Red Cliff Quotes

Sometimes you just jump and hope it's not a cliff.

From childhood's hour I have not been As others were; I have not seen As others saw; I could not bring My passions from a common spring. From the same source I have not taken My sorrow; I could not awaken My heart to joy at the same tone; And all I loved, I loved alone. Then- in my childhood, in the dawn Of a most stormy life- was drawn From every depth of good and ill The mystery which binds me still: From the torrent, or the fountain, From the red cliff of the mountain, From the sun that round me rolled In its autumn tint of gold, From the lightning in the sky As it passed me flying by, From the thunder and the storm, And the cloud that took the form (When the rest of Heaven was blue) Of a demon in my view.

His lips are on mine, hard and warm and pressing. The touch is electrifying, but not like I'm used to. This isn't a spark of destruction, but a spark of life. As much as I want to pull away, I just can't do it. Cal is a cliff and I throw myself over the edge, not bothering to think of what it could do to us both. One day he'll realize I'm his enemy, and all this will be a far-gone memory. But not yet.

Benedicto: May your trails be crooked, winding, lonesome, dangerous, leading to the most amazing view. May your mountains rise into and above the clouds. May your rivers flow without end, meandering through pastoral valleys tinkling with bells, past temples and castles and poets towers into a dark primeval forest where tigers belch and monkeys howl, through miasmal and mysterious swamps and down into a desert of red rock, blue mesas, domes and pinnacles and grottos of endless stone, and down again into a deep vast ancient unknown chasm where bars of sunlight blaze on profiled cliffs, where deer walk across the white sand beaches, where storms come and go as lightning clangs upon the high crags, where something strange and more beautiful and more full of wonder than your deepest dreams waits for you -- beyond that next turning of the canyon walls.

I think of Sean folded low over the red stallion, riding bareback at the top of the cliffs. Of the easy way they had with each other when I met him to look at the uisce mare. I think, even, of the way Sean looked when he stood on the bloody festival rock and said his name, and then Corr's, like it was just one fact after the other. Of the way he said "the sky and the sand and the sea and Corr" to me. And I feel a bite of unfairness, because in everything but name, it seems to me that Sean Kendrick already owns Corr.

As much as I want to pull away, I just can't do it. Cal is a cliff, and I throw myself over the edge, not bothering to think of what it could do to us both. One day he'll realise that I am his enemy, and all this will be a far-gone memory. But not yet.

Cal is a cliff, and I throw myself over the edge, not bothering to think of what it could do to us both.

We've stepped off the cliff and are falling into madness.

The red dust and the burnt cliffs and the lonely sky- all that which lies beyond the end of the roads.

From childhood’s hour I have not been As others were—I have not seen As others saw—I could not bring My passions from a common spring— From the same source I have not taken My sorrow—I could not awaken My heart to joy at the same tone— And all I lov’d—I lov’d alone— Then—in my childhood—in the dawn Of a most stormy life—was drawn From ev’ry depth of good and ill The mystery which binds me still— From the torrent, or the fountain— From the red cliff of the mountain— From the sun that ’round me roll’d In its autumn tint of gold— From the lightning in the sky As it pass’d me flying by— From the thunder, and the storm— And the cloud that took the form (When the rest of Heaven was blue) Of a demon in my view—

We still don’t know what we’re going to do after—” she started, but he shook his head. “I know,” he said. “I don’t know what to do about the Hesperians. For once, I haven’t the faintest idea, and I hate it. But we’ll figure a way out of it. We’ve figured our way out of this, we’re going to survive the Red Cliffs, we’re going to survive Vaisra, and we’ll keep surviving until we’re safe and the world can’t touch us. One enemy at a time. Agreed?

Is it possible to make a living by simply watching light? Monet did. Vermeer did. I believe Vincent did too. They painted light in order to witness the dance between revelation and concealment, exposure and darkness. Perhaps this is what I desire most, to sit and watch the shifting shadows cross the cliff face of sandstone or simply to walk parallel with a path of liquid light called the Colorado River. In the canyon country of southern Utah, these acts of attention are not merely the pastimes of artists, but daily work, work that matters to the whole community. This living would include becoming a caretaker of silence, a connoisseur of stillness, a listener of wind where each dialect is not only heard but understood.

They laid up in the shade of a rock shelf until past noon, scratching out a place in the gray lava dust to sleep, and they set forth in the afternoon down the valley following the war trail and they were very small and they moved very slowly in the immensity of that landscape. Come evening they hove toward the rimrock again and Sproule pointed out a dark stain on the face of the barren cliff. It looked like the black from old fires. The kid shielded his eyes. The scalloped canyon walls rippled in the heat like drapery folds.

With no small amount of swagger, Gavin Greyling said, "I remember Gavin fucking Guile, who won the False Prism's War, who outwitted the Thorn Conspirators and ended the Red Cliff Uprising. Gavin Guile, who brought low pirate kings and bandit lords, who ended the Blood Wars with wits and one deadly wave of his hand, who brought justice to the Seven Satrapies. Gavin Guile, who hunted wights and criminals, who built Brightwater Wall in less than a week, who aborted the birth of gods, destroyed at least two bane, and killed a god full fledged at Ruic Head. Gavin Guile, who faced a sea demon and lived, saving all the people of Garriston and the Blackguard, too. Gavin Guile, who sank Pash vecchio's great ship Gargantua with a rat. Gavin Guile, who armed us for war and gave the Blackguard the seas entire with ou sea chariots and hull wreckers. Gavin Guile, heart of our heart, our Promachos, the one who goes before us in war, who came and conquered and will come again.

On one side, across the channel, stretched the silvery sand shore of the bar; on the other extended a long, curving beach of red cliffs, rising steeply from the pebbled coves. It was a shore that knew the magic and mystery of storm and star. There is a great solitude about such a shore. The woods are never solitary-they are full of whispering, beckoning, friendly life. But the sea is a mighty soul, forever moaning of some great, unshareable sorrow, which shuts it up into itself for all eternity. We can never pierce its infinite mystery-We may only wander, awed and spell-bound, on the outer fringe of it. The woods call to us with a hundred voices, but the sea has one only-a mighty voice that drowns our souls in its majestic music. The woods are human, but the sea is in the company of the archangels.

Cal is a cliff and i throw myself over the edge - Mare Barrow

...raised herself on one round elbow and looked out on a tiny river like a gleaming blue snake winding itself around a purple hill. Right below the house was a field white as snow with daisies, and the shadow of the huge maple tree that bent over the little house fell lacily across it. Far beyond it were the white crests of Four Winds Harbour and a long range of sun-washed dunes and red cliffs.

I told her about the best and the worst. The slow and sleepy places where weekdays rolled past like weekends and Mondays didn’t matter. Battered shacks perched on cliffs overlooking the endless, rumpled sea. Afternoons spent waiting on the docks, swinging my legs off a pier until boats rolled in with crates full of oysters and crayfish still gasping. Pulling fishhooks out of my feet because I never wore shoes, playing with other kids whose names I never knew. Those were the unforgettable summers. There were outback towns where you couldn’t see the roads for red dust, grids of streets with wandering dogs and children who ran wild and swam naked in creeks. I remembered climbing ancient trees that had a heartbeat if you pressed your ear to them. Boomboom-boomboom. Dreamy nights sleeping by the campfire and waking up covered in fine ash, as if I’d slept through a nuclear holocaust. We were wanderers, always with our faces to the sun.

1. From every depth of good and ill The mystery which binds me still From the torrent or the fountain From the red cliff of the mountain My heart to joy at the same tone.... And all I loved, I Loved Alone... ২. একজন শিক্ষিত মানুষ দিয়ে কী হয় ? কিন্তু একশজন খাঁটি মানুষ দিয়ে একটা দেশ পাল্টে দেয়া যায় । - ড.মুহম্মদ জাফর ইকবাল স্যার

Midsummer Night was roasting hot. The shore, of red granite, glowed with the heat; the dark blood of the earth seemed to be rising from below. There was a sharp, unbearable smell of birds, of cod, of green decaying seaweed. Through the mist the huge ruddy sun loomed nearer and nearer. And in the sea, dark blood welled up to meet it - in bloated, rearing, huge white waves. Night. The mouth of the bay between two cliffs was like a window. A window shutting out curious eyes with a white shade-white woolly fog. And all that you could see was that behind it something red was happening. ("The North")

The mystery which binds me still— From the torrent, or the fountain, From the red cliff of the mountain, From the sun that ’round me rolled In its autumn tint of gold— From the lightning in the sky As it pass’d me flying by— From the thunder, and the storm, And the cloud that took the form (When the rest of Heaven was blue) Of a demon in my view.

But the thing is, jumping off cliffs is kinda my thing. That’s the choice. I love him, with all that, because of all that. On purpose. I love him on purpose

He stood naked at the edge of a cliff. THe lake lay far below him. A frozen explosion of granite burst in flight to the sky over motionless water. The water seemed immovable, the stone- flowing. The stone had the stillness of one last movement when thrust meets thrust and the currents are held in a pause more dynamic than motion. THe stone glowed wet with sunrays. The lake below was only a thin steel ring that cut the rocks in half. The rocks went on into the depth, unchanged. They began and ended in the sky so that the world seemed suspended in space, an island floating on on nothing, anchored to the feet of the man on the cliff. His body leaned back against the sky. It was a body of long straight lines and angles each curve broken into planes. He stood rigid his hands hanging at his sides, palms out. He felt his shoulder blades drawn tight together. The curve of his neck, and the weight of the blood in his hands. He felt the wind behind him in the hollow of his spine. The wind waved his hair against the sky. His hair was neither blonde nor red, but the exact color or ripe orange rind... He stepped to the edge, raised his arms, and dived down into the sky below.

In the Universe all things have their owner; and if it does not belong to me, not a tiny speck can I take. Encounter fresh breeze on the river or bright moon between the hills, any ears can take as music and eyes as sights; nothing prohibits anyone from taking and it will never be depleted with consumption, they are Creator’s infinite treasures delighting both you and I. (from Red Cliff Rhapsody by Su Shih)

Alone" From childhood’s hour I have not been As others were—I have not seen As others saw—I could not bring My passions from a common spring— From the same source I have not taken My sorrow—I could not awaken My heart to joy at the same tone— And all I lov’d—I lov’d alone— Then—in my childhood—in the dawn Of a most stormy life—was drawn From ev’ry depth of good and ill The mystery which binds me still— From the torrent, or the fountain— From the red cliff of the mountain— From the sun that ’round me roll’d In its autumn tint of gold— From the lightning in the sky As it pass’d me flying by— From the thunder, and the storm— And the cloud that took the form (When the rest of Heaven was blue) Of a demon in my view—

At first I'd tried subtlety, but as it happened, Dane's mind - as fierce and strong and powerful as he was - had about the level of subtlety as a locomotive that went off the tracks and then fell off a cliff. And then hit a tree and a nitroglycerine truck.

Mountains, real or not, ring this desert like the rim of an empty dinner plate. Scattered sparsely along the flat middle are small towns with names like Red Mesa, Pine Cliff, and, right in the center, Night Vale. Above Night Vale are helicopters, protecting citizens from themselves and others. Above the helicopters are stars, which are completely meaningless. Above the stars is the void, which is completely meaningful.

Kate's hair is the color of the cliff grass turned red by autumn, and she has a spatter of freckles across her face that at first glance make her look far younger. It's a strange magic: At once she's a cross child and also something older and wild, something grown from this coarse island soil.

Yes. When I want to fill my heart with His love, I open my eyes to the creations of His hand, especially the ones that seem outrageously and uselessly beautiful--sunsets, sunrises, ice crystals, patterns in drying mud, golden cottonwood leaves against red rock cliffs, the melancholy sound of the first cricket in August, moss-covered rocks in a mountain stream, the way a baby laughs before she can do useful things such as talking or walking.

But it’s so beautiful, my castle; it’s the most wonderful place to go home to. It sits on a cliff above the sea. There are steps down to the water, cut into the cliff. And balconies hanging over the cliff—you feel as if you’ll fall if you lean too far. At night the sun goes down across the water, and the whole sky turns red and orange, and the sea to match it. Sometimes there are great fish out there, fish of impossible colors. They come to the surface and roll about—you can watch them from the balconies. And in winter the waves are high, and the wind’ll knock you down. You can’t go out to the balconies in winter. It’s dangerous, and wild.

Beyond the river and ten miles east of the city the Sangre Mountains began to reveal themselves in more detail as the sun rose higher, the rampart of blue shadow dissolving in the light, exposing the fissured red cliffs, the canyons and gorges a thousand feet deep, the towers leaning out from the main wall, the foothills dry and barren as old bones, and above and behind these tumbled ruins the final barrier of granite, the great horizontal crest tilted up a mile high into the frosty blue sky, sparkling with a new fall of snow. The mountains loomed over the valley like a psychical presence, a source and mirror of nervous influences, emotions, subtle and unlabeled aspirations; no man could ignore that presence; in an underground poker game, in the vaults of the First National Bank, in the realtor's office during the composition of and intricate swindle, in the heart of a sexual embrace, the emanations of mountain and sky imprinted some analogue of their nature on the evolution and shape of every soul.

That’s all Mother needs to say. Our estate and House Malker’s are built on the high cliffs along Pelim’s Tooth. The Tooth, like its mirror the Claw, is a pincer of land that juts around the mouth of the Casabi river, making a protected bay. But the cliff isn’t called the Tooth all the time. In fact, most people call it Pelim’s Leap. Not to our faces, of course. They don’t like to remind us that our House has brought the Red Death to Pelimburg’s shores before, that we have a history of suicides and ill luck.

How many times have I photographed this glorious seascape? . . . The late-afternoon rusted tones of the Saudi Arabian mountains on the opposite side of the Red Sea; the view from the Devil’s Head, which is eternally splashed by crashing waves. Like an arrow pointed toward Saudi Arabia’s unexplored secrets, the cliff stands erect just before me.

The sun rose above the red cliffs, shining down on the young man's face, and Kzun saw then that he was no more than fifteen years old. 'I dropped my sword,' said the warrior. 'Now I am going to die.' 'You died defending your land. The Gods of Stone and Water will welcome you.' 'We are not cowards,' said the dying boy. 'But we . . . spend so much of our lives . . . running from the gajin.' 'I know.' 'I am frightened of the Void. If. . . I wait. . . will you walk with me into the dark?' Kzun shivered. 'I have been in the dark, boy. I know what fear is. Yes, you wait for me. I shall walk with you.' The youngster gave a tired smile, then his head fell back. Kzun closed the boy's eyes and stood.

Sometimes you just jump and hope it´s not a cliff

That kind of love is rare, even if it was a complete disaster." He sucks his teeth, considering. "Sometimes you just jump and hope it’s not a cliff.

But the thing is, jumping off cliffs is kinda my thing. That’s the choice. I love him, with all that, because of all that. On purpose. I love him on purpose.

But the thing is, jumping off cliffs is kinda my thing. That's the choice. I love him, with all that, because of all that. On purpose. I love him on purpose.

Sometimes you just jump and hope it’s not a cliff.

We drove through Utah, the Crossroads of the West, bordered by all the mountain states, except for Montana. Laying rooted in the backcountry we saw some of the most awe-inspiring groove gulleys we’d ever seen, but it was the intensity of Zion National Park that held our attention; The red rock backdrop dazzled us as brutal rapids nose-dived off the cliffs into pools surrounded by abundant green piñon-juniper forests and fiery peach and coral sandstone canyons carved by flowing rivers and streams. It would honestly not have surprised me to see Butch Cassidy and the Sundance Kid plunging from an unforgiving precipice into the river below.

Gannets I am watching the white gannets blaze down into the water with the power of blunt spears and a stunning accuracy-- even though the sea is riled and boiling and gray with fog and the fish are nowhere to be seen, they fall, they explode into the water like white gloves, then they vanish, then they climb out again, from the cliff of the wave, like white flowers-- and still I think that nothing in this world moves but as a positive power-- even the fish, finning down into the current or collapsing in the red purse of the beak, are only interrupted from their own pursuit of whatever it is that fills their bellies-- and I say: life is real, and pain is real, but death is an imposter, and if I could be what once I was, like the wolf or the bear standing on the cold shore, I would still see it-- how the fish simply escape, this time, or how they slide down into a black fire for a moment, then rise from the water inseparable from the gannets' wings.

What’s the plan now, then?’ ‘Plans have a habit o’ falling apart when you lean on ’em,’ said Lamb. ‘We’ll just have to think up another.’ The Kantic cracked a bastard of a frown. ‘I do not like a man who breaks an agreement.’ ‘Try and push me off a cliff.’ Lamb gave Jubair a flat stare. ‘We can find out who God likes best.’ Jubair pressed one fingertip against his lips and considered that for a long, silent moment. Then he shrugged. ‘I prefer not to trouble God with every little thing.

Ion Mihai Pacepa, the highest-ranking defector from the former Soviet bloc, says the KGB killed dissident Alexander Litvinenko precisely because he spilled the beans on how Soviet intelligence spawned Islamic terrorism and even trained al-Qaeda leader Ayman Al-Zawahiri.[7

Lake Bled, when we arrived, was no disappointment. It had poured into an alpine valley at the end of one of the Ice Ages and provided early nomads there with a resting place—in thatched houses out on the water. Now it lay like a sapphire in the hands of the Alps, its surface burnished with whitecaps in the late-afternoon breeze. From one steep edge rose a cliff higher than the rest, and on this, one of Slovenia’s great castles roosted, restored by the tourist bureau in unusually good taste. Its crenellations looked down on an island, where a specimen of those modest red-roofed churches of the Austrian type floated like a duck, and boats went out to the island every few hours. The hotel, as usual, was steel and glass, socialist tourism model number five, and we escaped it on the second day for a walk around the lower part of the lake.

The desert at night was black and a strange madder-tinted silver; the sky was black, and the great contorted cliffs, and the vast expanses of sand that stretched out in all directions. But the red moon cast a pale crimson-tinged luminescence over everything, and far above the stars were glittering points of silver.

They were supposed to be different, different from all the people who didn't want things and didn't do things and weren't special. They were supposed to be the kind of people who said to hell with it, who threw their wine glasses into the fireplace, who jumped off cliffs. They were not supposed to be careful people.

Living there [Horse Mesa] was like living in a natural cathedral. Waking up every morning, you walked outside and looked down at the blue lake, then up at the sandstone cliffs--those awe-inspiring layers of red and yellow rock shaped over the millennia, with dozens of black-streaked crevices that temporarily became waterfalls after rainstorms.

Alone From childhood’s hour I have not been As others were; I have not seen As others saw; I could not bring My passions from a common spring. From the same source I have not taken My sorrow; I could not awaken My heart to joy at the same tone; And all I loved, I loved alone. Then- in my childhood, in the dawn Of a most stormy life- was drawn From every depth of good and ill The mystery which binds me still: From the torrent, or the fountain, From the red cliff of the mountain, From the sun that round me rolled In its autumn tint of gold, From the lightning in the sky As it passed me flying by, From the thunder and the storm, And the cloud that took the form (When the rest of Heaven was blue) Of a demon in my view.

You know, in a lot of ways, your mom and me were a stupid idea. I think we both knew it wouldn’t be forever. But God, that woman. Your mother is, without question, the love of my life. I’ll never love anyone else like that. It was wildfire. That kind of love is rare, even if it was a complete disaster.” He sucks his teeth, considering. “Sometimes you just jump and hope it’s not a cliff.

I draw myself up next to her and look at her profile, making no effort to disguise my attention, here, where there is only Puck to see me. The evening sun loves her throat and her cheekbones. Her hair the color of cliff grass rises and falls over her face in the breeze. Her expression is less ferocious than usual, less guarded. I say, “Are you afraid?” Her eyes are far away on the horizon line, out to the west where the sun has gone but the glow remains. Somewhere out there are my capaill uisce, George Holly’s America, every gallon of water that every ship rides on. Puck doesn’t look away from the orange glow at the end of the world. “Tell me what it’s like. The race.” What it’s like is a battle. A mess of horses and men and blood. The fastest and strongest of what is left from two weeks of preparation on the sand. It’s the surf in your face, the deadly magic of November on your skin, the Scorpio drums in the place of your heartbeat. It’s speed, if you’re lucky. It’s life and it’s death or it’s both and there’s nothing like it. Once upon a time, this moment — this last light of evening the day before the race — was the best moment of the year for me. The anticipation of the game to come. But that was when all I had to lose was my life. “There’s no one braver than you on that beach.” Her voice is dismissive. “That doesn’t matter.” “It does. I meant what I said at the festival. This island cares nothing for love but it favors the brave.” Now she looks at me. She’s fierce and red, indestructible and changeable, everything that makes Thisby what it is. She asks, “Do you feel brave?” The mare goddess had told me to make another wish. It feels thin as a thread to me now, that gift of a wish. I remember the years when it felt like a promise. “I don’t know what I feel, Puck.” Puck unfolds her arms just enough to keep her balance as she leans to me, and when we kiss, she closes her eyes. She draws back and looks into my face. I have not moved, and she barely has, but the world feels strange beneath me. “Tell me what to wish for,” I say. “Tell me what to ask the sea for.” “To be happy. Happiness.” I close my eyes. My mind is full of Corr, of the ocean, of Puck Connolly’s lips on mine. “I don’t think such a thing is had on Thisby. And if it is, I don’t know how you would keep it.” The breeze blows across my closed eyelids, scented with brine and rain and winter. I can hear the ocean rocking against the island, a constant lullaby. Puck’s voice is in my ear; her breath warms my neck inside my jacket collar. “You whisper to it. What it needs to hear. Isn’t that what you said?” I tilt my head so that her mouth is on my skin. The kiss is cold where the wind blows across my cheek. Her forehead rests against my hair. I open my eyes, and the sun has gone. I feel as if the ocean is inside me, wild and uncertain. “That’s what I said. What do I need to hear?” Puck whispers, “That tomorrow we’ll rule the Scorpio Races as king and queen of Skarmouth and I’ll save the house and you’ll have your stallion. Dove will eat golden oats for the rest of her days and you will terrorize the races each year and people will come from every island in the world to find out how it is you get horses to listen to you. The piebald will carry Mutt Malvern into the sea and Gabriel will decide to stay on the island. I will have a farm and you will bring me bread for dinner.” I say, “That is what I needed to hear.” “Do you know what to wish for now?” I swallow. I have no wishing-shell to throw into the sea when I say it, but I know that the ocean hears me nonetheless. “To get what I need.

EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel

There is a tremendous rush in defying your fears--staring them down and daring them to mess with you. These days, if something scares me, that’s reason enough for me to do it. I’m kind of a danger junkie. I love wakeboarding, skiing, scuba diving, jumping off cliffs. Many of my Instagrams show me jumping off stuff. My sisters are just as bad--Julianne especially. When we were kids, we’d go to Lake Powell, where there are these amazing red cliffs. I’d be peeking over the edge, trying to talk myself over the fear, and suddenly there would be this little body with blond hair flying through the air and breaking the water. My little sister always beat me to it and showed me up. People might call us reckless or careless, but I call it being alive. I understand now that nothing amazing is ever accomplished without fear. It’s a sign that you’re on the road to experiencing greatness.

The Four Winds light was built on a spur of red sand-stone cliff jutting out into the gulf. On one side, across the channel, stretched the silvery sand shore of the bar; on the other, extended a long, curving beach of red cliffs, rising steeply from the pebbled coves. It was a shore that knew the magic and mystery of storm and star. There is a great solitude about such a shore. The woods are never solitary—they are full of whispering, beckoning, friendly life. But the sea is a mighty soul, forever moaning of some great, unshareable sorrow, which shuts it up into itself for all eternity. We can never pierce its infinite mystery—we may only wander, awed and spellbound, on the outer fringe of it. The woods call to us with a hundred voices, but the sea has one only—a mighty voice that drowns our souls in its majestic music. The woods are human, but the sea is of the company of the archangels.

And just as the first one steps off the cliff, onto air, the forever nothing below, they ignite into the ochre-red sparks of monarchs. Thousands of monarchs pour over the edge, fan into the white air, like a bloodier hitting water. I race through the field as if my cliff was never written into this story, as if I was no heavier than the words in my name. And like a word, I hold no weight in this world yet still carry my own life. And I throw it ahead of me until what I left behind becomes exactly what I'm running toward--like I'm part of a family.

The United Nations will soon come out with a plan known as Agenda 21, in which they will push everyone into cities so we can keep better track of them, and the common, everyday people will no longer be able to access the great outdoors without having to go through a lot of red tape. The governments of the world will start declaring vast stretches of land in their own countries as national monuments or just buy up the land to prevent the freedom to create more energy reserves so that only a few will be in control over all of the resources of the world.

And yet, they caught glimpses of things on the shore that could have had no other provenance. A pinwheel of arms and hands, connecting in a knot of tissue bearing one staring blue eye, kept pace with them for hours, leaping in what appeared to be play, sometimes disappearing behind rocks for a mile or more, only to be spotted again as the landscape evened out; a small shack at the base of the cliff, with three charred black figures, paused in their construction of a wooden pyre to fix them with a red glare as they sailed past, while something small and frightened bucked beneath the

Imagine walking under a glowing violet sky, where great flashing clouds sweep the earth with shadow and rain strides beneath them. Imagine walking on the slopes of a mountain like polished metal, with a clean red flame exploding above you and thunder laughing in the ground. Imagine a cool wild stream, and low trees with dark coppery flowers, and a waterfall, methane-fall...whatever you like, leaping off a cliff, and the strong live wind shakes its mane full of rainbows! Imagine a whole forest, dark and breathing, and here and there you glimpse a pale-red wavering will-o'-the-wisp, which is the life radiation of some fleet shy animal, and...and-

I’ve heard it argued that long ago pain begat consciousness. To avoid serious damage a simple creature needs to evolve the whips and goads of a subjective loop, of a felt experience. Not just a red warning light in the head—who’s there to see it?—but a sting, an ache, a throb that hurts. Adversity forced awareness on us, and it works, it bites us when we go too near the fire, when we love too hard. Those felt sensations are the beginning of the invention of the self. And if that works, why not feeling disgust for shit, fearing the cliff edge and strangers, remembering insults and favours, liking sex and food? God said, Let there be pain. And there was poetry. Eventually.

In spring the meadow that ran down from the cliff to the beach was all foam-white and sea-blue with flowers; the hunter looked at it and it was beautiful. But when he came home there was no one to tell what he had seen―and if he picked the flowers and brought them home in his hands, there was no one to give them to. And when at evening, past the dark blue shape of a far-off island, the sun sank under the edge of the sea like a red world vanishing, the hunter saw it all, but there was no one to tell what he had seen. One winter night, as he looked at the stars that, blazing coldly, made the belt and the sword of the hunter Orion, a great green meteor went slowly across the sky. The hunter's heart leaped, he cried: "Look, look!" But there was no one to look.

Instead, I gave them the only salute I could think of. Two middle fingers. Held high for emphasis. The six fiery orbs winked out at once. Hopefully, they’d died from affront. Ben eyed me sideways as he maneuvered from shore. “What in the world are you doing?” “Those red-eyed jerks were on the cliff,” I spat, then immediately felt silly. “All I could think of.” Ben made an odd huffing sound I couldn’t interpret. For a shocked second, I thought he was furious with me. “Nice work, Victoria.” Ben couldn’t hold the laughter inside. “That oughta do it!” I flinched, surprised by his reaction. Ben, cracking up at a time like this? He had such a full, honest laugh—I wished I heard it more. Infectious, too. I couldn’t help joining in, though mine came out in a low Beavis and Butthead cackle. Which made Ben howl even more. In an instant, we were both in stitches at the absurdity of my one-finger salutes. At the insanity of the evening. At everything. Tears wet my eyes as Sewee bobbed over the surf, circling the southeast corner of the island. It was a release I desperately needed. Ben ran a hand through his hair, then sighed deeply. “I love it,” he snickered, steering Sewee through the breakers, keeping our speed to a crawl so the engine made less noise. “I love you, sometimes.” Abruptly, his good humor cut off like a guillotine. Ben’s body went rigid. I felt a wave of panic roll from him, as if he’d accidently triggered a nuclear bomb. I experienced a parallel stab of distress. My stomach lurched into my throat, and not because of the rolling ocean swells. Did he just . . . what did he mean when . . . Oh crap. Ben’s eyes darted to me, then shot back to open water. Even in the semidarkness, I saw a flush of red steal up his neck and into his cheeks. I shifted uncomfortably in my seat. Shifted again. Debated going over the side. Did he really mean to say he . . . loved me? Like, for real? The awkward moment stretched longer than any event in human history. He said “sometimes,” which is a definite qualifier. I love Chinese food “sometimes.” Mouth opened as I searched for words that might defuse the tension. Came up with nothing. I felt trapped in a nightmare. Balanced on a beam a hundred feet off the ground. Sinking underwater in a sealed car with no idea how to get out. Ben’s lips parted, then worked soundlessly, as if he, too, sought to break the horrible awkwardness. A verbal retreat, or some way to reverse time. Is that what I want? For Ben to walk it back? A part of me was astounded by the chaos a single four-word utterance could create. Ben gulped a breath, seemed to reach a decision. As his mouth opened a second time, all the adrenaline in creation poured into my system. “I . . . I was just saying that . . .” He trailed off, then smacked the steering wheel with his palm. Ben squeezed his eyes shut, shaking his head sharply as if disgusted by the effort. Ben turned. Blasted me with his full attention. “I mean it. I’m not going to act—

One possible motive in the murder was an article Litvinenko wrote claiming Putin was a pedophile. The article said: After graduating from the Andropov Institute, which prepares officers for the KGB intelligence service, Putin was not accepted into the foreign intelligence. Instead, he was sent to a junior position in KGB Leningrad Directorate. This was a very unusual twist for a career of an Andropov Institute’s graduate with fluent German. Why did that happen with Putin? Because, shortly before his graduation, his bosses learned that Putin was a pedophile. So say some people who knew Putin as a student at the Institute… Many years later, when Putin became the FSB director and was preparing for the presidency, he began to seek and destroy any compromising materials collected against him by the secret services over earlier years. It was not difficult, provided he himself was the FSB director. Among other things, Putin found videotapes in the FSB Internal Security directorate, which showed him [having] sex with some underage boys.

In the landscape of my native land, a stranger in my own fields, --I had a homeland where the Duero flows between gray cliffs and the ghosts of ancient oaks, there in Castile, mystic and warlike, graceful Castile, humble and boastful, Castile of arrogance and power, in the fields of Andalusia where I was born, I long to sing! My childhood memories are here, images of palm trees and sun against a golden brilliance, distant bell towers with storks, city streets without women under an indigo sky, deserted swuares where blazing orange trees ripen with round vermillon fruit, and in a shady garden, the dusty branches of a lemon tree, pale yellow lemons reflected in the clear water of the fountains. The scent of lilies and carnations, pungent odor of basil and mint. images of gloomy olive groves under a torrid sun that blinds and dazes, winding blue mountain ranges under the red glow of an immense afternoon; but if the thread that links memory to the heart is missing, the anchor to the shore, these memories are soulless. In their ragged dress, they are remnants of memory, castoffs the mind drags along. One day, anointed with light from below, our virginal bodies will return to their ancient shore.

From the bonny bells of heather, They brewed a drink long syne, Was sweeter far than honey, Was stronger far than wine. They brewed it and they drank it, And lay in blessed swound, For days and days together, In their dwellings underground. There rose a King in Scotland, A fell man to his foes, He smote the Picts in battle, He hunted them like roes. Over miles of the red mountain He hunted as they fled, And strewed the dwarfish bodies Of the dying and the dead. Summer came in the country, Red was the heather bell, But the manner of the brewing, Was none alive to tell. In graves that were like children’s On many a mountain’s head, The Brewsters of the Heather Lay numbered with the dead. The king in the red moorland Rode on a summer’s day; And the bees hummed and the curlews Cried beside the way. The King rode and was angry, Black was his brow and pale, To rule in a land of heather, And lack the Heather Ale. It fortuned that his vassals, Riding free upon the heath, Came on a stone that was fallen And vermin hid beneath. Roughly plucked from their hiding, Never a word they spoke: A son and his aged father – Last of the dwarfish folk. The king sat high on his charger, He looked down on the little men; And the dwarfish and swarthy couple Looked at the king again. Down by the shore he had them: And there on the giddy brink – “I will give thee life ye vermin, For the secret of the drink.” There stood the son and father And they looked high and low; The heather was red around them, The sea rumbled below. And up spoke the father, Shrill was his voice to hear: “I have a word in private, A word for the royal ear. “Life is dear to the aged, And honour a little thing; I would gladly sell the secret”, Quoth the Pict to the King. His voice was small as a sparrow’s, And shrill and wonderful clear: “I would gladly sell my secret, Only my son I fear. “For life is a little matter, And death is nought to the young; And I dare not sell my honour, Under the eye of my son. Take him, O king, and bind him, And cast him far in the deep; And it’s I will tell the secret That I have sworn to keep.” They took the son and bound him, Neck and heels in a thong, And a lad took him and swung him, And flung him far and strong And the sea swallowed his body, Like that of a child of ten; And there on the cliff stood the father, Last of the dwarfish men. “True was the word I told you: Only my son I feared; For I doubt the sapling courage, That goes without the beard. But now in vain is the torture, Fire shall not avail: Here dies in my bosom The secret of the Heather Ale.

Like drops of water that fall on the rocks of the jungle, the silence is full of tenderness. Whisper softly my poetry unraveling your admiration. In the name of night. Everything I see is simplicity in your beautiful body Like an incandescent light that dispels the darkness Then it bounced on the rose petals in the dim moonlight. Blushing reconciles the anxiety of the soul Comforting a sore heart Your beauty is a flower that unites to dazzle the majesty of the universe. Ahhh love... Your beauty is like a waterfall from the height of a cliff that is so sensual, showing the magic of a perfect panorama. How seductive and alluring is your soft skin..... As gentle as the twilight wind blew the dandelions scattered under the night sky. As soft as a lump of cotton that lay white on the heart rug. As gentle as the caress of the night breeze, flaking your shiny black hair. Ahhh. Let my breath rest for a moment Here, Between two seas of wine flowing red I find on your lips. How beautiful is love When the stalks of a kiss fall lying down Tickling spoiled and whispering intimately about the love that is heaven behind your ear with a warm whisper blowing slowly And Slowly... caressing your face in a long soft moan Lull a thousand touches and then cast your body into a pleasure that you have not found. In the name of my chest. Let our restless tantrums grapple in the flames of burning love. Until our passion quells the passion, Wet and subside. ️

Alex and Conner looked at each other, thinking the same thing—they weren’t going to get rid of him. Rather than spending time arguing, the twins went right into forming the next phase of their own plan. “One of us needs to stay in Neverland and look after the books,” Alex said. “Who’s it going to be this time?” The twins, the Tin Woodman, Mother Goose, and Lester all turned to Red. Her eyes grew large and her whole body tightened—every part of her rejected the idea. “Don’t even think about it,” Red said. “I’m not staying on this island.” “Red, I don’t mean to sound rude, but you’re the least useful in the group,” Conner said. “We need you to stay here and make sure nothing happens to the books.” “These savages have already shot me,” Red said, and pointed at the Lost Boys. “What do you think they’ll do to me when I’m alone?” “Red, I promise you’ll be safer here than in Wonderland,” Alex said. Red couldn’t believe her ears. She might as well have been persuaded to walk off a cliff. The twins didn’t give her any more chance to argue. Before she knew it, Conner was handing her their copy of Peter Pan as if the decision was final. “Boys, I order you to listen to Miss Red,” Peter instructed. “I want you to protect her and make her very comfortable while we’re away. Treat her like you would your own mother.” The Lost Boys were very excited by this idea. Red looked like she was going to be sick. “Yes, sir!” Tootles said, and saluted Peter. “Now just wait one minute! Am I supposed to sleep in the jungle?” Red asked, but none of her friends were listening anymore. “Of

gratified her; it was only right that her food should fear her. If ever she should fear it, she would know it was her time to die. A league farther upstream, the Varden were packed against the Jiet River like a herd of red deer against the edge of a cliff. The Varden had arrived at the crossing yesterday, and since then, perhaps a third of the men-who-were-friends and the Urgals-who-were-friends and the horses-she-must-not-eat had forded the river. The army moved so slowly, she sometimes wondered how humans ever had time to do anything other than travel, considering how short their lives were. It would be much more convenient if they could fly, she thought, and wondered why they did not choose to. Flying was so easy, it never ceased to puzzle her why any creature would remain earthbound. Even Eragon retained his attachment to the soft-hard-ground, when she knew he could join her in the sky at any time merely by uttering a few words in the ancient language. But then, she did not always understand the actions of those who tottered about on two legs, whether they had round ears, pointed ears, or horns or were so short she could squash them under her feet. A flicker of movement to the northeast caught her attention, and she angled toward it, curious. She saw a line of five-and-forty weary horses trudging toward the Varden. Most of the horses were rider-less; therefore, it did not occur to her until another half hour had elapsed and she could make out the faces of the men in the saddles that the group might be Roran’s returning from their raid. She wondered what had happened to so

I’ve been so mean to my body, outright hateful. I disparage her and call her names, I loathe parts of her and withhold care. I insist on physical standards she can never reach, for that is not how she is even made, but I detest her weakness for not pulling it off. I deny her things she loves depending on the current fad: bread, cheddar cheese, orange juice, baked potatoes. I push her too hard and refuse her enough rest. No matter what she accomplishes, I’m never happy with her. I’ve barely acknowledged her role in every precious experience of my life. I look at her with contempt. And yet every morning, no matter how terrible I have been to her, she gets us out of bed, nurtures the family, meets the needs of the day. She tells me when I am hungry or tired and sends special red-alert signals when I am overwhelmed or scared. She has safely gotten me to and from a thousand cities with fresh energy. She flushes with red wine, which she loves, which is pretty cute. She walked the Cliffs of Moher in Ireland, the red dirt of Uganda, the steep opulence of Santorini, the ruins of Pompeii. She senses danger, trouble, land mines; she is never wrong. Every single time, she tells me when not to say something. She has cooked ten thousand meals. She prays without being told to; sometimes I realize she is whispering to God for us. She walks and cooks and lifts and hugs and types and drives and cleans and holds babies and rests and laughs and does everything in her power to live another meaningful, connected day on this earth. She sure does love me and my life and family. Maybe it is time to stop hating her and just love her back.

Toward an Organic Philosophy SPRING, COAST RANGE The glow of my campfire is dark red and flameless, The circle of white ash widens around it. I get up and walk off in the moonlight and each time I look back the red is deeper and the light smaller. Scorpio rises late with Mars caught in his claw; The moon has come before them, the light Like a choir of children in the young laurel trees. It is April; the shad, the hot headed fish, Climbs the rivers; there is trillium in the damp canyons; The foetid adder’s tongue lolls by the waterfall. There was a farm at this campsite once, it is almost gone now. There were sheep here after the farm, and fire Long ago burned the redwoods out of the gulch, The Douglas fir off the ridge; today the soil Is stony and incoherent, the small stones lie flat And plate the surface like scales. Twenty years ago the spreading gully Toppled the big oak over onto the house. Now there is nothing left but the foundations Hidden in poison oak, and above on the ridge, Six lonely, ominous fenceposts; The redwood beams of the barn make a footbridge Over the deep waterless creek bed; The hills are covered with wild oats Dry and white by midsummer. I walk in the random survivals of the orchard. In a patch of moonlight a mole Shakes his tunnel like an angry vein; Orion walks waist deep in the fog coming in from the ocean; Leo crouches under the zenith. There are tiny hard fruits already on the plum trees. The purity of the apple blossoms is incredible. As the wind dies down their fragrance Clusters around them like thick smoke. All the day they roared with bees, in the moonlight They are silent and immaculate. SPRING, SIERRA NEVADA Once more golden Scorpio glows over the col Above Deadman Canyon, orderly and brilliant, Like an inspiration in the brain of Archimedes. I have seen its light over the warm sea, Over the coconut beaches, phosphorescent and pulsing; And the living light in the water Shivering away from the swimming hand, Creeping against the lips, filling the floating hair. Here where the glaciers have been and the snow stays late, The stone is clean as light, the light steady as stone. The relationship of stone, ice and stars is systematic and enduring: Novelty emerges after centuries, a rock spalls from the cliffs, The glacier contracts and turns grayer, The stream cuts new sinuosities in the meadow, The sun moves through space and the earth with it, The stars change places. The snow has lasted longer this year, Than anyone can remember. The lowest meadow is a lake, The next two are snowfields, the pass is covered with snow, Only the steepest rocks are bare. Between the pass And the last meadow the snowfield gapes for a hundred feet, In a narrow blue chasm through which a waterfall drops, Spangled with sunset at the top, black and muscular Where it disappears again in the snow. The world is filled with hidden running water That pounds in the ears like ether; The granite needles rise from the snow, pale as steel; Above the copper mine the cliff is blood red, The white snow breaks at the edge of it; The sky comes close to my eyes like the blue eyes Of someone kissed in sleep. I descend to camp, To the young, sticky, wrinkled aspen leaves, To the first violets and wild cyclamen, And cook supper in the blue twilight. All night deer pass over the snow on sharp hooves, In the darkness their cold muzzles find the new grass At the edge of the snow.

As the men rode they saw for the first time the full grandeur of Hawaii, for they were to work on one of the fairest islands in the Pacific. To the left rose jagged and soaring mountains, clothed in perpetual green. Born millions of years before the other mountains of Hawaii, these had eroded first and now possessed unique forms that pleased the eye. At one point the wind had cut a complete tunnel through the highest mountain; at others the erosion of softer rock had left isolated spires of basalt standing like monitors. To the right unfolded a majestic shore, cut by deep bays and highlighted by a rolling surf that broke endlessly upon dark rocks and brilliant white sand. Each mile disclosed to Kamejiro and his companions some striking new scene. But most memorable of all he saw that day was the red earth. Down millions of years the volcanic eruptions of Kauai had spewed forth layers of iron-rich rocks, and for subsequent millions of years this iron had slowly, imperceptibly disintegrated until it now stood like gigantic piles of scintillating rust, the famous red earth of Kauai. Sometimes a green-clad mountain would show a gaping scar where the side of a cliff had fallen away, disclosing earth as red as new blood. At other times the fields along which the men rode would be an unblemished furnace-red, as if flame had just left it. Again in some deep valley where small amounts of black earth had intruded, the resulting red nearly resembled a brick color. But always the soil was red. It shone in a hundred different hues, but it was loveliest when it stood out against the rich green verdure of the island, for then the two colors complemented each other, and Kauai seemed to merit the name by which it was affectionately known: the Garden Island.

How many rapes occurred inside the walls of the main camp of Ravensbrück is hard to put a figure to: so many of the victims—already, as Ilse Heinrich said, half dead—did not survive long enough after the war to talk about it. While many older Soviet women were reluctant to talk of the rape, younger survivors feel less restraint today. Nadia Vasilyeva was one of the Red Army nurses who were cornered by the Germans on the cliffs of the Crimea. Three years later in Neustrelitz, northwest of Ravensbrück, she and scores of other Red Army women were cornered again, this time by their own Soviet liberators intent on mass rape. Other women make no excuses for the Soviet rapists. ‘They were demanding payment for liberation,’ said Ilena Barsukova. ‘The Germans never raped the prisoners because we were Russian swine, but our own soldiers raped us. We were disgusted that they behaved like this. Stalin had said that no soldiers should be taken prisoner, so they felt they could treat us like dirt.’ Like the Russians, Polish survivors were also reluctant for many years to talk of Red Army rape. ‘We were terrified by our Russian liberators,’ said Krystyna Zając. ‘But we could not talk about it later because of the communists who had by then taken over in Poland.’ Nevertheless, Poles, Yugoslavs, Czechs and French survivors all left accounts of being raped as soon as they reached the Soviet lines. They talked of being ‘hunted down’, ‘captured’ or ‘cornered’ and then raped. In her memoirs Wanda Wojtasik, one of the rabbits, says it was impossible to encounter a single Russian without being raped. As she, Krysia and their Lublin friends tried to head east towards their home, they were attacked at every turn. Sometimes the approach would begin with romantic overtures from ‘handsome men’, but these approaches soon degenerated into harassment and then rape. Wanda did not say she was raped herself, but describes episodes where soldiers pounced on friends, or attacked them in houses where they sheltered, or dragged women off behind trees, who then reappeared sobbing and screaming. ‘After a while we never accepted lifts and didn’t dare go near any villages, and when we slept someone always stood watch.

Colonel Fedmahn Kassad shouted a FORCE battle cry and charged through the dust storm to intercept the Shrike before it covered the final thirty meters to where Sol Weintraub crouched next to Brawne Lamia. The Shrike paused, its head swiveling frictionlessly, red eyes gleaming. Kassad armed his assault rifle and moved down the slope with reckless speed. The Shrike shifted. Kassad saw its movement through time as a slow blur, noting even as he watched the Shrike that movement in the valley had ceased, sand hung motionless in the air, and the light from the glowing Tombs had taken on a thick, amberish quality. Kassad’s skinsuit was somehow shifting with the Shrike, following it through its movements through time. The creature’s head snapped up, attentive now, and its four arms extended like blades from a knife, fingers snapping open in sharp greeting. Kassad skidded to a halt ten meters from the thing and activated the assault rifle, slagging the sand beneath the Shrike in a full-power wide-beam burst. The Shrike glowed as its carapace and steel-sculpture legs reflected the hellish light beneath and around it. Then the three meters of monster began to sink as the sand bubbled into a lake of molten glass beneath it. Kassad shouted in triumph as he stepped closer, playing the widebeam on the Shrike and ground the way he had sprayed his friends with stolen irrigation hoses in the Tharsis slums as a boy. The Shrike sank. Its arms splayed at the sand and rock, trying to find purchase. Sparks flew. It shifted, time running backward like a reversed holie, but Kassad shifted with it, realizing that Moneta was helping him, her suit slaved to his but guiding him through time, and then he was spraying the creature again with concentrated heat greater than the surface of a sun, melting sand beneath it, and watching the rocks around it burst into flame. Sinking in this cauldron of flame and molten rock, the Shrike threw back its head, opened its wide crevasse of a mouth, and bellowed. Kassad almost stopped firing in his shock at hearing noise from the thing. The Shrike’s scream resounded like a dragon’s roar mixed with the blast of a fusion rocket. The screech set Kassad’s teeth on edge, vibrated from the cliff walls, and tumbled suspended dust to the ground. Kassad switched to high-velocity solid shot and fired ten thousand microfléchettes at the creature’s face.

He ought to be more clever in his murder attempt. Done properly, he could make a wealthy widow of you, and then you’d both have your happy ending.” Harry knew instantly that he shouldn’t have said it—the comment was the kind of cold-blooded sarcasm he had always resorted to when he felt the need to defend himself. He regretted it even before he saw Merripen out of the periphery of his vision. The Rom was giving him a warning shake of his head and drawing a finger across his throat. Poppy was red faced, her brows drawn in a scowl. “What a dreadful thing to say!” Harry cleared his throat. “I’m sorry,” he said brusquely. “I was joking. It was in poor—” He ducked as something came flying at him. “What the devil—” She had thrown something at him, a cushion. “I don’t want to be a widow, I don’t want Michael Bayning, and I don’t want you to joke about such things, you tactless clodpole!” As all three of them stared at her openmouthed, Poppy leapt up and stalked away, her hands drawn into fists. Bewildered by the immediate force of her fury—it was like being stung by a butterfly—Harry stared after her dumbly. After a moment, he asked the first coherent thought that came to him. “Did she just say she doesn’t want Bayning?” “Yes,” Win said, a smile hovering on her lips. “That’s what she said. Go after her, Harry.” Every cell in Harry’s body longed to comply. Except that he had the feeling of standing on the edge of a cliff, with one ill-chosen word likely to send him over. He gave Poppy’s sister a desperate glance. “What should I say?” “Be honest with her about your feelings,” Win suggested. A frown settled on Harry’s face as he considered that. “What’s my second option?” “I’ll handle this,” Merripen told Win before she could reply. Standing, he slung a great arm across Harry’s shoulders and walked him to the side of the terrace. Poppy’s furious form could be seen in the distance. She was walking down the drive to the caretaker’s house, her skirts and shoes kicking up tiny dust storms. Merripen spoke in a low, not unsympathetic tone, as if compelled to guide a hapless fellow male away from danger. “Take my advice, gadjo . . . never argue with a woman when she’s in this state. Tell her you were wrong and you’re sorry as hell. And promise never to do it again.” “I’m still not exactly certain what I did,” Harry said. “That doesn’t matter. Apologize anyway.” Merripen paused and added in whisper, “And whenever your wife is angry . . . for God’s sake, don’t try logic.” “I heard that,” Win said from the chaise.

America fell prey to a hysterical Red Scare, fanned by Senator Joe McCarthy, which sought to expose Communists and fellow travelers in every area of public life, including classical music. In this toxic atmosphere, anything Russian was beyond the pale. One producer at the Voice of America, the nation’s external broadcaster, asked the music library for a recording of a popular piece called “Song of India” and found that the Red baiters had banned it. “It’s by Rimsky-Korsakov,” the librarian explained, “and we’re not supposed to use anything by Russians.

She won’t come that way.” Jack’s stepmother stepped out beside him on the large terrace in front of the fortress. All around them, the setting sun painted the sky a brilliant red and purple that only accentuated the jagged cliffs of the isle of Berlengas, jutting out into the sea around them. The wind had risen, slapping the waves into a frenzy. Whitecapped, they dashed themselves against the base of the narrow causeway that connected the Forte São João Batista with the island. “I know that,” said Jack quickly, but despite himself, his eyes turned again to that narrow and twisting stone bridge, the shadows playing tricks on him, presenting him with the image of a carriage, the echo of horses’ hooves against the stone. His stepmother was right: anyone would be mad to attempt the bridge at dusk in a high wind. Under the very best of conditions it would be dangerous. And these were not the best of conditions. If Jane came at all, she would come by sea. “She will come,” said Jack fiercely. “She knows what she’s doing.” His stepmother furled her parasol, tucking it under her arm. “Most of the time.” Before Jack could retort, she added in a voice like vinegar, “I care about her, too, you know.

swallowed by wolves and shit over a cliff.

You have never seen the sun set at this height. Come, look.’ The puller went to the edge and sat down, his legs hanging over the side. He saw that they hesitated. ‘Come. You can lie down and peer over the edge, if you like.’ Hillalum did not wish to seem like a fearful child, but he could not bring himself to sit at a cliff face that stretched for thousands of cubits below his feet. He lay down on his belly, with only his head at the edge. Nanni joined him. ‘When the sun is about to set, look down the side of the tower.’ Hillalum glanced downward, and then quickly looked to the horizon. ‘What is different about the way the sun sets here?’ ‘Consider, when the sun sinks behind the peaks of the mountains to the west, it grows dark down on the plain of Shinar. Yet here, we are higher than the mountaintops, so we can still see the sun. The sun must descend further for us to see night.’ Hillalum’s jaw dropped as he understood. ‘The shadows of the mountains mark the beginning of night. Night falls on the earth before it does here.’ Kudda nodded. ‘You can watch night travel up the tower, from the ground up to the sky. It moves quickly, but you should be able to see it.’ He watched the red globe of the sun for a minute, and then looked down and pointed. ‘Now!’ Hillalum and Nanni looked down. At the base of the immense pillar, tiny Babylon was in shadow. Then the darkness climbed the tower, like a canopy unfurling upward. It moved slowly enough that Hillalum felt he could count the moments passing, but then it grew faster as it approached, until it raced past them faster than he could blink, and they were in twilight. Hillalum rolled over and looked up, in time to see darkness rapidly ascend the rest of the tower. Gradually, the sky grew dimmer as the sun sank beneath the edge of the world, far away. ‘Quite a sight, is it not?’ said Kudda. Hillalum said nothing. For the first time, he knew night for what it was: the shadow of the earth itself, cast against the sky.

Jejeune bent to look out the window again. There was not a single body of land between here and the North Pole. In winter, the storms off the North Sea would be punishing, but in the spring, Sand Martins would patrol these cliffs with dazzling feats of aerial acrobatics. The runnels at the cliff’s edge would blaze with the magnificent deep red marsh orchids. It would be a beautiful, spectacular place to spend your days. p. 267

Before he could say anything else, another bolt of lightning slammed into our shield and shattered it. The force of its power sent us flying and I crashed down on my back in the mud five meters from Darius as he scrambled to his knees. I pushed myself upright and we looked across the distance separating us as the rain pelted us again and a huge crash of thunder sounded in warning. If we didn’t stop this, we were going to get ourselves killed. And as much as I wanted to defy the heavens and refuse to bow to their commands, I couldn’t just abandon Darcy like that. Agony of a far too familiar nature splintered through my heart as I called on my Order form and flaming wings burst from my skin. Darius watched me as the rain pelted down on him, his whole posture written with defeat as he waited for me to leave him behind again. “I’m sorry,” I breathed and he nodded just a little to let me know he understood. I turned and ran from him before he could see me shatter, diving over the edge of the cliff as my wings snapped out and I beat them hard as I flew toward the storm clouds which had come to curse us. I kept flying hard and fast, diving into the clouds and relishing the satisfying hiss that sounded as my wings turned the rain to steam all around me. I let the Phoenix fire have me, coating my skin in it and relishing the full power of my Order as I flew into the darkness within the clouds, burning a path right through the centre of them. I finally burst free, emerging above the storm and looking up at the sky as the last stars lingered in a sea of navy blue on the horizon. I raised my hands and bared my teeth at them as I unleashed the might of my Order on the heavens themselves, hoping I could curse them just as they had cursed me. Red and blue flames poured from me in a torrent so hot that the air shimmered all around me. “You don’t get to choose for me!” I screamed. Thunder rumbled as the storm dissipated beneath me and for a moment I could have sworn the sky was mocking me. Tears sprung from my eyes and I turned away from the sky and the stars and all the fucking secrets they held as I raced back down to the ground. They may have forced us apart, but my lips still tingled with the memory of Darius’s mouth on mine. And if we’d managed to steal that much then I was going to figure out how to claim a whole lot more. I’d been a thief for a long time and if I had to take my destiny from the clutches of the stars while they slept, then I’d figure out a way to do it. I’d never set my mind on something and failed before. And this wouldn’t be the first time. (Tory)

While she waited there she forgot the prospect of untoward change. The bray of a lazy burro broke the afternoon quiet, and it was comfortingly suggestive of the drowsy farmyard, and the open corrals, and the green alfalfa fields. Her clear sight intensified the purple sage-slope as it rolled before her. Low swells of prairie-like ground sloped up to the west. Dark, lonely cedar trees, few and far between, stood out strikingly, and at long distances ruins of red rocks. Farther on, up the gradual slope, rose a broken wall, a huge monument, looming dark purple and stretching its solitary, mystic way, a wavering line that faded in the north. Here to the westward was the light and color and beauty. Northward the slope descended to a dim line of canyons from which rose an up-flinging of the earth, not mountainous, but a vast heave of purple uplands, with ribbed and fan-shaped walls, castle-crowned cliffs, and gray escarpments. Over it all crept the lengthening, waning afternoon shadows.

They stopped for water in the cold, fresh morning, on a ledge above a plunging valley. Through spreading trees heavy with red berries growing sideways from the bare rock, Jezal could see white water surging in its narrow bottom. Dizzying cliffs rose on the far side, sheets of grey stone not far from sheer, ending in towering crags high above, where dark birds flapped and crowed to each other, while swirls of white cloud turned in the pale sky beyond. A spectacular setting, if somewhat unsettling.

kind of Princes ripped from the pages of a storybook. Handsome, clever, unmarried. Only, in the Nightmare’s storybook version, they weren’t simply the kingdom’s beloved Princes. They were also its villains. He snarled behind my eyes, watching Elm with curled claws. The berry of rowans is red, always red. The earth at its trunk is dark with blood shed. Trust never the man who wields the Card red. His voice seeped out of him, a poisonous fog filling my mind. No peace will be known till the final Rowan is dead. I fought a shudder, my face muscles straining against the chill the Nightmare’s words set upon me. For the Rowans, the Nightmare bore a bottomless, vengeful hatred. And I knew why. King Rowan, like his predecessors, used the ancient wisdom of The Old Book of Alders to instill fear—not wonder—of magic. He corrupted our ancient text. Defiled it so that it became a weapon to control Blunder by—just like the Scythe. The red Card. There were only four of them in the entire kingdom. And the Rowans had always claimed them all. With it, they had the ultimate power of persuasion. Three taps of the Scythe, and you would do whatever a Rowan asked of you. If Elm asked me to hop on one leg off a cliff, I would gladly do so, not because the Scythe made my legs move—but because it made me want to jump.

The twelve with Jesus arrived at the sacred pool, about a hundred yards wide. At its origin, another fifty yards ahead of them, the Springs of Panias gushed out of the Cave of Pan, a large mouth in the red cliff towering a hundred feet over the temple district. A temple of Pan, altars, tombs, and other architecture carved into the very rock, housed a thousand eyes watching Jesus approach them. Inhuman eyes. Jesus held his hand up to the disciples. “Wait here.” They stopped. Jesus walked on. From his position, Simon saw what looked like a high priestess step out of the temple. He could barely see in the waning light, but she wore an elaborate headdress and flowing purple robes. She saw Jesus, turned, and led her entourage of nymphs back into the cave. She was not going to face down her challenger.

Nobody knows how old Petra is, but it was a thriving city when Abraham left Ur of the Chaldees, and for a full five thousand years it has had but that one entrance, through a gorge that narrows finally until only one loaded camel at a time can pass. Army after army down the centuries have tried to storm the place, and failed, so that even the invincible Alexander and the Romans had to fall back on the arts of friendship to obtain the key. We, the last invaders, came as friends, if only Grim could persuade the tyrant to believe it. The sun rose over the city just as we reached the narrowest part of the gut, Grim leading, and its first rays showed that we were using the bed of a watercourse for a road. Exactly in front of us, glimpsed through a twelve-foot gap between cliffs six hundred feet high, was a sight worth going twice that distance, running twice that risk, to see—a rose-red temple front, carved out of the solid valley wall and glistening in the opalescent hues of morning. Not even Burkhardt, who was the first civilized man to see the place in a thousand years, described that temple properly; because you can’t. It is huge—majestic—silent—empty—aglow with all the prism colors in the morning sun. And it seems to think.

Vicky didn’t say anything for a moment. “Red Cliff Canyon is a sacred area,” she said.

He sighed and rolled his eyes. “Unbelievable. I leave you alone for two hours and you fall off a cliff, get attacked by a crow and a snake explodes all over you.” “Pretty

The water was deep red, and there were no waves. She looked straight down again, and she was standing on a cliff above a perfectly vertical and colorless slope that led to the water. It looked warm, and so she put her hands together over her head, and in one elegant motion she leaned over and pushed off into a flawless swan dive and floated through the air until her fingertips broke the smooth surface. Her skin changed color in the cold, cold water as she sank to the bottom, and she knew in the dream that she had become her own red demon, but she also knew in the dream that when she woke up she would never, ever remember why.

Alone From childhood’s hour I have not been As others were—I have not seen As others saw—I could not bring My passions from a common spring. From the same source I have not taken My sorrow; I could not awaken My heart to joy at the same tone; And all I lov’d, I lov’d alone. Then—in my childhood—in the dawn Of a most stormy life—was drawn From ev’ry depth of good and ill The mystery which binds me still: From the torrent, or the fountain, From the red cliff of the mountain, From the sun that ’round me roll’d In its autumn tint of gold— From the lightning in the sky As it pass’d me flying by— From the thunder and the storm, And the cloud that took the form (When the rest of Heaven was blue) Of a demon in my view.

Jane considered herself law-abiding in the extreme. She would never shoplift or run a red light. She had never had a sip of beer. But to her, trespassing in such places didn’t feel like a crime. It felt like honoring whatever came before.

After supper, Walter and I walked out again to the cliffs… It was so beautiful there, way off down by the sea. The water was that lovely, pale, evening blue, and the sky so red... every few moments another lighthouse, miles away, sent across to us a quick flash that hung for a second like a great star where the water met the sky. When we returned, the car was finished and we went on a trial ride to see if the auto was really in fine working order. As we climbed the hill, the great full, yellow moon came up, and stretched away in a path of shimmering light across the sea. Oh, it was such fun to go flying over fine roads and by shining waters, and through the dark country!

I found my truck where I had left it, parked with the rear against a juniper. Water in the jugs had frozen. A mouse trap in the back still hadn’t caught the mouse who was living in my wool socks and eating holes in my plastic bags. I drove north. By the time the Milky Way was out I had reached the foot of the Book Cliffs and the remains of Thompson, Utah. The train comes through the town and was heading out for Christmas. I was an hour late. The train is customarily two hours late. I still had time to set pennies on the tracks. This was the only time I had seen another customer in the Silver Grill Cafe. Through the window he sat at one end of the counter gesturing toward the gray-haired woman who runs the place, sitting at the other end. I once ordered a cinnamon roll in there, and she peeled open a box she had gone all the way to Moab City Market a couple days earlier to purchase. By telling me this, she was emphasizing the fact that the cinnamon rolls were fresh. She put it in the microwave for me. Gave me an extra pat of butter, the kind with foil around it. I spent an hour once just up the street talking to the post mistress and her cat. I checked the WANTED bulletins, then ran when the train came through. If you are not standing at the tracks in Thompson, the Amtrak will not stop. They call it a whistle stop. One of the few left in the country. The gray-haired woman shut down the cafe, clicked off the front lights. Electricity was buzzing out of the single street light, so I opened the truck door and turned on the tape deck. After a while I shut it off because my battery has never proved itself to be resilient. A couple of freight trains tore through with the impact of sudden cataclysm, flattening my pennies. Then the buzzing of the street light. Then the coyotes. They were yelping and howling up Sego Canyon, where there are pre-Anasazi paintings on the walls—big, round eyes, huge and red, looking over the canyon. The train was three hours late. I stood nearly on the tracks so they couldn’t miss me with that blinding, drunken light. The conductor threw open the steel door. “Shoot,” he yelled. “It’s dark out here!” I dove through and tackled him with my backpacks, flashing a ticket in his face. He quickly announced that I had too many pieces, but the train was already moving. I looked back out. Utah was black. He pulled the door closed and the train began to rock along the tracks. When I came down the aisle I saw a few passengers who were still awake, on their way to San Francisco or Las Vegas. Overhead lights were trained on paperbacks in their laps. They were staring out their windows into absolute darkness. I knew what they were thinking; there is nothing out there.

Do you see? I whispered. See the way they look at us? Not like a monster. Like a god. And that was enough. Reshaye seized control, pouring its magic into mine with the kind of intensity that scrambled my insides. I couldn’t breathe, couldn’t speak. Could barely even see, through the blinding light that now surrounded me. With a powerful burst of wind, I forced the soldiers back, back, back through the ravine. And then I pressed my palms to the earth and for the first time I could feel it speaking to me, too — could feel my magic flowing into it. Magic surged. The stone cracked. Bloody butterflies spilled into the sky, so thick they dyed the sun scarlet. Now, Reshaye, I commanded, and Reshaye obeyed. Just as Zeryth had ordered, I brought the cliffs down. When the smoke cleared, the soldiers would have seen the remnants of what was once the bluffs now reduced to rubble, blocking them from their path. And they would have seen me — standing there with Il’Sahaj raised and blood-red wings spilling from my back, shielding the city.

He would go out to take a walk downtown, in the morning. The streets opened before him, broad and endless, drained of cars and deserted; the façades of the buildings, a gray fence of lowered iron shutters and the countless slats of the blinds, were sealed, like ramparts. For the whole year Marcovaldo had dreamed of being able to use the streets as streets, that is, walking in the middle of them: now he could do it, and he could also cross on the red light, and jay-walk, and stop in the center of squares. But he realized that the pleasure didn't come so much from doing these unaccustomed things as from seeing a whole different world: streets like the floors of valleys, or dry river-beds, houses like blocks of steep mountains, or the walls of a cliff.

In 1920 Hans Reiter was born. He seemed less like a child than like a strand of seaweed. Canetti, and Borges, too, I think—two very different men—said that just as the sea was the symbol or mirror of the English, the forest was the metaphor the Germans inhabited. Hans Reiter defied this rule from the moment he was born. He didn’t like the earth, much less forests. He didn’t like the sea either, or what ordinary mortals call the sea, which is really only the surface of the sea, waves kicked up by the wind that have gradually become the metaphor for defeat and madness. What he liked was the seabed, that other earth, with its plains that weren’t plains and valleys that weren’t valleys and cliffs that weren’t cliffs. • When his one-eyed mother bathed him in a washtub, the child Hans Reiter always slipped from her soapy hands and sank to the bottom, with his eyes open, and if her hands hadn’t lifted him back up to the surface he would have stayed there, contemplating the black wood and the black water where little particles of his own filth floated, tiny bits of skin that traveled like submarines toward an inlet the size of an eye, a calm, dark cove, although there was no calm, and all that existed was movement, which is the mask of many things, calm among them. • Once, his one-legged father, who sometimes watched as his one-eyed mother bathed him, told her not to lift him out, to see what he would do. From the bottom of the washtub Hans Reiter’s blue eyes gazed up at his mother’s blue eye, and then he turned on his side and remained very still, watching the fragments of his body drift away in all directions, like space probes launched at random across the universe. When he ran out of breath he stopped watching the tiny particles as they were lost in the distance and set out after them. He turned red and understood that he was passing through a region very like hell. But he didn’t open his mouth or make the slightest attempt to come up, although his head was only four inches below the surface and the seas of oxygen. Finally his mother’s arms lifted him out and he began to cry. His father, wrapped in an old military cloak, looked down at the floor and spat into the center of the hearth.

Maybe the media will for once do their job right and inform the public about these abusive communities. They should just like the rest of us, be following the rules and regulations of the land. We all need to help by finding a legal means to change this abusive society, nestled among the dusty red sand hills of the Vermillion Cliffs in southwestern Utah and the Arizona Strip. -Colorado City, 2004 "The Ver'million' Cliffs Polygamists, A View From The Outside

The Ska have a long memory.’ ‘We dream as a people; we remember as a people! I myself have seen visions in the fire, and they came, not as illusions, but as recollections. We climbed the glaciers to find a lost valley; we fought red-headed warriors mounted on mammoths; we destroyed the cannibal half-men who had lived in the land for a million years. I remember this as if I had been there myself.’ Aillas pointed. ‘Sir, look where those waves come sweeping in from the Atlantic! They seem irresistible! After a thousand miles of steady onward motion they strike the cliff and in an instant they are broken into foam.

When Julius Cæsar sailed over the channel from Gaul and landed with his legions on what is now England, what did he do to insure the success of his arms? A very clever thing: he halted his soldiers on the chalk cliffs of Dover, and, looking down over the waves two hundred feet below, they saw red tongues of fire consume every ship in which they had crossed. In the enemy’s country, with the last link with the Continent gone, the last means of retreating burned, there was but one thing left for them to do: to advance, to conquer. That is precisely what they did.

THE FIRST MORNING This is the most beautiful place on earth. There are many such places. Every man, every woman, carries in heart and mind the image of the ideal place, the right place, the one true home, known or unknown, actual or visionary. A houseboat in Kashmir, a view down Atlantic Avenue in Brooklyn, a gray gothic farmhouse two stories high at the end of a red dog road in the Allegheny Mountains, a cabin on the shore of a blue lake in spruce and fir country, a greasy alley near the Hoboken waterfront, or even, possibly, for those of a less demanding sensibility, the world to be seen from a comfortable apartment high in the tender, velvety smog of Manhattan, Chicago, Paris, Tokyo, Rio or Rome—there’s no limit to the human capacity for the homing sentiment. Theologians, sky pilots, astronauts have even felt the appeal of home calling to them from up above, in the cold black outback of interstellar space. For myself I’ll take Moab, Utah. I don’t mean the town itself, of course, but the country which surrounds it—the canyonlands. The slickrock desert. The red dust and the burnt cliffs and the lonely sky—all that which lies beyond the end of the roads.

Zara wakes to find herself one with the transcendental realm, outside of reality. And as she does the photonic realms become clearer to her. She chooses the most beautiful one. It is the land of Beautiful Immortal Sunset. Her eyes glow as she opens them finding herself standing alone on a cliffs edge and carved into the mountain side are images of Titans past. She breathes in deeply admiring the magnificence of the monuments when in the sky descending with the breeze a red phoenix appears amidst rainbow hues of light. As she lands flowers bloom all over the cliff and with the flowers a transformation as the bird becomes an image of Zara only far more beautiful. It is the one known as Beautiful Immortal Sunset. “You are here to steal my power?” “I am,” Zara replies warily, as the immortal walks around her as if gazing into her very soul. “A world is born to what place or end?” “It’s born in the mind.” As Zara replies she looks down with a look of awe realising she now stands upon the palm of the immortal’s hand; now a giant before her. “And you. Are you born?” “Only in the mind.” “And what is the ultimate answer?” Zara looks down, then up at the giant, “All questions are born in the mind, but the mind already knows the answers. It’s a game it plays with itself.” “And what wins this game?” “Experience.” “And what is the mother of all ways?” “A forgotten way.” Beautiful Immortal Sunset raises her hand and holding Zara before her she smiles. “The world never really begun Zara, nor will it ever really end. There is no one seeking and no one who becomes. This power you wish is yours, it always has been.

The tarn was surrounded by tough alpine grasses and thorn bushes with berries of candy pink and cough-drop red. At that camp the party’s fire looked choked and small. And when the moon came out its light shone on and through the blue ice cliffs fastened to the black rock faces of surrounding mountains. The night breeze came as an icy downdraught carrying a scent of hostile nothingness, as if it blew all the way from the stars.

Let us always be out of doors among trees and grass, and rain and wind and sun. There the breeze comes and strikes the cheek and sets it aglow: the gale increases and the trees creak and roar, but it is only a ruder music. A calm follows, the sun shines in the sky, and it is the time to sit under an oak, leaning against the bark, while the birds sing and the air is soft and sweet. By night the stars shine, and there is no fathoming the dark spaces between these brilliant points, nor the thoughts that come as it were between the fixed stars and landmarks of the mind. Or it is morning on the hills, when hope is as wide as the world; or it is the evening on the shore. A red sun sinks, and the foam-tipped waves are crested with crimson; the booming surge breaks, and the spray flies afar, sprinkling the face watching under the pale cliffs. Let us get out of these indoor narrow modern days, whose twelve hours somehow have become shortened, into the sunlight and the pure wind. A something that the ancients call divine can be found and felt there still.