Red Badge Of Courage Quotes

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Do you realize that all great literature — "Moby Dick," "Huckleberry Finn," "A Farewell to Arms," "The Scarlet Letter," "The Red Badge of Courage," "The Iliad and The Odyssey," "Crime and Punishment," the Bible, and "The Charge of the Light Brigade" — are all about what a bummer it is to be a ...human being?
Kurt Vonnegut Jr.
It was not well to drive men into final corners; at those moments they could all develop teeth and claws.
Stephen Crane (The Red Badge of Courage)
He vaguely desired to walk around and around the body and stare; the impulse of the living to try to read in dead eyes the answer to the Question.
Stephen Crane (The Red Badge of Courage)
A serious prophet upon predicting a flood should be the first man to climb a tree. This would demonstrate that he was indeed a seer.
Stephen Crane (The Red Badge of Courage)
Over the river a golden ray of sun came through the hosts of leaden rain clouds.
Stephen Crane (The Red Badge of Courage)
But he said, in substance, to himself that if the earth and moon were about to clash, many persons would doubtless plan to get upon the roofs to witness the collision.
Stephen Crane (The Red Badge of Courage)
So it came to pass that as he trudged from the place of blood and wrath his soul changed.
Stephen Crane (The Red Badge of Courage)
They were going to look at war, the red animal--war, the blood-swollen god.
Stephen Crane (The Red Badge of Courage)
At times he regarded the wounded soldiers in an envious way. He conceived persons with torn bodies to be peculiarly happy. He wished that he, too, had a wound, a red badge of courage.
Stephen Crane (The Red Badge of Courage)
And it was as if fate had betrayed the soldier. In death it exposed to his enemies that poverty which in life he had perhaps concealed from his friends.
Stephen Crane (The Red Badge of Courage)
He saw that it was an ironical thing for him to be running thus toward that which he had been at such pains to avoid.
Stephen Crane
The moon had been lighted and was hung in a treetop.
Stephen Crane (The Red Badge of Courage)
I pick up the list of Benji's five favorite books because we've got work to do: "Gravity's Rainbow" by Thomas Pynchon. He's a pretentious fuck and a liar. "Underworld" by Don DeLillo. He's a snob. "On the Road" by Jack Kerouac. He's a spoiled passport-carrying fuck stunted in eighth grade. "Brief Interviews with Hideous Men" by David Foster Wallace. Enough already. "The Red Badge of Courage" by Stephen Crane. He's got Mayflowers in his blood.
Caroline Kepnes (You (You, #1))
He did not consider public opinion to be accurate at long range.
Stephen Crane (The Red Badge of Courage)
He turned now with a lover's thirst to images of tranquil skies, fresh meadows, cool brooks— an existence of soft and eternal peace.
Stephen Crane (The Red Badge of Courage)
A man with a full stomach and the respect of his fellows had no business to scold about anything that he might think to be wrong in the ways of the universe, or even with the ways of society. Let the unfortunates rail; the others may play marbles.
Stephen Crane (The Red Badge of Courage)
His feet where retarded.
Stephen Crane (The Red Badge of Courage)
Camp fires, like red, peculiar blossoms, dotted the night.
Stephen Crane (The Red Badge of Courage)
It appeared that the swift wings of their desires would have shattered against the iron gates of the impossible.
Stephen Crane (The Red Badge of Courage)
The slaves toiling in the temple of this god began to feel rebellion at his harsh tasks.
Stephen Crane (The Red Badge of Courage)
They were going to look at war, the red animal—war, the blood-swollen god. And they were deeply engrossed in this march.
Stephen Crane (The Red Badge of Courage [Adaptation])
Within him, as he hurled himself forward, was born a love, a despairing fondness for this flag which was near him. It was a creation of beauty and invulnerability. It was a goddess, radiant, that bended its form with an imperious gesture to him. It was a woman, red and white, hating and loving, that called him with the voice of his hopes. Because no harm could come to it he endowed it with power. He kept near, as if it could be a saver of lives, and an imploring cry went from his mind.
Stephen Crane (The Red Badge of Courage and Selected Short Fiction)
The lieutenant, returning from a tour after a bandage, produced from a hidden receptacle of his mind new and portentous oaths suited to the emergency. Strings of expletives he swung lashlike over the backs of his men, and it was evident that his previous efforts had in nowise impaired his resources.
Stephen Crane (The Red Badge of Courage)
This landscape gave him assurance. A fair field holding life. It was the religion of peace. It would die if its timid eyes were compelled to see blood. He conceived Nature to be a woman with a deep aversion to tragedy.
Stephen Crane (The Red Badge of Courage)
He had been a mere man railing at a condition, but now he was out of it and could see that it had been very proper and just. It had been necessary for him to swallow swords that he might have a better throat for grapes.
Stephen Crane (The Red Badge of Courage)
He had been out among the dragons, he said, and he assured himself that they were not so hideous as he had imagined them. Also,
Stephen Crane (The Red Badge of Courage)
They would jeer him, and, if practicable, pelt him with missiles.
Stephen Crane (The Red Badge of Courage)
Ma, I’m going to enlist.
Stephen Crane (The Red Badge of Courage)
A dog, a woman, an’ a walnut tree, Th’ more yeh beat ’em, th’ better they be! That’s like us.
Stephen Crane (The Red Badge of Courage)
Through his suffering, he peers into the core of things and sees that the judgment of man is thistle-down in the wind.
Stephen Crane (The Red Badge of Courage)
Eventually, his courage expended itself upon these objections. The debates drained him of his fire.
Stephen Crane (The Red Badge of Courage)
He wished that he, too, had a wound, a red badge of courage.
Stephen Crane (The Red Badge of Courage: With original illustrations)
But he instantly saw that it would be impossible for him to escape from the regiment. It inclosed him. And there were iron laws of tradition and law on four sides. He was in a moving box
Stephen Crane (The Red Badge of Courage)
Within him something bade to cry out. He had the impulse to make a rallying speech, to sing a battle hymn, but he could only get his tongue to call into the air: “Why—why—what—what ’s th’ matter?
Stephen Crane (The Red Badge Of Courage)
The shadows of the woods were formidable. He was certain that in this vista there lurked fierce-eyed hosts. The swift thought came to him that the generals did not know what they were about. It was all a trap. Suddenly those close forests would bristle with rifle barrels.
Stephen Crane (The Red Badge of Courage)
skirmishers who were running hither and thither
Stephen Crane (The Red Badge of Courage)
bind with
Stephen Crane (The Red Badge of Courage)
His face had been twisted into an expression of every agony he had imagined for his friend.
Stephen Crane (The Red Badge of Courage)
In death it exposed to his enemies that poverty which in life he had perhaps concealed from his friends.
Stephen Crane (The Red Badge of Courage [Adaptation])
A slim youth
Stephen Crane (The Red Badge of Courage)
but his body persisted in rebellion and his senses nagged at him like pampered babies.
Stephen Crane (The Red Badge of Courage)
Since he had turned his back upon the fight his fears had been wondrously magnified. Death about to thrust him between the shoulder blades was far more dreadful than death about to smite him between the eyes. When he thought of it later, he conceived the impression that it is better to view the appalling than to be merely within hearing.
Stephen Crane (The Red Badge of Courage)
We began then to see trauma-related disorders not as disorders of events but as disorders of the body, brain, and nervous system. The neurobiological lens also resulted in another paradigm shift: if the brain and body are inherently adaptive, then the legacy of trauma responses must also reflect an attempt at adaptation, rather than evidence of pathology. Through that neurobiological lens, what appears clinically as stuckness and resistance, untreatable diagnoses, or character-disordered behavior simply represent how an individual’s mind and body adapted to a dangerous world in which the only “protection” was the very same caretaker who endangered him or her. Each symptom was an ingenious solution by the body to create some semblance of safety for the developing child or endangered adult. The trauma-related issues with which the client presents for help, I now believe, are in truth a “red badge of courage” that tell the story of what happened even more eloquently than the events each individual consciously remembers.
Janina Fisher (Healing the Fragmented Selves of Trauma Survivors: Overcoming Internal Self-Alienation)
The fire cackled musically. From it swelled light smoke. Overhead the foliage moved softly. The leaves, with their faces turned toward the blaze, were colored shifting hues of silver, often edged with red. Far off to the right, through a window in the forest could be seen a handful of stars lying, like glittering pebbles, on the black level of the night.
Stephen Crane (The Red Badge of Courage)
In the darkness he saw visions of a thousand-tongued fear that would babble at his back and cause him to flee, while others were going coolly about their country’s business. He admitted that he would not be able to cope with this monster. He felt that every nerve in his body would be an ear to hear the voices, while other men would remain stolid and deaf.
Stephen Crane (The Red Badge of Courage and Other Stories)
He felt the subtle battle brotherhood more potent even than the cause for which they were fighting. It was a mysterious fraternity borne of the smoke and danger of death.
Stephen Crane (The Red Badge of Courage)
he began to fear that his judgment of them had been blind.
Stephen Crane (The Red Badge of Courage)
It was difficult to think of reputation when others were thinking of skins.
Stephen Crane (The Red Badge of Courage: With original illustrations)
As the landscape changed from brown to green, the army awakened, and began to tremble with eagerness at the noise of rumors.
Stephen Crane (The Red Badge of Courage and Selected Short Fiction)
Why—why—” stammered the youth struggling with his balking tongue.
Stephen Crane (The Red Badge Of Courage)
He saw that to be firm soldiers they must go forward.
Stephen Crane (The Red Badge of Courage)
Men were better, or more timid. Secular and religious education had effaced the throat-grappling instinct, or else firm finance held in check the passions.
Stephen Crane
Henry Fleming?
Stephen Crane (The Red Badge of Courage)
youthful
Stephen Crane (The Red Badge of Courage)
Whatever he had learned of himself was of no avail. He was an unknown quantity.
Stephen Crane (The Red Badge of Courage)
A serious prophet upon predicting a flood should be the first man to climb a tree.
Stephen Crane (The Red Badge of Courage)
These happenings had occupied an incredibly short time, yet the youth felt that in them he had been made aged. New eyes were given to him. And the most startling thing was to learn suddenly that he was very insignificant. The officer spoke of the regiment as if he referred to a broom. Some part of the woods needed sweeping, perhaps, and he merely indicated a broom in a tone properly indifferent to its fate. It was war, no doubt, but it appeared strange.
Stephen Crane (The Red Badge of Courage)
He occasionally tried to fathom a comrade with seductive sentences. He looked about to find men in the proper mood. All attempts failed to bring forth any statement which looked in any way like a confession to those doubts which he privately acknowledged in himself. He was afraid to make an open declaration of his concern, because he dreaded to place some unscrupulous confidant upon the high plane of the unconfessed from which elevation he could be derided.
Stephen Crane (The Red Badge of Courage)
Riley?” “Go away.” He’d heard Brenna enter, had decided to ignore her. But Brenna had never been easily dissuaded. “Drew said you’re not sleeping well- that you were up most of last night.” He went through a vicious series of moves and ended a foot from her, breath calm, eyes furious. “Drew has a big fucking mouth.” “Yeah, tell me something I don’t know.” She grinned, but there was worry in those magnificent eyes she’d turned from a scar to a badge of courage. “Riley, is this… I…” Scowling, he closed the distance between them to cup her cheek. “It’s not about you.” Her hurt haunted him, but he wasn’t going to put that weight on her back. That was his cross to bear. “I’m not sleeping well because I want sex.” Her mouth dropped open. Then she went bright red. “Too. Much. Information!
Nalini Singh (Branded by Fire (Psy-Changeling, #6))
The lieutenant of the youth's company was shot in the hand. He began to swear so wondrously that a nervous laugh went along the regimental line. The officer's profanity sounded conventional. It relieved the tightened senses of the new men. It was as if he had hit his fingers with a tack hammer at home.
Stephen Crane (The Red Badge of Courage)
With the conviction came a store of assurance. He felt a quiet manhood, non-assertive but of sturdy and strong blood. He knew that he would no more quail before his guides wherever they should point. He had been to touch the great death, and found that, after all, it was but the great death. He was a man.
Stephen Crane (The Red Badge of Courage [Adaptation])
{My mom] long ago advised me, when I was feeling blue or self-doubting about men, that the best thing to do was go out and buy a red lipstick or a red dress. 'It will be your red badge of courage,' she said.
Maureen Dowd (Are Men Necessary?: When Sexes Collide)
Once he thought he had concluded that it would be better to get killed directly and end his troubles. Regarding death thus out of the corner of his eye, he conceived it to be nothing but rest, and he was filled with a momentary astonishment that he should have made an extraordinary commotion over the mere matter of getting killed.
Stephen Crane (The Red Badge of Courage)
He now thought that he wished he was dead. He believed that he envied those men whose bodies lay strewn over the grass of the fields and on the fallen leaves of the forest. The simple questions of the tattered man had been knife thrusts to him. They asserted a society that probes pitilessly at secrets until all is apparent. His late companion’s chance persistency made him feel that he could not keep his crime concealed in his bosom. It was sure to be brought plain by one of those arrows which cloud the air and are constantly pricking, discovering, proclaiming those things which are willed to be forever hidden.
Stephen Crane (The Red Badge of Courage [Adaptation])
A dead soldier was stretched with his face hidden in his arm. Farther off there was a group of four or five corpses keeping mournful company. A hot sun had blazed upon the spot. In this place the youth felt that he was an invader. This forgotten part of the battleground was owned by the dead men, and he hurried, in the vague apprehension that one of the swollen forms would rise and tell him to begone.
Stephen Crane (The Red Badge of Courage [Adaptation])
as he saw their dripping corpses on an imagined field, he said that he was their murderer. Again he thought that he wished he was dead. He believed that he envied a corpse. Thinking of the slain, he achieved a great contempt for some of them, as if they were guilty for thus becoming lifeless. They might have been killed by lucky chances, he said, before they had had opportunities to flee or before they had been really tested. Yet they would receive laurels from tradition. He cried out bitterly that their crowns were stolen and their robes of glorious memories were shams. However, he still said that it was a great pity he was not as they.
Stephen Crane (The Red Badge of Courage [Adaptation])
And, furthermore, how could they kill him who was the chosen of gods and doomed to greatness?
Stephen Crane (The Red Badge of Courage)
old,
Stephen Crane (The Red Badge of Courage [Adaptation])
A dog, a woman, an' a walnut tree, Th' more yeh beat 'em, th' better they be! That's like us.
Stephen Crane (The Red Badge of Courage)
from all parts and were
Stephen Crane (The Red Badge of Courage (Annotated) Characters Analysis,Themes, Motifs,Symbols&Study Questions)
It is useless to expect appreciation of his profound and fine senses from such men as the lieutenant.
Stephen Crane (The Red Badge of Courage)
There’s no fun in fightin’ fer people when everything yeh do—no matter what—ain’t done right.
Stephen Crane (The Red Badge of Courage)
His fingers twined nervously about his rifle. He wished that it was an engine of annihilating power. He felt that he and his companions were being taunted and derided from sincere convictions that they were poor and puny. His knowledge of his inability to take vengeance for it made his rage into a dark and stormy specter, that possessed him and made him dream of abominable cruelties. The tormentors were flies sucking insolently at his blood, and he thought that he would have given his life for a revenge of seeing their faces in pitiful plights.
Stephen Crane (The Red Badge of Courage [Adaptation])
Thoughts of his comrades came to him. The brittle blue line had withstood the blows and won. He grew bitter over it. It seemed that the blind ignorance and stupidity of those little pieces had betrayed him. He had been overturned and crushed by their lack of sense in holding the position, when intelligent deliberation would have convinced them that it was impossible. He, the enlightened man who looks afar in the dark, had fled because of his superior perceptions and knowledge. He felt a great anger against his comrades. He knew it could be proved that they had been fools.
Stephen Crane (The Red Badge of Courage)
He suddenly lost concern for himself, and forgot to look at a menacing fate. He became not a man but a member. He felt that something of which he was a part—a regiment, an army, a cause, or a country—was in a crisis. He was welded into a common personality which was dominated by a single desire. For some moments he could not flee no more than a little finger can commit a revolution from a hand.
Stephen Crane (The Red Badge of Courage)
Tottering among them was the rival color bearer, whom the youth saw had been bitten vitally by the bullets of the last formidable volley. He perceived this man fighting a last struggle, the struggle of one whose legs are grasped by demons. It was a ghastly battle. Over his face was the bleach of death, but set upon it were the dark and hard lines of desperate purpose. With this terrible grin of resolution he hugged his precious flag to him and was stumbling and staggering in his design to go the way that led to safety for it.
Stephen Crane (The Red Badge of Courage [Adaptation])
As he rounded a hillock, he perceived that the roadway was now a crying mass of wagons, teams, and men. From the heaving tangle issued exhortations, commands, imprecations. Fear was sweeping it all along. The cracking whips bit and horses plunged and tugged. The white-topped wagons strained and stumbled in their exertions like fat sheep. The youth felt comforted in a measure by this sight. They were all retreating. Perhaps, then, he was not so bad after all. He seated himself and watched the terror-stricken wagons. They fled like soft, ungainly animals.
Stephen Crane (The Red Badge of Courage [Adaptation])
The dead man and the living man exchanged a long look. Then the youth cautiously put one hand behind him and brought it against a tree. Leaning upon this he retreated, step by step, with his face still toward the thing. He feared that if he turned his back the body might spring up and stealthily pursue him.
Stephen Crane (The Red Badge of Courage [Adaptation])
The youth had resolved not to budge whatever should happen. Some arrows of scorn that had buried themselves in his heart had generated strange and unspeakable hatred. It was clear to him that his final and absolute revenge was to be achieved by his dead body lying, torn and gluttering, upon the field. This was to be a poignant retaliation upon the officer who had said "mule drivers," and later "mud diggers," for in all the wild graspings of his mind for a unit responsible for his sufferings and commotions he always seized upon the man who had dubbed him wrongly. And it was his idea, vaguely formulated, that his corpse would be for those eyes a great and salt reproach.
Stephen Crane (The Red Badge of Courage)
The shadows of his face were deepening and his tight lips seemed holding in check the moan of great despair. There could be seen a certain stiffness in the movements of his body, as if he were taking infinite care not to arouse the passion of his wounds. As he went on, he seemed always looking for a place, like one who goes to choose a grave.
Stephen Crane (The Red Badge of Courage [Adaptation])
The spectral soldier was at his side like a stalking reproach. The man's eyes were still fixed in a stare into the unknown. His gray, appalling face had attracted attention in the crowd, and men, slowing to his dreary pace, were walking with him. They were discussing his plight, questioning him and giving him advice. In a dogged way he repelled them, signing to them to go on and leave him alone. The shadows of his face were deepening and his tight lips seemed holding in check the moan of great despair. There could be seen a certain stiffness in the movements of his body, as if he were taking infinite care not to arouse the passion of his wounds. As he went on, he seemed always looking for a place, like one who goes to choose a grave.
Stephen Crane (The Red Badge of Courage)
MARJORY walked pensively along the hall. In the cool shadows made by the palms on the window ledge, her face wore the expression of thoughtful melancholy expected on the faces of the devotees who pace in cloistered gloom. She halted before a door at the end of the hall and laid her hand on the knob. She stood hesitating, her head bowed. It was evident that this mission was to require great fortitude.
Stephen Crane (The Complete Works of Stephen Crane: The Red Badge of Courage, Active Service, The Little Regiment And Other Episodes From The American Civil War and More)
With the conviction came a store of assurance. He felt a quiet manhood, non-assertive but of sturdy and strong blood. He knew that he would no more quail before his guides wherever they should point. He had been to touch the great death, and found that, after all, it was but the great death. He was a man. So it came to pass that as he trudged from the place of blood and wrath his soul changed. He came from hot plow-shares to prospects of clover tranquilly, and it was as if hot plowshares were not. Scars faded as flowers.
Stephen Crane (The Red Badge of Courage [Adaptation])
Presently he began to feel the effects of the war atmosphere—a blistering sweat, a sensation that his eyeballs were about to crack like hot stones. A burning roar filled his ears. Following this came a red rage. He developed the acute exasperation of a pestered animal, a well-meaning cow worried by dogs. He had a mad feeling against his rifle, which could only be used against one life at a time. He wished to rush forward and strangle with his fingers. He craved a power that would enable him to make a world-sweeping gesture and brush all back. His impotency appeared to him, and made his rage into that of a driven beast.
Stephen Crane (The Red Badge of Courage)
The funny thing: I’d worried, if anything, that Boris was the one who was a little too affectionate, if affectionate is the right word. The first time he’d turned in bed and draped an arm over my waist, I lay there half-asleep for a moment, not knowing what to do: staring at my old socks on the floor, empty beer bottles, my paperbacked copy of The Red Badge of Courage. At last—embarrassed—I faked a yawn and tried to roll away, but instead he sighed and pulled me closer, with a sleepy, snuggling motion. Ssh, Potter, he whispered, into the back of my neck. Is only me. It was weird. Was it weird? It was; and it wasn’t. I’d fallen back to sleep shortly after, lulled by his bitter, beery unwashed smell and his breath easy in my ear. I was aware I couldn’t explain it without making it sound like more than it was. On nights when I woke strangled with fear there he was, catching me when I started up terrified from the bed, pulling me back down in the covers beside him, muttering in nonsense Polish, his voice throaty and strange with sleep. We’d drowse off in each other’s arms, listening to music from my iPod (Thelonious Monk, the Velvet Underground, music my mother had liked) and sometimes wake clutching each other like castaways or much younger children. And yet (this was the murky part, this was what bothered me) there had also been other, way more confusing and fucked-up nights, grappling around half-dressed, weak light sliding in from the bathroom and everything haloed and unstable without my glasses: hands on each other, rough and fast, kicked-over beers foaming on the carpet—fun and not that big of a deal when it was actually happening, more than worth it for the sharp gasp when my eyes rolled back and I forgot about everything; but when we woke the next morning stomach-down and groaning on opposite sides of the bed it receded into an incoherence of backlit flickers, choppy and poorly lit like some experimental film, the unfamiliar twist of Boris’s features fading from memory already and none of it with any more bearing on our actual lives than a dream. We never spoke of it; it wasn’t quite real; getting ready for school we threw shoes, splashed water at each other, chewed aspirin for our hangovers, laughed and joked around all the way to the bus stop. I knew people would think the wrong thing if they knew, I didn’t want anyone to find out and I knew Boris didn’t either, but all the same he seemed so completely untroubled by it that I was fairly sure it was just a laugh, nothing to take too seriously or get worked up about. And yet, more than once, I had wondered if I should step up my nerve and say something: draw some kind of line, make things clear, just to make absolutely sure he didn’t have the wrong idea. But the moment had never come. Now there was no point in speaking up and being awkward about the whole thing, though I scarcely took comfort in the fact.
Donna Tartt (The Goldfinch)
The general, whom the boys knew as the commander of their division, looked at the other officer and spoke coolly, as if he were criticising his clothes. "Th' enemy's formin' over there for another charge," he said. "It'll be directed against Whiterside, an' I fear they'll break through there unless we work like thunder t' stop them." The other swore at his restive horse, and then cleared his throat. He made a gesture toward his cap. "It'll be hell t' pay stoppin' them," he said shortly. "I presume so," remarked the general. Then he began to talk rapidly and in a lower tone. He frequently illustrated his words with a pointing finger. The two infantrymen could hear nothing until finally he asked: "What troops can you spare?" The officer who rode like a cowboy reflected for an instant. "Well," he said, "I had to order in th' 12th to help th' 76th, an' I haven't really got any. But there's th' 304th. They fight like a lot 'a mule drivers. I can spare them best of any." The youth and his friend exchanged glances of astonishment. The general spoke sharply. "Get 'em ready, then. I'll watch developments from here, an' send you word when t' start them. It'll happen in five minutes." As the other officer tossed his fingers toward his cap and wheeling his horse, started away, the general called out to him in a sober voice: "I don't believe many of your mule drivers will get back." The other shouted something in reply. He smiled. With scared faces, the youth and his companion hurried back to the line. These happenings had occupied an incredibly short time, yet the youth felt that in them he had been made aged. New eyes were given to him. And the most startling thing was to learn suddenly that he was very insignificant. The officer spoke of the regiment as if he referred to a broom. Some part of the woods needed sweeping, perhaps, and he merely indicated a broom in a tone properly indifferent to its fate. It was war, no doubt, but it appeared strange.
Stephen Crane (The Red Badge of Courage)
But he instantly saw that it would be impossible for him to escape from the regiment. It inclosed him. And there were iron laws of tradition and law on four sides. He was in a moving box. As he perceived this fact it occurred to him that he had never wished to come to the war. He had not enlisted of his free will. He had been dragged by the merciless government. And now they were taking him out to be slaughtered.
Oliver Ho (The Red Badge of Courage)
His emotions made him feel strange in the presence of men who talked excitedly of a prospective battle as of a drama they were about to witness, with nothing but eagerness and curiosity apparent in their faces. It was often that he suspected them to be liars
Stephen Crane. (Red Badge of Courage)
In a world infatuated with victimhood, has trauma emerged as a passport to status - our red badge of courage?
Parul Sehgal
Do you realize that all great literature - Moby Dick, Huckleberry Finn, A Farewell to Arms, The Scarlet Letter, The Red Badge of Courage, The Iliad and The Odyssey, Crime and Punishment, The Bible, and "The Charge of the Light Brigade"-are all about what a bummer it is to be a human being? (Isn't it such a relief to have somebody say that?)
Kurt Vonnegut Jr.
It might be about that time for me to don my red badge of courage with how fucking emotional I’ve been lately.
Persephone Steele (No Rest For Wicked (Wicked Duet, #2))
Nor is it only the natures of great men that Whittemore reveals. Like Dickens, he understands the tragedy of great souls with small destinies. And so we’re given Halim’s closest friend, Ziad, the hack-journalist and Baath party hanger-on, of whom Tajar remarks, “I wouldn’t imagine he’ll go very far. But then most people don’t … anywhere, do they?” The ellipses are Whittemore’s—and Tajar’s. The simple truth is that Ted Whittemore was one of the best and least-known writers of a lowdown, dark, and dishonest age. The books that he’s given us, beginning with Quin’s Shanghai Circus, are among the great “war novels” of our time as luminous as The Red Badge of Courage, as chastening as The Naked and the Dead. That the wars are fought without “lines” or uniforms hardly matters: the wounds go just as deep, and sometimes deeper than, bullets.
Edward Whittemore (Jericho Mosaic (The Jerusalem Quartet, #4))
A single rifle flashed in a thicket before the regiment.
Stephen Crane (The Red Badge of Courage)
When Huston had returned to the studio after his Eastern trip, he told me, he had found that no preparations at all were under way for The Red Badge of Courage. ‘Those uniforms just weren’t being made!’ he said with amazement. ‘I went to see L. B., and L. B. told me he had no faith in the picture. He didn’t believe it would make money.
Lillian Ross (Picture)
And there were iron laws of tradition and law on four sides. He was in a moving box. As he perceived this fact it occurred to him that he had never wished to come to the war. He had not enlisted of his free will. He had been dragged by the merciless government. And now they were taking him out to be slaughtered.
Stephen Crane (The Red Badge of Courage [Adaptation])
The battle roar settled to a rolling thunder, which was a single long explosion. In the regiment there was a peculiar kind of hesitation denoted in the attitudes of the men. They were worn, exhausted, having slept but little and labored much. They rolled their eyes toward the advancing battle as they stood awaiting the shock. Some shrank and flinched. They stood as men tied to stakes.
Stephen Crane (The Red Badge of Courage [Adaptation])
While I still don’t wanna hear how everything is hunky-dory like a lot of those disco people and Barry Manilows are trying to sell us, I’m just completely fed up with cheap stupid nihilism especially when it starts acting trendy. I know society is sick and life is getting more complicated by the second, but if all you’ve got to say is get fucked life sucks you stink I stink who cares I’m bored whip me beat me kick me there's nothing else to do then I think you and everybody else would be a lot better off if you just kept your fucking mouth shut in the first place, not to mention your self-destructive habits to yourself instead of parading them around like The Red Badge of Courage or something. And this isn’t like If You Can’t Say Anything Nice Don’t Say Anything At All, it's more like… why restate what's been said and refuted already?
Lester Bangs (Main Lines, Blood Feasts, and Bad Taste: A Lester Bangs Reader)