Red Alert 3 Quotes

It's a fucking Fiero, dude. It's twenty years old. It has 150,000 miles on it, which is practically what it takes to get to the moon. I'm going to bet if I open this thing up, it's going to smell like stale Drakkar Noir and chemical pine scent. There is probably a dead rat in the trunk. Maybe a whole nest of dead rats and rat babies." She finishes her drawing. (Spoiler alert: it's a penis.) "You should really be paying me to take this burden of Detroit steel off your hands.

The Language of the Birds" 1 A man saw a bird and found him beautiful. The bird had a song inside him, and feathers. Sometimes the man felt like the bird and sometimes the man felt like a stone—solid, inevitable—but mostly he felt like a bird, or that there was a bird inside him, or that something inside him was like a bird fluttering. This went on for a long time. 2 A man saw a bird and wanted to paint it. The problem, if there was one, was simply a problem with the question. Why paint a bird? Why do anything at all? Not how, because hows are easy—series or sequence, one foot after the other—but existentially why bother, what does it solve? And just because you want to paint a bird, do actually paint a bird, it doesn’t mean you’ve accomplished anything. Who gets to measure the distance between experience and its representation? Who controls the lines of inquiry? We do. Anyone can. Blackbird, he says. So be it, indexed and normative. But it isn’t a bird, it’s a man in a bird suit, blue shoulders instead of feathers, because he isn’t looking at a bird, real bird, as he paints, he is looking at his heart, which is impossible. Unless his heart is a metaphor for his heart, as everything is a metaphor for itself, so that looking at the paint is like looking at a bird that isn’t there, with a song in its throat that you don’t want to hear but you paint anyway. The hand is a voice that can sing what the voice will not, and the hand wants to do something useful. Sometimes, at night, in bed, before I fall asleep, I think about a poem I might write, someday, about my heart, says the heart. 3 They looked at the animals. They looked at the walls of the cave. This is earlier, these are different men. They painted in torchlight: red mostly, sometimes black—mammoth, lion, horse, bear—things on a wall, in profile or superimposed, dynamic and alert. They weren’t animals but they looked like animals, enough like animals to make it confusing, meant something but the meaning was slippery: it wasn’t there but it remained, looked like the thing but wasn’t the thing—was a second thing, following a second set of rules—and it was too late: their power over it was no longer absolute. What is alive and what isn’t and what should we do about it? Theories: about the nature of the thing. And of the soul. Because people die. The fear: that nothing survives. The greater fear: that something does. The night sky is vast and wide. They huddled closer, shoulder to shoulder, painted themselves in herds, all together and apart from the rest. They looked at the sky, and at the mud, and at their hands in the mud, and their dead friends in the mud. This went on for a long time. 4 To be a bird, or a flock of birds doing something together, one or many, starling or murmuration. To be a man on a hill, or all the men on all the hills, or half a man shivering in the flock of himself. These are some choices. The night sky is vast and wide. A man had two birds in his head—not in his throat, not in his chest—and the birds would sing all day never stopping. The man thought to himself, One of these birds is not my bird. The birds agreed.

I’ll find out who’s inside. Wait here and keep alert!’ Hallam rasped. He skirted the main path to skulk towards one of the shuttered windows on the building’s eastern wall. There was a crack in the wood and he gently inched closer to peer inside. There was a hearth-fire with a pot bubbling away and a battered table made of a length of wood over two pieces of cut timber. A small ham hung from the rafters, away from the rats and mice. He couldn’t see anyone but there was a murmur of voices. Hallam leaned in even closer and a young boy with hair the colour of straw saw the movement to stare. It was Little Jim. Thank God, the child was safe. Snot hung from his nose and he was pale. Hallam put a finger to his lips, but the boy, not even four, did not understand, and just gaped innocently back. Movement near the window. A man wearing a blue jacket took up a stone bottle and wiped his long flowing moustache afterwards. His hair was shoulder-length, falling unruly over the red collar of his jacket. Tied around his neck was a filthy red neckerchief. A woman moaned and the man grinned with tobacco stained teeth at the sound. Laughter and French voices. The woman whimpered and Little Jim turned to watch unseen figures. His eyes glistened and his bottom lip dropped. The woman began to plead and Hallam instinctively growled. The Frenchman, hearing the noise, pushed the shutter open and the pistol’s cold muzzle pressed against his forehead. Hallam watched the man’s eyes narrow and then widen, before his mouth opened. Whatever he intended to shout was never heard, because the ball smashed through his skull to erupt in a bloody spray as it exited the back of the Frenchman’s head. There was a brief moment of silence. ‘28th!’ Hallam shouted, as he stepped back against the wall. ‘Make ready!

ON HER WAY home from the restaurant, Rylann’s cell phone rang. For a moment, as she dug around in her purse to find it, she wondered if it would be Kyle, calling her about the Scene and Heard column. She could practically hear his low, teasing voice already. Just calling to check up on my favorite brunette bombshell, counselor. Thought I’d see if you’d be up for round four tonight. Rylann finally found her phone. Oh. Just her mother. “Mom…hi,” she answered. “Looks like I was right to warn you about that Kyle Rhodes.” Rylann stopped at a four-way intersection, immediately on high alert. How could her mother, down in Florida, possibly know anything? So she played it cool. “Not sure what you mean, Mom.” “I was just reading the Trib online,” Helen said. “The Twitter Terrorist made the Scene and Heard column again.” “You read Scene and Heard?” Rylann asked. “Sure. How else am I supposed to keep up with all the local gossip while we’re down here for the winter?” And by winter, she meant early May. “I haven’t seen this morning’s column,” Rylann said. And technically, that was true—she’d only heard it. “I was busy this morning, then went to lunch with Rae. I’m just walking home now.” “Apparently, he was spotted at some hot new nightclub. Leaving with a mysterious brunette bombshell in a red dress. Probably some skank he met that night.” Then her mother changed the subject, cheerfully moving on. “Anyway, what’s new with you, sweetie? Did you do anything exciting last night?” Yes. Kyle Rhodes. “Um, nothing special. Rae and I went out for a few drinks.” Rylann figured it was best to gloss over the rest of the details, seeing how her mother had just called her a skank.

As I said in Play #3, a real estate attorney is not required for smaller residential deals, as you can rely on the title company to alert you of any red flags during escrow, such as substandard or contractor liens.