Rebel Moon Quotes

We've searched our database for all the quotes and captions related to Rebel Moon. Here they are! All 47 of them:

Ireland is a land of poets and legends, of dreamers and rebels. All of these have music woven through and around them. Tunes for dancing or for weeping, for battle or for love.
Nora Roberts (Tears of the Moon (Gallaghers of Ardmore, #2))
The sea loved the moon When she was supposed to love the shore. The moon knew And hence made his intentions known. That she should love the shore Who was destined for her. Yet his protests seemed weak. And even when he pushed her towards the shore- She always retreated back. To want, to need, to love the moon For all she's worth. Everyone said, it wasn't meant to happen. Yet, the Tsunami rose that night for their union.
Saiber (Stardust and Sheets)
You're the moon and I’m the tides. You pull me in without even trying, and I come to you willingly. I always will.
Lyla Sage (Swift and Saddled (Rebel Blue Ranch, #2))
To struggle against the weight of sleep as reality eclipses the moon of your dreams is the purest sign of true love.
Ross Caligiuri (Dreaming in the Shadows)
The sky was black, the moon visiting some other part of the world, as Scarlett took her first step into Caraval. Only a few rebel stars held posts above,
Stephanie Garber (Caraval (Caraval, #1))
You say you're not nice, or warm, or bright, or any of these other stupid fucking words that people use to describe the sun, but I never asked you to be the sun. I would rather have the moon anyway.
Lyla Sage (Swift and Saddled (Rebel Blue Ranch, #2))
I'm an alien in my own world, a writer without words, a musician without a piano, a magician without a wand. I am fooled by infinite words that rush in my blood, yet imprisoned by the very thoughts of silence. I'm a gray green fallow leaf on trees and abandoned on the streets, a never-ending spring season and an eternal autumn. I'm the golden of the sun and the silver of the moon, the fog of dawn and the amber of dusk. I'm the white and the red flag , the obedient and the rebel. I am the coward in the brave, and the child in the man. I am, but a writer.
Nema Al-Araby (Remnants and Ashes)
Dance me slowly along a moonlit path, Soaked with light from moon and stars above, Hold my hand and whistle a tune, Dance me slowly to the edge of Love. Waltz here with me on forest grass, Soft ballet pirouettes round sun dappled trees, Hold my hand and hum a tune, Catch my freshly blown kiss off the breeze.
Michelle Geaney (Under These Rebel Skies)
Save the drama for the queens. Stand alone be a wolf, a rebel, a warrior, a savage, a badass. Be anything but a damn drama queen!
Melody Lee (Moon Gypsy)
He clutched her to him with a desperate strength that almost hurt. "I will love you for your light, if you can love me through the dark times. And that love will be like the clear night sky when the moon is full. Not like the sun....but beautiful and bright enough to find our way.
Kerrigan Byrne (The Duke (Victorian Rebels, #4))
She looked up at him with those eyes, and Dougan experienced a pang of love so intense and ferocious it felt as though it didn't belong in this holy room. He began the incantation he remembered from watching once from behind his mother's skirts when he was young. 'Ye are blood of my blood, and bone of my bone. I give ye my body, that we two might be one. I give ye my spirit, 'til our life shall be done.' Farah needed a bit of prompting to remember all the words, but she said them with such fervency that Dougan was touched. Slipping a ring of a willow herb vine onto her finger, he recited the sacred olde vows with perfect clarity, but translated them into English for her sake. 'I made ye my heart At the rising of the moon. To love and honor, Through all our lives. May we be reborn, May our souls meet and know. And love again. And remember.' She looked lost and mystified for a moment, then announced, "Me, too.
Kerrigan Byrne (The Highwayman (Victorian Rebels, #1))
Put your arms around my waist, Hold me close for a kiss and savour the taste, I love you now I love you true, Can I drown please in your eyes so blue? Let’s hang our hearts on a crescent moon, And skinny-dip in starlit lakes to loves sweet tune, Let’s dance on boithrins grassy line, And waltz 'Neath the canopied leaves of nature fine. Lets sit afore fires on a winters night Let me read you poetry aloud by candlelight, Let’s lay under the skylight and tell constellations apart, And I’ll remind you of the place you have in my heart.
Michelle Geaney (Under These Rebel Skies)
The girl who chases stars landed on the moon, planted her flag, and I’ve been hers ever since.
Kennedy Ryan (The Rebel King (All the King's Men, #2))
I refuse to share the thoughts of the ordinary. I am the outsider not because they expelled me but because I expelled them! I have rejected the world. I am contra mundum. I have climbed on top of the moon and deflected the earth from its path. I have put out the fires of the sun with just one of my tears.
Mark Romel (The Mistletoe Murders: A Nietzschean Murder Mystery)
I am an artist, and a rebel one at that. I live in the voluptuous dimension of imagination, so if you're expecting normalcy (dullness) from me, sorry to disappoint, but you're quite mistaken. Ordinary is not my best attire, I've tried it and normal just never fit quite right. I will always be the crazy one who believes in magic, unicorns and impossible dreams. But also love, compassion and empathy.
Melody Lee (Moon Gypsy)
I am a child of war. To truly love and be loved, I… I don’t know if I’m capable of either
V. Castro (Rebel Moon Part One - A Child Of Fire: The Official Movie Novelization)
The very idea of love, of family, was beaten out of me. I was taught that love is weakness. And I… I don’t know how that will ever change.
V. Castro (Rebel Moon Part One - A Child Of Fire: The Official Movie Novelization)
I want to love you till the end of time. Till the moon goes dark and the stars fade out.
Saffron A. Kent (Bad Boy Blues (St. Mary’s Rebels #0))
You say you're not nice, or warm, or bright, or any of these other stupid fucking words that people use to describe the sun, but I never asked you to be the sun. I would rather have the moon anyway.
Lyla Sage (Swift and Saddled (Rebel Blue Ranch, #2))
What about those of us who just don’t fit in, who feel as if we were born on the Wrong Planet, or in the wrong time period? Where did we come from? Is this a whole counter-culture that’s new to the planet, moving us forward? Have we finally reached the Age of Aquarius? Is it now! Is the moon in the seventh house? Has Jupiter finally aligned with Mars? And are we right now getting ready to see mystic crystal revelation where love will steer the stars? Afraid not. There have always been people who see the world differently from everyone else. And there always will be. If you’re one of the ‘chosen ones’ then you come from a long line of Gypsies, tramps and thieves, of rebels and revolutionaries, of pagans, infidels and sceptics. This is your heritage, and you have much to be proud of
Karl Wiggins (Wrong Planet - Searching for your Tribe)
This is the last part. I have to get through it, and then I’ll walk away. Forever. I’ll start my life. “It’s every lover’s wish to be with the one they love. But I’ll never wish for more time with you. I’ll pray that we never cross each other’s paths. That this be our last meeting. Because this love that I have for you, I’m very protective of it. I know if I stay, you’ll kill it one day. You’ll take it away from me. And I can’t let that happen. I want to love you till the end of time. Till the moon goes dark and the stars fade out. “Yours, me.
Saffron A. Kent (Bad Boy Blues (St. Mary’s Rebels, #0))
It's made of poetry and art and lost hearts enhanced in magic It's the kingdom of love, where free spirits find their resilience It's the dream catcher of lost passion and deep silence It's the torso where rebel souls find their homeland It's the beginning of a dream and the end of another It's what keeps you up in the night, when you're breathing dreams It's that madness of artists caught in the wind It's the night on a full moon drown between chimeras It's you making love to me, under the blessings of Seine..." (fragment from "Paris", chapter Hope)
Claudia Pavel (The odyssey of my lost thoughts)
So here, twisted in steel, and spoiled with red your sunlight hide, smelling of death and fear, they crushed out your throat the terrible song you sang in the dark ranges. With what crying you mourned him! - the drinker of blood, the swift death-bringer who ran with you so many a night; and the night was long. I heard you, desperate poet, Did you hear my silent voice take up the cry? - replying: Achilles is overcome, and Hector dead, and clay stops many a warrior's mouth, wild singer. Voice from the hills and the river drunken with rain, for your lament the long night was too brief. Hurling your woes at the moon, that old cleaned bone, till the white shorn mobs of stars on the hill of the sky huddled and trembled, you tolled him, the rebel one. Insane Andromache, pacing your towers alone, death ends the verse you chanted; here you lie. The lover, the maker of elegies is slain, and veiled with blood her body's stealthy sun.
Judith A. Wright
Be witness to me, O thou blessed moon […] O sovereign mistress of true melancholy, The poisonous damp of night dispunge upon me, That life, a very rebel to my will, May hang no longer on me. Throw my heart Against the flint and hardness of my fault, Which being dried with grief will break to powder, And finish all foul thoughts.
William Shakespeare (Antony and Cleopatra)
Apoi, buzele mi s-au desprins de gură, s-au ridicat şi după câteva exerciţii mortale de zbor, au aterizat pe gâtul ei fin. Cel mai fin gât pe care specia umană l-a conceput în milioanele de ani de selecţie naturală. Nemiloasă. Au tremurat la atingerea pielii şi apoi s-au rătăcit printre firele de păr rebele, ca într-o grădină suspendată. Într-o zi ele vor rescrie Cartea Cărţilor, iar ea va fi mama tuturor celor ce vor veni."SCRISORI CATRE RITA
KAOS MOON
But you must admit,it's taking up an inordinate amount of your time. Why it's taken us six months to have dinner together." "Is that all?" He misinterpreted the quiet response, and the gleam in her eyes.And leaned toward her. She slapped a hand on his chest. "Don't even think about it.Let me tell you something,pal.I do more in one day with my school than you do in a week of pushing papers in that office your grandfather gave you between your manicures and amaretto lattes and soirees. Men like you hold no interest for me whatsoever,which is why it's taken six months for this tedious little date.And the next time I have dinner with you,we'll be slurping Popsicles in hell.So take your French tie and your Italian shoes and stuff them." Utter shock had him speechless as she shoved open her door.As insult trickled in,his lips thinned. "Obviously spending so much time in the stables has eroded your manners, and your outlook." "That's right, Chad." She leaned back in the door. "You're too good for me. I'm about to go up and weep into my pillow over it." "Rumor is you're cold," he said in a quiet, stabbing voice. "But I had to find out for myself." It stung,but she wasn't about to let it show. "Rumor is you're a moron. Now we've both confirmed the local gossip." He gunned the engine once,and she would have sworn she saw him vibrate. "And it's a British tie." She slammed the car door, then watched narrow-eyed as he drove away. "A British tie." A laugh gurgled up,deep from the belly and up into the throat so she had to stand, hugging herself, all but howling at the moon. "That sure told me." Indulging herself in a long sigh, she tipped her head back,looked up at the sweep of stars. "Moron," she murmured. "And that goes for both of us." She heard a faint click, spun around and saw Brian lighting up a slim cigar. "Lover's spat?" "Why yes." The temper Chad had roused stirred again. "He wants to take me to Antigua and I simply have my heart set on Mozambique.Antigua's been done to death." Brian took a contemplative puff of his cigar.She looked so damn beautiful standing there in the moonlight in that little excuse of a black dress, her hair spilling down her back like fire on silk.Hearing her long, gorgeous roll of laughter had been like discovering a treasure.Now the temper was back in her eyes,and spitting at him. It was almost as good. He took another lazy puff, blew out a cloud of smoke. "You're winding me up, Keeley." "I'd like to wind you up, then twist you into small pieces and ship them all back to Ireland." "I figured as much." He disposed of the cigar and walked to her. Unlike Chad, he didn't misinterpret the glint in her eyes. "You want to have a pop at someone." He closed his hand over the one she'd balled into a fist, lifted it to tap on his own chin. "Go ahead." "As delightful as I find that invitation, I don't solve my disputes that way." When she started to walk away, he tightened his grip. "But," she said slowly, "I could make an exception." "I don't like apologizing, and I wouldn't have to-again-of you'd set me straight right off." She lifted an eyebrow.Trying to free herself from that big, hard hand would only be undignified.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Then, if he says he loves you, It fits your wisdom so far to believe it As he in his particular act and place May give his saying deed; which is no further Than the main voice of Denmark goes withal. Then weigh what loss your honour may sustain If with too credent ear you list his songs, Or lose your heart, or your chaste treasure open To his master importunity. Fear it, Ophelia, fear it, my dear sister. And keep you in the rear of your affection, Out of the shot and danger of desire. The chariest maid is prodigal enough If she unmask her beauty to the moon. Virtue itself 'scapes not calumnious strokes. The canker galls the infants of the spring Too oft before their buttons be disclosed; And in the morn and liquid dew of youth Contagious blastments are more imminent. Be wary then. Best safety lies in fear. Youth to itself rebels, though none else near.
William Shakespeare (Hamlet)
Once the purging has taken place, the woman often dreams of a black goddess who becomes her bridge between spirit and body. As one aspect of Sophia, such an image can open her to the mystery of life being enacted in her own body. Her "mysterious and exotic darkness" inspires a particular depth of wonderment and love. For a woman without a positive mother, this "dark" side of the Virgin can bring freedom, the security of freedom, because she is a natural home for the rejected child. The child born from the rejected side of the mother can bring her own rebel to rest in the outcast state of Mary. In loving the abandoned child within herself, a woman becomes pregnant with herself. The child her mother did not nourish, she will now nourish, not as the pure white biblical Virgin who knew no Joseph, but as the dark Montserrat Virgin who presides over "marriage and sex, pregnancy and childbirth." The Black Madonna is nature impregnated by spirit, accepting the human body as the chalice of the spirit. She is the redemption of matter, the intersection of sexuality and spirituality. Connecting to this archetypal image may result in dreams of a huge serpent, mysterious, cold­blooded, inaccessible to human feeling. Seen as an appendage of the negative mother, it is the phallus stolen from the father and used to guard inviolate purity. Yet this same snake, when seen in relation to the moon, symbolizes the dark, impersonal side of femininity and at the same time its capacity to renew itself. The daughter who can come out from under the skin of the negative mother will not perpetuate her but redeem her. The Black Madonna is the patron saint of abandoned daughters who rejoice in their outcast state and can use it to renew the world.
Marion Woodman (The Pregnant Virgin: A Process of Psychological Transformation)
Marilee lay perfectly still,waiting for her world to settle.She had to fight the unreasonable urge to weep. Wyatt's face was pressed to the hollow of her throat,his breathing rough, his damp body plastered to hers. He nuzzled her neck. "Am I too heavy?" "Umm." It was all she could manage. "You all right?" "Umm." "Did anybody ever tell you that you talk too much?" "Umm." He brushed his mouth over hers. "If you hum a bit more,I might be able to name that tune." That broke the spell of tears that had been threatening and caused her to laugh. She wrapped her arms around his neck and kissed him back. "Have I told you how much I like your silly sense of humor?" "No,you haven't." He rolled to his side and gathered her into his arms,nuzzling her cheek,while his big hands moved over her hip,her back,her waist, as though measuring every inch of her. "What else do you like about me?" "You fishing for compliments?" "Of course I am." "Glutton. Your sense of humor isn't enough?" "Not nearly enough.How about my looks?" "They're okay,for a footloose rebel." "Stop.All these mushy remarks will inflate my ego." He gave a mock frown. "How about the way I kiss?" "You're not bad." "Not bad?" His hands stopped their movement. He drew a little away. "That's all you can say?" "If you recall,tonight was the first time we've kissed.I haven't had nearly enough practice to be a really good judge of your talent." "Then we'd better take care of that right now." He framed her face. With his eyes steady on hers, he lowered his mouth to claim her lips. Marilee's eyelids fluttered and she felt an explosion of color behind them. As though the moon and stars had collided while she rocketed through space. It was the most amazing sensation, and, as his lips continued moving over hers,she found herself wishing it could go on forever. When at last they came up for air, she took in a long,deep breath before opening her eyes. "Oh,yes,rebel.I have to say,I do like the way you kiss." "That's good,because I intend to do a whole lot more of it." He lay back in the grass,one hand beneath his head. "Now it's my turn.Want to know all the things I like about you?" "I'm afraid to hear it." Marilee lay on her side,her hand splayed across his chest. "Besides your freckles,which I've already mentioned,the thing about you I like best is your take-charge attitude." She chuckled. "A lot of guys feel intimidated by that." "They're idiots.Don't they know there's something sexy about a woman who knows what to do and how to do it? I've watched you as a medic and as a pilot, and I haven't decided which one turns me on more." "Really?" She sat up. "Want me to fetch my first-aid kit from the plane? I could always splint your arm or leg and really turn you on." He dragged her down into his arms and growled against her mouth, "You don't need to do a single thing to turn me on. All I need to do is look at you and I want you." "You mean now? Again? So soon?" "Oh,yeah." "Liar.I don't believe it's possible." "You ought to know by now that I never say anything I can't back up with action." "Prove it,rebel." "My pleasure." There was a wicked smile on his lips as he rolled over her and began to kiss her breathless,all the while taking her on a slow,delicious ride to paradise.
R.C. Ryan (Montana Destiny)
You sit and lean against the wall, and look at the beautiful, riddlesome totality. The Summa52 lies before you like a book, and an unspeakable greed seizes you to devour it. Consequently you lean back and stiffen and sit for a long time. You are completely incapable of grasping it. Here and there a light flickers, here and there a fruit falls from high trees which you can grasp, here and there your foot strikes gold. But what is it, ifyou compare it with the totality, which lies spread out tangibly close to you? You stretch out your hand, but it remains hanging in invisible webs. You want to see it exactly as it is but something cloudy and opaque pushes itself exactly in between. You would like to tear a piece out of it; it is smooth and impenetrable like polished steel. So you sink back against the wall, and when you have crawled through all the glow- ing hot crucibles of the Hell of doubt, you sit once more and lean back, and look at the wonder of the Summa that lies spread out before you. Here and there a light flickers, here and there a fruit falls. For you it is all too little. But you begin to be satisfied with yourself, and you pay no attention to the years passing away. What are years? What is hurrying time to him that sits under a tree? Your time passes like a breath of air and you wait for the next light, the next fruit. The writing lies before you and always says the same, if you believe in words. But if you believe in things in whose places only words stand, you never come to the end. And yet you must go an endless road, since life flows not only down a finite path but also an infinite one. But the unbounded makes you53 anxious since the unbounded is fearful and your humanity rebels against it. Consequently you seek limits and restraints so that you do not lose yoursel£ tumbling into infinity Restraint becomes imperative for you. You cry out for the word which has one meaning and no other, so that you escape boundless ambiguity. The word becomes your God, since it protects you from the countless possibilities of interpretation. The word is protective magic against the daimons of the unending, which tear at your soul and want to scatter you to the winds. You are saved if you can say at last: that is that and only that. You spealc the magic word, and the limitless is finally banished. Because of that men seek and make words.54 He who breaks the wall ofwords overthrows Gods and defiles temples. The solitary is a murderer. He murders the people, because he thus thinks and thereby breaks down ancient sacred walls. He calls up the daimons of the boundless. And he sits, leans back, and does not hear the groans of mankind, whom the fearful fiery smoke has seized. And yet you cannot find the new words if you do not shatter the old words. But no one should shatter the old words, unless he finds the new word that is a firm rampart against the limitless and grasps more life in it than in the old word. A new word is a new God for old men. Man remains the same, even if you create a new model of God for him. He remains an imitator. What was word, shall become man. The word created the world and came before the world. It lit up like a light in the darkness, and the darkness did not comprehend it.55 And thus the word should become what the darkness can comprehend, since what use is the light if the darkness does not comprehend it? But your darkness should grasp the light. The God of words is cold and dead and shines from afar like the moon, mysteriously and inaccessibly: Let the word return to its / creator, to man, and thus the word will be heightened in man. Man should be light, limits, measure. May he be your fruit, for which you longingly reach. The darkness does not compre- hend the word, but rather man; indeed, it seizes him, since he himself is a piece of the darkness. Not from the word down to man, but from the word up to man: that is what the darkness comprehends. The darkness is your mother; she is dangerous.
C.G. Jung
I Hope You Win I hope you win I hope you find your deepest desire In the whispers of your heart's happiest song I hope you get to feel the warmth of the sun As it shines light upon all your night time wishes I hope the love you seek is what you find when you search your own soul I hope that you love yourself as much as I love you I hope the stars keep your dreams alive Bursting with colour and beaming through moon-lit skies And lastly I hope that what I hope for you You find in your heart to hope for me too I hope you win
Christine Evangelou (Exit Point: Arrows From a Rebel Heart)
Lullaby, and goodnight, my sweet, the skies are dark but the stars are bright, May the moon’s silvery beams bring you endless sweet
Frost Kay (Rebel's Blade (The Aermian Feuds, #1))
You see, a king is a man, and a man can fail or betray. But a myth is indestructible.
V. Castro (Rebel Moon Part One - A Child Of Fire: The Official Movie Novelization)
I fear we lost some measure of our honor since that betrayal. I’m afraid our compassion, our kindness, our very joy, died with that young girl.
V. Castro (Rebel Moon Part One - A Child Of Fire: The Official Movie Novelization)
Rebellion is not for the impulsive or fool - hardy. It is for the truth seekers, the restless, the real third - eye seers who believe the howls of the soul create miracles. Rebels manifest change. Now tell me, are you a rebel?
V. Castro (Rebel Moon Part One - A Child Of Fire: The Official Movie Novelization)
You say you’re not nice, or warm, or bright, or any of these other stupid fucking words that people use to describe the sun, but I never asked you to be the sun.” I rolled my eyes, trying to move them in a way that would stop the tears from falling. “I would rather have the moon anyway.
Lyla Sage (Swift and Saddled (Rebel Blue Ranch, #2))
May you touch dragonflies and stars, dance with fairies, and talk to the moon ~ unknown
L.M. Terry (Avenging Skulls (Rebel Skulls MC #4))
Keir—" "No." He didn't even look at me. "Keir, it has to be someone who speaks Xyian. It should be me. I am a Daughter of Xy. Queen of Xy." "And touched by the moons if you think I will allow you to approach those walls." Keir focused on me, his gaze intent. Marcus, Epor and Isdra were glaring at me. Even Rafe and Prest, who entered the shelter of the tree once the warleaders had left, were glaring at me. I smiled sweetly at them. "This is going to be a problem, isn't it," Keir asked. "Yes," the others chorused. Keir growled. "Lara, if the village is rebelling, and if this is an organized response, they will try to pull others to their cause. Who would they want to kill first and foremost?" "You," I answered promptly. That stopped him, but he gave me one of those patient looks. "And after me?" "Iften." "No." He frowned, upset. "Do not play with me, Lara." He put his hands on his hips. "Perhaps the best answer would involve chains and a tree." I glared right back at him.
Elizabeth Vaughan (Warsworn (Chronicles of the Warlands, #2))
Rebellious"™ You're a barefoot odyssey, perched on a granite counter. Perched on edgeless intensity and arched reasoning. Why do I succumb to valiant persuasions? Just shatter me with your mammoth reality, break me into shards you think will clatter. But, I'm not made of material gravity I'm a symphony of notes looking to burst free! Call me lyrical, call it mercy, call this poetic justice and end my dispassionate existence so criminal. Bang your gavel against my criminalistic loins, I'm guilty of animalistic tendencies and tamed to humanoid inadequacies. I can shatter you in all aspects, and put you back in form in all retrospectives. I do not care to mold you into material to use as an art plateau. My hilly curves canvas's your mighty sword, burst free! Sing to me! Write me your lies. I beckon to endure your truths passionately, injustice webbed upon us is it poetic? Or law abiding? Where will it begin? Where will it end? Time has frozen around me, and all I can think of is this consumption of you. Wholely intoxicating, and wholely seductive. And I can't decide; When your limbs are apart and pinned displayed like a canvas to be ravaged, will you be entirely vulnerable to my demonstrations? Or will you swallow me whole? Swallow you, wallow in you... I'm invaded by your touch. Caught up! Caught up! Caught up! So caught up to us. I say; just lay down my body, tie up my mind, spank my assets, kisses so low and divine. This hasn't yet fully begun, and for sure won't end soon. So meet in our place of desire this noon, when footsteps cross the moon. Darkness descends during daylight when I draw the curtains tight, shutting out the world that claims our time. Now you're mine, you can't escape me, you can't escape this! I won't let you! Now you're a convoluted odyssey subdued by ministration firm, tender, meticulous, smitten, sensitized and shackled. You're a richly tainted taste of sin. A resolute candle of insatiable inspiration. Whose wick lit quick, whose burn smoulders on. Lights out, darkness nears and you burn within me. If I'm a sin, get on bended knees. Prey on me, and you're forgiven. To hell with Mary I want to cum quick see? Rebel no more, we've found retribution! Call it retribution, call it mercy, call this poetic justice, call this confession. I want the marks of your claws to escort me out the door. I want the ruthless indulgence of rebellion tattooed across your psyche! Exhale my name, and blow the flame out! I'll lay and lay som more, till the next time my rebellious lover comes through the door...
DragonPoetikFly© & Roger Brightley©
**Verse 1:** In the neon glow, where the cowboys roam You've got that look, makes me feel at home With a rockin' riff, and a rebel cheer We're the talk of the town, when we're both in gear **Chorus:** I know you want me, it's a wild, clear sign With the drums a-thumpin' to this heart of mine I know you need me, like the desert needs the rain So let's crank it up, let our spirits soar again **Verse 2:** We're two-steppin' closer, with every beat The rhythm's got us movin', from our heads to our feet There's magic in the music, and sparks in the air With every little glance, I catch, I know we're quite the pair **Bridge:** Let's hit the highway, under the stars so bright With the amps turned up, in the heat of the night We'll ride this song, like a steel horse dream 'Cause I know you want me, we're the perfect team **Chorus:** I know you want me, it's a wild, clear sign With the drums a-thumpin' to this heart of mine I know you need me, like the desert needs the rain So let's crank it up, let our spirits soar again **Outro:** So let's raise our glasses, to nights like these Where the music's our language, and you're all I wanna read We'll dance 'til the morning, under the moon's soft gleam 'Cause I know you want me, and you're my country dream
James Hilton-Cowboy
You’re the moon,” he said. “And I’m the tides. You pull me in without even trying, and I come to you willingly. I always will.
Lyla Sage (Swift and Saddled (Rebel Blue Ranch, #2))
The flames rose high into the night. Fireworks exploded overhead, and then starfighters streaked across the sky. Luke realized his allies were celebrating. And not just on Endor’s moon, for news of the Rebel victory had spread quickly across the galaxy. Later, Luke would learn there had been fireworks over Cloud City, parades on Tatooine, and joyous public rallies on Naboo and Coruscant.
Ryder Windham (Star Wars: Classic Trilogy: Collecting A New Hope, The Empire Strikes Back, and Return of the Jedi (Disney Junior Novel (eBook)))
I would rather have the moon anyway.
Lyla Sage (Swift and Saddled (Rebel Blue Ranch, #2))
The Death Star and its Sanctuary Moon hang distant in space as the Rebel fleet comes out of hyperspace with an awesome roar.
Carol Titelman (The Art of Star Wars: Episode VI—Return of the Jedi)
The circle of the moon spilled its liquid silver onto the streets
Ellie Midwood (The Lyon Affair (The Indigo Rebels #2))
As the two figures navigated their way knee-deep in snow, the steel-gray crescent of the moon followed them silently from behind its hideout of threadbare clouds, thinly painted across the sky.
Ellie Midwood (The Lyon Affair (The Indigo Rebels #2))
AH, THE FOREST MOON OF ENDOR! At last! Think what it’s been like for our heroes…. That endless desert on Tatooine, then the stinking lair of Jabba. For Luke there was a brief visit to a swamp: all mud and muck, no sunlight. And the rest of the time has been spent on various rebel spaceships, and let’s face it, the rebels can barely keep those things flying. There is no time or money to spend on interior decorating. And that Imperial shuttle may look nice from the outside, but inside it has been trashed by the countless sweaty stormtroopers it has hauled around. It reeks of stale sweat and every surface is covered in TK numbers1 scratched by bored troopers. So think how wonderful it is for our heroes to tumble out of that junker and breathe in the air of Endor’s moon, air purified by a hundred billion trees. It’s hard for residents of developed worlds to wrap their heads around a planet covered in trees.
Tom Angleberger (Return of the Jedi: Beware the Power of the Dark Side! (Star Wars: Episode VI))