Rebel Woman Quotes

Every woman is a rebel.

Every woman is a rebel, and usually in wild revolt against herself.

To rebel against being born a woman seemed as foolish to her as to take pride in it.

Judd figured he must have done something right along the way. How else could a rebel arrow have earned the right to call this amazing woman his own? Even if it was a mistake, too damn bad. He was never giving her up.

Procrastination is not the problem. It is the solution. It is the universe's way of saying stop, slow down, you move too fast. Listen to the music. Whoa whoa, listen to the music. Because music makes the people come together, it makes the bourgeois and the rebel. So come on people now, smile on your brother, everybody try to love one another. Because what the world needs now is love, sweet love. And I know that love is a battlefield, but boogie on reggae woman because you're gonna make it after all. So celebrate good times, come on. I've gotta stop I've gotta come to my senses, I've been out riding fences for so long... oops I did it again... um... What I'm trying to say is, if you leave tonight and you don't remember anything else that I've said, leave here and remember this: Procrastinate now, don't put it off.

What is a woman's place in this modern world? Jasnah Kholin's words read. I rebel against this question, though so many of my peers ask it. The inherent bias in the inquiry seems invisible to so many of them. They consider themselves progressive because they are willing to challenge many of the assumptions of the past. They ignore the greater assumption--that a 'place' for women must be defined and set forth to begin with. Half of the population must somehow be reduced to the role arrived at by a single conversation. No matter how broad that role is, it will be--by-nature--a reduction from the infinite variety that is womanhood. I say that there is no role for women--there is, instead, a role for each woman, and she must make it for herself. For some, it will be the role of scholar; for others, it will be the role of wife. For others, it will be both. For yet others, it will be neither. Do not mistake me in assuming I value one woman's role above another. My point is not to stratify our society--we have done that far to well already--my point is to diversify our discourse. A woman's strength should not be in her role, whatever she chooses it to be, but in the power to choose that role. It is amazing to me that I even have to make this point, as I see it as the very foundation of our conversation.

What we have not chosen we cannot consider either our merit or our failure... To rebel against being born a woman seemed as foolish to her as to take pride in it.

Thy husband is thy lord, thy life, thy keeper, Thy head, thy sovereign, one that cares for thee, And for thy maintenance; commits his body To painful labor, both by sea and land; To watch the night in storms, the day in cold, Whilst thou li’st warm at home, secure and safe; And craves no other tribute at thy hands But love, fair looks, and true obedience- Too little payment for so great a debt. Such duty as the subject owes the prince, Even such a woman oweth to her husband; And when she is froward, peevish, sullen, sour, And no obedient to his honest will, What is she but a foul contending rebel, And graceless traitor to her loving lord? I asham’d that women are so simple ‘To offer war where they should kneel for peace, Or seek for rule, supremacy, and sway, When they are bound to serve, love, and obey. Why are our bodies soft, and weak, and smooth, Unapt to toil and trouble in the world, But that our soft conditions, and our hearts, Should well agree with our external parts?

Being a woman is a fate Sabina did not choose. What we have not chosen we cannot consider either to our merit or our failure. Sabina believed that she had to assume to correct attitude to her unchosen faith. To rebel against being born a woman seemed as foolish to her as taking pride in it.

I have never felt more ridiculous. If this is what it means to be a woman I am not the slightest bit interested.

Fate determines your caste. You must accept it and live according to the rules." You can't really believe that!" I do believe it. That man's misfortune is that he cannot accept his caste, his fate." I know that the Indians wear their caste as a mark upon their foreheads for all to see. I know that in England, we have our own unacknowledged caste system. A laborer will never hold a seat in Parliament. Neither will a woman. I don't think I've ever questioned such things until this moment. But what about will and desire? What if someone wants to change things." Kartik keeps his eyes on the room "You cannot change your caste. You cannot go against fate." That means there is no hope of a better life. It is a trap." That is how you see it," he says softly. What do you mean?" It can be a relief to follow the path that has been laid oud for you, to know your course and play your part in it." But how can you be sure that you are following the right course? What if there is no such thing as destiny, only choice?" Then I do not choose to live without destiny," he says with a slight smile.

A rebel! How glorious the name sounds when applied to a woman. Oh, rebellious woman, to you the world looks in hope. Upon you has fallen the glorious task of bringing liberty to the earth and all the inhabitants thereof.

You ruin me, woman,” he breathes, before taking my mouth in his.

Just about all men need a woman in one way or another, unless they’re very strange indeed. Tormenting you refreshes him. And you shouldn’t underestimate the gratitude all men feel for women’s beauty. Men who truly don’t like flowers are very uncommon and men who don’t respond to a beautiful woman are even more uncommon. It’s not primarily sexual; it’s a lifting of the spirits beauty gives. He’ll be in to torment you, and tease you, and enrage you, but really to have a good, refreshing look at you.

Mrs. Nightwing glances at the box in my hands. She clears her throat."I understand you've decided against Mr. Middleton."... It's best to be sure, through and through," she says, keeping her eyes steadfastly on the girls running and playing on the lawn. "Else you could find yourself one day coming home to an empty house, save for a note: I've gone out. You could wait all night for him to return. Nights turn into weeks, to years. It's horrible, the waiting. You can scarcely bear it. And perhaps years later on holiday in Brighton, you see him, walking along the boardwalk as if out of some dream. No longer lost. Your heartbeat quickens. You must call out to him. Someone else calls first. A pretty young woman with a child. He stops and bends to lift the child into his arms. His child. He gives a furtive kiss to his young wife. He hands her a box of candy, which you know to be Chollier's chocolates. He and his family stroll on. Something in you falls away. You will never be as you were. What is left to you is the chance to become something new and unsure. But at least the waiting is over.

For the first time, I see her. Fucking Sophia. I don’t see her as a means to an end—a potential way to take down the bastard who killed my uncle. I see her. I see her as a woman, and she is beautiful.

She would always feel this wild girl was the truest of any of the people she had already been: adored daughter, bourgeois priss, rebel, runaway, dope-fiend San Francisco hippie; or all the people she would later be: mother, nurse, religious fanatic, prematurely old woman. Vivienne was a human onion, and when I came home at twenty eight years old on the day the monster died, I was afraid that the Baptist freak she had peeled down to was her true, acrid, tear-inducing core.

She looked like a somewhat frightened and helpless woman, and yet he knew she was a deadly assassin. The same as he was. She was like one of those startlingly beautiful creatures in the wild—colorful and attractive, but deadly when touched.

Oh, Sophia. I use my brain. Every time I sleep with a woman, I’m using my head to figure out what she likes. How she likes it. What I can do to have her screaming my name until her throat’s raw.

When we take your person into account, you who are a young maiden, to whom God gives the strength and power to be the champion who casts the rebels down and feeds France with the sweet, nourishing milk of peace, here indeed is something quite extraordinary! For if God performed such a great number of miracles through Joshua who conquered many a place and cast down many an enemy, he, Joshua, was a strong and powerful man. But, after all, a woman – a simple shepherdess – braver than any man ever was in Rome! As far as God is concerned, this was easily accomplished. But as for us, we never heard tell of such an extraordinary marvel, for the prowess of all the great men of the past cannot be compared to this woman's whose concern it is to cast out our enemies. This is God's doing: it is He who guides her and who has given her a heart greater than that of any man.

male vanity goes deeper and is costlier. Look at their military uniforms and medals, the pomp and solemnity with which they show off, the extreme measures they employ to impress women and make other men envious; their luxurious toys, like cars, and their toys of supremacy, like weapons.

I kept an eye on Emmy throughout the night. Not in a creepy way–just in a “I really like you and think you’re the most beautiful woman alive” way.

Poor woman, I suppose she led a dog’s life, and it made her disagreeable, which she mistook for being strong.

If you have found a woman who can stir both body and spirit, sir, do not give her up lightly. Do not. The alternatives can be damnably complicated. [Joseph Warren]

When I was a little girl and my teachers sent notes home complaining that I was as loud as the boys, that it wasn't lady like for a girl to be this outspoken, this raucous, instead of forcing me to tone it down to the timber of a stage whisper, just a few notes above a whimper you took me by the hand to the hilltop by our house, told me to use my voice by shouting to my heart's content, told me never to forget that I was a girl not a mouse and if I believed I had to change myself to suit anyone else I shouldn't that no matter what they said my voice was so important. You then visited my school, called a meeting with my teachers sat them all down and said that you were raising a rebel girl to be a warrior woman, and if she could not speak, the same way boys are allowed to, if she had to turn her voice into sighs then how will she utter the battle cries that were needed when her warrior sisters called upon her to help them defend the daughters of this world.

This woman had no idea who I was. She has no idea I was once a smoker, was thrown out of boarding school twice and a certified rebel with strong opinions. To her, I was new, fresh, immaculate to the bone. This was all strangely wonderful.

I can see you’re confused.” He stepped closer to me. “So let me break this down for you: I fucking adore you, Ada. You are, without a doubt, the most brilliant and purposeful woman that I’ve ever met, and I would be the stupidest man alive if I let something as stupid and surmountable as distance take you away from me.

This was a woman who loved to suck cock. And the difference from a woman who did it as a favor or a chore was indescribable.

Every woman is a rebel, and usually in wild revolt against herself. GERALD.

Be the woman who falls so deeply in love with herself that nothing can stop her from loving all of life!

Once I hit my head on concrete and saw saints, oranges, dizzy blood. My skull almost split like a cleaved fruit. To be taken seriously a woman has to become nothing but a wound.

A male loner is a hero of sorts, a rebel, an iconoclast, but the same is not true of a female loner. There is no virility in a woman’s autonomy, there is only pity.

There were undoubtedly worse things than being an unmarried woman in charge of her own life, free to come and go as she pleased, free to explore pleasure.

Irene Redfield wished, for the first time in her life, that she had not been born a Negro. For the first time she suffered and rebelled because she was unable to disregard the burden of race. It was, she cried silently, enough to suffer as a woman, an individual, on one’s own account, without having to suffer for the race as well. It was a brutality, and undeserved.

Never before had he seen a woman so angry—or so seductive. It rendered him speechless. He couldn’t fight the compulsion to kiss her. She punched him on the chin, snapping his head back.

God, how I wish I could relive the whole thing. Short of that, I'd like to share the experience, the ups and downs, so some young man or woman, somewhere, going through the same trials and ordeals, might be inspired or comforted. Or warned. Some young entrepreneur, maybe, some athlete or painter or novelist, might press on. It's all the same drive. The same dream. It would be nice to help them avoid the typical discouragements. I'd tell them to hit pause, think long and hard about how they want to spend their time, and with whom they want to spend it for the next forty years. I'd tell men and women in their midtwenties not to settle for a job or a profession or even a career. Seek a calling. Even if you don't know what that means, seek it. If you're following your calling, the fatigue will be easier to bear, the disappointments will be fuel, the highs will be like nothing you've ever felt. I'd like to warn the best of them, the iconoclasts, the innovators, the rebels, that they will always have a bull's-eye on their backs. The better they get, the bigger the bull's-eye. It's not one man's opinion; it's a law of nature.

There comes a time when we must rebel against the stop signs, detours, and bad counsel to stick with Yahweh. All those no’s create character, with a deeper shade of empathy. Carry on Ruth. To hell with all those human roadblocks. Michael Ben Zehabe, Ruth: a woman’s guide to husband material, pg 29

It is deeply conservative to suggest that any sufficiently difficult woman from history -- say, one who rebelled against the constraints of femininity by dressing and acting in a masculine way -- must have been a man.

Why is everything an argument with you?” For some reason, that made her smile. “You like it that way and you know it. What would you do with someone who obeyed every command you gave her?” He snorted. “I’d give her a lot of filthy commands that she could fulfill.” “Pig.” “Really? You’re the one who mentioned this theoretical woman obeying all my commands.” “Oh, for fuck’s sake, I’ll sleep first,” she grumbled, crawling in the back just to shut him up . Next thing, he’d be telling her what those commands would be— and she didn’t need to hear it.

Men are not dogs. We merely think we are and, on occasion, act as if we are. But, by believing in our nobler nature, women have the amazing power to inspire us to live up to it. This is one reason why men tend to fear commitment—and sometimes, as in Mystery’s case, even rebel against it by endeavoring to bring out the worst in a woman.

Megan should have been grateful and accepted her cute status, what girl doesn’t want to be told how lovely she is, how special? except it felt wrong, even at a young age, something in her realized that her prettiness was supposed to make her compliant, and when she wasn’t, when she rebelled, she was letting down all those invested in her being adorable

Something told me to take a leap of faith. To go with the flow and take that leap. It was the crazy, idiotic part of me that I should probably ignore - but it was also the voice that spoke the loudest whenever Jack was involved. I couldn't stop myself from smiling. For one moment I felt the world stand still, and I allowed myself the indulgence of rebelling in doing something reckless and foolhardy because I was madly in love and I didn't have to worry about the consequences.

Pres, I know you’re going to say this is dumb, and I know you won’t understand. Which is why I asked Bee and Ryan for help. Don’t get me wrong, I like fighting with you, but there are some things you just can’t argue. This is one, and I hope you’ll come to accept that. I have to leave Pine Grove. I have to leave Alabama, and I have to leave you. After tonight, that’s all completely clear to me. This whole situation is effed up…and it’s clear to me now that the only way to un-eff it up…is to take myself out of the equation. Without me, you, Bee, and Ryan can just be you, Bee, and Ryan. Not Paladins or Mages. People. With your own lives. It’s like you said at that time at Cotillion practice, you want to be a good woman who chooses the right thing for everybody. Well, so do I. (Minus the woman part, obviously.) Have a good life, Pres. I love you. Always. D

A woman from the audience asks: ‘Why were there so few women among the Beat writers?’ and [Gregory] Corso, suddenly utterly serious, leans forward and says: “There were women, they were there, I knew them, their families put them in institutions, they were given electric shock. In the ’50s if you were male you could be a rebel, but if you were female your families had you locked up.

Everybody celebrates the rebellious, free woman in theory. But they don't like it very much when they actually meet one. When they realise it's not just a theory, but that she's a rebel against them too. That she's going to fly over their barbed wires, too.

Baru was Farrier's monument, his exemplar, his masterpiece. A degenerate child molded into a brilliant Imperial agent. A tribadist who, even when dispatched into rebel woods to consort with warrior duchesses, enforced her own chastity until the night before the end. A traitor who would voluntarily return to Falcrest, to her own repression and to Farrier's control. Because she believed she was a savant, a hard woman, someone who sacrificed what she must in order to do what was necessary. Someone who *had* to be alone. Behold the chains he placed on you. His law lived in Baru. Everything she accomplished was tainted by it. If I show you favor, woman, then you will die. And through that death I will progress. She wore an invisible mask: the laughing face of Cairdine Farrier, carved into the skull of her soul.

It’s easy to screw around with people you don’t care about. There’s nothing at stake. But playing that game with someone who fills a special place in your life? Someone who could leave a hole in your heart if he vanished? That’s a huge risk. Even more so to a woman who is extremely sensitive.

Still canna resist the draw of the devil." A tremor sliced through Farah at the old woman's words. Dougan had called himself a demon the first time they'd met. If that sweet boy had been a demon, then Dorian Blackwell certainly was the devil. And Farah was, indeed, helpless to resist his dark allure.

Make no mistake; I know all I need to know about you, Lord Thorne.” “Do ye?” he challenged. “Sure do. You’re a famously unscrupulous man. A notorious womanizer. A rake who thinks nothing of seducing other men’s wives.” “Well, someone has to, do they not? I doona know many men who seduce their own wives.

I was rebelling, yes, but I can see now that there’s a reason why people go through rebellious times. And you have to let people go through them. I’m not saying that I was right to spiral, but I think to hinder someone’s spirit to that degree and to put them down that much, to the point where they no longer feel like themselves—I don’t think that’s healthy, either. We, as people, have to test the world. You have to test your boundaries, to find out who you are, how you want to live.

Women are shockingly unforgiving of one another, but Mercy will come around. She is not passionate herself, you see, so she does not understand how I can love her but still consort with the governess. If you have found a woman who can stir both spirit and body, sir, do not give her up lightly. Do not. The alternatives can be damnably complicated.

She’s my mermaid, my siren, the woman whose call I’ll answer when I’m dead.

Is a woman a building you enter? Is a woman a wall you can paint your name on?

in 1911, an “Amazon” meant any woman rebel—which, to a lot of people, meant any girl who left home and went to college.

A Bluesman hates to be told what to do. Authority rankles him, inspires his rebellion, and plays to his need to self-destruct. A Bluesman doesn't take to having a boss unless he's on a chain gang (for the chain gang boss ranks below only a mean old woman and a sweet young thing in the hierarchy of the Blues Muse, followed closely by bad liquor, a dead dog, and the Man).

To emancipate woman, is not only to open the gates of the university, the law courts, or the parliaments to her, for the "emancipated" woman will always throw her domestic toil on to another woman. To emancipate woman is to free her from the brutalizing toil of kitchen and washhouse; it is to organize your household in such a way as to enable her to rear her children, if she be so minded, while still retaining sufficient leisure to take her share of social life. It will come. As we have said, things are already improving. Only let us fully understand that a revolution, intoxicated with the beautiful words, Liberty, Equality, Solidarity, would not be a revolution if it maintained slavery at home. Half humanity subjected to the slavery of the hearth would still have to rebel against the other half.

Then there are the questions with which the rest of the world must wrestle: What if one has the privilege of not directly experiencing or even witnessing firsthand injustice in front of one's eyes? What if one never has to know what it feels like to be lynched, whipped, raped, chained, mutilated, enslaved; or know the pain of witnessing a loved one be killed without being able to do anything about it? What if one doesn't know what it feels like to lose a home because a bomb fell on it, or because it was invaded by soldiers or rebels in the middle of the night while you were sleeping in your own bed; or be forced to walk days and weeks in the middle of the forest without any food just to save your life and that of your loved one? What then? Is that carte blanche to ignore, to pretend, to do nothing?

When the meaning of life has been suppressed, there still remains life. "I live," says Ivan, "in spite of logic." And again: "If I no longer had any faith in life, if I doubted a woman I loved, or the universal order of things, if I were persuaded, on the contrary, that everything was only an infernal and accursed chaos—even then I would want to live." Ivan will live, then, and will love as well "without knowing why." But to live is also to act. To act in the name of what? If there is no immortality, then there is neither reward nor punishment. "I believe that there is no virtue without immortality." And also: "I only know that suffering exists, that no one is guilty, that everything is connected, that everything passes away and equals out." But if there is no virtue, there is no law: "Everything is permitted.

Perhaps one of the chief charms of woman lies precisely in the fact that they are dishonorable, i.e., that they are relatively uncivilized. In the midst of all the puerile repressions and inhibitions that hedge them round, they continue to show a gipsy spirit. No genuine woman ever gives a hoot for law if law happens to stand in the way of her private interest. She is essentially an outlaw, a rebel, what H. G. Wells calls a nomad.

Good night, Keeley." "Good night, Brian. Thanks for the ride." Adelia waited until the men were out, then turned to her daughter. "Keeley, I never would've thought it of you. You're tormenting the poor man." "There's nothing poor about that man." Delighted with herself, Keeley broke off a piece of bread and crunched down on it. "And tormenting him is so rewarding." "Well,there's not a woman with blood in her could argue with that. Mind you don't hurt him, darling.

Bella, they are one and the same. I will not be satisfied with a woman who has no dreams or ambitions. My woman is the North Star in my night sky, but also in her own. If she is not there to guide me, there is only darkness. For us both.

She balled her hand into a little fist, her expression turning fierce. “You haven’t any idea the strength it takes to be a woman. In my experience, it is men who are the weaker sex. Either too undisciplined to control their baser, primal instincts or, conversely, they are too fragile to endure the discomfort of honesty or integrity. Yet women endure and survive by whatever means we are able. And still we are either property or playthings. We have as much use in the eyes of the law as a cow or a fertile plot of land. It is not wrong to mistreat us. To objectify us. To shame and demand things of us and bend us to your will. That is your right as a man and our duty as a woman. Is it any wonder the world is in chaos?

Though her muscles went rigid, her tongue sparred with his, as he might have guessed it would. Each lick and swirl, each plunge and retreat became a point counted for or against. Gavin had never enjoyed a woman’s mouth so much in his entire life.

We’re sideswiped by a gurney bearing an unconscious, emaciated young woman with a shaved head. Her flesh shows bruises and oozing scabs. Johanna Mason. Who actually knew rebel secrets. At least the one about me. And this is how she has paid for it.

These books are so splendid, they frustrate readers conditioned to lesser historical fiction in which every Confederate officer was young, dashing, and raised with a free-black best friend on a progressive plantation, or that features a feisty, clandestinely educated, proto-liberated woman rebelling valiantly against the constricting patriarchal societies of bygone centuries (all the while wearing enthralling dresses). The first sort of novel romanticizes the past, the second euthanizes it. The

She’s been mistreated and she knows I’m a violent man. She’s terrified of me…” “And yet?” Mary prompted. “She yelled at me,” he said incredulously. “It’s been decades since anyone dared … she told me I couldna issue her orders, and that she was a woman with free and independent will. She called me an overbearing brute.” “Oh, Lord.” She hid a laughing smile behind her fan. “What did ye say to that?” “I kissed her. And she kissed me back.” “Marry her, Liam,” she ordered, snapping the lace fan closed. “As soon as you can. Tomorrow if possible.

Amma wanted her daughter to be free, feminist and powerful Later she took her on personal development courses for children to give her the confidence and articulacy to flourish in any setting Big mistake Mum, Yazz said at fourteen when she was pitching to go to Reading Music Festival with her friends, it would be to the detriment of my juvenile development if you curtailed my activities at this critical stage in my journey towards becoming the independent-minded and fully self-expressed adult you expect me to be, I mean, do you really want me rebelling against your old-fashioned rules by running away from the safety of my home to live on the streets and having to resort to prostitution to survive and thereafter drug addiction, crime, anorexia and abusive relationships with exploitative bastards twice my age before my early demise in a crack house? Amma fretted the whole weekend her little girl way away

But I always related to the Old Woman. The one who haunted the edgelands, the mysterious shadow in the heart of the darkwood. The exile, the rebel, the one who shrugged off the fetters of conventional society; the one who imagined and cultivated her own vision of how the world should be, thank you very much. At the earliest of ages, I already knew that was the old woman I wanted to grow into. The spirited, unpredictable, not-to-be-messed-with elder. An elder who’s always ready to tell you the often-unwelcome truths about the condition of your life — leavened, of course, with compassion, and a glint of fierce humor in her eyes.

A love of neighbor manifests itself in the tolerance not only of opinions of others but, what is more important, of the essence and uniqueness of others, when we subscribe to that religious philosophy of life that insists that God has made each man and woman an individual sacred personality endowed with a specific temperament, created with differing needs, hungers, dreams. This is a variegated, pluralistic world where no two stars are the same and every snowflake has its own distinctive pattern. God apparently did not want a regimented world of sameness. That is why creation is so manifold. So it is with us human beings. Some are born dynamic and restless; others placid and contemplative…One man’s temperament is full throated with laughter; another’s tinkles with the sad chimes of gentle melancholy. Our physiques are different, and that simple difference oftentimes drives us into conflicting fulfillment of our natures, to action or to thought, to passion or to denial, to conquest or to submission. There is here no fatalism of endowment. We can change and prune and shape the hedges of our being, but we must rebel against the sharp shears being wielded by other hands, cutting off the living branches of our spirits in order to make our personalities adornments for their dwellings.

Will you just tell me, Brian.I need you to tell me you love me." "I'm getting to it." He turned back. "I never thought I wanted family.I want to make children with you,Keeley.I want ours. Please don't cry." "I'm trying not to.Hurry up." "I can't be rushed at such a time.Sniffle those back or I'll blunder it.That's the way." He moved to her. "I don't want to own horses, but I can make an exception for the gift you gave me today.As a kind of symbol of things. I didn't have faith in him, not pure faith, that he'd run to win.I didn't have faith in you, either.Give me your hand." She held it out, clasping his. "Tell me." "I've never said the words to another woman. You'll be my first, and you'll be my last.I loved you from the first instant, in a kind of blinding flash. Over time the love I have for you has strengthened, and deepened until it's like something alive inside me." "That's everything I needed to hear." She brought his hand to her cheek. "Marry me, Brian." "Bloody hell.Will you let me do the asking?" She had to bite her lip to hold off the watery chuckle. "Sorry." With a laugh, he plucked her off her feet. "Well, what the hell.Sure, I'll marry you." "Right away." "Right away." He brushed his lips over her temple. "I love you,Keeley, and since you're birdbrain enough to want to marry a hardheaded Irish horse's ass, I believe it was, I'll go up now and ask your father." "As my-Brian, really." "I'll do this proper. But maybe I'll take you with me,in case he's found that shotgun." She laughed, rubbed her cheek against his. "I'll protect you." He set her on her feet.They began to walk together past the sharply colored fall flowers, the white fences and fields where horses raced their shadows. When he reached to take her hand, Keeley gripped his firmly.And had everything.

Interesting stuff. The Kevinians I’ve talked to seem pretty impressed by it, even now. How Ryman rebelled by marrying a Gentile woman and ignored his father’s order to kill her. And how as punishment, the spirit of God fled Ryman’s body while he writhed on the ground, turning his skin black.” “And so it shall be that the descendants of Ryman bear till eternity the mark on their earthly skins and the evil in their celestial hearts,” I finish. “So you were aware that your family wouldn’t approve of Jude.” “I wasn’t with Jude to rebel, if that’s what you’re saying. I was with Jude because of who he was.” “Still, I think this is important. Did you notice the color of his skin?” “Of course I noticed it. That’s a stupid thing to ask.

We should be in my bed right now. I should be kissing your breasts, sucking your nipples, tasting your honey. I should be sinking inside you slow and hot and so deep that you’ll be begging me to make it fast, then make it last. I should be feeling your sweet grip on my cock, and I bet you grip hard, Harper, ’cause you’re the kind of woman who takes no prisoners. I should be squeezing that gorgeous ass of yours while I pump in and out, looking for that spot that’ll light you up. I need you to know that in another universe, this would be a done deal, and the only thing stopping me from making you mine is that in this universe, my current employment situation stops me from making good on all the dirty things I’m dying to do to you. You understand?

Sculpture does not reject resemblance, of which, indeed, it has need. But resemblance is not its first aim. What it is looking for, in its periods of greatness, is the gesture, the expression, or the empty stare which will sum up all the gestures and all the stares in the world. Its purpose is not to imitate, but to stylize and to imprison in one significant expression the fleeting ecstasy of the body or the infinite variety of human attitudes. Then, and only then, does it erect, on the pediments of teeming cities, the model, the type, the motionless perfection that will cool, for one moment, the fevered brow of man. The frustrated lover of love can finally gaze at the Greek caryatides and grasp what it is that triumphs, in the body and face of the woman, over every degradation

Think you it is easy to get a well-known and beautiful woman alone, away from her husband, at so public a gathering? Think you that, in the company of dozens of guests and nearly as many gossipy servants, a man can just pull such a woman aside into a private closet? It would not be easy for any ordinary man--at least I suspect it would not. I cannot say how ordinary men go about their business.

Asexuality isn't a complex. It's not a sickness. It's not an automatic sign of trauma. It's not a behaviour. It's not the result of a decision. It's not a chastity vow or an expression that we are 'saving ourselves'. We aren't by definition religious. We aren't calling ourselves asexual as a statement of purity or moral superiority. We're not amoebas or plants. We aren't automatically gender confused, anti-gay, anti-straight, anti-any-sexual orientation, anti-woman, anti-man, anti-any-gender or anti sex. We aren't automatically going through a phase, following a trend, or trying to rebel. We aren't defined by prudishness. We aren't calling ourselves asexual because we failed to find a suitable partner. We aren't necessarily afraid of intimacy. And we aren't asking for anyone to 'fix' us.

would place beside her in my mind’s eye the young competent woman, proud, courageous, and generous, I’d known as a child. I was living with a tragic deterioration brought about because there was now no creative expression for this woman’s talents. Lacking a power for good, she sought power through manipulating her children. The mind that once was engaged in reading every major writer of the day now settled for cheap romances, murder mysteries, and a comfortable fuzz of tranquilizers and brandy at the end of the day. No one had directly willed her decline. It was the outcome of many impersonal forces, which had combined to emphasize her vulnerabilities. The medical fashion of the day decreed that troubled middle-aged women be given tranquilizers and sedatives. She, once a rebel, had acquiesced in settling down to live the life of an affluent woman.

Turn around." "I beg your pardon." Brian merely stepped around her, laid his hands on the nape of her neck. Her already stiff shoulders jerked in protest. "Relax.I'm not after grabbing you in a fit of passion when any member of your family might come along.I'd like to put in at least one day on the job before I get the boot." As he spoke he was kneading, pressing, running those strong fingers over the knots. He hated seeing anything in pain. "Blow out a breath," he ordered when she stood rigis as stone. "Come on, maverneen, don't be so hardheaded. Blow out a nice long breath for me." Out of curiosity she obeyed and tried not to think how marvelous his hands felt on her skin. "Now another." His voice had gone to croon, lulling her.As he worked, murmured, her eyes fluttered close. Her muscles loosened, the knots untied. The threatening throbbing in her head faded away. She all but slid into a trance. She arched against his hands, just a little. Moaned in pleasure.Just a little. He kept his hands firm, professional, even as he imaged skiming them down over her, slipping them under that soft white blouse. He wanted to touch his lips to her nape, just where his thumb was pressing.To taste her there. And that,he knew, would end things before they'd begun.Wanting a woman was natural. Taking one, where the taking held such risks,was suicide.

Here, my man, just hold it this way, while I look into it a bit," he said one day to Fitz G., putting a wounded arm into the keeping of a sound one, and proceeding to poke about among bits of bone and visible muscles, in a red and black chasm made by some infernal machine of the shot or shell description. Poor Fitz held on like a grim Death, ashamed to show fear before a woman, till it grew more than he could bear in silence; and, after a few smothered groans,he looked at me imploringly, as if he said, "I wouldn't, ma'am, if I could help it," and fainted quietly away. Dr. P. looked up, gave a compassionate sort of cluck, and poked away more busily than ever, with a nod at me and a brief—"Never mind; be so good as to hold this till I finish." I obeyed, cherishing the while a strong desire to insinuate a few of his own disagreeable knives and scissors into him, and see how he liked it. A very disrespectful and ridiculous fancy of course; for he was doing all that could be done, and the arm prospered finely in his hands. But the human mind is prone to prejudice; and though a personable man, speaking French like a born "Parley voo," and whipping off legs like an animated guillotine, I must confess to a sense of relief when he was ordered elsewhere; and suspect that several of the men would have faced a rebel battery with less trepidation than they did Dr. P., when he came briskly in on his morning round.

It was like watching magic take wing, Brian thought.The muscular black horse soared over the ground with the woman on his back.They streaked over another rise,moving west,into the dying sun. The sky was a riot of color, a painting slashed with reds and golds. It seemed to him she would ride straight into it, through it. And he'd have no choice but to follow her. When she pulled up,turned to wait for him, her face flushed with pleasure, her eyes gleaming with it,he knew he'd never seen the like. And wanting her was apt to kill him.

Are you asking me out? For a date?" asked Marie. She wasn't surprised. It had happened to her before. She thought David was just another white guy who wanted to rebel against his white middle-class childhood by dating a brown woman. He wouldn't have been the first white guy to do such a thing. She had watched quite a few white guys pursue brown female students, especially Asian nationals, with a missionary passion. Co to college, find a cute minority woman, preferably one with limited English, and colonize her by sleeping with her.

His hands came to her wrists, squeezed reflexively, before he got quickly to his feet. "You're mixing things up." Panic arrowed straight into his heart. "I told you sex complicates things." "Yes,you did.And of course since you're the only man I've been with, how could I knew the difference between sex and love? Then again, that doesn't take into account that I'm a smart and self-aware woman, and I know the reason you're the only man I've been with is that you're the only man I've loved.Brian..." She stepped toward him, humor flashing into her eyes when he stepped back. "I've made up my mind.You know how stubborn I am." "I train your father's horses." "So what? My mother groomed them." "That's a different matter." "Why? Oh, because she's a woman.How foolish of me not to realize we can't possibly love each other, build a life with each other.Now if you owned Royal Meadows and I worked here, then it would be all right." "Stop making me sound ridiculous." "I can't." She spread her hands. "You are ridiculous.I love you anyway. Really, I tried to approach it sensibly.I like doing things in a structured order that makes a beeline for the goal.But..." She shrugged, smiled. "It just doesn't want to work that way with you.I look at you and my heart,well, it just insists on taking over.I love you so much,Brian. Can't you tell me? Can't you look at me and tell me?" He skimmed his fingertips over the bruise high on her temple. He wanted to tend to it, to her. "If I did there'd be no going back." "Coward." She watched the heat flash into his eyes,and thought how lovely it was to know him so well. "You won't push me into a corner." Now she laughed. "Watch me," she invited and proceeded to back him up against the steps. "I've figured a lot of things out today,Brian.You're scared of me-of what you feel for me. You were the one always pulling back when we were in public, shifting aside when I'd reach for you.It hurt me." The idea quite simply appalled him. "I never meant to hurt you." "No,you couldn't.How could I help but fall for you? A hard head and a soft heart.It's irresistable. Still, it did hurt. But I thought it was just the snob in you.I didn't realize it was nerves." "I'm not a snob, or a coward." "Put your arms around me.Kiss me. Tell me." "Damn it." he grabbed her shoulders, then simply held on, unable to push her back or draw her in. "It was the first time I saw you, the first instant. You walked in the room and my heart stopped. Like it had been struck by lightning.I was fine until you walked into the room." Her knees wanted to buckle.Hard head, soft heart, and here, suddenly, a staggering sweep of romance. "Why didn't you tell me? Why did you make me wait?" "I thought I'd get over it." "Get over it?" Her brow arched up. "Like a head cold?" "Maybe." He set her aside, paced away to stare out at the hills. Keeley closed her eyes, let the breeze ruffle her hair, cool her cheeks. When the calm descended, she opened her eyes and smiled. "A good strong head cold's tough to shake off.

Ribs hurting?" When he only shrugged, she shook her head. "Let me take a look." "She barely caught me." "Oh,for heaven's sake." Impatient, Keeley did what she would have done with one of her brothers: She tugged Brian's T-shirt out of his jeans. "Well,darling,if I'd known you were so anxious to get me undressed,I'd have cooperated fully,and in private." "Shut up.God, Brian, you said it was nothing." "It's not much." His definition of not much was a softball-size bruise the ribs in a burst of ugly red and black. "Macho is tedious, so just shut up." He started to grin,then yelped when she pressed her fingers to the bruise. "Hell, woman,if that's your idea of tender mercies, keep them." "You could have a cracked rib. You need an X ray." "I don't need a damned-ouch! Bollocks and bloody hell, stop poking." He tried to pull his shirt down, but she simply yanked it up again. "Stand still,and don't be a baby." "A minute ago it was don't be macho, now it's don't be a baby. What do you want?" "For you to behave sensibly." "It's difficult for a man to behave sensibly when a woman's taking his clothes off in broad daylight. If you're going to kiss it and make it better, I've several other bruises. I've a dandy one on my ass as it happens." "I'm sure that's terribly amusing.One of the men can drive you to the emergency room" "No one's driving me anywhere. I'd know if my ribs are cracked as I've had a few in my time.It's a bruise, and it's throbbing like a bitch now that you've been playing with it." She spotted another, riding high on his hip,and gave that a poke. This time he groaned. "Keeley,you're torturing me here." "Im just trying..." She trailed off as she lifted her head and saw his eyes. It wasn't pain or annoyance in them now. It was heat,and it was frustration. And it was surprisingly gratifying. "Really?" It was wrong,and it was foolish, but a sip of power was a heady thing.She trailed her fingers along his hip, up his ribs and down again, and felt his mucles quiver. "Why don't you stop me?" His throat hurt. "You make my head swim. And you know it." "Maybe I do.Now.Maybe I like it." She'd never been deliberately provocative before. Had never wanted to be. And she'd never known the thrill of having a strong man turn to putty under her hands. "Maybe I've thought about you, Brian,the way you said I would." "You pick a fine time to tell me when there's people everywhere, and your father one of them.

What is a woman’s place in this modern world? Jasnah Kholin’s words read. I rebel against this question, though so many of my peers ask it. The inherent bias in the inquiry seems invisible to so many of them. They consider themselves progressive because they are willing to challenge many of the assumptions of the past. They ignore the greater assumption—that a “place” for women must be defined and set forth to begin with. Half of the population must somehow be reduced to the role arrived at by a single conversation. No matter how broad that role is, it will be—by nature—a reduction from the infinite variety that is womanhood. I say that there is no role for women—there is, instead, a role for each woman, and she must make it for herself. For some, it will be the role of scholar; for others, it will be the role of wife. For others, it will be both. For yet others, it will be neither. Do not mistake me in assuming I value one woman’s role above another. My point is not to stratify our society—we have done that far too well already—my point is to diversify our discourse. A woman’s strength should not be in her role, whatever she chooses it to be, but in the power to choose that role. It is amazing to me that I even have to make this point, as I see it as the very foundation of our conversation.

All in the wicked darkest eve In blood and shadows alike; We strive to live through mighty pain, By mighty arms unite, Oft mighty hands make plain romance, A traveling heart's plight. Ah, cruel Nine! In such an hour, Beneath such dreadful weather, To beg a tale of life so bleak To stir bound wings of feathers! Yet what can one lone voice avail Against ten tongues together? Imperious Alice tumbles forth Her edict “we will end it”— In wistful tones her people hope “There will be justice in it”— While her men carry on the tale And also help begin it. Shit, this sudden war's begun, In ire giving chase The young woman moving through a land Of wonders dark and base, In friendly tryst with man and beast— The darkness she would face. And ever, as the story changed The wells of knowledge lie, And hearty strove that weary one To put her subjects by, “I am not brave—” “True fear is fine!” The frightened voices cry. Thus grew the tale of Underland: Thus slowly, one by one, Its queer events are fucking wrote— The tale is far from done, And home is where, the girl may ask, As she debates to run. Alice! A terrifying story, And with a skeleton hand Lay it where graveyard's nightmares bury The rebels no longer stand, Like magic's withered throne of corpses Plucked from a far-off land.

He staggers through the forest. The burning forest. Bits of brush smoldering. A stormtrooper helmet nearby, charred and half melted. A small fire burns nearby. In the distance, the skeleton of an AT-AT walker. Its top blown open in the blast, peeled open like a metal flower. That burns, too. Bodies all around. Some of them are faceless, nameless. To him, at least. But others, he knows. Or knew. There—the fresh-faced officer, Cerk Lormin. Good kid. Eager to please. Joined the Empire because it’s what you did. Not a true believer, not by a long stretch. Not far from him: Captain Blevins. Definitely a true believer. A froth-mouthed braggart and bully, too. His face is a mask of blood. Sinjir is glad that one is dead. Nearby, a young woman: He knows her face from the mess, but not her name, and the insignia rank on her chest has been covered in blood. Whoever she was, she’s nobody now. Mulch for the forest. Food for the native Ewoks. Just stardust and nothing. We’re all stardust and nothing, he thinks. An absurd thought. But no less absurd than the one that follows: We did this to ourselves. He should blame them. The rebels. Even now he can hear them applauding. Firing blasters into the air. Hicks and yokels. Farm boy warriors and pipe-fitter pilots. Good for them. They deserve their celebration. Just as we deserve our graves.

The Modern Girl with the lipstick and the cocktail is as much a rebel against the Woman's Rights Woman of the '80's, with her stiff stick-up collars and strict teetotalism, as the latter was a rebel against the Early Victorian lady of the languid waltz tunes and the album full of quotations from Byron: or as the last, again, was a rebel against a Puritan mother to whom the waltz was a wild orgy and Byron the Bolshevist of his age. Trace even the Puritan mother back through history and she represents a rebellion against the Cavalier laxity of the English Church, which was at first a rebel against the Catholic civilisation, which had been a rebel against the Pagan civilisation.

It put him out of humor for the rest of the day.It stuck in his craw and festered thered.A nasty little canker sore on the ego. Snob? Where did the woman get off calling him a snob? And after he'd made the effort to be friendly, even complimenting her on her snooty little riding academy. He did the evening check himself, as was his habit, and spent considerable time going over the prime filly who was to head down to Hialeah to race there. Ttavis wanted Brian to go along for this one, and he was more than happy to oblige. It would do him a world of good to put a thousand miles or so between himself and Keeley. "Shouldn't be looking in that direction, even for a blink," he muttered, then nuzzled the filly.

He stroked the filly's neck, and she sniffed at the pouch on his belt, then turned her head away. "She wants to let me know she doesn't care that I've apples in here.No, doesn't matter a bit to her." He looped the line around the fence and took an apple and his knife from his pocket. Idly he cut it in half. "Maybe I'll just offer this token to this other pretty lady here." He held out the apple to Keeley, and Betty gave him a solid rap with her head that rammed him into the fence. "Now she wants my attention. Would you like some of this then?" He shifted, held the apple out. Betty nipped it from his palm with dignified delicacy. "She loves me." "She loves your apples," Keeley commented. "Oh,it's not just that. See here." Before Keeley could evade-could think to-he cupped a hand at the back of her neck, pulled her close and rubbed his lips provocatively over hers. Betty huffed out a breath and butted him. "You see?" Brian let his teeth graze lightly before he released Keeley. "Jealous.She doesn't care to have me give affection to another woman." "Next time kiss her and save yourself a bruise." "It was worth it.On both counts." "Horses are more easily charmed than women, Donnelly." She plucked the apple out of his hand, bit in. "I just like your apples," she told him, and strolled away. "That one's as contrary as you are." He nuzzled Betty's cheek as he watched Keeley walk to her stables. "What is it that makes me find contrary females so appealing?

He had surrendered to it, on a few rare occasions through the years, with women he had thought he liked. He had been left feeling an angry emptiness—because he had sought an act of triumph, though he had not known of what nature, but the response he received was only a woman’s acceptance of a casual pleasure, and he knew too clearly that what he had won had no meaning. He was left, not with a sense of attainment, but with a sense of his own degradation. He grew to hate his desire. He fought it. He came to believe the doctrine that this desire was wholly physical, a desire, not of consciousness, but of matter, and he rebelled against the thought that his flesh could be free to choose and that its choice was impervious to the will of his mind.

I don't like to make mistakes. Which is why I haven't been with a man before now." He as thrown off balance so quickly and completely, he coud hear his own brain stumble. "Well,that's...that's wise." He took one definite step back, like a chessman going from square to square. "It's interesting that makes you nervous," she said, countering his move. "I'm not nervous,I'm...finished up here, it seems." He tried another tactic, stepped to the side. "Interesting," she continued, mirroring his move, "that it would make you nervous,or uneasy if you prefer, when you've been...I think it's safe to use the term 'hitting on me' since we met." "I don't think that's the proper term at all." Since he seemed to be boxed into a corner,he decided he was really only standing his ground. "I acted in a natural way regarding a physical attraction. But-" "And now that I've reacted in a natural way, you've felt the reins slip out of your hands and you're panicked." "I'm certainly not panicked." He ignored the terror gripping claws into his belly and concentrated on annoyance. "Back off, Keeley." "No." With her eyes locked on his, she stepped in.Checkmate. His back was hard up against a stall door and he'd been maneuvered there by a woman half his weight.It was mortifying. "This isn't doing either of us any credit." It took a lot of effort when the blood was rapidly draining out of his head, but he made his voice cool and firm. "The fact is I've rethought the matter." "Have you?" "I have,yes,and-stop it," he ordered when she ran the palms of her hands up over his chest. "You're hearts pounding," she murmured. "So's mine.Should I tell you what goes on inside my head,inside my body when you kiss me" "No." He barely managed a croak this time. "And it's not going to happen again." "Bet?" She laughed, rising up just enough to nip his chin. How could she have known how much fun it was to twist a man into aroused knots? "Why don't you tell me about this rethinking?" "I'm not going to take advantage of your-of the situation." That,she thought,was wonderfully sweet. "At the moment,I seem to have the advantage.This time you're trembling,Brian." The hell he was.How could he be trembling when he couldn't feel his own legs? "I won't be responsible.I won't use your inexperience.I won't do this." The last was said on a note of desperation and he pushed her aside. "I'm responsible for myself.And I think I've just proven to both of us,that if and when I decide you'll be the one, you won't have a prayer." She drew a deep, satisfied breath. "Knowing that's incredibly flattering." "Arousing a man doesn't take much skill, Keeley. We're cooperative creatures in that area." If he'd expected that to scratch at her pride,and cut into her power,he was mistaken. She only smiled,and the smile was full of secret female knowledge. "If that was true between us, if that were all that's between us, we'd be naked on the tack room floor right now." She saw the change in his eyes and laughed delightedly. "Already thought of that one, have you? We'll just hold that thought for another time.

Sonnet of Norms It is not patriarchal to hold the door for a lady, It is not cowardly to leave your seat to the elderly. But it is barbaric to harass a breastfeeding mother, And prehistoric to force a woman carry a pregnancy. There are norms that nourish the societal fabric, Then there are norms out of touch with age and times. Beyond both freedom and obedience as a whole being, You ought to realize where and how to draw the lines. The problem is that most do not know when to rebel, They rebel out of boredom to seek adventure not justice. They commit reckless vandalism in the name of activism, And feel proud while committing the most heinous deeds. Norms require careful scrutiny, not headless rebellion. Hence, quite often rebels become the new face of oppression.

Every time Ian’s amber gaze flickered to her, her heart began to pound. Whenever he wasn’t looking she found her gaze straying to his mouth, remembering the way those lips had felt locked to hers yesterday. He raised a wineglass to his lips, and she looked at the long, strong fingers that had slid with such aching tenderness over her cheek and twined in her hair. Two years ago she’d fallen under his spell; she was wiser now. She knew he was a libertine, and even so her heart rebelled against believing it. Yesterday, in his arms, she’d felt as if she was special to him-as if he not only wanted her close but needed her there. Very vain, Elizabeth, she warned herself severely, and very foolish. Skilled libertines and accomplished flirts probably made every woman feel that she was specila. No doubt they kissed a woman with demanding passion one moment and then, when the passion was over, forgot she was alive. As she’d heard long ago, a libertine pretended violet interest in his quarry, then dropped her without compunction the instant that interest waned-exactly as Ian had done now. That was not a comforting thought, and Elizabeth was sorely in need of comfort as twilight deepened into night and supper dragged on, with Ian seemingly oblivious to her existence. Finally the meal was finished; she was about to volunteer to clear the table when she glanced at Ian and watched in paralyzed surprise as his gaze roved over her cheek and jaw, then shifted to her mouth, lingering there. Abruptly he looked away, and Elizabeth stood up to clear the table.

As for us, we saw the police as a natural catastrophe— like floods, fires, earthquakes. There was nothing you could do about these things except to try and escape them. We had no analysis, no understanding that society could be changed. We simply tried to survive, as ourselves, as kamp girls, natural rebels. We did not feel that the police might not be entitled to hunt us, but accepted them as inevitable. I was beaten up for suggesting that a woman ask for a lawyer. It was seem as a stupid— even dangerous— suggestion. Fighting back with threats of lawyers would only make the police even angrier at us. But part of me felt that what was happening was unfair and unjust, though I had no idea how things could ever be different. Melbourne and Adelaide were exactly the same. The public lesbian scene was dangerous and difficult. There were many other New Zealand lesbians around, too. In spite of everything, I loved it. The “mateship” was amazing and close, important enough for any risk. And the freedom to be ourselves, to be real, to be queer, affirmed us. There were private, closeted scenes too, but they were hard to find and cliquey. They were fearful of being “sprung” by kamps who were too obvious. They were mainly older middle-class women. I knew some of them, learnt many things from them— like how to behave in a nice restaurant if you are taken to dinner. But they too had no sense of anything being able to change— except for the one strange woman who danced naked to Beethoven and lent me de Beauvoir’s The Second Sex. She sowed some wild ideas, more than a decade too early for them to make any sense.

Once the purging has taken place, the woman often dreams of a black goddess who becomes her bridge between spirit and body. As one aspect of Sophia, such an image can open her to the mystery of life being enacted in her own body. Her "mysterious and exotic darkness" inspires a particular depth of wonderment and love. For a woman without a positive mother, this "dark" side of the Virgin can bring freedom, the security of freedom, because she is a natural home for the rejected child. The child born from the rejected side of the mother can bring her own rebel to rest in the outcast state of Mary. In loving the abandoned child within herself, a woman becomes pregnant with herself. The child her mother did not nourish, she will now nourish, not as the pure white biblical Virgin who knew no Joseph, but as the dark Montserrat Virgin who presides over "marriage and sex, pregnancy and childbirth." The Black Madonna is nature impregnated by spirit, accepting the human body as the chalice of the spirit. She is the redemption of matter, the intersection of sexuality and spirituality. Connecting to this archetypal image may result in dreams of a huge serpent, mysterious, cold­blooded, inaccessible to human feeling. Seen as an appendage of the negative mother, it is the phallus stolen from the father and used to guard inviolate purity. Yet this same snake, when seen in relation to the moon, symbolizes the dark, impersonal side of femininity and at the same time its capacity to renew itself. The daughter who can come out from under the skin of the negative mother will not perpetuate her but redeem her. The Black Madonna is the patron saint of abandoned daughters who rejoice in their outcast state and can use it to renew the world.

Pres, I know you’re going to say this is dumb, and I know you won’t understand. Which is why I asked Bee and Ryan for help. Don’t get me wrong, I like fighting with you, but there are some things you just can’t argue. This is one, and I hope you’ll come to accept that. I have to leave Pine Grove. I have to leave Alabama, and I have to leave you. After tonight, that’s all completely clear to me. This whole situation is effed up (hope you appreciate my discretion there), and it’s clear to me now that the only way to un-eff it up *do i get bonus points for that one?) is to take myself out of the equation. Without me, you, Bee, and Ryan can just be you, Bee, and Ryan. Not Paladins or Mages. People. With your own lives. It’s like you said at that time at Cotillion practice, you want to be a good woman who chooses the right thing for everybody. Well, so do I. (Minus the woman part, obviously.) Have a good life, Pres. I love you. Always. D

What is a novel, anyway? Only a very foolish person would attempt to give a definitive answer to that, beyond stating the more or less obvious facts that it is a literary narrative of some length which purports, on the reverse of the title page, not to be true, but seeks nevertheless to convince its readers that it is. It's typical of the cynicism of our age that, if you write a novel, everyone assumes it's about real people, thinly disguised; but if you write an autobiography everyone assumes you're lying your head off. Part of this is right, because every artist is, among other things, a con-artist. We con-artists do tell the truth, in a way; but, as Emily Dickenson said, we tell it slant. By indirection we find direction out -- so here, for easy reference, is an elimination-dance list of what novels are not. -- Novels are not sociological textbooks, although they may contain social comment and criticism. -- Novels are not political tracts, although "politics" -- in the sense of human power structures -- is inevitably one of their subjects. But if the author's main design on us is to convert us to something -- - whether that something be Christianity, capitalism, a belief in marriage as the only answer to a maiden's prayer, or feminism, we are likely to sniff it out, and to rebel. As Andre Gide once remarked, "It is with noble sentiments that bad literature gets written." -- Novels are not how-to books; they will not show you how to conduct a successful life, although some of them may be read this way. Is Pride and Prejudice about how a sensible middle-class nineteenth-century woman can snare an appropriate man with a good income, which is the best she can hope for out of life, given the limitations of her situation? Partly. But not completely. -- Novels are not, primarily, moral tracts. Their characters are not all models of good behaviour -- or, if they are, we probably won't read them. But they are linked with notions of morality, because they are about human beings and human beings divide behaviour into good and bad. The characters judge each other, and the reader judges the characters. However, the success of a novel does not depend on a Not Guilty verdict from the reader. As Keats said, Shakespeare took as much delight in creating Iago -- that arch-villain -- as he did in creating the virtuous Imogen. I would say probably more, and the proof of it is that I'd bet you're more likely to know which play Iago is in. -- But although a novel is not a political tract, a how-to-book, a sociology textbook or a pattern of correct morality, it is also not merely a piece of Art for Art's Sake, divorced from real life. It cannot do without a conception of form and a structure, true, but its roots are in the mud; its flowers, if any, come out of the rawness of its raw materials. -- In short, novels are ambiguous and multi-faceted, not because they're perverse, but because they attempt to grapple with what was once referred to as the human condition, and they do so using a medium which is notoriously slippery -- namely, language itself.

The woman threw him off balance, and he didn't care for it.Giving him those hot looks and intimate little strokes in the middle of the damn morning so he went through the whole of the day itchy. Worse yet the man who was paying him to work through the day,not to be distracted by his glands,was the woman's father. It was a situation,Brian though, and he'd done a great deal to bring it on himself.Still how could he have known in the beginning that he'd become so involved with her on so many levels inside himself? Falling in love had been a hard knock, but he'd taken knocks before.You got bruised and you went on.A bit of attraction was all right, a little flirtation was harmless enough.And the truth was, he'd enjoyed the risk of it.To a point. But he was well past that point now. Now he was all wrapped up in her and at the same time had become fond of her family. Travis wasn't just a good and fair boss, but was on the way to becoming a kind of friend. And here he was finding ways to make love to his friend's daughter as often as humanly possible.

Marilee lay perfectly still,waiting for her world to settle.She had to fight the unreasonable urge to weep. Wyatt's face was pressed to the hollow of her throat,his breathing rough, his damp body plastered to hers. He nuzzled her neck. "Am I too heavy?" "Umm." It was all she could manage. "You all right?" "Umm." "Did anybody ever tell you that you talk too much?" "Umm." He brushed his mouth over hers. "If you hum a bit more,I might be able to name that tune." That broke the spell of tears that had been threatening and caused her to laugh. She wrapped her arms around his neck and kissed him back. "Have I told you how much I like your silly sense of humor?" "No,you haven't." He rolled to his side and gathered her into his arms,nuzzling her cheek,while his big hands moved over her hip,her back,her waist, as though measuring every inch of her. "What else do you like about me?" "You fishing for compliments?" "Of course I am." "Glutton. Your sense of humor isn't enough?" "Not nearly enough.How about my looks?" "They're okay,for a footloose rebel." "Stop.All these mushy remarks will inflate my ego." He gave a mock frown. "How about the way I kiss?" "You're not bad." "Not bad?" His hands stopped their movement. He drew a little away. "That's all you can say?" "If you recall,tonight was the first time we've kissed.I haven't had nearly enough practice to be a really good judge of your talent." "Then we'd better take care of that right now." He framed her face. With his eyes steady on hers, he lowered his mouth to claim her lips. Marilee's eyelids fluttered and she felt an explosion of color behind them. As though the moon and stars had collided while she rocketed through space. It was the most amazing sensation, and, as his lips continued moving over hers,she found herself wishing it could go on forever. When at last they came up for air, she took in a long,deep breath before opening her eyes. "Oh,yes,rebel.I have to say,I do like the way you kiss." "That's good,because I intend to do a whole lot more of it." He lay back in the grass,one hand beneath his head. "Now it's my turn.Want to know all the things I like about you?" "I'm afraid to hear it." Marilee lay on her side,her hand splayed across his chest. "Besides your freckles,which I've already mentioned,the thing about you I like best is your take-charge attitude." She chuckled. "A lot of guys feel intimidated by that." "They're idiots.Don't they know there's something sexy about a woman who knows what to do and how to do it? I've watched you as a medic and as a pilot, and I haven't decided which one turns me on more." "Really?" She sat up. "Want me to fetch my first-aid kit from the plane? I could always splint your arm or leg and really turn you on." He dragged her down into his arms and growled against her mouth, "You don't need to do a single thing to turn me on. All I need to do is look at you and I want you." "You mean now? Again? So soon?" "Oh,yeah." "Liar.I don't believe it's possible." "You ought to know by now that I never say anything I can't back up with action." "Prove it,rebel." "My pleasure." There was a wicked smile on his lips as he rolled over her and began to kiss her breathless,all the while taking her on a slow,delicious ride to paradise.

WILL NEVER BE AN OPTION Why do you think I should be an option Or the side piece for any man? My deepest sympathy For your illusions. Assumptions are worse than demons; Bombs and bullets get more respect Than your disrespect. You are used to women Who have no problem Being an option or fighting with the Next woman for your attention. Reality check: I am not the one. I will create my kingdom Until the right man comes along. I will never be an option Or make him one. Hate me, slander me... Have your whole army of community Rise up against me... Grounded, I stand. I fear no man. I PROMISE YOU I will never share a man Or entertain a woman’s man. A woman who tears another woman down Needs to go within and heal her demons. I walk with queens Who fix another woman’s crown. Ironically, my self-respect started a war To tear me down on the internet. Your tongue became so poisonous, It reeks of death. For the attack I received, My Healing Journal ~ From Once Broken to I AM No remorse has come from you yet. I do not expect it. You will never acknowledge your wrongs. If you confront me, Expect the silence of resilience. My confidence is not cocky, Nor is it a red flag. I do not share. Never will. Never had.

We are each of us the result of billions of years of the universe evolving toward its own splendor. And evolution builds: the very mitochondria that power our cells and give us life once existed as separate organisms that first infected our pre–pre–human ancestors and then became one with them. We each contain not only the slime mold and the worm, the fish and amphibian and reptile, but the pig and the ape and the barely human. If we look hard enough, we can discern hundreds of parts: kings and queens, warriors and troubadours, mages, bullies, and saints. And hustlers, adventurers, survivors, rebels, reactionaries, and rogues. And the part of us that wants to be more than human, or rather more fully human. I believe that we need to enlist all these separate selves into a single army of free companions who respect each other and love each other to the death. And who are willing to devote their lives to fight together in order to win a shared splendor. I will return to this theme of integration again and again, for it is key to everything. All of my characters struggle with themselves, and face as well external obstacles such as exploding stars or dragons or icy wastelands cold enough to freeze the breath. Maram, who writes poems glorifying his second chakra (the body’s sexual center), pants like a dog after every enticing woman he sees. Even as he resists his essential nobility and destiny as a hero, he insists that every man deserves at least one vice. When it is pointed out to him that he also drinks, gambles, gluttonizes, and whores, he declares that he is still trying to decide which vice will be his.