Recurring Dream Quotes

The odd thing about recurring dreams is that, no matter how many times you dream the same thing, it always takes you by surprise.

and in that recurring dream, I found myself trapped in some sort of gigantic game of which I was unfamiliar with the rules; lost in a labyrinthine town of dark and damp, criss-crossing streets, ambiguous characters of uncertain authority having no idea of why I was there nor what I had to do, and where the first sign of the beginning of understanding was the wish to die.

I looked up recurring dreams. Dreams are messages, things our minds want us to learn. Recurring dreams can be really important messages. The often come in the form of nightmares. Recurring dreams could represent real-life problem that hasn't been dealt with or resolved. Overcoming or resolving that problem could help one move past the recurring dream.

But she was half in love with chaos... With all her yearning for the ordinary life, she was born to admire outsiders. You could see she felt enlarged by drama and trouble, by the electric pulse of things going wrong, and her vision of the easy life remained in most ways a recurring dream.

In the recurring dream everything has already fallen down, and I’m underneath. I’m crawling, sometimes for days, under the rubble. And as I crawl I realize that this one was the Big One. It was the earthquake that shook the whole world, and every single thing was destroyed. But this isn’t the scary part. That part always comes right before I wake up. I am crawling and then suddenly I remember: the earthquake happened years ago. This pain, this dying, this is just normal. This is how life is. In fact, I realize, there never was an earthquake. Life is just this way, broken, and I am crazy for dreaming something else.

At night his most frequent recurring dream was of doing The Times crossword puzzle; his most disagreeable that he was reading a tedious book aloud to his family.

Recurring dreams are just my imagination being lazy.

I'm drawn to write about upstate New York in the way in which a dreamer might have recurring dreams. My childhood and girlhood were spent in upstate New York, in the country north of Buffalo and West of Rochester. So this part of New York state is very familiar to me and, with its economic difficulties, has become emblematic of much of American life.

It's because the door hasn't been closed yet that the nightmares still find their way in.

Believe it or not, I have this recurring dream about church and a nun.

I understood that the terror of my recurring dream was not about losing just vision, but the whole of myself, whatever that was. What you lose in blindness is the space around you, the place where you are, and without that you might not exist. You could be nowhere at all.

We often told ourselves off for wasting time in chairs, fully dressed, talking, when we could be doing the same, lying down in bed, face to face and naked. That precious time before love-making is ill-served by the pseudo-clinical term, ‘foreplay’. The world would narrow and deepen, our voices would sink into the warmth of our bodies, the conversation became associative and unpredictable. Everything was touch and breath. Certain simple phrases came to me which I didn’t say out loud because they sounded so banal - Here we are, or, This again or Yes, this. Like a moment in a recurring dream, these spacious, innocent minutes were forgotten until we were back inside them. When we were, our lives returned to the essentials and began again. When we fell silent, we would lie so close we were mouth to mouth, delaying the union which bound us all the more because of this prelude.

WAKE Dealing with an alcoholic single mother and endless hours of working at Heather Nursing Home to raise money for college, high-school senior Janie Hannagan doesn’t need more problems. But inexplicably, since she was eight years old, she has been pulled in to people’s dreams, witnessing their recurring fears, fantasies and secrets. Through Miss Stubin at Heather Home, Janie discovers that she is a dream catcher with the ability to help others resolve their haunting dreams. After taking an interest in former bad boy Cabel, she must distinguish between the monster she sees in his nightmares and her romantic feelings for him. And when she learns more about Cabel’s covert identity, Janie just may be able to use her special dream powers to help solve crimes in a suspense-building ending with potential for a sequel. McMann lures teens in by piquing their interest in the mysteries of the unknown, and keeps them with quick-paced, gripping narration and supportive characters.

To my mind's eye, my buried memories of Brandham Hall are like effects of chiaroscuro, patches of light and dark: it is only with effort that I see them in terms of colour. There are things I know, though I don't know how I know them, and things that I remember. Certain things are established in my mind as facts, but no picture attaches to them; on the other hand there are pictures unverified by any fact which recur obsessively, like the landscape of a dream.

The arousing from sleep, after a recent misfortune, is a bitter moment; the mind at first habitually recurs to its previous tranquility, but is soon depressed by the thought of the contrast that awaits it.

Fear is inky. Fear stains the white sheet of consciousness that one comes swaddled in and no amount of earthly scrubbing can make it completely clean again.

You have to be able to access the profoundly spiritual understanding that people’s actions, even their very identity, are not the whole truth of who they are.

Each night he must be carried through artificial tunnels and dream recurrent dreams. Just as the ties recur beneath his train, these underlie his rushing brain. He does not dare look out the window, for the third rail, the unbroken draught of poison, runs there beside him. He regards it as a disease he has inherited the susceptibility to. He has to keep his hands in his pockets, as others must wear mufflers.

I have a recurring fantasy that one more article has been added to the Bill of Rights: the right to free access to imagination. I have come to believe that genuine democracy cannot exist without the freedom to imagine and the right to use imaginative works without any restrictions. To have a whole life, one must have the possibility of publicly shaping and expressing private worlds, dreams, thoughts and desires, of constantly having access to a dialogue between the public and private worlds. How else do we know that we have existed, felt, desired, hated, feared?

Sometimes I fantasize about getting my hands on my library records. . . my recurring bookworm dream is to peruse my personal library history like it's a historical document. My bookshelves show me the books I've bought or been given. . . But my library books come into my house and go out again, leaving behind only memories and a jotted line in a journal (if I'm lucky). I long for a list that captures these ephemeral reads - all the books I've borrowed in a lifetime of reading, from last week's armful spanning back to when I was a seven-year-old kid with my first library card. I don't need many details - just the titles and dates would be fine - but oh, how I'd love to see them. Those records preserve what my memory has not. I remember the highlights of my grade-school checkouts, but much is lost to time. How I'd love to see the complete list of what I chose to read in second grade, or sixth, or tenth.

Venice appeared to me as in a recurring dream, a place once visited and now fixed in memory like images on a photographer’s plates so that my return was akin to turning the leaves of a portfolio: a scene of the gondolas moored by the railway station; the Grand Canal in twilight; the Rialto bridge; the Piazza San Marco; the shimmering, rippling wonderland; the bustling water traffic; the fish market; the Lido beach and boardwalk; Teeny in the launch; the singing, gesturing gondoliers; the bourgeois tourists drinking coffee at Florian’s; the importunate beggars; the drowned girl’s ghost haunting the Bridge of Sighs; the pigeons, mosquitoes and fetor of decay.

He stared and talked at the girl's red hair and amused face for what seemed to be a few minutes; and then, feeling that the groups in such a place should mix, rose to his feet. To his astonishment, he discovered the whole garden empty. Everyone had gone long ago, and he went himself with a rather hurried apology. He left with a sense of champagne in his head, which he could not afterwards explain. In the wild events which were to follow, this girl had no part at all; he never saw her again until all his tale was over. And yet, in some indescribable way, she kept recurring like a motive in music through all his mad adventures afterwards, and the glory of her strange hair ran like a red thread through those dark and ill-drawn tapestries of the night. For what followed was so improbable that it might well have been a dream.

Inferiority is not banal or incidental even when it happens to women. It is not a petty affliction like bad skin or circles under the eyes. It is not a superficial flaw in an otherwise perfect picture. It is not a minor irritation, nor is it a trivial inconvenience, an occasional aggravation, or a regrettable but (frankly) harmless lapse in manners. It is not a “point of view” that some people with soft skins find “ offensive. ” It is the deep and destructive devaluing of a person in life, a shredding of dignity and self-respect, an imposed exile from human worth and human recognition, the forced alienation of a person from even the possibility of wholeness or internal integrity. Inferiority puts rightful self-love beyond reach, a dream fragmented by insult into a perpetually recurring nightmare; inferiority creates a person broken and humiliated inside. The fragments— scattered pieces and sharp slivers of someone who can never be made whole—are then taken to be the standard of what is normal in her kind: women are like that. The insult that hurt her—inferiority as an assault, ongoing since birth—is seen as a consequence, not a cause, of her so-called nature, an inferior nature. In English, a graceful language, she is even called a piece. It is likely to be her personal experience that she is insufficiently loved. Her subjectivity itself is second-class, her experiences and perceptions inferior in the world as she is inferior in the world. Her experience is recast into a psychologically pejorative judgment: she is never loved enough because she is needy, neurotic, the insufficiency of love she feels being in and of itself evidence of a deep-seated and natural dependency. Her personal experiences or perceptions are never credited as having a hard core of reality to them. She is, however, never loved enough. In truth; in point of fact; objectively: she is never loved enough. As Konrad Lorenz wrote: “ I doubt if it is possible to feel real affection for anybody who is in every respect one’s inferior. ” 1 There are so many dirty names for her that one rarely learns them all, even in one’s native language.

In actuality, there's nothing to do about a useless, recurring depression. A person could become disconsolate or angry. Even if they're enraged enough to punch something, they won't find a target. A huge organization... they wish that some huge, evil organization existed. That becomes our dream...

The desire for more, the fear of missing out, the tendency to compare against others, the influence of the crowd and the dream of the sure thing—these factors are near universal. Thus they have a profound collective impact on most investors and most markets. The result is mistakes, and those mistakes are frequent, widespread and recurring.

The mind is a mysterious place. In its vast and many corners are hidden pieces of knowledge. When we sleep, they float up in the form of dreams. They can be wild, have a mind of their own, and lead us to places. They can carry messages or warnings. If they recur, one must heed them.

For a girl, the fear of not being pretty is the fear of not being a valuable object, which is the fear of not being loved. It is a conflation that is instilled so early on and runs so deep that, even when you know it's a fear perpetrated by patriarchy, goaded by fashion magazines, and used to manipulate you into buying stuff, you still can't stop the way it affects you. Being a woke feminist doesn't mean you've overcome it, it just means you've learned to live with your perpetual self-loathing and your anger around it, too.

Great paintings—people flock to see them, they draw crowds, they’re reproduced endlessly on coffee mugs and mouse pads and anything-you-like. And, I count myself in the following, you can have a lifetime of perfectly sincere museum-going where you traipse around enjoying everything and then go out and have some lunch. But if a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think, ‘oh, I love this picture because it’s universal.’ ‘I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you. An individual heart-shock. Your dream, Welty’s dream, Vermeer’s dream. You see one painting, I see another, the art book puts it at another remove still, the lady buying the greeting card at the museum gift shop sees something else entire, and that’s not even to mention the people separated from us by time—four hundred years before us, four hundred years after we’re gone—it’ll never strike anybody the same way and the great majority of people it’ll never strike in any deep way at all but—a really great painting is fluid enough to work its way into the mind and heart through all kinds of different angles, in ways that are unique and very particular. Yours, yours. I was painted for you. And—oh, I don’t know, stop me if I’m rambling… but Welty himself used to talk about fateful objects. Every dealer and antiquaire recognizes them. The pieces that occur and recur. Maybe for someone else, not a dealer, it wouldn’t be an object. It’d be a city, a color, a time of day. The nail where your fate is liable to catch and snag.

Pepsi. A refreshing drink. A soft tone playing when you wake up, but then it is gone and you don’t know if you dreamed it. A hallway glimpsed in the back of your refrigerator, but when you look again it is gone. The recurring feeling that your shower is losing faith in you. Desperation. Hunger. Starving, not literally, but still. That hallway again, lined with doors that you know you can open. Your fridge is empty. You haven’t left your home in days, and yet you come and go. This isn’t food. What are you eating? Pepsi: Drink Coke. The

[...]however much one may love the poison that is destroying one, when one has compulsorily to do without it, and has had to do without it for some time past, one cannot help attaching a certain value to the peace of mind which one had ceased to know, to the absence of emotion and suffering. If one is not altogether sincere in assuring oneself that one does not wish ever to see again her whom one loves, one would not be a whit more sincere in saying that one would like to see her. For no doubt one can endure her absence only when one promises oneself that it shall not be for long, and thinks of the day on which one shall see her again, but at the same time one feels how much less painful are those daily recurring dreams of a meeting immediate and incessantly postponed than would be an interview which might be followed by a spasm of jealousy, with the result that the news that one is shortly to see her whom one loves would cause a disturbance which would be none too pleasant. What one procrastinates now from day to day is no longer the end of the intolerable anxiety caused by separation, it is the dreaded renewal of emotions which can lead to nothing. How infinitely one prefers to any such interview the docile memory which one can supplement at one’s pleasure with dreams, in which she who in reality does not love one seems, far from that, to be making protestations of her love for one, when one is by oneself; that memory which one can contrive, by blending gradually with it a portion of what one desires, to render as pleasing as one may choose, how infinitely one prefers it to the avoided interview in which one would have to deal with a creature to whom one could no longer dictate at one’s pleasure the words that one would like to hear on her lips, but from whom one would meet with fresh coldness, unlooked-for violence. We know, all of us, when we no longer love, that forgetfulness, that even a vague memory do not cause us so much suffering as an ill-starred love.