β
When you are courting a nice girl an hour seems like a second. When you sit on a red-hot cinder a second seems like an hour. That's relativity.
β
β
Albert Einstein
β
The truth is what I make it. I could set this world on fire and call it rain.
β
β
Victoria Aveyard (Red Queen (Red Queen, #1))
β
From there to here, from here to there, funny things are everywhere!
β
β
Dr. Seuss (One Fish, Two Fish, Red Fish, Blue Fish)
β
I'm not going to wear a red dress," she said.
"It would look stunning, My Lady," she called.
She spoke to the bubbles gathered on the surface of the water. "If there's anyone I wish to stun at dinner, I'll hit him in the face.
β
β
Kristin Cashore (Graceling (Graceling Realm, #1))
β
How long was I asleep?" she whispered. He didn't respond.
"How long was I asleep?" she asked again, and noticed a hint of red in his cheeks.
"You were asleep, too?"
"Until you began drooling on my shoulder.
β
β
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
β
She smiled then, her eyes red, her cheeks scattered with some kind of dust. It was a smile he thought he might die to earn again.
β
β
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
β
A good book is an event in my life.
β
β
Stendhal (The Red and the Black)
β
Rise, red as the dawn.
β
β
Victoria Aveyard (Red Queen (Red Queen, #1))
β
I'm coming back into focus when Caesar asks him if he has a girlfriend back home. Peeta hesitates, then gives an unconvincing shake of his head.
Handsome lad like you. There must be some special girl. Come on, whatβs her name?" says Caesar.
Peeta sighs. "Well, there is this one girl. Iβve had a crush on her ever since I can remember. But Iβm pretty sure she didnβt know I was alive until the reaping."
Sounds of sympathy from the crowd. Unrequited love they can relate to.
She have another fellow?" asks Caesar.
I donβt know, but a lot of boys like her," says Peeta.
So, hereβs what you do. You win, you go home. She canβt turn you down then, eh?" says Caesar encouragingly.
I donβt think itβs going to work out. Winning...wonβt help in my case," says Peeta.
Why ever not?" says Caesar, mystified.
Peeta blushes beet red and stammers out. "Because...because...she came here with me.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
He stepped back and threw his arms out.
"I'm always crazy around you Rose. Here, I'm going to write an impromptu poem for you."
He tipped his head back and shouted to the sky:
"Rose is in red
But never in blue
Sharp as a thorn
Fights like one too.
β
β
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
β
Finally, she mused that human existence is as brief as the life of autumn grass, so what was there to fear from taking chances with your life?
β
β
Mo Yan (Red Sorghum)
β
Home isn't where you're from, it's where you find light when all grows dark.
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
When I am an old woman I shall wear purple. With a red hat which doesn't go, and doesn't suit me.
β
β
Jenny Joseph (Warning: When I Am an Old Woman I Shall Wear Purple)
β
The first duty of wine is to be red. Don't talk to me of your white wines.
β
β
Henri Murger
β
Anyone can betray anyone.
β
β
Victoria Aveyard (Red Queen (Red Queen, #1))
β
Straight people, he thinks, probably don't spend this much time convincing themselves that they're straight.
β
β
Casey McQuiston (Red, White & Royal Blue)
β
If there is no love in the world, we will make a new world, and we will give it walls, and we will furnish it with soft, red interiors, from the inside out, and give it a knocker that resonates like a diamond falling to a jeweller's felt so that we should never hear it. Love me, because love doesn't exist, and I have tried everything that does.
β
β
Jonathan Safran Foer (Everything Is Illuminated)
β
Whatever in creation exists without my knowledge exists without my consent.
β
β
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
β
You do not follow me because I am the strongest. Pax is. You do not follow me because I am the brightest. Mustang is. You follow me because you do not know where you are going. I do.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
Thinking about history makes me wonder how Iβll fit into it one day, I guess. And you too. I kinda wish people still wrote like that. History, huh? Bet we could make some.
β
β
Casey McQuiston (Red, White & Royal Blue)
β
It takes strength and courage to admit the truth.
β
β
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
β
Out of the ash
I rise with my red hair
and I eat men like air.
β
β
Sylvia Plath (Ariel: The Restored Edition)
β
Peeta, you said at the interview youβd had a crush on me forever. When did forever start?
Oh, letβs see. I guess the first day of school. We were five. You had on a red plaid dress and your hair...it was in two braids instead of one. My father pointed you out when we were waiting to line up."
Your father? Why?"
He said, βSee that little girl? I wanted to marry her mother, but she ran off with a coal miner.'"
What? Youβre making that up!"
No, true story. And I said, 'A coal miner? Why did she want a coal miner if she couldβve had you?' And he said, 'Because when he sings...even the birds stop to listen.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
You don't have to disrespect and insult others simply to hold your own ground. If you do, that shows how shaky your own position is.
β
β
Red Haircrow
β
Stay,β she panted. Tears leaked from her eyes. βStay till the end.β
βAnd after,β he said. βAnd always.β
βI want to feel safe again. I want to go home to Ravka.β
βThen Iβll take you there. Weβll set fire to raisins or whatever you heathens do for fun.β
βZealot,β she said weakly.
βWitch.β
βBarbarian.β
βNina,β he whispered, βlittle red bird. Donβt go.
β
β
Leigh Bardugo (Six of Crows (Six of Crows, #1))
β
When it was dark, you always carried the sun in your hand for me.
β
β
SeΓ‘n O'Casey (THREE MORE PLAYS BY SEAN O'CASEY:THE SILVER TASSIE;PURPLE DUST;RED ROSES FOR ME [Paperback])
β
I will love you always. When this red hair is white, I will still love you. When the smooth softness of youth is replaced by the delicate softness of age, I will still want to touch your skin. When your face is full of the lines of every smile you have ever smiled, of every surprise I have seen flash through your eyes, when every tear you have ever cried has left its mark upon your face,I will treasure you all the more, because I was there to see it all. I will share your life with you, Meredith, and I will love you until the last breath leaves your body or mine.
β
β
Laurell K. Hamilton (A Lick of Frost (Merry Gentry, #6))
β
I felt like one of Apollo's sacred cows- slow, dumb, and bright red.
β
β
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
β
Nothing ever ends poetically. It ends and we turn it into poetry. All that blood was never once beautiful. It was just red.
β
β
Kait Rokowski
β
Man cannot be freed by the same injustice that enslaved it.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
He thought her beautiful, believed her impeccably wise; dreamed of her, wrote poems to her, which, ignoring the subject, she corrected in red ink.
β
β
Virginia Woolf (Mrs. Dalloway)
β
I don't want to be a tree; I want to be its meaning.
β
β
Orhan Pamuk (My Name Is Red)
β
Before I could figure out how to apologize for being such an idiot, she tackled me with a hug, then pulled away just as quickly. "I'm glad you're not a guinea pig."
"Me, too." I hoped my face wasn't as red as it felt.
β
β
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
β
As a lamp, a cataract, a star in space
an illusion, a dewdrop, a bubble
a dream, a cloud, a flash of lightning
view all created things like this.
β
β
Red Pine (The Diamond Sutra)
β
Saying his name stabbed my heart, like someone had ripped through my carefully stitched up world and exposed the infected, pulsing red tissue that I thought was healing.
β
β
Colleen Houck
β
The gods rule us still. They have come down from the stars. And they are no longer kind.
β
β
Victoria Aveyard (Red Queen (Red Queen, #1))
β
War was always here. Before man was, war waited for him. The ultimate trade awaiting its ultimate practitioner.
β
β
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
β
That's the choice. I love him, with all that, because of all that. On purpose. I love him on purpose.
β
β
Casey McQuiston (Red, White & Royal Blue)
β
You are", he says, "the absolute worst idea I've ever had.
β
β
Casey McQuiston (Red, White & Royal Blue)
β
Everybody is a book of blood; wherever we're opened, we're red.
β
β
Clive Barker (Books of Blood: Volumes One to Three (Books of Blood, #1-3))
β
Donβt worry if people think youβre crazy. You are crazy. You have that kind of intoxicating insanity that lets other people dream outside of the lines and become who theyβre destined to be.
β
β
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
β
Blue does not go with everything," Will told her. "It does not go with red, for instance."
"I have a red and blue striped waistcoat," Henry interjected, reaching for the peas.
"And if that isn't proof that those two colors should never be seen together under Heaven, I don't know what is.
β
β
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
β
What I need and what I want are two very different things.
β
β
Victoria Aveyard (Red Queen (Red Queen, #1))
β
I can't believe I said it out loud. The truth doesn't set you free, you know. It makes you feel awkward and embarrassed and defenseless and red in the face and horrified and petrified and vulnerable. But free? I don't feel free. I feel like shit.
β
β
Melina Marchetta (Saving Francesca)
β
Friendships take minutes to make, moments to break, years to repair.
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
Words can lie. See beyond them.
β
β
Victoria Aveyard (Red Queen (Red Queen, #1))
β
You should know the difference between secrets and lies.
β
β
Victoria Aveyard (Red Queen (Red Queen, #1))
β
There is no greater plague to an introvert than the extrovert.
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
Beauty, to me, is about being comfortable in your own skin. That, or a kick-ass red lipstick.
β
β
Gwyneth Paltrow
β
Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine.
And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others.
And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.
β
β
Haruki Murakami (Kafka on the Shore)
β
There's nothing wrong with being different.
β
β
Victoria Aveyard (Red Queen (Red Queen, #1))
β
The measure of a man is what he does when he has power.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
I told you to hide your heart once. You should have listened.
β
β
Victoria Aveyard (Red Queen (Red Queen, #1))
β
Sometimes you just jump and hope it's not a cliff.
β
β
Casey McQuiston (Red, White & Royal Blue)
β
I'm the son of Jupiter, I'm a child of Rome, consul to demigods, praetor of the First Legion. I slew the Trojan sea monster, I toppled the black throne of Kronos, and destroyed Titan Krios with my own hand. And now I'm going to destroy you Porphyrion, and feed you to your own wolves."
"Wow, dude," Leo muttered, "You been eating red meat?
β
β
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
β
it is a serious thing // just to be alive / on this fresh morning / in this broken world.
β
β
Mary Oliver (Red Bird)
β
It's our nature. We destroy. It's the constant of our kind. No matter the color of blood, man will always fall.
β
β
Victoria Aveyard (Red Queen (Red Queen, #1))
β
I will die. You will die. We will all die and the universe will carry on without care. All that we have is that shout into the wind - how we live. How we go. And how we stand before we fall.
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
Red hair, sir, in my opinion, is dangerous.
β
β
P.G. Wodehouse (Very Good, Jeeves! (Jeeves, #4))
β
When the light turns green, you go. When the light turns red, you stop. But what do you do when the light turns blue with orange and lavender spots?
β
β
Shel Silverstein (A Light in the Attic)
β
Leo: βI canβt believe I thought you were hot.β
Khioneβs face turned red. βHot? You dare insult me? I am cold, Leo Valdez. Very, very cold.
β
β
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
β
Well, I certainly don't," said Percy sanctimoniously. "I shudder to think what the state of my in-tray would be if I was away from work for five days."
"Yeah, someone might slip dragon dung in it again, eh, Perce?" said Fred.
"That was a sample of fertilizer from Norway!" said Percy, going very red in the face. "It was nothing personal!"
"It was," Fred whispered to Harry as they got up from the table. "We sent it.
β
β
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
β
If you can't go back to your mother's womb, you'd better learn to be a good fighter.
β
β
Anchee Min (Red Azalea: A Memoir)
β
Someone elseβs choice doesnβt change who you are.
β
β
Casey McQuiston (Red, White & Royal Blue)
β
Grover murmured, "Well, Percy, what have we learned today?"
That three-headed dogs prefer red rubber balls over sticks?"
No," Grover told me. "We've learned that your plans really, really bite!
β
β
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
β
You're not a woman," he said finally. "You're the Grim Reaper with red hair!
β
β
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
β
I would have lived in peace. But my enemies brought me war.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
I am going to outlive myself. Eat, sleep, sleep, eat. Exist slowly, softly, like these trees, like a puddle of water, like the red bench in the streetcar.
β
β
Jean-Paul Sartre (Nausea)
β
Sage," he said. "What are you wearing?"
I sighed and stared down at the dress. "I know. It's red. Don't start. I'm tired of hearing about it."
"Funny," he said. "I don't think I could ever get tired of looking at it.
β
β
Richelle Mead (The Golden Lily (Bloodlines, #2))
β
Flame and shadow. One cannot exist without the other.
β
β
Victoria Aveyard (Red Queen (Red Queen, #1))
β
You were talking to that niche in the wall again, Gwyneth. I saw you."
"Yes, but it's my favorite bit of wall, Gordon. I'd hurt its feelings if I didn't stop and talk to it.
β
β
Kerstin Gier (Ruby Red (Precious Stone Trilogy, #1))
β
Funny thing, watching gods realize theyβve been mortal all along.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
If you know someone's fear, you know them.
β
β
Victoria Aveyard (Red Queen (Red Queen, #1))
β
You see, women are like fires, like flames. Some women are like candles, bright and friendly. Some are like single sparks, or embers, like fireflies for chasing on summer nights. Some are like campfires, all light and heat for a night and willing to be left after. Some women are like hearthfires, not much to look at but underneath they are all warm red coal that burns a long, long while.
β
β
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
β
I am the Reaper and death is my shadow.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
The truth is messy. It's raw and uncomfortable. You can't blame people for preferring lies.
β
β
Holly Black (Red Glove (Curse Workers, #2))
β
If we were in a film, the villain would turn out to be the least-expected person. But as we arenβt in a film, Iβd go for the character who tried to strangle you.
β
β
Kerstin Gier (Ruby Red (Precious Stone Trilogy, #1))
β
To stand in front of a person who is your whole world and be told you are not enough. You are not the choice. You are a shadow to the person who is your sun.
β
β
Victoria Aveyard (King's Cage (Red Queen, #3))
β
The best fantasy is written in the language of dreams. It is alive as dreams are alive, more real than real ... for a moment at least ... that long magic moment before we wake.
Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end. Reality is the strip malls of Burbank, the smokestacks of Cleveland, a parking garage in Newark. Fantasy is the towers of Minas Tirith, the ancient stones of Gormenghast, the halls of Camelot. Fantasy flies on the wings of Icarus, reality on Southwest Airlines. Why do our dreams become so much smaller when they finally come true?
We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang. There is something old and true in fantasy that speaks to something deep within us, to the child who dreamt that one day he would hunt the forests of the night, and feast beneath the hollow hills, and find a love to last forever somewhere south of Oz and north of Shangri-La.
They can keep their heaven. When I die, I'd sooner go to middle Earth.
β
β
George R.R. Martin
β
I want to be the best version of myself for anyone who is going to someday walk into my life and need someone to love them beyond reason.
β
β
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
β
Yer in my blood, Saba, he says. Yer in my head. Yer in my breath, yer in my bones...gawd help me, yer everywhere. You have bin since the first moment I set eyes on you.
β
β
Moira Young (Blood Red Road (Dust Lands #1))
β
There are chords in the hearts of the most reckless which cannot be touched without emotion.
β
β
Edgar Allan Poe (The Masque of the Red Death)
β
The next slide is titled: 'Exploring your sexuality: Healthy, but does it have to be with the Prince of England?' She apologizes for not having time to come up with better titles. Alex actively wishes for the sweet release of death.
β
β
Casey McQuiston (Red, White & Royal Blue)
β
All the best,
Sydney
P.S. "The Red Hurricane" is what I named the car.
P.P.S. Just because I like you, it doesn't mean I still don't think you're an evil creature of the night. You are.
β
β
Richelle Mead
β
Out of doubt, out of dark to the day's rising
I came singing into the sun, sword unsheathing.
To hope's end I rode and to heart's breaking:
Now for wrath, now for ruin and a red nightfall!
β
β
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
β
Ah, Mastery of the Five Elements!"
"Is that the one we want?" I asked.
"No, but a good one. How to tame the five essential elements of the universe - earth, air, water, fire, and cheese!"
"Cheese?
β
β
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
β
So you choose him?'
'Cal betrayed me, and I betrayed him. And you betrayed us both, in a thousand different ways.' The words are heavy as stone but right. So right. 'I choose no one.
β
β
Victoria Aveyard (Red Queen (Red Queen, #1))
β
No one is born evil, just like no one is born alone. They become that way, through choice and circumstance.
β
β
Victoria Aveyard (Glass Sword (Red Queen, #2))
β
I'm a Red girl in a sea of Silvers and I can't afford to feel sorry for anyone, least of all the son of a snake.
β
β
Victoria Aveyard (Red Queen (Red Queen, #1))
β
Have you ever noticed how parents can go from the most wonderful people in the world to totally embarrassing in three seconds?
β
β
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
β
Your heart's desire is to be told some mystery. The mystery is that there is no mystery.
β
β
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
β
In person, if possible, Anubis was even more drop-dead gorgeous. [Oh . . . ha, ha. I didn't catch the pun, but thank you, Carter. God of the dead, drop-dead gorgeous. Yes, hilarious. Now, may I continue?]
β
β
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
β
Black for hunting through the night
For death and mourning the color's white
Gold for a bride in her wedding gown
And red to call the enchantment down
White silk when our bodies burn
Blue banners when the lost return
Flame for the birth of a Nephilim
And to wash away our sins.
Gray for the knowledge best untold
Bone for those who don't grow old
Saffron lights the victory march
Green to mend our broken hearts
Silver for the demon towers
And bronze to summon wicked powers
-Shadowhunter children's rhyme
β
β
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
β
Until this moment, Wylan hadn't quite understood how much they meant to him. His father would have sneered at these thugs and thieves, a disgraced soldier, a gambler who couldn't keep out of the red. But they were his first friends, his only friends, and Wylan knew that even if he'd had his pick of a thousand companions, these would have been the people he chose.
β
β
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
β
If I am a sword, I am a sword made of glass, and I feel myself beginning to shatter.
β
β
Victoria Aveyard (Glass Sword (Red Queen, #2))
β
I didn't tell you this because I'm sure you would've changed your mind about the dress."
"What?" I frowned. "Does it make my butt look big?"
She laughed. "No. You looked stunning in it."
"Then what's the deal?"
Her smile turned downright mischievous. "Oh, you know, just that the color red is Daemon's favorite.
β
β
Jennifer L. Armentrout (Obsidian (Lux, #1))
β
I live for the dream that my children will be born free. That they will be what they like. That they will own the land their father gave them.'
'I live for you,' I say sadly.
She kisses my cheek. 'Then you must live for more.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
There are always some lunatics about. It would be a dull world without them.
β
β
Arthur Conan Doyle (The Red-Headed League (Sherlock Holmes))
β
Let me tell you something my friend. Hope is a dangerous thing. Hope can drive a man insane.
β
β
Stephen King (Different Seasons)
β
I have known the joy and pain of friendship. I have served and been served. I have made some good enemies for which I am not a bit sorry. I have loved unselfishly, and I have fondled hatred with the red-hot tongs of Hell. That's living.
β
β
Zora Neale Hurston
β
Let me BBQ the red headed bitch goddess - Simi
β
β
Sherrilyn Kenyon
β
I guessed his name was Face of Horror. I wondered how long it had taken his mom to think of that. Bob? No. Sam? No. How about Face of Horror?
β
β
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
β
Ever heard of the rule of three? he shouts as we run.
No!
If you save somebody's life three times, their life belongs to you. You saved my life today, that makes once. Save it twice more an I'm all yers.
β
β
Moira Young (Blood Red Road (Dust Lands #1))
β
There are worse lives to live. Don't feel sorry for me.
β
β
Victoria Aveyard (Red Queen (Red Queen, #1))
β
Far, far below, red liquid bubbled. Blood? Lava? Evil ketchup? None of the posibilities were good.
β
β
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
β
Some people need a red carpet rolled out in front of them in order to walk forward into friendship. They can't see the tiny outstretched hands all around them, everywhere, like leaves on trees.
β
β
Miranda July (No One Belongs Here More Than You)
β
Love and war are two different battlefields.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
To look powerful is to be powerful.
β
β
Victoria Aveyard (Red Queen (Red Queen, #1))
β
Soon it got dusk, a grapy dusk, a purple dusk over tangerine groves and long melon fields; the sun the color of pressed grapes, slashed with burgandy red, the fields the color of love and Spanish mysteries.
β
β
Jack Kerouac (On the Road)
β
In the fairy tales, the poor girl smiles when she becomes a princess. Right now, I don't know if I'll ever smile again.
β
β
Victoria Aveyard (Red Queen (Red Queen, #1))
β
There is nothing more provocative than minding your own business.
β
β
William S. Burroughs (The Place of Dead Roads (The Red Night Trilogy, #2))
β
Everything I was I carry with me, everything I will be lies waiting on the road ahead.
β
β
Ma Jian (Red Dust: A Path Through China)
β
Oh no." I said panic rising in my chest. "No, no, no, Somebody get a can opener. I've got a god in my head!!
β
β
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
β
So this is hell. I'd never have believed it. You remember all we were told about the torture-chambers, the fire and brimstone, the "burning marl." Old wives' tales! There's no need for red-hot pokers. Hell isβother people!
β
β
Jean-Paul Sartre (No Exit)
β
History, huh?
β
β
Casey McQuiston (Red, White & Royal Blue)
β
To every person in search of somewhere to belong who happened to pick up this book, I hope you found a place in here, even if just for a few pages. You are loved. I wrote this for you. Keep fighting, keep making history, keep looking after one another.
β
β
Casey McQuiston (Red, White & Royal Blue)
β
Die, enemies of Ra!" Sekhemet yelled. "Perish in agony!"
"She's almost as annoying as you," I told Horus.
"Impossible," Horus said. "No one bests Horus.
β
β
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
β
Okay," I said. "Just a normal afternoon and two normal people."
She nodded. "And so...hypothetically, if these to people likes each other, what would it take to get the stupid guy to kiss the girl, huh?"
"Oh..." I felt like one of Apollo's sacred cows-slow, dumb, and bright red. "Um...
β
β
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
β
I see a world on the edge of a blade. Without balance, it will fall.
β
β
Victoria Aveyard (Red Queen (Red Queen, #1))
β
But the truth is, also, simply this: love is indomitable.
β
β
Casey McQuiston (Red, White & Royal Blue)
β
As Qhuinn looked at his best friend's handsome face, he felt as if he'd never not known that red hair, those blue eyes, those lips, that jaw. And it was because of their long history that he searched for something to say, something that would get them back to where they had been. All that came to him was . . . I miss you. I miss you so fucking bad it hurts, but I don't know how to find you even though you're right in front of me.
β
β
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
β
A towel, [The Hitchhiker's Guide to the Galaxy] says, is about the most massively useful thing an interstellar hitchhiker can have. Partly it has great practical value. You can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapors; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a miniraft down the slow heavy River Moth; wet it for use in hand-to-hand-combat; wrap it round your head to ward off noxious fumes or avoid the gaze of the Ravenous Bugblatter Beast of Traal (such a mind-boggingly stupid animal, it assumes that if you can't see it, it can't see you); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough.
β
β
Douglas Adams (The Hitchhikerβs Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
β
Anyone, anything, can betray anyone. Even your own heart.
β
β
Victoria Aveyard (Glass Sword (Red Queen, #2))
β
Alex snatches a shirt and boxers at random from the floor, shoves them at Henry's chest, and points him towards the closet. "Get in there."
"Quite," he observes.
"Yes, we can unpack the ironic symbolism later. GO.
β
β
Casey McQuiston (Red, White & Royal Blue)
β
The phrase 'see attached bibliography' is the single sexiest thing you have ever written to me.
β
β
Casey McQuiston (Red, White & Royal Blue)
β
If You Forget Me
I want you to know
one thing.
You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.
Well, now,
if little by little you stop loving me
I shall stop loving you little by little.
If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.
If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.
But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.
β
β
Pablo Neruda
β
Well," I said. "If you need me, I'll be outside, playing with sharp objects.
β
β
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
β
Sam laughed, a funny, self-deprecating laugh. "You did read a lot. And spent too much time just inside the kitchen window, where I couldn't see you very well."
"And not enough time mostly naked in front of my bedroom window?" I teased.
Sam turned bright red. "That," he said, "is so not the point of this conversation.
β
β
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
β
I will never make the mistake of loving you ever again."
"So you choose him?"
That's all this ever was. Jealousy. Rivalry. All so shadow could defeat the flame.
β
β
Victoria Aveyard (Red Queen (Red Queen, #1))
β
We lay there and looked up at the night sky and she told me about stars called blue squares and red swirls and I told her I'd never heard of them. Of course not, she said, the really important stuff they never tell you. You have to imagine it on your own.
β
β
Brian Andreas
β
Fear isn't so difficult to understand. After all, weren't we all frightened as children? Nothing has changed since Little Red Riding Hood faced the big bad wolf. What frightens us today is exactly the same sort of thing that frightened us yesterday. It's just a different wolf. This fright complex is rooted in every individual.
β
β
Alfred Hitchcock
β
I have been feeling very clearheaded lately and what I want to write about today is the sea. It contains so many colors. Silver at dawn, green at noon, dark blue in the evening. Sometimes it looks almost red. Or it will turn the color of old coins. Right now the shadows of clouds are dragging across it, and patches of sunlight are touching down everywhere. White strings of gulls drag over it like beads.
It is my favorite thing, I think, that I have ever seen. Sometimes I catch myself staring at it and forget my duties. It seems big enough to contain everything anyone could ever feel.
β
β
Anthony Doerr (All the Light We Cannot See)
β
Should I tell you that when we're apart, your body comes back to me in dreams? That when I sleep, I see you, the dip of your waist, the freckle above your hip, and when I wake up in the morning, it feels like I've just been with you, the phantom touch of your hand on the back of my neck fresh and not imagined? That I can feel your skin against mine, and it makes every bone in my body ache? That, for a few moments, I can hold my breath and be back there with you, in a dream, in a thousand rooms, nowhere at all?
β
β
Casey McQuiston (Red, White & Royal Blue)
β
A lie will raise me up, and one day another lie will bring me down.
β
β
Victoria Aveyard (Red Queen (Red Queen, #1))
β
Dogs do speak, but only to those who know how to listen.
β
β
Orhan Pamuk (My Name Is Red)
β
I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.
β
β
James Joyce (Ulysses)
β
Fair means everyone gets what they need. And the only way to get what you need is to make it happen yourself.
β
β
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
β
There aren't any syringes." Red Sox came over and held a sterile pack out. When she tried to take it from him, he kept a grip on the thing. "I know you'll use this wisely."
"Wisely?" She snapped the syringe out of his hand. "No, I'm going to poke him in the eye with it. Because that's what they trained me to do in medical school.
β
β
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
β
I know exactly how that is. To love somebody who doesnβt deserve it. Because they are all you have. Because any attention is better than no attention. For exactly the same reason, it is sometimes satisfying to cut yourself and bleed. On those gray days where eight in the morning looks no different from noon and nothing has happened and nothing is going to happen and you are washing a glass in the sink and it breaks-accidentally-and punctures your skin. And then there is this shocking red, the brightest thing in the day, so vibrant it buzzes, this blood of yours. That is okay sometimes because at least you know youβre alive.
β
β
Augusten Burroughs (Running with Scissors)
β
If you want to understand any woman you must first ask about her mother and then listen carefully. Stories about food show a strong connection. Wistful silences demonstrate unfinished business. The more a daughter knows about the details of her mother's life - without flinching or whining - the stronger the daughter.
β
β
Anita Diamant (The Red Tent)
β
I know that David Tennant's Hamlet isn't till July. And lots of people are going to be doing Dr Who in Hamlet jokes, so this is just me getting it out of the way early, to avoid the rush...
"To be, or not to be, that is the question. Weeelll.... More of A question really. Not THE question. Because, well, I mean, there are billions and billions of questions out there, and well, when I say billions, I mean, when you add in the answers, not just the questions, weeelll, you're looking at numbers that are positively astronomical and... for that matter the other question is what you lot are doing on this planet in the first place, and er, did anyone try just pushing this little red button?
β
β
Neil Gaiman
β
Far over the misty mountains cold
To dungeons deep and caverns old
We must away ere break of day
To seek the pale enchanted gold.
The dwarves of yore made mighty spells,
While hammers fell like ringing bells
In places deep, where dark things sleep,
In hollow halls beneath the fells.
For ancient king and elvish lord
There many a gleaming golden hoard
They shaped and wrought, and light they caught
To hide in gems on hilt of sword.
On silver necklaces they strung
The flowering stars, on crowns they hung
The dragon-fire, in twisted wire
They meshed the light of moon and sun.
Far over the misty mountains cold
To dungeons deep and caverns old
We must away, ere break of day,
To claim our long-forgotten gold.
Goblets they carved there for themselves
And harps of gold; where no man delves
There lay they long, and many a song
Was sung unheard by men or elves.
The pines were roaring on the height,
The wind was moaning in the night.
The fire was red, it flaming spread;
The trees like torches blazed with light.
The bells were ringing in the dale
And men looked up with faces pale;
The dragon's ire more fierce than fire
Laid low their towers and houses frail.
The mountain smoked beneath the moon;
The dwarves, they heard the tramp of doom.
They fled their hall to dying fall
Beneath his feet, beneath the moon.
Far over the misty mountains grim
To dungeons deep and caverns dim
We must away, ere break of day,
To win our harps and gold from him!
β
β
J.R.R. Tolkien (The Hobbit, or There and Back Again)
β
Take anything you want and know you deserve to have it.
β
β
Casey McQuiston (Red, White & Royal Blue)
β
Those who know what it's like in the dark will do anything to stay in the light.
β
β
Victoria Aveyard (King's Cage (Red Queen, #3))
β
I thought, this is the most incredible thing I have ever seen, and I had better keep it a safe distance away from me. I thought, if someone like that ever loved me, it would set me on fire.
And then I was a careless fool, and I fell in love with you anyway. When you rang me at truly shocking hours of the night, I loved you. When you kissed me in disgusting public toilets and pouted in hotel bars and made me happy in ways in which it had never even occurred to me that a mangled-up, locked-up person like me could be happy, I loved you.
And then, inexplicably, you had the absolute audacity to love me back. Can you believe it?
Sometimes, even now, I still can't.
β
β
Casey McQuiston (Red, White & Royal Blue)
β
To feel anything
deranges you. To be seen
feeling anything strips you
naked. In the grip of it
pleasure or pain doesnβt
matter. You think what
will they do what new
power will they acquire if
they see me naked like
this. If they see you
feeling. You have no idea
what. Itβs not about them.
To be seen is the penalty.
β
β
Anne Carson (Red Doc>)
β
Everyone thinks you've been kidnapped," he said. "We've been scouring the ship. When Coach Hedge finds out- oh, gods, you've been here all night?"
"Frank!" Annabeth's ears were as red as strawberries. "We just came down here to talk. We fell asleep. Accidentally. That's it."
"Kissed a couple of times," Percy said.
Annabeth glared at him. "Not helping!
β
β
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
β
He would have told her - he would have said, it matters not if you are here or there, for I see you before me every moment. I see you in the light of the water, in the swaying of the young trees in the spring wind. I see you in the shadows of the great oaks, I hear your voice in the cry of the owl at night. You are the blood in my veins, and the beating of my heart. You are my first waking thought, and my last sigh before sleeping. You are - you are bone of my bone, and breath of my breath.
β
β
Juliet Marillier (Daughter of the Forest (Sevenwaters, #1))
β
He called Henry the North Star once. That wasnβt bright enough.
β
β
Casey McQuiston (Red, White & Royal Blue)
β
Changing is what people do when they have no options left.
β
β
Holly Black (Red Glove (Curse Workers, #2))
β
Where now are the horse and the rider? Where is the horn that was blowing?
Where is the helm and the hauberk, and the bright hair flowing?
Where is the harp on the harpstring, and the red fire glowing?
Where is the spring and the harvest and the tall corn growing?
They have passed like rain on the mountain, like a wind in the meadow;
The days have gone down in the West behind the hills into shadow.
Who shall gather the smoke of the deadwood burning,
Or behold the flowing years from the Sea returning?
β
β
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
β
I miss you, Eleanor. I want to be with you all the time. Youβre the smartest girl Iβve ever met, and the funniest, and everything you do surprises me. And I wish I could say that those are the reasons I like you, because that would make me sound like a really evolved human being β¦βBut I think itβs got as much to do with your hair being red and your hands being soft β¦ and the fact that you smell like homemade birthday cake
β
β
Rainbow Rowell (Eleanor & Park)
β
I'll make the other scream for you, Mare, every last one. Not just your parents. Not just your siblings. But every single one like you. I'm going to find them, and they will die with you in their thoughts, knowing this is the fate you have brought them. I am the king and you could've been my Red Queen. Now you are nothing.
β
β
Victoria Aveyard (Red Queen (Red Queen, #1))
β
Liars make the best promises.
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
Needle was Robb and Bran and Rickon, her mother and her father, even Sansa. Needle was Winterfell's grey walls, and the laughter of its people. Needle was the summer snows, Old Nan's stories, the heart tree with its red leaves and scary face, the warm earthy smell of the glass gardens, the sound of the north wind rattling the shutters of her room. Needle was Jon Snow's smile. He used to mess my hair and call me "little sister," she remembered, and suddenly there were tears in her eyes.
β
β
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
β
When the lambs is lost in the mountain, he said. They is cry. Sometime come the mother. Sometime the wolf.
β
β
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
β
Painting is the silence of thought and the music of sight.
β
β
Orhan Pamuk (My Name Is Red)
β
Tell me then, does love make one a fool or do only fools fall in love?
β
β
Orhan Pamuk (My Name Is Red)
β
Our baboon was going completely sky goddess - which is to say, nuts.
β
β
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
β
Happy. Just in my swim shorts, barefooted, wild-haired, in the red fire dark, singing, swigging wine, spitting, jumping, runningβthat's the way to live. All alone and free in the soft sands of the beach by the sigh of the sea out there, with the Ma-Wink fallopian virgin warm stars reflecting on the outer channel fluid belly waters. And if your cans are redhot and you can't hold them in your hands, just use good old railroad gloves, that's all.
β
β
Jack Kerouac (The Dharma Bums)
β
A man thinks he can fly, but he is afraid to jump. A poor friend pushes him from behind.β He looks up at me. βA good friend jumps with.
β
β
Pierce Brown (Morning Star (Red Rising, #3))
β
You know the days when you get the mean reds?
Paul Varjak: The mean reds. You mean like the blues?
Holly Golightly: No. The blues are because youβre getting fat, and maybe itβs been raining too long. Youβre just sad, thatβs all. The mean reds are horrible. Suddenly youβre afraid, and you donβt know what youβre afraid of. Do you ever get that feeling?
β
β
Truman Capote (Breakfast at Tiffanyβs and Three Stories)
β
Books, which we mistake for consolation, only add depth to our sorrow.
β
β
Orhan Pamuk (My Name Is Red)
β
He took something out of his jacket and handed it to her. It was a long thin dagger in a leather sheath. The hilt of the dagger was set with a single red stone carved in the shape of a rose.
She shook her head. "I wouldn't even know how to use that--"
He pressed it into her hand, curling her fingers around it. "You'd learn." He dropped his voice. "It's in your blood."
She drew her hand back slowly. "All right."
"I could give you a thigh sheath to put that in," Isabelle offered. "I've got tons."
"CERTAINLY NOT," said Simon.
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
No heart can ever be truly understood. Not even your own.
β
β
Victoria Aveyard (Glass Sword (Red Queen, #2))
β
The staircase that was revealed was lit with a soft red glow.
I feel like I'm walking down into a porn movie," V muttered as they took the steps with care.
Wouldn't that require more black candles for you," Zsadist cracked.
At the bottom of the landing, they looked left and right down a corridor carved out of stone, seeing row after row of...black candles with ruby color flames.
I take that back," Z said, eyeing the display.
We start hearing chick-a-wow-wow shit," V cut in, "can I start calling you Z-packed?"
Not if you want to keep breathing.
β
β
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
β
I welcome questions. I hate assumptions.
β
β
Red Haircrow
β
Inside the snow globe on my father's desk, there was a penguin wearing a red-and-white-striped scarf. When I was little my father would pull me into his lap and reach for the snow globe. He would turn it over, letting all the snow collect on the top, then quickly invert it. The two of us watched the snow fall gently around the penguin. The penguin was alone in there, I thought, and I worried for him. When I told my father this, he said, "Don't worry, Susie; he has a nice life. He's trapped in a perfect world.
β
β
Alice Sebold (The Lovely Bones)
β
I have named you queen.
There are taller than you, taller.
There are purer than you, purer.
There are lovelier than you, lovelier.
But you are the queen.
When you go through the streets
No one recognizes you.
No one sees your crystal crown, no one looks
At the carpet of red gold
That you tread as you pass,
The nonexistent carpet.
And when you appear
All the rivers sound
In my body, bells
Shake the sky,
And a hymn fills the world.
Only you and I,
Only you and I, my love,
Listen to it.
β
β
Pablo Neruda (Love Poems)
β
She said it out loud, the words distributed into a room that was full of cold air and books. Books everywhere! Each wall was armed with overcrowded yet immaculate shelving. It was barely possible to see paintwork. There were all different styles and sizes of lettering on the spines of the black, the red, the gray, the every-colored books. It was one of the most beautiful things Liesel Meminger had ever seen.
With wonder, she smiled.
That such a room existed!
β
β
Markus Zusak (The Book Thief)
β
The blond boy in the red trunks is holding your head underwater because he is trying to kill you, and you deserve it, you do, and you know this, and you are ready to die in this swimming pool because you wanted to touch his hands and lips and this means your life is over anyway. Youβre in eighth grade. You know these things. You know how to ride a dirt bike, and you know how to do long division, and you know that a boy who likes boys is a dead boy, unlessβhe keeps his mouth shut, which is what youβdidn't do, because you are weak and hollow and it doesn't matter anymore.
β
β
Richard Siken (Crush)
β
She blinked. "Hmm? Oh, don't care. What did Anubis look like to you?"
"What did... he looked like a guy. So?"
"A good-looking guy, or a slobbering dog-headed guy?"
"I guess... Not the dog-headed guy."
"I knew it!" Sadie pointed at me as if she'd won an argument.
"Good-looking. I knew it!"
And with a ridiculous grin, she spun around and skipped into the house.
My sister, as I may have mentioned, is a little strange.
β
β
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
β
Most people in Atlanta don't have an accent. It's pretty urban. A lot of people speak gangsta, though," I add jokingly.
"Fo' shiz," he replies in his polite English accent.
I spurt orangey-red soup across the table. St. Clair gives a surprised ha-HA kind of laugh, and I'm laughing too, the painful kind like abdominal crunches. He hands me a napkin to wipe my chin. "Fo'. Shiz." He repeats it solemnly.
Cough cough. "Please don't ever stop saying that. It's too-" I gasp. "Much."
"You oughtn't to have said that. Now I shall have to save it for special occasions."
"My birthday is in February." Cough choke wheeze. "Please don't forget.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
And who are you, the proud Lord said
that I must bow so low?
Only a cat of a different coat,
that's all the truth I know.
In a coat of gold or a coat of red,
a lion still has claws.
And, mine are as long and sharp, my Lord
as long and sharp as yours.
And so he spoke, and so he spoke,
that Lord of Castamere,
but now the rains weep o'er his hall,
with no one there to hear.
Yes, now the rains weep o'er his hall,
and not a soul to hear.
β
β
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
β
The truth about the world, he said, is that anything is possible. Had you not seen it all from birth and thereby bled it of its strangeness it would appear to you for what it is, a hat trick in a medicine show, a fevered dream, a trance bepopulate with chimeras having neither analogue nor precedent, an itinerant carnival, a migratory tentshow whose ultimate destination after many a pitch in many a mudded field is unspeakable and calamitous beyond reckoning.
The universe is no narrow thing and the order within it is not constrained by any latitude in its conception to repeat what exists in one part in any other part. Even in this world more things exist without our knowledge than with it and the order in creation which you see is that which you have put there, like a string in a maze, so that you shall not lose your way. For existence has its own order and that no man's mind can compass, that mind itself being but a fact among others.
β
β
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
β
I don't know you. The only thing I know about you is, you're reading this. I don't know if your happy or not; I don't know whether you're young or not. I sort of hope you're young and sad. If you're old and happy, I can imagine that you'll smile to yourself when you hear me going, he broke my heart. You'll remember someone who broke your heart, and you'll think to yourself, Oh yes, i remember how that feels. But you can't, you smug old git. Oh you'll remember feeling sort of plesantly sad. You might remember listening to music and eating chocolates in your room, or walking along the embankment on your own, wrapped up in a winter coat and feeling lonely and brave. But can you remember how with every mouthful of food it felt like you were biting into your own stomach? Can you remember the taste of red wine as it came back up and into the toilet bowl? Can you remember dreaming every night that you were still together, that he was talking to you gently and touching you, so that every morning when you woke up you had to go through it all over again?
β
β
Nick Hornby (A Long Way Down)
β
Ten little Indian boys went out to dine; One choked his little self and then there were nine.
Nine little Indian boys sat up very late; One overslept himself and then there were eight.
Eight little Indian boys travelling in Devon; One said he'd stay there and then there were seven.
Seven little Indian boys chopping up sticks; One chopped himself in halves and then there were six.
Six little Indian boys playing with a hive; A bumblebee stung one and then there were five.
Five little Indian boys going in for law; One got in Chancery and then there were four.
Four little Indian boys going out to sea; A red herring swallowed one and then there were three.
Three little Indian boys walking in the Zoo; A big bear hugged one and then there were two.
Two little Indian boys sitting in the sun; One got frizzled up and then there was one.
One little Indian boy left all alone; He went and hanged himself and then there were none.
β
β
Agatha Christie (And Then There Were None)
β
A man's at odds to know his mind cause his mind is aught he has to know it with. He can know his heart, but he dont want to. Rightly so. Best not to look in there. It aint the heart of a creature that is bound in the way that God has set for it. You can find meanness in the least of creatures, but when God made man the devil was at his elbow. A creature that can do anything. Make a machine. And a machine to make the machine. And evil that can run itself a thousand years, no need to tend it.
β
β
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
β
It is also then that I wish I believed in some sort of life after life, that in another universe, maybe on a small red planet where we have not legs but tails, where we paddle through the atmosphere like seals, where the air itself is sustenance, composed of trillions of molecules of protein and sugar and all one has to do is open one's mouth and inhale in order to remain alive and healthy, maybe you two are there together, floating through the climate. Or maybe he is closer still: maybe he is that gray cat that has begun to sit outside our neighbor's house, purring when I reach out my hand to it; maybe he is that new puppy I see tugging at the end of my other neighbor's leash; maybe he is that toddler I saw running through the square a few months ago, shrieking with joy, his parents huffing after him; maybe he is that flower that suddenly bloomed on the rhododendron bush I thought had died long ago; maybe he is that cloud, that wave, that rain, that mist. It isn't only that he died, or how he died; it is what he died believing. And so I try to be kind to everything I see, and in everything I see, I see him.
β
β
Hanya Yanagihara (A Little Life)
β
Be silent and listen: have you recognized your madness and do you admit it? Have you noticed that all your foundations are completely mired in madness? Do you not want to recognize your madness and welcome it in a friendly manner? You wanted to accept everything. So accept madness too. Let the light of your madness shine, and it will suddenly dawn on you. Madness is not to be despised and not to be feared, but instead you should give it life...If you want to find paths, you should also not spurn madness, since it makes up such a great part of your nature...Be glad that you can recognize it, for you will thus avoid becoming its victim. Madness is a special form of the spirit and clings to all teachings and philosophies, but even more to daily life, since life itself is full of craziness and at bottom utterly illogical. Man strives toward reason only so that he can make rules for himself. Life itself has no rules. That is its mystery and its unknown law. What you call knowledge is an attempt to impose something comprehensible on life.
β
β
C.G. Jung (The Red Book: A Reader's Edition)
β
I turned in my seat. Willβs face was in shadow and I couldnβt quite make it out.
βJust hold on. Just for a minute.β
βAre you all right?β I found my gaze dropping towards his chair, afraid some part of him was pinched, or trapped, that I had got something wrong.
βIβm fine. I just . . . β
I could see his pale collar, his dark suit jacket a contrast against it.
βI donβt want to go in just yet. I just want to sit and not have to think about . . . β He swallowed.
Even in the half-dark it seemed effortful.
βI just . . . want to be a man who has been to a concert with a girl in a red dress. Just for a few minutes more.β
I released the door handle.
βSure.β
I closed my eyes and lay my head against the headrest, and we sat there together for a while longer, two people lost in remembered music, half hidden in the shadow of a castle on a moonlit hill.
β
β
Jojo Moyes (Me Before You (Me Before You, #1))
β
They pulled apart when Keefe shouted, "YOU GUYS HAVE TO SEE THIS!"
They ran to the main room and found Keefe standing under the skylight, holding up Mr. Snuggles like it was a baby lion about to be made king. The sparkly red dragon twinkled almost as much as Keefe's eyes as he said, "I went in to check on our boy and found him cuddling with THIS!"
"Isn't that the same dragon Fitz brought to your house that one time?" Dex asked Sophie.
"WHAT?" Keefe shouted. "YOU KNEW AND YOU DIDN'T TELL ME?!"
"Mr. Snuggles wasn't my secret to share," Sophie said.
"IT'S NAME IS MR. SNUGGLES?! That is... I can't even..." Keefe ran back to Fitz's room shouting, "ARE YOU MISSING YOUR SNUGGLE BUDDY?!"
"Fitz is going to die of embarrassment, you know that, right?" Biana asked.
β
β
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
β
Tell me about the dream where we pull the bodies out of the lake
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββand dress them in warm clothes again.
ββββββββββHow it was late, and no one could sleep, the horses running
until they forget that they are horses.
ββββββββββββββββββββItβs not like a tree where the roots have to end somewhere,
ββββββββββitβs more like a song on a policemanβs radio,
ββββββββββββββββββββββββββββββhow we rolled up the carpet so we could dance, and the days
were bright red, and every time we kissed there was another apple
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββto slice into pieces.
Look at the light through the windowpane. That means itβs noon, that means
ββββββββββwe're inconsolable.
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββTell me how all this, and love too, will ruin us.
These, our bodies, possessed by light.
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββTell me weβll never get used to it.
β
β
Richard Siken (Crush)
β
Then came the march past the victims. The two men were no longer alive. Their tongues were hanging out, swollen and bluish. But the third rope was still moving: the child, too light, was still breathing...
And so he remained for more than half an hour, lingering between life and death, writhing before our eyes.
And we were forced to look at him at close range. He was still alive when I passed him. His tongue was still red, his eyes not yet extinguished.
Behind me, I heard the same man asking:
"For God's sake, where is God?"
And from within me, I heard a voice answer:
"Where He is? This is where--hanging here from this gallows..."
That night, the soup tasted of corpses.
β
β
Elie Wiesel (Night)
β
From childhood's hour I have not been
As others were; I have not seen
As others saw; I could not bring
My passions from a common spring.
From the same source I have not taken
My sorrow; I could not awaken
My heart to joy at the same tone;
And all I loved, I loved alone.
Then- in my childhood, in the dawn
Of a most stormy life- was drawn
From every depth of good and ill
The mystery which binds me still:
From the torrent, or the fountain,
From the red cliff of the mountain,
From the sun that round me rolled
In its autumn tint of gold,
From the lightning in the sky
As it passed me flying by,
From the thunder and the storm,
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view.
β
β
Edgar Allan Poe (Alone)
β
Benedicto: May your trails be crooked, winding, lonesome, dangerous, leading to the most amazing view. May your mountains rise into and above the clouds. May your rivers flow without end, meandering through pastoral valleys tinkling with bells, past temples and castles and poets towers into a dark primeval forest where tigers belch and monkeys howl, through miasmal and mysterious swamps and down into a desert of red rock, blue mesas, domes and pinnacles and grottos of endless stone, and down again into a deep vast ancient unknown chasm where bars of sunlight blaze on profiled cliffs, where deer walk across the white sand beaches, where storms come and go as lightning clangs upon the high crags, where something strange and more beautiful and more full of wonder than your deepest dreams waits for you -- beyond that next turning of the canyon walls.
β
β
Edward Abbey
β
Yes,β I whisper. The red blinking light on one of the cameras catches my eye. I know Iβm being recorded. βYes,β I say more forcefully. Everyone is drawing away from meβGale, Cressida, the insectsβgiving me the stage. But I stay focused on the red light. βI want to tell the rebels that I am alive. That Iβm right here in District Eight, where the Capitol has just bombed a hospital full of unarmed men, women, and children. There will be no survivors.β The shock Iβve been feeling begins to give way to fury. βI want to tell people that if you think for one second the Capitol will treat us fairly if thereβs a cease-fire, youβre deluding yourself. Because you know who they are and what they do.β My hands go out automatically, as if to indicate the whole horror around me. βThis is what they do! And we must fight back!β
Iβm moving in toward the camera now, carried forward by my rage. βPresident Snow says heβs sending us a message? Well, I have one for him. You can torture us and bomb us and burn our districts to the ground, but do you see that?β One of the cameras follows as I point to the planes burning on the roof of the warehouse across from us. The Capitol seal on a wing glows clearly through the flames. βFire is catching!β I am shouting now, determined that he will not miss a word. βAnd if we burn, you burn with us!
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
Still, I wonder if we shall ever be put into songs or tales. We're in one, of course, but I mean: put into words, you know, told by the fireside, or read out of a great big book with red and black letters, years and years afterwards. And people will say: "Let's hear about Frodo and the Ring!" And they will say: "Yes, that's one of my favourite stories. Frodo was very brave, wasn't he, dad?" "Yes, my boy, the famousest of the hobbits, and that's saying a lot."
'It's saying a lot too much,' said Frodo, and he laughed, a long clear laugh from his heart. Such a sound had not been heard in those places since Sauron came to Middle-earth. To Sam suddenly it seemed as if all the stones were listening and the tall rocks leaning over them. But Frodo did not heed them; he laughed again. 'Why, Sam,' he said, 'to hear you somehow makes me as merry as if the story was already written. But you've left out one of the chief characters: Samwise the stouthearted. "I want to hear more about Sam, dad. Why didn't they put in more of his talk, dad? That's what I like, it makes me laugh. And Frodo wouldn't have got far without Sam, would he, dad?"'
'Now, Mr. Frodo,' said Sam, 'you shouldn't make fun. I was serious.'
'So was I,' said Frodo, 'and so I am.
β
β
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
β
I decline to accept the end of man. It is easy enough to say that man is immortal simply because he will endure: that when the last dingdong of doom has clanged and faded from the last worthless rock hanging tideless in the last red and dying evening, that even then there will still be one more sound: that of his puny inexhaustible voice, still talking. I refuse to accept this. I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance. The poet's, the writer's, duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.
β
β
William Faulkner (Nobel Prize in Literature Acceptance Speech, 1949)
β
For millions of years flowers have been producing thorns. For millions of years sheep have been eating them all the same. And it's not serious, trying to understand why flowers go to such trouble to produce thorns that are good for nothing? It's not important, the war between the sheep and the flowers? It's no more serious and more important than the numbers that fat red gentleman is adding up? Suppose I happen to know a unique flower, one that exists nowhere in the world except on my planet, one that a little sheep can wipe out in a single bite one morning, just like that, without even realizing what he'd doing - that isn't important? If someone loves a flower of which just one example exists among all the millions and millions of stars, that's enough to make him happy when he looks at the stars. He tells himself 'My flower's up there somewhere...' But if the sheep eats the flower, then for him it's as if, suddenly, all the stars went out. And that isn't important?
β
β
Antoine de Saint-ExupΓ©ry (The Little Prince)
β
He's not-" Daniel started to say. He watched a red-tailed hawk land in an oak tree over their heads. "He's not good enough for you."
Luce had heard people say that line a thousand times before. It was what everyone always said. Not good enough. But when the words passed Daniel's lips, they sounded important, even somehow true and relevant, not vague and dismissive the way the phrase had always sounded to her in the past.
"Well, then," she said in a quiet voice, "who is?"
Daniel put his hands on his hips. He laughed to himself for a long time. "I don't know," he said finally. "That's a terrific question."
Not exactly the answer Luce was looking for. "It's not like it's that hard," she said, stuffing her hands into her pockets because she wanted to reach out for him. "To be good enough for me."
Daniel's eyes looked like they were falling, all the violet that had been in them a moment before turned a deep, dark gray. "Yes," he said. "Yes, it is.
β
β
Lauren Kate
β
So, imagine weβre all born with a set of feelings. Some are broader or deeper than others, but for everyone, thereβs that ground floor, a bottom crust of the pie. Thatβs the maximum depth of feeling youβve ever experienced. And then, the worst thing happens to you. The very worst thing that could have happened. The thing you had nightmares about as a child, and you thought, itβs all right because that thing will happen to me when Iβm older and wiser, and Iβll have felt so many feelings by then that this one worst feeling, the worst possible feeling, wonβt seem so terrible.
βBut it happens to you when youβre young. It happens when your brain isnβt even fully done cookingβwhen youβve barely experienced anything, really. The worst thing is one of the first big things that ever happens to you in your life. It happens to you, and it goes all the way down to the bottom of what you know how to feel, and it rips it open and carves out this chasm down below to make room. And because you were so young, and because it was one of the first big things to happen in your life, youβll always carry it inside you. Every time something terrible happens to you from then on, it doesnβt just stop at the bottom βit goes all the way down.
β
β
Casey McQuiston (Red, White & Royal Blue)
β
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your
and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
β
β
Sarah Kane (Crave)
β
I want you to know
one thing.
You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.
Well, now,
if little by little you stop loving me
I shall stop loving you little by little.
If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.
If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.
But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.
β
β
Pablo Neruda (If You Forget Me)
β
Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.Β
The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the parkβs wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read βKinship of the Serpentβ. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?Β Worse, would they expect me to redon the life Iβve shed? Staring at that sign, I pissed in the street like the Mearan savage Iβve become.
As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsaβs lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.Β The woman wasnβt a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.Β
She refused, βI take naught for naught,β and began to remove trinkets from a cloth bag, displaying them for sale.
Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. βWhat do you desire, O Noble Born?β
I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.
Β βNay, Noble One. You must choose.β She lifted a strand of red beads. βThese to adorn your ladyβs bosom?β
Β Β Β Β Β Β Β Β Β Β Β I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldnβt ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. βBe this worthy of desire, Noble Born?β
Β I stood stunned a moment, then touched the crescent stamped into the leather and asked if sheβd stolen the book. She denied it. Iβve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank.
βTake it,β she urged. βRecord your deeds for study. Lo, the steps of your life mark the journey of your soul.β
Β I told her I couldnβt afford the book, but she smiled as if poverty were a blessing and said, βThe price be one copper. Tis a wee price for salvation, Noble One.β
Β So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didnβt. I promised to record my deeds. But I canβt. The price is too high.
β
β
K. Ritz (Sheever's Journal, Diary of a Poison Master)
β
A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained wedding veil and some in headgear or cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a Spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or sabre done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses' ears and tails worked with bits of brightly colored cloth and one whose horse's whole head was painted crimson red and all the horsemen's faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools.
β
β
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
β
Some catastrophic moments invite clarity, explode in split moments: You smash your hand through a windowpane and then there is blood and shattered glass stained with red all over the place; you fall out a window and break some bones and scrape some skin. Stitches and casts and bandages and antiseptic solve and salve the wounds. But depression is not a sudden disaster. It is more like a cancer: At first its tumorous mass is not even noticeable to the careful eye, and then one day -- wham! -- there is a huge, deadly seven-pound lump lodged in your brain or your stomach or your shoulder blade, and this thing that your own body has produced is actually trying to kill you. Depression is a lot like that: Slowly, over the years, the data will accumulate in your heart and mind, a computer program for total negativity will build into your system, making life feel more and more unbearable. But you won't even notice it coming on, thinking that it is somehow normal, something about getting older, about turning eight or turning twelve or turning fifteen, and then one day you realize that your entire life is just awful, not worth living, a horror and a black blot on the white terrain of human existence. One morning you wake up afraid you are going to live.
In my case, I was not frightened in the least bit at the thought that I might live because I was certain, quite certain, that I was already dead. The actual dying part, the withering away of my physical body, was a mere formality. My spirit, my emotional being, whatever you want to call all that inner turmoil that has nothing to do with physical existence, were long gone, dead and gone, and only a mass of the most fucking god-awful excruciating pain like a pair of boiling hot tongs clamped tight around my spine and pressing on all my nerves was left in its wake.
That's the thing I want to make clear about depression: It's got nothing at all to do with life. In the course of life, there is sadness and pain and sorrow, all of which, in their right time and season, are normal -- unpleasant, but normal. Depression is an altogether different zone because it involves a complete absence: absence of affect, absence of feeling, absence of response, absence of interest. The pain you feel in the course of a major clinical depression is an attempt on nature's part (nature, after all, abhors a vacuum) to fill up the empty space. But for all intents and purposes, the deeply depressed are just the walking, waking dead.
And the scariest part is that if you ask anyone in the throes of depression how he got there, to pin down the turning point, he'll never know. There is a classic moment in The Sun Also Rises when someone asks Mike Campbell how he went bankrupt, and all he can say in response is, 'Gradually and then suddenly.' When someone asks how I love my mind, that is all I can say too
β
β
Elizabeth Wurtzel (Prozac Nation)
β
Peeta,β I say lightly. βYou said at the interview youβd had a crush on me forever. When did forever start?β
βOh, letβs see. I guess the first day of school. We were five. You had on a red plaid dress and your hair... it was in two braids instead of one. My father pointed you out when we were waiting to line up,β Peeta says.
βYour father? Why?β I ask.
βHe said, βSee that little girl? I wanted to marry her mother, but she ran off with a coal miner,ββ Peeta says.
βWhat? Youβre making that up!β I exclaim.
βNo, true story,β Peeta says. βAnd I said, βA coal miner? Why did she want a coal miner if she couldβve had you?β And he said, βBecause when he sings... even the birds stop to listen.ββ
βThatβs true. They do. I mean, they did,β I say. Iβm stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think itβs a waste of time. It might be because it reminds me too much of my father.
βSo that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent,β Peeta says.
βOh, please,β I say, laughing.
βNo, it happened. And right when your song ended, I knewβjust like your motherβI was a goner,β Peeta says. βThen for the next eleven years, I tried to work up the nerve to talk to you.β
βWithout success,β I add.
βWithout success. So, in a way, my name being drawn in the reaping was a real piece of luck,β says Peeta. For a moment, Iβm almost foolishly happy and then confusion sweeps over me. Because weβre supposed to be making up this stuff, playing at being in love not actually being in love. But Peetaβs story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I donβt remember the song. And that red plaid dress... there was one, a hand-me-down to Prim that got washed to rags after my fatherβs death.
It would explain another thing, too. Why Peeta took a beating to give me the bread on that awful hollow day. So, if those details are true... could it all be true?
βYou have a... remarkable memory,β I say haltingly. βI remember everything about you,β says Peeta, tucking a loose strand of hair behind my ear. βYouβre the one who wasnβt paying attention.β
βI am now,β I say.
βWell, I donβt have much competition here,β he says. I want to draw away, to close those shutters again, but I know I canβt. Itβs as if I can hear Haymitch whispering in my ear, βSay it! Say it!β
I swallow hard and get the words out. βYou donβt have much competition anywhere.β And this time, itβs me who leans in.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
LADY LAZARUS
I have done it again.
One year in every ten
I manage it--
A sort of walking miracle, my skin
Bright as a Nazi lampshade,
My right foot
A paperweight,
My face a featureless, fine
Jew linen.
Peel off the napkin
O my enemy.
Do I terrify?--
The nose, the eye pits, the full set of teeth?
The sour breath
Will vanish in a day.
Soon, soon the flesh
The grave cave ate will be
At home on me
And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.
This is Number Three.
What a trash
To annihilate each decade.
What a million filaments.
The peanut-crunching crowd
Shoves in to see
Them unwrap me hand and foot--
The big strip tease.
Gentlemen, ladies
These are my hands
My knees.
I may be skin and bone,
Nevertheless, I am the same, identical woman.
The first time it happened I was ten.
It was an accident.
The second time I meant
To last it out and not come back at all.
I rocked shut
As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.
Dying
Is an art, like everything else.
I do it exceptionally well.
I do it so it feels like hell.
I do it so it feels real.
I guess you could say I've a call.
It's easy enough to do it in a cell.
It's easy enough to do it and stay put.
It's the theatrical
Comeback in broad day
To the same place, the same face, the same brute
Amused shout:
'A miracle!'
That knocks me out.
There is a charge
For the eyeing of my scars, there is a charge
For the hearing of my heart--
It really goes.
And there is a charge, a very large charge
For a word or a touch
Or a bit of blood
Or a piece of my hair or my clothes.
So, so, Herr Doktor.
So, Herr Enemy.
I am your opus,
I am your valuable,
The pure gold baby
That melts to a shriek.
I turn and burn.
Do not think I underestimate your great concern.
Ash, ash--
You poke and stir.
Flesh, bone, there is nothing there--
A cake of soap,
A wedding ring,
A gold filling.
Herr God, Herr Lucifer
Beware
Beware.
Out of the ash
I rise with my red hair
And I eat men like air.
-- written 23-29 October 1962
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Sylvia Plath (Ariel)
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[The Old Astronomer to His Pupil]
Reach me down my Tycho Brahe, I would know him when we meet,
When I share my later science, sitting humbly at his feet;
He may know the law of all things, yet be ignorant of how
We are working to completion, working on from then to now.
Pray remember that I leave you all my theory complete,
Lacking only certain data for your adding, as is meet,
And remember men will scorn it, 'tis original and true,
And the obloquy of newness may fall bitterly on you.
But, my pupil, as my pupil you have learned the worth of scorn,
You have laughed with me at pity, we have joyed to be forlorn,
What for us are all distractions of men's fellowship and smiles;
What for us the Goddess Pleasure with her meretricious smiles.
You may tell that German College that their honor comes too late,
But they must not waste repentance on the grizzly savant's fate.
Though my soul may set in darkness, it will rise in perfect light;
I have loved the stars too fondly to be fearful of the night.
What, my boy, you are not weeping? You should save your eyes for sight;
You will need them, mine observer, yet for many another night.
I leave none but you, my pupil, unto whom my plans are known.
You 'have none but me,' you murmur, and I 'leave you quite alone'?
Well then, kiss me, -- since my mother left her blessing on my brow,
There has been a something wanting in my nature until now;
I can dimly comprehend it, -- that I might have been more kind,
Might have cherished you more wisely, as the one I leave behind.
I 'have never failed in kindness'? No, we lived too high for strife,--
Calmest coldness was the error which has crept into our life;
But your spirit is untainted, I can dedicate you still
To the service of our science: you will further it? you will!
There are certain calculations I should like to make with you,
To be sure that your deductions will be logical and true;
And remember, 'Patience, Patience,' is the watchword of a sage,
Not to-day nor yet to-morrow can complete a perfect age.
I have sown, like Tycho Brahe, that a greater man may reap;
But if none should do my reaping, 'twill disturb me in my sleep
So be careful and be faithful, though, like me, you leave no name;
See, my boy, that nothing turn you to the mere pursuit of fame.
I must say Good-bye, my pupil, for I cannot longer speak;
Draw the curtain back for Venus, ere my vision grows too weak:
It is strange the pearly planet should look red as fiery Mars,--
God will mercifully guide me on my way amongst the stars.
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Sarah Williams (Twilight Hours: A Legacy of Verse)