometimes thought of Hannah, weaving her little coat every year for the small Samuel. Mothers were the same all through the centuries...a great sisterhood of love and service...the remembered and the unremembered alike.
”
”
L.M. Montgomery (Anne of Ingleside (Anne of Green Gables, #6))
“
Where human children have years and years in which to grow their hearts and learn to live with them while staying safe from all the troubles a heart hauls with it, a Changeling starts out raw and red and full of longing. Some small ones learn to stitch together a Coat of Scowls or a Scarf of Jokes to hide their Hearts. Some hammer up a Fort of Books to protect theirs. Some walk around naked, though no one can see it but you and I.
”
”
Catherynne M. Valente (The Boy Who Lost Fairyland (Fairyland, #4))
“
It was a pretty sight, and a seasonable one, that met their eyes when they flung the door open. In the fore-court, lit by the dim rays of a horn lantern, some eight or ten little field-mice stood in a semicircle, red worsted comforters round their throats, their fore-paws thrust deep into their pockets, their feet jigging for warmth. With bright beady eyes they glanced shyly at each other, sniggering a little, sniffing and applying coat-sleeves a good deal. As the door opened, one of the elder ones that carried the lantern was just saying, "Now then, one, two, three!" and forthwith their shrill little voices uprose on the air, singing one of the old-time carols that their forefathers composed in fields that were fallow and held by frost, or when snow-bound in chimney corners, and handed down to be sung in the miry street to lamp-lit windows at Yule-time.
”
”
Kenneth Grahame (The Wind in the Willows)
“
She stopped, a half-dozen paces still separating them. The frantic thudding of her heart filled her ears as she met his vacant crimson stare. “Don’t forget me, Shiro,” she said hoarsely. “You’re not allowed to forget me.”
He blinked slowly and something shifted in his gaze. His lips curved in his familiar crooked smile. “You’ll forget me someday, little miko.” His voice was even hoarser than hers, rough and coated in a hint of an animal growl.
“I’ll never forget you,” she told him. “I’ll remember you to my last day.”
“Do you promise?”
Her heart gave an odd little flutter. “Yes, I promise.
”
”
Annette Marie (Red Winter (Red Winter Trilogy, #1))
“
Regret nothing. Not the cruel novels you read
to the end just to find out who killed the cook.
Not the insipid movies that made you cry in the dark,
in spite of your intelligence, your sophistication.
Not the lover you left quivering in a hotel parking lot,
the one you beat to the punchline, the door, or the one
who left you in your red dress and shoes, the ones
that crimped your toes, don’t regret those.
Not the nights you called god names and cursed
your mother, sunk like a dog in the livingroom couch,b
chewing your nails and crushed by loneliness.
You were meant to inhale those smoky nights
over a bottle of flat beer, to sweep stuck onion rings
across the dirty restaurant floor, to wear the frayed
coat with its loose buttons, its pockets full of struck matches.
You’ve walked those streets a thousand times and still
you end up here. Regret none of it, not one
of the wasted days you wanted to know nothing,
when the lights from the carnival rides
were the only stars you believed in, loving them
for their uselessness, not wanting to be saved.
You’ve traveled this far on the back of every mistake,
ridden in dark-eyed and morose but calm as a house
after the TV set has been pitched out the upstairs
window. Harmless as a broken ax. Emptied
of expectation. Relax. Don’t bother remembering any of it.
Let’s stop here, under the lit sign
on the corner, and watch all the people walk by.
”
”
Dorianne Laux (The Book of Men)
“
In fact," Eric said, as he went to the front door, "I'd throw it away entirely. Maybe burn it."
He left, closing the door behind him very quietly.
I knew, as sure as I knew my name, that tomorrow he would send me another coat, in a big fancy box, with a big bow on it. It would be the right size, it would be a top brand, and it would be warm.
It was cranberry red, with a removable liner, a detachable hood and tortoiseshell buttons.
”
”
Charlaine Harris (Dead to the World (Sookie Stackhouse, #4))
“
Adam Wayne, the conqueror, with his face flung back and his mane like a lion's, stood with his great sword point upwards, the red raiment of his office flapping around him like the red wings of an archangel. And the King saw, he knew not how, something new and overwhelming. The great green trees and the great red robes swung together in the wind. The preposterous masquerade, born of his own mockery, towered over him and embraced the world. This was the normal, this was sanity, this was nature, and he himself, with his rationality, and his detachment and his black frock-coat, he was the exception and the accident - a blot of black upon a world of crimson and gold.
”
”
G.K. Chesterton (The Napoleon of Notting Hill)
“
Demi-glace. There are a lot of ways to make demi-glace, but I recommend you simply take your already reduced meat stock, add some red wine, toss in some shallots and fresh thyme and a bay leaf and peppercorns, and slowly, slowly simmer it and reduce it again until it coats a spoon. Strain. Freeze this stuff in an ice-cube tray, pop out a cube or two as needed, and you are in business — you can rule the world. And remember, when making a sauce with demi-glace, don't forget to monter au beurre. Chervil,
”
”
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
“
You decide you’ve had enough of the neighbors with their looks and their whispers and you rise. You keep your eyes on the priest when your own church people give you their backs on a Sunday and you rise. You rise in your Lord & Taylor cashmere coat and refuse to let shame stand beside you. And when the priest calls your only child into his chambers, rests his hand too high up on her thigh, and tells her about the place in hell that is waiting for her, you return only once more—to damn him. To damn them all. And rise.
”
”
Jacqueline Woodson (Red at the Bone)
“
The forests had put on their sober brown and yellow, while some trees of the tenderer kind had been nipped by the frosts into brilliant dyes of orange, purple, and scarlet. Streaming files of wild ducks began to make their appearance high in the air; the back of the squirrel might be heard from the groves of beech and hickory-nuts, and the pensive whistle of the quail at intervals from the neighboring stubble field. The small birds were taking their farewell banquets. In the fullness of their revelry, they fluttered, chirping and frolicking from bush to bush, and tree to tree, capricious from the very profusion and variety around them. There was the honest cock robin, the favorite game of stripling sportsmen, with its loud querulous note; and the twittering blackbirds flying in sable clouds; and the golden-winged woodpecker with his crimson crest, his broad black gorget, and splendid plumage; and the cedar bird, with its red-tipt wings and yellow-tipt tail and its little monteiro cap of feathers; and the blue jay, that nosy coxcomb, in his gay light blue coat and white underclothes, screaming and chattering, nodding and bobbing and bowing, and pretending to be on good terms with every songster of the grove.
”
”
Washington Irving (The Legend of Sleepy Hollow)
“
Things I love about spring are these:
Blooming flowers on fruit-bearing trees.
Fire-red tulips—their first reveal—
Followed by sun-yellow daffodils.
Trees acquiring new coats of green.
Natural waterfalls glistening.
The chirps and melodies of birds.
Throaty ribbits of frogs overheard.
A passing whiff of mint to smell,
Oregano and basil as well.
Colorful butterflies with wings.
Fuzzy, industrious bees that sting.
Sunlight waning late in the day.
Warm breezes causing willows to sway.
Most of all, a sense of things new,
Including budding feelings for you.
”
”
Richelle E. Goodrich (Being Bold: Quotes, Poetry, & Motivations for Every Day of the Year)
“
Thought I saw you on the beach this morning...Thought I saw you standing on the white strand, your back to the wind. The rain had stopped and there was a brisk clarity in the air. You watched me over your left shoulder, head tucked in coyly. Seabirds flying low in the sky, and the grey-green waves at your foot. A whole panorama thrown up behind you.
I was on the coast road coming back from the shops. I stopped walking once I caught sight of you. You were wearing a reefer jacket with the collar turned up against the weather. It might have been navy, but it looked black in the distance. As did your trousers. As did your shoes. All of you was black except your face and hair. You wore no hat...Never once saw you in Winter clothes, yet there you were as clear as day for a whole moment. Only your eyes were visible above the upturned collar. Your hair was in your eyes. You watched me through those pale strands. And I watched you. Intently.
The man from down the road drove by in his faded red car. He was going the other way, so he didn't offer a lift. He just waved. I waved back. And then I turned to you again, and we looked at each other a little longer. Very calm. Heart barely shifted. Too far away to see your features. No matter. There was salt on your face. Sea salt. It was in your hair. It was on your mouth. It was all over you, as though you gazed at me through ice. And it was all over me. It tingled on my skin.
After a time I moved off, and you broke into two. You realigned yourself into driftwood and stone. I came inside and lit a fire. Sat in front of it and watched it burn. The window fogged up as my clothes and hair dried out. That was hours ago. The fire is nearly gone. But I can still taste the salt on my lips. It is a dry and stinging substance and it is everywhere now. It has touched everything that is left. Coated every surface with its sparkling silt.
I will always be thirsty.
”
”
Claire Kilroy (All Summer)
“
Please, I know you understand heartbreak. Stop Luc from marrying Marisol. Save my heart from breaking again.”
“Now, that was a pathetic speech.” Two slow claps followed the indolent voice, which sounded just a few feet away.
Evangeline spun around, all the blood draining from her face. She didn’t expect to see him—the young man who’d been tearing his clothes in the back of the church. Although it was difficult to believe this was the same person. She had thought that boy was in agony, but he must have ripped away his pain along with the sleeves of his jacket, which now hung in tatters over a striped black-and-white shirt that was only halfway tucked into his breeches.
He sat on the dais steps, lazily leaning against one of the pillars with his long, lean legs stretched out before him. His hair was golden and messy, his too-bright blue eyes were bloodshot, and his mouth twitched at the corner as if he didn’t enjoy much, but he found pleasure in the brief bit of pain he’d just inflicted upon her. He looked bored and rich and cruel.
“Would you like me to stand up and turn around so that you can take in the rest of me?” he taunted.
The color instantly returned to Evangeline’s cheeks. “We’re in a church.”
“What does that have to do with anything?” In one elegant move, the young man reached into the inner pocket of his ripped burgundy coat, pulled out a pure white apple, and took one bite. Dark red juice dripped from the fruit to his long, pale fingers and then onto the pristine marble steps.
“Don’t do that!” Evangeline hadn’t meant to yell. Although she wasn’t shy with strangers, she generally avoided quarrelling with them. But she couldn’t seem to help it with this crass young man. “You’re being disrespectful.”
“And you’re praying to an immortal who kills every girl he kisses. You really think he deserves any reverence?” The awful young man punctuated his words with another wide bite of his apple.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
Janus found himself drawn to the edge of the rink, staring fixedly at Candace as she approached: grinning, puffing steam, her cheeks flushed, her brown hair peeking out from under a knitted cap, her hazel eyes sparkling green and gold in the bright winter sun. She wore a wool riding coat, brilliant red trimmed with black, which stood out amid the ice like a ruby on white gold. Janus thought she had never looked more beautiful than she did in that moment, with all her cares and duties laid aside for the pure joy of living. Janus wanted to freeze the moment in his memory and carry it forever: This is what happiness looks like. I never knew.
”
”
Chris Lester (A Lightbringer Carol (Metamor City, #7))
“
Simi rolled back and forth and spun around on Ash’s wheeled desk chair. Dressed in a neon pink lab coat and black and white striped leggings with thigh high laced platform boots that went all the way up to her black lace miniskirt, she was adorable. Her face was mostly covered by a black surgical mask with a matching pink skull and crossbones on the right side of it. Her glowing red eyes were emphasized by her solid jet-black pigtails and dark purple eyeliner. She’d been so excited about the impending birth of the baby, that she’d been dressed that way for a month and shadowing Tory’s every step. If Tory so much as hiccuped, Simi had whipped out a black baseball glove and asked, “is it time yet? The Simi’s gots her glove all ready to catch it if it is, ’cause sometimes they come out flying.”’ – Simi
”
”
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
“
She burst into tears. Not dainty, feminine tears, but a messy, red-faced explosion of sobs. The most terrible, beautiful, stunning feeling she'd ever known had come crashing over her in a huge wave, and she was drowning in it.
Gabriel stared at her with alarm, fumbling in his coat pocket for a handkerchief. "No, no... you weren't supposed to... my God, Pandora, don't do that. What is it?" He mopped at her face until she took the handkerchief from him and blew her nose, her shoulders shaking. Ashe continued to hover and ask worried questions, Phoebe left the piano and came to them.
Keeping Pandora folded deeply in his embrace, Gabriel cast a distracted glance at his sister. "I don't know what's wrong," he muttered.
Phoebe shook her head and reached up to ruffle his hair fondly. "Nothing's wrong, lunkhead. You came into her life like a lightning strike. Anyone would feel a bit scorched.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
He looks up.
Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes.
He is no longer St. Clair, everyone's pal, everyone's friend.
He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend.
He is so much more.
Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect.
My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs.
"Whoa," he says. But I don't think he means me falling.
I blush and blame it on clumsiness. "Yeesh,that could've been bad."
Phew.A steady voice.
He looks dazed. "Are you all right?"
I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!"
"Hey,Anna. How was your break?"
John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank.
We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?"
The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs.
"I have something for you." He pulls me back down by my sleeve. "A late Christmas present."
"For me? But I didn't get you anything!"
He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited."
"Ooo,what is it?"
"I saw it when I was out with Mum, and it made me think of you-"
"Etienne! Come on!"
He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand."
Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned.
"Whoops," I say.
He tilts his head at me.
"I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal.
Where is it? What is it?
"Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too.
It's a glass bead.A banana.
He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..."
I close my hand around the bead. "Thank you."
"Mum wondered why I wanted it."
"What did you tell her?"
"That it was for you,of course." He says this like, duh.
I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Nancy thanked him, then went to her convertible. She drove carefully through the city traffic and finally reached Hilo Street. Mrs. Stewart’s apartment house was Number 76. Nancy scanned the buildings and found that this one was the largest on the street. It was ultramodern in design and about twenty stories high. After parking her car, she smoothed her hair and got out. A red-coated doorman nodded pleasantly to the young detective as she entered the building a minute later. Nancy checked the directory and saw that Mrs. Stewart was in Apartment Three on the fourth floor. She rang the elevator button. Almost instantly, aluminum doors slid open noiselessly, and Nancy stepped inside the carpeted elevator. It was self-operated, and Nancy pushed the fourth-floor control.
”
”
Carolyn Keene (The Bungalow Mystery (Nancy Drew, #3))
“
Do I need to check up on you guys later? You know the rules.No sleeping in opposite-sex rooms."
My face flames,and St. Clair's cheeks grow blotchy. It's true.It's a rule. One that my brain-my rule-loving, rule-abiding brain-conveniently blocked last night. It's also one notoriously ignored by the staff.
"No,Nate," we say.
He shakes his shaved head and goes back in his apartment. But the door opens quickly again,and a handful of something is thrown at us before it's slammed back shut.
Condoms.Oh my God, how humiliating.
St. Clair's entire face is now bright red as he picks the tiny silver squares off the floor and stuffs them into his coat pockets. We don't speak,don't even look at each other,as we climb the stairs to my floor. My pulse quickens with each step.Will he follow me to my room,or has Nate ruined any chance of that?
We reach the landing,and St. Clair scratches his head. "Er..."
"So..."
"I'm going to get dressed for bed. Is that all right?" His voice is serious,and he watches my reaction carefully.
"Yeah.Me too.I'm going to...get ready for bed,too."
"See you in a minute?"
I swell with relief. "Up there or down here?"
"Trust me,you don't want to sleep in my bed." He laughs,and I have to turn my face away,because I do,holy crap do I ever. But I know what he means.It's true my bed is cleaner. I hurry to my room and throw on the strawberry pajamas and an Atlanta Film Festival shirt. It's not like I plan on seducing him.
Like I'd even know how.
St. Clair knocks a few minutes later, and he's wearing his white bottoms with the blue stripes again and a black T-shirt with a logo I recognize as the French band he was listening to earlier. I'm having trouble breathing.
"Room service," he says.
My mind goes...blank. "Ha ha," I say weakly.
He smiles and turns off the light. We climb into bed,and it's absolutely positively completely awkward. As usual. I roll over to my edge of the bed. Both of us are stiff and straight, careful not to touch the other person. I must be a masochist to keep putting myself in these situations. I need help. I need to see a shrink or be locked in a padded cell or straitjacketed or something.
After what feels like an eternity,St. Clair exhales loudly and shifts. His leg bumps into mine, and I flinch. "Sorry," he says.
"It's okay."
"..."
"..."
"Anna?"
"Yeah?"
"Thanks for letting me sleep here again. Last night..."
The pressure inside my chest is torturous. What? What what what?
"I haven't slept that well in ages."
The room is silent.After a moment, I roll back over. I slowly, slowly stretch out my leg until my foot brushes his ankle. His intake of breath is sharp. And then I smile,because I know he can't see my expression through the darkness.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
More wine for me, pour me some more!"
"You smart girl, I knew you're a smart girl, just teasing...”
Faces turn red, the dark earth blood is rising.
They wink at Pelka, wink at the host: "He knows his goods!" The women feel the buttons constricting them - they undo one, another, a third. By twos the guests go outside to get some air.
"Well, my dear guests, are you soaked to the gills? Eh? And now-to dance! Get lively!"
The table and the chairs vanish. The middle of the room is empty. Ivan the Monk jumps out of his hole, a tambourine in his hands: "Tim-ta-a-am! Tim-ta-a-am!"
“Eh-hey!" the redhead suddenly snatches the tambourine and sweeps off, tapping wildly in a circle. Eyes closed: a white sleepless sun-a white night on the meadow-white columns of smoke swaying over fires...
"Eh-ah!"-to whirl herself to death, to whirl out everything, to empty herself - nothing has ever been...
Heavy boots are thumping on the floor, beards fly in the wind, the frock-coat tails go flying... hey, get going, faster, faster - a hundred versts an hour! ("The North")
”
”
Yevgeny Zamyatin (The Dragon: Fifteen Stories (English and Russian Edition))
“
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
”
”
Michelle Tea
“
I had just time to give a glance at these matters, when about twelve blue-coated servants burst into the hall with much tumult and talk, each rather employed in directing his comrades than in discharging his own duty. Some brought blocks and billets to the fire, which roared, blazed, and ascended, half in smoke, half in flame, up a huge tunnel, with an opening wide enough to accommodate a stone seat within its ample vault, and which was fronted, by way of chimney-piece, with a huge piece of heavy architecture, where the monsters of heraldry, embodied by the art of some Northumbrian chisel, grinned and ramped in red free-stone, now japanned by the smoke of centuries. Others of these old-fashioned serving-men bore huge smoking dishes, loaded with substantial fare; others brought in cups, flagons, bottles, yea barrels of liquor. All tramped, kicked, plunged, shouldered, and jostled, doing as little service with as much tumult as could well be imagined
”
”
Walter Scott (Rob Roy)
“
He asked me, "what were the usual causes or motives that made one country go to war with another?" I answered "they were innumerable; but I should only mention a few of the chief. Sometimes the ambition of princes, who never think they have land or people enough to govern; sometimes the corruption of ministers, who engage their master in a war, in order to stifle or divert the clamour of the subjects against their evil administration. Difference in opinions has cost many millions of lives: for instance, whether flesh be bread, or bread be flesh; whether the juice of a certain berry be blood or wine; whether whistling be a vice or a virtue; whether it be better to kiss a post, or throw it into the fire: what is the best colour for a coat, whether black, white, red, or gray: and whether it should be long or short, narrow or wide, dirty or clean; with many more. Neither are any wars so furious and bloody, or of so long a continuance, especially if it be in things indifferent.
”
”
Jonathan Swift
“
Here,” said Autolycus, “is a settlement of curly-bearded, long-robed Assyrians, exiles from their country; and beyond stretches the land of the Chalybeans, a savage tribe famous as iron-workers, with whom I have lately traded. Soon we shall sight an islet, called the Isle of Barter, close to the Chalybean shore, where we of Sinope come in our dug-out canoes, and lay out on the rocks painted Minyan pottery and linen cloth from Colchis and sheepskin coats dyed red with madder or yellow with heather, such as the Chalybeans prize, and spear-shafts painted with vermilion. Then we row away out of sight behind rocks. As soon as we are gone, the Chalybeans venture across to the islet on rafts; they lay down beside our goods broad-bladed, well-tempered spear-heads and axe-heads, also awls and knives and sail-needles, and go away again. If on our return we are satisfied with their goods, we take them up and make for home; but if we are not satisfied, we remove apart from the rest of our merchandise whatever we think is not covered by their payment. The Chalybeans then return again and pay for this extra heap with a few more iron implements. In the end the barter is complete, unless the Chalybeans in a huff take away all their iron goods and let us sail off empty-handed; for they are a capricious race.
”
”
Robert Graves (The Golden Fleece)
“
One thing in the school was captivating, lovely. Pictures of birds. Rose didn’t know if the teacher had climbed up and nailed them above the blackboard, too high for easy desecration, if they were her first and last hopeful effort, or if they dated from some earlier, easier time in the school’s history. Where had they come from, how had they arrived there, when nothing else did, in the way of decoration, illustration?
A red-headed woodpecker; an oriole; a blue jay; a Canada goose. The colors clear and long-lasting. Backgrounds of pure snow, of blossoming branches, of heady summer sky. In an ordinary classroom they would not have seemed so extraordinary. Here they were bright and eloquent, so much at variance with everything else that what they seemed to represent was not the birds themselves, not those skies and snows, but some other world of hardy innocence, bounteous information, privileged lightheartedness. No stealing from lunch pails there; no slashing coats; no pulling down pants and probing with painful sticks; no fucking; no Franny.
”
”
Alice Munro
“
In the morning it was raining. A fog had come over the mountains from the sea. You could not see the tops of the mountains. The plateau was dull and gloomy, and the shapes of the trees and the houses were changed. I walked out beyond the town to look at the weather. The bad weather was coming over the mountains from the sea.
The flags in the square hung wet form the with poles and the banners were wet and hung damp against the front of the houses, and in between the steady drizzle the rain came down and drove every one under the arcades and made pools of water in the square, and the streets were dark and deserted; yet the fiesta kept up without any pause. It was only driven under covers.
The covered seats of the bull-ring had been crowded with people sitting out of the rain watching the concourse of Basque and Navarrais dancers and singers, and afterward the Val Carlos dancers in their costumes danced down the street in the rain, the drums sounding hallow and damp, and the chiefs of the bands riding ahead of their big, heavy-footed horse, their costumes wet, the horses’ coats wet in the rain. The crowd was in the cafés and the dancers came in, too, and sat, their tight-wound white legs under the tables, shaking the water from their belled caps, and spreading their red and purple jackets over the chairs to dry. It was raining hard outside.
”
”
Ernest Hemingway (The Sun Also Rises)
“
It was a relief to see his father, who'd always been an unfailing source of reassurance and comfort. They clasped hands in a firm shake, and used their free arms to pull close for a moment. Such demonstrations of affection weren't common among fathers and sons of their rank, but then, they'd never been a conventional family.
After a few hearty thumps on the back, Sebastian drew back and glanced over him with the attentive concern that hearkened to Gabriel's earliest memories. Not missing the traces of weariness on his face, his father lightly tousled his hair the way he had when he was a boy. "You haven't been sleeping."
"I went carousing with friends for most of last night," Gabriel admitted. "It ended when we were all too drunk to see a hole through a ladder."
Sebastian grinned and removed his coat, tossing the exquisitely tailored garment to a nearby chair. "Reveling in the waning days of bachelorhood, are we?"
"It would be more accurate to say I'm thrashing like a drowning rat."
"Same thing." Sebastian unfastened his cuffs and began to roll up his shirtsleeves. An active life at Heron's Point, the family estate in Sussex, had kept him as fit and limber as a man half his age. Frequent exposure to the sunlight had gilded his hair and darkened his complexion, making his pale blue eyes startling in their brightness.
While other men of his generation had become staid and settled, the duke was more vigorous than ever, in part because his youngest son was still only eleven. The duchess, Evie, had conceived unexpectedly long after she had assumed her childbearing years were past. As a result there were eight years between the baby's birth and that of the next oldest sibling, Seraphina. Evie had been more than a little embarrassed to find herself with child at her age, especially in the face of her husband's teasing claims that she was a walking advertisement of his potency. And indeed, there have been a hint of extra swagger in Sebastian's step all through his wife's last pregnancy.
Their fifth child was a handsome boy with hair the deep auburn red of an Irish setter. He'd been christened Michael Ivo, but somehow the pugnacious middle name suited him more than his given name. Now a lively, cheerful lad, Ivo accompanied his father nearly everywhere.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
The more south we were, the more deep a sky it seemed, till, in the Valley of Mexico, I thought it held back an element too strong for life, and that the flamy brilliance of blue stood off this menace and sometimes, like a sheath or silk membrane, shoed the weight it held in sags. So when later he would fly high over the old craters on the plain, coaly bubbles of the underworld, dangerous red everywhere from the sun, and then coats of snow on the peak of the cones—gliding like a Satan—well, it was here the old priests, before the Spaniards, waited for Aldebaran to come into the middle of heaven to tell them whether or not life would go on for another cycle, and when they received their astronomical sign built their new fire inside the split and emptied chest of a human sacrifice. And also, hereabouts, worshipers disguised as gods and as gods in the disguise of birds, jumped from platforms fixed on long poles, and glided as they spun by the ropes—feathered serpents, and eagles too, the voladores, or fliers. There still are such plummeters, in market places, as there seem to be remnants or conversions or equivalents of all the old things. Instead of racks or pyramids of skulls still in their hair and raining down scraps of flesh there are corpses of dogs, rats, horses, asses, by the roads; the bones dug out of the rented graves are thrown on a pile when the lease is up; and there are the coffins looking like such a rough joke on the female form, sold in the open shops, black, white, gray, and in all sizes, with their heavy death fringes daubed in Sapolio silver on the black. Beggars in dog voices on the church steps enact the last feebleness for you with ancient Church Spanish, and show their old flails of stump and their sores. The burden carriers with the long lines, hemp lines they wind over their foreheads to hold the loads on their backs, lie in the garbage at siesta and give themselves the same exhibited neglect the dead are shown. Which is all to emphasize how openly death is received everywhere, in the beauty of the place, and how it is acknowledged that anyone may be roughly handled—the proudest—pinched, slapped, and set down, thrown down; for death throws even worse in men’s faces and makes it horrible and absurd that one never touched should be roughly dumped under, dumped upon.
”
”
Saul Bellow (The Adventures of Augie March)
“
The air is crisp on my skin, and though my hands are wrapped under thick gloves, I shove my fists into my pockets anyway. The wind penetrates here through every layer, including skin. I’m dressed in fur so thick that walking feels like an exertion. It slows me down more than I would like, and even though I know there’s no imminent threat of attack, I still don’t like being unprepared in case one comes. It shakes me more than the cold ever could.
When I turn to Lira, the ends of her hair are white with frost. “Try not to breathe,” I tell her. “It might get stuck halfway out.”
Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.”
“They’re pearls of wisdom, actually.”
I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow.
Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.”
“Or gold,” I tell her smugly. “I hear it’s worth its weight.”
Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.”
“Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun.
“I don’t need you to flirt with me,” he says. “I already know you find me irresistible.”
Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.”
Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile.
“Is it because you think I look sexier wearing nothing?”
Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin.
“I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.”
“Okay,” Madrid says. “Now I feel nauseated.
”
”
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
“
My relationship had ended and Red had taken my son. My life was my own and I could do anything I wanted, yet I felt nothing. As I stood staring at the walls, searching inside myself for some kind of emotional response, the nothingness suddenly welled up inside me, like a physical mass, so vast and empty and infinite I was terrified. The very first time I went running, it was from that terror, from the possibility of being sucked down into emptiness for ever, and as I ran I discovered I was able to feel; pressure in my lungs, pain in my legs, my skin perspiring, the pounding of my heart.
My routine was erratic, I ran when I felt like it, usually five or six times a month. So was my style. It was nothing like that of the runners I grew accustomed to seeing, the ones who regulated themselves, jogged two or three times a week, who did a warm-up first and stretching exercises afterwards, the people for whom the activity was a hobby. I ran like my life depended on it, as fast and as hard as I could. Sometimes, passers-by would look beyond me as I ran towards them, with fear in their eyes, trying to see who or what was pursuing me, trying to work out whether they should be running too. As long as I was feeling, I didn’t care.
”
”
Yvvette Edwards (A Cupboard Full of Coats)
“
Poem for My Father
You closed the door.
I was on the other side,
screaming.
It was black in your mind.
Blacker than burned-out fire.
Blacker than poison.
Outside everything looked the same.
You looked the same.
You walked in your body like a living man.
But you were not.
would you not speak to me for weeks
would you hang your coat in the closet without saying hello
would you find a shoe out of place and beat me
would you come home late
would i lose the key
would you find my glasses in the garbage
would you put me on your knee
would you read the bible to me in your smoking jacket after your mother died
would you come home drunk and snore
would you beat me on the legs
would you carry me up the stairs by my hair so that my feet never touch the bottom
would you make everything worse
to make everything better
i believe in god, the father almighty,
the maker of heaven, the maker
of my heaven and my hell.
would you beat my mother
would you beat her till she cries like a rabbit
would you beat her in a corner of the kitchen
while i am in the bathroom trying to bury my head underwater
would you carry her to the bed
would you put cotton and alcohol on her swollen head
would you make love to her hair
would you caress her hair
would you rub her breasts with ben gay until she stinks
would you sleep in the other room in the bed next to me while she sleeps on the pull-out cot
would you come on the sheet while i am sleeping. later i look for the spot
would you go to embalming school with the last of my mother's money
would i see your picture in the book with all the other black boys you were the handsomest
would you make the dead look beautiful
would the men at the elks club
would the rich ladies at funerals
would the ugly drunk winos on the street
know ben
pretty ben
regular ben
would your father leave you when you were three with a mother who threw butcher knives at you
would he leave you with her screaming red hair
would he leave you to be smothered by a pillow she put over your head
would he send for you during the summer like a rich uncle
would you come in pretty corduroys until you were nine and never heard from him again
would you hate him
would you hate him every time you dragged hundred pound cartons of soap down the stairs into white ladies' basements
would you hate him for fucking the woman who gave birth to you
hate him flying by her house in the red truck so that other father threw down his hat in the street and stomped on it angry like we never saw him
(bye bye
to the will of grandpa
bye bye to the family fortune
bye bye when he stompled that hat,
to the gold watch,
embalmer's palace,
grandbaby's college)
mother crying silently, making floating island
sending it up to the old man's ulcer
would grandmother's diamonds
close their heartsparks
in the corner of the closet
yellow like the eyes of cockroaches?
Old man whose sperm swims in my veins,
come back in love, come back in pain.
”
”
Toi Derricotte
“
Suddenly with a single bound he leaped into the room. Winning a way past us before any of us could raise a hand to stay him. There was something so pantherlike in the movement, something so unhuman, that it seemed to sober us all from the shock of his coming. The first to act was Harker, who with a quick movement, threw himself before the door leading into the room in the front of the house. As the Count saw us, a horrible sort of snarl passed over his face, showing the eyeteeth long and pointed. But the evil smile as quickly passed into a cold stare of lion-like disdain. His expression again changed as, with a single impulse, we all advanced upon him. It was a pity that we had not some better organized plan of attack, for even at the moment I wondered what we were to do. I did not myself know whether our lethal weapons would avail us anything. Harker evidently meant to try the matter, for he had ready his great Kukri knife and made a fierce and sudden cut at him. The blow was a powerful one; only the diabolical quickness of the Count's leap back saved him. A second less and the trenchant blade had shorn through his heart. As it was, the point just cut the cloth of his coat, making a wide gap whence a bundle of bank notes and a stream of gold fell out. The expression of the Count's face was so hellish, that for a moment I feared for Harker, though I saw him throw the terrible knife aloft again for another stroke. Instinctively I moved forward with a protective impulse, holding the Crucifix and Wafer in my left hand. I felt a mighty power fly along my arm, and it was without surprise that I saw the monster cower back before a similar movement made spontaneously by each one of us. It would be impossible to describe the expression of hate and baffled malignity, of anger and hellish rage, which came over the Count's face. His waxen hue became greenish-yellow by the contrast of his burning eyes, and the red scar on the forehead showed on the pallid skin like a palpitating wound. The next instant, with a sinuous dive he swept under Harker's arm, ere his blow could fall, and grasping a handful of the money from the floor, dashed across the room, threw himself at the window. Amid the crash and glitter of the falling glass, he tumbled into the flagged area below. Through the sound of the shivering glass I could hear the "ting" of the gold, as some of the sovereigns fell on the flagging. We ran over and saw him spring unhurt from the ground. He, rushing up the steps, crossed the flagged yard, and pushed open the stable door. There he turned and spoke to us. "You think to baffle me, you with your pale faces all in a row, like sheep in a butcher's. You shall be sorry yet, each one of you! You think you have left me without a place to rest, but I have more. My revenge is just begun! I spread it over centuries, and time is on my side. Your girls that you all love are mine already. And through them you and others shall yet be mine, my creatures, to do my bidding and to be my jackals when I want to feed. Bah!" With a contemptuous sneer, he passed quickly through the door, and we heard the rusty bolt creak as he fastened it behind him. A door beyond opened and shut. The first of us to speak was the Professor. Realizing the difficulty of following him through the stable, we moved toward the hall. "We have learnt something… much! Notwithstanding his brave words, he fears us. He fears time, he fears want! For if not, why he hurry so? His very tone betray him, or my ears deceive. Why take that money? You follow quick. You are hunters of the wild beast, and understand it so. For me, I make sure that nothing here may be of use to him, if so that he returns.
”
”
Bram Stoker (Dracula)
“
Violet didn’t realize that she’d pressed herself so tightly against the door until it opened from the inside and she stumbled backward.
She fell awkwardly, trying to catch herself as her feet slipped and first she banged her elbow, and then her shoulder-hard-against the doorjamb. She heard her can of pepper spray hit the concrete step at her feet as she flailed to find something to grab hold of.
Her back crashed into something solid. Or rather, someone. And from behind, she felt strong, unseen arms catch her before she hit the ground. But she was too stunned to react right away.
“You think I can let you go now?” A low voice chuckled in her ear.
Violet was mortified as she glanced clumsily over her shoulder to see who had just saved her from falling.
“Rafe!” she gasped, when she realized she was face-to-face with his deep blue eyes. She jumped up, feeling unexpectedly light-headed as she shrugged out of his grip. Without thinking, and with his name still burning on her lips, she added, “Umm, thanks, I guess.” And then, considering that he had just stopped her from landing flat on her butt, she gave it another try. “No…yeah, thanks, I mean.”
Flustered, she bent down, trying to avoid his eyes as she grabbed the paper spray that had slipped from her fingers. She cursed herself for being so clumsy and wondered why she cared that he had been the one to catch her. Or why she cared that he was here at all.
She stood up to face him, feeling more composed again, and quickly hid the evidence of her paranoia-the tiny canister-in her purse. She hoped he hadn’t noticed it.
He watched her silently, and she saw the hint of a smile tugging at his lips. Violet waited for him to say something or to move aside to let her in. His gaze stripped away her defenses, making her feel even more exposed than when she had been standing alone in the empty street.
She shifted restlessly and finally sighed impatiently. “I have an appointment,” she announced, lifting her eyebrows. “With Sara.”
Her words had the desired effect, and Rafe shrugged, still studying her as he stepped out of her way. But he held the door so she could enter. She brushed past him, stepping into the hallway, as she tried to ignore the fact that she was suddenly sweltering inside her own coat.
She told herself it was just the furnace, though, and had nothing to do with her humiliation over falling. Or with the presence of the brooding dark-haired boy.
When they reached the end of the long hallway, Rafe pulled out a thick plastic card from his back pocket. As he held it in front of the black pad mounted on the wall beside a door, a small red light flickered to green and the door clicked. He pushed it open and led the way through.
Security, Violet thought. Whatever it is they do here, they need security.
Violet glanced up and saw a small camera mounted in the corner above the door. If she were Chelsea, she would have flashed the peace sign-or worse-a message for whoever was watching on the other end.
But she was Violet, so instead she hurried after Rafe before the door closed and she was locked out.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))