Red Banquet Quotes

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Like a sheep invited to a banquet in his honor thrown by wolves.
Pierce Brown (Golden Son (Red Rising Saga, #2))
I think now we are simply strangers with some memories.
Tan Redding (A Banquet Of Crumbs)
Men told that Kane was a giant in stature, more powerful than ten strong men. In battle no man could stand before him, for he fought with a sword in either hand - wielding easily weapons that another warrior could scarcely lift. His hair was red as blood, and he feasted on the still-beating hearts of his enemies. His eyes were the eyes of Death himself, and they cast a blue flame that could shrivel the souls of his victims. His only delight was in rapine and slaughter, and after each victory his banquet halls echoed with the tortured screams of captive maidens.
Karl Edward Wagner (Darkness Weaves)
We talk and tease and bargain with the main dish. Maniacal laughter echoes in the marble halls, sweet to my ears. There’s movement at the banquet hall’s entrance. A child with my eyes tumbles in—all wings and blue hair and giggling innocence. Holding his hand is Morpheus, wearing a ruby crown. The Red King. My king. The bubble bursts and takes the vision with it, leaving nothing but the sound of my gasp and wisps of gray smoke behind. “You see,” Ivory says, “once Morpheus knew that one day you would belong to him and he to you, that you would share a child, he was no longer willing to die to save Wonderland. But he’s insecure about your feelings for him. He feared you would refuse to help. So he made a new plan, however flawed it was.
A.G. Howard (Unhinged (Splintered, #2))
It has been utterly exhausting to love you.
Tan Redding (A Banquet Of Crumbs)
The forests had put on their sober brown and yellow, while some trees of the tenderer kind had been nipped by the frosts into brilliant dyes of orange, purple, and scarlet. Streaming files of wild ducks began to make their appearance high in the air; the back of the squirrel might be heard from the groves of beech and hickory-nuts, and the pensive whistle of the quail at intervals from the neighboring stubble field. The small birds were taking their farewell banquets. In the fullness of their revelry, they fluttered, chirping and frolicking from bush to bush, and tree to tree, capricious from the very profusion and variety around them. There was the honest cock robin, the favorite game of stripling sportsmen, with its loud querulous note; and the twittering blackbirds flying in sable clouds; and the golden-winged woodpecker with his crimson crest, his broad black gorget, and splendid plumage; and the cedar bird, with its red-tipt wings and yellow-tipt tail and its little monteiro cap of feathers; and the blue jay, that nosy coxcomb, in his gay light blue coat and white underclothes, screaming and chattering, nodding and bobbing and bowing, and pretending to be on good terms with every songster of the grove.
Washington Irving (The Legend of Sleepy Hollow)
Our demons are friends,
Tan Redding (A Banquet Of Crumbs)
You still give me butterflies.
Tan Redding (A Banquet Of Crumbs)
She felt damned. As though she were marching to her death. She felt like had been sentenced. And yet she felt eerily free.
Tan Redding (A Banquet Of Crumbs)
Seeing him again had been a gut punch.
Tan Redding (A Banquet Of Crumbs)
Are you in love with him?’ She kept her lips tightly closed as if holding something back. ‘Are you in love with me?’ She tried to answer but nothing came out. She lowered her eyes to the floor.
Tan Redding (A Banquet Of Crumbs)
I know, Mamá. But I already told you—” “You’ll look like a … frog but in heels.” Gee, thanks, Mother. I chuckled and shook my head. “It doesn’t matter because I’m wearing the red dress.” A gasp came through the line. “Ay. Why didn’t you tell me this before? You let me talk for half an hour about all your other options.” “I told you as soon as it came up. You just—” “Well, I must have let myself get carried away, cariño.” I opened my mouth to confirm that, but she didn’t give me the chance. “Perfect,” she cut in. “That is such a beautiful dress, Lina. It’s classy and flirty.” Flirty? What was that supposed to mean? “Your boobs will be entering the banquet before you.” Oh … oh. So, that was what she meant. “But the color does really flatter your skin, body shape, and face. Not like the frog dress.” “Thanks,” I muttered. “I don’t think I’ll ever wear green again.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
Though in reality old wine is not only more pleasant, but also better for health; for it aids digestion more; and being thinner it is itself more digestible; it also invigorates the body; and makes the blood red and fluid, and produces untroubled sleep.
Athenaeus of Naucratis (THE DEIPNOSOPHISTS OR BANQUET OF THE LEARNED OF ATHENÆUS.)
After two decades there she was, in front of him, almost within touching distance, not faded like in his dreams, but bright and clear and vividly real, looking comfortably, almost defiantly, the same as she always had and then everything she had never been.
Tan Redding (A Banquet Of Crumbs)
At least there's nothing traditional about an engagement dinner, so we'll be spared having to prepare a twelve-course wedding banquet loaded with meaning. There will be no roasted pig to symbolize purity. No bright red lobster for luck. No shark fin soup for wealth.
Elsie Chapman (Hungry Hearts: 13 Tales of Food & Love)
She wanted all the statues to shatter on the spot. She wished they weren't so... naked. So different. It reminded her of last year, when her mother had taken her to the sixth-grade honors banquet at her old school. Aru had worn what she thought was her prettiest outfit: a bright blue salwar kameez flecked with tiny star-shaped mirrors and embroidered with thousand of silver threads. Her mother had worn a deep red sari. Aru had felt like part of a fairy tale. At least until the moment they had entered the banquet hall, and every gaze had looked too much like pity. Or embarrassment. One of the girls had loudly whispered, Doesn't she know it isn't Halloween?
Roshani Chokshi (Aru Shah and the End of Time (Pandava, #1))
Talking to you is like talking to someone I’ve never met before. When did you become so competitive? When did you decide that you needed to win all of the time?’ He stopped dead in the promenade and grabbed her hand, turning her to face him. He caught her by surprise. She leant her neck backwards slightly in defence. ‘When I lost you.
Tan Redding (A Banquet Of Crumbs)
The Last Hero The wind blew out from Bergen from the dawning to the day, There was a wreck of trees and fall of towers a score of miles away, And drifted like a livid leaf I go before its tide, Spewed out of house and stable, beggared of flag and bride. The heavens are bowed about my head, shouting like seraph wars, With rains that might put out the sun and clean the sky of stars, Rains like the fall of ruined seas from secret worlds above, The roaring of the rains of God none but the lonely love. Feast in my hall, O foemen, and eat and drink and drain, You never loved the sun in heaven as I have loved the rain. The chance of battle changes -- so may all battle be; I stole my lady bride from them, they stole her back from me. I rent her from her red-roofed hall, I rode and saw arise, More lovely than the living flowers the hatred in her eyes. She never loved me, never bent, never was less divine; The sunset never loved me, the wind was never mine. Was it all nothing that she stood imperial in duresse? Silence itself made softer with the sweeping of her dress. O you who drain the cup of life, O you who wear the crown, You never loved a woman's smile as I have loved her frown. The wind blew out from Bergen to the dawning of the day, They ride and run with fifty spears to break and bar my way, I shall not die alone, alone, but kin to all the powers, As merry as the ancient sun and fighting like the flowers. How white their steel, how bright their eyes! I love each laughing knave, Cry high and bid him welcome to the banquet of the brave. Yea, I will bless them as they bend and love them where they lie, When on their skulls the sword I swing falls shattering from the sky. The hour when death is like a light and blood is like a rose, -- You never loved your friends, my friends, as I shall love my foes. Know you what earth shall lose to-night, what rich uncounted loans, What heavy gold of tales untold you bury with my bones? My loves in deep dim meadows, my ships that rode at ease, Ruffling the purple plumage of strange and secret seas. To see this fair earth as it is to me alone was given, The blow that breaks my brow to-night shall break the dome of heaven. The skies I saw, the trees I saw after no eyes shall see, To-night I die the death of God; the stars shall die with me; One sound shall sunder all the spears and break the trumpet's breath: You never laughed in all your life as I shall laugh in death.
G.K. Chesterton
Vivi and Heather take them out for bubble tea. There are no actual bubbles. Instead, he is served toothsome balls soaked in a sweet, milky tea. Vivi orders grass jelly, and Heather gets a lavender drink that is the colour of the flowers and just as fragrant. Cardan is fascinated and insists on having a sip of each. Then he eats a bite of the half-dozen types of dumplings they order- mushroom, cabbage and pork, cilantro and beef, hot-oil chicken dumplings that numb his tongue, then creamy custard to cool it, along with sweet red bean that sticks to his teeth. Heather glares at Cardan as though he bit the head off a sprite in the middle of a banquet. 'You can't eat some of a dumpling and put it back,' Oak insists. 'That's revolting.' Cardan considers villainy takes many forms, and he is good at all of them. Jude stabs the remainder of the bean bun with a single chopstick, popping it into her mouth and chewing with obvious satisfaction. 'Gooh,' she gets out when she notices the others looking at her. Vivi laughs and orders more dumplings.
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
The rooms I occupied were on the ground floor. The parlour was papered with an old marbled paper and on the walls were water colours of romantic scenes, cavaliers bidding good-bye to their ladies and knights of old banqueting in stately halls; there were large ferns in pots, and the armchairs were covered with faded leather. There was about the room an amusing air of the eighteen eighties, and when I looked out of the window I expected to see a private hansom rather than a Chrysler. The curtains were of a heavy red rep.
W. Somerset Maugham (Cakes and Ale)
GIVEN A CHOICE between death and the Buford Zippy Mart, Nico would’ve had a tough time deciding. At least he knew his way around the Land of the Dead. Plus the food was fresher. ‘I still don’t get it,’ Coach Hedge muttered as they roamed the centre aisle. ‘They named a whole town after Leo’s table?’ ‘I think the town was here first, Coach,’ Nico said. ‘Huh.’ The coach picked up a box of powdered doughnuts. ‘Maybe you’re right. These look at least a hundred years old. I miss those Portuguese farturas.’ Nico couldn’t think about Portugal without his arms hurting. Across his biceps, the werewolf claw marks were still swollen and red. The store clerk had asked Nico if he’d picked a fight with a bobcat. They bought a first-aid kit, a pad of paper (so Coach Hedge could write more paper aeroplane messages to his wife), some junk food and soda (since the banquet table in Reyna’s new magic tent only provided healthy food and fresh water) and some miscellaneous camping supplies for Coach Hedge’s useless but impressively complicated monster traps.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
By midnight the governor had excused himself and members of the band had begun to slip away. A blind street harpist stood terrified upon the banquet table among the bones and platters and a horde of luridlooking whores had infiltrated the dance. Pistolfire soon became general and Mr Riddle, who was acting American consul in the city, descended to remonstrate with the revelers and was warned away. Fights broke out. Furniture was disassembled, men waving chairlegs, candlestands. Two whores grappled and pitched into a sideboard and went to the floor in a crash of brandyglasses. Jackson, pistols drawn, lurched into the street vowing to shoot the ass off Jesus Christ, the longlegged white son of a bitch. At dawn the shapes of insensate topers lay snoring about the floor among dark patches of drying blood. Bathcat and the harpist lay asleep upon the banquet table in one another’s arms. A family of thieves were tiptoeing through the wreckage turning out the pockets of the sleepers and the remains of a bonfire that had consumed a good part of the hotel’s furnishings smoldered in the street before the door. These
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
Servers moved among the guests with trays of hors d'oeuvres and the signature cocktail, champagne with a honey infused liqueur and a delicate spiral twist of lemon. The banquet was bursting with color and flavor- flower-sprinkled salads, savory chili roasted salmon, honey glazed ribs, just-harvested sweet corn, lush tomatoes and berries, artisan cheeses. Everything had been harvested within a fifty-mile radius of Bella Vista. The cake was exactly what Tess had requested, a gorgeous tower of sweetness. Tess offered a gracious speech as she and Dominic cut the first slices. "I've come a long way from the city girl who subsisted on Red Bull and microwave burritos," she said. "There's quite a list of people to thank for that- my wonderful mother, my grandfather and my beautiful sister who created this place of celebration. Most of all, I'm grateful to Dominic." She turned to him, offering the first piece on a yellow china plate. "You're my heart, and there is no sweeter feeling than the love we share. Not even this cake. Wait, that might be overstating it. Everyone, be sure you taste this cake. It's one of Isabel's best recipes.
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
They climbed out of the pit to find a banquet awaiting them. A long table, four high-backed Untan-style chairs, a candelabra in the centre bearing four thick-stemmed beeswax candles, the golden light flickering down on silver plates heaped with Malazan delicacies. Oily santos fish from the shoals off Kartool, baked with butter and spices in clay; strips of marinated venison, smelling of almonds in the northern D'avorian style; grouse from the Seti plains stuffed with bull-berries and sage; baked gourds and fillets of snake from Dal Hon; assorted braised vegetables and four bottles of wine: a Malaz Island white from the Paran Estates, warmed rice wine from Itko Kan, a fullbodied red from Gris, and the orange-tinted belack wine from the Napan Isles. Kalam stood staring at the bounteous apparition, as Stormy, with a grunt, walked over, boots puffing in the dust, and sat down in one of the chairs, reaching for the Grisian red. 'Well,' Quick Ben said, dusting himself off, 'this is nice. Who's the fourth chair for, you think?' Kalam looked up at the looming bulk of the sky keep. 'I'd rather not think about that.' Snorting sounds from Stormy as he launched into the venison strips.
Steven Erikson (The Bonehunters (Malazan Book of the Fallen, #6))
Signor Renzo's lodge stood on a grassy knoll near the crest of the hill. It was a modest place, just a low stone hut, before which stretched a woven ceiling of vines. My dinner was cooked on an open fire by the table. This was no banquet, but what the cook called a pique-nique, a meal for hunters to take outdoors. After Renzo had chosen two fat ducklings from his larder, he spitted them over the fire. Then he made a dish of buttery rice crowned with speckled discs of truffle that tasted powerfully of God's own earth. 'Come sit with me,' I begged, for I did not like him to wait on me. So together we sat beneath the vines as I savored each morsel and guessed at the subtle flavorings. 'Wild garlic?' I asked, and he lifted his brows in surprise as he ate. 'And a herb,' I added, 'sage?' 'For a woman, you have excellent taste.' For a woman, indeed! I made a play of stabbing him with my knife. It was most pleasant to eat our pique-nique and drink the red wine, which they make so strong in that region that they call it black or nero. I asked him to speak of himself, and between a trial of little dishes of wild leaves, chestnut fritters, and raisin cake, Signor Renzo told me he was born in the city and had worked at a pastry's cook shop as a boy, where he soon discovered that good foods mixed with ingenious hands made people happy and free with their purses.
Martine Bailey (An Appetite for Violets)
Father will bury us with both hands. He boasts of me to his so-called friends, telling them I’m the next queen of this kingdom. I don’t think he’s ever paid so much attention to me before, and even now, it is minuscule, not for my own benefit. He pretends to love me now because of another, because of Tibe. Only when someone else sees worth in me does he condescend to do the same. Because of her father, she dreamed of a Queenstrial she did not win, of being cast aside and returned to the old estate. Once there, she was made to sleep in the family tomb, beside the still, bare body of her uncle. When the corpse twitched, hands reaching for her throat, she would wake, drenched in sweat, unable to sleep for the rest of the night. Julian and Sara think me weak, fragile, a porcelain doll who will shatter if touched, she wrote. Worst of all, I’m beginning to believe them. Am I really so frail? So useless? Surely I can be of some help somehow, if Julian would only ask? Are Jessamine’s lessons the best I can do? What am I becoming in this place? I doubt I even remember how to replace a lightbulb. I am not someone I recognize. Is this what growing up means? Because of Julian, she dreamed of being in a beautiful room. But every door was locked, every window shut, with nothing and no one to keep her company. Not even books. Nothing to upset her. And always, the room would become a birdcage with gilded bars. It would shrink and shrink until it cut her skin, waking her up. I am not the monster the gossips think me to be. I’ve done nothing, manipulated no one. I haven’t even attempted to use my ability in months, since Julian has no more time to teach me. But they don’t believe that. I see how they look at me, even the whispers of House Merandus. Even Elara. I have not heard her in my head since the banquet, when her sneers drove me to Tibe. Perhaps that taught her better than to meddle. Or maybe she is afraid of looking into my eyes and hearing my voice, as if I’m some kind of match for her razored whispers. I am not, of course. I am hopelessly undefended against people like her. Perhaps I should thank whoever started the rumor. It keeps predators like her from making me prey. Because of Elara, she dreamed of ice-blue eyes following her every move, watching as she donned a crown. People bowed under her gaze and sneered when she turned away, plotting against their newly made queen. They feared her and hated her in equal measure, each one a wolf waiting for her to be revealed as a lamb. She sang in the dream, a wordless song that did nothing but double their bloodlust. Sometimes they killed her, sometimes they ignored her, sometimes they put her in a cell. All three wrenched her from sleep. Today Tibe said he loves me, that he wants to marry me. I do not believe him. Why would he want such a thing? I am no one of consequence. No great beauty or intellect, no strength or power to aid his reign. I bring nothing to him but worry and weight. He needs someone strong at his side, a person who laughs at the gossips and overcomes her own doubts. Tibe is as weak as I am, a lonely boy without a path of his own. I will only make things worse. I will only bring him pain. How can I do that? Because of Tibe, she dreamed of leaving court for good. Like Julian wanted to do, to keep Sara from staying behind. The locations varied with the changing nights. She ran to Delphie or Harbor Bay or Piedmont or even the Lakelands, each one painted in shades of black and gray. Shadow cities to swallow her up and hide her from the prince and the crown he offered. But they frightened her too. And they were always empty, even of ghosts. In these dreams, she ended up alone. From these dreams, she woke quietly, in the morning, with dried tears and an aching heart.
Victoria Aveyard (Queen Song (Red Queen, #0.1))
Try the gougères," Lumière interrupted, popping one into her mouth before she could continue. It was warmed by his flame and melted on her tongue- nothing at all like the perfectly good but usually rock-hard ones she and her father baked. "Ohhh..." she couldn't help saying. "It's been so long since we had a guest!" Mrs. Potts danced around on the table happily, somehow managing to fold a napkin with her spout-nose. She tossed it into Belle's lap: a swan shape that gracefully unfolded as it fell, almost like it was flying. Belle shrank back, worried it was actually going to fly. "I can't imagine why," she muttered. And then she was distracted by the food. Piles of it. More than a feast- a banquet. There was a whole leg of lamb, multiple terrines and soufflés, three soup courses, a delicate fish in white wine broth, an orange ice in between to clear the palate... There was a water glass, a golden glass for red wine, a crystal one for white, and a saucer for consommé. There were seven forks of descending size and different numbers of tines, the last three whose use she couldn't even begin to work out.
Liz Braswell (As Old as Time)
Of course, I myself had ordered the barbecue and links and ribs from the guys at Pink Pig- ten pounds of just the smoky brisket itself- and, of course, nothing would do but for Mama to serve them on her silver-plated platters somebody had given her when she and Daddy got married. But every single other dish on that huge table was Mama's handiwork. There were the collards she'd mentioned, but also her red cabbage coleslaw, and barbecued pintos, and big bowls of okra and tomatoes, and corn pudding, and potato salad made with potatoes boiled in water spiced with Texas Pete, and baskets of jalapeño cornbread, and not only two pans of her rich banana pudding but also two sticky cherry cobblers. Must have been twenty different items on that buffet- enough to feed double the number of guests.
James Villas (Hungry for Happiness)
Matilda Rose, daughter of Gerard, daughter of Helen, Lady and Heir of Demille, Maven of House Krahr.” The hallway ended, and they strode into the banquet hall. The entirety of the room was watching them. “Maud the Red, the Sariv, the Learned One.” They were approaching the table where Onda and Seveline sat. Both women were staring daggers at her. “Kill count of sixty and eight.” A muscle in Seveline’s face jerked. That’s right, precious. I’m coming for you.
Ilona Andrews (Sweep of the Blade (Innkeeper Chronicles, #4))
In front of him stood the woman of his dreams, giving him one last chance to kiss her. Reason didn’t stand a chance.
Tan Redding (A Banquet Of Crumbs)
James looked at the people around his table. He stared at each one of them as though he were looking at a magic-eye puzzle and he could see all of the different pieces and the colours but not beyond what was on the surface, and the more he tried, the depth, the revealing images, were kept away from him.
Tan Redding (A Banquet Of Crumbs)
Choices and consequences. Choices and consequences.
Tan Redding (A Banquet Of Crumbs)
From personal adversity comes great art
Tan Redding (A Banquet Of Crumbs)
You want me to paint you?’ Genna spoke up raising an eyebrow of displeasure. ‘All of me.’ James bowed his head to Genevieve and whispered the words slowly.
Tan Redding (A Banquet Of Crumbs)
He hadn’t saved her. He hadn’t even bothered trying.
Tan Redding (A Banquet Of Crumbs)
Stop saying hurt.’ She turned on him; the wounded animal finally breaking free. ‘You fall over on the pavement, that hurts; you stub your toe, that hurts; you trap your finger in a car door, shit, that hurts. You did not hurt me. James. It was like you took a razor and pressed down hard in the tenderest place.
Tan Redding (A Banquet Of Crumbs)
What is this place?’ ‘Heaven.’ She laughed, ‘with better drinks!
Tan Redding (A Banquet Of Crumbs)
She wasn’t sure if she even needed him anymore and the thought made her sad. In consolation, she offered him a kind smile and reached for his dependable hand.
Tan Redding (A Banquet Of Crumbs)
Their conversation was like root canal without anaesthesia.
Tan Redding (A Banquet Of Crumbs)
Some of us have lived with those voices for so long that they sound like the truth. They sound like our own voice. They may even sound like God’s voice. But they’re not. God’s voice speaks words of acceptance. Words that give. Words that restore. THE WORD THAT ACCEPTS The night before Jesus died, he gathered with his closest friends and followers in a borrowed banquet room in Jerusalem. There, in the
Bob Hostetler (The Red Letter Life: 17 Words from Jesus to Inspire Simple, Practical, Purposeful Living)
bridge into mainland China. It was a pleasing message of ‘business as usual’ smartly tailored to the merchant princes of the Mandarin Oriental. Few would have predicted such Sino-British ‘harmony’ (a favoured Beijing phrase) when Hong Kong was handed back to China on 30 June 1997, after the ninety-nine-year lease on the New Territories came to an end. Then, it was all tears and angst, pride and regret. At the stroke of midnight the Union Jack was lowered to the strains of ‘God Save the Queen’, the Hong Kong police ripped the royal insignia from their uniforms, and Red Army troops poured over the border. Britain’s last governor, former Conservative Party chairman Chris Patten, recorded the final, colonial swansong in all its lachrymose glory: its ‘kilted pipers and massed bands, drenching rain, cheering crowds, a banquet for the mighty and the not so mighty, a goose-stepping Chinese honour guard, a president and a prince’. Steaming out of Victoria Harbour, as the Royal Marines played ‘Rule, Britannia!’ and
Tristram Hunt (Ten Cities that Made an Empire)
Everything unique to the first race was a first. Meaning, for example, a sled dog race—nothing first, nor unique, here—but one of one thousand miles or more, using the same dogs, is decidedly a first and, without question, unique. There are many Iditarod Race traditions, whose origins are traced to the 1973 inaugural event. Easily coming to mind is the first weekend in March start, Anchorage start site (ceremonial, nowadays) trail mail (mine in 1973 was adopted by ITC in 1974), keeping record of the fastest time between Solomon (Port Safety or Safety, nowadays) and Nome, the town siren and police escort at Nome, use of veterinarians during the race, publishing dog deaths, employment of the “Iditarod Air Force,” multiple finisher banquets, red lantern award (adopted from earlier races), and reliance on volunteers.
Dan Seavey (The First Great Race: Alaska's 1973 Iditarod)
Almost every child will complain about their parents sometimes. It is natural, because when people stay together for a long time, they will start to have argument. But ignore about the unhappy time, our parents love us all the time. No matter what happen to us, they will stand by our sides. We should be grateful to them and try to understand them. 카톡►ppt33◄ 〓 라인►pxp32◄ 홈피는 친추로 연락주세요 팔팔정판매,팔팔정팝니다,팔팔정구입방법,팔팔정구매방법,팔팔정판매사이트,팔팔정약효, 비아그라복용법,시알리스복용법,레비트라복용법 The fire of the liquid, which makes you, when you wake up, when you wake up, when you're stoned, when you're stoned, when you turn heaven and earth upside down, when you turn black and white, when the world turns right and wrong, when it turns human history upside down, when it turns four arts of the Chinese scholar, when it turns red and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white and white, when it turns black and white and white, when it turns Crazy poem immortal, Make Public Cao Cao, write hongmen banquet, Wet Qingming Apricot rain, thin Begonia Li Qingzhao, Jingyanggang, help Wu Song three Fists Kill Tigers, Xunyang Tower, Vertical Song Jiang Poem Rebellion, you Ah, you, how many Heroes Jin Yong's Linghu Chong put down how many village men singing and dancing with you, beauty with you, urge poetry, Zhuang Literati Bold, some people borrow you crazy, some people borrow you to seize power, sometimes you are just a prop, to set off the atmosphere at the negotiating table, sometimes you are more like a hidden weapon, knocking out the opponents who drink too much. You, you, have entered both the luxurious houses of Zhu men and the humble cottages, both overflowing the golden bottles of the Royal Family and filling the coarse bowls of the peasant family. You are needed for sorrow, and you are needed for joy, on your wedding night, when you meet a friend from another country, when your name is inscribed on the gold list, the migrating and exiled prisoners, the down-and-out Literati, the high-flying officials of the imperial court, are all your confidants, your companions, and even the condemned prisoners who are about to go on their way, they all want you to say goodbye to them because of you, how many great events have been delayed, because of you, how many unjust cases have been made, because of you, how many anecdotes have been kept alive, because of you, how many famous works have been produced, but also because of you, how many people's liver cancer has been created, and the soul has gone to heaven, it is true, there are successes and failures as well as you, life also has you, death also has you, you drown sorrow more sorrow, poor also has you, rich also has you, thousands of families also can not leave you.
팔팔정처방 via2.co.to 카톡:ppt33 팔팔정판매 팔팔정구매 팔팔정파는곳 팔팔정구입사이트
The first dishes, carried out on Barroni's exquisite silver platters, were a selection of marzipan fancies, shaped into hearts and silvered; a mostarda of black figs in spiced syrup; skewers of prosciutto marinated in red wine that I had reduced until it was thick and almost black; little frittate with herbs, each covered with finely sliced black truffles; whole baby melanzane, simmered in olive oil, a recipe I had got from a Turkish merchant I had met in the bathhouse. I set about putting the second course together. I heated two kinds of biroldi, blood sausages: one variety I had made pig's blood, pine nuts and raisins; the other was made from calf's blood, minced pork and pecorino. Quails, larks, grey partridge and figpeckers were roasting over the fire, painted with a sauce made from grape molasses, boiled wine, orange juice, cinnamon and saffron. They blackened as they turned, the thick sauce becoming a lovely, shiny caramel. There were roasted front-quarters of hare, on which would go a deep crimson, almost black sauce made from their blood, raisins, boiled wine and black pepper. Three roasted heads of young pigs, to which I had added tusks and decorated with pastry dyed black with walnut juice so that they resembled wild boar, then baked. Meanwhile, there was a whole sheep turning over the fire, more or less done, but I was holding it so that it would be perfect. The swan- there had to be a swan, Baroni had decided- was ready. I attached it to the armature of wire I had made, so that it stood up regally. The sturgeon, which I had cooked last night at home, and had finally set in aspic at around the fourth hour after midnight, was waiting in a covered salver. There were black cabbage leaves rolled around hazelnuts and cheese; rice porridge cooked in the Venetian style with cuttlefish ink; and of course the roebuck, roasting as well, but already trussed in the position I had designed for it.
Philip Kazan (Appetite)
Thus a dish of tench and eel was arranged so that the pointed head of the eels, gills splayed, thrust through a sea of delicate yellow sauce (toasted breadcrumbs, red wine and vinegar, more red wine reduced to defrutum, long pepper, grains of paradise, cloves, all passed through a sieve and tinted with saffron) towards the gaping lips of the tench. A plate of grilled partridges was presented with the birds still spitted from arsenal to beak, the spits radiating out from a magnificent cockerel, skinned, roasted and recloaked in its feathers, tail and red-combed head; the whole arranged on an armature so that it raised one leg and crowed at the ceiling. Inside the hollow body of the cockerel I had arranged a small silver alembic, its narrow end, no wider than a stalk of grass (I had borrowed it from an alchemist I knew through the Academy) protruding from the beak, and below it a tiny spirit lamp, which I lit as the serving men were already taking the dish away. The alembic was filled with Greco wine tinted with the milk of almonds, and I calculated that the wine would boil more or less when the dish was set on the table, and jet from the proud cock, showering the skewered partridges in aromatic white sauce. There were the ripest figs, all splitting, of course, served with boiled crayfish- as eager, these bright red fellows, to explore the figs as the eels had been curious about the tench- and torte of rucola and pine nuts, liberally spiced with garlic and cloves.
Philip Kazan (Appetite)
By Heaven, had I the teeth of Caucasus Red-hot from Promethean agonies, And tusks more lucid than the lunar snows, On those jagged lawns of Asia, cavernous With many a dragon banquet-eyes like those Minerva made of flint to shatter Jove-- I'd hurl their hate upon thee, and myself Die in a red parabola of Fate! --Ernest Wheldrake, The Monomaniac's Tragedy
Algernon Charles Swinburne (New Writings of Swinburne)
He no more dares open himself to you than you do to him. He knows what Eftgan knew: that what you call ‘love’ is nothing but shrieking need. He knows that if he were once to let down his guard, you’d eat him down to the bones like a starving beggar at a banquet and come away unsatisfied, moaning for more.” The nightmare chuckled, the red eyes burning with amusement. “And any hopes he might have of you are vain, for you haven’t opened up to another human being since you were big enough to be stumbled over out back of the chicken house. Everything that comes out of your mouth is storytelling—everyone’s story but your own.
Diane Duane (The Door Into Shadow: The Tale of the Five Volume 2)