Rebel Pride Quotes

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To rebel against being born a woman seemed as foolish to her as to take pride in it.
Milan Kundera (The Unbearable Lightness of Being)
Accomplishments don’t erase shame, hatred, cruelty, silence, ignorance, discrimination, low self-esteem or immorality. It covers it up, with a creative version of pride and ego. Only restitution, forgiving yourself and others, compassion, repentance and living with dignity will ever erase the past.
Shannon L. Alder
What we have not chosen we cannot consider either our merit or our failure... To rebel against being born a woman seemed as foolish to her as to take pride in it.
Milan Kundera (The Unbearable Lightness of Being)
Being a woman is a fate Sabina did not choose. What we have not chosen we cannot consider either to our merit or our failure. Sabina believed that she had to assume to correct attitude to her unchosen faith. To rebel against being born a woman seemed as foolish to her as taking pride in it.
Milan Kundera (The Unbearable Lightness of Being)
Here’s to the security guards who maybe had a degree in another land. Here’s to the manicurist who had to leave her family to come here, painting the nails, scrubbing the feet of strangers. Here’s to the janitors who don’t understand English yet work hard despite it all. Here’s to the fast food workers who work hard to see their family smile. Here’s to the laundry man at the Marriott who told me with the sparkle in his eyes how he was an engineer in Peru. Here’s to the bus driver, the Turkish Sufi who almost danced when I quoted Rumi. Here’s to the harvesters who live in fear of being deported for coming here to open the road for their future generation. Here’s to the taxi drivers from Nigeria, Ghana, Egypt and India who gossip amongst themselves. Here is to them waking up at 4am, calling home to hear the voices of their loved ones. Here is to their children, to the children who despite it all become artists, writers, teachers, doctors, lawyers, activists and rebels. Here’s to international money transfer. For never forgetting home. Here’s to their children who carry the heartbeats of their motherland and even in sleep, speak with pride about their fathers. Keep on.
Ijeoma Umebinyuo (Questions for Ada)
Pride rebelled. Common sense would have rebelled, but common sense was whimpering under a bed somewhere and refused to come out.
Delia James (A Familiar Tail (Witch's Cat Mystery, #1))
Professing not to care is a primordial defense mechanism. Whenever a person finds oneself mired in failure and despondency, rebelling is a viable option to preserve false personal pride.
Kilroy J. Oldster (Dead Toad Scrolls)
In pride, in reasoning pride, our error lies; All quit their sphere and rush into the skies. Pride still is aiming at the blest abodes, Men would be angels, angels would be gods. Aspiring to be gods, if angels fell, Aspiring to be angels, men rebel.
Alexander Pope (An Essay on Man & Satires)
I am banished from the patient men who fight. They smote my heart to pity, built my pride. Shoulder to aching shoulder, side by side, They trudged away from life's broad wealds of light. Their wrongs were mine; and ever in my sight They went arrayed in honour. But they died,-- Not one by one: and mutinous I cried To those who sent them out into the night. The darkness tells how vainly I have striven To free them from the pit where they must dwell In outcast gloom convulsed and jagged and riven By grappling guns. Love drove me to rebel. Love drives me back to grope with them through hell; And in their tortured eyes I stand forgiven.
Siegfried Sassoon (The War Poems)
It is reason which breeds pride and reflection which fortifies it; reason which turns man inward into himself; reason which separates him from everything which troubles or affects him. It is philosophy which isolates a man, and prompts him to say in secret at the sight of another suffering: 'Perish if you will; I am safe.' No longer can anything but dangers to society in general disturb the tranquil sleep of the philosopher or drag him from his bed. A fellow-man may with impunity be murdered under his window, for the philosopher has only to put his hands over his ears and argue a little with himself to prevent nature, which rebels inside him, from making him identify himself with the victim of the murder. The savage man entirely lacks this admirable talent, and for want of wisdom and reason he always responds recklessly to the first promptings of human feeling.
Jean-Jacques Rousseau (Discourse on the Origin of Inequality (Dover Thrift Editions: Philosophy))
What, more realistically, is this “mutation,” the “new man”? He is the rootless man, discontinuous with a past that Nihilism has destroyed, the raw material of every demagogue’s dream; the “free-thinker” and skeptic, closed only to the truth but “open” to each new intellectual fashion because he himself has no intellectual foundation; the “seeker” after some “new revelation,” ready to believe anything new because true faith has been annihilated in him; the planner and experimenter, worshipping “fact” because he has abandoned truth, seeing the world as a vast laboratory in which he is free to determine what is “possible”; the autonomous man, pretending to the humility of only asking his “rights,” yet full of the pride that expects everything to be given him in a world where nothing is authoritatively forbidden; the man of the moment, without conscience or values and thus at the mercy of the strongest “stimulus”; the “rebel,” hating all restraint and authority because he himself is his own and only god; the “mass man,” this new barbarian, thoroughly “reduced” and “simplified” and capable of only the most elementary ideas, yet scornful of anyone who presumes to point out the higher things or the real complexity of life.
Seraphim Rose (Nihilism: The Root of the Revolution of the Modern Age)
Punish me for my atrocious pride,” she said to him, squeezing him in her arms as though to strangle him; “you are my master, I am your slave, I must beg pardon upon my knees for having sought to rebel.” She slipped from his embrace to fall at his feet. “Yes, you are my master,” she said again, intoxicated with love and joy; “reign over me for ever, punish your slave severely when she seeks to rebel.
Stendhal (The Red and the Black)
In the secret places of her thymus gland Louise is making too much of herself. Her faithful biology depends on regulation but the white T-cells have turned bandit. They don't obey the rules. They are swarming into the bloodstream, overturning the quiet order of spleen and intestine. In the lymph nodes they are swelling with pride. It used to be their job to keep her body safe from enemies on the outside. They were her immunity, her certainty against infection. Now they are the enemies on the inside. The security forces have rebelled. Louise is the victim of a coup. Will you let me crawl inside you, stand guard over you, trap them as they come at you? Why can't I dam their blind tide that filthies your blood? Why are there no lock gates on the portal vein? The inside of your body is innocent, nothing has taught it fear. Your artery canals trust their cargo, they don't check the shipments in the blood. You are full to overflowing but the keeper is asleep and there's murder going on inside. Who comes here? Let me hold up my lantern. It's only the blood; red cells carrying oxygen to the heart, thrombocytes making sure of proper clotting. The white cells, B and T types, just a few of them as always whistling as they go. The faithful body has made a mistake. This is no time to stamp the passports and look at the sky. Coming up behind are hundreds of them. Hundreds too many, armed to the teeth for a job that doesn't need doing. Not needed? With all that weaponry? Here they come, hurtling through the bloodstream trying to pick a fight. There's no-one to fight but you Louise. You're the foreign body now.
Jeanette Winterson (Written on the Body)
A day came when all the rebel in me knew itself beaten, and then my whole nature bowed down in humble resignation in the dust. And then I saw... I saw that he was as incomparable in beauty as he was in terror. I was saved, I was rescued.
Rabindranath Tagore (The King of the Dark Chamber)
Time and time over it is the ones who try a little too hard to be innovative rebels - and for the sheer glory of being considered innovative rebels - who then turn out not quite as innovative or as rebellious as they would like to think they are.
Criss Jami (Healology)
Get inspired, get fired up, do the work. Repeat.
Victor Pride (New World Ronin: Strategies for Artists, Entrepreneurs, Rebels, Warriors and Outcasts)
Laziness takes up a lot of energy. And that is the problem - laziness takes energy but it does not make energy. Laziness
Victor Pride (New World Ronin: Strategies for Artists, Entrepreneurs, Rebels, Warriors and Outcasts)
Oh Maker, what did they really say about your black creation? I think you made a beautiful work of art on a canvass of rebellion. Hey, Maker! We are still selling out!
Chinonye J. Chidolue
Hard times don’t last, but hard men do.
Victor Pride (New World Ronin: Strategies for Artists, Entrepreneurs, Rebels, Warriors and Outcasts)
You must write everything down so it can leave your head and give your brain the space it needs to think creatively. Remember,
Victor Pride (New World Ronin: Strategies for Artists, Entrepreneurs, Rebels, Warriors and Outcasts)
Discipline first, discipline forever. No discipline = no work = no rewards = no greatness.
Victor Pride (New World Ronin: Strategies for Artists, Entrepreneurs, Rebels, Warriors and Outcasts)
It is always harder to re-start than it is to just keep going.
Victor Pride (New World Ronin: Strategies for Artists, Entrepreneurs, Rebels, Warriors and Outcasts)
My aim then was, to whip the rebels, to humble their pride, to follow them to their inmost recesses, and make them fear and dread us.
William T. Sherman
First, we have to humble ourselves at the foot of the cross, confess that we have sinned and deserve nothing at his hand but judgment, thank him that he loved us and died for us, and receive from him a full and free forgiveness. Against this self-humbling our ingrained pride rebels. We resent the idea that we cannot earn – or even contribute to – our own salvation. So we stumble, as Paul put it, over the stumbling-block of the cross.
John R.W. Stott
Every ruler makes enemies. The Lady is no exception. The Sons of the White Rose are everywhere.… If one chooses sides on emotion, then the Rebel is the guy to go with. He is fighting for everything men claim to honor: freedom, independence, truth, the right.… All the subjective illusions, all the eternal trigger-words. We are minions of the villain of the piece. We confess the illusion and deny the substance. There are no self-proclaimed villains, only regiments of self-proclaimed saints. Victorious historians rule where good or evil lies. We abjure labels. We fight for money and an indefinable pride. The politics, the ethics, the moralities, are irrelevant.
Glen Cook (Chronicles of the Black Company (The Chronicles of the Black Company, #1-3))
Boys disobey their parents with such great regularity that it’s barely worth a comment; and if yours is talented enough to rebel in such grand fashion, then you ought to consider it a point of pride that he’s such a sharp lad.
Cherie Priest (Boneshaker (The Clockwork Century, #1))
Who're them?" says he to the curate. "Them are the fallen angels," says the curate. They had a human form, no wings. God took the wings off of 'em after Lucifer rebelled - that way they couldn't go back, d'you see. They had no wings. But there was so many of 'em that you couldn't drive a knife down between 'em. They were as thick as hair on a dog's back. They were the finest people he ever seen. And whatever way he looked at 'em, some o' the finest girls he ever seen was in it, he said. They had to be good-looking, you know! 'Twas the sin o' pride put Lucifer down, d'you see. The best-looking angel in Heaven, 'twas the sin o' pride put him down. I s'pose they were nearly all as good-looking.
Eddie Lenihan (Meeting the Other Crowd : The Fairy Stories of Hidden Ireland)
This is an unpopular yet essential truth. All ships that land at the shore of grace weigh anchor from the port of sin. We must start where God starts. We won’t appreciate what grace does until we understand who we are. We are rebels. We are Barabbas. Like him, we deserve to die. Four prison walls, thickened with fear, hurt, and hate, surround us. We are incarcerated by our past, our low-road choices, and our high-minded pride. We have been found guilty. We sit on the floor of the dusty cell, awaiting the final moment. Our executioner’s footsteps echo against stone walls. Head between knees, we don’t look up as he opens the door; we don’t lift our eyes as he begins to speak. We know what he is going to say. “Time to pay for your sins.” But we hear something else. “You’re free to go. They took Jesus instead of you.” The door swings open, the guard barks, “Get out,” and we find ourselves in the light of the morning sun, shackles gone, crimes pardoned, wondering, What just happened? Grace happened.
Anonymous (Grace: More Than We Deserve, Greater Than We Imagine)
It's my job to see it." "It's your gift," she corrected. "Your family must be proud of you." She spoke casually, began to eat again, then stared at him, baffled, when he laughed. "Why is that funny?" "Pride wouldn't exactly be part of their general outlook to my way of thinking." "Why?" "People can't find pride in what they don't understand.Not all families, Keeley, are as cozy as yours.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
I am incapable of telling you not to repine and rebel, because I have so, to my cost, the imagination of all things, and because I am incapable of telling you not to feel. Feel, feel, I say – fell for all you’re worth, and even if it half kills you, for that is the only way to live, especially to live at this terrible pressure, and the only way to honor and celebrate these admirable beings who are our pride and our inspiration.
Henry James
Some of us wear the villain label with pride, because they want to rebel against the norms, because it’s a harder, more rewarding road to travel, or because being a ‘hero’ often means so very little. But few people really want to see themselves as being bad or evil, whatever label they wear. I’ve done things I regret, I’ve done things I’m proud of, and I’ve walked the roads in between. The sliding scale is a fantasy. There’s no simple answers.
Wildbow (Worm (Parahumans, #1))
From constant telling, she came almost to believe in her own badness, her own intrinsic inferiority. She felt that she ought always to be in a state of slinking disgrace, if she fulfilled what was expected of her. But she rebelled. She never really believed in her own badness. At the bottom of her heart she despised the other people, who carped and were loud over trifles. She despised them, and wanted revenge on them. She hated them whilst they had power over her. Still she kept an ideal: a free, proud lady absolved from the petty ties, existing beyond petty considerations.
D.H. Lawrence (The Rainbow: Annotated)
Irrational crime and rational crime, in fact, both equally betray the value brought to light by the movement of rebellion. Let us first consider the former. He who denies everything and assumes the authority to kill—Sade, the homicidal dandy, the pitiless Unique, Karamazov, the zealous supporters of the unleashed bandit—lay claim to nothing short of total freedom and the unlimited display of human pride. Nihilism confounds creator and created in the same blind fury. Suppressing every principle of hope, it rejects the idea of any limit, and in blind indignation, which no longer is even aware of its reasons, ends with the conclusion that it is a matter of indifference to kill when the victim is already condemned to death.
Albert Camus (The Rebel)
I don't like to make mistakes. Which is why I haven't been with a man before now." He as thrown off balance so quickly and completely, he coud hear his own brain stumble. "Well,that's...that's wise." He took one definite step back, like a chessman going from square to square. "It's interesting that makes you nervous," she said, countering his move. "I'm not nervous,I'm...finished up here, it seems." He tried another tactic, stepped to the side. "Interesting," she continued, mirroring his move, "that it would make you nervous,or uneasy if you prefer, when you've been...I think it's safe to use the term 'hitting on me' since we met." "I don't think that's the proper term at all." Since he seemed to be boxed into a corner,he decided he was really only standing his ground. "I acted in a natural way regarding a physical attraction. But-" "And now that I've reacted in a natural way, you've felt the reins slip out of your hands and you're panicked." "I'm certainly not panicked." He ignored the terror gripping claws into his belly and concentrated on annoyance. "Back off, Keeley." "No." With her eyes locked on his, she stepped in.Checkmate. His back was hard up against a stall door and he'd been maneuvered there by a woman half his weight.It was mortifying. "This isn't doing either of us any credit." It took a lot of effort when the blood was rapidly draining out of his head, but he made his voice cool and firm. "The fact is I've rethought the matter." "Have you?" "I have,yes,and-stop it," he ordered when she ran the palms of her hands up over his chest. "You're hearts pounding," she murmured. "So's mine.Should I tell you what goes on inside my head,inside my body when you kiss me" "No." He barely managed a croak this time. "And it's not going to happen again." "Bet?" She laughed, rising up just enough to nip his chin. How could she have known how much fun it was to twist a man into aroused knots? "Why don't you tell me about this rethinking?" "I'm not going to take advantage of your-of the situation." That,she thought,was wonderfully sweet. "At the moment,I seem to have the advantage.This time you're trembling,Brian." The hell he was.How could he be trembling when he couldn't feel his own legs? "I won't be responsible.I won't use your inexperience.I won't do this." The last was said on a note of desperation and he pushed her aside. "I'm responsible for myself.And I think I've just proven to both of us,that if and when I decide you'll be the one, you won't have a prayer." She drew a deep, satisfied breath. "Knowing that's incredibly flattering." "Arousing a man doesn't take much skill, Keeley. We're cooperative creatures in that area." If he'd expected that to scratch at her pride,and cut into her power,he was mistaken. She only smiled,and the smile was full of secret female knowledge. "If that was true between us, if that were all that's between us, we'd be naked on the tack room floor right now." She saw the change in his eyes and laughed delightedly. "Already thought of that one, have you? We'll just hold that thought for another time.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
What is a novel, anyway? Only a very foolish person would attempt to give a definitive answer to that, beyond stating the more or less obvious facts that it is a literary narrative of some length which purports, on the reverse of the title page, not to be true, but seeks nevertheless to convince its readers that it is. It's typical of the cynicism of our age that, if you write a novel, everyone assumes it's about real people, thinly disguised; but if you write an autobiography everyone assumes you're lying your head off. Part of this is right, because every artist is, among other things, a con-artist. We con-artists do tell the truth, in a way; but, as Emily Dickenson said, we tell it slant. By indirection we find direction out -- so here, for easy reference, is an elimination-dance list of what novels are not. -- Novels are not sociological textbooks, although they may contain social comment and criticism. -- Novels are not political tracts, although "politics" -- in the sense of human power structures -- is inevitably one of their subjects. But if the author's main design on us is to convert us to something -- - whether that something be Christianity, capitalism, a belief in marriage as the only answer to a maiden's prayer, or feminism, we are likely to sniff it out, and to rebel. As Andre Gide once remarked, "It is with noble sentiments that bad literature gets written." -- Novels are not how-to books; they will not show you how to conduct a successful life, although some of them may be read this way. Is Pride and Prejudice about how a sensible middle-class nineteenth-century woman can snare an appropriate man with a good income, which is the best she can hope for out of life, given the limitations of her situation? Partly. But not completely. -- Novels are not, primarily, moral tracts. Their characters are not all models of good behaviour -- or, if they are, we probably won't read them. But they are linked with notions of morality, because they are about human beings and human beings divide behaviour into good and bad. The characters judge each other, and the reader judges the characters. However, the success of a novel does not depend on a Not Guilty verdict from the reader. As Keats said, Shakespeare took as much delight in creating Iago -- that arch-villain -- as he did in creating the virtuous Imogen. I would say probably more, and the proof of it is that I'd bet you're more likely to know which play Iago is in. -- But although a novel is not a political tract, a how-to-book, a sociology textbook or a pattern of correct morality, it is also not merely a piece of Art for Art's Sake, divorced from real life. It cannot do without a conception of form and a structure, true, but its roots are in the mud; its flowers, if any, come out of the rawness of its raw materials. -- In short, novels are ambiguous and multi-faceted, not because they're perverse, but because they attempt to grapple with what was once referred to as the human condition, and they do so using a medium which is notoriously slippery -- namely, language itself.
Margaret Atwood (Spotty-Handed Villainesses)
Brian,really." Keeley continued to mix the blister for the knee spavin. "You've had a really long day. I can handle this." "Sure you can.You can handle this, morons like Tarmack, washed-up jockeys and everything else that comes along before breakfast.Nobody's saying different." Since the statement wasn't delivered in what could be mistaken for a complimentary tone, Keeley turned to frown at him. "What's wrong with you?" "There's not a bloody thing wrong with me.But you could use some work.Do you have to do everything yourself, every flaming step and stage of it? Can't you just take help when help's offered and shut the hell up?" She did shut the hell up, for ten shocked seconds. "I simply assumed that you'd be tired after your trip." "I'll let you know when I'm tired." "The gelding here doesn't seem to be the only one with something nasty in his system." "Well,it's you in my system, princess, and it feels a bit nasty at the moment." Hurt came first, a quick short-armed jab. Pride sprang in to defend. "I'll be happy to purge you, just like I'll purge this horse tomorrow." "If I thought it would work," he muttered, "I'd purge myself.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
It was amazing,really,how two people could live and work in basically the same place,and one could completely avoid the other.It just took setting your mind to it. Brian set his mind to it for several days.There was plenty of work to keep him occupied and more than enough reason for him to spend time away from the farm and on the tracks.But he found avoidance scared his pride. It was too close a kin to cowardice. Added to that,he'd told Keeley he wanted to help her at the school and had done nothing abuot it.He asn't a man to break his word, no matter what it cost him.And, he reminded himself as he walked to Keeley's stables, he was also a man of some self-control. He had no intention of seducing or taking the advantage of innocence. He'd made up his mind on it. Then he stepped into the stables and saw her.He wouldn't have said his mouth watered, but it was a very close thing. She was wearing one of those fancy rigs again-jodhpurs the color of dark chocolate and a cream sort of blouse that looked somehow fluid.her hair was down, all tumbled and wild as if she'd just pulled the pins from it. And indeed,as he watched she flipped it back and looped it through a wide elastic band. He decided the best place in the universe for his hands to be were in his pockets. "Lessons over?" She glanced back, her hands still up in her hair.Ah,she thought.She'd wondered how long it would take him to wander her way again. "Why? Did you want one?
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Punish me for my awful pride," she said to him, clasping him in her arms so tightly as almost to choke him. "You are my master, dear, I am your slave. I must ask your pardon on my knees for having tried to rebel." She left his arms to fall at his feet. "Yes," she said to him, still intoxicated with happiness and with love, "you are my master, reign over me for ever. When your slave tries to revolt, punish her severely." In another moment she tore herself from his arms, and lit a candle, and it was only by a supreme effort that Julien could prevent her from cutting off a whole tress of her hair. "I want to remind myself," she said to him, "that I am your handmaid. If I am ever led astray again by my abominable pride, show me this hair and say, 'It is not a question of the emotion which your soul may be feeling at present, you have sworn to obey, obey on your honour.' As he was moving his hand over the soft ground in the darkness and satisfying himself that the mark had entirely disappeared, he felt something fall down on his hands. It was a whole tress of Mathilde's hair which she had cut off and thrown down to him. She was at the window. "That's what your servant sends you," she said to him in a fairly loud voice, "It is the sign of eternal gratitude. I renounce the exercise of my reason, be my master." Julien was quite overcome and was on the point of going to fetch the ladder again and climbing back into her room. Finally reason prevailed. (A few days later...) In a single minute mademoiselle de la Mole reached the point of loading Julien with the signs of the most extreme contempt. She had infinite wit, and this wit was always triumphant in the art of torturing vanity and wounding it cruelly. Hearing himself overwhelmed with such marks of contempt which were so cleverly calculated to destroy any good opinion that he might have of himself, he thought that Mathilde was right, and that she did not say enough. As for her, she found it deliciously gratifying to her pride to punish in this way both herself and him for the adoration that she had felt some days previously. She did not have to invent and improvise the cruel remarks which she addressed to him with so much gusto. Each word intensified a hundredfold Julien's awful unhappiness. He wanted to run away, but mademoiselle de la Mole took hold of his arm authoritatively. "Be good enough to remark," he said to her, "that you are talking very loud. You will be heard in the next room." "What does it matter?" mademoiselle de la Mole answered haughtily. "Who will dare to say they have heard me? I want to cure your miserable vanity once and for all of any ideas you may have indulged in on my account." When Julien was allowed to leave the library he was so astonished that he was less sensitive to his unhappiness. "She does not love me any more," he repeated to himself... "Is it really possible she was nothing to me, nothing to my heart so few days back?" Mathilde's heart was inundated by the joy of satisfied pride. So she had been able to break with him for ever! So complete a triumph over so strong an inclination rendered her completely happy. "So this little gentleman will understand, once and for all, that he has not, and will never have, any dominion over me." She was so happy that in reality she ceased to love at this particular moment.
Stendhal (The Red and the Black)
Eventually the girl-child will turn away from the Spirit-filled One. Her original spirituality will become confined within the acceptable lines of religion. She will be taught the right way to imagine and name god. “He” will be mediated to her through words, images, stories, and myths shaped, written, and spoken by men. She will adopt the god she is given. It is too dangerous to rebel. If she dares to venture out of the lines by communing with the spirit of a tree, the mysterious night sky, or her grandma, she will be labeled heretic, backslide, or witch. She is told: Prideful One, your grandma is not god; neither is your favorite star or rock. God has only one name and face. You shall have no gods before him. God is Father, Son, and Holy Ghost. He is found in the church, heavens, and holy book, not in you. God is the god of the fathers and sons; the daughters have no say in the matter. As it was in the beginning, it is now and ever shall be. The Spirit-Filled One falls asleep. Occasionally she awakens to remind the girl-child-turned-woman of what she once knew. These periodic reminders are painful. The woman fills her life with distractions so she will not hear the quiet inner voice, calling her to return home. Years later, new teachers enter the woman's life—a therapist, a self-help group, a support circle, a beloved friend, or perhaps this workbook. They remind her of what she once knew: Spirit-filled One, your grandma is god and so are your favorite star and rock. God has many names and many faces. God is Mother, Daughter, and Wise Old Crone. She is found in your mothers, in your daughters, and in you. She is Mother of all Living and blessed are her daughters. You are girl-woman made in her image. The spirit of the universe pulsates through you.
Patricia Lynn Reilly (A Deeper Wisdom: The 12 Steps from a Woman's Perspective)
46. Weakness and Strength When you are strong then you are also weak; and you are weak in the very point where your strength is. Were this not so, you would have something of your own to glory in. You are very apt to pride yourself on your “strong points;” but such points are strong only in comparison with other points in your character that are weaker. Compared with the power of the forces of evil, you have no strength, but can manifest only varying degrees of weakness.  It is on these “strong points” that people make their greatest moral failures. Peter’s strong point was his boldness; but behold him cowering in the judgment hall, afraid to confess his Lord! Solomon was the wisest man on the earth; but what more pitiable exhibition of folly could there be than the king of Israel surrounded by seven hundred wives and three hundred concubines, listening to their counsel and leading the people of God into idolatry! Moses’s strong point was his meekness; but we find him at Meribah saying to the multitude, “Hear now, ye rebels; must we bring you water out of this rock?”  People naturally trust in their “strong” points, and everyone is weak when trusting in themselves. We speak about “guarding our weak points;” but our strong points need guarding just as much. Your weak points include your strong ones. You have nothing but weak points. Whatever point it is that you trust in, that point especially is weak. And you are not guarding the weak points unless you are guarding every point. But you must remember that it is not your resolutions, your will, or your vigilance that guards you, but your faith. “The shield of faith” is what quenches the fiery darts of the wicked. Eph. 6:16. The armor that is prepared for you is not of human manufacture, but is such as God Himself has made in His own wisdom, and endowed with His own strength.  But you need not be discouraged because you find yourself weak where you had fancied yourself strong, for your dependence is not in self, but in God; and depending on Him, you are strong where you are weak. This was the experience of Paul, as he wrote to the Corinthians. 2 Cor. 12:10. You only need to unite your weakness to God’s strength. Then, like the apostle, you can “take pleasure in infirmities, and reproaches, in necessities, in persecutions, in distresses, for Christ’s sake.”  God has to reveal your weakness to you before He can save you. The devil, on the other hand, leads you to think you are strong in order that, by trusting in yourself, you may fall and be ruined. When you feel strong, the admonition is, “Let him that thinketh he standeth take heed lest he fall.” 1 Cor. 10:12. But when you feel weak, too weak to do anything of yourself, you are in a position to gain the victory. The danger is that you will not feel weak enough; for even in your weakest moments you have strength enough to resist the Holy Spirit and prevent God from working in your life. If you are weak enough to yield entirely to the Lord, then for those purposes for which you need strength, you become as strong as the Lord Himself, for you have His strength.
E.J. Waggoner (Living by Faith)
But it isn’t the fun of DIY invention, urban exploration, physical danger, and civil disorder that the Z-Boys enjoyed in 1976. It is fun within serious limits, and for all of its thrills it is (by contrast) scripted. And rather obedient. The fact that there are public skateparks and high-performance skateboards signals progress: America has embraced this sport, as it did bicycles in the nineteenth century. Towns want to make skating safe and acceptable. The economy has more opportunity to grow. America is better off for all of this. Yet such government and commercial intervention in a sport that was born of radical liberty means that the fun itself has changed; it has become mediated. For the skaters who take pride in their flashy store-bought equipment have already missed the Z-Boys’ joke: Skating is a guerrilla activity. It’s the fun of beating, not supporting, the system. P. T. Barnum said it himself: all of business is humbug. How else could business turn a profit, if it didn’t trick you with advertising? If it didn’t hook you with its product? This particular brand of humbug was perfected in the late 1960s, when merchandise was developed and marketed and sold to make Americans feel like rebels. Now, as then, customers always pay for this privilege, and purveyors keep it safe (and generally clean) to curb their liability. They can’t afford customers taking real risks. Plus it’s bad for business to encourage real rebellion. And yet, marketers know Americans love fun—they have known this for centuries. And they know that Americans, especially kids, crave autonomy and participation, so they simulate the DIY experience at franchises like the Build-A-Bear “workshops,” where kids construct teddy bears from limited options, or “DIY” restaurants, where customers pay to grill their own steaks, fry their own pancakes, make their own Bloody Marys. These pay-to-play stores and restaurants are, in a sense, more active, more “fun,” than their traditional competition: that’s their big selling point. But in both cases (as Barnum knew) the joke is still on you: the personalized bear is a standardized mishmash, the personalized food is often inedible. As Las Vegas knows, the house always wins. In the history of radical American fun, pleasure comes from resistance, risk, and participation—the same virtues celebrated in the “Port Huron Statement” and the Digger Papers, in the flapper’s slang and the Pinkster Ode. In the history of commercial amusement, most pleasures for sale are by necessity passive. They curtail creativity and they limit participation (as they do, say, in a laser-tag arena) to a narrow range of calculated surprises, often amplified by dazzling technology. To this extent, TV and computer screens, from the tiny to the colossal, have become the scourge of American fun. The ubiquity of TV screens in public spaces (even in taxicabs and elevators) shows that such viewing isn’t amusement at all but rather an aggressive, ubiquitous distraction. Although a punky insurgency of heedless satire has stung the airwaves in recent decades—from equal-opportunity offenders like The Simpsons and South Park to Comedy Central’s rabble-rousing pundits, Jon Stewart and Stephen Colbert—the prevailing “fun” of commercial amusement puts minimal demands on citizens, besides their time and money. TV’s inherent ease seems to be its appeal, but it also sends a sobering, Jumbotron-sized message about the health of the public sphere.
John Beckman (American Fun: Four Centuries of Joyous Revolt)
The Almighty Power threw him Down in flames from the skies of Heaven With terrible flame and destruction, down To the bottomless pit of hell, to live there Bound in unbreakable chains, burned with punishing fire, For having dared challenge the Almighty to battle.   For nine days, as they are measured By men, he and his terrible gang Lay beaten, thrashing in the fiery sea, Defeated though still immortal: But his fate Raised further anger in him; for now the thought Of the happiness he had lost and the pain he now faces Tortures him: he cast around his hate filled eyes Which showed great pain and terror Mixed with unyielding pride and unmoving hate: As far as Angels can see he sees The terrible place, bleak and wild, A horrible dungeon, whose walls all around Burned like one great oven, but from those flames There is no light, but a visible darkness Which only showed things of sadness, Lands of sorrow, miserable shadows, where peace And rest are unknown, where the hope that comes to all Never comes; endless torture Drives on forever, and there is a fiery storm, fed By sulphur which burns forever and never runs out: This was the place God’s justice had made For these rebels, here he had ordered their prison built In total darkness, and their allotted place Was to be as far away from God and Heaven’s light As three times distance from the equator to the Poles.   Oh, how different it was to their former home! There those who fell with him,
BookCaps (Paradise Lost In Plain and Simple English (A Modern Translation and the Original Version))
The Rebel, Within the Rubble From the rubble, arises the rebel, Embarking on the freedom struggle. Lost and frustrated, survival is slim Yet the fire of the cause burns from within Our people melt, our people burn Our people shelled, our stomachs churn The world is cold, the world is grim Our people hang, on their last limb Billions more, from the IMF Don’t hear our cries, cos they claim deaf Rape, torture, and abusive camps Thamils die in government clamps 1400 now die in a camp each week All because of the language we speak Each day I wake up, more havoc they wreak Each day I wake up, the situation looks bleak The Phoenix arises, from the ashes This Phoenix surmises, previous clashes Beware of our youth, they burn with the truth Merciless, and furious, you will get the boot The Eelam pride, I will never hide, The Thamil side, is forever my guide The Tigers died, with cyanide They collide, for us to reside, In the land where we were denied Forevermore, they have cried, Forevermore, we’ll bring this worldwide! Thamilarin Thaagam, Thamileela Thayagam!
Priya Suntharalingam
Christian submission “freely submits to” God’s wise and fatherly disposal. Submission involves gladly recognizing God’s fatherly authority to make these kinds of decisions concerning his children. It means to yield, to place ourselves under, to bow down to our majestic God. The opposite of submission is rebellion, the essence of sin. By Christian contentment, we are embracing our role as creatures. Satan arrogantly rebelled in heaven and sought to take God’s throne (Isa. 14:13–14). When Adam rebelled against God, he was following Satan’s path of pride. Our salvation has as its essence bringing rebellious people back under God’s kingly rule. Most of our restless discontent is nothing more than rebellion.
Andrew M. Davis (The Power of Christian Contentment: Finding Deeper, Richer Christ-Centered Joy)
Be good to everyone who becomes attached to us; cherish every friend who is by our side; 카톡☛ppt33☚ 〓 라인☛pxp32☚ 홈피는 친추로 연락주세요 love everyone who walks into our life.It must be fate to get acquainted in a huge crowd of people... 비닉스구입,비닉스구매,비닉스판매,비닉스가격,비닉스파는곳,비닉스팝니다,비닉스구입방법,비닉스구매방법,비닉스복용법 I feel, the love that Osho talks about, maybe is a kind of pure love beyond the mundane world, which is full of divinity and caritas, and overflows with Buddhist allegorical words and gestures, 아무런 말없이 한번만 찾아주신다면 뒤로는 계속 단골될 그런 자신 있습니다.저희쪽 서비스가 아니라 제품에대해서 자신있다는겁니다 팔팔정,구구정,네노마정,프릴리지,비맥스,비그알엑스,엠빅스,비닉스,센트립 등 많은 제품 취급합니다 확실한 제품만 취급하는곳이라 언제든 연락주세요 Zombie stories are life lessons for boys who don't mind thinking about bodies, but can't cope with emotions. Vampire stories are in many ways sex for the squeamish. We don't need Raj Persaud to tell us that plunging canines into soft warm necks, or driving stakes between heaving bosoms, are very basic sexual metaphors. 비아그라파는곳,시알리스파는곳,레비트라파는곳,엠빅스파는곳,센트립파는곳,센돔파는곳,카마그라젤파는곳,남성정력제파는곳,네노마정파는곳 There are now even whole sections of bookshops given over to the new genre of "supernatural romance". Maybe it was ever thus. Dr Polidori, who wrote the very first vampire novel, The Vampyr, based his central character very much on his chief patient, Lord Byron, and the Byronic "mad, bad and dangerous to know" archetype has been at the centre of both romantic and blood-sucking fiction ever since. Dracula, Heathcliffe, Rochester, Darcy and not to mention chief vampire Bill in Channel 4's new series True Blood are all cut from the same cloth. Meyer even claims that she based her first Twilight book on Pride and Prejudice, although Robert Pattinson, who plays the lead in the movie version, looks like James Dean in Rebel Without A Cause. Either way, vampire = sexy rebel. No zombie is ever going to be a pinup on some young girl's wall. Just as Pattinson and all the Darcy-alikes will never find space on any teenage boy's bedroom walls – every inch will be plastered with revolting posters of zombies. There are no levels of Freudian undertone to zombies. Like boys, they're not subtle. There's nothing sexual about them, and nothing sexy either.
비닉스처방 via2.co.to 카톡:ppt33 비닉스판매 비닉스파는곳 비닉스팝니다 비닉스구입방법 비닉스구매방법 비닉스후기
Being the richest man in the cemetery doesn't matter to me ... Going to bed at night saying we've done something wonderful... that's what matters to me. 카톡☛ppt33☚ 〓 라인☛pxp32☚ 홈피는 친추로 연락주세요 불개미구입,불개미구매,불개미판매,불개미파는곳,불개미가격,불개미구입방법,불개미구매방법,불개미구입사이트,불개미구매사이트,불개미판매사이트 비아그라팝니다,시알리스팝니다,레비트라팝니다,구구정팝니다,팔팔정팝니다,네노마정팝니다 I want to put a ding in the universe. Quality is more important than quantity. One home run is better than two doubles. Remembering that I'll be dead soon is the most important tool I've ever encountered to help me make the big choices in life. Zombie stories are life lessons for boys who don't mind thinking about bodies, but can't cope with emotions. Vampire stories are in many ways sex for the squeamish. We don't need Raj Persaud to tell us that plunging canines into soft warm necks, or driving stakes between heaving bosoms, are very basic sexual metaphors. There are now even whole sections of bookshops given over to the new genre of "supernatural romance". Maybe it was ever thus. Dr Polidori, who wrote the very first vampire novel, The Vampyr, based his central character very much on his chief patient, Lord Byron, and the Byronic "mad, bad and dangerous to know" archetype has been at the centre of both romantic and blood-sucking fiction ever since. Dracula, Heathcliffe, Rochester, Darcy and not to mention chief vampire Bill in Channel 4's new series True Blood are all cut from the same cloth. Meyer even claims that she based her first Twilight book on Pride and Prejudice, although Robert Pattinson, who plays the lead in the movie version, looks like James Dean in Rebel Without A Cause. Either way, vampire = sexy rebel.
불개미구입 via2.co.to 카톡:ppt33 불개미파는곳 불개미구입방법 불개미구매방법 불개미약효 불개미지속시간 불개미구입사이트 불개미구매사이트
Your negative emotions can also be controlled and directed. PMA and self-discipline can remove their harmful effects and make them serve constructive purposes. Sometimes fear and anger will inspire intense action. But you must always submit your negative emotions--and you positive ones--to the examination of your reason before releasing them. Emotion without reason is a dreadful enemy. 카톡☛ppt33☚ 〓 라인☛pxp32☚ 홈피는 친추로 연락주세요 팔팔정판매,팔팔정파는곳,팔팔정가격,팔팔정후기,팔팔정구입방법,팔팔정복용법,팔팔정부작용,팔팔정구입사이트,팔팔정구매사이트,팔팔정판매사이트 구구정가격,비아그라가격,시알리스가격,레비트라가격,아드레닌가격,센돔가격,비닉스가격,센트립가격 What faculty provides the crucial balance between emotions and reason? It is your willpower, or ego, a subject which will be explored in more detail below. Self-discipline will teach you to throw your willpower behind either reason or emotion and amplify the intensity of their expression. There are now even whole sections of bookshops given over to the new genre of "supernatural romance". Maybe it was ever thus. Dr Polidori, who wrote the very first vampire novel, The Vampyr, based his central character very much on his chief patient, Lord Byron, and the Byronic "mad, bad and dangerous to know" archetype has been at the centre of both romantic and blood-sucking fiction ever since. Dracula, Heathcliffe, Rochester, Darcy and not to mention chief vampire Bill in Channel 4's new series True Blood are all cut from the same cloth. Meyer even claims that she based her first Twilight book on Pride and Prejudice, although Robert Pattinson, who plays the lead in the movie version, looks like James Dean in Rebel Without A Cause. Either way, vampire = sexy rebel. No zombie is ever going to be a pinup on some young girl's wall. Just as Pattinson and all the Darcy-alikes will never find space on any teenage boy's bedroom walls – every inch will be plastered with revolting posters of zombies. There are no levels of Freudian undertone to zombies. Like boys, they're not subtle. There's nothing sexual about them, and nothing sexy either.
팔팔정파는곳 via2.co.to 카톡:ppt33 팔팔정팝니다 팔팔정구입사이트 팔팔정구매사이트 팔팔정후기 팔팔정지속시간
Our current preoccupation with zombies and vampires is easy to explain. They're two sides of the same coin, addressing our fascination with sex, death and food. They're both undead, they both feed on us, they both pass on some kind of plague and they can both be killed with specialist techniques – a stake through the heart or a disembraining. But they seem to have become polarised. Vampires are the undead of choice for girls, and zombies for boys. Vampires are cool, aloof, beautiful, brooding creatures of the night. Typical moody teenage boys, basically. Zombies are dumb, brutal, ugly and mindlessly violent. Which makes them also like typical teenage boys, I suppose. 카톡►ppt33◄ 〓 라인►pxp32◄ 홈피는 친추로 연락주세요 발기부족으로 삽입시 조루증상 그리고 여성분 오르가즘늦기지 못한다 또한 페니션이 작다고 느끼는분들 이쪽으로 보세요 팔팔정,구구정,비닉스,센트립,네노마정,프릴리지,비맥스,비그알엑스 등 아주 많은 좋은제품들 취급하고 단골님 모시고 있는곳입니다.원하실경우 언제든 연락주세요 Zombie stories are life lessons for boys who don't mind thinking about bodies, but can't cope with emotions. Vampire stories are in many ways sex for the squeamish. We don't need Raj Persaud to tell us that plunging canines into soft warm necks, or driving stakes between heaving bosoms, are very basic sexual metaphors. There are now even whole sections of bookshops given over to the new genre of "supernatural romance". Maybe it was ever thus. Dr Polidori, who wrote the very first vampire novel, The Vampyr, based his central character very much on his chief patient, Lord Byron, and the Byronic "mad, bad and dangerous to know" archetype has been at the centre of both romantic and blood-sucking fiction ever since. Dracula, Heathcliffe, Rochester, Darcy and not to mention chief vampire Bill in Channel 4's new series True Blood are all cut from the same cloth. Meyer even claims that she based her first Twilight book on Pride and Prejudice, although Robert Pattinson, who plays the lead in the movie version, looks like James Dean in Rebel Without A Cause. Either way, vampire = sexy rebel. No zombie is ever going to be a pinup on some young girl's wall. Just as Pattinson and all the Darcy-alikes will never find space on any teenage boy's bedroom walls – every inch will be plastered with revolting posters of zombies. There are no levels of Freudian undertone to zombies. Like boys, they're not subtle. There's nothing sexual about them, and nothing sexy either.
팔팔정정품구입 카톡:ppt33 라인:pxp32 팔팔정파는곳 팔팔정정품구매 팔팔정처방 팔팔정후기
But pride was a funny thing. It could keep a man from reaching out and grabbing his wildest dreams. It could parade the past before the windows of your mind, making damn sure the pain and betrayal sank deep.
Anna Lowe (Rebel Alpha (Aloha Shifters: Pearls of Desire, #5))
The world is complete without us. Intolerable fact. To which the poet responds by rebelling, wanting to prove otherwise. Out of wounded vanity or stubborn pride or desolate need, the poet lives in chronic dispute with fact, and an astonishment occurs: another fact is created, like a new element, in partial contradiction of the intolerable. Indelible voice, though it has no impact on the non-human universe,
Louise Glück (Proofs & Theories: Essays on Poetry)
Speak no more of the hardships you’ve endured,” Sheridan said. “Not with more than half a million souls, yours and ours, lying in their graves because, for the most selfish of reasons, you willful, prideful, ignorant, arrogant, traitorous Rebels would destroy the finest country our Almighty Lord ever set upon His benighted earth.
Sarah Bird (Daughter of a Daughter of a Queen)
Proud - Another thing that our generation is filled with is pride. I penned an entire chapter about the “pride” of the LGBT community in my previous book. Their pride is no different than that of Lucifer. Pride is rebellion against the LORD and His Will. To be proud is to be self-centered, and to take great pleasure in a certain aspect of your life - whether looks, accomplishments, or lifestyle. Your way is the right way, and you could care less what others have to say or for what God thinks. The LGBTQ movement is a perfect example of the pride of the devil, because in their proud attitude they actually celebrate their sin. They are more than happy to rebel against Almighty God, because they feel that they’re right and He’s wrong. A lot of them are well aware that His Word says the way they are living is morally wrong, but they just don’t care. As long as it makes them feel good, the opinion of their Creator takes a back seat. It’s about them, and only them. They remind me of Lucifer with his five “I”s. We read in Isaiah 14:12-14, he said, “I will... I will... I will... I will... I will...” He was so puffed up in pride that he even said he would “be like” God. The LORD rebuked him, and said, no... “you will be brought down to Hell.” We all know how things turned
Michael Sawdy (Even More Signs of Our Times: MORE Biblical Reasons Why This Could Be the Generation of the Rapture)
The bad attitudes are displayed outwardly in the form of our words or actions, such a criticalness, rebellion, impatience, self pride, ego, uncooperative, discouragement, independence, presumption, arrogance, self-centeredness, rudeness , groaning,murmering disrespectful tone of voice, rolled eyes, sarcasm, stomping feet ,angry look , hitting the things etc .These are examples of bad attitudes which Christians should reject. We are the representative of God, and our behavior is part of demonstrating our relationship with God . We need to witness Christ and other people by being the imitators of God through our words, attitude, and actions. We have spent a life time developing patterns of sinful attitudes by rebelling against God in our thinking and behaviors. With commitment, true repentance & proper discipline we can replace these sinful bad attitudes with Godly behaviour.
Shaila Touchton
Commander Rahim!" She wrenched forward to meet him though one of our rebels still held her. "Let me go!" She turned, and with all the force in her tiny body, she slammed her heel down on his instep, forcing him to let her go with a violent string of curses far from fit for a little girl's ears. ... "I like her," Shazad said. "Here's hoping she's on our side." ... "I taught her that," Rahim said, with a hint of pride in his voice.
Alwyn Hamilton (Hero at the Fall (Rebel of the Sands, #3))
When a half-assed job doesn’t bother you, it speaks volumes about the kind of person you are. And until you start feeling a sense of pride and self-respect in the work you do, no matter how small or overlooked those jobs might be, you will continue to half-ass your life. I knew I had every reason in the world to rebel and remain a lazy motherfucker. I also sensed that would only make me more miserable, so I adapted. But no matter how well I did or how fast I completed a given task, there were no atta’ boys or weekly allowance. No ice cream cones or surprise gifts, hugs, or high fives. In Sgt. Jack’s mind, I was finally doing what I should have been doing all along. My grandparents weren’t ice-cold to everyone.
David Goggins (Never Finished: Unshackle Your Mind and Win the War Within)
MELODY HEIGHTS Life is a melody, a symphony of heights, Once very happy, now roller coaster heaven. Unexpected, like a whisper in the wind, A journey in time, a journey through restlessness. Stick to your decisions, don't let the wind blow, Because you have the right to stand your ground and say: In the dance of chaos, in the cosmic game, Wait and see, don't let the decline resolve itself. Life is strange like the fickle tide, But you have the strength within you to persevere. Stay positive, face the storm with pride, Because dreams will not hide in chaos. Creator of destiny, author of your story, In the furnace of struggle, where dreams prevail. Don't compromise on dreams, let them move forward, You are the brightest star, let the world breathe. The Struggle, Chapter One, The Great Story of God, Your story resonates throughout the country. The world knows the hand of your destiny, A story that cries, where dreams last. Don't be afraid of the fight, be a true rebel, Not for the world, but for "you." Ask every day, are you living your dream? In this life, make your dreams successful. Be a positive force in the scheme of the universe, As I write this, I feel inspiration glowing. Creating a story, a powerful ray, Keep your promise, make your dreams come true. You have the power to destroy the night, There is a power burning within us. Creator of destiny, shaper by power, Hold on to your dreams, light up the universe.
Manmohan Mishra
The covenant written on “tablets of stone” (the Ten Commandments) was deliberately designed by God to minister death (2 Cor. 3:6–9 and Rom. 7:9, 10) to the people described in Deut. 29:4 and Heb. 3:18–4:2. Those rebels did not need a rule of sanctification; they needed a law covenant to kill their conceit and pride—and God graciously gave them a legal covenant to do that very killing work. Do not confuse a gracious purpose (the giving of the legal covenant to convict lost sinners) with the nature of the law covenant that does the essential convicting work. Likewise, do not try to use the instrument that God specifically designed to administer death as the chief instrument in a believer’s conscience today to produce holy living.
John G. Reisinger (Abraham's Four Seeds)
My aunt went on, her voice cracking: “Clement should have heeded the emperor’s demands and offered up the money to pay the Imperial troops. Instead, he insisted on standing on his idiot pride and supporting the French, though the soldiers were knocking on his door.” She brandished her fists. “Now the Holy City is in flames and Florence rebels against us. He has doomed us all!
C.W. Gortner (The Confessions of Catherine de Medici)
But virtue, in that it has too much pride, is not wisdom.
Albert Camus (The Rebel: An Essay on Man in Revolt (Vintage International))
Six months later, though I still loathed the man, I changed my approach to the task list. I got up after the first wake-up call without delay. There would be no more early-morning baptisms for me. Instead, I focused on the details Sgt. Jack always noticed and finished each job right the first time. That was the only way I’d get any free time to play basketball. However, my new approach produced an unexpected side effect as well: a sense of pride in a job well done. In fact, that sense of pride came to mean more to me than basketball time. When I washed his car collection, a weekly assignment, I knew every drop of water had to be wiped away with a chamois before the first coat of wax. I used SOS pads to get the white walls gleaming and buffed the hell out of every panel. I also used Armor All on the dashboards and all the vinyl insides. I buffed the leather seats too. It bothered me if I saw streaks on the glass or chrome. I was annoyed if I missed a soiled spot or cut a corner here or there on any chore. I didn’t know it at the time, but that was a sign that I was actually healing. When a half-assed job doesn’t bother you, it speaks volumes about the kind of person you are. And until you start feeling a sense of pride and self-respect in the work you do, no matter how small or overlooked those jobs might be, you will continue to half-ass your life. I knew I had every reason in the world to rebel and remain a lazy motherfucker. I also sensed that would only make me more miserable, so I adapted. But no matter how well I did or how fast I completed a given task, there were no atta’ boys or weekly allowance. No ice cream cones or surprise gifts, hugs, or high fives. In Sgt. Jack’s mind, I was finally doing what I should have been doing all along.
David Goggins (Never Finished: Unshackle Your Mind and Win the War Within)
Life's a melody, a symphony of highs, Once so happy, now rollercoaster skies. Unpredictable, like whispers in the breeze, A journey through time, an odyssey of unease. Hold your decisions, let not the winds sway, For it's your right to stand firm and say, In the dance of chaos, in the cosmic play, Wait and watch, let not resolve decay. Life's capricious, like a fickle tide, But within you, a power to abide. Be positive, face the storm with pride, For in the chaos, dreams will not hide. Creator of destiny, author of your tale, In the crucible of struggle, where dreams prevail. Compromise not with dreams, let them set sail, You're the brightest star, let the world exhale. Struggle, a chapter, God's narrative grand, Your story, the echo, across the land. Known by the world, your destiny's hand, A tale that weeps, where dreams withstand. Fear not the struggle, be a rebel true, Not for the world, but for the "you." Ask daily, are you living your dream in view, In this one life, make your dreams breakthrough. Be the positive force in the universe's scheme, As I write this, I feel the motivation gleam. Creating a story, a powerful beam, Hold your promise, let your dreams redeem. You possess the power to dismantle the night, A force within, burning bright. Destiny's architect, shaping with might, Hold your dream, set the universe alight.
Manmohan Mishra (Self Help)
The ways of the world exalt themselves against God. They sometimes look rational and appealing to the most ernest disciple but Christ says to us then what He said to His disciples long ago, when many of them had given u pin disgust, "Do you also want to leave me?" If we answer as PEter did, "Lord to whom else shall we go? Your words are words of eternal life," our rebel thoughts are captured once more. The way of holiness is again visible.
Elisabeth Elliot (Discipline: The Glad Surrender)
If you can't be corrected, you have a problem with pride. If you rebel against authority, if you want to take all the credit and glory to yourself, if you say “I” too often, then you have a problem with pride. It
Joyce Meyer (A Leader in the Making: Essentials to Being a Leader After God's Own Heart)
In Japanese Zen Buddhism it is called "Mushi-dokugo", which means "awakening alone, without a master.
Victor Pride (New World Ronin: Strategies for Artists, Entrepreneurs, Rebels, Warriors and Outcasts)
The new world ronin is a warrior, a scholar and a businessman. The
Victor Pride (New World Ronin: Strategies for Artists, Entrepreneurs, Rebels, Warriors and Outcasts)
Build the brain through study, build the body through rigorous training and build the business with ruthless integrity.
Victor Pride (New World Ronin: Strategies for Artists, Entrepreneurs, Rebels, Warriors and Outcasts)
To learn how to help and lead others you must first learn how to help and lead yourself.  You must learn the ruthless self-discipline it takes to walk your own way and make your own path in life. To give orders to others you must first learn how to give orders to yourself and you must learn how to make yourself follow those orders.
Victor Pride (New World Ronin: Strategies for Artists, Entrepreneurs, Rebels, Warriors and Outcasts)
Hard times are necessary to develop the character of the ronin. Hard times are what shape hard men. The ronin in training must learn to live in and embrace hardship. Hardship is what toughens you up enough to be a leader.
Victor Pride (New World Ronin: Strategies for Artists, Entrepreneurs, Rebels, Warriors and Outcasts)
While you are playing the game you will not have a moment to reflect on how hard it was. Reflection is what ghosts of once great men are cursed to endure.  Reflecting means you are not moving forward, it means you are focusing on the past. The past is only an illusion and the only people who see this illusion are the ghosts of men who were once alive. Reflection is the enemy of action. You can only afford reflection when you have too much money or when you’re too old to play the game. Ronin in training are not allowed to reflect.
Victor Pride (New World Ronin: Strategies for Artists, Entrepreneurs, Rebels, Warriors and Outcasts)
Like Milton said, “Long is the way, and hard, that out of hell leads up to light.
Victor Pride (New World Ronin: Strategies for Artists, Entrepreneurs, Rebels, Warriors and Outcasts)
You must be the decision maker in your life because if it isn’t you, it’s someone else. Rather
Victor Pride (New World Ronin: Strategies for Artists, Entrepreneurs, Rebels, Warriors and Outcasts)
The first sin was rebellion, idolatry, treason, and pride, all rolled into a single bite. Both Adam and Eve made a conscious choice to rebel against their Creator and live on their own terms. And we imitate their decision every time we choose our desires over God’s.
Francis Chan (Multiply: Disciples Making Disciples)
Why me? I have committed no sin? Anyway, what is even a ‘sin’? Who determines it? It’s all about subjectivity. Determination is a process of interpretation which is based upon observation. While observation on the other hand is the actualized outcome of our perception. For me it’s a sin to defy our own subjectivity and deny its existence in order to live an illusory life that is born out of Thanatos; the death instincts including fear, pride and ego. The only objectivity that is to be achieved through our respective subjectivity is to be true to ourselves, shed the lies which we have been feeding to ourselves under the influence of others; embrace the idiosyncratic nature of our being. Even if it cost our lives, we die not in denial but in acceptance. Nobody is free from their fate of death, but until then we are free to choose either to be an object of other’s reality or to be a subject of our own; defining our own essence as we exist. Even if life is an endless journey of meaningless repetition, I shall not surrender to this inevitable fate. I shall walk through it at my own pace and with no baggage forced upon me whatsoever. Let this be as my act of rebel against it. I refuse to override the preordained absurdity, its fundamental repetition by self-induced repetition lying in the substratum of denial. I AM FREE; FREE TO BE MYSELF!
Aman Tiwari (Memoir: The Cathartic Night (Contemplating Temporality to Inevitability))
Persuading him to do so is no easy task. In this attempt, Menenius is joined by Volumnia, who shares his frustration that the stiff-necked Coriolanus could not dissemble just long enough to be elected. “Lesser had been/The taxings of your dispositions,” she tells her son, “if/You had not showed them how ye were disposed/Ere they lacked power to cross you” (3.2.20–23). Coriolanus’s response is “Let them hang,” to which his mother adds, “Ay, and burn too” (3.2.23–24). But cursing the people will not solve the problem. The only intelligent course of action, she says, is for Coriolanus to do what, in effect, the elite have always known how to do: to speak To th’ people, not by your own instruction, Nor by th’ matter which your heart prompts you, But with such words that are but roted in Your tongue, though but bastards and syllables Of no allowance to your bosom’s truth. (3.2.52–57) Just lie. Everyone shares this view, she assures him: “Your wife, your son, these senators, the nobles” (3.2.65). It is in Coriolanus’s power to solve the crisis he has provoked. The price he needs to pay is simply to behave, for once, like a politician. But for him this price is unbearably high. Everything in Coriolanus’s being—the fierce integrity and pride and spirit of command he has imbibed from his mother—rebels against playing so degrading a part. And the conflict is all the more unbearable because it is precisely his mother who now urges him to debase himself. “I prithee now, sweet son,” she tells him, as thou hast said My praises made thee first a soldier, so To have my praise for this, perform a part Thou hast not done before. (3.2.107–10) Volumnia understands perfectly well that her son’s sense of his manhood is at stake and that he has shaped his whole identity from the beginning by trying to please her. The scars that cover his body were never meant for theatrical display before the people; they were adornments offered only to her. But now, devastatingly enough, she tells him that he has been trying too hard: “You might have been enough the man you are/With striving less to be so” (3.2.19–20). Or, rather, he hears from his mother a demand for a different, even more painful form of masochism. She wants him, in his view, to be a beggar, a knave, a weeping schoolboy, or a whore. Worse still, she wants his “throat of war” to be turned “into a pipe/Small as an eunuch” (3.2.112–14). All right, he says, for her and her alone, he will in effect castrate himself: “Mother, I am going to the marketplace
Stephen Greenblatt (Tyrant: Shakespeare on Politics)
And then he noticed the flowers, dotting the breast of every man, woman, and child in Rebel Red. Pink corsages. Corsages like the ones that had been waiting for them at the hotel. In the crowds, on the home team sideline, on the overlay of every Pride of the South band member, and on the chest of every burly Ole Miss player. Each had the same pink corsage.  Their prom dates had arrived.
Shewanda Pugh (Wrecked (Love Edy Book Three))
Integrity without success is just 1/2. Success without integrity is just 1/2. Success with integrity is the whole.
Victor Pride (New World Ronin: Strategies for Artists, Entrepreneurs, Rebels, Warriors and Outcasts)
The good life is great but hard times are the fun times. Never
Victor Pride (New World Ronin: Strategies for Artists, Entrepreneurs, Rebels, Warriors and Outcasts)
I stopped thinking about what I needed and how I could get rich quick. I started thinking about what other people needed. The
Victor Pride (New World Ronin: Strategies for Artists, Entrepreneurs, Rebels, Warriors and Outcasts)
Ideas are useless without action and there are millions of business ideas that exist only in the ethereal world.
Victor Pride (New World Ronin: Strategies for Artists, Entrepreneurs, Rebels, Warriors and Outcasts)
Like Louie Simmons says, "If you don't constantly change, you don't get no better.
Victor Pride (New World Ronin: Strategies for Artists, Entrepreneurs, Rebels, Warriors and Outcasts)
Like Louie Simmons once said, “If you don’t constantly change you don’t get no better.
Victor Pride (New World Ronin: Strategies for Artists, Entrepreneurs, Rebels, Warriors and Outcasts)
It could just as easily have been me. That reminder of human frailty and the role that fortune and misfortune play in our lives prevented me from becoming too prideful. Better men than me had died over in the sandbox, often purely by chance. Were you in the lead vehicle, or at the tail end of the convoy? Sometimes it came down to which side of a vehicle you were sitting on when something went ka-boom. Why did the invisible shard of flying metal hit the Marine to your right instead of you?
Matthew Bracken (Castigo Cay (The Dan Kilmer "Rebel Yell" series Book 1))
The forces of the world, the old primitive powers that had ruled earth and water since the creation, were being set at defiance by man, weak, mortal man, who by virtue of the brain inside his fragile skull was able not merely to face the forces of the world but to bend them to his will, compel them to serve him. Nature sent this brisk westerly gale up the Channel; subtly and insidiously the Porta Coeli was making use of it to claw her way westward—a slow, painful, difficult way, but westward all the same. Hornblower, standing by the wheel, felt a surge of exultation as the Porta Coeli thrashed forward. He was like Prometheus stealing fire from the gods; he was the successful rebel against the blind laws of nature; he could take pride in being a mere mortal man.
C.S. Forester (Lord Hornblower)
It is a pitiable cowardice to try to overcome fear by ignoring the facts. We do not become masters of our fate by saying that we are. And such blatancy of pride, futile as it is, is not even noble in its futility. It would be noble to rebel against a capricious tyrant, but it is not noble to rebel against the moral law of God.
J. Gresham Machen (God Transcendent)
And without a backward glance, he strolled toward a knot of ambassadors, beginning his evening’s rounds. Leaving Isla in a state of unaccustomed disarray. Was she really going to let Lapis Mossberne seduce her? Some shred of feminist pride rebelled, but her romantic inclinations put up a good fight. In the end, she decided that yes, courting games appealed. She wanted to be adventurous for once.
Forthright . (Rhomiko and the Confirmed Bachelor (Amaranthine Saga Book 7))
Priding herself on being a risktaker didn’t mean a thing if she didn’t actually take a risk. With him.
Rebecca Zanetti (A Vampire’s Mate: A Dark Protectors/Rebels Novella)