“
Every woman is a rebel.
”
”
Oscar Wilde
“
Every woman is a rebel, and usually in wild revolt against herself.
”
”
Oscar Wilde (A Woman of No Importance)
“
To rebel against being born a woman seemed as foolish to her as to take pride in it.
”
”
Milan Kundera (The Unbearable Lightness of Being)
“
What is a woman's place in this modern world? Jasnah Kholin's words read. I rebel against this question, though so many of my peers ask it. The inherent bias in the inquiry seems invisible to so many of them. They consider themselves progressive because they are willing to challenge many of the assumptions of the past.
They ignore the greater assumption--that a 'place' for women must be defined and set forth to begin with. Half of the population must somehow be reduced to the role arrived at by a single conversation. No matter how broad that role is, it will be--by-nature--a reduction from the infinite variety that is womanhood.
I say that there is no role for women--there is, instead, a role for each woman, and she must make it for herself. For some, it will be the role of scholar; for others, it will be the role of wife. For others, it will be both. For yet others, it will be neither.
Do not mistake me in assuming I value one woman's role above another. My point is not to stratify our society--we have done that far to well already--my point is to diversify our discourse.
A woman's strength should not be in her role, whatever she chooses it to be, but in the power to choose that role. It is amazing to me that I even have to make this point, as I see it as the very foundation of our conversation.
”
”
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
“
Judd figured he must have done something right along the way. How else could a rebel arrow have earned the right to call this amazing woman his own? Even if it was a mistake, too damn bad. He was never giving her up.
”
”
Nalini Singh (Caressed by Ice (Psy-Changeling, #3))
“
Procrastination is not the problem. It is the solution. It is the universe's way of saying stop, slow down, you move too fast. Listen to the music. Whoa whoa, listen to the music. Because music makes the people come together, it makes the bourgeois and the rebel. So come on people now, smile on your brother, everybody try to love one another. Because what the world needs now is love, sweet love. And I know that love is a battlefield, but boogie on reggae woman because you're gonna make it after all. So celebrate good times, come on. I've gotta stop I've gotta come to my senses, I've been out riding fences for so long... oops I did it again... um... What I'm trying to say is, if you leave tonight and you don't remember anything else that I've said, leave here and remember this: Procrastinate now, don't put it off.
”
”
Ellen DeGeneres
“
What we have not chosen we cannot consider either our merit or our failure... To rebel against being born a woman seemed as foolish to her as to take pride in it.
”
”
Milan Kundera (The Unbearable Lightness of Being)
“
Being a woman is a fate Sabina did not choose. What we have not chosen we cannot consider either to our merit or our failure. Sabina believed that she had to assume to correct attitude to her unchosen faith. To rebel against being born a woman seemed as foolish to her as taking pride in it.
”
”
Milan Kundera (The Unbearable Lightness of Being)
“
Thy husband is thy lord, thy life, thy keeper,
Thy head, thy sovereign, one that cares for thee,
And for thy maintenance; commits his body
To painful labor, both by sea and land;
To watch the night in storms, the day in cold,
Whilst thou li’st warm at home, secure and safe;
And craves no other tribute at thy hands
But love, fair looks, and true obedience-
Too little payment for so great a debt.
Such duty as the subject owes the prince,
Even such a woman oweth to her husband;
And when she is froward, peevish, sullen, sour,
And no obedient to his honest will,
What is she but a foul contending rebel,
And graceless traitor to her loving lord?
I asham’d that women are so simple
‘To offer war where they should kneel for peace,
Or seek for rule, supremacy, and sway,
When they are bound to serve, love, and obey.
Why are our bodies soft, and weak, and smooth,
Unapt to toil and trouble in the world,
But that our soft conditions, and our hearts,
Should well agree with our external parts?
”
”
William Shakespeare (The Taming of the Shrew)
“
A rebel! How glorious the name sounds when applied to a woman. Oh, rebellious woman, to you the world looks in hope. Upon you has fallen the glorious task of bringing liberty to the earth and all the inhabitants thereof.
”
”
Matilda Joslyn Gage
“
I have never felt more ridiculous. If this is what it means to be a woman I am not the slightest bit interested.
”
”
Libba Bray (Rebel Angels (Gemma Doyle, #2))
“
Fate determines your caste. You must accept it and live according to the rules."
You can't really believe that!"
I do believe it. That man's misfortune is that he cannot accept his caste, his fate."
I know that the Indians wear their caste as a mark upon their foreheads for all to see. I know that in England, we have our own unacknowledged caste system. A laborer will never hold a seat in Parliament. Neither will a woman. I don't think I've ever questioned such things until this moment.
But what about will and desire? What if someone wants to change things."
Kartik keeps his eyes on the room "You cannot change your caste. You cannot go against fate."
That means there is no hope of a better life. It is a trap."
That is how you see it," he says softly.
What do you mean?"
It can be a relief to follow the path that has been laid oud for you, to know your course and play your part in it."
But how can you be sure that you are following the right course? What if there is no such thing as destiny, only choice?"
Then I do not choose to live without destiny," he says with a slight smile.
”
”
Libba Bray (Rebel Angels (Gemma Doyle, #2))
“
You ruin me, woman,” he breathes, before taking my mouth in his.
”
”
River Savage (Incandescent (Knights Rebels MC, #1))
“
Just about all men need a woman in one way or another, unless they’re very strange indeed. Tormenting you refreshes him. And you shouldn’t underestimate the gratitude all men feel for women’s beauty. Men who truly don’t like flowers are very uncommon and men who don’t respond to a beautiful woman are even more uncommon. It’s not primarily sexual; it’s a lifting of the spirits beauty gives. He’ll be in to torment you, and tease you, and enrage you, but really to have a good, refreshing look at you.
”
”
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
“
Mrs. Nightwing glances at the box in my hands. She clears her throat."I understand you've decided against Mr. Middleton."...
It's best to be sure, through and through," she says, keeping her eyes steadfastly on the girls running and playing on the lawn. "Else you could find yourself one day coming home to an empty house, save for a note: I've gone out. You could wait all night for him to return. Nights turn into weeks, to years. It's horrible, the waiting. You can scarcely bear it. And perhaps years later on holiday in Brighton, you see him, walking along the boardwalk as if out of some dream. No longer lost. Your heartbeat quickens. You must call out to him. Someone else calls first. A pretty young woman with a child. He stops and bends to lift the child into his arms. His child. He gives a furtive kiss to his young wife. He hands her a box of candy, which you know to be Chollier's chocolates. He and his family stroll on. Something in you falls away. You will never be as you were. What is left to you is the chance to become something new and unsure. But at least the waiting is over.
”
”
Libba Bray (Rebel Angels (Gemma Doyle, #2))
“
For the first time, I see her. Fucking Sophia. I don’t see her as a means to an end—a potential way to take down the bastard who killed my uncle. I see her. I see her as a woman, and she is beautiful.
”
”
Callie Hart (Rebel (Dead Man's Ink, #1))
“
She would always feel this wild girl was the truest of any of the people she had already been: adored daughter, bourgeois priss, rebel, runaway, dope-fiend San Francisco hippie; or all the people she would later be: mother, nurse, religious fanatic, prematurely old woman. Vivienne was a human onion, and when I came home at twenty eight years old on the day the monster died, I was afraid that the Baptist freak she had peeled down to was her true, acrid, tear-inducing core.
”
”
Lauren Groff
“
I kept an eye on Emmy throughout the night. Not in a creepy way–just in a “I really like you and think you’re the most beautiful woman alive” way.
”
”
Lyla Sage (Done and Dusted (Rebel Blue Ranch, #1))
“
Poor woman, I suppose she led a dog’s life, and it made her disagreeable, which she mistook for being strong.
”
”
Robertson Davies (The Cornish Trilogy: The Rebel Angels, What's Bred in the Bone, The Lyre of Orpheus)
“
She looked like a somewhat frightened and helpless woman, and yet he knew she was a deadly assassin. The same as he was. She was like one of those startlingly beautiful creatures in the wild—colorful and attractive, but deadly when touched.
”
”
Lynn Raye Harris (Hot Rebel (Hostile Operations Team - Strike Team 1 #4))
“
Oh, Sophia. I use my brain. Every time I sleep with a woman, I’m using my head to figure out what she likes. How she likes it. What I can do to have her screaming my name until her throat’s raw.
”
”
Callie Hart (Rebel (Dead Man's Ink, #1))
“
When we take your person into account, you who are a young maiden, to whom God gives the strength and power to be the champion who casts the rebels down and feeds France with the sweet, nourishing milk of peace, here indeed is something quite extraordinary!
For if God performed such a great number of miracles through Joshua who conquered many a place and cast down many an enemy, he, Joshua, was a strong and powerful man. But, after all, a woman – a simple shepherdess – braver than any man ever was in Rome! As far as God is concerned, this was easily accomplished.
But as for us, we never heard tell of such an extraordinary marvel, for the prowess of all the great men of the past cannot be compared to this woman's whose concern it is to cast out our enemies. This is God's doing: it is He who guides her and who has given her a heart greater than that of any man.
”
”
Christine de Pizan (Ditié de Jehanne d'Arc (Medium Aevum monographs))
“
male vanity goes deeper and is costlier. Look at their military uniforms and medals, the pomp and solemnity with which they show off, the extreme measures they employ to impress women and make other men envious; their luxurious toys, like cars, and their toys of supremacy, like weapons.
”
”
Isabel Allende (The Soul of a Woman: Rebel Girls, Impatient Love, and Long Life)
“
If you have found a woman who can stir both body and spirit, sir, do not give her up lightly. Do not. The alternatives can be damnably complicated. [Joseph Warren]
”
”
Donna Thorland (The Rebel Pirate (Renegades of the American Revolution))
“
Once I hit my head on concrete and saw saints, oranges, dizzy blood. My skull almost split like a cleaved fruit. To be taken seriously a woman has to become nothing but a wound.
”
”
Brynne Rebele-Henry (Autobiography of a Wound: Poems (Pitt Poetry Series))
“
Is a woman a building you enter? Is a woman a wall you can paint your name on?
”
”
Kathleen Hanna (Rebel Girl: My Life as a Feminist Punk)
“
When I was a little girl and my teachers sent notes home complaining
that I was as loud as the boys, that it wasn't lady like for a girl
to be this outspoken, this raucous, instead of forcing me to tone it down
to the timber of a stage whisper, just a few notes above a whimper
you took me by the hand to the hilltop by our house,
told me to use my voice by shouting to my heart's content,
told me never to forget that I was a girl not a mouse
and if I believed I had to change myself to suit anyone else I shouldn't
that no matter what they said my voice was so important.
You then visited my school, called a meeting with my teachers
sat them all down and said that you were raising a rebel girl
to be a warrior woman, and if she could not speak,
the same way boys are allowed to, if she had to turn her voice into sighs
then how will she utter the battle cries that were needed when her warrior sisters
called upon her to help them defend the daughters of this world.
”
”
Nikita Gill
“
Irene Redfield wished, for the first time in her life, that she had not been born a Negro. For the first time she suffered and rebelled because she was unable to disregard the burden of race. It was, she cried silently, enough to suffer as a woman, an individual, on one’s own account, without having to suffer for the race as well. It was a brutality, and undeserved.
”
”
Nella Larsen (Passing)
“
I can see you’re confused.” He stepped closer to me. “So let me break this down for you: I fucking adore you, Ada. You are, without a doubt, the most brilliant and purposeful woman that I’ve ever met, and I would be the stupidest man alive if I let something as stupid and surmountable as distance take you away from me.
”
”
Lyla Sage (Swift and Saddled (Rebel Blue Ranch, #2))
“
Everybody celebrates the rebellious, free woman in theory. But they don't like it very much when they actually meet one. When they realise it's not just a theory, but that she's a rebel against them too. That she's going to fly over their barbed wires, too.
”
”
C. JoyBell C.
“
This woman had no idea who I was. She has no idea I was once a smoker, was thrown out of boarding school twice and a certified rebel with strong opinions. To her, I was new, fresh, immaculate to the bone. This was all strangely wonderful.
”
”
Suzka (Wonders in Dementialand: An Artist's Intimate and Whimsical Account of Dementia, Memory Loss, Caregiving and Dancing Gypsies)
“
God, how I wish I could relive the whole thing. Short of that, I'd like to share the experience, the ups and downs, so some young man or woman, somewhere, going through the same trials and ordeals, might be inspired or comforted. Or warned. Some young entrepreneur, maybe, some athlete or painter or novelist, might press on.
It's all the same drive. The same dream.
It would be nice to help them avoid the typical discouragements. I'd tell them to hit pause, think long and hard about how they want to spend their time, and with whom they want to spend it for the next forty years. I'd tell men and women in their midtwenties not to settle for a job or a profession or even a career. Seek a calling. Even if you don't know what that means, seek it. If you're following your calling, the fatigue will be easier to bear, the disappointments will be fuel, the highs will be like nothing you've ever felt.
I'd like to warn the best of them, the iconoclasts, the innovators, the rebels, that they will always have a bull's-eye on their backs. The better they get, the bigger the bull's-eye. It's not one man's opinion; it's a law of nature.
”
”
Phil Knight (Shoe Dog: A Memoir by the Creator of Nike)
“
This was a woman who loved to suck cock. And the difference from a woman who did it as a favor or a chore was indescribable.
”
”
Skye Jordan (Rebel (Renegades, #2))
“
Every woman is a rebel, and usually in wild revolt against herself. GERALD.
”
”
Oscar Wilde (A Woman of No Importance)
“
There were undoubtedly worse things than being an unmarried woman in charge of her own life, free to come and go as she pleased, free to explore pleasure.
”
”
Beverly Jenkins (Rebel (Women Who Dare, #1))
“
Be the woman who falls so deeply in love with herself that nothing can stop her from loving all of life!
”
”
Erin Fall Haskell
“
Never before had he seen a woman so angry—or so seductive. It rendered him speechless. He couldn’t fight the compulsion to kiss her.
She punched him on the chin, snapping his head back.
”
”
Gwynn White (Rebel's Honor (Crown of Blood #1))
“
There comes a time when we must rebel against the stop signs, detours, and bad counsel to stick with Yahweh. All those no’s create character, with a deeper shade of empathy. Carry on Ruth. To hell with all those human roadblocks.
Michael Ben Zehabe, Ruth: a woman’s guide to husband material, pg 29
”
”
Michael Ben Zehabe (Ruth: A Woman's Guide to Husband Material)
“
It is deeply conservative to suggest that any sufficiently difficult woman from history -- say, one who rebelled against the constraints of femininity by dressing and acting in a masculine way -- must have been a man.
”
”
Helen Lewis (Difficult Women: A History of Feminism in 11 Fights)
“
Why is everything an argument with you?”
For some reason, that made her smile. “You like it that way and you know it. What would you do with someone who obeyed every command you gave her?”
He snorted. “I’d give her a lot of filthy commands that she could fulfill.”
“Pig.”
“Really? You’re the one who mentioned this theoretical woman obeying all my commands.”
“Oh, for fuck’s sake, I’ll sleep first,” she grumbled, crawling in the back just to shut him up . Next thing, he’d be telling her what those commands would be— and she didn’t need to hear it.
”
”
Lynn Raye Harris (Hot Rebel (Hostile Operations Team - Strike Team 1 #4))
“
Men are not dogs. We merely think we are and, on occasion, act as if we are. But, by believing in our nobler nature, women have the amazing power to inspire us to live up to it. This is one reason why men tend to fear commitment—and sometimes, as in Mystery’s case, even rebel against it by endeavoring to bring out the worst in a woman.
”
”
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
“
Megan should have been grateful and accepted her cute status, what girl doesn’t want to be told how lovely she is, how special? except it felt wrong, even at a young age, something in her realized that her prettiness was supposed to make her compliant, and when she wasn’t, when she rebelled, she was letting down all those invested in her being adorable
”
”
Bernardine Evaristo (Girl, Woman, Other)
“
Something told me to take a leap of faith. To go with the flow and take that leap. It was the crazy, idiotic part of me that I should probably ignore - but it was also the voice that spoke the loudest whenever Jack was involved.
I couldn't stop myself from smiling.
For one moment I felt the world stand still, and I allowed myself the indulgence of rebelling in doing something reckless and foolhardy because I was madly in love and I didn't have to worry about the consequences.
”
”
Dorothy Koomson (The Woman He Loved Before)
“
I was rebelling, yes, but I can see now that there’s a reason why people go through rebellious times. And you have to let people go through them. I’m not saying that I was right to spiral, but I think to hinder someone’s spirit to that degree and to put them down that much, to the point where they no longer feel like themselves—I don’t think that’s healthy, either. We, as people, have to test the world. You have to test your boundaries, to find out who you are, how you want to live.
”
”
Britney Spears (The Woman in Me)
“
Pres,
I know you’re going to say this is dumb, and I know you won’t understand. Which is why I asked Bee and Ryan for help. Don’t get me wrong, I like fighting with you, but there are some things you just can’t argue. This is one, and I hope you’ll come to accept that.
I have to leave Pine Grove. I have to leave Alabama, and I have to leave you. After tonight, that’s all completely clear to me. This whole situation is effed up…and it’s clear to me now that the only way to un-eff it up…is to take myself out of the equation. Without me, you, Bee, and Ryan can just be you, Bee, and Ryan. Not Paladins or Mages. People. With your own lives.
It’s like you said at that time at Cotillion practice, you want to be a good woman who chooses the right thing for everybody. Well, so do I. (Minus the woman part, obviously.)
Have a good life, Pres. I love you. Always.
D
”
”
Rachel Hawkins (Miss Mayhem (Rebel Belle, #2))
“
try and be what he loves to call me, ‘a little woman’ and not be rough and wild, but do my duty here instead of wanting to be somewhere else,” said Jo, thinking that keeping her temper at home was a much harder task than facing a rebel or two down South.
”
”
Louisa May Alcott (Little Women)
“
A woman from the audience asks: ‘Why were there so few women among the Beat writers?’ and [Gregory] Corso, suddenly utterly serious, leans forward and says: “There were women, they were there, I knew them, their families put them in institutions, they were given electric shock. In the ’50s if you were male you could be a rebel, but if you were female your families had you locked up.
”
”
Stephen Scobie
“
Baru was Farrier's monument, his exemplar, his masterpiece. A degenerate child molded into a brilliant Imperial agent. A tribadist who, even when dispatched into rebel woods to consort with warrior duchesses, enforced her own chastity until the night before the end. A traitor who would voluntarily return to Falcrest, to her own repression and to Farrier's control. Because she believed she was a savant, a hard woman, someone who sacrificed what she must in order to do what was necessary. Someone who *had* to be alone.
Behold the chains he placed on you.
His law lived in Baru. Everything she accomplished was tainted by it.
If I show you favor, woman, then you will die.
And through that death I will progress.
She wore an invisible mask: the laughing face of Cairdine Farrier, carved into the skull of her soul.
”
”
Seth Dickinson (The Tyrant Baru Cormorant (The Masquerade, #3))
“
Perhaps one of the chief charms of woman lies precisely in the fact that they are dishonorable, i.e., that they are relatively uncivilized. In the midst of all the puerile repressions and inhibitions that hedge them round, they continue to show a gipsy spirit. No genuine woman ever gives a hoot for law if law happens to stand in the way of her private interest. She is essentially an outlaw, a rebel, what H. G. Wells calls a nomad.
”
”
H.L. Mencken
“
It’s easy to screw around with people you don’t care about. There’s nothing at stake. But playing that game with someone who fills a special place in your life? Someone who could leave a hole in your heart if he vanished? That’s a huge risk. Even more so to a woman who is extremely sensitive.
”
”
Skye Jordan (Rebel (Renegades, #2))
“
Still canna resist the draw of the devil."
A tremor sliced through Farah at the old woman's words. Dougan had called himself a demon the first time they'd met. If that sweet boy had been a demon, then Dorian Blackwell certainly was the devil.
And Farah was, indeed, helpless to resist his dark allure.
”
”
Kerrigan Byrne (The Highwayman (Victorian Rebels, #1))
“
Make no mistake; I know all I need to know about you, Lord Thorne.”
“Do ye?” he challenged.
“Sure do. You’re a famously unscrupulous man. A notorious womanizer. A rake who thinks nothing of seducing other men’s wives.”
“Well, someone has to, do they not? I doona know many men who seduce their own wives.
”
”
Kerrigan Byrne (The Scot Beds His Wife (Victorian Rebels, #5))
“
To emancipate woman, is not only to open the gates of the university, the law courts, or the parliaments to her, for the "emancipated" woman will always throw her domestic toil on to another woman. To emancipate woman is to free her from the brutalizing toil of kitchen and washhouse; it is to organize your household in such a way as to enable her to rear her children, if she be so minded, while still retaining sufficient leisure to take her share of social life. It will come. As we have said, things are already improving. Only let us fully understand that a revolution, intoxicated with the beautiful words, Liberty, Equality, Solidarity, would not be a revolution if it maintained slavery at home. Half humanity subjected to the slavery of the hearth would still have to rebel against the other half.
”
”
Pyotr Kropotkin (The Conquest of Bread (Working Classics))
“
Women are shockingly unforgiving of one another, but Mercy will come around. She is not passionate herself, you see, so she does not understand how I can love her but still consort with the governess. If you have found a woman who can stir both spirit and body, sir, do not give her up lightly. Do not. The alternatives can be damnably complicated.
”
”
Donna Thorland (The Rebel Pirate (Renegades of the Revolution ))
“
Girls are denied the right to be angry and to thrash about.
”
”
Isabel Allende (The Soul of a Woman: Rebel Girls, Impatient Love, and Long Life)
“
Patriarchy is imposed with aggression; it demands obedience and punishes those who defy it.
”
”
Isabel Allende (The Soul of a Woman: Rebel Girls, Impatient Love, and Long Life)
“
cannot belong to an institution that considers me a second-class member whose authorities, always male, enjoy complete impunity and enforce their rules with dogma.
”
”
Isabel Allende (The Soul of a Woman: Rebel Girls, Impatient Love, and Long Life)
“
She was the only woman on the whole record and hearing her gave me the first thought that someday I could be in a band.
”
”
Kathleen Hanna (Rebel Girl: My Life as a Feminist Punk)
“
She was little better than a banshee with a sidearm.
”
”
Kerrigan Byrne (The Scot Beds His Wife (Victorian Rebels, #5))
“
She’s my mermaid, my siren, the woman whose call I’ll answer when I’m dead.
”
”
Piper Lawson (A Love Song for Rebels (Rivals, #2))
“
A male loner is a hero of sorts, a rebel, an iconoclast, but the same is not true of a female loner. There is no virility in a woman’s autonomy, there is only pity.
”
”
Carrie Brownstein (Hunger Makes Me a Modern Girl: A Memoir)
“
Qui nessuno è superiore a te, improvvisiamo tutti
”
”
Isabel Allende (The Soul of a Woman: Rebel Girls, Impatient Love, and Long Life)
“
Dobbiamo rimettere tutto in discussione, dalla religione alle leggi, dalla scienza agli usi e costumi.
”
”
Isabel Allende (The Soul of a Woman: Rebel Girls, Impatient Love, and Long Life)
“
She moves to argue, but I stop her. “Swear to Christ, woman. Get your ass on the fuckin’ bike now or I’m takin’ you right here.
”
”
River Savage (Reclaimed (Knights Rebels MC #2.5))
“
in 1911, an “Amazon” meant any woman rebel—which, to a lot of people, meant any girl who left home and went to college.
”
”
Jill Lepore (The Secret History of Wonder Woman)
“
The woman Dusty was in love with was the mother of Gus’s child. Did they ever talk about that? Probably not. Men.
”
”
Lyla Sage (Lost and Lassoed (Rebel Blue Ranch, #3))
“
I'm guessing being caught being unfaithful to a god is probably twice as unfortunate as being caught unfaithful to a woman. And I'm still not sure I'm not hallucinating all this," - Sam
”
”
Alwyn Hamilton (Hero at the Fall (Rebel of the Sands, #3))
“
A Bluesman hates to be told what to do. Authority rankles him, inspires his rebellion, and plays to his need to self-destruct. A Bluesman doesn't take to having a boss unless he's on a chain gang (for the chain gang boss ranks below only a mean old woman and a sweet young thing in the hierarchy of the Blues Muse, followed closely by bad liquor, a dead dog, and the Man).
”
”
Christopher Moore (The Lust Lizard of Melancholy Cove (Pine Cove, #2))
“
She couldn’t marry the duke, Christopher Argent decided as he, yet again, fended off a surprisingly strong attack to his throat. A man would need both hands to be able to handle a woman like this.
”
”
Kerrigan Byrne (The Hunter (Victorian Rebels, #2))
“
Then there are the questions with which the rest of the world must wrestle: What if one has the privilege of not directly experiencing or even witnessing firsthand injustice in front of one's eyes? What if one never has to know what it feels like to be lynched, whipped, raped, chained, mutilated, enslaved; or know the pain of witnessing a loved one be killed without being able to do anything about it? What if one doesn't know what it feels like to lose a home because a bomb fell on it, or because it was invaded by soldiers or rebels in the middle of the night while you were sleeping in your own bed; or be forced to walk days and weeks in the middle of the forest without any food just to save your life and that of your loved one? What then? Is that carte blanche to ignore, to pretend, to do nothing?
”
”
Lisa J. Shannon (A Thousand Sisters: My Journey into the Worst Place on Earth to Be a Woman)
“
When the meaning of life has been suppressed, there still remains life. "I live," says Ivan, "in spite of logic." And again: "If I no longer had any faith in life, if I doubted a woman I loved, or the universal order of things, if I were persuaded, on the contrary, that everything was only an infernal and accursed chaos—even then I would want to live." Ivan will live,
then, and will love as well "without knowing why." But to live is also to act. To act in the name of what?
If there is no immortality, then there is neither reward nor punishment. "I believe that there is no virtue
without immortality." And also: "I only know that suffering exists, that no one is guilty, that everything is
connected, that everything passes away and equals out." But if there is no virtue, there is no law:
"Everything is permitted.
”
”
Albert Camus (The Rebel)
“
All creatures, with two exceptions that we know of, have willingly taken the places appointed to them. The Bible speaks of angels who rebelled and therefore were cast down out of heaven, and of the fall of man.
”
”
Elisabeth Elliot (Let Me Be a Woman)
“
So, having been dismissed by his mistress while pining for a woman who belonged to another, he rode out of the city to the abandoned plantation his good friend Hugh had purchased, and hoped he had some cognac on hand.
”
”
Beverly Jenkins (Rebel (Women Who Dare, #1))
“
In New York, a fashionably dressed young woman told me, “I am an obsessive lover of footnotes,” then pulled out her phone and showed me a photo of her foot with 7 ibid tattooed on it. I had met my first footnote fetishist!
”
”
Ellen Jovin (Rebel with a Clause: Tales and Tips from a Roving Grammarian)
“
What did I do to deserve you?” I wonder aloud, feeling like this woman just doesn't stop bewitching me.
“Nothing really. You bossed me into dating you. Fucked me good, and then you wouldn’t leave me alone. Now you’re stuck with me.
”
”
River Savage (Incandescent (Knights Rebels MC, #1))
“
Good night, Keeley."
"Good night, Brian. Thanks for the ride."
Adelia waited until the men were out, then turned to her daughter. "Keeley, I never would've thought it of you. You're tormenting the poor man."
"There's nothing poor about that man." Delighted with herself, Keeley broke off a piece of bread and crunched down on it. "And tormenting him is so rewarding."
"Well,there's not a woman with blood in her could argue with that. Mind you don't hurt him, darling.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
Bella, they are one and the same. I will not be satisfied with a woman who has no dreams or ambitions. My woman is the North Star in my night sky, but also in her own. If she is not there to guide me, there is only darkness. For us both.
”
”
Kate Meader (So Over You (Chicago Rebels, #2))
“
She balled her hand into a little fist, her expression turning fierce. “You haven’t any idea the strength it takes to be a woman. In my experience, it is men who are the weaker sex. Either too undisciplined to control their baser, primal instincts or, conversely, they are too fragile to endure the discomfort of honesty or integrity. Yet women endure and survive by whatever means we are able. And still we are either property or playthings. We have as much use in the eyes of the law as a cow or a fertile plot of land. It is not wrong to mistreat us. To objectify us. To shame and demand things of us and bend us to your will. That is your right as a man and our duty as a woman. Is it any wonder the world is in chaos?
”
”
Kerrigan Byrne (The Duke (Victorian Rebels, #4))
“
Though her muscles went rigid, her tongue sparred with his, as he might have guessed it would. Each lick and swirl, each plunge and retreat became a point counted for or against.
Gavin had never enjoyed a woman’s mouth so much in his entire life.
”
”
Kerrigan Byrne (The Scot Beds His Wife (Victorian Rebels, #5))
“
We’re sideswiped by a gurney bearing an unconscious, emaciated young woman with a shaved head. Her flesh shows bruises and oozing scabs. Johanna Mason. Who actually knew rebel secrets. At least the one about me. And this is how she has paid for it.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
These books are so splendid, they frustrate readers conditioned to lesser historical fiction in which every Confederate officer was young, dashing, and raised with a free-black best friend on a progressive plantation, or that features a feisty, clandestinely educated, proto-liberated woman rebelling valiantly against the constricting patriarchal societies of bygone centuries (all the while wearing enthralling dresses). The first sort of novel romanticizes the past, the second euthanizes it. The
”
”
Ralph Peters (Hell or Richmond: A Novel (The Battle Hymn Cycle Book 2))
“
[...] i fantasmi dell'immaginazione si trasformano in personaggi definiti, unici, con la loro voce, disposti a raccontarmi le loro vite se concedo loro tempo a sufficienza. Sono così sicura della loro presenza da stupirmi che nessun altro riesca a percepirli
”
”
Isabel Allende (The Soul of a Woman: Rebel Girls, Impatient Love, and Long Life)
“
I'd always dismissed "transcendence" as an experience that divorced music from activism, but I walked away from that show a changed woman. I didn't have to choose between being a socially conscious person and being a singer who could connect with magic onstage.
”
”
Kathleen Hanna (Rebel Girl: My Life as a Feminist Punk)
“
Fuck, no. This woman was not about to lecture my six-year-old on what foods she should and shouldn’t have. “We don’t think any foods are good or bad,” I jumped in. This was something Cam was passionate about, and I was happy to support her in it. “It’s all just food.
”
”
Lyla Sage (Lost and Lassoed (Rebel Blue Ranch, #3))
“
She’s been mistreated and she knows I’m a violent man. She’s terrified of me…” “And yet?” Mary prompted. “She yelled at me,” he said incredulously. “It’s been decades since anyone dared … she told me I couldna issue her orders, and that she was a woman with free and independent will. She called me an overbearing brute.” “Oh, Lord.” She hid a laughing smile behind her fan. “What did ye say to that?” “I kissed her. And she kissed me back.” “Marry her, Liam,” she ordered, snapping the lace fan closed. “As soon as you can. Tomorrow if possible.
”
”
Kerrigan Byrne (The Highlander (Victorian Rebels, #3))
“
But you don't understand." Mary's face crumpled and she began to cry. Tears dropped wet and scalding through her fingers. "You don't understand. It's not my fault I took this train. It was my parents. They wanted me to go."
"You let them buy the ticket for you, though," the woman persisted. "You let them put you on the train, didn't you? You accepted and did not rebel."
"It's still not my fault," Mary exclaimed vehemently, but the woman's eyes were upon her, level after blue level of reproach, and Mary felt herself sinking, drowned in shame.
”
”
Sylvia Plath (Mary Ventura and the Ninth Kingdom)
“
Hers was a face for the sun. She was a spoiled woman experiencing her first heartbreak.
Learning her first terrible truth about the world of men in which she lived.
She didn't know the first thing about pain.
And yet...the courageous way she fought her threatening emotion, tied him up in knots.
”
”
Kerrigan Byrne (A Dark and Stormy Knight (Victorian Rebels, #7; Goode Girls, #1))
“
Una vita tranquilla e sicura non è materiale adatto alla scrittura.[...] Ho vissuto in un mare in tempesta, con onde che mi portavano sulla cresta e poi mi facevano precipitare nel vuoto [...] Ora navigo alla deriva, giorno dopo giorno, contenta del semplice fatto di galleggiare finché è possibile.
”
”
Isabel Allende (The Soul of a Woman: Rebel Girls, Impatient Love, and Long Life)
“
Amma wanted her daughter to be free, feminist and powerful
Later she took her on personal development courses for children to give her the confidence and articulacy to flourish in any setting
Big mistake
Mum, Yazz said at fourteen when she was pitching to go to Reading Music Festival with her friends, it would be to the detriment of my juvenile development if you curtailed my activities at this critical stage in my journey towards becoming the independent-minded and fully self-expressed adult you expect me to be, I mean, do you really want me rebelling against your old-fashioned rules by running away from the safety of my home to live on the streets and having to resort to prostitution to survive and thereafter drug addiction, crime, anorexia and abusive relationships with exploitative bastards twice my age before my early demise in a crack house?
Amma fretted the whole weekend her little girl way away
”
”
Bernardine Evaristo (Girl, Woman, Other)
“
A love of neighbor manifests itself in the tolerance not only of opinions of others but, what is more important, of the essence and uniqueness of others, when we subscribe to that religious philosophy of life that insists that God has made each man and woman an individual sacred personality endowed with a specific temperament, created with differing needs, hungers, dreams. This is a variegated, pluralistic world where no two stars are the same and every snowflake has its own distinctive pattern. God apparently did not want a regimented world of sameness. That is why creation is so manifold. So it is with us human beings. Some are born dynamic and restless; others placid and contemplative…One man’s temperament is full throated with laughter; another’s tinkles with the sad chimes of gentle melancholy. Our physiques are different, and that simple difference oftentimes drives us into conflicting fulfillment of our natures, to action or to thought, to passion or to denial, to conquest or to submission. There is here no fatalism of endowment. We can change and prune and shape the hedges of our being, but we must rebel against the sharp shears being wielded by other hands, cutting off the living branches of our spirits in order to make our personalities adornments for their dwellings.
”
”
Joshua Loth Liebman
“
The countess is barely dressed and receiving guests in her garden. And that other woman, she’s obviously a wanton.” “Aye, that she is.” Something in Ravencroft’s tone prompted Cole to glance up at the man. “You say that like you know her.” “I do. That buxom, wanton wench would be my wife, Mena Mackenzie, the Marchioness of Ravencroft.
”
”
Kerrigan Byrne (The Duke (Victorian Rebels, #4))
“
Will you just tell me, Brian.I need you to tell me you love me."
"I'm getting to it." He turned back. "I never thought I wanted family.I want to make children with you,Keeley.I want ours. Please don't cry."
"I'm trying not to.Hurry up."
"I can't be rushed at such a time.Sniffle those back or I'll blunder it.That's the way." He moved to her. "I don't want to own horses, but I can make an exception for the gift you gave me today.As a kind of symbol of things. I didn't have faith in him, not pure faith, that he'd run to win.I didn't have faith in you, either.Give me your hand."
She held it out, clasping his. "Tell me."
"I've never said the words to another woman. You'll be my first, and you'll be my last.I loved you from the first instant, in a kind of blinding flash. Over time the love I have for you has strengthened, and deepened until it's like something alive inside me."
"That's everything I needed to hear." She brought his hand to her cheek. "Marry me, Brian."
"Bloody hell.Will you let me do the asking?"
She had to bite her lip to hold off the watery chuckle. "Sorry."
With a laugh, he plucked her off her feet. "Well, what the hell.Sure, I'll marry you."
"Right away."
"Right away." He brushed his lips over her temple. "I love you,Keeley, and since you're birdbrain enough to want to marry a hardheaded Irish horse's ass, I believe it was, I'll go up now and ask your father."
"As my-Brian, really."
"I'll do this proper. But maybe I'll take you with me,in case he's found that shotgun."
She laughed, rubbed her cheek against his. "I'll protect you."
He set her on her feet.They began to walk together past the sharply colored fall flowers, the white fences and fields where horses raced their shadows.
When he reached to take her hand, Keeley gripped his firmly.And had everything.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
The only path of escape he could conceive as yet for Lady Harman lay through the chivalry of some other man. That a woman could possibly rebel against one man without the sympathy and moral maintenance of another was still outside the range of Mr. Brumley's understanding. It is still outside the range of most men's understandings -- and of a great many women's.
”
”
H.G. Wells (The Wife of Sir Isaac Harman)
“
Interesting stuff. The Kevinians I’ve talked to seem pretty impressed by it, even now. How Ryman rebelled by marrying a Gentile woman and ignored his father’s order to kill her. And how as punishment, the spirit of God fled Ryman’s body while he writhed on the ground, turning his skin black.” “And so it shall be that the descendants of Ryman bear till eternity the mark on their earthly skins and the evil in their celestial hearts,” I finish. “So you were aware that your family wouldn’t approve of Jude.” “I wasn’t with Jude to rebel, if that’s what you’re saying. I was with Jude because of who he was.” “Still, I think this is important. Did you notice the color of his skin?” “Of course I noticed it. That’s a stupid thing to ask.
”
”
Stephanie Oakes (The Sacred Lies of Minnow Bly)
“
We should be in my bed right now. I should be kissing your breasts, sucking your nipples, tasting your honey. I should be sinking inside you slow and hot and so deep that you’ll be begging me to make it fast, then make it last. I should be feeling your sweet grip on my cock, and I bet you grip hard, Harper, ’cause you’re the kind of woman who takes no prisoners. I should be squeezing that gorgeous ass of yours while I pump in and out, looking for that spot that’ll light you up. I need you to know that in another universe, this would be a done deal, and the only thing stopping me from making you mine is that in this universe, my current employment situation stops me from making good on all the dirty things I’m dying to do to you. You understand?
”
”
Kate Meader (Irresistible You (Chicago Rebels, #1))
“
Sculpture does not reject resemblance, of which, indeed, it has need. But resemblance is not its first aim.
What it is looking for, in its periods of greatness, is the gesture, the expression, or the empty stare which
will sum up all the gestures and all the stares in the world. Its purpose is not to imitate, but to stylize and
to imprison in one significant expression the fleeting ecstasy of the body or the infinite variety of human
attitudes. Then, and only then, does it erect, on the pediments of teeming cities, the model, the type, the
motionless perfection that will cool, for one moment, the fevered brow of man. The frustrated lover of
love can finally gaze at the Greek caryatides and grasp what it is that triumphs, in the body and face of the
woman, over every degradation
”
”
Albert Camus (The Rebel)
“
My love goes out to every woman; the lovers, the doers, the caregivers, the rebels, the leaders, the builders, silent movers, and more! You give being a woman a huge difference. A beautiful meaning. Thank you for becoming all without reserve. Most importantly, thanks for being many layers on many weather, and thanks for refusing to be defined by standards that don't sing your praises enough!
”
”
Chinonye J. Chidolue
“
Think you it is easy to get a well-known and beautiful woman alone, away from her husband, at so public a gathering? Think you that, in the company of dozens of guests and nearly as many gossipy servants, a man can just pull such a woman aside into a private closet? It would not be easy for any ordinary man--at least I suspect it would not. I cannot say how ordinary men go about their business.
”
”
David Liss (The Whiskey Rebels)
“
Asexuality isn't a complex. It's not a sickness. It's not an automatic sign of trauma. It's not a behaviour. It's not the result of a decision. It's not a chastity vow or an expression that we are 'saving ourselves'. We aren't by definition religious. We aren't calling ourselves asexual as a statement of purity or moral superiority. We're not amoebas or plants. We aren't automatically gender confused, anti-gay, anti-straight, anti-any-sexual orientation, anti-woman, anti-man, anti-any-gender or anti sex. We aren't automatically going through a phase, following a trend, or trying to rebel. We aren't defined by prudishness. We aren't calling ourselves asexual because we failed to find a suitable partner. We aren't necessarily afraid of intimacy. And we aren't asking for anyone to 'fix' us.
”
”
Julie Decker
“
would place beside her in my mind’s eye the young competent woman, proud, courageous, and generous, I’d known as a child. I was living with a tragic deterioration brought about because there was now no creative expression for this woman’s talents. Lacking a power for good, she sought power through manipulating her children. The mind that once was engaged in reading every major writer of the day now settled for cheap romances, murder mysteries, and a comfortable fuzz of tranquilizers and brandy at the end of the day. No one had directly willed her decline. It was the outcome of many impersonal forces, which had combined to emphasize her vulnerabilities. The medical fashion of the day decreed that troubled middle-aged women be given tranquilizers and sedatives. She, once a rebel, had acquiesced in settling down to live the life of an affluent woman.
”
”
Jill Ker Conway (The Road from Coorain (Vintage Departures))
“
Turn around."
"I beg your pardon."
Brian merely stepped around her, laid his hands on the nape of her neck. Her already stiff shoulders jerked in protest. "Relax.I'm not after grabbing you in a fit of passion when any member of your family might come along.I'd like to put in at least one day on the job before I get the boot."
As he spoke he was kneading, pressing, running those strong fingers over the knots. He hated seeing anything in pain. "Blow out a breath," he ordered when she stood rigis as stone. "Come on, maverneen, don't be so hardheaded. Blow out a nice long breath for me."
Out of curiosity she obeyed and tried not to think how marvelous his hands felt on her skin.
"Now another."
His voice had gone to croon, lulling her.As he worked, murmured, her eyes fluttered close. Her muscles loosened, the knots untied. The threatening throbbing in her head faded away. She all but slid into a trance.
She arched against his hands, just a little. Moaned in pleasure.Just a little. He kept his hands firm, professional, even as he imaged skiming them down over her, slipping them under that soft white blouse. He wanted to touch his lips to her nape, just where his thumb was pressing.To taste her there.
And that,he knew, would end things before they'd begun.Wanting a woman was natural. Taking one, where the taking held such risks,was suicide.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
I want you to look in the mirror tonight before you go to bed. Take a good look. Truly see that woman looking back at you. Memorize the color of her eyes, the shape of her face, the sound of her laughter. When things get dark out there, when things are at their most hopeless and bleak, know that whatever demons we face, whatever bombs are dropped at our feet, whatever evil befalls us tonight or tomorrow or ten years from now, that woman is always worth fighting for.
”
”
Sarah Piper (Rebel Reborn (The Witch's Rebels, #6))
“
Here, my man, just hold it this way, while I look into it a bit," he said one day to Fitz G., putting a wounded arm into the keeping of a sound one, and proceeding to poke about among bits of bone and visible muscles, in a red and black chasm made by some infernal machine of the shot or shell description. Poor Fitz held on like a grim Death, ashamed to show fear before a woman, till it grew more than he could bear in silence; and, after a few smothered groans,he looked at me imploringly, as if he said, "I wouldn't, ma'am, if I could help it," and fainted quietly away.
Dr. P. looked up, gave a compassionate sort of cluck, and poked away more busily than ever, with a nod at me and a brief—"Never mind; be so good as to hold this till I finish."
I obeyed, cherishing the while a strong desire to insinuate a few of his own disagreeable knives and scissors into him, and see how he liked it. A very disrespectful and ridiculous fancy of course; for he was doing all that could be done, and the arm prospered finely in his hands. But the human mind is prone to prejudice; and though a personable man, speaking French like a born "Parley voo," and whipping off legs like an animated guillotine, I must confess to a sense of relief when he was ordered elsewhere; and suspect that several of the men would have faced a rebel battery with less trepidation than they did Dr. P., when he came briskly in on his morning round.
”
”
Louisa May Alcott (Hospital Sketches)
“
A man whose wife has done everything he wishes for twenty years can never understand why she so suddenly changes. The woman who for twenty years has been silent, forgiving, smiling, patient, becomes in his eyes a rebel when in the twenty-first year she loses her patience and argues, accuses, demands explanations.Then she is a mutineer against whom every stratagem is permissible. Twenty years of patience have only given her the right to be patient also in the twenty-first.
”
”
Hans Fallada (Wolf Among Wolves)
“
A girl is coming down the staircase opposite me. Black-haired, blue-eyed, in a sexy little black dress and black lace mask. She’s a fucking vision. She makes it hard to breathe. But that’s not all. From where I’m standing, now slightly below her, I can see up her dress. There’s a line of red lace showing off the curve of an absolutely perfect ass. A gorgeous blue-eyed, raven-haired woman. A rebel in red lace panties. That’s not a student. That’s trouble. Just my kind of trouble. “Damn.
”
”
Nicola Rendell (Professed)
“
It was like watching magic take wing, Brian thought.The muscular black horse soared over the ground with the woman on his back.They streaked over another rise,moving west,into the dying sun. The sky was a riot of color, a painting slashed with reds and golds. It seemed to him she would ride straight into it, through it.
And he'd have no choice but to follow her.
When she pulled up,turned to wait for him, her face flushed with pleasure, her eyes gleaming with it,he knew he'd never seen the like.
And wanting her was apt to kill him.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
Are you asking me out? For a date?" asked Marie. She wasn't surprised. It had happened to her before. She thought David was just another white guy who wanted to rebel against his white middle-class childhood by dating a brown woman. He wouldn't have been the first white guy to do such a thing. She had watched quite a few white guys pursue brown female students, especially Asian nationals, with a missionary passion. Co to college, find a cute minority woman, preferably one with limited English, and colonize her by sleeping with her.
”
”
Sherman Alexie (Indian Killer)
“
And on a sensitive point, Magellan and Faleiro had to see to it that the crew members had no contact with local women. “You shall never consent to have anyone touch a woman . . . the reason being that in all those parts the people, on account of this thing over and above all, might rebel and do harm.” That order would prove impossible to enforce, as would another clause prohibiting the use of firearms; members of the expedition were forbidden to discharge them in newly found lands lest they terrify the Indians on whose goodwill they would depend.
”
”
Laurence Bergreen (Over the Edge of the World: Magellan's Terrifying Circumnavigation of the Globe)
“
His hands came to her wrists, squeezed reflexively, before he got quickly to his feet. "You're mixing things up." Panic arrowed straight into his heart. "I told you sex complicates things."
"Yes,you did.And of course since you're the only man I've been with, how could I knew the difference between sex and love? Then again, that doesn't take into account that I'm a smart and self-aware woman, and I know the reason you're the only man I've been with is that you're the only man I've loved.Brian..."
She stepped toward him, humor flashing into her eyes when he stepped back. "I've made up my mind.You know how stubborn I am."
"I train your father's horses."
"So what? My mother groomed them."
"That's a different matter."
"Why? Oh, because she's a woman.How foolish of me not to realize we can't possibly love each other, build a life with each other.Now if you owned Royal Meadows and I worked here, then it would be all right."
"Stop making me sound ridiculous."
"I can't." She spread her hands. "You are ridiculous.I love you anyway. Really, I tried to approach it sensibly.I like doing things in a structured order that makes a beeline for the goal.But..." She shrugged, smiled. "It just doesn't want to work that way with you.I look at you and my heart,well, it just insists on taking over.I love you so much,Brian. Can't you tell me? Can't you look at me and tell me?"
He skimmed his fingertips over the bruise high on her temple. He wanted to tend to it, to her. "If I did there'd be no going back."
"Coward." She watched the heat flash into his eyes,and thought how lovely it was to know him so well.
"You won't push me into a corner."
Now she laughed. "Watch me," she invited and proceeded to back him up against the steps. "I've figured a lot of things out today,Brian.You're scared of me-of what you feel for me. You were the one always pulling back when we were in public, shifting aside when I'd reach for you.It hurt me."
The idea quite simply appalled him. "I never meant to hurt you."
"No,you couldn't.How could I help but fall for you? A hard head and a soft heart.It's irresistable. Still, it did hurt. But I thought it was just the snob in you.I didn't realize it was nerves."
"I'm not a snob, or a coward."
"Put your arms around me.Kiss me. Tell me."
"Damn it." he grabbed her shoulders, then simply held on, unable to push her back or draw her in. "It was the first time I saw you, the first instant. You walked in the room and my heart stopped. Like it had been struck by lightning.I was fine until you walked into the room."
Her knees wanted to buckle.Hard head, soft heart, and here, suddenly, a staggering sweep of romance. "Why didn't you tell me? Why did you make me wait?"
"I thought I'd get over it."
"Get over it?" Her brow arched up. "Like a head cold?"
"Maybe." He set her aside, paced away to stare out at the hills.
Keeley closed her eyes, let the breeze ruffle her hair, cool her cheeks. When the calm descended, she opened her eyes and smiled. "A good strong head cold's tough to shake off.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
Ribs hurting?" When he only shrugged, she shook her head. "Let me take a look."
"She barely caught me."
"Oh,for heaven's sake." Impatient, Keeley did what she would have done with one of her brothers: She tugged Brian's T-shirt out of his jeans.
"Well,darling,if I'd known you were so anxious to get me undressed,I'd have cooperated fully,and in private."
"Shut up.God, Brian, you said it was nothing."
"It's not much."
His definition of not much was a softball-size bruise the ribs in a burst of ugly red and black. "Macho is tedious, so just shut up."
He started to grin,then yelped when she pressed her fingers to the bruise. "Hell, woman,if that's your idea of tender mercies, keep them."
"You could have a cracked rib. You need an X ray."
"I don't need a damned-ouch! Bollocks and bloody hell, stop poking." He tried to pull his shirt down, but she simply yanked it up again.
"Stand still,and don't be a baby."
"A minute ago it was don't be macho, now it's don't be a baby. What do you want?"
"For you to behave sensibly."
"It's difficult for a man to behave sensibly when a woman's taking his clothes off in broad daylight. If you're going to kiss it and make it better, I've several other bruises. I've a dandy one on my ass as it happens."
"I'm sure that's terribly amusing.One of the men can drive you to the emergency room"
"No one's driving me anywhere. I'd know if my ribs are cracked as I've had a few in my time.It's a bruise, and it's throbbing like a bitch now that you've been playing with it."
She spotted another, riding high on his hip,and gave that a poke. This time he groaned.
"Keeley,you're torturing me here."
"Im just trying..." She trailed off as she lifted her head and saw his eyes. It wasn't pain or annoyance in them now. It was heat,and it was frustration. And it was surprisingly gratifying. "Really?"
It was wrong,and it was foolish, but a sip of power was a heady thing.She trailed her fingers along his hip, up his ribs and down again, and felt his mucles quiver. "Why don't you stop me?"
His throat hurt. "You make my head swim. And you know it."
"Maybe I do.Now.Maybe I like it." She'd never been deliberately provocative before. Had never wanted to be. And she'd never known the thrill of having a strong man turn to putty under her hands. "Maybe I've thought about you, Brian,the way you said I would."
"You pick a fine time to tell me when there's people everywhere, and your father one of them.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
But I always related to the Old Woman. The one who haunted the edgelands, the mysterious shadow in the heart of the darkwood. The exile, the rebel, the one who shrugged off the fetters of conventional society; the one who imagined and cultivated her own vision of how the world should be, thank you very much. At the earliest of ages, I already knew that was the old woman I wanted to grow into. The spirited, unpredictable, not-to-be-messed-with elder. An elder who’s always ready to tell you the often-unwelcome truths about the condition of your life — leavened, of course, with compassion, and a glint of fierce humor in her eyes.
”
”
Sharon Blackie (Hagitude: Reimagining the Second Half of Life)
“
What is a woman’s place in this modern world? Jasnah Kholin’s words read. I rebel against this question, though so many of my peers ask it. The inherent bias in the inquiry seems invisible to so many of them. They consider themselves progressive because they are willing to challenge many of the assumptions of the past. They ignore the greater assumption—that a “place” for women must be defined and set forth to begin with. Half of the population must somehow be reduced to the role arrived at by a single conversation. No matter how broad that role is, it will be—by nature—a reduction from the infinite variety that is womanhood. I say that there is no role for women—there is, instead, a role for each woman, and she must make it for herself. For some, it will be the role of scholar; for others, it will be the role of wife. For others, it will be both. For yet others, it will be neither. Do not mistake me in assuming I value one woman’s role above another. My point is not to stratify our society—we have done that far too well already—my point is to diversify our discourse. A woman’s strength should not be in her role, whatever she chooses it to be, but in the power to choose that role. It is amazing to me that I even have to make this point, as I see it as the very foundation of our conversation.
”
”
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
“
What is a woman's place in this modern world? Jasnah Kholin's words read. I rebel against this question, though so many of my peers ask it. The inherent bias in the inquiry seems invisible to so many of them. They consider themselves progressive because they are willing to challenge many of the assumptions of the past.
They ignore the greater assumption--that a 'place' for women must be defined and set forth to begin with. Half of the population must somehow be reduced to the role arrived at by a single conversation. No matter how broad that role is, it will be--by-nature--a reduction from the infinite variety that is womanhood.
I say that there is no role for women--there is, instead, a role for each woman, and she must make it for herself. For some, it will be the role of scholar; for others, it will be the role of wife. For others, it will be both. For yet others, it will be neither.
Do not mistake me in assuming I value one woman's role above another. My point is not to stratify our society--we have done that far to well already--my point is to diversify our discourse.
A woman's strength should not be in her role, whatever she chooses it to be, but in the power to choose that role. It is amazing to me that I even have to make this point, as I see it as the very foundation of our conversation.
”
”
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
“
All in the wicked darkest eve
In blood and shadows alike;
We strive to live through mighty pain,
By mighty arms unite,
Oft mighty hands make plain romance,
A traveling heart's plight.
Ah, cruel Nine! In such an hour,
Beneath such dreadful weather,
To beg a tale of life so bleak
To stir bound wings of feathers!
Yet what can one lone voice avail
Against ten tongues together?
Imperious Alice tumbles forth
Her edict “we will end it”—
In wistful tones her people hope
“There will be justice in it”—
While her men carry on the tale
And also help begin it.
Shit, this sudden war's begun,
In ire giving chase
The young woman moving through a land
Of wonders dark and base,
In friendly tryst with man and beast—
The darkness she would face.
And ever, as the story changed
The wells of knowledge lie,
And hearty strove that weary one
To put her subjects by,
“I am not brave—” “True fear is fine!”
The frightened voices cry.
Thus grew the tale of Underland:
Thus slowly, one by one,
Its queer events are fucking wrote—
The tale is far from done,
And home is where, the girl may ask,
As she debates to run.
Alice! A terrifying story,
And with a skeleton hand
Lay it where graveyard's nightmares bury
The rebels no longer stand,
Like magic's withered throne of corpses
Plucked from a far-off land.
”
”
C.M. Stunich (Allison's Adventures in Underland (Harem of Hearts, #1))
“
He staggers through the forest. The burning forest. Bits of brush smoldering. A stormtrooper helmet nearby, charred and half melted. A small fire burns nearby. In the distance, the skeleton of an AT-AT walker. Its top blown open in the blast, peeled open like a metal flower. That burns, too. Bodies all around. Some of them are faceless, nameless. To him, at least. But others, he knows. Or knew. There—the fresh-faced officer, Cerk Lormin. Good kid. Eager to please. Joined the Empire because it’s what you did. Not a true believer, not by a long stretch. Not far from him: Captain Blevins. Definitely a true believer. A froth-mouthed braggart and bully, too. His face is a mask of blood. Sinjir is glad that one is dead. Nearby, a young woman: He knows her face from the mess, but not her name, and the insignia rank on her chest has been covered in blood. Whoever she was, she’s nobody now. Mulch for the forest. Food for the native Ewoks. Just stardust and nothing. We’re all stardust and nothing, he thinks. An absurd thought. But no less absurd than the one that follows: We did this to ourselves. He should blame them. The rebels. Even now he can hear them applauding. Firing blasters into the air. Hicks and yokels. Farm boy warriors and pipe-fitter pilots. Good for them. They deserve their celebration. Just as we deserve our graves.
”
”
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
“
The Modern Girl with the lipstick and the cocktail is as much a rebel against the Woman's Rights Woman of the '80's, with her stiff stick-up collars and strict teetotalism, as the latter was a rebel against the Early Victorian lady of the languid waltz tunes and the album full of quotations from Byron: or as the last, again, was a rebel against a Puritan mother to whom the waltz was a wild orgy and Byron the Bolshevist of his age. Trace even the Puritan mother back through history and she represents a rebellion against the Cavalier laxity of the English Church, which was at first a rebel against the Catholic civilisation, which had been a rebel against the Pagan civilisation.
”
”
G.K. Chesterton (St. Thomas Aquinas)
“
It put him out of humor for the rest of the day.It stuck in his craw and festered thered.A nasty little canker sore on the ego.
Snob? Where did the woman get off calling him a snob? And after he'd made the effort to be friendly, even complimenting her on her snooty little riding academy.
He did the evening check himself, as was his habit, and spent considerable time going over the prime filly who was to head down to Hialeah to race there. Ttavis wanted Brian to go along for this one, and he was more than happy to oblige.
It would do him a world of good to put a thousand miles or so between himself and Keeley.
"Shouldn't be looking in that direction, even for a blink," he muttered, then nuzzled the filly.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
He stroked the filly's neck, and she sniffed at the pouch on his belt, then turned her head away.
"She wants to let me know she doesn't care that I've apples in here.No, doesn't matter a bit to her." He looped the line around the fence and took an apple and his knife from his pocket. Idly he cut it in half. "Maybe I'll just offer this token to this other pretty lady here."
He held out the apple to Keeley, and Betty gave him a solid rap with her head that rammed him into the fence. "Now she wants my attention. Would you like some of this then?"
He shifted, held the apple out. Betty nipped it from his palm with dignified delicacy. "She loves me."
"She loves your apples," Keeley commented.
"Oh,it's not just that. See here." Before Keeley could evade-could think to-he cupped a hand at the back of her neck, pulled her close and rubbed his lips provocatively over hers.
Betty huffed out a breath and butted him.
"You see?" Brian let his teeth graze lightly before he released Keeley. "Jealous.She doesn't care to have me give affection to another woman."
"Next time kiss her and save yourself a bruise."
"It was worth it.On both counts."
"Horses are more easily charmed than women, Donnelly." She plucked the apple out of his hand, bit in. "I just like your apples," she told him, and strolled away.
"That one's as contrary as you are." He nuzzled Betty's cheek as he watched Keeley walk to her stables. "What is it that makes me find contrary females so appealing?
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
He had surrendered to it, on a few rare occasions through the years, with women he had thought he liked. He had been left feeling an angry emptiness—because he had sought an act of triumph, though he had not known of what nature, but the response he received was only a woman’s acceptance of a casual pleasure, and he knew too clearly that what he had won had no meaning. He was left, not with a sense of attainment, but with a sense of his own degradation. He grew to hate his desire. He fought it. He came to believe the doctrine that this desire was wholly physical, a desire, not of consciousness, but of matter, and he rebelled against the thought that his flesh could be free to choose and that its choice was impervious to the will of his mind.
”
”
Ayn Rand (Atlas Shrugged)
“
It still shocks me that this comes as a surprise to most men, adorable idiots that ye are, but doona ye ken a woman who is not after you for yer title and yer fortune needs to be wooed?” “Wooed?” The word tasted as foreign in his mouth as the idea was to his thoughts. “Ye mean, gifts and jewelry—” “Nay, dammit.” She pressed a beleaguered and dramatic hand to her forehead. “The most precious thing you can give a woman, a worthy woman, is intimacy, time, truth, safety, and friendship.” “Friendship?” He lifted his own hand to his temple, pressing at the place where his head was starting to pound. “Talk to her. Know her and let her know ye, as well. Intimacy is not only in the bedroom, ye know. To love each other, ye must first like each other. Do ye like her?
”
”
Kerrigan Byrne (The Highlander (Victorian Rebels, #3))
“
I don't like to make mistakes. Which is why I haven't been with a man before now."
He as thrown off balance so quickly and completely, he coud hear his own brain stumble. "Well,that's...that's wise."
He took one definite step back, like a chessman going from square to square.
"It's interesting that makes you nervous," she said, countering his move.
"I'm not nervous,I'm...finished up here, it seems." He tried another tactic, stepped to the side.
"Interesting," she continued, mirroring his move, "that it would make you nervous,or uneasy if you prefer, when you've been...I think it's safe to use the term 'hitting on me' since we met."
"I don't think that's the proper term at all." Since he seemed to be boxed into a corner,he decided he was really only standing his ground. "I acted in a natural way regarding a physical attraction. But-"
"And now that I've reacted in a natural way, you've felt the reins slip out of your hands and you're panicked."
"I'm certainly not panicked." He ignored the terror gripping claws into his belly and concentrated on annoyance. "Back off, Keeley."
"No." With her eyes locked on his, she stepped in.Checkmate.
His back was hard up against a stall door and he'd been maneuvered there by a woman half his weight.It was mortifying. "This isn't doing either of us any credit." It took a lot of effort when the blood was rapidly draining out of his head, but he made his voice cool and firm. "The fact is I've rethought the matter."
"Have you?"
"I have,yes,and-stop it," he ordered when she ran the palms of her hands up over his chest.
"You're hearts pounding," she murmured. "So's mine.Should I tell you what goes on inside my head,inside my body when you kiss me"
"No." He barely managed a croak this time. "And it's not going to happen again."
"Bet?" She laughed, rising up just enough to nip his chin. How could she have known how much fun it was to twist a man into aroused knots? "Why don't you tell me about this rethinking?"
"I'm not going to take advantage of your-of the situation."
That,she thought,was wonderfully sweet. "At the moment,I seem to have the advantage.This time you're trembling,Brian."
The hell he was.How could he be trembling when he couldn't feel his own legs? "I won't be responsible.I won't use your inexperience.I won't do this." The last was said on a note of desperation and he pushed her aside.
"I'm responsible for myself.And I think I've just proven to both of us,that if and when I decide you'll be the one, you won't have a prayer." She drew a deep, satisfied breath. "Knowing that's incredibly flattering."
"Arousing a man doesn't take much skill, Keeley. We're cooperative creatures in that area."
If he'd expected that to scratch at her pride,and cut into her power,he was mistaken. She only smiled,and the smile was full of secret female knowledge. "If that was true between us, if that were all that's between us, we'd be naked on the tack room floor right now."
She saw the change in his eyes and laughed delightedly. "Already thought of that one, have you? We'll just hold that thought for another time.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
Sonnet of Norms
It is not patriarchal to hold the door for a lady,
It is not cowardly to leave your seat to the elderly.
But it is barbaric to harass a breastfeeding mother,
And prehistoric to force a woman carry a pregnancy.
There are norms that nourish the societal fabric,
Then there are norms out of touch with age and times.
Beyond both freedom and obedience as a whole being,
You ought to realize where and how to draw the lines.
The problem is that most do not know when to rebel,
They rebel out of boredom to seek adventure not justice.
They commit reckless vandalism in the name of activism,
And feel proud while committing the most heinous deeds.
Norms require careful scrutiny, not headless rebellion.
Hence, quite often rebels become the new face of oppression.
”
”
Abhijit Naskar (Esperanza Impossible: 100 Sonnets of Ethics, Engineering & Existence)
“
Every time Ian’s amber gaze flickered to her, her heart began to pound. Whenever he wasn’t looking she found her gaze straying to his mouth, remembering the way those lips had felt locked to hers yesterday. He raised a wineglass to his lips, and she looked at the long, strong fingers that had slid with such aching tenderness over her cheek and twined in her hair.
Two years ago she’d fallen under his spell; she was wiser now. She knew he was a libertine, and even so her heart rebelled against believing it. Yesterday, in his arms, she’d felt as if she was special to him-as if he not only wanted her close but needed her there.
Very vain, Elizabeth, she warned herself severely, and very foolish. Skilled libertines and accomplished flirts probably made every woman feel that she was specila. No doubt they kissed a woman with demanding passion one moment and then, when the passion was over, forgot she was alive. As she’d heard long ago, a libertine pretended violet interest in his quarry, then dropped her without compunction the instant that interest waned-exactly as Ian had done now. That was not a comforting thought, and Elizabeth was sorely in need of comfort as twilight deepened into night and supper dragged on, with Ian seemingly oblivious to her existence. Finally the meal was finished; she was about to volunteer to clear the table when she glanced at Ian and watched in paralyzed surprise as his gaze roved over her cheek and jaw, then shifted to her mouth, lingering there. Abruptly he looked away, and Elizabeth stood up to clear the table.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
As for us, we saw the police as a natural catastrophe— like floods, fires, earthquakes. There was nothing you could do about these things except to try and escape them. We had no analysis, no understanding that society could be changed. We simply tried to survive, as ourselves, as kamp girls, natural rebels. We did not feel that the police might not be entitled to hunt us, but accepted them as inevitable.
I was beaten up for suggesting that a woman ask for a lawyer. It was seem as a stupid— even dangerous— suggestion. Fighting back with threats of lawyers would only make the police even angrier at us. But part of me felt that what was happening was unfair and unjust, though I had no idea how things could ever be different.
Melbourne and Adelaide were exactly the same. The public lesbian scene was dangerous and difficult. There were many other New Zealand lesbians around, too. In spite of everything, I loved it. The “mateship” was amazing and close, important enough for any risk. And the freedom to be ourselves, to be real, to be queer, affirmed us.
There were private, closeted scenes too, but they were hard to find and cliquey. They were fearful of being “sprung” by kamps who were too obvious. They were mainly older middle-class women. I knew some of them, learnt many things from them— like how to behave in a nice restaurant if you are taken to dinner. But they too had no sense of anything being able to change— except for the one strange woman who danced naked to Beethoven and lent me de Beauvoir’s The Second Sex. She sowed some wild ideas, more than a decade too early for them to make any sense.
”
”
Julia Penelope (Finding the Lesbians: Personal Accounts from Around the World)
“
Zach leans over and whispers on my lips, “Cleopatra. That’s your name, right?” I swallow against the onslaught of emotions. I feel the savage flapping of the butterflies in my stomach and I press my belly against him to make him feel it too. Make him feel all these crazy, intense emotions inside of me. “But hardly anyone calls me that.” A lopsided smile as he traces my cheek with a thumb. “Do you know Cleopatra was an Egyptian queen?” I nod. “Yeah. My mom used to tell me that she was the most beautiful woman of her time.” “People are crazy, aren’t they?” I clutch his dark t-shirt at his waist. “Why?” “They don’t know what they’re talking about. One look at you and they would’ve snatched away her crown and laid it down at your feet.” The shudder that goes through me is the biggest one yet. He called me beautiful. Beautiful.
”
”
Saffron A. Kent (Bad Boy Blues (St. Mary’s Rebels, #0))
“
On a different (possibly irrelevant) level altogether, I was disturbed by the Cuban use of make-up (the first heavily made-up woman I noticed was a curvaceous young soldier in army fatigues who also had her hair in curlers) and have still to resolve my own feelings about, for example, a revolutionary woman who dyes her hair blond--as Haydee Santamarie (who was with the rebels at the Moncada Barracks as well as in the Sierra Maestra) did for several years--or who otherwise (through hair straighteners and whatnot) endeavors to look like someone other than herself. At first glance, it is actually cheering to see that women revolutionaries also paint their face and process their hair, but then one wonders: if a revolution fails to make one comfortable with what one is..., can one assume that, on a personal level, it is a success at all?
”
”
Alice Walker (In Search of Our Mothers' Gardens: Womanist Prose)
“
Once the purging has taken place, the woman often dreams of a black goddess who becomes her bridge between spirit and body. As one aspect of Sophia, such an image can open her to the mystery of life being enacted in her own body. Her "mysterious and exotic darkness" inspires a particular depth of wonderment and love. For a woman without a positive mother, this "dark" side of the Virgin can bring freedom, the security of freedom, because she is a natural home for the rejected child. The child born from the rejected side of the mother can bring her own rebel to rest in the outcast state of Mary. In loving the abandoned child within herself, a woman becomes pregnant with herself. The child her mother did not nourish, she will now nourish, not as the pure white biblical Virgin who knew no Joseph, but as the dark Montserrat Virgin who presides over "marriage and sex, pregnancy and childbirth." The Black Madonna is nature impregnated by spirit, accepting the human body as the chalice of the spirit. She is the redemption of matter, the intersection of sexuality and spirituality.
Connecting to this archetypal image may result in dreams of a huge serpent, mysterious, coldblooded, inaccessible to human feeling. Seen as an appendage of the negative mother, it is the phallus stolen from the father and used to guard inviolate purity. Yet this same snake, when seen in relation to the moon, symbolizes the dark, impersonal side of femininity and at the same time its capacity to renew itself. The daughter who can come out from under the skin of the negative mother will not perpetuate her but redeem her. The Black Madonna is the patron saint of abandoned daughters who rejoice in their outcast state and can use it to renew the world.
”
”
Marion Woodman (The Pregnant Virgin: A Process of Psychological Transformation)
“
I wanted to find my own identity and be autonomous at the same time that I wanted to find a mate who would rescue me, who would provide and protect. Of course I wanted to be able to provide for myself. Just in case that did not happen, I wanted the luxury of backup. I was not a free spirit. I wanted to blend old-fashioned values learned at home—which cautioned me to be conservative, take care, and be responsible—with New Age spirituality and radical ideas of freedom and choice. No matter how much I might have longed to free myself from a sense of responsibility to the collective good, to family and community, I was psychically bound. I had the strength to rebel, but I did not have the strength to let go. I was, like generations of women before me, split, torn between two competing identities—the longing to be the liberated, independent, sexually free woman and the desire to settle down and be domesticated.
”
”
bell hooks (Communion: The Female Search for Love – A Profound Vision for Self-Love, Sisterhood, Liberation, and Emotional Growth (Love Song to the Nation Book 2))
“
Pres,
I know you’re going to say this is dumb, and I know you won’t understand. Which is why I asked Bee and Ryan for help. Don’t get me wrong, I like fighting with you, but there are some things you just can’t argue. This is one, and I hope you’ll come to accept that.
I have to leave Pine Grove. I have to leave Alabama, and I have to leave you. After tonight, that’s all completely clear to me. This whole situation is effed up (hope you appreciate my discretion there), and it’s clear to me now that the only way to un-eff it up *do i get bonus points for that one?) is to take myself out of the equation. Without me, you, Bee, and Ryan can just be you, Bee, and Ryan. Not Paladins or Mages. People. With your own lives.
It’s like you said at that time at Cotillion practice, you want to be a good woman who chooses the right thing for everybody. Well, so do I. (Minus the woman part, obviously.)
Have a good life, Pres. I love you. Always.
D
”
”
Rachel Hawkins (Miss Mayhem (Rebel Belle, #2))
“
Now, the ladies being together under these circumstances, it was extremely natural that the discourse should turn upon the propensity of mankind to tyrannize over the weaker sex, and the duty that developed upon the weaker sex to resist that tyranny and assert their rights and dignity. It was natural for four reasons: firstly, because Mrs Quilp being a young woman and notoriously under the dominion of her husband ought to be excited to rebel; secondly, because Mrs Quilp’s parent was known to be laudably shrewish in her disposition and inclined to resist male authority; thirdly, because each visitor wished to show for herself how superior she was in this respect to the generality of her sex; and fourthly, because the company being accustomed to scandalise each other in pairs, were deprived of their usual subject of conversation now that they were all assembled in close friendship, and had consequently no better employment than to attack the common enemy.
”
”
Charles Dickens (The Old Curiosity Shop)
“
So how does a woman know how to fight man to man?" another boy sniggered, loud enough so that he was heard. Shazad's eyebrows went up. I stepped back.
...
"I'll tell you what," Shazad turned toward him. "Why don't you come and face me? Anyone who can land a blow can take over this training." A small audience was gathering by now. Everyone who'd ever seen Shazad fight knew exactly where this was going. The rebels were elbowing one another slyly as the boy stepped forward, looking all too confident.
...
"Doesn't seem like a fair fight to me," the boy said, too lightly. The boy was at least twice Shazad's weight, broad where she was slim--slimmer still, after her time in Eremot.
...
"It's not even close to a fair fight," Jin commented from the sidelines. We'd all formed a circle now, watching.
...
"Oh, my friend," Sam clapped the boy on his back. "I'm sorry for your loss."
"My loss?" The young idiot said.
"Of your dignity." He gave him a rueful smile before stepping back to stand next to me.
”
”
Alwyn Hamilton (Hero at the Fall (Rebel of the Sands, #3))
“
What is a novel, anyway? Only a very foolish person would attempt to give a definitive answer to that, beyond stating the more or less obvious facts that it is a literary narrative of some length which purports, on the reverse of the title page, not to be true, but seeks nevertheless to convince its readers that it is. It's typical of the cynicism of our age that, if you write a novel, everyone assumes it's about real people, thinly disguised; but if you write an autobiography everyone assumes you're lying your head off. Part of this is right, because every artist is, among other things, a con-artist.
We con-artists do tell the truth, in a way; but, as Emily Dickenson said, we tell it slant. By indirection we find direction out -- so here, for easy reference, is an elimination-dance list of what novels are not.
-- Novels are not sociological textbooks, although they may contain social comment and criticism.
-- Novels are not political tracts, although "politics" -- in the sense of human power structures -- is inevitably one of their subjects. But if the author's main design on us is to convert us to something -- - whether that something be Christianity, capitalism, a belief in marriage as the only answer to a maiden's prayer, or feminism, we are likely to sniff it out, and to rebel. As Andre Gide once remarked, "It is with noble sentiments that bad literature gets written."
-- Novels are not how-to books; they will not show you how to conduct a successful life, although some of them may be read this way. Is Pride and Prejudice about how a sensible middle-class nineteenth-century woman can snare an appropriate man with a good income, which is the best she can hope for out of life, given the limitations of her situation? Partly. But not completely.
-- Novels are not, primarily, moral tracts. Their characters are not all models of good behaviour -- or, if they are, we probably won't read them. But they are linked with notions of morality, because they are about human beings and human beings divide behaviour into good and bad. The characters judge each other, and the reader judges the characters. However, the success of a novel does not depend on a Not Guilty verdict from the reader. As Keats said, Shakespeare took as much delight in creating Iago -- that arch-villain -- as he did in creating the virtuous Imogen. I would say probably more, and the proof of it is that I'd bet you're more likely to know which play Iago is in.
-- But although a novel is not a political tract, a how-to-book, a sociology textbook or a pattern of correct morality, it is also not merely a piece of Art for Art's Sake, divorced from real life. It cannot do without a conception of form and a structure, true, but its roots are in the mud; its flowers, if any, come out of the rawness of its raw materials.
-- In short, novels are ambiguous and multi-faceted, not because they're perverse, but because they attempt to grapple with what was once referred to as the human condition, and they do so using a medium which is notoriously slippery -- namely, language itself.
”
”
Margaret Atwood (Spotty-Handed Villainesses)
“
Instantly, he released her. “It’s just after dawn,” he clipped. “Now put some clothes on.” Millie narrowed mulish eyes at his bare chest, her jaw thrusting forward in a gesture that was becoming somewhat familiar. “You put some clothes on,” she snapped. “And wake me at a more decent hour.” Scowling, she grasped at the covers and heaped them on top of herself, before rolling away from him and sinking back into the bed. Christopher stared at the bundle she made with a sense of pure, frustrated astonishment. “It was my impression that the later the hour, the less decent it becomes.” “Your impression is wrong,” her sharp voice informed him, somewhat muffled by the coverlet. “And if you wake me before nine in the morning again, I’ll pâté your liver and have it with my breakfast. Now get out.” It was a rare person, indeed, who dared to question him, let alone threaten him. Frozen in place, Christopher found himself at a loss for what to do next. How did one make a recalcitrant woman do what she was told? He’d have to ask Dorian.
”
”
Kerrigan Byrne (The Hunter (Victorian Rebels, #2))
“
The woman threw him off balance, and he didn't care for it.Giving him those hot looks and intimate little strokes in the middle of the damn morning so he went through the whole of the day itchy.
Worse yet the man who was paying him to work through the day,not to be distracted by his glands,was the woman's father.
It was a situation,Brian though, and he'd done a great deal to bring it on himself.Still how could he have known in the beginning that he'd become so involved with her on so many levels inside himself? Falling in love had been a hard knock, but he'd taken knocks before.You got bruised and you went on.A bit of attraction was all right, a little flirtation was harmless enough.And the truth was, he'd enjoyed the risk of it.To a point.
But he was well past that point now. Now he was all wrapped up in her and at the same time had become fond of her family. Travis wasn't just a good and fair boss, but was on the way to becoming a kind of friend.
And here he was finding ways to make love to his friend's daughter as often as humanly possible.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
Marilee lay perfectly still,waiting for her world to settle.She had to fight the unreasonable urge to weep.
Wyatt's face was pressed to the hollow of her throat,his breathing rough, his damp body plastered to hers.
He nuzzled her neck. "Am I too heavy?"
"Umm." It was all she could manage.
"You all right?"
"Umm."
"Did anybody ever tell you that you talk too much?"
"Umm."
He brushed his mouth over hers. "If you hum a bit more,I might be able to name that tune."
That broke the spell of tears that had been threatening and caused her to laugh.
She wrapped her arms around his neck and kissed him back. "Have I told you how much I like your silly sense of humor?"
"No,you haven't." He rolled to his side and gathered her into his arms,nuzzling her cheek,while his big hands moved over her hip,her back,her waist, as though measuring every inch of her. "What else do you like about me?"
"You fishing for compliments?"
"Of course I am."
"Glutton. Your sense of humor isn't enough?"
"Not nearly enough.How about my looks?"
"They're okay,for a footloose rebel."
"Stop.All these mushy remarks will inflate my ego." He gave a mock frown. "How about the way I kiss?"
"You're not bad."
"Not bad?" His hands stopped their movement. He drew a little away. "That's all you can say?"
"If you recall,tonight was the first time we've kissed.I haven't had nearly enough practice to be a really good judge of your talent."
"Then we'd better take care of that right now." He framed her face. With his eyes steady on hers, he lowered his mouth to claim her lips.
Marilee's eyelids fluttered and she felt an explosion of color behind them. As though the moon and stars had collided while she rocketed through space. It was the most amazing sensation, and, as his lips continued moving over hers,she found herself wishing it could go on forever.
When at last they came up for air, she took in a long,deep breath before opening her eyes. "Oh,yes,rebel.I have to say,I do like the way you kiss."
"That's good,because I intend to do a whole lot more of it." He lay back in the grass,one hand beneath his head. "Now it's my turn.Want to know all the things I like about you?"
"I'm afraid to hear it." Marilee lay on her side,her hand splayed across his chest.
"Besides your freckles,which I've already mentioned,the thing about you I like best is your take-charge attitude."
She chuckled. "A lot of guys feel intimidated by that."
"They're idiots.Don't they know there's something sexy about a woman who knows what to do and how to do it? I've watched you as a medic and as a pilot, and I haven't decided which one turns me on more."
"Really?" She sat up. "Want me to fetch my first-aid kit from the plane? I could always splint your arm or leg and really turn you on."
He dragged her down into his arms and growled against her mouth, "You don't need to do a single thing to turn me on. All I need to do is look at you and I want you."
"You mean now? Again? So soon?"
"Oh,yeah."
"Liar.I don't believe it's possible."
"You ought to know by now that I never say anything I can't back up with action."
"Prove it,rebel."
"My pleasure."
There was a wicked smile on his lips as he rolled over her and began to kiss her breathless,all the while taking her on a slow,delicious ride to paradise.
”
”
R.C. Ryan (Montana Destiny (McCords, 2))
“
WILL NEVER BE AN OPTION
Why do you think
I should be an option
Or the side piece for any man?
My deepest sympathy
For your illusions. Assumptions are worse than demons; Bombs and bullets get more respect Than your disrespect.
You are used to women
Who have no problem
Being an option or fighting with the Next woman for your attention. Reality check: I am not the one.
I will create my kingdom
Until the right man comes along.
I will never be an option
Or make him one.
Hate me, slander me...
Have your whole army of community Rise up against me... Grounded, I stand.
I fear no man.
I PROMISE YOU
I will never share a man
Or entertain a woman’s man.
A woman who tears another woman down Needs to go within and heal her demons. I walk with queens
Who fix another woman’s crown. Ironically, my self-respect started a war To tear me down on the internet. Your tongue became so poisonous,
It reeks of death. For the attack I received,
My Healing Journal ~ From Once Broken to I AM
No remorse has come from you yet.
I do not expect it.
You will never acknowledge your wrongs. If you confront me,
Expect the silence of resilience.
My confidence is not cocky,
Nor is it a red flag.
I do not share.
Never will.
Never had.
”
”
Raquel McKenzie (My Healing Journal: From Once Broken to I AM)
“
We are each of us the result of billions of years of the universe evolving toward its own splendor. And evolution builds: the very mitochondria that power our cells and give us life once existed as separate organisms that first infected our pre–pre–human ancestors and then became one with them. We each contain not only the slime mold and the worm, the fish and amphibian and reptile, but the pig and the ape and the barely human. If we look hard enough, we can discern hundreds of parts: kings and queens, warriors and troubadours, mages, bullies, and saints. And hustlers, adventurers, survivors, rebels, reactionaries, and rogues. And the part of us that wants to be more than human, or rather more fully human. I believe that we need to enlist all these separate selves into a single army of free companions who respect each other and love each other to the death. And who are willing to devote their lives to fight together in order to win a shared splendor.
I will return to this theme of integration again and again, for it is key to everything. All of my characters struggle with themselves, and face as well external obstacles such as exploding stars or dragons or icy wastelands cold enough to freeze the breath. Maram, who writes poems glorifying his second chakra (the body’s sexual center), pants like a dog after every enticing woman he sees. Even as he resists his essential nobility and destiny as a hero, he insists that every man deserves at least one vice. When it is pointed out to him that he also drinks, gambles, gluttonizes, and whores, he declares that he is still trying to decide which vice will be his.
”
”
David Zindell (Splendor)
“
Eventually the girl-child will turn away from the Spirit-filled One. Her original spirituality will become confined within the acceptable lines of religion. She will be taught the right way to imagine and name god. “He” will be mediated to her through words, images, stories, and myths shaped, written, and spoken by men. She will adopt the god she is given. It is too dangerous to rebel. If she dares to venture out of the lines by communing with the spirit of a tree, the mysterious night sky, or her grandma, she will be labeled heretic, backslide, or witch. She is told:
Prideful One, your grandma is not god; neither is your favorite star or rock.
God has only one name and face. You shall have no gods before him. God is Father, Son, and Holy Ghost. He is found in the church, heavens, and holy book, not in you. God is the god of the fathers and sons; the daughters have no say in the matter. As it was in the beginning, it is now and ever shall be.
The Spirit-Filled One falls asleep. Occasionally she awakens to remind the girl-child-turned-woman of what she once knew. These periodic reminders are painful. The woman fills her life with distractions so she will not hear the quiet inner voice, calling her to return home. Years later, new teachers enter the woman's life—a therapist, a self-help group, a support circle, a beloved friend, or perhaps this workbook. They remind her of what she once knew:
Spirit-filled One, your grandma is god and so are your favorite star and rock.
God has many names and many faces. God is Mother, Daughter, and Wise Old Crone. She is found in your mothers, in your daughters, and in you. She is Mother of all Living and blessed are her daughters. You are girl-woman made in her image. The spirit of the universe pulsates through you.
”
”
Patricia Lynn Reilly (A Deeper Wisdom: The 12 Steps from a Woman's Perspective)
“
Matt takes some time to settle himself before he speaks. When he does, he shares an anecdote about how Julie had written a book for him to have after she was gone, and she titled it, The Shortest Longest Romance: An Epic Love and Loss Story. He loses it here, then slowly composes himself and keeps going. He explains that in the book, he was surprised to find that near the end of the story—their story—Julie had included a chapter on how she hoped Matt would always have love in his life. She encouraged him to be honest and kind to what she called his “grief girlfriends”—the rebound girlfriends, the women he’ll date as he heals. Don’t mislead them, she wrote. Maybe you can get something from each other. She followed this with a charming and hilarious dating profile that Matt could use to find his grief girlfriends, and then she got more serious. She wrote the most achingly beautiful love letter in the form of another dating profile that Matt could use to find the person he’d end up with for good. She talked about his quirks, his devotion, their steamy sex life, the incredible family she inherited (and that, presumably, this new woman would inherit), and what an amazing father he’d be. She knew this, she wrote, because they got to be parents together—though in utero and for only a matter of months. The people in the crowd are simultaneously crying and laughing by the time Matt finishes reading. Everyone should have at least one epic love story in their lives, Julie concluded. Ours was that for me. If we’re lucky, we might get two. I wish you another epic love story. We all think it ends there, but then Matt says that he feels it’s only fair that Julie have love wherever she is too. So in that spirit, he says, he’s written her a dating profile for heaven. There are a few chuckles, although they’re hesitant at first. Is this too morbid? But no, it’s exactly what Julie would have wanted, I think. It’s out-there and uncomfortable and funny and sad, and soon everyone is laugh-sobbing with abandon. She hates mushrooms, Matt has written to her heavenly beau, don’t serve her anything with mushrooms. And If there’s a Trader Joe’s, and she says that she wants to work there, be supportive. You’ll also get great discounts. He goes on to talk about how Julie rebelled against death in many ways, but primarily by what Matt liked to call “doing kindnesses” for others, leaving the world a better place than she found it. He doesn’t enumerate them, but I know what they are—and the recipients of her kindnesses all speak about them anyway.
”
”
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
“
I can be mad at you for several reasons. I am woman. I contain multitudes.
”
”
Kate Meader
“
LISTEN: I come for the fight. I come from rebels, from blood nationalists, Molly Maguires, fiery socialists. I come from a New York suffragist and a New England quarryman, Irish parents who saved me the humiliation and hypocrisy of Our Blessed Church so that I might see the world clearly and burn with other fires. I have sought a paradise in this life, from the window of a train traversing a starkly beautiful land where a man’s skin is still criminalized and a woman’s body enslaved, where workers are thrown away like coal slag.
”
”
Jess Walter (The Cold Millions)
“
Prove them all wrong. Blaze your own trail. Girl, woman, they’ll never give you the world. You have to make your own.
”
”
Kennedy Ryan (The Rebel King (All the King's Men, #2))
“
His brow furrowed with confounded indignation, lips wet and hard above her as he processed her words between panting breaths of mounting lust. “You interrupted what was possibly the best kiss in the history of the empire to ask such a question,” he said tightly. She loved this arrogant, grumpy beast with all her heart. “I’m about to make love to you, Your Grace, and I don’t want to be interrupted.” The temperature in his eyes flared from molten to volatile. “Your mother forced everyone to go to church to pray for you.” He touched his nose to hers with sweet affection that caused her heart to double in size, simultaneously slipping a hand to wander perilously close to her breasts. “Lovely woman, your mother.” “Bless her pious heart,” Imogen agreed, then arched her body against his, silently pleading for him to resume her ravishment.
”
”
Kerrigan Byrne (The Duke (Victorian Rebels, #4))
“
He dreamed of this day as he'd listened to his foster mother, Sesselja, and grandmother Ingibjörg tell of their sea adventures with the great Captain Thuridur. Their stories he knew were true because, unlike the men, they weren't drunk when they told them.
”
”
Margaret Willson (Woman, Captain, Rebel: The Extraordinary True Story of a Daring Icelandic Sea Captain)
“
She had the courage to retain compassion, the intelligence and strength to grow wisdom. This is the meaning of resilience.
”
”
Margaret Willson (Woman, Captain, Rebel: The Extraordinary True Story of a Daring Icelandic Sea Captain)
“
Here's the thing, Jaimi Hamilton. I've been looking for a woman for a long time, and I think you might be her.
”
”
Stephanie Rowe (A Real Cowboy for Christmas (Wyoming Rebels, #6))
“
Pippa is a human woman.” “She’s a dangerous rebel, capable of killing Vanir thanks to those gorsian bullets. And a psychopath who delights in killing even the most innocent. We’re not going near her without prep and thought.” Hopefully they would find Emile first and not need to deal with Pippa at all. Ithan snorted. “We can take her. My brother took down Philip Briggs.” “Something tells me Pippa might be worse than Briggs.
”
”
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
“
I thought the only threat against us came from the rogue noblemen who are plotting a revolt under our very noses. Not the Aveyonian commoners you've spent weeks assuring us are content, happy even."
Bastien eyed her as though seeing her in a new light. "Threats can take many forms, madame. It would not be prudent in times like these to invite them into your home."
"If we are willing to open our doors to the rich, then we must also be willing to open our doors to the poor. You speak as though wealth precludes someone from committing a crime, and that has not been true in my experience."
"I think I speak for everyone, the king included, when I say you are perhaps not thinking clearly."
"And I speak for myself alone when I say you're wrong. Do you forget that I am a commoner? That I grew up in a poor village with the very people you seek to malign? I do not fear them in the same way I fear a rich man who believes justice is a fluid concept and that innocence can be bought." She let them sit with what she had said for a few moments before continuing. "I called this meeting as a courtesy. This is how I envision the salon, and I believe it will be beneficial for all the people of our kingdom. You still get the prestige-raising, economy-boosting aspects, only now the doors are open for everyone. If you cannot abide by that, then I suggest you remain in your estates for the duration." If she had ruffled the feathers of the advisers before, it was nothing compared to how they viewed her now. "All in favor of the amendment to the salon?" They mutely assented with barely raised hands, but it was enough. In a way, it seemed they almost feared her. No one protested or voiced any concerns, and the meeting ended in near silence. She would take their unease over their disdain. She thought perhaps it was time for men like them to fear what a woman could do.
”
”
Emma Theriault (Rebel Rose (The Queen's Council, #1))
“
It's easier to rebel against hair norms if you're a woman generally unburdened by them in the first place. My hair—brown hair—is politicized in every direction. It's either an unearthly glory, hair so perfect that people want to buy it in bags, or it's an unholy and crude display of the most aggressive kind of femininity: the kind that doesn't actually care about what you consider feminine. When Lena Dunham grows her armpit hair, it's a stance, but not one with much weight. For it to really matter, for your rebellion to extend outside yourself, you have to have been born with hair-baggage—that nagging reminder that what comes out of your body naturally makes you repulsive, or tells people that you are deserving of a slur, or that your sexuality can exist only in a specific vacuum of kink or a generous acceptance. Black and brown women know this, in two different ways, but few others do. When Lena grows her body hair out, it's a rebellion. When a brown woman does it, it's a mutiny.
”
”
Scaachi Koul (One Day We'll All Be Dead and None of This Will Matter)
“
The woman is not the only person under authority here. Men are to operate under the authority of Christ. And Paul says that even Christ is subject to God the Father. Men and women are equal in essence but distinct in function. And when you rebel against that chain of command, you lose access to the angelic involvement and activity in your life. I suspect that many women are not seeing the power of God operating in their lives, are not seeing their prayers answered, are not seeing God intervene in their circumstances, because they have decided to address things by means of rebellion rather than by means of biblically based obedience. The same thing can be said of men. When we rebel against the authority of Christ over our lives, we place ourselves outside God’s protective angelic hedge,
”
”
Tony Evans (Warfare: Winning the Spiritual Battle)
“
There are times I want to rebel against having been created a woman. When you are born a girl, you are taught how to cook and clean, wash dirty clothes, mend old socks, make butter and cheese, and feed babies. Some women are also taught the art of love and making themselves attractive to men. But that’s about it. Nobody gives women books to open their eyes.
”
”
Elif Shafak (The Forty Rules of Love)
“
Vera eyed the Queen Mother, who appeared as oblivious to the mournful melody as were the corgis lounging on the rug around her end of the table. The woman was a monument to never crumbling, and Vera wished she possessed a tenth of her fortitude. Perhaps she should start drinking gin and Dubonnet to build up her resolve.
”
”
Georgie Blalock (The Other Windsor Girl: A Novel of Princess Margaret, Royal Rebel)
“
One hundred years after Ada’s death, Ada’s fellow mathematicians rediscovered her work. They marveled at how a woman who had lived long before the age of computers had been able to imagine them and the immense potential they held to shape our world.
”
”
Rebel Girls (Ada Lovelace Cracks the Code (Rebel Girls Chapter Books))
“
When news of Gandhi’s arrest reached Amritsar on 10 April, a large and angry crowd collected on the streets. British banks were set on fire and three bank managers murdered. A female missionary was beaten up and left for dead.
The violence continued through the 10th and the 11th. With the police unable to control the crowds, the city was placed under de facto martial law. The collector handed over charge to Brigadier General Reginald Dyer, who had come with a contingent of Gurkha and Pathan troops.
The martial law regime in the Punjab was extremely harsh. Mail was censored. Temples and mosques were closed to worshippers. Water and electricity was cut off from the homes of those whose political affiliations were suspect. Worse still were public floggings of select rebels; and most incredible was an order making it mandatory for all Indians to crawl along the street that had witnessed the attack on the woman missionary.
”
”
Ramachandra Guha (Gandhi 1915-1948: The Years That Changed the World)
“
The woman had done everything she could to ignore the rumors of the growing rebel group searching for descendants of their long-lost monarch. She’d taken a new name and become a new person, wanting nothing more than a quiet life with her beloved family.
”
”
Lynette Noni (The Gilded Cage (The Prison Healer, #2))
“
Then the mer captain said, “I, ah … I was assigned to look into a human woman, Sofie Renast. She was a rebel who was captured by the Hind two weeks ago. But Sofie was no ordinary human, and neither was her younger brother—Emile. Both he and Sofie pass as human, yet they possess full thunderbird powers.” Bryce blew out a breath. Well, she hadn’t been expecting that. Hunt said, “I thought thunderbirds had been hunted to extinction by the Asteri.” Too dangerous and volatile to be allowed to live was the history they’d been spoon-fed at school. A grave threat to the empire. “They’re little more than myths now.” All true. Bryce remembered a Starlight Fancy horse called Thunderbird: a blue-and-white unicorn-pegasus who could wield all types of energy. She’d never gotten her hands on one, though she’d yearned to. But Tharion went on, “Well, somehow, somewhere, one survived. And bred. Emile was captured three years ago and sent to the Kavalla death camp. His captors were unaware of what they’d grabbed, and he wisely kept his gifts hidden. Sofie went into Kavalla and freed him. But from what I was told, Sofie was caught by the Hind before she reached safety. Emile got away—only to run from Ophion as well. It seems like he came this way, but various parties are still very interested in the powers he possesses. And Sofie, too, if she survived.” “No one survives the Hind,” Hunt said darkly. “Yeah, I know. But the chains attached to the lead blocks at the bottom of the ocean were empty. Unlocked. Seems like Sofie made it. Or someone snatched her corpse.
”
”
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
“
Your marriage . . . still hopelessly tense and broken. Your child . . . still rebelling against all sound logic. Your money . . . still not enough to feel like enough. Your health . . . still as chronic or scary as ever. Your addictions . . . still defeating you way too often.
”
”
Priscilla Shirer (Fervent: A Woman's Battle Plan to Serious, Specific, and Strategic Prayer)
“
No woman is an island. In other words, we all need someone, a family of sorts, a village. We can’t do this alone. Especially when we’re raising kids. Especially when we’re women in this world. We need that support system, and you need one just as much as Tori does.
”
”
Eada Friesian (Taming of a Rebel)
“
With perfect justice God might have destroyed this rebel breed instantly. He can no more ignore such rebellion than he can deny his own deity. Yet in mercy he clothes them, suspends part of the sentence (death itself)-and foretells a time when the offspring of the woman will crush the serpent who led the first couple astray. One reads Revelation 12 with relief, and grasps that Genesis 3 defines the problem that only Christ can meet.
”
”
D.A. Carson (For the Love of God: A Daily Companion for Discovering the Riches of God's Word, Volume 1)
“
Where my world was once wrapped up in success, money, or living up to my family name, it now is condensed into one beating heart inside this woman.
She is my world now.
And I plan to make her mine forever.
”
”
J.B. Salsbury (Rebel North (The North Brothers, #2))
“
before the lynching, the bodies, the bullets, the crush, a rebel violently shoved a wooden or metal stick between the buttocks of the fallen dictator, who immediately began to bleed. “Raped!” one of the two women said without an ounce of regret.
”
”
Annick Cojean (Gaddafi's Harem: The Story of a Young Woman and the Abuses of Power in Libya)
“
And talk about how this woman was making me crave her. That her voice was something I was after as much as her pussy.
”
”
Marni Mann (The Rebel (Spade Hotel, #2))
“
I was always open to the possibility of a relationship. If a woman could hold my attention, if she could give me what I needed and wanted, I was down.
”
”
Marni Mann (The Rebel (Spade Hotel, #2))
“
there was something about Rowan that intrigued me. How there was a side of her that was so soft and caring, and on the flip, there was this fierce, independent, badass woman.
”
”
Marni Mann (The Rebel (Spade Hotel, #2))
“
What is it about this woman that makes me want so much more of her?
”
”
Marni Mann (The Rebel (Spade Hotel, #2))
“
You’re the first woman to ever claim my heart.” He rested a hand on his chest. “It’s un-beating, and likely as black as tar, but it is yours, rebel.
”
”
Caroline Peckham (Wrathful Mortals (Age of Vampires #4))
“
were made for me, Jesse. The only woman in the world who is worthy of standing by my side. I knew it the minute you fell out of Dan’s window.
”
”
L.M. Terry (Sugar and Skulls (Rebel Skulls MC #1))
“
We are survivors, harboring all the acquiring insights strengths and scars that word implies.
”
”
Margaret Willson (Woman, Captain, Rebel: The Extraordinary True Story of a Daring Icelandic Sea Captain)
“
You are a headstrong, independent, stubborn woman surrounded by a sea of boys, when what you crave—what you need—is a man. One who isn’t going to hold you back but isn’t afraid of you, either. One who knows the delicate balance between watching you fly and protecting you so you don’t fall. Hell, I’m not sure any of those boys would even know what to do with you if you ever let them get their hands on you.
”
”
Rebecca Yarros (Rebel (The Renegades, #3))
“
Oh, so when you want to lick my pussy, I’m your stepsister?” “When I want to lick your pussy, you’re my woman.” I squinted at him. “You’re plastered. I’m making coffee. And for the record, I’m no one’s woman.” “Coffee is good, then.
”
”
Elle Thorpe (Rebel Revenge (Saint View Rebels, #1))
“
People would come up to me on the street and say, 'I just want to thank you for being so brave!' Why am I so fucking brave? I'm not going off to fight in a war! I'm not running into a burning building to save kittens! What are people going on about? I'm brave because I'm just ME?? Because I dare to exist as a plus-size woman in Hollywood?...They wanted me to represent for women of a different body type, and the way they kept going on about being 'brave' made me wonder—gosh, how many negative comments were these women getting about their bodies in their daily life? What was the negative commentary running in their own minds?
”
”
Rebel Wilson (Rebel Rising)
“
Yes Dear [Verse]
Well, I’ve been known to raise some hell, ride the wind, and chase the storms,
But when it comes to you, my lady, I find myself reborn.
All the wild ways of my youth seem to fade to gray,
‘Cause when you speak, darlin', there ain't much to say but...
[Chorus]
Yes dear, you’re right dear, I ain't gonna argue at all,
A happy wife makes a happy home, that's the truth, y’all.
Damn woman, I loved you first, and that means I’m right dear,
But when you're smiling at me, well, it all becomes so clear.
[Verse 2]
Outlaws and rebels, that's what folks used to call my name,
Running whiskey through the night, playing a dangerous game.
But then you came into my life, all calm and fierce,
Now every morning starts with "Yes dear," whispered in my ears.
[Chorus]
Yes dear, you’re right dear, I ain't gonna argue at all,
A happy wife makes a happy home, that's the truth, y’all.
Damn woman, I loved you first, and that means I’m right dear,
But when you're smiling at me, well, it all becomes so clear.
[Bridge]
Now the only fight I want is fighting for your love,
Your laughter echoes in my heart, fits like a flawless glove.
And every time you say I’m wrong, I shrug and pull you near,
Cause it’s worth it just to keep you happy, always saying, "Yes dear."
[Verse 3]
I might be an outlaw still, but you’re the sheriff of my heart,
Together we ride this life, never apart.
So let them talk of wild men tamed by love's sweet song,
I'll just smile and say, "Yes dear," no matter what goes wrong.
”
”
James Hilton-Cowboy
“
I’m telling you, pregnancy hormones are not for the faint of heart. I bounce between being a needy five-year-old who can’t control her emotions, to a teenage rebel who makes poor life decisions, to an eighty-year-old woman who’s tired and needs a nap.
”
”
Jill Shalvis (The Bright Spot (Sunrise Cove #5))
“
Well, now she was mine, and my woman would never be put on a leash. She could rage at the entire world, and I would happily be there to stop anyone who tried to intervene.
”
”
Kate Crew (Rook & Rebel (The Mavericks, #1))
“
Gael’s mouth lifted in a slow grin. “You’re asking about archaic traditions while lying in my coffin?
”
”
Alex Fox (Woman Warrior (Rebel Magic #7))
“
Luke was so unexpected, especially for a woman who’d spent her life checking off things on her to-do list. Nowhere on there did it say “fall in love with Luke Brooks,” but I did it anyway.
”
”
Lyla Sage (Done and Dusted (Rebel Blue Ranch, #1))
“
Take me home, August Ryder,” she said against my mouth. Her hands had traveled from my shoulders to my chest and were now sliding down my torso. I knew then that I’d never be able to tell this woman no ever again.
”
”
Lyla Sage (Lost and Lassoed (Rebel Blue Ranch, #3))
“
Control your fucking woman,
”
”
Lyla Sage (Lost and Lassoed (Rebel Blue Ranch, #3))
“
This is the immediate prospect after restoration to Palestine of the people who rebelled against the Most High, and rejected His Son, and always resisted the Holy Spirit—a furnace seven times heated, and anguish as acute as are the pangs of a woman in travail. Alas! poor Israel, who desire the day of the Lord, to what end is it for you? Shall not the day of the Lord be darkness and not light, even very dark and no brightness in it? But, blessed be God, His anger will not endure for ever; ‘though weeping may endure for a night, joy will come in the morning.’ And even when Israel sits in darkness—a deeper darkness than they have ever been in yet—the Lord shall be a light unto them; and, although their tribulation and anguish shall be so great that there has been none like it, in the midst of wrath God will remember mercy; and, according to His promise, He will not utterly destroy the house of Jacob.
”
”
Dalton Lifsey (The Controversy of Zion and the Time of Jacob's Trouble: The Final Suffering and Salvation of the Jewish People)
“
The first stacked dolls better known as Russian Nesting Dolls, matryoshka dolls or Babushka Dolls, were first made in 1890 by Vasily Zvyozdochkin. Much of the artistry is in the painting of the usual 5 dolls, although the world record is 51 dolls. Each doll, which when opened reveals a smaller doll of the same type inside ending with the smallest innermost doll, which is considered the baby doll and is carved from a single piece of wood. Frequently these dolls are of a woman, dressed in a full length traditional Russian peasant dress called a sarafan.
When I served with the Military Intelligence Corps of the U.S.Army, the concept of onion skins was a similar metaphor used to denote that we were always encouraged to look beyond the obvious. That it was essential to delve deeper into a subject, so as to arrive at the essence of the situation or matter.
This is the same principle I employed in writing my award winning book, The Exciting Story of Cuba. Although it can be considered a history book, it is actually a book comprised of many stories or vignettes that when woven together give the reader a view into the inner workings of the Island Nation, just 90 miles south of Key West.
The early 1950’s are an example of this. At that time President Batista was hailed a champion of business interests and considered this a direct endorsement of his régime. Sugar prices remained high during this period and Cuba enjoyed some of its best years agriculturally. For those at the top of the ladder, the Cuban economy flourished! However, it was during this same period that the people lower on the economic ladder struggled. A populist movement was started, resulting in a number of rebel bands to challenge the entrenched regime, including the followers of autocrats such as Fidel and Raul Castro.
Castro’s M 26 7 militia had a reputation of indiscriminately placing bombs, one of which blew a young woman to pieces in the once-grand theater, “Teatro America.” A farmer, who failed to cooperate with Batista’s army, was locked into his home with his wife and his daughter, which was then set on fire killing them all. What had been a corrupt but peaceful government, quickly turned into a war zone. Despite of Batista’s constitutional abuses and his alliance with the Mafia, the years under his régime were still the most prosperous ones in Cuba’s history. Of course most of the money went to those at the top of the economic ladder and on the lower end of the scale a house maid was lucky to make $25 to $30 a month.
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Hank Bracker
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I’m not a loose woman,” she said firmly, without preamble, “and I won’t be your mistress, no matter how many boxes of chocolates you give me.” Caleb rested one hand on the gnarled trunk of the tree she leaned against and bent toward her. “That’s the last thing I think, Miss Chalmers,” he informed her. “That you’re a loose woman, I mean.” “Is it?” She blushed again. Fetchingly, he thought. “You’ve kissed me twice today, Major Halliday. And tonight at the table, you—you—” “I touched you,” Caleb said softly. “And you let me.” Lily sighed. “I don’t know what possessed me.” “I do,” came the easy reply. “You’re supposed to feel like that when the right man touches you, Lily. It’s natural.” She stared up at him. “It is?” Caleb nodded. “Not only that, but it gets better.” Lily swallowed. “It couldn’t.” “But it does,” Caleb argued gently. “One day soon, when you’re ready, I’ll show you.” “It seems to me that you expect rather a lot for a pound of chocolates,” Lily protested. Caleb laughed. “Rebel while you can,” he said. “Very soon things will be different.” She looked as though she didn’t believe her ears. “Of all the audacious, low-minded—” He ran his thumb along her jawline, delighting in her fury and her fire. Taming her was going to be pure joy. “Yes?” It took a mere brush of his lips to make her tilt her head back for his kiss. Caleb wondered if she was sophisticated enough to know how much he wanted her. He’d kissed her thoroughly when she finally placed both hands against his chest and pushed. “It’s hopeless,” she gasped out defiantly. “So stop trying to convince me!” Caleb smiled and allowed one of his hands to stray, ever so lightly, across her breast. He felt her nipple grow instantly taut against his knuckles. “I mean to have you, Lily Chalmers,” he warned, his voice barely more than a breath. “The time will come when you’ll stand at your window watching for me.” She gaped at him. “I see we understand each other,” he said, putting his hat back on and stepping back to see Lily better. She was like some delicate, exotic flower blooming in the moonlight. “Suppose I tell you that I never want to see you again?” she managed after a long time, her voice a breathless whisper. Caleb knew he looked a lot more confident than he felt. “You won’t,” he answered. “What makes you so sure?” “The kiss we just shared.” “You say and do the most outrageous things, Major Halliday.” He
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Linda Lael Miller (Lily and the Major (Orphan Train, #1))
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Alain Badiou has identified the contradictory imperatives behind the recent anti-headscarf laws in France as an example of this logic: Grandiose causes need new-style arguments. For example: hijab must be banned; it is a sign of male power (the father or eldest brother) over young girls or women. So, we’ll banish the women who obstinately wear it. Basically put: these girls or women are oppressed. Hence, they shall be punished. It’s a little like saying: ‘This woman has been raped: throw her in jail.’… Or, contrariwise: it is they who freely want to wear that damned headscarf, those rebels, those brats! Hence, they shall be punished.
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Nina Power (One Dimensional Woman)
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The Reconstruction era—the dozen or so years following the end of the Civil War in 1865—had been a horrific time for southern White men like Wade Hampton who were used to ruling their Black people and their women. They faced and beat back with violence and violent ideas a withering civil rights and Black empowerment movement—as well as a powerful women’s movement that failed to grab as many headlines. But their supposed underlings did not stop rebelling after the fall of Reconstruction. To intimidate and reassert their control over rebellious Blacks and White women, White male redeemers took up lynching in the 1880s. Someone was lynched, on average, every four days from 1889 to 1929. Often justifying the ritualistic slaughters on a false rumor that the victim had raped a White woman, White men, women, and children gathered to watch the torture, killing, and dismemberment of human beings—all the while calling the victims savages. Hate fueled the lynching era. But behind this hatred lay racist ideas that had evolved to question Black freedoms at every stage. And behind these racist ideas were powerful White men, striving by word and deed to regain absolute political, economic, and cultural control of the South.24
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Ibram X. Kendi (Stamped from the Beginning: The Definitive History of Racist Ideas in America)
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And then he noticed the flowers, dotting the breast of every man, woman, and child in Rebel Red. Pink corsages. Corsages like the ones that had been waiting for them at the hotel. In the crowds, on the home team sideline, on the overlay of every Pride of the South band member, and on the chest of every burly Ole Miss player. Each had the same pink corsage. Their prom dates had arrived.
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Shewanda Pugh (Wrecked (Love Edy Book Three))
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What is a woman's place in this modern world?" Jasnah Kohlin's words read. "I rebel against this question, though so many of my peers ask it. The inherent bias in the inquiry seems invisible to so many of them. They consider themselves progressive because they are willing to challenge many of the assumptions of the past. They ignore the greater assumption - that a 'place' for women must be defined and set forth to begin with. Half of the population must somehow be reduced to the role arrived at by a single conversation. No matter how broad that role is, it will be - by nature - a reduction from the infinite variety that is womanhood. [...]
A woman's strength should not be in her role, whatever she chooses it to be, but in the power to choose that role. It is amazing to me that I even have to make this point, as I see it as the very foundation of our conversation.
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Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
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Hillary looked at her ’16 press corps and thought we were hopelessly young and driven entirely by clicks and the financial demands on our struggling news outlets. (The head-nodding stories admittedly didn’t help matters.) She missed her high-minded State Department press corps, worldly, substantive reporters who didn’t care about the horse race, understood the intricacies of Hillary’s plan to arm the moderate Syrian rebels, and could find Kyrgyzstan on the map.
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Amy Chozick (Chasing Hillary: On the Trail of the First Woman President Who Wasn't)
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Because you’re not a rebel, right, Ryn? You know saying that will get you killed?” The darkness of night cocooned us, and I knew Irrik had blocked us from view of the other soldiers. He tipped his head down and pressed his lips to mine. His warmth pulsed through me again, and I stood on my tiptoes to prolong the kiss. When we pulled away, I beamed up at him. “You don’t want me to die?” “No,” he said in a quiet voice, eyes sad again. “I don’t want to die either. Don’t worry. I’m not a rebel. I’m not a threat. I’m not a woman.” He grumbled something under his breath about too much. I reached up and patted his cheek. “You’re so much more handsome when you’re not scowling. You shouldn’t be so grumpy.
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Raye Wagner (Blood Oath (Darkest Drae, #1))
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I enter my barracks on my own, chin raised. I don’t know why I was chosen for this, why Command wants me to be the one to shout our words. But I’m sure there’s a good reason. A young woman holding a flag is quite a striking figure—but also a puzzling one. Silvers might send men and women to die on the lines in equal measure, but a rebel group led by a woman is easier to underestimate. Just what Command wants. Or they simply prefer I’m the one eventually identified and executed, rather than one of their own.
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Victoria Aveyard (Steel Scars (Red Queen, #0.2))
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What is a woman’s place in this modern world? Jasnah Kholin’s words read. I rebel against this question, though so many of my peers ask it. The inherent bias in the inquiry seems invisible to so many of them. They consider themselves progressive because they are willing to challenge many of the assumptions of the past. They ignore the greater assumption— that a “place” for women must be defined and set forth to begin with.
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Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
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What is a woman’s place in this modern world? Jasnah Kholin’s words read. I rebel against this question, though so many of my peers ask it. The inherent bias in the inquiry seems invisible to so many of them. They consider themselves progressive because they are willing to challenge many of the assumptions of the past. They ignore the greater assumption—that a “place” for women must be defined and set forth to begin with. Half of the population must somehow be reduced to the role arrived at by a single conversation. No matter how broad that role is, it will be—by nature—a reduction from the infinite variety that is womanhood. I say that there is no role for women—
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Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
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What is a woman’s place in this modern world? I rebel against this question, though so many of my peers ask it. The inherent bias in the inquiry seems invisible to so many of them. They consider themselves progressive because they are willing to challenge many of the assumptions of the past. They ignore the greater assumption—that a “place” for women must be defined and set forth to begin with. Half of the population must somehow be reduced to the role arrived at by a single conversation. No matter how broad that role is, it will be—by nature—a reduction from the infinite variety that is womanhood.I say that there is no role for women—there is, instead, a role for each woman, and she must make it for herself. For some, it will be the role of scholar; for others, it will be the role of wife. For others, it will be both. For yet others, it will be neither.Do not mistake me in assuming I value one woman’s role above another. My point is not to stratify our society—we have done that far too well already—my point is to diversify our discourse. A woman’s strength should not be in her role, whatever she chooses it to be, but in the power to choose that role.
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Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
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Because I write women’s history I rarely have the luxury of a full and fair biography to study. Until about 1960 there were very few histories written about women at all, and often I am faced with a blank or—worse—with an unfair condemnation of the woman. Tracing Elizabeth of York’s life was often speculation, and sometimes I found myself simply rebelling against the picture that the medieval chroniclers tried to force on the real woman; those who spoke of her “truly wonderful obedience.” Clearly, we cannot believe that she was only the passive pawn of Tudor ambition, a baby-making machine who chose a married motto of “Humble and penitent” when she had been raised by a rebel, was a princess of royal blood, and her own motto before marriage was “Sans removyr” which means (surely defiantly?) “unmoving” or “unchanging.” A young woman of eighteen, who has witnessed her father driven from the throne and restored, her mother give birth in prison, her brother disappear from his own castle, who has engaged in an adulterous love affair with the king while betrothed to his enemy, and who claims the defiant motto “unchanging” is not anyone’s pawn!
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Philippa Gregory (The White Princess (The Plantagenet and Tudor Novels, #5))
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You’re filled with passion and ambition and appetites, and I’m the man to match you. I want a woman who knows who she is, who doesn’t need me to define her because she’s already her own person.
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Kate Meader (In Skates Trouble (Chicago Rebels, #0.5))
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It was important not to offend against the laws of magic. If a woman left you it was because you did not cast the right spell over her, or else because someone else cast a stronger enchantment than yours, or else because your marriage was cursed in such a way that it cut the ties of love between husband and wife. Why did So-and-so enjoy success in his businesses? Because he visited the right enchanter. There was a thing in the emperor that rebelled against all this flummery, for was it not a kind of infantilization of the self to give up one's power of agency and believe that such power resided outside oneself rather than within? This was also his objection to God, that his existence deprived human beings of the right to form ethical structures by themselves.
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Salman Rushdie
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What the hell do you think you are doing, creeping about in the night in woman's clothing? I could just as easily have killed you?"
The sheer audacity of her remark rendered him speechless for a moment, and then Finlay laughed. "This, senorita, is a kilt, not a skirt, and you did not for a moment come close to killing me, though I don't doubt that you'd have tried if I'd given you half a chance.
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Marguerite Kaye (The Soldier's Rebel Lover (Comrades in Arms, #2))
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You have an accent I do not recognize," he was saying. 'Tis certainly not local…." "Really, Lord Gareth — you should rest, not try to talk. Save your strength." "My dear angel, I can assure you I'd much rather talk to you, than lie here in silence and wonder if I shall live to see the next sunrise. I ... do not wish to be alone with my thoughts at the moment. Pray, amuse me, would you?" She sighed. "Very well, then. I'm from Boston." "County of Lincolnshire?" "Colony of Massachusetts." His smile faded. "Ah, yes ... Boston." The town's name fell wearily from his lips and he let his eyes drift shut, as though that single word had drained him of his remaining strength. "You're a long way from home, aren't you?" "Farther, perhaps, than I should be," she said, cryptically. He seemed not to hear her. "I had a brother who died over there last year, fighting the rebels.... He was a captain in the Fourth. I miss him dreadfully." Juliet leaned the side of her face against the squab and took a deep, bracing breath. If this man died, he would never know just who the little girl playing so contentedly with his cravat was. He would never know that the stranger who was caring for him during his final moments was the woman his brother had loved, would never know just why she — a long way from home, indeed — had come to England. It was now or never. "Yes," she whispered, tracing a thin crack in the squab near her face. "So do I." "Sorry?" "I said, yes. I miss him too." "Forgive me, but I don't quite understand...." And then he blanched and stiffened as the truth hit him with debilitating force. His eyes widened, their lazy dreaminess fading. His head rose halfway out of her lap. He stared at her and blinked, and in the sudden, charged silence that filled the coach, Juliet heard the pounding tattoo of her own heart, felt his gaze boring into the underside of her chin as his mind, dulled by pain and shock, quickly put the pieces together. Boston. Juliet. I miss him, too. He gave an incredulous little laugh. "No," he said, slowly shaking his head, as though he suspected he was the butt of some horrible joke or worse, knew she was telling the truth and could not find a way to accept it. He scrutinized her features, his gaze moving over every aspect of her face. "We all thought ... I mean, Lucien said he tried to locate you ... No, I am hallucinating, I must be! You cannot be the same Juliet. Not his Juliet —" "I am," she said quietly. "His Juliet. And now I've come to England to throw myself on the mercy of his family, as he bade me to do should anything happen to him." "But this is just too extraordinary, I cannot believe —" Juliet was gazing out the window into the darkness again. "He told you about me, then?" "Told us? His letters home were filled with nothing but declarations of love for his 'colonial maiden,' his 'fair Juliet' — he said he was going to marry you. I ... you ... dear God, you have shocked my poor brain into speechlessness, Miss Paige. I do not believe you are here, in the flesh!" "Believe it," she said, miserably. "If Charles had lived, you and I would have been brother and sister. Don't die, Lord Gareth. I have no wish to see yet another de Montforte brother into an early grave." He settled back against her arm and flung one bloodstained wrist across his eyes, his body shaking. For a moment she thought the shock of her revelation had killed him. But no. Beneath the lace of his sleeve she could see his gleaming grin, and Juliet realized that he was not dying but convulsing with giddy, helpless mirth. For the life of her, she did not see what was so funny. "Then this baby —" he managed, sliding his wrist up his brow to peer up at her with gleaming eyes — "this baby —" "Is your niece.
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Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
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Are you going to put your feet in?” he asked. She shook her head. “I don’t think so. It would be foolish. Besides that, I’m already breaking too many rules by sitting here alone with you. Though if anyone finds me, I shall claim that I was abducted by a pirate.” “And then you would be forced to wed me to save your reputation,” he suggested. “Which is not so very dreadful.” “I disagree,” she countered. “You, Lord Ashton, are a very wicked man with no sense of propriety.” But her eyes revealed her amusement. “If I worried about what others think, I would not be sitting with a beautiful woman on a sunny day, now, would I?” He leaned back with his arms crooked behind his head. He had the feeling that Lady Rose had a rebellious side to her, buried beneath her years of good manners. She shook her head and sighed. Then she lifted up one foot and began unbuttoning her shoe. “I must be mad.” A rebel indeed. He grinned and helped her with the other shoe, until she was clad in stockings. “No more than I. But it was an invigorating swim.” “You ought to put your shirt on,” she reminded him. “Someone will see you and think you are intent on seducing me.” “You did accuse me of being a pirate, a chara.” He kept his voice light, but leaned a little closer. “We aren’t known for being gentlemen.” In response, Rose dipped her hand into the water and splashed it at his chest. “Then I’ll be forced to defend myself from you.” The frigid water spilled down his bare chest, dampening his waistband. Iain rested his arms on either side of her, trapping her against the rock. “Now that wasn’t fair, Lady Rose.” Her smile faded instantly. “I was teasing, Lord Ashton.” “Were you?” He was feeling rather bold at the moment. He drank in the sight of her—those wide brown eyes, the delicate nose and sweet lips. Her hair was hidden beneath the bonnet, and he took it off, setting it aside. “You don’t need this.” “My face will be covered in freckles if I don’t wear it.” But she didn’t appear to mind his interference. And instead of shoving him aside, she was watching him with interest. Sunlight gleamed across her brown hair, revealing the hints of auburn. He leaned in, resting his forehead against hers. Her eyes widened, but she remained fixed upon his face. “Did Burkham ever kiss you?” “Of course.” Her voice held a hint of panic, but she didn’t pull away. He was caught up in the beauty of her. Her breath warmed his mouth, and for a moment, he remained near to her. She was forbidden to him, and he would not intrude where he wasn’t wanted. And yet, every part of him was entranced by her. “Tell me to leave you alone,” he said in a low voice. But she remained silent. Her hand moved up to touch the roughness of his face, and it only deepened the intimacy. She trailed her fingers upon his jaw, and the simple touch undid him. Iain bent and brushed his mouth against hers. It was the barest hint of a kiss, the promise of more if she wanted it. He pulled back immediately, searching her expression. He never wanted her to feel threatened by him. “Tell me if you’re wanting me to stop.” He leaned in again, nipping at her lips a second time. He waited for a long moment, giving her more than enough time to refuse. She could tell him no at any moment, and he would pull back. Instead, her eyes were wild, as if she didn’t know what to say or do. She tasted of summer, a softness and warmth like sunlight. Her eyes were caught up with his, her expression emboldened by a taste of the forbidden. Iain bent and claimed her mouth deeply, framing her face with both hands. He didn’t stop kissing her, learning the shape of her mouth and drawing her even closer.
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Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
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Chesterton believed in a matriarchy where the woman was at the center of the family and the family was at the center of society and, in rebelling against this matriarchy, women, he was convinced, would lose far more than they could possibly gain.
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Joseph Pearce (Benedict XVI: Defender of the Faith)
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She’s been mistreated and she knows I’m a violent man. She’s terrified of me…” “And yet?” Mary prompted. “She yelled at me,” he said incredulously. “It’s been decades since anyone dared … she told me I couldna issue her orders, and that she was a woman with free and independent will. She called me an overbearing brute.” “Oh, Lord.” She hid a laughing smile behind her fan. “What did ye say to that?” “I kissed her. And she kissed me back.
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Kerrigan Byrne (The Highlander (Victorian Rebels, #3))
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His was an appetite crafted only for this woman, and he’d not be satisfied until he’d sampled every lush, pale or pink inch of her. Driven by twenty years of pent-up need, he backed her against the nearest wall, lifting her so her weight wouldn’t rest on her ankle. She might be slight, and delicate, but he had enough strength for them both. She never had to worry about that. He would bear the brunt of any cruelty. He’d shield her from pain. He’d fulfill her every whim. All she’d have to do was endure him.
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Kerrigan Byrne (The Duke with the Dragon Tattoo (Victorian Rebels, #6))