Pretend Like Nothing Happened Quotes

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Don't exist. Live. Get out, explore. Thrive. Challenge authority. Challenge yourself. Evolve. Change forever. Become who you say you always will. Keep moving. Don't stop. Start the revolution. Become a freedom fighter. Become a superhero. Just because everyone doesn't know your name doesn't mean you dont matter. Are you happy? Have you ever been happy? What have you done today to matter? Did you exist or did you live? How did you thrive? Become a chameleon-fit in anywhere. Be a rockstar-stand out everywhere. Do nothing, do everything. Forget everything, remember everyone. Care, don't just pretend to. Listen to everyone. Love everyone and nothing at the same time. Its impossible to be everything,but you can't stop trying to do it all. All I know is that I have no idea where I am right now. I feel like I am in training for something, making progress with every step I take. I fear standing still. It is my greatest weakness. I talk big, but often don't follow through. That's my biggest problem. I don't even know what to think right now. It's about time I start to take a jump. Fuck starting to take. Just jump-over everything. Leap. It's time to be aggressive. You've started to speak your mind, now keep going with it, but not with the intention of sparking controversy or picking a germane fight. Get your gloves on, it's time for rebirth. There IS no room for the nice guys in the history books. THIS IS THE START OF A REVOLUTION. THE REVOLUTION IS YOUR LIFE. THE GOAL IS IMMORTALITY. LET'S LIVE, BABY. LET'S FEEL ALIVE AT ALL TIMES. TAKE NO PRISONERS. HOLD NO SOUL UNACCOUNTABLE, ESPECIALLY NOT YOUR OWN. IF SOMETHING DOESN'T HAPPEN, IT'S YOUR FAULT. Make this moment your reckoning. Your head has been held under water for too long and now it is time to rise up and take your first true breath. Do everything with exact calculation, nothing without meaning. Do not make careful your words, but make no excuses for what you say. Fuck em' all. Set a goal for everyday and never be tired.
Brian Krans (A Constant Suicide)
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.” Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?” … “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.” “You don’t have to do this, Clary, it’s a trick—” (Simon) ...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.” “That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too. Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count. He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said. Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough. His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud... His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up. ...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?” The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Start by pulling him out of the fire and hoping that he will forget the smell. He was supposed to be an angel but they took him from that light and turned him into something hungry, something that forgets what his hands are for when they aren’t shaking. He will lose so much, and you will watch it all happen because you had him first, and you would let the world break its own neck if it means keeping him. Start by wiping the blood off of his chin and pretending to understand. Repeat to yourself “I won’t leave you, I won’t leave you” until you fall asleep and dream of the place where nothing is red. When is a monster not a monster? Oh, when you love it. Oh, when you used to sing it to sleep. Here are your upturned hands. Give them to him and watch how he prays like he is learning his first words. Start by pulling him out of another fire, and putting him back together with the pieces you find on the floor. There is so much to forgive, but you do not know how to forget. When is a monster not a monster? Oh, when you are the reason it has become so mangled. Here is your humble offering, obliterated and broken in the mouth of this abandoned church. He has come back to stop the world from turning itself inside out, and you love him, you do, so you won’t let him. Tell him that you will never know any better.
Caitlyn Siehl
Even if something happens to us, even if we die and never have to deal with them again, the same thing will happen to someone, somewhere. The same thing. The weak always go through this, and there’s nothing we can do about it. Because the strong never go away. That’s why you want to pretend to be like them, isn’t it? You want to join them.
Mieko Kawakami (Heaven)
I work all day, and get half-drunk at night. Waking at four to soundless dark, I stare. In time the curtain-edges will grow light. Till then I see what’s really always there: Unresting death, a whole day nearer now, Making all thought impossible but how And where and when I shall myself die. Arid interrogation: yet the dread Of dying, and being dead, Flashes afresh to hold and horrify. The mind blanks at the glare. Not in remorse —The good not done, the love not given, time Torn off unused—nor wretchedly because An only life can take so long to climb Clear of its wrong beginnings, and may never; But at the total emptiness for ever, The sure extinction that we travel to And shall be lost in always. Not to be here, Not to be anywhere, And soon; nothing more terrible, nothing more true. This is a special way of being afraid No trick dispels. Religion used to try, That vast moth-eaten musical brocade Created to pretend we never die, And specious stuff that says No rational being Can fear a thing it will not feel, not seeing That this is what we fear—no sight, no sound, No touch or taste or smell, nothing to think with, Nothing to love or link with, The anaesthetic from which none come round. And so it stays just on the edge of vision, A small unfocused blur, a standing chill That slows each impulse down to indecision. Most things may never happen: this one will, And realisation of it rages out In furnace-fear when we are caught without People or drink. Courage is no good: It means not scaring others. Being brave Lets no one off the grave. Death is no different whined at than withstood. Slowly light strengthens, and the room takes shape. It stands plain as a wardrobe, what we know, Have always known, know that we can’t escape, Yet can’t accept. One side will have to go. Meanwhile telephones crouch, getting ready to ring In locked-up offices, and all the uncaring Intricate rented world begins to rouse. The sky is white as clay, with no sun. Work has to be done. Postmen like doctors go from house to house.
Philip Larkin (Collected Poems)
Ron seems to be enjoying the celebrations.” said Hermione. “Don’t pretend you didn’t see him. He wasn’t exactly hiding it, was — ?” The door behind them burst open. To Harry’s horror, Ron came in, laughing, pulling Lavender by the hand. “Oh,” he said, drawing up short at the sight of Harry and Hermione. “Oops!” said Lavender, and she backed out of the room, giggling. There was a horrible, swelling, billowing silence. Hermione was staring at Ron, who refused to look at her. She walked very slowly and erectly toward the door. Harry glanced at Ron, who was looking relieved that nothing worse had happened. “Oppugno!” came a shriek from the doorway. Harry spun around [...] The little flock of birds was speeding like a hail of fat golden bullets toward Ron, pecking and clawing at every bit of flesh they could reach. “Gerremoffme!” he yelled, but with one last look of vindictive fury, Hermione wrenched open the door and disappeared through it. Harry thought he heard a sob before it slammed.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Betrayal is too kind a word to describe a situation in which a father says he loves his daughter but claims he must teach her about the horrors of the world in order to make her a stronger person; a situation in which he watches or participates in rituals that make her feel like she is going to die. She experiences pain that is so intense that she cannot think; her head spins so fast she can't remember who she is or how she got there. All she knows is pain. All she feels is desperation. She tries to cry out for help, but soon learns that no one will listen. No matter how loud she cries, she can't stop or change what is happening. No matter what she does, the pain will not stop. Her father orders her to be tortured and tells her it is for her own good. He tells her that she needs the discipline, or that she has asked for it by her misbehavior. Betrayal is too simple a word to describe the overwhelming pain, the overwhelming loneliness and isolation this child experiences. As if the abuse during the rituals were not enough, this child experiences similar abuse at home on a daily basis. When she tries to talk about her pain, she is told that she must be crazy. "Nothing bad has happened to you;' her family tells her Each day she begins to feel more and more like she doesn't know what is real. She stops trusting her own feelings because no one else acknowledges them or hears her agony. Soon the pain becomes too great. She learns not to feel at all. This strong, lonely, desperate child learns to give up the senses that make all people feel alive. She begins to feel dead. She wishes she were dead. For her there is no way out. She soon learns there is no hope. As she grows older she gets stronger. She learns to do what she is told with the utmost compliance. She forgets everything she has ever wanted. The pain still lurks, but it's easier to pretend it's not there than to acknowledge the horrors she has buried in the deepest parts of her mind. Her relationships are overwhelmed by the power of her emotions. She reaches out for help, but never seems to find what she is looking for The pain gets worse. The loneliness sets in. When the feelings return, she is overcome with panic, pain, and desperation. She is convinced she is going to die. Yet, when she looks around her she sees nothing that should make her feel so bad. Deep inside she knows something is very, very wrong, but she doesn't remember anything. She thinks, "Maybe I am crazy.
Margaret Smith (Ritual Abuse: What It Is, Why It Happens, and How to Help)
You were not acting. You were not pretending." The teasing dropped from his tone as his voice hardened. "You were riding my hand, and Ivy, there isn't a damn thing wrong with that. What's wrong is that you're acting like nothing happened between us. That's total shit. You lit up for me like a damn firework and I barely touched you.
Jennifer L. Armentrout (Wicked (A Wicked Trilogy #1))
I can't pretend like it never happened" I told her. "You shouldn't - you should never forget. But part of surviving is being able to move on. There's is this word: "nothing like it exists in the English language. It's Portuguese. SAUDADE. Do you know that one?" "It's more ... there's no perfect definition. Its more of an expression of feeling-of terrible sadness. Its the felling you get when you realize something you once lost is lost forever, and you can never get it back again." It's true that you can't reclaim what you had, but you can lock it up behind you. Start fresh.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
There is no father,’ he said eventually, ‘And I believe you’re running away from something. You’re a lovely woman trying to hold it all together but it’s too much for you. You think I’m a stupid old man who doesn’t care what he looks like and sits here day after day with nothing to do. And doesn’t notice anything. But you don’t know what’s here inside …’ he laid his arm across his chest, ‘My soul and my heart and my mind. There is so much in here it’s bursting and roving around the world like a lost soul with no home, endlessly looking and searching. I feel the mystery, I sense the mysteries – and the endless joy and the wonder and incredible beauty of the world and the pain and the cruelty. You feel all this too Sarah, but you pretend you’re a shallow woman with some sort of story, and underneath you think about … many things. Which of my books are you itching to get your hands on, huh? And you’re carrying the pain around with you, and something has just happened, and you are worried and, something has happened in the last few minutes and it’s all more than you can bear, and you need to tell me, yes me, Samuel. I am so much more than you think I am, and I can understand, and I can help.’ Ruby looked up startled and their eyes met. ‘I am so tired,’ she said, ‘Yes, you are right. I am so very tired of it all.' 
Elizabeth Tebby Germaine (A MAN WHO SEEMED REAL: A story of love, lies, fear and kindness)
God! You'll do anything to avoid it.' Avoid what?' my mother said. The past,' Caroline said. 'Our past. I'm tired of acting like nothing ever happened, of pretending he was never here, of not seeing his pictures in the house, or his things Just because you're not able to let yourself grieve.' Don't,' my mother said, her voice low, 'talk to me about grief. You have no idea.' I do, though.' Caroline's voice caught, and she swallowed. 'I'm not trying to hide that I'm sad. I'm not trying to forget. You hide here behind all these plans for houses and townhouses because they're new and perfect and don't remind you of anything.' Stop it,' my mother said. And look at Macy,' Caroline continued, ignoring this.' Do you even know what you're doing to her?' My mother looked at me, and I shrank back, trying to stay out of this. 'Macy is fine,' my mother said. No, she's not. God you always say that, but she's not.' Caroline looked at me, as if she wanted me to jump in, but I just sat there. 'Have you even been paying the least bit of attention to what's going on with her? She's been miserable since Dad died, pushing herself so hard to please you. And then, this summer, she finally finds some friends and something she likes to do. But then one tiny slipup, and you take it all away from her.' That has nothing to do with what we're talking about,' my mother said. It has everything to do with it,' Caroline shot back. 'She was finally getting over what happened. Couldn't you see the change in her? I could, and I was berely here. She was different.' Exactly,' my mother said. 'She was-' Happy,' Caroline finished for her. 'She was starting to live her life again, and it scared you. Just like me redoing the beach house scares you. You think you're so strong becasue you never talk about Dad. Anyone can hide. Facing up to things, working through them, that's what makes you strong.
Sarah Dessen (The Truth About Forever)
Amanda: This weekend was wonderful, but it isn't real life. It was more like a honeymoon, and after a while the excitement will wear off. We can tell ourselves it won't happen, we can make all the promises we want, but it's inevitable, and after that you'll never look at me the way you do now. I won't be the woman you dream about, or the girl you used to love. And you won't be my long-lost love, my one true thing anymore, either. You'll be someone my kids despise because you ruined the family, and you'll see me for who I really am. In a few years, I'll simply be a woman pushing fifty with three kids who might or might not hate her, and who might end up hating herself because of all this. And in the end, you'll end up hating her, too. Dawson: That's not true. Amanda: But it is. Honeymoons always come to an end. Dawson: Being together isn't about a honeymoon. It's about the real you and me. I want to wake up with you beside me in the mornings, I want to spend my evenings looking at you across the dinner table. I want to share every mundane detail of my day with you and hear every detail of yours. I want to laugh with you and fall asleep with you in my arms. Because you aren't just someone I loved back then. You were my best friend, my best self, and I can't imagine giving that up again. You might not understand, but I gave you the best of me, and after you left, nothing was ever the same. I know you're afraid, and I'm afraid, too. But if we let this go, if we pretend none of this ever happened, then I'm not sure we'll ever get another chance. We're still young. We still have time to make this right. Amanda: We're not that young anymore- Dawson: But we are. We still have the rest of our lives. Amanda: I know. That's why I need you to do something for me. Dawson: Anything. Amanda: Please...don't ask me to go with you, because if you do, I'll go. Please don't ask me to tell Frank about us, because I'll do that, too. Please don't ask me to give up my responsibilities or break up my family. I love you, and if you love me, too, then you just can't ask me to do these things. Because I don't trust myself enough to say no.
Nicholas Sparks (The Best of Me)
I know other people who are like me... They are brilliant and amazing and forever broken. I'm lucky that although Victor doesn't understand it, he tries to understand, telling me, "Relax. There's absolutely nothing to panic about." I smile gratefully at him and pretend that's all I needed to hear and that this is just a silly phase that will pass one day. I know there's nothing to panic about. And that's exactly what makes it so much worse.
Jenny Lawson (Let's Pretend This Never Happened: A Mostly True Memoir)
I think what's happened, Marlee, is that you've realized the world isn't an addition problem. We tell kids that sometimes. We pretend the world is straightforward, simple, easy. You do this, you get that. You're a good person and try your best, and nothing bad will happen. But the truth is, the world is much more like an algebraic equation. With variables and changes, complicated and messy. Sometimes there's more than one answer, and sometimes there is none. Sometimes we don't even know how to solve the problem. But usually, if we take things step by step, we can figure things out. You just have to remember to factor the equation, break it down into smaller parts.
Kristin Levine (The Lions of Little Rock)
The child inside me wouldn't stop crying. Every time it loses something so important to it. A person or a thing it loves the most, I pretend like nothing happened. But I hear it sobbing helplessly inside me. And the pathetic part of all this is, It neither grows up nor dies. Every time I stand in front of a mirror, it stares at me through my eyes. With its tear-stained face and that intense eyes that rip my ribs apart and the cry of it echoes through every room of my soul.
Akshay Vasu
How ... how fragile situations are. But not tenuous. Delicate, but not flimsy, not indulgent. Delicate, that's why they keep breaking, they must break and you must get the pieces together and show it before it breaks again, or put them aside for a moment when something else breaks and turn to that, and all this keeps going on. That's why most writing now, if you read it they go on one two three four and tell you what happened like newspaper accounts, no adjectives, no long sentences, no tricks they pretend, and they finally believe that they really believe that the way they saw it is the way it is ... it never takes your breath away, telling you things you already know, laying everything out flat, as though the terms and the time, and the nature and the movement of everything were secrets of the same magnitude. They write for people who read with the surface of their minds, people with reading habits that make the smallest demands on them, people brought up reading for facts, who know what's going to come next and want to know what's coming next, and get angry at surprises. Clarity's essential, and detail, no fake mysticism, the facts are bad enough. But we're embarrassed for people who tell too much, and tell it without surprise. How does he know what happened? unless it's one unshaven man alone in a boat, changing I to he, and how often do you get a man alone in a boat, in all this ... all this ... Listen, there are so many delicate fixtures, moving toward you, you'll see. Like a man going into a dark room, holding his hands down guarding his parts for fear of a table corner, and ... Why, all this around us is for people who can keep their balance only in the light, where they move as though nothing were fragile, nothing tempered by possibility, and all of a sudden bang! something breaks. Then you have to stop and put the pieces together again. But you never can put them back together quite the same way. You stop when you can and expose things, and leave them within reach, and others come on by themselves, and they break, and even then you may put the pieces aside just out of reach until you can bring them back and show them, put together slightly different, maybe a little more enduring, until you've broken it and picked up the pieces enough times, and you have the whole thing in all its dimensions. But the discipline, the detail, it's just ... sometimes the accumulation is too much to bear.
William Gaddis (The Recognitions)
I hadn’t seen any novel make the statement that entering the workforce was like entering the grave. That from then on, nothing happens and you have to pretend to be interested in your work. And, furthermore, that some people have a sex life and others don’t just because some are more attractive than others. I wanted to acknowledge that if people don’t have a sex life, it’s not for some moral reason, it’s just because they’re ugly. Once you’ve said it, it sounds obvious, but I wanted to say it.
Michel Houellebecq
Our lives drifts along with normal things happening. Some ups, some downs, but nothing to go down in history about. Nothing so fantastic or terrible that it'll be told for a thousand years. “But because we grew up surrounded by big dramatic story arcs in books and movies, we think our lives are supposed to be filled with huge ups and downs! So people pretend there is drama where there is none.” That's why people invent fights. That's why we're drawn to sports. That's why we act like everything that happens to us is such a big deal. We're trying to make our life into a fairy tale.
Kurt Vonnegut Jr.
And here was your mysterious innocence and invulnerability: you abused others without regret, and you condemned abuse, and said it was forbidden.  You backed your derision with threats, for example, ‘I’ll rip you apart like a fish.’  And that was dreadful to me, even though I knew that nothing bad would happen (yet as a young child I didn’t know this), but your words served as a sign of your power, and you always seemed capable of doing something.  And it was also dreadful when you shouted left and right at the table, and tried to grab someone – or pretended to try – until mother seemingly came to the rescue.  And it appeared to a child that life existed through your mercy, and continued as your unearned gift.  And linked to this were your threats about disobedience and where it would lead.  When I began something which didn’t please you and you threatened me with failure, my awe for your opinion was so great that failure was unavoidable – perhaps at first, if not, then later.  I lost the confidence to do anything.  I was unsettled, doubtful.  And the older I was, the more solid was the material with which you could demonstrate how worthless I was; and gradually, to a certain extent, you became right. But again, I must say that I’m not as I am just because of you; yet you increased what was there, and you increased it greatly; because against me you were very powerful, and you used all your power. You
Franz Kafka (Letter to My Father)
What he'd do, he'd never go out to the length of the chain. He'd never even get out to where the chain got tight. Even if the mailman pulled up, or a salesman. Out of dignity, this dog pretended like he chose this one area to stay in that just happened to be inside the length of the chain. Nothing outside of that area right there interested him. He just had zero interest. So he never noticed the chain. He didn't hate it. The chain. He just up and made it not relevant. maybe he wasn't pretending--maybe he really up and chose that little circle for his own world. He had a power to him. All of his life on that chain.
David Foster Wallace (The Pale King)
there is a list of questions i want to ask but never will there is a list of questions i go through in my head every time i'm alone and my mind can't stop itself from searching for you there is a list of questions i want to ask so if you're listening somewhere here i am asking them what do you think happens to the love that's left behind when two lovers leave how blue do you think it gets before it passes away does it pass away or does it still exist somewhere waiting for us to come back when we lied to ourselves by calling this unconditional and left which one of us hurt more i shattered into a million little pieces and those pieces shattered into a million more crumbled into dust till there was nothing left of me but the silence tell me how love how did the grieving feel for you how did the mourning hurt how did you peel your eyes open after every blink knowing i'd never be there staring back it must be hard to live with what ifs there must always be this constant dull aching in the pit of your stomach trust me i feel it too how in the world did we get here how did we live through it and how are we still living how many months did it take before you stopped thinking of me or are you still thinking of me cause if you are then maybe i am too thinking of you thinking of me with me in me around me everywhere you and me and us do you still touch yourself to the thoughts of me do you still imagine my naked naked tiny tiny body pressed into yours do you still imagine the curve of my spine and how you wanted to rip it out of me cause the way it dipped into my perfectly rounded bottom drove you crazy baby sugar baby sweet baby ever since we left how many times did you pretend it was my hand stroking you how many times did you search for me in your fantasies and end up crying instead of coming don't you lie to me i can tell when you're lying cause there's always that little bit of arrogance in your response are you angry with me are you okay and would you tell me if you're not and if we ever see each other again do you think you'd reach out and hold me like you said you would the last time we spoke and you talked of the next time we would or do you think we'd just look shake in our skin as we pine to absorb as much as we can of each other cause by this time we've probably got someone else waiting at home we were good together weren't we and is it wrong that i'm asking you these questions tell me love that you have been looking for these answers too
Rupi Kaur (The Sun and Her Flowers)
So I take it you and Gansey get along, then?” Maura’s expression was annoyingly knowing. “Mom.” “Orla told me about his muscle car,” Maura continued. Her voice was still angry and artificially bright. The fact that Blue was well aware that she’d earned it made the sting of it even worse. “You aren’t planning on kissing him, are you?” “Mom, that will never happen,” Blue assured her. “You did meet him, didn’t you?” “I wasn’t sure if driving an old, loud Camaro was the male equivalent of shredding your T-shirts and gluing cardboard trees to your bedroom walls.” “Trust me,” Blue said. “Gansey and I are nothing like each other. And they aren’t cardboard. They’re repurposed canvas.” “The environment breathes a sigh of relief.” Maura attempted another sip of her drink; wrinkling her nose, she shot a glare at Persephone. Persephone looked martyred. After a pause, Maura noted, in a slightly softer voice, “I’m not entirely happy about you’re getting in a car without air bags.” “Our car doesn’t have air bags,” Blue pointed out. Maura picked a long strand of Persephone’s hair from the rim of her glass. “Yes, but you always take your bike.” Blue stood up. She suspected that the green fuzz of the sofa was now adhered to the back of her leggings. “Can I go now? Am I in trouble?” “You are in trouble. I told you to stay away from him and you didn’t,” Maura said. “I just haven’t decided what to do about it yet. My feelings are hurt. I’ve consulted with several people who tell me that I’m within my rights to feel hurt. Do teenagers still get grounded? Did that only happen in the eighties?” “I’ll be very angry if you ground me,” Blue said, still wobbly from her mother’s unfamiliar displeasure. “I’ll probably rebel and climb out my window with a bedsheet rope.” Her mother rubbed a hand over her face. Her anger had completely burned itself out. “You’re well into it, aren’t you? That didn’t take long.” “If you don’t tell me not to see them, I don’t have to disobey you,” Blue suggested. “This is what you get, Maura, for using your DNA to make a baby,” Calla said. Maura sighed. “Blue, I know you’re not an idiot. It’s just, sometimes smart people do dumb things.” Calla growled, “Don’t be one of them.” “Persephone?” asked Maura. In her small voice, Persephone said, “I have nothing left to add.” After a moment of consideration, she added, however, “If you are going to punch someone, don’t put your thumb inside your fist. It would be a shame to break it.” “Okay,” Blue said hurriedly. “I’m out.” “You could at least say sorry,” Maura said. “Pretend like I have some power over you.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Some things are hard to talk about, and then the world clams up and pretends like it was nothing. Or they act like it never happened in the first place. But maybe that's a mistake. Just because people won't talk about something, it doesn't mean that it's any less true or important.
Kelly Barnhill (When Women Were Dragons)
Oh,Mercer," he murmured against my temple once we'd come up for air, "we are so screwed." I pressed my face against his neck, breathing him in. "I know." "So what do we do?" Reluctantly, I tried to move away. It was hard to think when he was so close to me. "If we were good people, we'd never see each other again." His arms locked around my waist, pulling me back. "Okay,well, that's not happening. Plan B?" I smiled up at him, feeling ridiculously giddy for someone on the verge of ruining her life. "I don't have one.You?" He shook his head. "Nothing.But...look. I've spent basically my whole life pretending to be someone I'm not, faking some feelings, hiding others." Reaching down, he clasped my hand and lifted it so that our joined hands were trapped between our chests. "This thing with us is the only real thing I've had in a long time.You're the only real thing." He raised our hands and kissed my knuckles. "And I'm done pretending I don't want you." I had read a lot about swooning in the romance novels Mom had tried to hide from me,but I'd never felt in danger of doing it until now. Which was why a snarky comment was definitely called for. "Wow,Cross.I think you missed your calling.Screw demon hunting: you should clearly be writing Hallmark cards." His face broke into that crooked grin that was maybe my favorite sight in the whole world. "Shut up," he muttered before lowering his head and kissing me again. "Why is it," I said against his lips several moments later, "that we're always kissing in gross, dirty places like cellars and abandoned mills?" He laughed, pressing kisses to my jaw, then my neck. "Next time it'll be a castle, I promise.This is England, after all. Can't be too hard to find one.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Pretend you're me," she says. I can barely see her over the frothy mound. And it happens just like that. A feeling of sinking, a falling deep inside. And I'm her. And this is my house, and Matt French is my husband, tallying columns all day, working late into the night for me, for me. And here I am, my tight, my perfect body, my pretty, perfect face, and nothing could ever be wrong with me, or my life, not even the sorrow that is plainly right there in the center of it. Oh, Colette, it's right there in the center of you, and some kind of despair too. Colette-- --that silk sucking into my mouth, the weight of it now, and I can't catch my breath, my breath.
Megan Abbott (Dare Me)
Dear Madam Vorsoisson, I am sorry. This is the eleventh draft of this letter. They’ve all started with those three words, even the horrible version in rhyme, so I guess they stay. You once asked me never to lie to you. All right, so. I’ll tell you the truth now even if it isn’t the best or cleverest thing, and not abject enough either. I tried to be the thief of you, to ambush and take prisoner what I thought I could never earn or be given. You were not a ship to be hijacked, but I couldn’t think of any other plan but subterfuge and surprise. Though not as much of a surprise as what happened at dinner. The revolution started prematurely because the idiot conspirator blew up his secret ammo dump and lit the sky with his intentions. Sometimes these accidents end in new nations, but more often they end badly, in hangings and beheadings. And people running into the night. I can’t be sorry that I asked you to marry me, because that was the one true part in all the smoke and rubble, but I’m sick as hell that I asked you so badly. Even though I’d kept my counsel from you, I should have at least had the courtesy to keep it from others as well, till you’d had the year of grace and rest you’d asked for. But I became terrified that you’d choose another first. So I used the garden as a ploy to get near you. I deliberately and consciously shaped your heart’s desire into a trap. For this I am more than sorry, I am ashamed. You’d earned every chance to grow. I’d like to pretend I didn’t see it would be a conflict of interest for me to be the one to give you some of those chances, but that would be another lie. But it made me crazy to watch you constrained to tiny steps, when you could be outrunning time. There is only a brief moment of apogee to do that, in most lives. I love you. But I lust after and covet so much more than your body. I wanted to possess the power of your eyes, the way they see form and beauty that isn’t even there yet and draw it up out of nothing into the solid world. I wanted to own the honor of your heart, unbowed in the vilest horrors of Komarr. I wanted your courage and your will, your caution and your serenity. I wanted, I suppose, your soul, and that was too much to want. I wanted to give you a victory. But by their essential nature triumphs can’t be given. They must be taken, and the worse the odds and the fiercer the resistance, the greater the honor. Victories can’t be gifts. But gifts can be victories, can’t they. It’s what you said. The garden could have been your gift, a dowry of talent, skill, and vision. I know it’s too late now, but I just wanted to say, it would have been a victory most worthy of our House. Yours to command, Miles Vorkosigan
Lois McMaster Bujold (A Civil Campaign (Vorkosigan Saga, #12))
To: Anna Oliphant From: Etienne St. Clair Subject: SAVING YOU I'm teleporting to Atlanta.I'm picking you up,and we'll go someplace where our families can't find us.We'll take Seany. And we'll let him rup laps until he tires,and then you and I will take a long walk. Like Thanksgiving. Remember? And we'll talk about everything BUT our parents...or perhaps we won't talk at all. We'll just walk.And we'll keep walking until the rest of the world ceases to exist. I'm sorry,Anna.What did your father want? Please tell me what I can do. To: Etienne St. Clair From: Anna Oliphant Subject: Sigh.I'd love that. Thank you,but it was okay. Dad wanted to apologize. For a split second,he was almost human.Almost.And then Mom apologized,and now they're washin dishes and pretending like nothing happened.I don't know.I didn't mean to get all drama queen,when your problems are so much worse than mine.I'm sorry. To: Anna Oliphant From: Etienne St. Clair Subject: Are you mad? My day was boring.Your day was a nightmare. Are you all right? To: Etienne St. Clair From: Anna Oliphant Subject: Re: Are you mad? I'm okay.I'm just glad I have you to talk to. To: Anna Oliphant From: Etienne St. Clair Subject: So... Does that mean I can call you now?
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Everything is about to go to hell very quickly, so I want one moment where we don't talk about that. We pretend it doesn't exist. I want one last quiet moment with you." "No, Loki." I shook my head, but I didn't pull away. "I told you that one night wasn't enough." Loki leaned down, kissing me deeply and pressing me to him. I didn't even attempt to resist. I wrapped my arms around his neck. It wasn't the way we had kissed before, not as hungry or fevered. This was something different, nicer. We were holding on to each other, knowing this might be the last time we could. It felt sweet and hopeful and tragic all at once. When he stopped kissing me he rested his forehead against mine. He breathed as if struggling to catch his breath. I reached up and touched his face, his skin smooth and cool beneath my hand. Loki lifted his head so he could look me in the eyes, and I saw something in them, something I'd never seen before. Something pure and unadulterated, and my heart seemed to grow with the warmth of my love for him. I don't know how it happened or when it had, but I knew it with complete certainty. I had fallen in love with Loki, more intensely than anything I had felt for anyone before. "Wendy!" Finn shouted, pulling me from my moment with Loki. "What are you doing? You're married! And not to him!" "Nothing slips by you, does it?" Loki asked. "Finn," I said, and stepped away from Loki. "Calm down." "No!" Finn yelled. "I will not calm down! What were you thinking? We're about to go to war, and you're cheating on your husband?" "Everything's not exactly the way it seems," I said, but guilt and regret were gripping my stomach. My marriage might be over, but I was still technically wed to another man. And I should be worrying about things more important than kissing Loki. "It seemed like you had your tongue down his throat." Finn glared at us both. "Well, then, everything is exactly as it seems," Loki said glibly.
Amanda Hocking (Ascend (Trylle, #3))
None of us will be okay, in the end. The not-okay is coming for everyone... We act like there are safe places. We behave as though if we work hard and acquire the right things, gain the right access, put ourselves in the right zones, we can arrive someplace where danger can't touch us- where anything can't happen. We pretend that if we can identify someone else's loss as greater than our own, we won't lose. But nothing really guards our lives. Lifeguards don't exist.
Mary Laura Philpott (I Miss You When I Blink: Essays)
Vstim said to always read contracts with friends an extra time,” Rysn said softly. “That’s it?” “I asked him, on another occasion, to explain. He said, ‘Rysn, being cheated is a terrible feeling. Being cheated by someone you love is worse. Discovering such a deception is like finding yourself in a deep dark ocean with nothing around you but formless shadows of things you once thought you understood and enjoyed. It is painful beyond explanation. But that is never a reason to pretend it can’t happen. So read those contracts again. Just in case.
Brandon Sanderson (Dawnshard (The Stormlight Archive, #3.5))
I smack into him as if shoved from behind. He doesn't budge, not an inch. Just holds my shoulders and waits. Maybe he's waiting for me to find my balance. Maybe he's waiting for me to gather my pride. I hope he's got all day. I hear people passing on the boardwalk and imagine them staring. Best-case scenario, they think I know this guy, that we're hugging. Worst-case scenario, they saw me totter like an intoxicated walrus into this complete stranger because I was looking down for a place to park our beach stuff. Either way, he knows what happened. He knows why my cheek is plastered to his bare chest. And there is definite humiliation waiting when I get around to looking up at him. Options skim through my head like a flip book. Option One: Run away as fast as my dollar-store flip flops can take me. Thing is, tripping over them is partly responsible for my current dilemma. In fact, one of them is missing, probably caught in a crack of the boardwalk. I'm getting Cinderella didn't feel this foolish, but then again, Cinderella wasn't as clumsy as an intoxicated walrus. Option two: Pretend I've fainted. Go limp and everything. Drool, even. But I know this won't work because my eyes flutter too much to fake it, and besides, people don't blush while unconscious. Option Three: Pray for a lightning bolt. A deadly one that you feel in advance because the air gets all atingle and your skin crawls-or so the science books say. It might kill us both, but really, he should have been paying more attention to me when he saw that I wasn't paying attention at all. For a shaved second, I think my prayers are answered because I go get tingly all over; goose bumps sprout everywhere, and my pulse feels like electricity. Then I realize, it's coming from my shoulders. From his hands. Option Last: For the love of God, peel my cheek off his chest and apologize for the casual assault. Then hobble away on my one flip-flop before I faint. With my luck, the lightning would only maim me, and he would feel obligated to carry me somewhere anyway. Also, do it now. I ease away from him and peer up. The fire on my cheeks has nothing to do with the fact that it's sweaty-eight degrees in the Florida sun and everything to do with the fact that I just tripped into the most attractive guy on the planet. Fan-flipping-tastic. "Are-are you all right?" he says, incredulous. I think I can see the shape of my cheek indented on his chest. I nod. "I'm fine. I'm used to it. Sorry." I shrug off his hands when he doesn't let go. The tingling stays behind, as if he left some of himself on me. "Jeez, Emma, are you okay?" Chloe calls from behind. The calm fwopping of my best friend's sandals suggests she's not as concerned as she sounds. Track star that she is, she would already be at my side if she thought I was hurt. I groan and face her, not surprised that she's grinning wide as the equator. She holds out my flip-flop, which I try not to snatch from her hand. "I'm fine. Everybody's fine," I say. I turn back to the guy, who seems to get more gorgeous by the second. "You're fine, right? No broken bones or anything?" He blinks, gives a slight nod. Chloe setts her surfboard against the rail of the boardwalk and extends her hand to him. He accepts it without taking his eyes off me. "I'm Chloe and this is Emma," she says. "We usually bring her helmet with us, but we left it back in the hotel room this time.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
So why are you skipping school? Can you tell me that?" "Nothing ever really happens," I say. "Meaning?" "Meaning nothing original or new ever really happens and school is just a place where we all pretend like we're new and original and we're not. We're all the same.
A.S. King (Still Life with Tornado)
Ahem," she said. "What are you doing?" Jessica had a voice that rose and fell like a swooping kite. The children instantly stopped what they were doing and looked self-conscious, like cats that have fallen off something ungracefully and now sit licking themselves, pretending nothing has happened.
Audrey Niffenegger (Her Fearful Symmetry)
I guess we should give it a minute or two. You know, make sure it’s not coming back on.” So we wait. Silently. Ryder can’t even meet my eyes, and all I want to do is stare at his lips. This is crazy. I mean, what do we do now--now that the sirens are off and the cake is gone? Apparently, the answer is pretend like nothing happened.
Kristi Cook (Magnolia (Magnolia Branch, #1))
What is wrong with you?” I say in lieu of greeting. “You went to Morris’s dorm and declared your intentions?” He offers a faint smile. “Of course. It was the noble thing to do. I can’t be chasing after another guy’s girl without his knowledge.” “I’m not his girl,” I snap. “We went on one date! And now I’m never going to be his girl, because he doesn’t want to go out with me again.” “What the hell?” Logan looks startled. “I’m disappointed in him. I thought he had more of a competitive spirit than that.” “Seriously? You’re going to pretend to be surprised? He won’t see me again because your jackass self told him he couldn’t.” Astonishment fills his eyes. “No, I didn’t.” “Yes, you did.” “Is that what he told you?” Logan demands. “Not in so many words.” “I see. Well, what words did he actually use?” I grit my teeth so hard my jaw aches. “He said he’s backing off because he doesn’t want to get in the middle of something so complicated. I pointed out that there’s nothing complicated about it, seeing as you and I are not together.” My aggravation heightens. “And then he insisted that I need to give you a chance, because you’re a—” I angrily air-quote Morris’s words “—‘stand-up guy who deserves another shot.’” Logan breaks out in a grin. I stab the air with my finger. “Don’t you dare smile. Obviously you put those words in his mouth. And what the hell was he jabbering about when he told me you and him were ‘family’?” All the disbelief I’d felt during my talk with Morris comes spiraling back, making me pace the bedroom in hurried strides. “What did you say to him, Logan? Did you brainwash him or something? How are you guys family? You don’t even know each other!” Strangled laughter sounds from Logan’s direction. I spin around and level a dark glower at him. “He’s talking about the joint family we created in Mob Boss. It’s this role-playing game where you’re the Don of a mob family and you’re fighting a bunch of other mafia bosses for territory and rackets and stuff. We played it when I went over there, and I ended up staying until four in the morning. Seriously, it was intense.” He shrugs. “We’re the Lorris crime syndicate.” I’m dumbfounded. Oh my God. Lorris? As in Logan and Morris? They fucking Brangelina’d themselves? “What is happening?” I burst out. “You guys are best friends now?” “He’s a cool guy. Actually, he’s even cooler in my book now for stepping down like that. I didn’t ask him to, but clearly he grasps what you refuse to see.” “Yeah, and what’s that?” I mutter. “That you and I are perfect for each other.” No words. There are no words to accurately convey what I’m feeling right now. Horror maybe? Absolute insanity? I mean, it’s not like I’m madly in love with Morris or anything, but if I’d known that kissing Logan at the party would lead to…this, I would have strapped on a frickin’ chastity gag.
Elle Kennedy (The Mistake (Off-Campus, #2))
It really was a very strange feeling she had about Emily. It arose from her being so desolate. She did not like to own to herself that her only friend, her only companion, could feel and hear nothing. She wanted to believe, or to pretend to believe, that Emily understood and sympathized with her, that she heard her even though she did not speak in answer.
Frances Hodgson Burnett (Sara Crewe or, What Happened at Miss Minchin's)
It’s your business if you wanna pretend you’re not queer.” Wrong. Thing. To. Say. His growl echoes on the tiled walls and he makes a move to charge forward only to stop himself feet away from me. Nostrils flared; lips curled back. Delicious anger staring at me. I’m a sick cub for finding him sexy. “You know nothing, Fierro. Keep your fucking mouth shut or I’ll do it for you, got it?” I smile and he’s further pissed off as I watch his eyes crinkle. Pity he’s a jerk, he really is hot. “Whatever you say. Try not to remember how I taste later, yeah?” It’s me who leaves first, brushing by his shoulder and he hisses another curse. His threats today don’t work on me, they never do. He’s like a posturing animal trying to exert his dominance. I never guessed he’d succeed with his tongue in my mouth. Stranger things have happened, but never did I think I’d end up making out with my tormentor.
V. Theia (Manhattan Tormentor (From Manhattan #7))
She knew for a fact that she wasn't going to sit around and wait for some miracle to happen. She wasn't going to watch the storm in front of her and pretend like nothing had happened. Yes, Allah is expecting her to be patient and keep on marching forward
Aina M. Rosdi (After the Storm)
Thus pride wears the mask of loftiness of spirit, although You alone, O God, are high over all. Ambition seeks honour and glory, although You alone are to be honoured before all and glorious forever. By cruelty the great seek to be feared, yet who is to be feared but God alone: from His power what can be wrested away, or when or where or how or by whom? The caresses by which the lustful seduce are a seeking for love: but nothing is more caressing than Your charity, nor is anything more healthfully loved than Your supremely lovely, supremely luminous Truth. Curiosity may be regarded as a desire for knowledge, whereas You supremely know all things. Ignorance and sheer stupidity hide under the names of simplicity and innocence: yet no being has simplicity like to Yours: and none is more innocent than You, for it is their own deeds that harm the wicked. Sloth pretends that it wants quietude: but what sure rest is there save the Lord? Luxuriousness would be called abundance and completeness; but You are the fullness and inexhaustible abundance of incorruptible delight. Wastefulness is a parody of generosity: but You are the infinitely generous giver of all good. Avarice wants to possess overmuch: but You possess all. Enviousness claims that it strives to excel: but what can excel before You? Anger clamours for just vengeance: but whose vengeance is so just as Yours? Fear is the recoil from a new and sudden threat to something one holds dear, and a cautious regard for one’s own safety: but nothing new or sudden can happen to You, nothing can threaten Your hold upon things loved, and where is safety secure save in You? Grief pines at the loss of things in which desire delighted: for it wills to be like to You from whom nothing can be taken away.
Augustine of Hippo (Confessions)
Okay? It's okay! Don't worry about it! Just chill out! You don't have to feel like you're suffering just because your life is unfortunate, you don't have to sulk just because your life hasn't been blessed! What's wrong with staying positive in the face of adversity? You know what? What you're going to do after this is go home looking like nothing ever happened! Live the same old life with your father and mother who are out of the hospital now! You'll never be able to reconcile with either of them, I guarantee that! Even if you somehow beat the odds and become happy someday, it's not going to matter, because no matter how happy you are, it's never going to erase your crappy past! You can't pretend it never happened, you're going to be dragging it around with you! No matter what you do, no matter what happens, that misfortune is going to sit in your heart forever! You'll remember it just when you think you forgot, you'll dream about it for the rest of your life! We are going to have nightmares for the rest of our lives! That's how it's going to be-and since there's nothing you can do about it, don't try to look away! Playing a prank on some random passerby, playing streaker in your underwear is just going to take a tiny bit of stress off your mind, in reality it's not going to change a thing!
NisiOisiN (猫物語 (黒) [Nekomonogatari] (Bakemonogatari, #4, Part 1))
I am off to a life where I can exist in a room and not have to pretend I want to be there. I am off to hear people who have something to say. I don’t even have to agree with it— I just want to know what it’s like to listen to a real sentence. I long for a time where I don’t wish the day would be over. This means leaving the company. I can wonder, or I can wander—and it’s time for me to get lost. Reinvention is hard. To let it go? To admit you don’t love something anymore? That’s the stuff that kills you. But I must run before another workday asks for me again. Things are hard so that we can start. I feel like fate is blindfolding me. My arms reach out not knowing if I’ll impale myself or secure my foothold—but all great things come from motion. Nothing begets nothing. And I’m scared, but I have the movies with me. The things we love require us. I wonder what would happen if everyone in the world did what they loved. Would things fall into place and leave no empty spaces? Would there be harmony in the work field? Sustainable marriages? Children with parents? Dirty water? Would there be resignation letters?
Kristian Ventura (The Goodbye Song)
Now I quite enjoy hearing you call me beloved in your own language." Amara kisses him, and he smooths his thumb against her cheek. "Sometimes, I think about when our child is older, when we won't be able to be like this anymore, because we will have to pretend, even in the house, that I'm nothing to you. And when that happens, you can still tell me you love me every time you say my name.
Elodie Harper (The House with the Golden Door (Wolf Den Trilogy, #2))
And we love you but I have to ask you to help me, to help us, please.” “How?” I asked, “By pretending nothing ever happened? Act as if she and I were strangers? Stand the way your sister acts towards me after all of what we had? Forget my story by her side? Are you asking me for that, Gabriel, for God’s sake?” “It sounds pretty bad when you put it like that…” Gabriel said, “but yes, pretty much.
Emiliano Campuzano (Cielo Por Tu Luz)
The kingdom can’t be overthrown until the king is dead. What he has built is too deeply rooted in Germany now.” The Party is too thoroughly entrenched, and the people are too cowed, too frightened to resist. They are all too willing to shut their eyes, to pretend nothing evil has happened. They are even willing to accept that these things Hitler does, these things he says, are normal—that the Party has the right of it, and has been right all along. They are ready to believe, now, that mankind was always meant to hate his neighbor, to kill the weak and the outcast, since God first dreamed us into being. But those of us who resist—we remember what the world was like. There were times before—all the long history of our nation, before Hitler’s rise—when we behaved less like wolves and more like men. We remember;
Olivia Hawker (The Ragged Edge of Night)
For me, it’s all or nothing. I can’t half-ass this. If we do this, I will pursue you like no man has ever pursued you before. And even after I’ve caught you, I plan to continue pursuing you like my life depends on it. If you’re not prepared for that, if you’re not ready to be treated as something special and treasured and precious, then I need you to roll over, go back to sleep, and pretend none of this ever happened.
Catherine Gayle (Portland Storm: The Second Period (Portland Storm, #4-6))
Okay, that’s fair,” I said. “But it’s not a contest about whose days suck the most, Auggie. The point is we all have to put up with the bad days. Now, unless you want to be treated like a baby the rest of your life, or like a kid with special needs, you just have to suck it up and go.” He didn’t say anything, but I think that last bit was getting to him. “You don’t have to say a word to those kids,” I continued. “August, actually, it’s so cool that you know what they said, but they don’t know you know what they said, you know?” “What the heck?” “You know what I mean. You don’t have to talk to them ever again, if you don’t want. And they’ll never know why. See? Or you can pretend to be friends with them, but deep down inside you know you’re not.” “Is that how you are with Miranda?” he asked. “No,” I answered quickly, defensively. “I never faked my feelings with Miranda.” “So why are you saying I should?” “I’m not! I’m just saying you shouldn’t let those little jerks get to you, that’s all.” “Like Miranda got to you.” “Why do you keep bringing Miranda up?” I yelled impatiently. “I’m trying to talk to you about your friends. Please keep mine out of it.” “You’re not even friends with her anymore.” “What does that have to do with what we’re talking about?” The way August was looking at me reminded me of a doll’s face. He was just staring at me blankly with his half-closed doll eyes. “She called the other day,” he said finally. “What?” I was stunned. “And you didn’t tell me?” “She wasn’t calling you,” he answered, pulling both comic books out of my hands. “She was calling me. Just to say hi. To see how I was doing. She didn’t even know I was going to a real school now. I can’t believe you hadn’t even told her. She said the two of you don’t hang out as much anymore, but she wanted me to know she’d always love me like a big sister.” Double-stunned. Stung. Flabbergasted. No words formed in my mouth. “Why didn’t you tell me?” I said, finally. “I don’t know.” He shrugged, opening the first comic book again. “Well, I’m telling Mom and Dad about Jack Will if you stop going to school,” I answered. “Tushman will probably call you into school and make Jack and those other kids apologize to you in front of everyone, and everyone will treat you like a kid who should be going to a school for kids with special needs. Is that what you want? Because that’s what’s going to happen. Otherwise, just go back to school and act like nothing happened. Or if you want to confront Jack about it, fine. But either way, if you—
R.J. Palacio (Wonder)
The scar she'd left her was so deep that it may take a thousand million years to heal. She couldn't pretend like nothing had happened. She couldn't shut her feelings, like how you shut a window blind; once you did it, all lights from the outside would be swept away from the room. It had taken her years to acknowledge the fact that she was unwanted; a subject of shame for her mother to sink in. And for sure, it would take her more than nine years to forget it all, in one go.
Aina M. Rosdi (One Minute to Midnight)
Did your master have any wisdom to share about traitors?” Nikli asked. “About how to deal with someone you trust who turns against you?” “Vstim said to always read contracts with friends an extra time,” Rysn said softly. “That’s it?” “I asked him, on another occasion, to explain. He said, ‘Rysn, being cheated is a terrible feeling. Being cheated by someone you love is worse. Discovering such a deception is like finding yourself in a deep dark ocean with nothing around you but formless shadows of things you once thought you understood and enjoyed. It is painful beyond explanation. But that is never a reason to pretend it can’t happen. So read those contracts again. Just in case.’ ” Nikli grunted. “That’s . . . a different kind of wisdom than I’d anticipated. I thought maybe this man lived purely a life of charity.” “Vstim is good and honest,” Rysn said. “But you don’t get a reputation for either without some people seeing your nature as an opportunity.
Brandon Sanderson (Dawnshard (The Stormlight Archive, #3.5))
Miss Wooding turned the nervous shade of pink that Rosaline found people often turned when her sexuality went from an idea they could support to a reality they had to confront. “I appreciate this is a sensitive topic and one that different people have different beliefs about. Which is why I have to be guided by the policies of our academy trust, and they make it quite clear that learners shouldn’t be taught about LGBTQ until year six.” “Oh do they?” asked Rosaline, doing her best to remember that Miss Wooding was probably a very nice person and not just a fuzzy cardigan draped over some regressive social values. “Because Amelie’s in year four and she manages to cope with my existence nearly every day.” Having concluded this was going to be one of those long grown-up conversations, Amelie had taken her Panda pencil case out of her bag and was diligently rearranging the contents. “I do,” she said. “I’m very good.” Miss Wooding actually wrung her hands. “Yes, but the other children—” “Are allowed to talk about their families as much as they like.” “Yes, but—” “Which,” Rosaline went on mercilessly, “when you think about it, is the definition of discrimination.” Amelie looked up again. “Discrimination is bad. We learned that in year three.” The d-word made Miss Wooding visibly flinch. “Now Mrs. Palmer—” “Ms. Palmer.” “I’m sure this is a misunderstanding.” “I’m sure it is.” Taking advantage of the fact that Miss Wooding had been temporarily pacified by the spectre of the Equality Act, Rosaline tried to strike a balance between defending her identity and catching her train. “I get that you have a weird professional duty to respect the wishes of people who want their kids to stay homophobic for as long as possible. But hopefully you get why that isn’t my problem. And if you ever try to make it Amelie’s problem again, I will lodge a formal complaint with the governors.” Miss Wooding de-flinched slightly. “As long as she doesn’t—” “No ‘as long as she doesn’t.’ You’re not teaching my daughter to be ashamed of me.” There was a long pause. Then Miss Wooding sighed. “Perhaps it’s best that we draw a line under this and say no more about it.” In Rosaline’s experience this was what victory over institutional prejudice looked like: nobody actually apologising or admitting they’d done anything wrong, but the institution in question generously offering to pretend that nothing had happened. So—win?
Alexis Hall (Rosaline Palmer Takes the Cake (Winner Bakes All, #1))
I REMEMBER the day the Aleut ship came to our island. At first it seemed like a small shell afloat on the sea. Then it grew larger and was a gull with folded wings. At last in the rising sun it became what it really was—a red ship with two red sails. My brother and I had gone to the head of a canyon that winds down to a little harbor which is called Coral Cove. We had gone to gather roots that grow there in the spring. My brother Ramo was only a little boy half my age, which was twelve. He was small for one who had lived so many suns and moons, but quick as a cricket. Also foolish as a cricket when he was excited. For this reason and because I wanted him to help me gather roots and not go running off, I said nothing about the shell I saw or the gull with folded wings. I went on digging in the brush with my pointed stick as though nothing at all were happening on the sea. Even when I knew for sure that the gull was a ship with two red sails. But Ramo’s eyes missed little in the world. They were black like a lizard’s and very large and, like the eyes of a lizard, could sometimes look sleepy. This was the time when they saw the most. This was the way they looked now. They were half-closed, like those of a lizard lying on a rock about to flick out its tongue to catch a fly. “The sea is smooth,” Ramo said. “It is a flat stone without any scratches.” My brother liked to pretend that one thing was another. “The sea is not a stone without scratches,” I said. “It is water and no waves.” “To me it is a blue stone,” he said. “And far away on the edge of it is a small cloud which sits on the stone.” “Clouds do not sit on stones. On blue ones or black ones or any kind of stones.” “This one does.” “Not on the sea,” I said. “Dolphins sit there, and gulls, and cormorants, and otter, and whales too, but not clouds.” “It is a whale, maybe.” Ramo was standing on one foot and then the other, watching the ship coming, which he did not know was a ship because he had never seen one. I had never seen one either, but I knew how they looked because I had been told. “While you gaze at the sea,” I said, “I dig roots. And it is I who will eat them and you who will not.” Ramo began to punch at the earth with his stick, but as the ship came closer, its sails showing red through the morning mist, he kept watching it, acting all the time as if he were not. “Have you ever seen a red whale?” he asked. “Yes,” I said, though I never had. “Those I have seen are gray.” “You are very young and have not seen everything that swims in the world.” Ramo picked up a root and was about to drop it into the basket. Suddenly his mouth opened wide and then closed again. “A canoe!” he cried. “A great one, bigger than all of our canoes together. And red!” A canoe or a ship, it did not matter to Ramo. In the very next breath he tossed the root in the air and was gone, crashing through the brush, shouting as he went. I kept on gathering roots, but my hands trembled as I dug in the earth, for I was more excited than my brother. I knew that it was a ship there on the
Scott O'Dell (Island of the Blue Dolphins)
She let her bad mood seethe into the silence of the carriage. Finally, she couldn’t bear the vicious cycle of her thoughts, the way they kept returning to Irex and her stupid decision to humiliate him at Bite and Sting. “Well?” she asked Arin. He sat across from her in the carriage, but didn’t lift his eyes to meet hers. He studied his hands. “Well, what?” “What do you think?” “About?” “About the party. About anything. About the bargain we made that you could at least pretend to uphold.” “You want to gossip about the party.” He seemed tired. “I want you to speak to me.” He looked at her then. She found that she had clenched her silk skirts in a fist. She let go. “For example, I know you overheard about Senator Andrax. Do you think he merits torture? Death?” “He deserves what he gets,” he said, and went quiet again. Kestrel gave up. She sank into her anger. “That isn’t what’s bothering you.” Arin sounded reluctant, almost incredulous, as if he couldn’t believe the words coming from his mouth. Kestrel waited. He said, “That man is an ass.” It was clear whom he meant. It was clear that no slave should ever say that of any Valorian. But it was magic to hear the words out loud. Kestrel breathed a laugh. “And I am a fool.” She pressed chilly hands to her forehead. “I knew what he’s like. I should have never played Bite and Sting with him. Or I should have let him win.” The corner of Arin’s mouth twitched. “I enjoyed watching him lose.” There was silence, and Kestrel, though she felt comforted, knew that Arin’s understanding of the afternoon had been fairly complete. He had waited beyond the laran trees, listening to her and Irex. Would he have continued to do nothing, had something else happened? “Do you know how to play Bite and Sting?” she asked. “Maybe.” “Either you do or you don’t.” “Whether I know or don’t doesn’t matter.” She made an impatient noise. “Because?” His teeth flashed in the late, shifting light. “Because you would not want to play against me.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
I’ve never liked urban myths. I’ve never liked pretending to believe in them; never understood why everyone else doesn’t see straight through them. Why is it they’ve always happened to a friend of a friend - someone you’ve never met? Why does everyone smile and nod and pull the right faces, when they must know they’re not true? Pointless. A waste of breath. So I sneered at the myths about Scaderstone Pit. It was just an old quarry – nothing more. I never believed in the rumours of discarded dynamite. It had decayed, they said. It exploded at the slightest touch, had even blown someone’s hand off. I shrugged off the talk of the toxic waste. It was dumped in the dead of night, they said. The canisters rusting away, leaking deadly poisons that could blind you, burn your lungs. I laughed at the ghost stories. You could hear the moans, they said, of quarrymen buried alive and never found. You could see their nightwalking souls, searching for their poor crushed bodies. I didn’t believe any of it – not one word. Now, after everything that’s happened, I wonder whether I should’ve listened to those stories. Maybe then, these things would’ve happened to someone else, and I could’ve smiled and said they were impossible. But this is not an urban myth. And it did not happen to someone else, but to me. I’ve set it down as best I can remember. Whether you believe it or not, is up to you.
Mikey Campling (Trespass (The Darkeningstone, #1))
I know, your profession is hard and full of things that contradict you, and I foresaw your lament and knew that it would come. Now that it has come, there is nothing I can say to reassure you, I can only suggest that perhaps all professions are like that, filled with demands, filled with hostility toward the individual, saturated as it were with the hatred of those who find themselves mute and sullen in an insipid duty. The situation you must live in now is not more heavily burdened with conventions, prejudices, and false ideas than all the other situations, and if there are some that pretend to offer a greater freedom, there is nevertheless note that is, in itself, vast and spacious and connected to the important Things that the truest kind of life consists of. Only the individual who is solitary is placed under the deepest laws like a Thing, and when he walks out into the rising dawn or looks out into the event-filled evening and when he feels what is happening there, all situations drop from him as if from a dead man, though he stands in the midst of pure life.
Rainer Maria Rilke (Letters to a Young Poet)
And she loved you with all her heart." He sprang to his feet and walked up and down the small room. "I don't want love. I haven't time for it. It's weakness. I am a man, and sometimes I want a woman. When I’ve satisfied my passion I'm ready for other things.I can't overcome my desire, but I hate it; it imprisons my spirit; I look forward to the time when I shall be free from all desire and can give myself without hindrance to my work. Because women can do nothing except love, they've given it a ridiculous importance. They want to persuade us that it's the whole of life. It's an insignificant part. I know lust. That's normal and healthy. Love is a disease. Women are the instruments of my pleasure; I have no patience with their claim to be helpmates, partners, companions. “ I had never heard Strickland speak so much at one time. He spoke with a passion of indignation. But neither here nor elsewhere do I pretend to give his exact words; his vocabulary was small, and he had no gift for framing sentences, so that one had to piece his meaning together out of interjections, the expression of his face, gestures and hackneyed phrases. "You should have lived at a time when women were chattels and men the masters of slaves, “ I said. "It just happens that I am a completely normal man." I could not help laughing at this remark, made in all seriousness; but he went on, walking up and down the room like a caged beast, intent on expressing what he felt, but found such difficulty in putting coherently. "When a woman loves you she's not satisfied until she possesses your soul. Because she's weak, she has a rage for domination, and nothing less will satisfy her.She has a small mind and she resents the abstract which she is unable to grasp. She is occupied with material things, and she is jealous of the ideal. The soul of man wanders through the uttermost regions of the universe, and she seeks to imprison it in the circle of her account-book. Do you remember my wife? I saw Blanche little by little trying all her tricks. With infinite patience she prepared to snare me and bind me. She wanted to bring me down to her level; she cared nothing for me, she only wanted me to be hers. She was willing to do everything in the world for me except the one thing I wanted: to leave me alone.
W. Somerset Maugham
Ryder! What’s taking you so long?” “I’m on my way!” he yells back. It feels like forever before he pushes open the door and ducks inside. Then I see why it took him so long. He’s somehow got the three cats tucked under one arm and the cake plate clutched in the other hand. No spare for a flashlight or lantern--so he accomplished this all in the dark. “Here,” he says, handing off the cake to me before releasing Kirk, Spock, and Sulu into the crate and latching the door. “Seriously, Ryder? You brought the cake?” He shrugs. “I was hungry.” Hmm, I guess all that kissing worked up his appetite. For cake. I’m not sure if I should be offended or not. On the plus side, he doesn’t look like he’s about to puke. So we’re making progress as far as his fear of storms goes. I guess that’s something. “Did you happen to bring a fork?” I ask, setting the plate on the makeshift tabletop. He produces two from his pocket, holding them up triumphantly. So we eat cake while the sirens blare. Actually, it doesn’t sound that bad out there. Still, the fact that we’re so calm--that Ryder’s so calm--should tell you how routine this is getting. As long as we don’t hear that awful freight-train sound, we’re good. “What happened to the cake?” he asks between bites. “It looks like someone mutilated it while I was gone.” “Sorry,” I mutter. “Guess I did some stress bingeing. You realize you’re not wearing a shirt, right?” He glances down and shrugs, his cheeks flushing ever so slightly. “Sorry ’bout that.” It might seem silly that he’s apologizing, but at Magnolia Landing, you don’t come to the table unless you’re fully dressed. It’s one of Laura Grace’s most unbendable rules--you dress for meals, even breakfast. Not that this counts as a meal, and I’m not sure you could call this plywood-on-top-of-a-crate thing a “table.” But still… By the time the sirens shut off, we’ve completely cleaned the plate, even scraping off the hardened frosting with our fingers. “That was quick,” I say, setting aside the now-empty plate. Ryder nods. “I guess we should give it a minute or two. You know, make sure it’s not coming back on.” So we wait. Silently. Ryder can’t even meet my eyes, and all I want to do is stare at his lips. This is crazy. I mean, what do we do now--now that the sirens are off and the cake is gone? Apparently, the answer is pretend like nothing happened.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Nowadays, enormous importance is given to individual deaths, people make such a drama out of each person who dies, especially if they die a violent death or are murdered; although the subsequent grief or curse doesn't last very long: no one wears mourning any more and there's a reason for that, we're quick to weep but quicker still to forget. I'm talking about our countries, of course, it's not like that in other parts of the world, but what else can they do in a place where death is an everyday occurrence. Here, though, it's a big deal, at least at the moment it happens. So-and-so has died, how dreadful; such-and-such a number of people have been killed in a crash or blown to pieces, how terrible, how vile. The politicians have to rush around attending funerals and burials, taking care not to miss any-intense grief, or is it pride, requires them as ornaments, because they give no consolation nor can they, it's all to do with show, fuss, vanity and rank. The rank of the self-important, super-sensitive living. And yet, when you think about it, what right do we have, what is the point of complaining and making a tragedy out of something that happens to every living creature in order for it to become a dead creature? What is so terrible about something so supremely natural and ordinary? It happens in the best families, as you know, and has for centuries, and in the worst too, of course, at far more frequent intervals. What's more, it happens all the time and we know that perfectly well, even though we pretend to be surprised and frightened: count the dead who are mentioned on any TV news report, read the birth and death announcements in any newspaper, in a single city, Madrid, London, each list is a long one every day of the year; look at the obituaries, and although you'll find far fewer of them, because an infinitesimal minority are deemed to merit one, they're nevertheless there every morning. How many people die every weekend on the roads and how many have died in the innumerable battles that have been waged? The losses haven't always been published throughout history, in fact, almost never. People were more familiar with and more accepting of death, they accepted chance and luck, be it good or bad, they knew they were vulnerable to it at every moment; people came into the world and sometimes disappeared at once, that was normal, the infant mortality rate was extraordinarily high until eighty or even seventy years ago, as was death in childbirth, a woman might bid farewell to her child as soon as she saw its face, always assuming she had the will or the time to do so. Plagues were common and almost any illness could kill, illnesses we know nothing about now and whose names are unfamiliar; there were famines, endless wars, real wars that involved daily fighting, not sporadic engagements like now, and the generals didn't care about the losses, soldiers fell and that was that, they were only individuals to themselves, not even to their families, no family was spared the premature death of at least some of its members, that was the norm; those in power would look grim-faced, then carry out another levy, recruit more troops and send them to the front to continue dying in battle, and almost no one complained. People expected death, Jack, there wasn't so much panic about it, it was neither an insuperable calamity nor a terrible injustice; it was something that could happen and often did. We've become very soft, very thin-skinned, we think we should last forever. We ought to be accustomed to the temporary nature of things, but we're not. We insist on not being temporary, which is why it's so easy to frighten us, as you've seen, all one has to do is unsheathe a sword. And we're bound to be cowed when confronted by those who still see death, their own or other people's, as part and parcel of their job, as all in a day's work. When confronted by terrorists, for example, or by drug barons or multinational mafia men.
Javier Marías (Your Face Tomorrow: Fever and Spear / Dance and Dream / Poison, Shadow, and Farewell (Your face tomorrow, #1-3))
What is it like to be made vice-president? On one level, it's a nearly hallucinatory degree of success. I was barely forty years old, and a shaky, sixty-three-year-old heartbeat from the leadership of the entire Western world. It was also like throwing up in convention-hall bathrooms before giving speeches, and after. It was sitting through dinners with men and women with whom I had nothing in common. Spending an enormous amount of time on trains. Promising thins and agreeing to things as advised by people I had barely met, on very little sleep. Huge sums of money were changing hands and everything happening on the grandest scale imaginable while still in most moments remaining pointless and usually outright seedy. I pretended to learn to fly-fish; I watched sporting events. In Maine I was assaulted by a lobster; it seized my lapel in a threatening manner. I tasted local foods and admired factories,farms, department stores, hotels, and (unless I'm misremembering) several empty plots of land.... It was like being given what was almost the nation's highest honor by a man you held in infinite esteem and regarded with perhaps a certain amount of terrified suspicion, a man who disliked you and clearly wanted nothing to do with you, who would scowl and change the subject at the mention of your name. And then being given a very important and very nasty job by that person, and despised for it, almost as much as you despised yourself.
Austin Grossman (Crooked)
Max’s unflinching gaze never left that house. “What do you think’s going to happen?” Jules asked him quietly, “if you let yourself peel that giant S off your shirt and take a nap? If you let yourself spend an hour, an evening, screw it, a whole weekend doing nothing more than breaking and taking enjoyment from living in the moment? What’s going to happen, Max, if—after this is over—you give yourself permission to actually enjoy Gina’s company? To sit with her arms around you and let yourself be happy. You don’t have to be happy forever—just for that short amount of time.” Max didn’t say anything. So Jules went on. “And then maybe you could let yourself be happy again the next weekend. Not too happy,” he added quickly. “We wouldn’t want that. But just happy in a small way, because this amazing woman is part of your life, because she makes you smile and probably fucks like a dream and yeah—see? You are listening. Don’t kill me, I was just making sure you hadn’t checked out.” Max was giving him that look. “Are you done?” “Oh, sweetie, we have nowhere to go and hours til dawn. I’m just getting started.” Shit, Max said with his body language. But he didn’t stand up and walk away. He just sat there. Across the street, nothing moved. And then it still didn’t move. But once again, Max was back to watching it not move. Jules let the silence go for an entire minute and a half. “Just in case I didn’t make myself clear,” he said, “I believe with all my heart that you deserve—completely—whatever happiness you can grab. I don’t know what damage your father did to you but—” “I don’t know if I can do that,” Max interrupted. “You know, what you said. Just go home from work and . . .” Holy shit, Max was actually talking. About this. Or at least he had been talking. Jules waited for more, but Max just shook his head. “You know what happens when you work your ass off?” Jules finally asked, and then answered the question for him. “There’s no ass there the next time. So then you have to work off some other vital body part. You have to give yourself time to regrow, recharge. When was the last time you took a vacation? Was it nineteen ninety-one or ninety-two?” “You know damn well that I took a really long vacation just—” “No, sir, you did not. Hospitalization and recovery from a near-fatal gunshot wound is not a vacation,” Jules blasted him. “Didn’t you spend any of that time in ICU considering exactly why you made that stupid mistake that resulted in a bullet in your chest? Might it have been severe fatigue caused by asslessness, caused by working said ass off too many 24-7’s in a row?” Max sighed. Then nodded. “I know I fucked up. No doubt about that.” He was silent for a moment. “I’ve been doing that a lot lately.” He glanced over to where Jones was pretending to sleep, arm up and over his eyes. “I’ve been playing God too often, too. I don’t know, maybe I’m starting to believe my own spin, and it’s coming back to bite me.” “Not in the ass,” Jules said.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
Then came the so-called flash crash. At 2:45 on May 6, 2010, for no obvious reason, the market fell six hundred points in a few minutes. A few minutes later, like a drunk trying to pretend he hadn’t just knocked over the fishbowl and killed the pet goldfish, it bounced right back up to where it was before. If you weren’t watching closely you could have missed the entire event—unless, of course, you had placed orders in the market to buy or sell certain stocks. Shares of Procter & Gamble, for instance, traded as low as a penny and as high as $100,000. Twenty thousand different trades happened at stock prices more than 60 percent removed from the prices of those stocks just moments before. Five months later, the SEC published a report blaming the entire fiasco on a single large sell order, of stock market futures contracts, mistakenly placed on an exchange in Chicago by an obscure Kansas City mutual fund. That explanation could only be true by accident, because the stock market regulators did not possess the information they needed to understand the stock markets. The unit of trading was now the microsecond, but the records kept by the exchanges were by the second. There were one million microseconds in a second. It was as if, back in the 1920s, the only stock market data available was a crude aggregation of all trades made during the decade. You could see that at some point in that era there had been a stock market crash. You could see nothing about the events on and around October 29, 1929.
Michael Lewis (Flash Boys: A Wall Street Revolt)
That's Branton, Michigan, by the way. Don't try to find it on a map - you'd need a microscope. It's one of a dozen dinky towns north of Lansing, one of the few that doesn't sound like it was named by a French explorer. Branton, Michigan. Population: Not a Lot and Yet Still Too Many I Don't Particularly Care For. We have a shopping mall with a JCPenny and an Asian fusion place that everyone says they are dying to try even though it’s been there for three years now. Most of our other restaurants are attached to gas stations, the kind that serve rubbery purple hot dogs and sodas in buckets. There’s a statue of Francis B. Stockbridge in the center of town. He’s a Michigan state senator from prehistoric times with a beard that belongs on Rapunzel’s twin brother. He wasn’t born in Branton, of course – nobody important was ever born in Branton – but we needed a statue for the front of the courthouse and the name Stockbridge looks good on a copper plate. It’s all for show. Branton’s the kind of place that tries to pretend it’s better than it really is. It’s really the kind of place with more bars than bookstores and more churches than either, not that that’s necessarily a bad thing. It’s a place where teenagers still sometimes take baseball bats to mailboxes and wearing the wrong brand of shoes gets you at least a dirty look. It snows a lot in Branton. Like avalanches dumped from the sky. Like heaps to hills to mountains, the plows carving their paths through our neighborhood, creating alpine ranges nearly tall enough to ski down. Some of the snow mounds are so big you can build houses inside them, complete with entryways and coat closets. Restrooms are down the hall on your right. Just look for the steaming yellow hole. There’s nothing like that first Branton snow, though. Soft as a cat scruff and bleach white, so bright you can almost see your reflection in it. Then the plows come and churn up the earth underneath. The dirt and the boot tracks and the car exhaust mix together to make it all ash gray, almost black, and it sickens your stomach just to look at it. It happens everywhere, not just Branton, but here it’s something you can count on.
John David Anderson
But nothing is ever enough, have you noticed?” he said. “I can’t touch you enough. I can’t make you happy. I can’t say anything right to you. And you can’t take away from me a single thing I’ve fucked up along the way.” She became deflated. “You’re here, and you’re forgiven for everything,” she said quietly, sitting up and closing her eyes so she wouldn’t have to look at his tattooed arms and his scar-ribbon chest. “Tell me the truth,” Alexander said. “Don’t you sometimes think it’s harder—this—and other stuff like the magazines quizzes—harder for the two of us? That magazine quiz just points up the absurdity of us pretending we’re like normal people. Don’t you sometimes think it would be easier with your Edward Ludlow in New York? Or a Thelma? No history. No memories. Nothing to get over, nothing to claw back from.” “Would it be easier for you?” “Well, I wouldn’t hear you cry every night,” Alexander said. “I wouldn’t feel like such a failure every minute of my life.” “Oh my God! What are you talking about?” Tatiana yanked to get off him, but now it was Alexander who held her in place. “You know what I’m talking about,” he said, his eyes blazing. “I want amnesia! I want a fucking lobotomy. Could I please never think again? Look what’s happened to us, us, Tania. Don’t you remember how we used to be? Just look what’s happened.” His long winter’s night bled into Coconut Grove through all the fields and villages in three countries Alexander plundered through to get to the Bridge to Holy Cross, over the River Vistula, to get into the mountains, to escape to Germany, to save Pasha, to make his way to Tatiana. And he failed. Twenty escape attempts—two in Catowice, one ill-fated one in Colditz Castle, and seventeen desperate ones in Sachsenhausen, and he never got to her. He had somehow made all the wrong choices. Alexander knew it. Anthony knew it. With the son asleep, the parents had hours to mindlessly meander through the fields and rivers of Europe, through the streets of Leningrad. That was not to be wished upon. “Stop it,” Tatiana whispered. “Just stop it! You didn’t fail. You’re looking at it all twisted. You stayed alive, that was all, that was everything, and you know that. Why are you doing this?” “Why?” he said. “You want it out while sitting naked on top of my stomach with your hair down? Well, here it is. You don’t want it out? Then don’t ask me. Turn the light off, keep the braid in, get your”— Alexander stopped himself—“get off me, and say nothing.” Tatiana did none of those things. She didn’t want it out, what she wanted, desperately, was him to touch her. Though the aching in her heart from his words was unabated, the aching in her loins from her desire for him was also unabated.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Your house is lovely, ma’am.” The duchess gave her a radiant smile. “If you like, I’ll take you on a tour later this afternoon. We have some very good art, and interesting old f-furniture, and some beautiful views from the second floor.” “Oh, that would be—” Pandora began, but to her annoyance, Lord St. Vincent interrupted from behind them. “I had already planned to take Lady Pandora on an outing this afternoon.” Pandora glanced over her shoulder with a quick frown. “I would prefer a tour of the house with the duchess.” “I don’t trust you around unfamiliar furniture,” Lord St. Vincent said. “It could be disastrous. What if I have to pull you out of an armoire, or God forbid, a credenza?” Embarrassed by the reminder of how they’d met, Pandora said stiffly, “It wouldn’t be proper for me to go on an outing without a chaperone.” “You’re not worried about being compromised, are you?” he asked. “Because I’ve already done that.” Forgetting her resolution to be dignified, Pandora stopped and whirled to face the provoking man. “No, you didn’t. I was compromised by a settee. You just happened to be there.” Lord St. Vincent seemed to enjoy her indignation. “Regardless,” he said, “you have nothing to lose now.” “Gabriel—” the duchess began, but fell silent as he slid her a glance of bright mischief. The duke regarded his son dubiously. “If you’re trying to be charming,” he said, “I should tell you that it’s not going well.” “There’s no need for me to be charming,” Lord St. Vincent replied. “Lady Pandora is only pretending disinterest. Beneath the show of indifference, she’s infatuated with me.” Pandora was outraged. “That is the most pomposterous thing I’ve ever heard!” Before she had finished the sentence, however, she saw the dance of mischief in Lord St. Vincent’s eyes. He was teasing, she realized. Turning pink with confusion, she lowered her head. Within a few minutes of arriving at Heron’s Point, she had tumbled on the drive, lost her hat and her temper, and had used a made-up word. It was a good thing Lady Berwick wasn’t there, or she’d have had apoplexy. As they continued to walk, Lord St. Vincent fell into step beside Pandora while the duchess followed with the duke. “Pomposterous,” he murmured, a smile in his voice. “I like that one.” “I wish you wouldn’t tease,” Pandora muttered. “It’s difficult enough for me to be ladylike.” “You don’t have to be.” Pandora sighed, her momentary annoyance fading into resignation. “No, I do,” she said earnestly. “I’ll never be good at it, but the important thing is to keep trying.” It was the statement of a young woman who was aware of her limitations but was determined not to be defeated by them. Gabriel didn’t have to look at his parents to know they were thoroughly charmed by Pandora. As for him . . .
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Somehow he released her hand and pulled his free. He wrapped his arms around her and hauled her against him so her entire body pressed against his. The man was a rock. Big, unyielding and warmed by the sun. She wanted to snuggle even closer. She wanted to rip off her clothes and give the goats something to talk about. She wanted-- He licked her lower lip. The unexpected moist heat made her gasp as fire raced through her. Every singed nerve ending vibrated with need for more. The masculine, slightly piney scent of him surrounded her. Operating only on instinct, she parted her lips to allow him entry. She had a single heartbeat to brace herself for the power of his tongue touching hers. Then he swept inside and blew her away. It was like being inside the space shuttle on take-off. Phoebe might not have any personal experience with space flight, but she could imagine. The powerful force between them left her weak and clinging to his broad shoulders. She trembled and needed and ached with equal intensity. His tongue brushed against hers again. He tasted of coffee and mint and something wonderfully sensual and sweet. His mouth seemed designed for kissing. Maybe it was all that non-conversation. Maybe talking too much undermined a man’s ability to kiss. She didn’t know and didn’t care. All that mattered was the way he stroked her, touched her, teased her. He cupped her head with one hand and ran his other up and down her back. If only this moment would never end. But it did. A sharp bark from somewhere in the distance brought Phoebe back to earth with a rude thunk. She suddenly became aware of being pressed up against a really good-looking stranger, kissing in front of a goat pen. Apparently Zane got a similar wake-up call, because he stepped back at the same second she did. At least the man was breathing hard. She would hate to think she was the only one who had been affected. “Okay, then,” she said when she realized that all feelings to the contrary, she still could breathe. Zane continued to stare at her. She swallowed. “Did you want to say something?” Anything would be fine. Just any old reaction. As long as he wasn’t going to say it was all a mistake. That would really annoy her. Or maybe she was making a big deal out of nothing. Maybe he kissed lots of women out here by the goat pens. “I have to get back to work. Can you find your way to the house?” She blinked at him. That was it? Okay. Fine. As long as she didn’t try to walk on legs that were still trembling, she could pretend nothing had happened. “Sure,” she muttered. “No problem.” He nodded, then bent down and picked up his hat. She frowned. When exactly had that fallen off? He straightened, opened his mouth, then closed it. She wasn’t even surprised when he turned and left without saying a word. It was just so typical. When she was alone, Phoebe tried to work up a case of righteous indignation. When that didn’t work, she went for humor. If nothing else, she had to give Maya credit for the promised distraction. Oh. She also had to remember that as soon as she found out what constituted a treat on the baby-goat food hit list, she would be sure to send a thank-you gift.
Susan Mallery (Kiss Me (Fool's Gold, #17))
Nothing was going to compromise my freedom to walk the streets whenever, wherever and with whomever I wanted. I saw fame as being akin to living in a high-security prison and I didn’t want to go there. How can you win just enough and then leave the table? Go to a Gamblers Anonymous meeting and you’ll see it’s easier said than done. I’d have to be very careful to not let things get out of control. I resolutely avoided looking at charts, bank balances, reviews, radio or television appearances, and carried on like nothing out of the ordinary had happened.
Chrissie Hynde (Reckless: My Life as a Pretender)
And when I say I said, etc., all I mean is that I knew confusedly things were so, without knowing exactly what it was all about. And every time I say, I said this, or I said that, or speak of a voice saying, far away inside me, Molloy, and then a line phrase more or less clear and simple, or find myself compelled to attribute to others intelligible words, or hear my own voice uttering to others more or less articulate sounds, I am merely complying with the convention that demands you either lie or hold your peace. For what really happened was quite different. And I did not say. Yet a little while, at the rate things are going, etc., but that resembled perhaps what I would have said, if I had been able. In reality I said nothing at all, but I heard a murmur, something gone wrong with the silence, and I pricked up my ears, like an animal I imagine, which gives a start and pretends to be dead. And then sometimes there arose within me, confusedly, a kind of consciousness, which I express by saying, I said, etc., or don’t do it Molloy, or is that your mother’s name? said the sergeant, I quote from memory. Or which I express without sinking to the level of oratio recta, but by means of other figures quite as deceitful, as for example. It seemed to me that, etc., or, I had the impression that, etc., for it seemed to me nothing at all, and I had no impression of any kind, but simply somewhere something had changed, so that I too had to change, or the world too had to change, in order for nothing to be changed. And it was these little adjustments, as between Galileo’s vessels, that I can only express by saying, I feared that, or, I hoped that, or, is that your mother’s name? said the sergeant, for example, and that I might doubtless have expressed otherwise and better, if I had gone to the trouble. And so I shall perhaps some day when I have less horror of trouble than today.
Samuel Beckett (Molloy)
Entering the workforce is like entering the grave … From then on, nothing happens and you have to pretend to be interested in your work.
Carl Cederström (Dead Man Working)
The curtain billows gently in the breeze behind him as he steps out to meet me, his hair jet-black by contrast with the translucent white fabric. I jump, gasp, and nearly swallow the grip that I’m still holding between my lips; quickly, I pull it out before it goes down my throat and chokes me. It’s wet with drool. Lovely, Violet. Really attractive. I shove it into my hair, anywhere, praying it will stay and not fall on the floor, still dripping with spit. Luca’s smiling down at me. His face is half in light, half in shade, from the spots playing across the dance floor, his blue eyes gleaming. “You like to dance,” he observes conversationally. “Yes…” Safe question, safe answer. Well, at least I didn’t babble. But he doesn’t say anything else; he’s just looking me up and down, and I feel incredibly awkward under his scrutiny. I’m sweaty, catching my breath; my eyeliner’s probably running. I desperately need to escape into the dark night beyond the dance floor, where the breeze will cool me down and the shadows will hide my shiny face. “I want to get some fresh air,” I say, and move around him, stepping off onto the stone slabs and promptly sinking with one heel into the narrow space between them. “Oops!” I say idiotically, ignoring the hand that Luca is stretching out to help me. The last thing I need right now is to touch him, for all sorts of reasons. I keep walking, pulling my heel out from between the paving stones; mercifully, it comes out without catching or ripping off. I honestly think that even if it did, I would keep going; I’d walk on a sandal without a heel all night, balance on my toes, pretend nothing had happened, and think it a fair price to pay for my flight into the comparative darkness of the chill-out area, where Luca can’t see the sweat on my face.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
I want to get some fresh air,” I say, and move around him, stepping off onto the stone slabs and promptly sinking with one heel into the narrow space between them. “Oops!” I say idiotically, ignoring the hand that Luca is stretching out to help me. The last thing I need right now is to touch him, for all sorts of reasons. I keep walking, pulling my heel out from between the paving stones; mercifully, it comes out without catching or ripping off. I honestly think that even if it did, I would keep going; I’d walk on a sandal without a heel all night, balance on my toes, pretend nothing had happened, and think it a fair price to pay for my flight into the comparative darkness of the chill-out area, where Luca can’t see the sweat on my face. He’s following me. I can hear his leather-soled shoes on the stone. And I have no idea where I’m going. I feel ridiculous. Luckily, ahead of me I see a terrace with tables, and I walk toward it as if I’d planned to head there all along. “You want a drink?” he asks. He gestures over to the right, and I see the white gleam of the long bar, the translucent milky-white pillars shining as if we’re underwater. I don’t need to drink any more alcohol tonight. Especially in the company of Luca. “Maybe some water. I’m really thirsty.” He nods, turns, and walks toward the bar. I watch him go. Tall, lean, with a nice firm bum in his black jeans. Exactly what I like in a boy. And then I feel my face flaming, because this isn’t just some boy at an airport, or viewed from a car. This is real. He’s real. He’ll be back in just a few minutes, and I won’t have the faintest idea what to say to him…
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
Death hit people differently. She was getting by. He had all but given up. There was no middle ground as woman. She was used to it, but it still pissed her off. Frigid, or a slag. Girly, or one of the boys. Hrad, or emotionally unstable. When USA sneezed , the UK caught the cold. Her face was often difficult to read, but at that moment it told him whatever McEvoy found Margie Knight o not, she'd tear every dodgy sauna, massage parlour and tin-pot knocking shop in the city apart trying. It might have been a few minutes, it might have been an hour, when he heard Holland's voice... The mood she is in right now, Holland, if you're so much as suggest that it might be her time of the month, I'm guessing she'll kill you on the spot. I think the poison inside me has eaten away every ounce of courage there might ever have been. I need to find just a little more. "Look, I'm getting tired of saying sorry" "Well I'm not tired of hearing you say it, OK?" Maybe they bred them somewhere, taught then how to put their hair in a bun and look down their pointed noses, before sending them out into the world with a pair of bug glasses, a fondness for tweed and something uncomfortable up their backside. "I'm going to kill Holland. No, I'm going to make him listen to some proper country music and then I'm going to kill him." "Actually, fuck that, the music would be wasted on him anyway. I'll just kill him." "fuckfuckbullocksfuck..." "What? I make you sick? I make you want to hurt me?" "You knock, you wait, you get asked to come in, you come in. It's pretty bloody straightforward." ...sat at home like Tom Throne, trying to keep the rest of the world well away. Police officer and prison staff are old enemies. The finders and the keepers resenting each other. 'Everybody says it switches around when you get old and they have to look after you. The parent becomes the child...It's non sense though., it really is. Even when they're cooking for you and getting your shopping in, you know? Even when they're doing up the buttons on your pyjamas and pretending to listen to your stupid stories, even when they're wiping your arse, you're still the father--It never stops, never. You're still the father and he's still the son. Still the son...' A thin layer across the top of the cistern in the ladies, invisible unless used in some of the more drugs-conscious clubs. ...Depending on how it looks, thy either do nothing, or break it again, re-set it.' 'Do they need volunteers?' "Don't talk to me. Not like that, do you understand? Not 'are you all right?' Not 'sorry'..." "I don't..." "Talk to me like a murdered." Holland couldn't believe what he was hearing. Palmer? 'Sorry?' Throne shouted. 'Fucking sorry...?' 'Shut your fucking stupid cunt's mouth. I will kill you, is that clear? I'm not afraid, certainly not of you. I don't care what happens. He can shoot the pair of us, I don't give a fuck. But if I hear so much as a breath coming out of you before this is finished, a single poisonous whisper, I'll rip your face off with my bare hands. I'll take it clean off, Nicklin, I'll make you another nice, new identity...
Mark Billingham (Scaredy Cat (Tom Thorne, #2))
Botox" In a friendly exchange with a shopper in a grocery story line, she joyfully declared: “Today is my 50th birthday!” I said, “It looks like the hands of Time have touched your face gently. Happy birthday!” “The hands of Time weren’t gentle on me, my dear. What you see are the wonders of botox,” she said. “They say it freezes face features and expressions. Is that true?” I inquired half-jokingly. “At this stage of my life, it makes no difference. I no longer need any expressions. There is nothing worth smiling for or frowning upon. I spent decades expressing in every physical and verbal way possible, all in vain,” she said. Her words were followed by a hopeless giggle that reminded me of the philosopher who wrote that as we advance in age, our fears are replaced with giggles. She then continued, “There is a time when you discover that all verbal and physical expressions are futile. In everyone’s life, there’s one defining event that freezes everything in their lives. Anything that happens after that event is no more than desperate and hopeless attempts to pretend that we are okay.” Before I managed to find the appropriate words, the cashier called on her. The timing was ideal as words froze on my tongue just like the botox freezes features and expression in a world in which words and expressions are of no use anymore. [Original text published in Arabic on October 14, 2024 at ahewar.org]
Louis Yako
Three weeks. Three weeks we will lock each other in that honeymoon suite and we play out every one of your fantasies. No rules. Anything you want to try, we try. No feeling ashamed or insecure. Then we come back here and pretend nothing happened. You want to experiment and find yourself. I want to fuck you like I’ve never wanted to fuck anyone before.
Christine Zolendz (Suite 269)
He snapped back to the present, once again utterly distracted by the woman before him. “We should head back. I’ve got things to do.” “Things? Ooh. That sounds utterly decadent. What kind of things are you planning? I’m very partial to nipple play just so you know.” The bag with its leftover treats provided a shield to hide the tenting of his trousers, but nothing could quell the heat in his blood. Why did she do things on purpose to tease him? Why are we not taking her up on her offer? Why wouldn’t his liger go take a fucking nap like other bloody felines? A glower didn’t deter her from linking her arm through his as they left. A tight-lipped countenance didn’t stem her adorable chattering as they walked. A firm leash on his emotions didn’t prevent the spurt of pleasure at her touch. A denial of their involvement didn’t stop his growl of jealousy when some yuppies they passed on the sidewalk swiveled to give her a second look. Were the teeth he bared necessary? Yes. Was the sigh as he entered the lobby and a dozen lionesses went “ooh” avoidable? No. Nor could he avoid the snickers that followed Luna singing, “Bow-chica-wow-wow,” especially since Meena joined in and began the impromptu dance that involved a lot of hip shaking and breast jiggling. Throw her over our shoulder and take her to our room. We must claim her before another does. What happened to his usually staid and laid back inner feline? The right woman happened. But what was right for his wild side wasn’t what the more serious man side wanted. She is chaos. Yes. And wondrous for it. She is physically perfect. And tempting him to take a bite. She’ll never let you have a moment of peace. His life would have purpose. She would love me with the passion and embrace of a hurricane. But could he survive the storm? Or should he try and outrun it? She would catch us. She is strong. A true huntress. Rawr. Possible life-changing inner conversations were best conducted out of sight, especially since it made him less mindful of his surroundings allowing his cousin Luna to sidle alongside and mutter, “I see the look in your eye.” “What look?” “The one that sees something yummy it wants to eat.” Was he truly that obvious? “I’m not hungry. I just had breakfast.” Luna elbowed him as she snickered. “Way to pretend ignorance. I know that you know what I know is happening.” “Say that fast five times.” She did. Luna wasn’t just quick on her feet. “So when are you claiming her?” the nosy woman asked. “Never.” He ignored his feline collapsing in a heap. “Leo. I am shocked at you. Aren’t you the one who advocates honesty?” “Only if it won’t cause irreparable harm. Then even giant white lies are allowed. Anything to hold back the insidious forces of chaos.
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
You have to be an optimist to believe in the Singularity,” she says, “and that’s harder than it seems. Have you ever played Maximum Happy Imagination?” “Sounds like a Japanese game show.” Kat straightens her shoulders. “Okay, we’re going to play. To start, imagine the future. The good future. No nuclear bombs. Pretend you’re a science fiction writer.” Okay: “World government … no cancer … hover-boards.” “Go further. What’s the good future after that?” “Spaceships. Party on Mars.” “Further.” “Star Trek. Transporters. You can go anywhere.” “Further.” I pause a moment, then realize: “I can’t.” Kat shakes her head. “It’s really hard. And that’s, what, a thousand years? What comes after that? What could possibly come after that? Imagination runs out. But it makes sense, right? We probably just imagine things based on what we already know, and we run out of analogies in the thirty-first century.” I’m trying hard to imagine an average day in the year 3012. I can’t even come up with a half-decent scene. Will people live in buildings? Will they wear clothes? My imagination is almost physically straining. Fingers of thought are raking the space behind the cushions, looking for loose ideas, finding nothing. “Personally, I think the big change is going to be our brains,” Kat says, tapping just above her ear, which is pink and cute. “I think we’re going to find different ways to think, thanks to computers. You expect me to say that”—yes—“but it’s happened before. It’s not like we have the same brains as people a thousand years ago.” Wait: “Yes we do.” “We have the same hardware, but not the same software. Did you know that the concept of privacy is, like, totally recent? And so is the idea of romance, of course.” Yes, as a matter of fact, I think the idea of romance just occurred to me last night. (I don’t say that out loud.) “Each big idea like that is an operating system upgrade,” she says, smiling. Comfortable territory. “Writers are responsible for some of it. They say Shakespeare invented the internal monologue.” Oh, I am very familiar with the internal monologue. “But I think the writers had their turn,” she says, “and now it’s programmers who get to upgrade the human operating system.” I am definitely talking to a girl from Google. “So what’s the next upgrade?” “It’s already happening,” she says. “There are all these things you can do, and it’s like you’re in more than one place at one time, and it’s totally normal. I mean, look around.” I swivel my head, and I see what she wants me to see: dozens of people sitting at tiny tables, all leaning into phones showing them places that don’t exist and yet are somehow more interesting than the Gourmet Grotto. “And it’s not weird, it’s not science fiction at all, it’s…” She slows down a little and her eyes dim. I think she thinks she’s getting too intense. (How do I know that? Does my brain have an app for that?) Her cheeks are flushed and she looks great with all her blood right there at the surface of her skin. “Well,” she says finally, “it’s just that I think the Singularity is totally reasonable to imagine.
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
Then came the so-called flash crash. At 2:45 on May 6, 2010, for no obvious reason, the market fell six hundred points in a few minutes. A few minutes later, like a drunk trying to pretend he hadn’t just knocked over the fishbowl and killed the pet goldfish, it bounced right back up to where it was before. If you weren’t watching closely you could have missed the entire event—unless, of course, you had placed orders in the market to buy or sell certain stocks. Shares of Accenture traded for a penny, for instance, while shares of Hewlett-Packard traded for more than $100,000. Twenty thousand different trades happened at stock prices more than 60 percent removed from the prices of those stocks just moments before. Five months later, the SEC published a report blaming the entire fiasco on a single large sell order, of stock market futures contracts, mistakenly placed on an exchange in Chicago by an obscure Kansas City mutual fund. That explanation could only be true by accident, because the stock market regulators did not possess the information they needed to understand the stock markets. The unit of trading was now the microsecond, but the exchanges might report their activity in increments as big as a second. There were one million microseconds in a second. It was as if, back in the 1920s, the only stock market data available was a crude aggregation of all trades made during the decade. You could see that at some point in that era there had been a stock market crash. You could see nothing about the events on and around October 29, 1929. The first thing Brad noticed as he read the SEC report on the flash crash was its old-fashioned sense of time. “I did a search of the report for the word ‘minute,’ ” said Brad. “I got eighty-seven hits. I then searched for ‘second’ and got sixty-three hits. I then searched for ‘millisecond’ and got four hits—none of them actually relevant. Finally, I searched for ‘microsecond’ and got zero hits.” He read the report once and then never looked at it again.
Michael Lewis (Flash Boys)
They speak like that because they're afraid of the Irish language coming back and killing everybody in the country this time. He [my father] says Irish people drink too much and talk too much and don't want to speak Irish, because it stinks of poverty and dead people left lying in the fields. That's why they speak posh English and pretend that nothing ever happened.
Hugo Hamilton (The Speckled People: A Memoir of a Half-Irish Childhood)
This morning I acted like nothing happened. I'm walking around under a veil. This must be what they call denial. It means things are too screwed up to deal with so you pretend they never happened, that you didn't notice. You gloss over the facts with little half-truths like "Sasha's mom was sick." You avoid looking each other in the eye because you're both hiding what you know. It deadens you. Layers of something like gel separate us. All we're left with are secrets and shame.
Jodi Lundgren (Leap)
While Sean was pulling on his fins, Lily had pretended to be busy herself. She’d made a show of tugging on her goggles, just in case he happened to glance up, and saw her staring like an obsessed ninny. Through the tinted blue of her goggles, she watched him surface. Oh my god. Her knees went weak, threatened to buckle. Sean was doing a butterfly kick on his back. Her eyes traveled down the length of his torso, and stopped, transfixed. She swallowed convulsively. Yet she couldn’t have torn her eyes away from the sight of Sean’s narrow hips if someone had screamed, Fire! Encased in black Lycra, they moved in a suggestive rhythm, breaking the surface of the water, sinking, and then rising again, over and over. Unbearably erotic, an answering beat drummed deep inside Lily. Helplessly, she conjured endless hours of sex, Sean’s body driving into her with the same relentless, unbroken rhythm, each flex of his hips thrusting to her very womb. “Something wrong, Lily?” Hal’s impatient voice demanded. Lily nearly leaped out of her skin. She was the only one left on deck besides Hal. “No, nothing,” she said hurriedly, hyperconscious that her voice was reedy thin. “Just about to jump in.” To clear her mind of the sexual fog that lay thick and heavy, she blinked rapidly—only to mutter a soft curse when she realized what had happened. Yanking her goggles off, she dropped to a kneel and swished them viciously in the water. “What’s the problem now?” Hal’s patience was obviously wearing thin. Embarrassed, resentful, and praying Hal wouldn’t guess the real reason why, Lily ground out her explanation. “My glasses fogged.” “They broken? I’ve got—” “No, no . . .” she interrupted tersely, and felt immediately guilty. It wasn’t Hal’s fault her goggles had literally fogged from the heat of her aroused body. It was hers. That’s what she got from staring at Sean McDermott’s groin for too long: fogged mind, fogged goggles. Determined to ignore the sight of Sean moving like a bold lover through the water next to her, that incredible, muscled body within touching distance, Lily gritted her teeth and dove in.
Laura Moore (Night Swimming: A Novel)
I’m afraid I’m going to move too fast for you. You were with Chase and planning a future and family with him up until the accident. All I’ve been able to think about is you, I knew there wouldn’t ever be anyone else. Over the last couple months, I tried to only be your friend, and I would have stayed that way if you asked me to. That didn’t stop me from thinking of everything I would do if I ever got you back though. But now that I have you again, the only thing the time away from you did, was make me want you more. So now I’m right back to where I was before we broke up, wanting nothing more than to buy a house with you and marry you. But I don’t know when it would be okay to do any of that because of what happened. And I know what you said about raising him with you, but I don’t know if that’s all you actually want me to do when it comes to him, just be the guy that helps you raise him. I want to be the dad that raises him, his dad. I just don’t know if that’s okay with you or if you think I’ll be trying to take Chase’s place.” “Brandon,” I frowned a little, with what we’d been talking about earlier, I thought we were on the same page. Apparently not. “okay let’s clear this all up, so there’s no more confusion. Considering everything we had before, I think we are way beyond worrying about moving too fast. I want to marry you, more than anything. But I don’t care when that happens, it can happen tomorrow or it can happen two years from now. I had tried to explain it to Chase, but I don’t think he actually understood that I didn’t need to be married just because I was having a baby. With Chase though, I hadn’t been planning a future with him until after he found out about the baby, I had already known way before that, that I wanted to marry you. “I’ll admit I was worried just being with you would be moving too fast after the accident for other people, but with the way I feel, and after talking to Mom, Bree and Konrad, I don’t think we are. Mom was right, our situation is completely different, and it doesn’t matter what other people think. This is our life together, not theirs.” I laid down on my back, and put a hand over my eyes to shield the sun, “Answer me something before I continue. Being his dad, you really want that?” He turned onto his side, his face hovering over mine, “I do.” “Good.” I smiled and wrapped a hand around his neck, “I don’t want you to just be the guy that raises him. What you said this morning, was more than perfect. I want you to be his dad, I want him to be your son. I want you to be my husband and if we have more kids later on in life, I don’t want them to be our kids, and him” I pointed to my stomach, “be my kid. I agree he needs to know about Chase, but you’re going to be Dad to him, and he’s going to be ours. Just like any other child we have. “I want you to be at the rest of the appointments if you want to, and don’t worry, Dr. Lowdry already knows about you. She pulled me aside during my second appointment and asked about the father, I ended up breaking down and telling her the whole story. I swear those Doctors are trained to be therapists too. She knows that Chase died, and she knows you’ve been there for me. Honestly, she’s like Bree and Mom, I doubt she’ll be surprised to see you there. So if you want to be there, then I would love for you to come with me. I want you to help me name him, and if it’s okay, I want you in the room with me when I deliver. I’m telling you, I’m not going to pick and choose what you can and can’t do, I want you there for everything. I’ve wanted you there for everything, but I’ve been denying myself of what I want and pushing my emotions away. Now that we’re done pretending, I’m ready for it all, but you need to tell me if you’re uncomfortable with any of this.” “If you were any other girl, I would be. But you’re my world Harper, no matter how strange our situation may be, being with you and starting a family with you feels right.” “I
Molly McAdams (Taking Chances (Taking Chances, #1))
He grabbed my arm when I started walking away, and pulled me back. “Damn it, talk to me! I know you’re hurting, Aurora, I know. But seeing you look like you’ve just gone three rounds with my mom whenever you’re near her, seeing you look so fucking broken each time she talks to you, that isn’t you. It isn’t even the version of you who tried so damn hard to get my mom to like her.” His other hand gripped my free arm until it felt like he was pleading with me in his touch alone. “Tell me what is happening.” Seconds of silence passed between us. Tears pricked at my eyes, but didn’t fall. “You know what’s happening. Don’t pretend not to, or act like you don’t know why. The last thing I need now is another person pretending. Pretending like everything’s fine, like nothing’s wrong, like your entire family doesn’t hate me.” His brow pinched and his eyes searched mine. “How could I when I don’t have a damn clue what’s even happening with you because you’re pretending like nothing is?” “I’m not,” I said numbly. “I just don’t want to pull you or anyone else into it when I know it’s deserved.” “Deserved.” His hands tightened on my arms when realization hit him. I’d thought he was angry before, but this—this was different. When
Molly McAdams (I See You)
No more was said. Mrs. Dunne had dropped her poison and was quite content. Mrs. Johnstone might pretend to be dense, but she was not as dense as all that, and even if the poison did not work very quickly its effect would not be entirely lost. Someday something might happen and Mrs. Johnstone would remember what she had said. Mrs. Dunne hated the Bells. Nothing would please her better than to see the Bells discredited, to watch them packing up and leaving Mureth. If she could accomplish that she would be happy, or so she thought. She hated all the Bell family, but Daisy was the worst, for Daisy was not only young and pretty, she was clever too. Daisy had discovered Mrs. Dunne’s vulnerable points and enjoyed pricking her where the pricks would hurt… and Mrs. Dunne, who liked hurting other people and making them squirm, disliked being hurt herself. It is curious but true that those who make a habit of saying unkind things are often the most easily hurt and offended when their victims retaliate.
D.E. Stevenson (Music in the Hills (Dering Family #2))
Swearing through his teeth, Ryan closed the distance between them and enveloped Jamie in a tight hug. “I don’t hate you, you prat,” he said, burying his nose into Jamie’s hair. “Don’t you ever think that.” “I’m sorry,” Jamie whispered. “I fucked up. I didn’t mean to—it just happened.” Ryan pulled back a little to look him in the eye. “Don’t you dare blame yourself for loving someone.” He forced out a teasing smile. “No one can blame you for your excellent taste.” A ghost of a smile touched Jamie’s lips, but his eye-roll was half-hearted at best. His eyes were still shiny, his face very pale. The knowledge that he was the one who had put that look on Jamie’s face made him sick to his stomach. Setting his jaw, Ryan cradled Jamie’s face in his hands. “Listen,” he said, holding Jamie’s gaze intently. “I promise you I’ll do whatever it takes to fix this. If you want to, I’ll find you the best boyfriend in the world. Someone you can fall in love and be happy with. How does that sound, mmm?” The smile Jamie gave him was a little shaky. Ryan told himself it was better than nothing. “You don’t have to do anything,” Jamie said. “I didn’t tell you that because I expected you to do something.” Jamie smiled brighter. “It’s not your fault I’m an idiot. I’ll be fine—” “Stop it,” Ryan said. “Don’t pretend it’s okay.” “It’s not okay,” Jamie said. He smiled at Ryan, a little brokenly, as if he had no clue what that smile was doing to him. “It’s not. But I’m not the first or the last person in the world to love someone I can’t have. I’m not sure what I expected when I decided to tell you. But I didn’t expect anything from you. I know you don’t love me that way. I know you love her, that you’re happy with her.” Jamie’s eyes were a little too bright. “Nothing has to change. Just…just don’t expect me to be your best man when you marry her, okay? I can’t do it, not even for you.” Ryan felt like the ground moved beneath his feet. He could only watch Jamie lie once again that he would be fine, force out another smile and leave. Ryan stood, unmoving, an acid churning deep in the pit of his stomach, and he fought the impulse to retch and break something. Later that night, he didn’t make love to Hannah. He fucked her, hard and rough, pouring out all his frustration and anger, Jamie’s shaky, forced smile before his eyes. When she came, moaning and shuddering around him, he pulled out, rolled out of the bed, and went to the bathroom. He stared at his naked body in the mirror, at his heaving chest and hard dick. He thought of all those times he had unthinkingly, unknowingly hurt Jamie, flaunting how happy he was with Hannah. Of all those times he told Jamie that he loved Hannah. Of all those times he kissed Hannah in front of him. Of all those bright smiles Jamie gave him afterward. Ryan slammed his fist in the mirror.
Alessandra Hazard (Just a Bit Confusing (Straight Guys #5))
A gentleman I met while I was here for Luke’s wedding happens to be visiting again and we ran into each other at that little Virgin River bar. I pretended I couldn’t remember meeting him. I don’t know why I did that. Probably because he was coming on a little strong.” “Strong?” Viv asked. “Did he make a pass?” “God, no, I’d have had a coronary! He hadn’t even started flirting, thank goodness. But I could tell he was happy to run into me again and I thought it best to just discourage him right away rather than have to reject him later. Turned out he wasn’t nearly discouraged enough and asked me out to dinner.” Viv was silent for a long moment. Her brows drew together and her eyes narrowed suspiciously. “And the problem is?” she finally asked. “I don’t want to go out to dinner with him.” “Ah,” she said, sitting back on the couch. “He’s not your type?” “Vivian,” Maureen said with surprise. “I don’t have a type!” Again Viv was silent. “I don’t think I understand, Maureen. We all have pretty basic likes and dislikes. Are you put off by his looks?” “That’s not it—he’s actually handsome. Probably a little older than me, but still handsome.” “Bad manners?” Viv asked. “Bad breath? Slippery dentures? What puts you off?” “Nothing, he’s nice. Attractive and charming. But I don’t go out to dinner with men.” “Why ever not?” she asked, completely baffled. “I’m a single woman. A widow of a certain age. An older woman!” “Maureen, you must draw the interest of men regularly. You’re a very attractive woman!” “No, never,” she said. “Not at all. But then, I’m never in places where something like that might happen. I pretty much keep to church things or pastimes with women who live in the condos. Golf, tennis, bridge, the occasional potluck. If I do run into men, they’re with their wives.” “But don’t you have friends your age who date? Friends who are divorced or widowed who have men friends or boyfriends?” Maureen made a sound of annoyance. “Yes, and some of them act downright ridiculous! I’ve seen some of these women I play golf and tennis with, chasing men as if they’re…they’re…” “Horny?” Viv asked with a smile. Maureen was shocked. “Really, that’s an awful word!” “Oh, brother,” Viv said with a laugh.
Robyn Carr (Angel's Peak (Virgin River #10))
It took you long enough to come back,” Lexy tells me bitingly. The girl is ruining my meal. Ever since the stable girls showed up, she’s been attached like glue to Vin’s side. I recognize it for what it is—infatuation. No way Vin is leading her on. He barely tolerates her, which isn’t to say he isn’t sleeping with her, but he definitely isn’t putting pretty pictures in her head. She’s doing that all on her own. “That’s what he said,” I grumble around a large bite of bread, gesturing to Vin. “We were sure you’d left us to die.” “Sorry to disappoint.” “Don’t be. We wouldn’t have been sorry to see you go.” I look up from my plate to eye her carefully. I do it for too long. She twitches under my stare, making me grin. “‘We,’ huh? You’re a ‘we’ now?” Vin looks up sharply. “What? No.” “Vin,” Lexy protests. “Are you sure?” I ask him. “Yes,” he tells me angrily. He stares Lexy down. “And, no, we’re not a ‘we.’ We’re nothing.” “I’m sure he doesn’t mean it, Lex,” I tell her consolingly. “Never give up hope.” “Kitten,” Vin growls in warning. Lexy shoots me an icy stare from across the table. It’s cute how hard she tries. “Be sure to watch your back out there, Kitten,” she spits sarcastically. “I’d hate to see you get hurt.” I put up my finger in her face, getting serious. “Watch yourself. You’re toeing a dangerous line with me right now and I don’t want to have to remind you what happened to the last girl who threatened me. Forget Vin, I’ll put you to bed with Caroline. You get me?” Lexy pales. She glances once at Vin, then Ryan and Trent. All of them keep their heads down, carefully pretending they have no idea what’s happening. Finally she stands slowly, turns, and leaves without a word. “Well, that’s handy,” I mumble, picking up my bread. “Kinda harsh,” Ryan comments. I hate that I immediately feel a twinge of guilt just from those two words from him. “I did him a favor,” I say defensively. “That girl was one kiss away from collecting his hair. I don’t have time for that kind of crazy.” “Amen to that,” Vin says heartily, raising his glass to me. “Calm down, Romeo. You’re the idiot who keeps getting us into these situations.” “‘Us’?” he asks with a sly grin. “Are we an ‘us’ now?” “No,” Ryan replies darkly.
Tracey Ward
He felt so tired, so weary of holding on with an iron grip to something he knew was slipping away. “You can’t make someone love you,” he said. Her hand stilled for a moment, the dirty tissue between her fingers. “True.” “Even if you love them so much you’d do anything, anything, for them.” The truth of his words sank in. Speaking about it wasn’t helping. It felt worse, like probing an open wound. “Even if,” his grandmasaid, nodding. “Sometimes they pick another person to love when you’ve been right in front of them the whole time.” “It does happen.” Her voice was soft. “And then there’s nothing left but to keep going as you were, pretending you never felt anything more than . . .” “Friendship?” Her eyes met his and there was the faintest glimmer of tears. “But I don’t think I can have even that, anymore.
Mary Jane Hathaway (Emma, Mr. Knightley, and Chili-Slaw Dogs (Jane Austen Takes the South, #2))
Even at a distance, he recognized Emma sprawled headlong in the street, and he broke into a run. The road was empty, so was the boardwalk. He knelt beside her and helped her sit up. “Emma . . . honey, are you okay?” Tears streaked her dusty cheeks. “I-I lost my Aunt Kenny, and”—she hiccupped a sob—“m-my mommy’s gone.” Her face crumpled. “Oh, little one . . . come here.” He gathered her to him, and she came without hesitation. He stood and wiped her tears, and checked for injuries. No broken bones. Nothing but a skinned knee that a little soapy water—and maybe a sugar stick—would fix right up. “Shh . . . it’s okay.” He smoothed the hair on the back of her head, and her little arms came around his neck. A lump rose in his throat. “I won’t let anything happen to you.” Her sobs came harder. “Clara fell down too, Mr. Wyatt.” She drew back and held up the doll. “She’s all dirty. And she stinks.” Wyatt tried his best not to smile. Clara was indeed filthy. And wet. Apparently she’d gone for a swim in the same mud puddle Emma had fallen in. Only it wasn’t just mud, judging from the smell. “Here . . .” He gently chucked her beneath the chin. “Let’s see if we can find your Aunt Kenny. You want to?” The little girl nodded with a hint of uncertainty. “But I got my dress all dirty. She’s gonna be mad.” Knowing there might be some truth to that, he also knew Miss Ashford would be worried sick. “Do you remember where you were with Aunt Kenny before you got lost?” Emma shook her head. “I was talkin’ to my friend, and I looked up . . .” She sniffed and wiped her nose with the back of her hand. “And Aunt Kenny was gone.” Wyatt knew better than to think it was McKenna Ashford who had wandered away. “We’ll find her, don’t you worry.” “Clara’s dress is dirty like mine, huh?” She held the doll right in front of his face. Wyatt paused, unable to see it clearly. Easily supporting Emma’s weight, he took Clara and did his best to wipe the dirt and mud from the doll’s dress and its once-yellow strands of hair. His efforts only made a bigger mess, but Emma’s smile said she was grateful. “She likes you.” Emma put a hand to his cheek, then frowned. “Your face is itchy.” Knowing what she meant, he laughed and rubbed his stubbled jaw. He’d bathed and shaved last night in preparation for church this morning, half hoping he might see McKenna and Emma there. But they hadn’t attended. “My face is itchy, huh?” She squeezed his cheek in response, and he made a chomping noise, pretending he was trying to bite her. She pulled her hand back, giggling. Instinctively, he hugged her close and she laid her head on his shoulder. Something deep inside gave way. This is what it would have been like if his precious little Bethany had lived. He rubbed Emma’s back, taking on fresh pain as he glimpsed a fragment of what he’d been denied by the deaths of his wife and infant daughter so many years ago. “Here, you can carry her.” Emma tried to stuff Clara into his outer vest pocket, but the doll wouldn’t fit. Wyatt tucked her inside his vest instead and positioned its scraggly yarn head to poke out over the edge, hoping it would draw a smile. Which it did.
Tamera Alexander (The Inheritance)
don’t have twenty bucks to split, we’ll call it a day and the difference is on me. If we have at least that much, or more, then it is in our best interests to forge an accord,” he says, his voice overly formal. I can’t help but smile. He’s kind of a goofball, for all his model looks and snake-oil-salesman charm. He’s actually not as confident as he pretends, I can see now. Which makes me feel better and at the same time…is endearing. I give him my black-belt ninja-level eye roll, which has the power to destroy worlds. It has no effect. Damn him again for his superpowers. I’ll have to try something else. He interprets my silence as an opportunity to keep pitching the idea. “You’ve got nothing to lose. It’s risk-free.” A thought occurs to me. “What happened to your last partner?” His face grows serious. “I had to kill him and eat him. It was a long winter.” “He?” “Don’t look at me like that. He was actually quite tender after a couple of days. The secret’s in the marinade.” I find myself laughing against my will, and he joins me, the dimples back in full force. I so want to say no, just to do it, but I’m also thinking it couldn’t hurt to give it a try. If he’s right, it might be the first Monday ever that I clear more than twenty bucks. “Seriously. What happened?” His expression darkens for a nanosecond, and then he brightens again. “He didn’t make it south. Stayed in the old country.” He watches me expectantly. “So how about it?” “You have the cash to cover any shortfall?” “I’m toting
R.E. Blake (Less Than Nothing (Less Than Nothing, #1))
Cade watched her walk away as a knife pain slit him from gullet to loins. She meant to deny him. She was going to pretend that nothing had happened. She would go to that damned bed alone. He ought to be accustomed to betrayal and deceit. He'd seen enough of it in his lifetime. But he couldn't believe that after what they had shared, she could up and walk away. It surpassed the bounds of all credulity. But she did so, and like the others, Cade stood and watched her go. Not wanting to hear what was said after she left, Cade made his excuses and went out the back door. He should take Serena and go back to his cabin and get drunk and forget the hell about her. It had been madness to think that he could marry a lady and make a place for himself. He had no illusions about what he had to offer: a gray gelding and some vague hopes. He couldn't even fool himself into thinking that he could offer the passion she had never known, because the passion that had created her child was right there in the house with her. Damn, but why in hell did the man have to show up now? But seeing Serena and holding her chubby little body in his arms, renewed Cade's determination. He refused to give up. Not without a fight, at least. If he had to invent another rattlesnake in a box, he would find some way of showing Professor Travis Bolton Mangolini out of the territory. Lily
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
Take me to the far side of the room,” she pleaded. “Near the food and lemonade. I can pretend to be thirsty.” “And what about Burkham?” he asked. “The man is watching you.” What about the viscount indeed? she thought. He’d done nothing to catch her, but had stepped back just as she’d fallen. A twinge of resentment caught her. “I don’t want to speak with him.” Thomas should have prevented her from falling. It was almost as if he’d wanted to humiliate her. But why? And did he intend to keep his distance, behaving as if nothing had happened? A moment later, the viscount crossed the room. Immediately, Iain stepped in front of her. “Were you wanting something, Burkham?” The viscount appeared discomfited by his presence. “Ashton, if you don’t mind, I would like a word with Lady Rose.” “To apologize, you mean.” The earl’s voice held resentment, and she didn’t at all disagree. She hadn’t wanted to join in the country dance, but Lord Burkham had insisted. “I am sorry she fell. And if you wouldn’t mind giving us a moment alone . . .” “No.” Iain crossed his arms over his chest, and she nearly smiled. It looked as if he wanted to pummel the man senseless. “But I will allow you to apologize before you slither away.” Burkham cleared his throat and sidestepped so she could see his face. “Ashton is right. I do owe you an apology. I didn’t expect you to fall.” “I told you I didn’t want to dance. You wouldn’t listen.” He sent her a crooked smile, one that would have caused her heart to soften, a year ago. Now, she saw it as an empty gesture. “Forgive me. I was jealous of Ashton because I thought we had agreed you would save the first dance for me.” Jealousy would imply that he actually cared about her, and she simply didn’t believe it. “You weren’t here.” “I was late, and that, of course, was my fault,” he finished. “But I didn’t expect to find you dancing with another man.” She gave a shrug. Of course not. Because you thought no man would want me. “Did you want to dance with Lord Ashton?” he asked. There was a thread of annoyance in his tone, one she didn’t like. “Yes,” she answered honestly. Although she’d danced with Iain primarily because of the wager she’d lost, it was also because she trusted him. He understood her limitations and hadn’t tried to push her past them. Iain went to stand beside her, and he rested his hand upon the back of her chair in a silent mark of possession. “I think you should be returning to Miss Everett now,” Iain suggested. “Be on your way.” The viscount appeared to consider it, but then Lady Castledon arrived, holding Evangeline’s hand in hers. She smiled warmly at Iain and said, “Do be a darling and dance with Miss Sinclair. I’ve told her all about you, Lord Ashton.” There was no way for him to refuse without embarrassing Evangeline, but he sent Rose a questioning look. “I will be fine,” she told him. “Go on and enjoy yourself.” Iain bowed to Evangeline and tucked her hand in his arm, but his expression held an open threat toward Lord Burkham. The
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
Iain?” His sudden smile was blinding, and he held her hands in his. “You’ve already taken the first steps, a chara. Without even realizing it.” She had. For the first time in months, she’d managed to take two steps. Unbidden came the tears over her cheeks, while a shaky smile broke through. “I don’t even know how this happened.” Lord Ashton shook his head. “I can’t say how it did. But I watched you take two steps away from me.” Certainly, it was because he’d embarrassed her, but she couldn’t bring herself to care. Joy flooded through her. “Can you take a step toward me?” he asked. She sent him a sidelong glance. “I’m not sure I should. Especially with the way you’re looking at me now.” A knowing grin slid over his face. “And how am I looking at you?” “Like I’m a slice of cake.” She sent him a wry look, but he only appeared amused by her observation. “Perhaps I was wanting another taste of you.” He reached out to her shoulders, and she laughed at him. “Oh, no.” At that, she took a step away, suddenly realizing why he was teasing her. “Is this a ruse, meant to make me run away from you?” She faltered but took another step. Her body swayed out of balance, but with her bare feet upon the grass, it was easier to steady herself. “Is it working, then?” Iain reached out to her, pretending that he wanted to snatch her back into an embrace. “Yes.” Rose stopped walking and gave up trying to hold back her tears of happiness. She didn’t care if she was sobbing like a small child. These first few steps were nothing short of miraculous. Her cheeks were wet, but she was smiling so hard, they ached. Iain closed the distance and brought her back into his arms, holding her tightly. She no longer cared, but dampened the front of his shirt with her tears. He rubbed her spine, his arm around her waist. “Don’t cry, a ghrá. Else, I’ll have to kiss your tears away.” She wiped at her eyes, and a laugh broke free. “Then I suppose I’ll have to run.
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
So unrealistic.” “Excuse me?” Liam asked, eyeing the offending book. “Nothing,” I huffed. “Doesn’t look like nothing,” he countered. “Freaking Natalie and her fairy tale bullshit.” I let out a breath so heavy a lock of hair blew away from my face. The tiniest smirk curled on Liam’s lips. “Now we’re getting somewhere.” “Don’t get me wrong, I’m thrilled she got the happy ending she was searching for, but that’s not for everyone. These books she reads—there’s no way ninety-nine percent of these scenarios would ever happen. It’s false advertising for how life and love actually unfold, creating unrealistic expectations for men and women alike.” How so?” Narrowing my eyes across the table at him, I challenged, “Have you ever read one of these romance novels?” “Can’t say that I have,” he admitted. “Well, let me enlighten you. They’re all variations of the same story—the girl usually has some kind of a hang-up, and this perfect man comes along and makes her believe in love. Blah, blah, blah. Then something happens, a conflict, and they break up—every damn time. Then someone realizes they’re an idiot and apologizes—sometimes there’s a grand gesture—but they always end up back together. Life doesn’t work like that. Not all women are broken, and not all men are perfect. And don’t even get me started on how all the men are gods in bed with huge dicks.” Liam snorted. “Are they not, then?” “Don’t.” I was not in the mood and threw him a death glare. Throwing his hands up in defense, he asked, “What? I can only speak for myself, so I don’t know what all the other men are up to.” “Not funny, Liam.” Those piercing blue eyes found mine. “Who said I was joking, Amy?
Siena Trap (Playing Pretend with the Prince (The Remington Royals, #2))
No…” I shook my head with tears running down my cheeks. “I saw the ad, the listing. I applied for this job. Raina…” I paused, thinking about how Raina just so happened to be driving exactly where I was. “Raina dropped that paper off to your motel room in hopes that’d make the process easier for you. Raina was paid to follow you and pick you up. Raina is basically the Ivory’s adoptive daughter, and her husband Jax once worked here.” “How’d they escape? How did they manage to not tell anyone about what’s happening here?” “Demi, you just don’t get it.” Bradley rubbed his forehead as if it were aching. “It’s not white-therapy; it’s white-torture. We all went through it. You’re the first they haven’t done it to in years. For two years, we all lived in those sound-proof rooms, eating nothing but plain white food. No sounds, no color, no stimulation. It stripped us of emotion. It made us completely submissive and devoted to this family.” “But you don’t seem submissive. You seem like you’re just pretending so you could be here for Daisy?” “I can’t imagine leaving this place. I’m messed up, Demi. I wanted to help Daisy escape, but thought I’d probably stay here and work for the family. Because if they caught me, they’d put me back into a cage. No one speaks to you, you hear no noise, no sounds, you see no color or anything. They shave your head and put you in all-white. You stare at four white walls all day and eat white food so your senses are depleted.” Fear churned inside of me as my legs trembled and I forced myself to sit down. “Why do they do this?” “Because they need staff. Loyal staff who will help them with their business. They sell these women as mail-order brides essentially, and their wait list is filled with the world’s richest men. Each woman is guaranteed to be completely obedient, subservient, and designed to be exactly what that man wants. Each woman sells for one to three million dollars.
Monica Arya (The Favorite Girl)
This story is as common as dirt. Thousands of Native Americans in California, Arizona, and New Mexico could tell it. Anyone with a grandpa who was haunted by Indian boarding school, who stung his family like a dust devil when he drank. Anyone with a grandma who washed laundry until her fingernails cracked and bled, who went without eating when there weren’t enough groceries because she wanted her ten kids to have a few extra bites. Anyone with a mother who kept secrets so her kids wouldn’t find out about their father’s jailbird past. Anyone with a father who chose the violence of industrial labor over the violence of reservation life because he wanted his kids to get through private school and make better lives for themselves. So many people could tell this story, it is shocking how rarely it has been told. Too many mothers have watched their kids thrown into cop cars without protest. Too many aunties have put ice on black eyes without saying a word. Too many grandmothers have watched their grandchildren, their hope for the future, head out to a party and never come home. Too many girls have pretended nothing happened after experiencing sexual harassment, only to redirect the hate toward the innocent face staring back at them in the mirror.
Deborah Jackson Taffa (Whiskey Tender: A Memoir)
...Zadie had spent most of her life biting off the heads of her fears before they had a chance to speak. She thought of it as self-sufficiency when it was really silent suffering. She had cried in front of Joel many times,but once her tears were dry, she would pretend as if nothing had happened. She was like a stray cat who cries at the back door for food, then once it has had its fill, slinks off as if it never asked for it in the first place.
Ruth Emmie Lang (The Wilderwomen)
And what am I supposed to say? Hey Sebastian, sorry I ignored you for two years, but will you let me back into your life, pretend like nothing ever happened, and go back to being best friends?
Cierra Martinez (Somewhere That's Green)
The biggest pain is not what happened to me or what I am feeling, but the biggest pain it to pretend like nothing happen.
D.J. Kyos
The biggest pain is not what happened to me or what I am feeling, but the biggest pain is to pretend like nothing happen.
D.J. Kyos
The gods are nothing more than the monsters who happened to hold the pen. They wrote the story, so why not be the hero? That was the first thing Atara learned when the gods spoke to her for the first time. They hadn't even needed to pretend to be kind or virtuous, the stories that circulated were more powerful than the actions they took—like they had a life of their own.
Jo Grospierre (Hymn of The Night (The Night's Oath Trilogy Book 1))
Tell me about the conversations you and your brother escaped? The ones that drove you to the caverns. Tell me why you refuse to take the throne even when you know your brother won't be fit to do it when you free him,' I demanded. 'Tell me why you thought it was okay in the first fucking place to kidnap me and use me as random before you even knew me!' Frustration crowded my throat. 'Tell me why it never occurred to you to mention the Joining. Tell me about Gianna, Casteel. Does she care for you? Does she want this engagement? Do you care for her? He exhaled roughly, shaking his head, but I wasn't done. 'Tell me why you never told me the truth about Spessa's End until I was here? Was it because you didn't trust me with that information? Tell me about her. The one you loved and lost because of the Ascended. Tell me what happened to her. Will you even say her name?' My chest rose and fell with rapid breaths, and my anger overwhelmed my senses, blocking out his emotions completely. 'Tell me how you can stand to be near me when I represent the people who took so much from you. Tell me why you really came to my room tonight. Tell me something that matters. That is real.' Casteel's chest rose with a heavy breath. 'You want something real?' 'Yes.' 'I came to your room tonight to learn if what you said at dinner was true. That I was the first person to ever seen you. That I was the first thing you ever chose for yourself. That you chose me when you knew me as Hawke, and even after you learned the truth, you still chose me,' he growled, his eyes luminous. 'I came here tonight to learn if you really felt like you were betraying Vikter and Rylan, all the others and yourself. I came here to see if that'd changed. Was all of that real, or were you just pretending?' I took a step back, entirely too exposed, and it had nothing to do with the ridiculous nightgown. I hadn't expected him to go there. I wasn't sure why, but I hadn't. He shook his head as he barked out a short, humourless laugh. 'Yeah. Silence. As usual. That's why there was never a reason to tell you any of those things you've demanded from me.' I stared up at him, hands and arms trembling. 'I don't know what you want from me.' 'Everything,' he bit out between clenched teeth. 'I want everything.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
the divorce she made a noise that sounded like an empathy orgasm, then pulled me to her chest and cradled my head like a child’s. ‘You must be devastated,’ she said, petting my hair in a way that was not unenjoyable but was not the romp I had hoped for, from the glint. ‘This must be such a dark time for you. I’m a Highly Sensitive Person, so you don’t need to tell me, I get it.’ I did not think it required a person to be highly sensitive to know that divorce was painful, but more than that, I did not want to talk about it with Tamara. I kissed her for a minute or two, and it was going well until she made the noise again, then pulled away and said, ‘Poor little bird.’ I told her I was okay, mostly, that I knew nothing worthwhile came easy and was taking it one day at a time. In reality, life since my mom’s house had felt very dark indeed, more or less blurring into one long nap punctuated by cereal and episodes of Housewives; but I did not share this, because I did not want to be this woman’s bird. She poured us each a glass of water and told me a lengthy anecdote about her friend’s bike accident, labouring particularly hard over the doctor’s instruction that – should this friend ever find herself hurtling over her handlebars on Roncesvalles Avenue again – she not brace for impact. ‘You have to go limp and let it happen,’ she said softly. ‘You can’t fight it, or you’ll break every bone in your body.’ She was rocking me back and forth at this point, but getting a cab at that hour, on New Year’s, would have been impossible, so when she slid her hand under my shirt, I pretended to be asleep. The next morning we lay around in her bed, where, to avoid further cycling metaphors, I asked her to tell me the twist endings
Monica Heisey (Really Good, Actually)
You want to do nothing? Be nothing?” Henrietta asked. “More like, what if I just let things happen to me?” Cherry said. “Rather than, like, trying to make things go my way, trying to mould how the world is going to happen. To stop pretending I can control any of this. Kind of let chaos take its course. You know what I mean?
Andrew F. Sullivan (The Marigold)