Main Character Energy Quotes

I didn't have main character energy. I was more of the quirky, cute best friend with all the sage advice.

Romanticize your life a little. You only live once, and if you want to make your Sunday breakfast special, or if you just want to watch the stars one night instead of watching TV, or if you want to light all the candles and just read – do it. Make sure you enjoy your life, make sure you’re happy; nobody else is going to think about you as much as you think about yourself. Main character energy is what you’ll strive for.

Excuses are a great way to be on the sidelines of your own life.

I didn’t have main character energy. I was more of the quirky, cute best friend with all the sage advice.

I don’t believe in Devil or Satan (that is mainly Cristian), I believe in people that have bad character and bad energy because they created it.

Maybe confidence doesn’t come from being the best or thinnest or prettiest or most perfect, but just from showing up for yourself over and over.

the bravest thing you can do is support people and celebrate their success with as much excitement as it deserves. It’s funny, the more you celebrate others, the more you celebrate yourself.

I’ve realized that another person’s greatness takes nothing from my own. And that the bravest thing you can do is support people and celebrate their success with as much excitement as it deserves.

Adults tend to forget – or perhaps never appreciated in the first place if lifelong non-readers themselves – what a vital part of the process rereading is for children. As adults, rereading seems like backtracking at best, self-indulgence at worst. Free time is such a scarce resource that we feel we should be using it only on new things. But for children, rereading is absolutely necessary. The act of reading is itself still new. A lot of energy is still going into (not so) simple decoding of words and the assimilation of meaning. Only then do you get to enjoy the plot – to begin to get lost in the story. And only after you are familiar with the plot are you free to enjoy, mull over, break down and digest all the rest. The beauty of a book is that it remains the same for as long as you need it. It’s like being able to ask a teacher or parent to repeat again and again some piece of information or point of fact you haven’t understood with the absolute security of knowing that he/she will do so infinitely. You can’t wear out a book’s patience. And for a child there is so much information in a book, so much work to be done within and without. You can identify with the main or peripheral character (or parts of them all). You can enjoy the vicarious satisfaction of their adventures and rewards. You also have a role to play as interested onlooker, able to observe and evaluate participants’ reactions to events and to each other with a greater detachment, and consequent clarity sometimes, than they can. You are learning about people, about relationships, about the variety of responses available to them and in many more situations and circumstances (and at a much faster clip) than one single real life permits. Each book is a world entire. You’re going to have to take more than one pass at it.

There are certain women who seem to effortlessly embody what a woman is “supposed” to be. Lithe, elegant limbs. Shiny, long, perfectly tousled hair. Charming, but not overbearing or loud. Polite, soft voice. Coy, sexy, but not overt. Thin. Always thin. And you start to feel like if you don’t fit that ideal - if you age out of it or if your body puts you on the fringe of it, or your face does not have the exact symmetry - then you’ll never have the exact life you want. And then you start to accept less, because you can’t become the ideal.

If, in the case of Amfortas and the union of spear and Grail, only the sexual problem is discerned, we get entangled in an insoluble contradiction, since the thing that harms is also the thing that heals. Such a paradox is true and permissible only when one sees the opposites as united on a higher plane, when one understands that it is not a question of sexuality, either in this form or in that, but purely a question of the attitude by which every activity, including the sexual, is regulated. Once again I must emphasize that the practical problem in analytical psychology lies deeper than sexuality and its repression. The latter point of view is no doubt very valuable in explaining the infantile and therefore morbid part of the psyche, but as an explanatory principle for the whole of the psyche it is quite inadequate. What lies behind sexuality or the power instinct is the attitude to sexuality or to power. In so far as an attitude is not merely an intuitive (i.e., unconscious and spontaneous) phenomenon but also a conscious function, it is, in the main, a view of life. Our conception of all problematical things is enormously influenced, sometimes consciously but more often unconsciously, by certain collective ideas that condition our mentality. These collective ideas are intimately bound up with the view of life and the world of the past centuries or epochs. Whether or not we are conscious of this dependence has nothing to do with it, since we are influenced by these ideas through the very air we breathe. Collective ideas always have a religious character, and a philosophical idea becomes collective only when it expresses a primordial image. Their religious character derives from the fact that they express the realities of the collective unconscious and are thus able to release its latent energies. The great problems of life, including of course sex, are always related to the primordial images of the collective unconscious. These images are balancing or compensating factors that correspond to the problems which life confronts us with in reality.

When you know you need to be the hero of your own journey and give that main-character energy to the world, and that it’s you who’s responsible for carrying out daily habits that keep you grounded and focused on your bigger purpose, there’s no running from it.

If you interpret every difficult experience as a reason to not try, or have hope, or not believe in people and love, that's what life will become.

This makes me think of my mom and Margot. One who chose the traditional path, the other an unconventional one. They were both trying to survive in their own way. I wish they had been able to see that and reconcile their differences.

All you have to do is stay. And when you feel the urge to flee in fear, you don't. You stand firm. And you choose courage. You keep choosing courage over fear, until it feels natural. Until you realize you're the bravest person in the room.

I thought that I had to wait until I didn't feel afraid. I always thought that fear meant inadequacy, that confident people just feel capable all the time. But maybe I've had it all wrong...Maybe the fear never goes away. Maybe what changes is your response to it. Maybe you just keep choosing to be brave, every single day.

She got disappointed and life didn't always go her way, but she kept going. She kept trying. She didn't let herself get defeated for too long. And there is no doubt in my mind that you are stronger than your fear. Margot made a choice to live boldly, because she knew at any point she only had two choices: back away in fear or choose courage.

When Margot decided to choose courage, a funny thing happened: she always got braver. Fear doesn't like boldness. And regardless of what decisions you've made in the past, you can choose again. Choose courage.

That doesn't mean you won't doubt yourself or be afraid. Margot was always afraid when she took a leap of faith, but she just didn't let that stop her. She always said it's not about being fearless - its about doing it afraid.

She always said it's not about being fearless - its about doing it afraid.

How do I tap into that courage? All you have to do is stay. And when you feel the urge to flee in fear, you don't. You stand firm.

Life can continue to surprise you right up until the end, if you're brave enough to take risks.

I have been living in service of my fear for too long. And I did it again. Cowered in the face of it.

I need to be the main character in my own life. For good this time. No matter what external circumstances might get me down. All it takes is one loving and brave step at a time.

Yeah, I feel like, as women, we have to choose between two different dire4ctions to make it in this world, either we try to split from convention, set ourselves apart, break the rules. or we accept the rules and play along in order to make sure those doors open. And I can't blame any woman for whatever path she chooses.

Life is all about where you focus. I've been through a lot of tragedy and pain but I can't let it define me. I want to take chances, even if the outcome is uncertain or I could get hurt - or left at the dam alter.

It's so frustrating that all we want is to be understood and yet it sometimes feel impossible to find the people who do.

If you interpret every difficult experience as a reason to not try, or have hope, or not believe in people and love, that's what life will become. You'll look for evidence for why something isn't working for you. I choose to stay open, I don't want to spend my life afraid and guarded.

I guess confidence really is attractive.

I've realized that another person's greatness takes nothing from my own. And that the bravest thing you can do is support people and celebrate their success with as much excitement as it deserves. It's funny, the more you celebrate others, the more you celebrate yourself.

You can't think your way into loving yourself or feeling confident. So maybe I need to keep making one bold decision after another. Maybe I need to act in loving ways.

How many summer days I missed out on - it's too many to count. I hate that I still care more about how other people perceive my body, rather than how I feel about my body. I want so desperately to be someone who is unapologetic, who loves herself, who doesn't have to analyze every moment. I want to be be bold, adventurous - to say yes to life.

May, June, July, August, September, October; six times thirty days of sun sheer down on our heads; this summer of ours which is as long and glum as a Russian winter and against which we struggle with less success; you don’t know it yet, but fire could be said to snow down on us as on the accursed cities of the Bible; if a Sicilian worked hard in any of those months he would expend energy enough for three; then water is either lacking altogether or has to be carried from so far that every drop is paid for by a drop of sweat; and then the rains, which are always tempestuous and set dry river beds to frenzy, drown beasts and men on the very spot where two weeks before both had been dying of thirst. “This violence of landscape, this cruelty of climate, this continual tension in everything, and these monuments, even, of the past, magnificent yet incomprehensible because not built by us and yet standing around like lovely mute ghosts; all those rulers who landed by main force from every direction, who were at once obeyed, soon detested, and always misunderstood, their only expressions works of art we couldn’t understand and taxes which we understood only too well and which they spent elsewhere: all these things have formed our character, which is thus conditioned by events outside our control as well as by a terrifying insularity of mind.

If you interpret every difficult experience as a reason to not try, or have hope, or not believe in people and love, that’s what life will become. You’ll look for evidence for why something isn’t working out for you. I choose to stay open. I don’t want to spend my life afraid and guarded.

Creating art is a meditation on self-belief. Do you feel worthy to be seen? To be heard? The task of writing is incredibly daunting if you do not.

You tend to think that you are mainly the big blotches on the canvas: the big splashes that you want to draw attention to (you're aiming for the Olympics one day, you're into drag racing, you're working for a luxury company in Paris, so on and so forth). But those big blotches that you want to draw attention to aren't you, at the end of the day. At the end of the day, you are the tiny dots that you've pulled together, the small dots on your canvas which you've pulled together that make up the fundamental person that you are: the way you put a flower on your slice of cake, the way you mop your floor three times because once isn't good enough, the way that you nurture another person who is growing on the same path you have already been through, so on and so forth. You are the accumulation of the attention that you put into your daily, mundane actions which lend life to your existence. Or character to your daily life. That is you. That is what you have to give. That is your energy. Your big blotches have no power if your little dots are not accounted for.

Suppose you’re sitting at home watching TV. You’re enjoying the program until the two main characters fall in love. Suddenly you feel loneliness, but there’s no one around to give you attention. Interestingly, you were fine just a few minutes ago. This example shows that the thorn is always in your heart; it’s just not activated until something touches it. You feel the reaction as a hollowness or a dropping sensation in your heart. It feels very uncomfortable. A sense of weakness comes over you, and you begin thinking about other times when you were left alone and of people who have hurt you. Stored energy from the past releases from the heart and generates thoughts. Now, instead of enjoying TV, you’re sitting alone caught in a wave of thoughts and emotions. What can you do to solve this besides eating something, calling somebody, or doing something else that might quiet it down? What you can do is notice that you noticed. You can notice that your consciousness was watching TV, and now it is watching your inner melodrama. The one who sees this is you, the subject. What you are looking at is an object. A feeling of emptiness is an object; it is something you feel. But who feels it? Your way out is to just notice who’s noticing. It’s really that simple. It is much less complex than the protective apparatus with all its ball bearings, wheels, and hydraulics. All you have to do is notice who it is that feels the loneliness. The one who notices is already free. If you want to be free of these energies, you must allow them to pass through you instead of hiding them inside of you.

The sixth chakra is called the Agnya which is found in the forehead. The single is the reigning world. The Chakra of Agnya contains our ego and our conditioning. On the other hand the Sun forms our character and sense of being in accordance with the energy of the sign in which it is situated. "I'" is the keyword The sign in which the Sun is located is our main sign, and it signifies the stage of evolution with which we were born on this earth as well as the lessons we need to learn in life. It is what constitutes our sense of identity. We all have distinct identities which make us unique. Our family, education, friends, view of the world, the teams we support, and so on. All identities, however, are created by our ego. When our Agnya chakra opens our ego and conditioning cannot rule over us. We perceive our spirit within us which is a deeper identity. We continue to create modesty within us, and the fact that we are pure spirit. Dominant sun energy in the birth chart can make a dominant, conceited and selfish person. What blocks the sixth chakra is pride that makes a person feel superior to others. Other than this, redemption is dawning within us as we sense the pure spirit within each. •       Our Sahasrara, the seventh chakra, is the fontanelle area on top of our head which was soft when we were small. The governing planet is the Sun, which controls the Cancer sign as well. The chakra of Sahasrara is above all chakras, and consists of a combination of all the chakras on top of our head. Emotions, instincts, and mind are governed by the Moon. The opening of the seventh chakra helps integrate the chakras within us and establishes a strong connection between us and the cosmic energy. This incorporation beyond consciousness carries an individual. Throughout astrology, the moon determines our character's unconscious state, implying a region outside our consciousness. This unconscious state has always existed, and it will always exist, since it is the all-pervading power that embraces the whole universe. The Sahasrara chakra is a door that opens to the knowledge of the all-pervading forces from our individual consciousness. At the time of birth, a bright moon makes a person receptive, instinctive, imaginative, sacrificial, capable of understanding others and spiritual. The Moon also reflects prosperity, femininity and motherhood experiences that have grown within us. In a birth chart with a dominant moon, the personality has a changing nature, because the moon is the fastest to tour the zodiac. The energy which it reflects changes and flows constantly. The moon also affords a good adaptability. Likewise, the universe is constantly changing and flowing too. When our seventh chakra is open and connected to the universal energy, we feel like a drop mixed in the ocean and our being is in harmony with that great flow.

Your life is happening now. Don’t you dare waste it.

But I’ve realized that another person’s greatness takes nothing from my own. And that the bravest thing you can do is support people and celebrate their success with as much excitement as it deserves.

for permission or to look a certain way. Just show up and try.

Petunias don’t really have main character energy either. They’re incredible flowers. Easy to grow and a great complement to other plants since they come in so many colors. But they’re never going to be the showstopper. The main feature. They’re a sidekick. Just like me.

Jailbreak: Roblox Jumper – Jump, Escape, and Survive in Style If you’re a fan of fast-paced platformers with a twist of creativity and chaos, Jailbreak: Roblox Jumper is the perfect game to test your reflexes and strategy. Set in a prison escape scenario inspired by the popular Roblox universe, this game combines platforming mechanics, obstacle navigation, and high-speed jumping action for a unique experience. Whether you're dodging guards, leaping over electric fences, or hopping from rooftop to rooftop, Jailbreak: Roblox Jumper keeps you on your toes with every second of gameplay. And if you're into jump-based games, we’ll also introduce some related titles like Mine Jump, which bring a similar sense of excitement and challenge. What Is Jailbreak: Roblox Jumper? Jailbreak: Roblox Jumper is an action-packed arcade game where you play as a daring inmate trying to escape a high-security prison. Your main tool? The power of jumping. The objective is simple: survive, escape, and stay ahead of traps, guards, and deadly drops. Inspired by the aesthetics and creative style of Roblox games, it features blocky 3D visuals, customizable characters, and a world full of dynamic obstacles. Each level or run gets progressively more difficult, challenging you to jump with precision, time your moves carefully, and avoid getting caught. What makes it exciting: Dynamic environments – From prison cells to rooftops and escape tunnels. Fast reflex gameplay – Quick jumps, rolling traps, and fast-paced chases. Customizable avatars – Add your personal Roblox-style flair. Endless replayability – Try to beat your own escape time or challenge friends. Why Jailbreak and Jump Mechanics Work So Well Jumping games have always had a special place in the world of arcade and casual gaming. They’re easy to pick up but require practice to master. Jailbreak: Roblox Jumper taps into that formula while adding fun themes and storytelling. The jailbreak concept adds urgency, while the jump-based controls make every level feel like a puzzle. It’s not just about jumping high — it’s about jumping smart. Related Games You Should Try If you're enjoying the energy of Jailbreak: Roblox Jumper, here are a few other jumping games you’ll probably love, starting with the pixel-perfect world of Mine Jump.