Molly Brown Quotes

Wanted, wanted: Dolores Haze. Hair: brown. Lips: scarlet. Age: five thousand three hundred days. Profession: none, or "starlet" Where are you hiding, Dolores Haze? Why are you hiding, darling? (I Talk in a daze, I walk in a maze I cannot get out, said the starling). Where are you riding, Dolores Haze? What make is the magic carpet? Is a Cream Cougar the present craze? And where are you parked, my car pet? Who is your hero, Dolores Haze? Still one of those blue-capped star-men? Oh the balmy days and the palmy bays, And the cars, and the bars, my Carmen! Oh Dolores, that juke-box hurts! Are you still dancin', darlin'? (Both in worn levis, both in torn T-shirts, And I, in my corner, snarlin'). Happy, happy is gnarled McFate Touring the States with a child wife, Plowing his Molly in every State Among the protected wild life. My Dolly, my folly! Her eyes were vair, And never closed when I kissed her. Know an old perfume called Soliel Vert? Are you from Paris, mister? L'autre soir un air froid d'opera m'alita; Son fele -- bien fol est qui s'y fie! Il neige, le decor s'ecroule, Lolita! Lolita, qu'ai-je fait de ta vie? Dying, dying, Lolita Haze, Of hate and remorse, I'm dying. And again my hairy fist I raise, And again I hear you crying. Officer, officer, there they go-- In the rain, where that lighted store is! And her socks are white, and I love her so, And her name is Haze, Dolores. Officer, officer, there they are-- Dolores Haze and her lover! Whip out your gun and follow that car. Now tumble out and take cover. Wanted, wanted: Dolores Haze. Her dream-gray gaze never flinches. Ninety pounds is all she weighs With a height of sixty inches. My car is limping, Dolores Haze, And the last long lap is the hardest, And I shall be dumped where the weed decays, And the rest is rust and stardust.

Dean: Don't you find that somewhat of an aberration? Doesn't this disturb you my dear? After all, it's not normal. Molly: I know it's not normal for people in this world to be happy, and I'm happy.

Oh! A little bird told us,' said Miss Browning. Molly knew that little bird from her childhood, and had always hated it, and longed to wring its neck. Why could not people speak out and say that they did not mean to give up the name of their informant?

I was shameless in my supermarket-shelf mass-market taste. I loved King, Evanovich, Grisham and Brown. I won't lie; the oficial-looking filing cabinet in the corner is actually stuffed full of my paperbacks.

You will live to love again. You know you have lost your springtime girl, your Molly on the beach with the wind in her brown hair and red cloak. You have been gone too long from her, and too much has befallen you both. And what you loved, what both of you truly loved, was not each other. It was the time of your life. It was the spring of your years, and life running strong in you, and war on your doorstep and your strong, perfect bodies. Look back, in truth. You will find you recall fully as many quarrels and tears as you do lovemaking and kisses. Fitz. Be wise. Let her go, and keep those memories intact. Save what you can of her, and let her keep what she can of the wild and daring boy she loved. Because both he and that merry little miss are no more than memories anymore." She shook her head. "No more than memories.

The single most sacred pilgrimage you will ever make is the one right where you are.

That my pathological fear of needing anyone for anything at all - of failing in any way, real or imagined - is linked to my insatiable desire to make myself indispensable, to find people I can get busy saving. That all of this stems from a belief that I can't trust anyone's affection if it isn't born of need.

Constant motion camouflages the extent to which I'm alien even to myself.

To work your way forward when you are permanently lost means, yes, to be exhausted and adrift, a stranger in a strange land. But... it also means living in a state of endless discovery. The world unfurls itself anew each day with dawn's first cold breath on the city. You re-encounter what you are: lonely likely a body with a gift for burning.

We both know there's no returning to the beginning, no knowing who you've always been, no going home again. But we also know that there's no staying where you are: that the moment that your body sutures together into a whole and steady place you know, something will give way and you'll be changed to mere parts again.

So whatever else you think you’ll hear me say. Please don’t forget to forget it someday.

Forgetting as impossible. The utter absence of memory a punishment for living on without her.

Sometimes at night, in a new hotel, I put myself to sleep by listing all the people whom I really love; all the people who I know and trust know me; the little list I'm working on of people I allow myself to need.

But how does your ladyship explain away her meetings with Mr Preston in all sorts of unlikely and open-air places?' asked Miss Browning, who, to do her justice, would have been only too glad to join Molly's partisans, if she could have preserved her character for logical deduction at the same time.

I blame [my body] for making me feel selfish all the time, because my attention is turned so thoroughly inward, attending to its needs. I blame it for my fear that my writing will always be narrow, hemmed in by its hurt and relentlessness. I blame it for screwing with my plans, for always demanding revision to fit its stringent reality. I blame it for the fact that I'm alone here, though I chose it... Above all, though, I blame my body for the fact that, after all these years, I'm still grieving a plain stupid grief that I can't hide. I blame it for being itself, for existing to be ruined and repaired.

Good lord, Henry. You’re almost as strange a creature as me. Perhaps stranger, because you look so wholesome and brown and bonny, like a pretty ploughboy. Whereas nobody could ever mistake me for anything but what I am.” “And what are you?” “I’m a thief,” said Jem. “And a whore. A molly. A mary-anne. That’s what they used to call us back in London, us boys who dressed as girls and called one another sister.

Sadly, not all veterans had equal access to an education, even under the GI Bill’s amendments. Although no provision prevented African American and female veterans from securing an education under the bill, these veterans returned to a nation that still endorsed segregated schools and largely believed a woman’s place was in the home. For African American veterans, educational opportunities were limited. In the words of historian Christopher P. Loss, “Legalized segregation denied most black veterans admission into the nation’s elite, overwhelmingly white universities, and insufficient capacity at the all-black schools they could attend failed to match black veterans’ demand.” The number of African American students at U.S. colleges and universities tripled between 1940 and 1950, but many prospective students were turned away because of their race. For those African Americans who did earn a degree under the GI Bill, employment discrimination prevented them from gaining positions commensurate with their education. Many African American college graduates were offered low-level jobs that they could have secured without any education. Almost a decade elapsed between V-J Day and the Supreme Court’s landmark decision in Brown v. Board of Education, which struck down segregated schools. It would take another decade after Brown for the civil rights movement to fully develop and for public schools to make significant strides in integrating.

During the months of that legendary summer weather, bathwater was too often the problem, for every house was dependent on its own wells, springs, or streams. In the country there was no main supply of water. This was not a problem to defeat people who looked on the bath before dinner as part of the structure of life. There existed, too, an austerity which forbade complaint. It went with loofahs and Brown Windsor soap and large natural sponges draining out the last of the soft water in netted holders hooked to the rim of the bath.

The Enchanted Broccoli Forest. Oh, what a pleasure that was! Mollie Katzen's handwritten and illustrated recipes that recalled some glorious time in upstate New York when a girl with an appetite could work at a funky vegetarian restaurant and jot down some tasty favorites between shifts. That one had the Pumpkin Tureen soup that Margo had made so many times when she first got the book. She loved the cheesy onion soup served from a pumpkin with a hot dash of horseradish and rye croutons. And the Cardamom Coffee Cake, full of butter, real vanilla, and rich brown sugar, said to be a favorite at the restaurant, where Margo loved to imagine the patrons picking up extras to take back to their green, grassy, shady farmhouses dotted along winding country roads. Linda's Kitchen by Linda McCartney, Paul's first wife, the vegetarian cookbook that had initially spurred her yearlong attempt at vegetarianism (with cheese and eggs, thank you very much) right after college. Margo used to have to drag Calvin into such phases and had finally lured him in by saying that surely anything Paul would eat was good enough for them. Because of Linda's Kitchen, Margo had dived into the world of textured vegetable protein instead of meat, and tons of soups, including a very good watercress, which she never would have tried without Linda's inspiration. It had also inspired her to get a gorgeous, long marble-topped island for prep work. Sometimes she only cooked for the aesthetic pleasure of the gleaming marble topped with rustic pottery containing bright fresh veggies, chopped to perfection. Then Bistro Cooking by Patricia Wells caught her eye, and she took it down. Some pages were stuck together from previous cooking nights, but the one she turned to, the most splattered of all, was the one for Onion Soup au Gratin, the recipe that had taught her the importance of cheese quality. No mozzarella or broken string cheeses with- maybe- a little lacy Swiss thrown on. And definitely none of the "fat-free" cheese that she'd tried in order to give Calvin a rich dish without the cholesterol. No, for this to be great, you needed a good, aged, nutty Gruyère from what you couldn't help but imagine as the green grassy Alps of Switzerland, where the cows grazed lazily under a cheerful children's-book blue sky with puffy white clouds. Good Gruyère was blocked into rind-covered rounds and aged in caves before being shipped fresh to the USA with a whisper of fairy-tale clouds still lingering over it. There was a cheese shop downtown that sold the best she'd ever had. She'd tried it one afternoon when she was avoiding returning home. A spunky girl in a visor and an apron had perked up as she walked by the counter, saying, "Cheese can change your life!" The charm of her youthful innocence would have been enough to be cheered by, but the sample she handed out really did it. The taste was beyond delicious. It was good alone, but it cried out for ham or turkey or a rich beefy broth with deep caramelized onions for soup.

I am a daughter of adventure. That means I never experience a dull moment and must be prepared for any eventuality.

Olive oil cooking spray 1½ cups panko breadcrumbs 2 teaspoons garlic powder 2 teaspoons dried oregano 2 tablespoons sweet or smoked paprika 1 teaspoon kosher salt ½ cup all-purpose flour ½ teaspoon freshly ground black pepper 2 large eggs 4 to 6 boneless, skinless chicken breasts or cutlets, each about ½ inch thick (about 1½ pounds total) 1 jar (24 ounces) good-quality marinara sauce (I love Rao’s) 6 to 8 slices provolone cheese ¼ cup shredded Parmesan cheese Let’s cook: 1. Preheat oven to 400°F with a rack in the upper third. Generously mist a sheet pan with cooking spray. 2. Stir together the panko, garlic powder, oregano, paprika, and ½ teaspoon of the salt in a large bowl to combine. In another large bowl, whisk together the flour, the remaining ½ teaspoon salt, and the pepper. In a third shallow bowl, whisk together the eggs. 3. Dip each chicken cutlet first in the flour mixture, shaking off any excess, then in the eggs, and finally in the panko mixture, patting to coat thoroughly on both sides. Place the breaded chicken cutlets on the prepared pan. Mist the chicken with cooking spray to lightly coat. 4. Bake the chicken until the panko has browned and the cutlets are almost entirely cooked through (they’ll no longer feel squishy when you poke them), about 15 minutes. 5. Remove the pan from the oven. Top each chicken cutlet with about ½ cup marinara sauce (use up the jar) and the provolone and Parmesan, and return to the oven. Bake until the cheese is melted and bubbly, an additional 10 minutes. 6. Serve hot. Chicken Legs with Fennel & Orange Serves 4 I love the classic pairing of fennel and citrus.

Looking with his eyes? Seriously? What else would he look around with?” Trish nonchalantly uses her middle finger to scratch her temple. “Toddlers learn by making connections between the body part and the action.” Vince blinks. “Oh, so talking to a kid like that’s normal?” “Someday I hope to have a conversation where I don’t sound like a character from Star Wars.” “I can see how you’d look forward to that.

When the light faded, Vince strolled down to the falls. Heavy mist made the spotlights appear especially cool. He got himself a sausage on a bun, with lots of mustard and fried onions, and settled on a patch of damp grass to watch the standard Friday night fireworks. He never tires of the fascinating colours and patterns. They’re impossible to reproduce on canvas. He couldn’t resist making his usual wishes on them. He wished he had someone special with him. Maybe there’s some girl on the planet who would like to hear that gold fireworks contain actual gold, he thought while watching a nearby couple laugh. Wouldn’t it be great to be able to share that?

Vince is about to open the house door when it flies open and a huge black amplifier almost wipes both Paeng and him out. “Hey, hey! Sorry! S'cuse us!” Vince yelps, backpedalling and pulling Paeng with him. Paeng chuckles. “Somebody tries to flatten us, and you apologize to him.” Vince shrugs and grins. “How Canadian of me.

Paeng leans back and rests his hand flat on the table. “Vince.” Blushing, he snaps at his friend. “I dropped the bra on the wet tarp and I guess I must have accidentally gotten paint on it and touched it to my cheek, okay?” Paeng is silent as Vince sighs. “I didn’t mean to take my upset out on you, sorry.” “No big. So, you fondled it. Was it good for you?” Paeng’s eyes glitter, making Vince’s anxiety flare. “I couldn’t help myself! The girl’s smoking hot and yet she doesn’t appear to own trashy underwear.” He feels all dreamy just thinking about it. “It’s simple and soft . . . it felt so nice. She’s not like any of the girls I’ve met before. She’s direct, feisty and artistic and I bet she’s really smart. She’s nothing like the usual MOM Girl and she’s not even my type. But her underwear is beautiful. She doesn’t wear slutty underwear because she doesn’t put on airs, and oh, God, that’s so attractive. What I wouldn’t give to see—” Paeng face palms Vince. “Dude. You are waxing poetic about cotton underwear like my sisters wear when they get their periods. It’s just underwear. It is not the key to Dani’s psyche. You are making the kind of assumptions about her that lead to expensive rings, one point two kids, and minivans. You are in trouble.

for pub meals and never forgot either of their birthdays. The truth was, if he could ask Cadi if she minded, she’d probably stare at him with big brown eyes, curled up on the sofa next to her Golden Lab pal Bouncer, and likely say, ‘And your point is?’ Molly, on the other hand, was a different kettle of herring. ‘Yeah, yeah, I’ve heard it all before,’ she said when he explained that he was unlikely to be home at anything like a reasonable time and so had okayed it with the Dawes for Cadi to stay with them overnight. That way, he was certain she’d get a walk. ‘I could have done that,’ Molly said, piqued. ‘Yes, I realise that, but the weather is, for want of a better word, shite. And you’re still at Gwen’s, right?’ ‘How do you know?’ ‘You told me this morning.’ ‘Did I? For a minute there I thought you had a GPS tracer on my car.’ ‘That can be arranged. I’m well aware you can look after yourself, Molly, but the whole point of you staying at mine is that I’m there.’ ‘As a minder?

Here I am!” Captain East was cantering his mount toward them. He rode beautifully, confidently. Molly’s family spent their summers in the country, and she used to say that the way a man rides a horse could give you a pretty good idea how he would do something else. Jane eyed Mr. Nobley on his mount, noted that he was a smooth, gentle rider. The surprise of thinking this while wearing a bonnet made Jane choke. Her breath snarled in her throat, and she laughed. Mr. Nobley’s eyes widened. “What’s funny? You often have some secret laugh, Miss Erstwhile.” “The way you have some secret displeasure?” “No, not displeasure,” he said, and she realized he was right. Sadness, or heartbreak, or grief that there was nothing to give him hope, perhaps. She was pretty sure now that he was Henry Jenkins, poor sop. Captain East reined in beside Jane. “Miss Heartwright had a headache and went inside. So sorry to neglect you, Miss Erstwhile. You must tell me what I missed.” “I’ve discovered that Miss Erstwhile is an artist,” Mr. Nobley said. “Is that so?” “It’s been years since I picked up a paintbrush.” She glared at Mr. Nobley, and zing, there was his smile again, brief, urgent. When his lips relaxed she wanted it to come back. “That is a shame,” said Captain East. That evening when Jane retired from the drawing room, she found a large package on her side table wrapped in brown paper. She ripped open the paper and out tumbled neat little tubes of oil paints and three paintbrushes. She saw now that an easel waited by the window with two small canvases. She felt very Jane Eyre as she smelled the paints and ticked her palm with the largest brush. Who was her benefactor? It could be Captain East. Maybe he still liked her best, even after his tete-a-tete with Miss Heartwright. It could happen. Even so, she found herself hoping it was Mr. Nobley. Instinct urged her to stomp on the hope. She ignored it. She was firmly in Austenland now, she reminded herself, where hoping was allowed. Did Austen herself feel this way? Was she hopeful? Jane wondered if the unmarried writer had lived inside Austenland with close to Jane’s own sensibility--amused, horrified, but in very real danger of being swept away. Ten days to go.

A swimming pool full of coffee would be great to jump in first thing in the morning. After all, people often call me the Molly Brown of the Brown-water Bathtub. Also, I hate ice in my coffee—and ice in the ocean.

Living With The Dead Molly Brown I

Oh my God, Carter!” I sprang to my feet, already in a run. I crashed into Carter, hugging him tightly, “What are you doing here?!” “Damn Blaze. Where’s my Harper and what have you done with her?” I blushed and crossed my arms over my chest, “Uh, yeah. I guess I look a little different.” He ran a finger near the piercing on my lip, “A little.” He smiled and hugged me to him again. “I missed you Blaze.” “I missed you too.” I said into his chest, “I can’t believe you didn’t tell me you were coming. I would have been at the airport to get you.” “Well that wouldn’t have been half as fun as your reaction just now.” I leaned back to smile at him. He was tall too, not like Chase or Brandon, but close to six feet. His black hair was in the traditional fade the Marine’s had and his brown eyes were bright. “How long do you get to be here for?” He smiled wide and opened his mouth to talk, but was cut off. “Harper?” Turning, I saw Brandon staring at Carter, he didn’t look happy. And I could only imagine how after what happened last night with Amanda, me taking off and almost tackling a random guy while in a bikini would be a little alarming. Especially since Carter still had his arms wrapped around my waist. Stepping back toward Brandon, I grabbed his hand and squeezed, “Brandon this is my best friend from Camp Lejeune, Jason Carter, Carter, this is my boyfriend Brandon Taylor.” They firmly shook hands but didn’t say anything. Awkward. “Um, why don’t we head back over there? I can introduce you to everyone else.” I pulled Brandon back towards our friends while I was introduced to the three guys Carter had been with. He was right, I didn’t know them, but Carter had never been to California so I didn’t know how he knew them either. I introduced Carter and the three guys to everyone, and while all the housemates and Konrad were polite, Chase wouldn’t speak to, or shake Carter’s hand. Just crossed his arms over his bare chest and openly glared at him. What threw me off even more, was Brandon standing right next to him, in the exact same stance. It didn’t surprise me that Carter took a step back, those guys could look scary if they wanted to. Rugged looks, tall tattooed and muscled bodies. Yep. Definitely scary to someone who didn’t know them.

As soon as I was through the door, Brandon was hugging me and reaching for the pictures. “Look at him! He was asleep, but look at him sucking his thumb!” I exclaimed. Mom and Bree giggled when they passed us. Yeah, not fooling them. He dropped down to a squat and put his hands tenderly on my stomach, “Hey little man!” Brandon’s deep husky voice was warm and melodic whenever he spoke to him. “How could you sleep through the whole appointment, huh? Your momma was hoping to see you moving around today. Next time, right buddy?” I watched the one sided conversation, biting my lip to keep from grinning like an idiot. Brandon would be such a good father. Whoa. Where did that come from? Don’t go down that road Harper. Brandon stood back up and absentmindedly began tracing shapes along my stomach. “What did Dr. Lowdry say?” “She said everything’s great!” That was another thing, he always asked how I felt and how the appointments went. Even Konrad and Dad didn’t do that, “I go back in another two weeks, she said he’s still big, so there’s a possibility she’s going to put me on bedrest after my next appointment to try to keep him in there as long as possible.” “Bedrest?” His hazel eyes looked worried, “But she said everything is okay?” I smoothed out his furrowed brow, and stared at his eyes. I’d finally figured them out. They were brown if he was shirtless, or wearing a brown or white shirt. Gray if he was wearing a black or gray shirt. Green was pretty self-explanatory, he had to be wearing green, and any other color would make his eyes the perfect mix of the three. “It’s fine, don’t worry about it. If I have to, it’s just to make sure he doesn’t come too early.

As the United States has fed more of its citizens and residents into prisons and immigrant detention centers, in cities and towns, the country’s populace faces a life under high-tech, well-equipped police forces. The spread of more vigorous, extensive, and militarized police forces is a key example. These forces wield technology and gear to control black and brown poor neighborhoods. They fuse dramatic neighborhood spectacles with intimidating displays of personnel and weaponry that further consolidate a theatrics of state terror. Police thus are often on the front-line of enforcing what Molly of Rikers Island jail described as “short-term terror and revulsion.” In

What’s your natural color, if you don’t mind my asking?” “I don’t mind,” Molly says. “It’s dark brown.” “Well, my natural color is red.” It takes Molly a moment to realize she’s making a little joke about being gray. “I like what you’ve done with it,” she parries. “It suits you.

Take your clothes off." "What?" "You heard me." Evelyn forced her mouth shut. She looked around the room, buying time. The faded brown curtains hung limply over the windows, not quite touching, and the afternoon light filtered through the gaps, its beams turning the dust in the air into diamonds. She could hear the rattle of a wagon on the street below and the regular rhythm of squeaking bedsprings in the adjacent room. "So? What are you waiting for?" She stared at the man on the moth eaten chaise longue in front of her. He was serious.

Before she could say more, she looked up to find Cade towering over her. "Do you think they could do one song without us so I might have the pleasure of the next dance?" he asked formally. Lily looked startled and Whitaker frowned, but Anna had just arrived and offered shyly, "I'll play for you, Mrs. Brown. What would you like to hear?" It was settled. Feeling a quiver of excitement, Lily took Cade's hand and rose from the bench. "Do you know 'Molly Cotton-tail'?" It was an easy song, one every child learned, but great fun for dancing. Lily smiled at the child's eager nod. She would finally have a chance to try dancing. Lily's excitement was irresistible. Ignoring the fact that he would most likely get his head blown off for daring to lay a hand to a white woman, Cade led her out to join the dancers. Langton and his wife were there, and they joined the circle beside them. Cade hid his surprise as Maria haughtily joined them, towing one of Lily's farmhands behind her. Maria was a whore at heart, but she hadn't denied him her bed as many another had done before. Cade wouldn't begrudge this offer of friendship now. Unaware that a small cadre of friends and neighbors were forming a protective circle around them, Lily laughed and took Cade's hand as the music began. She had waited for this moment all her life, and she expected to enjoy it to the fullest. She no longer pictured a dream man to sweep her off her feet. She merely wanted to enjoy the music. Cade watched in amazement as Lily spread her wings and flew. She didn't need anyone's protection. The sheer delight on her face as she swung from arm to arm around the circle, her feet scarcely touching the floor, was enough to stop even the hardest heart from treading on her happiness. Cade almost half-believed that life had some meaning beyond mere existence as he watched her. He wouldn't need liquor if he could always feel that kind of joy, even secondhand. Lily collapsed, laughing, into his arms as the music ended. For a moment, Cade was supporting her slenderness against him while she recovered her breath. He had no right being aroused by innocence incarnate, but while Lily laughed, Cade burned. The

Will you move in with me, let me take care of you and marry me?” “Are you proposing Brandon Taylor?” I teased, looking up into his brown eyes. He smiled and caught my lips with his, “Not until I have a ring for you sweetheart.” “Good because that would have been a horrible proposal. And in the words of the man I love, yes to all of the above.

All my life I'd thought of myself as an essentially good person, but all I'd been was comfortable.

One Newport acquaintance who hadn’t snubbed Jack Astor was Margaret Tobin Brown, the estranged wife of Denver millionaire James J. Brown. She was sympathetic to marital woes and escaped her own by traveling. That winter, in fact, Mrs. Brown had joined the Astors on their excursion to North Africa and Egypt. In her pocket as she sat near the Astor party on the Nomadic was a small Egyptian tomb figure that she had bought in a Cairo market as a good luck talisman. The voyage Margaret Brown was about to take would immortalize her in books, movies, and a Broadway musical as “the unsinkable Molly Brown,” a feisty backwoods girl whose husband’s lucky strike at a Leadville, Colorado, gold mine vaults her into a mansion in Denver, where she is rebuffed by Mile High society.

While staying at the Ritz in Paris, she had received word that her first grandchild, four-month-old Lawrence Brown Jr., had fallen seriously ill, and she had immediately booked passage home on the earliest available ship. It would therefore have been a rather subdued “Molly” Brown who waited on the Nomadic for the ship that would propel her into legend.

If Molly Brown was a real woman writer, she would probably be dismissed as mad and unnecessarily pathologized. We glorify our male literary hysterics who often channel women and condemn our female literary hysterics. They can play women, fetishize her excesses. Make fun of her frivolity. They don't have to be women. A colonizing or appropriating of the feminine.

i can feel blood in my nose in my eyes taste it finally on my tongue and i chase it, coat my teeth in molly eat through the ceiling stir the clouds in my throat

The air was heavy with hope and expectation and the three men watched on, agog, as my smart little spaniel stuck her snout deep into the jar, her tail wagging nineteen to the dozen. Responding to my usual “Seek, seek” command, Molly raced into the long grass, springing high and squatting low as she traced the rise and fall of the riverside breeze. Then, suddenly, she homed in on the upended oak tree and—bang!—hit the deck immediately before giving me a textbook “down.” She locked her brown, unblinking eyes on mine, as if to say FOUND IT, EVERYONE!

We return to some spaces in the world because we enter them and feel that they were made for us. Others, we come back to because we wish that they were. And still others pull us back despite our resistance, despite the grief they cause us, like there's some filament - fine and strong as fishing line - stretched from a hook in our cheek all the way to that ground.

In the first episode the highly-regarded team of Tackaberry, Josefsberg, Balzer, and Perrin scripted for Benny (October 10, 1943), they paid homage to Fibber McGee and Molly by having the pilot (played by John Brown) engage in a Myrt bit with the person in the control tower. The Benny bunch knew that allusions to Fibber and Molly were like money in the vault. That fabled vault, first heard on January 7, 1945, could be considered a noisy stepchild of the McGee closet.

I grounded myself by breathing into my scarf. Memories darted around the brown trees, thousands of them edging up on me. The past for me was 100 percent sad, the way that sometimes weather sites say it's 100 percent humidity outside, but it's still not raining.

Excuse me but where are the dryers?' Alice asked. 'Erm, the sun.' Molly pointed out of the window at several long clotheslines. 'What, we have to carry our wet clothes all the way out there and hang them up ourselves?' 'Yes, you do.' 'That's an outrage; I am from the famous Smithers family, I can't be expected to do such a thing. I insist that the servants do my washing for me and carry it outside.' Molly waved her wand in the air and pointed it at Alice as she said, 'Strideo!' Alice immediately shrunk down, and her clothes fell into a pile on the floor.  A squeaking sound came from within the pile of clothes and a white mouse with brown patches on it scurried out by Stef's feet, causing her to let out a shriek and jump back. 'I probably shouldn't have done that, but she was driving me crazy.' Molly shrugged, and all the other girls looked at her…shocked. Charlotte bent down and picked up Alice, cupping her in her hands.

The old backpack—the bloody one… well, that probably ended up in the garbage, along with Nick’s Flogging Molly T-shirt, which she’d found in my closet and thrown away while I was stuck in the hospital. I’d cried and called her a bitch when I got home and saw that the shirt was missing. She totally didn’t get it—that shirt didn’t belong to Nick the Murderer. It belonged to Nick, the guy who surprised me with Flogging Molly tickets when they came to the Closet.

Robert answered the door shirtless with his sandy brown hair in chaotic disarray. As soon as he saw her, his lips stretched into an endearingly dimpled smile.

A brown shape smelling of damp carpet streaked past me and came to a halt, claws skidding on the tiles, between me and Molly. It was Toby in full primeval circle of the campfire, man’s best friend, oh that’s why we domesticated the sodding things, mode—barking at Molly so hard that his front paws were bouncing off the floor.