Reception Bride Quotes

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The end of a wedding reception is always so depressing. And only the bride and groom are spared, jetting off into the sunset while the rest of us wake up the next morning to just another day.
Sarah Dessen (This Lullaby)
The marriage ceremony is sexist beyond parody. The bride appears in a fussy white dress that symbolizes her virtue and virginity, and everyone keeps on remarking on how thin and beautiful she looks. Her father walks her down the aisle to ‘give her away’, and she passes, like property, from one man to another. The minister, who is traditionally a man, gives the man permission to kiss the woman, as if that is in the minister’s authority and the woman has none. The man kisses, the woman is kissed. At the reception, only men are given to speak, while the bride remains seated and silent. Henceforth, the woman will adopt the man’s name, as will their eventual offspring. Despite all this, the wedding day is said to belong to the woman. This, would you believe, is ‘her day’.
Neel Burton (For Better For Worse: Should I Get Married?)
Today I bought my first issue of Modern Bride Magazine, the November issue. I have it right here. I ordered a year's subscriptioin, using the 1800 number and not the business reply mail card. Your Dream Dress (It's Here!) 50 Romantic Honeymoons - From Sweet to Sexy 12 Reception Hints You Can't Overlook 6 Real Bridal Makeovers with Expert Tips for You I discover that holding the magazine makes me anxious. I put it down. I am wondering if there is a way to make me over and, if so, will I be able to be made back. It strikes me that I am going to have to have a wedding. And it is going to have to be perfect, according to this magazine. There are 12 reception hints I can't overlook. And that's just the tip of the bayonet. My gut feeling is, My GOD, haven't I done enough?
Suzanne Finnamore (Otherwise Engaged)
There was a loud din, a drunken gaiety. Young people, adults, children were dancing. But I could feel the reality behind the appearance of festivity. The distorted faces of the bride’s relatives signaled a quarrelsome discontent. Especially the women. They had spent their last cent for the gift, for what they were wearing, had gone into debt, and now they were treated like poor relations, with bad wine, intolerable delays in service? Why didn’t Lila intervene, why didn’t she protest to Stefano? I knew them. They would restrain their rage for love of Lila but at the end of the reception, when she went to change, when she came back, dressed in her beautiful traveling clothes, when she handed out the wedding favors, when she had left, with her husband, then a huge fight would erupt, and it would be the start of hatreds lasting months, years, and offenses and insults that would involve husbands, sons, all with an obligation to prove to mothers and sisters and grandmothers that they knew how to be men.
Elena Ferrante (My Brilliant Friend (L'amica geniale #1))
Elizabeth,” he said, trying not to laugh. “At a wedding reception, the guests cannot leave until the bride and groom retire. If you look over there, you’ll notice my great-aunts are already nodding in their chairs.” “Oh!” she exclaimed, instantly contrite. “I didn’t know. Why didn’t you tell me earlier?” “Because,” he said, taking her elbow and beginning to guide her from the ballroom, “I wanted you to enjoy every minute of our ball, even if we had to prop the guests up on the shrubbery.” “Speaking of shrubbery,” she teased, pausing on the balcony to cast a last fond look at the “arbor” of potted trees with silk blossoms that occupied one-fourth the length of the entire ballroom, “everyone is talking about having gardens and arbors as themes for future balls. I think you’ve stared a new ‘rage.’” “You should have seen your face,” he teased, drawing her away, “when you recognized what I had done.” “We are probably the only couple,” she returned her face turned up to his in laughing conspiracy, “ever to lead off a ball by dancing a waltz on the sidelines.” When the orchestra had struck up the opening waltz, Ian had led her into the mock “arbor,” and they had started the ball from there. “Did you mind?” “You know I didn’t,” she returned, walking beside him up the curving staircase. He stopped outside her bed chamber, opened the door for her, and started to pull her into his arms, then checked himself as a pair of servants came marching down the hall bearing armloads of linens. “There’s time for this later,” he whispered. “All the time we want.
Judith McNaught (Almost Heaven (Sequels, #3))
Elizabeth glanced up as Ian handed her a glass of champagne. “Thank you,” she said, smiling up at him and gesturing to Duncan, the duke, and Jake, who were now convulsed with loud hilarity. “They certainly seem to be enjoying themselves,” she remarked. Ian absently glanced the group of laughing men, then back at her. “You’re breathtaking when you smile.” Elizabeth heard the huskiness in his voice and saw the almost slumberous look in his eyes, and she was wondering about its cause when he said softly, “Shall we retire?” That suggestion caused Elizabeth to assume his expression must be due to weariness. She, herself, was more than ready to seek the peace of her own chamber, but since she’d never been to a wedding reception before, she assumed that the protocol must be the same as at any other gala affair-which meant the host and hostess could not withdraw until the last of the guests had either left or retired. Tonight, every one of the guest chambers would be in use, and tomorrow a large wedding breakfast was planned, followed by a hunt. “I’m not sleepy-just a little fatigued from so much smiling,” she told him, pausing to bestow another smile on a guest who caught her eye and waved. Turning her face up to Ian, she offered graciously, “It’s been a long day. If you wish to retire, I’m sure everyone will understand.” “I’m sure they will,” he said dryly, and Elizabeth noted with puzzlement that his eyes were suddenly gleaming. “I’ll stay down here and stand in for you,” she volunteered. The gleam in his eyes brightened yet more. “You don’t think that my retiring alone will look a little odd?” Elizabeth knew it might seem impolite, if not precisely odd, but then inspiration struck, and she said reassuringly, “Leave everything to me. I’ll make your excuses if anyone asks.” His lips twitched. “Just out of curiosity-what excuse will you make for me?” “I’ll say you’re not feeling well. It can’t be anything too dire though, or we’ll be caught out in the fib when you appear looking fit for breakfast and the hunt in the morning.” She hesitated, thinking, and then said decisively, “I’ll say you have the headache.” His eyes widened with laughter. “It’s kind of you to volunteer to dissemble for me, my lady, but that particular untruth would have me on the dueling field for the next month, trying to defend against the aspersions it would cause to be cast upon my…ah…manly character.” “Why? Don’t gentlemen get headaches?” “Not,” he said with a roguish grin, “on their wedding night.” “I can’t see why.” “Can you not?” “No. And,” she added with an irate whisper, “I don’t see why everyone is staying down here this late. I’ve never been to a wedding reception, but it does seem as if they ought to be beginning to seek their beds.” “Elizabeth,” he said, trying not to laugh. “At a wedding reception, the guests cannot leave until the bride and groom retire. If you look over there, you’ll notice my great-aunts are already nodding in their chairs.” “Oh!” she exclaimed, instantly contrite. “I didn’t know. Why didn’t you tell me earlier?” “Because,” he said, taking her elbow and beginning to guide her from the ballroom, “I wanted you to enjoy every minute of our ball, even if we had to prop the guests up on the shrubbery.
Judith McNaught (Almost Heaven (Sequels, #3))
He updated his report, doing his best to tune out the two men who staggered into the police station, dragging each other. "I want you to arrest this idiot bastard," the taller one shouted, face contorted with rage. "He shit on my front porch!" Your dog shits all over my yard every day," the other one countered shoving. Calm down, please," Leila said when they reached reception. The tall one thumped a fist on the counter. "I want to make a police report. I stepped in that shit!" Chase checked out the floor behind them, the questionable footprints. Made a mental note to walk around them when he left.
Dana Marton (Broslin Bride: Gone and Done it (Broslin Creek, #5))
[Maid of honor is singing to the bride and groom at their wedding reception. One guest is particularly appalled.] '. . . Will this ordeal never end? No wonder this country's in such a mess if this sort of vulgar display of your shortcomings is considered suitable entertainment. What? Well I doubt anyone can hear me over the iron lung yodellings of Kiri Te Canary. This is the sort of story which ends with the words, "Before Turning The Gun On Himself.
Mhairi McFarlane (Who’s That Girl?)
ln imitation of Zeus' conception of Athene, gnostic Sophia produces a self-conceived offspring. As we read on, it may be thought that the Goddess has perpetrated a great joke. In the Valentinian Gnosis, the Demiurge-the alleged creator of the world-thinks that he has created everything out of himself. However, Achamoth (Sophia) wishes to be seeded everywhere without his knowledge. Accordingly, she conceives an embryo and secretly inserts it into the Demiurge, "that it might be sown into the soul created by him and into the material body .. . and might become ready for the reception of the perfect Logos." Accordingly, humanity does not derive its soul from the false Demiurge, but from the Mother Above. This gnostic joke may perhaps be translated into Athenian terms, for Metis is pregnant with Athene when Zeus swallows her, and Zeus remains forever afterward in her mighty shadow. Metis is derived of an earlier breed of gods, like gnostic Sophia, and her influence is absorbed by Zeus. Zeus acts like a divine creator, though it is his foremothers who are the real shapers.
Caitlín Matthews (Sophia: Goddess of Wisdom, Bride of God)
Next stop: the cake. The couple had ordered theirs through one of Alfie's hotel pastry chefs, and it was three tiers of buttercream-frosted flowers that cascaded down all sides. One thing Cedric taught his planners was to consider where a wedding would take place and what was most appropriate for that setting---especially when it came to the cake. For example, if the couple wanted their wedding cake displayed at an outsider reception, they were limited to the type of frosting since many varieties melted in warm temperatures. Obviously, ice cream cakes were almost always out of the question, not only because they melted but also because they should only appear at toddler's parties, as Cedric was quick to say. Meanwhile fondant, while gorgeous, wasn't always the tastiest but could withstand a nuclear attack. We gave Camila and Alfie the gentler version of this spiel, but they insisted on savory buttercream regardless---and agreed to leave the cake inside on the big day. I had doubts about how much the bride actually loved cake anyway, given that she looked as if she maybe one piece of lettuce a day. But, "A wedding without a cake isn't really a wedding"---another one of Cedric's truisms, this one inspired by the Candy Bar Craze of 2009 and the Great Doughnuts of 2013.
Mary Hollis Huddleston (Without a Hitch)
Hey, Lottie?" asked Claire. "Who are those girls?" She gawked at the entrance to the reception tent. I followed her gaze and we both laid eyes on two extremely tall and gorgeous women who had just strolled in. Who came to a wedding after the ceremony? (Tacky people, that's who.) The glamazons were dressed from head to toe in Valentino and looked like they came straight off the runway. I approached one of the young women, hoping to sniff out whether she was a wedding crasher or not. "Are you a friend of the bride or the groom?" "Neither!" she said with a toss of her thick, dark-brown hair. "We're Alfie's daughters. We weren't going to come, but we decided it would be more fun to actually show up and ruin the wedding." Talk about literal. Subtext and these girls were not friends. "Oh, hi," I replied. "Well, you missed the ceremony, but cocktail hour has begun. The first dance will be starting soon." "Perfect." She walked between Claire and me like we were a pair of black curtains. "Why is it that hot, mean girls are still intimidating, even a decade after high school?" I winced.
Mary Hollis Huddleston (Without a Hitch)
But surely, if Fergus had actually spoken to Cooper, he wouldn’t have kept mum on that little detail. Who are you kidding? The man thrived on meddling, especially where his beloved McCrae girls were concerned. That would also explain why he’d so conveniently disappeared once Cooper had taken the floor. And why he hadn’t come back out carrying the shotgun they kept handy in the back. “Uncle Gus” was all she said. He smiled briefly. “I thought that was a better bet than your chief-of-police brother. I’ve already guessed Fergus didn’t tell you about our little conversation.” She shook her head. “How long ago?” “A week. Not so long as all that.” Long enough, she thought, already mentally rehearsing the conversation she’d be having with her uncle the minute she got back to the pub. “We only had the one chat.” “One was apparently all that was needed. What else did he share with you?” She immediately held up her hand. “On second thought, don’t tell me. I’ll have that little chat with him directly.” “He wants you to be happy,” Cooper said. “And he thought encouraging a man I haven’t seen in over a year, a man who was my former employer and nothing more, to hop on a plane and bop on up this side of the equator to see me was what would make me happy?” Cooper’s smile deepened, and that twinkle sparked to life in his eyes again, making them so fiercely blue it caught at her breath. “He might have mentioned that you’d be less than welcoming of a surprise visit. He also said if I had a prayer of your still being here when I arrived, a surprise visit was pretty much my only shot. And how the frosty reception I was sure to receive was simply your automatic defense system, and how I should just ignore all that and ‘press my suit’ anyway, as I believed he called it.” Kerry closed her eyes, willed her short fuse to wink out before it had the chance to get dangerously lit up. Yep, too late. She turned abruptly and moved to go around Cooper, aiming herself back toward the lot where the truck was parked. Cooper’s hand shot out and took hold of her arm, releasing it the moment she stopped and turned to look at him, her balance intact. “His heart was in the right place, Starfish. He warned me. It was my choice to come here and risk it anyway. Don’t go unloading all the frustration you’re feeling about my unexpected arrival, not to mention the unfortunate public spectacle I made of this whole thing, on your poor uncle.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Placing my key on the reception desk, I imagine him a few kilometres away, stepping over his parents in the dark on the way to the kitchen to drink a glass of water, spashing a handful over his hair in an attempt to flatten it down. I picture his mother stirring slightly as he gargles and spits toothpaste into the sink. Clutching Vahid’s note to my chest I slip the heavy wooden bolt guarding the hotel’s entrance to the side with a thud, and slip away into the cool morning air.
Jennifer Klinec (The Temporary Bride: A Memoir of Love and Food in Iran)
Each layer was a clean, crisp white. Marzipan over rich Vienna cream icing, edged with sugar lace, a delicate spidery web of lines, the perfect allusion of the bobbin lace that Princess Rose liked to weave. Or at least claimed she wove as a useful anecdote. His notes stated that she gave biannual speeches as patron of the City of London Arts and Crafts Guild. Flowers wound up the side of the cake, the blooming vine of a fairy tale. He studied the effect with distaste. A tap of the leftmost flower, and the petals changed color from an iridescent pink to a deep, brooding blood purple, almost black in tone. He swept his hand in front of the cake. One after another, the edges of the peony poppies bled, thee dark color leaching over the celestial pink. Still fairy tale, but with the inevitable malevolent element. Better. Also better suited to a dungeon or coffin than a reception table, but from the impression he got of the bride, the Tim Burton vibe was strongly in her wheelhouse.
Lucy Parker (Battle Royal (Palace Insiders, #1))
And yet, the real pressure of writing or any creative endeavor is not that it takes large blocks and countless snitches of time, but that it requires stepping out of time into receptive, intuitive, attentive focus of nevertime. It is not so much the depletion of time that is worrisome, but the leaving of it.
Susan McBride Els (Into the Deep)
Nevertime feels good -- productive, purposeful. It is the unpressured, receptive state of mind that breeds creative expression. But time will always tell you that, in fact, nevertime is a dawdler. Time's job is to deflate nevertime.
Susan McBride Els (Into the Deep)
brides were the devil. And a bridezilla on her fourth round of tequila shots during the reception? A highly flammable devil capable of anything,
Avery Flynn (Butterface (The Hartigans, #1))
at the wedding the ceremony and the reception is for the bride, the honeymoon is for the groom, the food is for the guest, the money is for the vendors, and the empty bank account is for the parents
Manuel Corazzari
Offline, there are forms of relief built into this process. Audiences change over—the performance you stage at a job interview is different from the one you stage at a restaurant later for a friend’s birthday, which is different from the one you stage for a partner at home. At home, you might feel as if you could stop performing altogether; within Goffman’s dramaturgical framework, you might feel as if you had made it backstage. Goffman observed that we need both an audience to witness our performances as well as a backstage area where we can relax, often in the company of “teammates” who had been performing alongside us. Think of coworkers at the bar after they’ve delivered a big sales pitch, or a bride and groom in their hotel room after the wedding reception: everyone may still be performing, but they feel at ease, unguarded, alone. Ideally, the outside audience has believed the prior performance.
Jia Tolentino (Trick Mirror)