Rebecca Daphne Du Maurier Quotes

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Last night I dreamt I went to Manderley again.
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Daphne du Maurier (Rebecca)
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If only there could be an invention that bottled up a memory, like scent. And it never faded, and it never got stale. And then, when one wanted it, the bottle could be uncorked, and it would be like living the moment all over again.
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Daphne du Maurier (Rebecca)
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Happiness is not a possession to be prized, it is a quality of thought, a state of mind.
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Daphne du Maurier (Rebecca)
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I am glad it cannot happen twice, the fever of first love. For it is a fever, and a burden, too, whatever the poets may say.
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Daphne du Maurier (Rebecca)
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I suppose sooner or later in the life of everyone comes a moment of trial. We all of us have our particular devil who rides us and torments us, and we must give battle in the end.
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Daphne du Maurier (Rebecca)
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I wish I was a woman of about thirty-six dressed in black satin with a string of pearls.
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Daphne du Maurier (Rebecca)
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I wondered how many people there were in the world who suffered, and continued to suffer, because they could not break out from their own web of shyness and reserve, and in their blindness and folly built up a great distorted wall in front of them that hid the truth.
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Daphne du Maurier (Rebecca)
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Men are simpler than you imagine my sweet child. But what goes on in the twisted, tortuous minds of women would baffle anyone.
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Daphne du Maurier (Rebecca)
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I wondered why it was that places are so much lovelier when one is alone.
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Daphne du Maurier (Rebecca)
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Either you go to America with Mrs. Van Hopper or you come home to Manderley with me." "Do you mean you want a secretary or something?" "No, I'm asking you to marry me, you little fool.
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Daphne du Maurier (Rebecca)
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A dreamer, I walked enchanted, and nothing held me back.
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Daphne du Maurier (Rebecca)
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We're not meant for happiness, you and I.
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Daphne du Maurier (Rebecca)
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The road to Manderley lay ahead. There was no moon. The sky above our heads was inky black. But the sky on the horizon was not dark at all. It was shot with crimson, like a splash of blood. And the ashes blew towards us with the salt wind from the sea.
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Daphne du Maurier (Rebecca)
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I believe there is a theory that men and women emerge finer and stronger after suffering, and that to advance in this or any world we must endure ordeal by fire.
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Daphne du Maurier (Rebecca)
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Every moment was a precious thing, having in it the essence of finality.
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Daphne du Maurier (Rebecca)
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We can never go back again, that much is certain. The past is still close to us. The things we have tried to forget and put behind us would stir again, and that sense of fear, of furtive unrest, struggling at length to blind unreasoning panic - now mercifully stilled, thank God - might in some manner unforeseen become a living companion as it had before.
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Daphne du Maurier (Rebecca)
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...the routine of life goes on, whatever happens, we do the same things, go through the little performance of eating, sleeping, washing. No crisis can break through the crust of habit.
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Daphne du Maurier (Rebecca)
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It wouldn't make for sanity would it, living with the devil.
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Daphne du Maurier (Rebecca)
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Will you look into my eyes and tell me that you love me now?
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Daphne du Maurier (Rebecca)
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Boredom is a pleasing antidote for fear
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Daphne du Maurier (Rebecca)
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I had build up false pictures in my mind and sat before them. I had never had the courage to demand the truth.
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Daphne du Maurier (Rebecca)
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Come and see us if you feel like it,' she said. 'I always expect people to ask themselves. Life is too short to send out invitations.
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Daphne du Maurier (Rebecca)
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Time will mellow it, make it a moment for laughter. But now it was not funny, now I did not laugh. It was not the future, it was the present. It was too vivid and too real.
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Daphne du Maurier (Rebecca)
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The moment of crisis had come, and I must face it. My old fears, my diffidence, my shyness, my hopeless sense of inferiority, must be conquered now and thrust aside. If I failed now I should fail forever.
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Daphne du Maurier (Rebecca)
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This house sheltered us, we spoke, we loved within those walls. That was yesterday. To-day we pass on, we see it no more, and we are different, changed in some infinitesimal way. We can never be quite the same again.
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Daphne du Maurier (Rebecca)
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We've got a bond in common, you and I. We are both alone in the world.
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Daphne du Maurier (Rebecca)
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If you think I'm one of those people who try to be funny at breakfast you're wrong. I'm invariably ill-tempered in the early morning.
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Daphne du Maurier (Rebecca)
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I wanted to go on sitting there, not talking, not listening to the others, keeping the moment precious for all time, because we were peaceful all of us, we were content and drowsy even as the bee who droned above our heads. In a little while it would be different, there would come tomorrow, and the next day and another year. And we would be changed perhaps, never sitting quite like this again. Some of us would go away, or suffer, or die, the future stretched away in front of us, unknown, unseen, not perhaps what we wanted, not what we planned. This moment was safe though, this could not be touched. Here we sat together, Maxim and I, hand-in-hand, and the past and the future mattered not at all. This was secure, this funny little fragment of time he would never remember, never think about again…For them it was just after lunch, quarter-past-three on a haphazard afternoon, like any hour, like any day. They did not want to hold it close, imprisoned and secure, as I did. They were not afraid.
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Daphne du Maurier (Rebecca)
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They are not brave, the days when we are twenty-one. They are full of little cowardices, little fears without foundation, and one is so easily bruised, so swiftly wounded, one falls to the first barbed word. To-day, wrapped in the complacent armour of approaching middle age, the infinitesimal pricks of day by day brush one but lightly and are soon forgotten, but thenβ€”how a careless word would linger, becoming a fiery stigma, and how a look, a glance over a shoulder, branded themselves as things eternal.
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Daphne du Maurier (Rebecca)
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I held out my arms to him and he came to me like a child.
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Daphne du Maurier (Rebecca)
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I don't mind. I like being alone.
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Daphne du Maurier (Rebecca)
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We all of us have our particular devil who ruses us and torments us, and we must give battle in the end.
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Daphne du Maurier (Rebecca)
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Why did dogs make one want to cry? There was something so quiet and hopeless about their sympathy. Jasper, knowing something was wrong, as dogs always do. Trunks being packed. Cars being brought to the door. Dogs standing with drooping tails, dejected eyes. Wandering back to their baskets in the hall when the sound of the car dies away.
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Daphne du Maurier (Rebecca)
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I would have gone too but I wanted to come straight back to you.I kept thinking of you, waiting here, all by yourself, not knowing what was going to happen.
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Daphne du Maurier (Rebecca)
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I wondered why it was that places are so much lovelier when one is alone. How commonplace and stupid it would be if I had a friend now, sitting beside me, someone I had known at school, who would say: β€œBy-the-way, I saw old Hilda the other day. You remember her, the one who was so good at tennis. She’s married, with two children.” And the bluebells beside us unnoticed, and the pigeons overhead unheard. I did not want anyone with me. Not even Maxim. If Maxim had been there I should not be lying as I was now, chewing a piece of grass, my eyes shut. I should have been watching him, watching his eyes, his expression. Wondering if he liked it, if he was bored. Wondering what he was thinking. Now I could relax, none of these things mattered. Maxim was in London. How lovely it was to be alone again.
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Daphne du Maurier (Rebecca)
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I am glad it cannot happen twice, the fever of first love. For it is a fever, and a burden, too, whatever the poets may say. They are not brave, the days when we are twenty-one. They are full of little cowardices, little fears without foundation, and one is so easily bruised, so swiftly wounded, one falls to the first barbed word. To-day, wrapped in the complacent armour of approaching middle age, the infinitesimal pricks of day by day brush one but lightly and are soon forgotten, but then--how a careless word would linger, becoming a fiery stigma, and how a look, a glance over a shoulder, branded themselves as things eternal. A denial heralded the thrice crowing of a cock, and an insincerity was like the kiss of Judas. The adult mind can lie with untroubled conscience and a gay composure, but in those days even a small deception scoured the tongue, lashing one against the stake itself.
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Daphne du Maurier (Rebecca)
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I thought of all those heroines of fiction who looked pretty when they cried, and what a contrast I must make with a blotched and swollen face, and red rims to my eyes.
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Daphne du Maurier (Rebecca)
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What degradation lay in being young.
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Daphne du Maurier (Rebecca)
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An empty house can be as lonely as a full hotel" he said at length."The trouble is that it is less impersonal.
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Daphne du Maurier (Rebecca)
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She had to live in this bright, red gabled house with the nurse until it was time for her to die... I thought how little we know about the feelings of old people. Children we understand, their fears and hopes and make-believe.
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Daphne du Maurier (Rebecca)
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There was something rather blousy about roses in full bloom, something shallow and raucous, like women with untidy hair
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Daphne du Maurier (Rebecca)
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Living as we do in an age of noise and bluster, success is now measured accordingly. We must all be seen, and heard, and on the air.
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Daphne du Maurier (The "Rebecca" Notebook: And Other Memories)
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I felt rather exhausted, and wondered, rather shocked at my callous thought, why old people were sometimes such a strain. Worse than young children or puppies because one had to be polite.
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Daphne du Maurier (Rebecca)
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We were like two performers in a play, but we were divided, we were not acting with one another. We had to endure it alone, we had to put up this show, this miserable, sham performance for the sake of all these people I did not know and did not want to see again.
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Daphne du Maurier (Rebecca)
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I could fight with the living but I could not fight the dead. If there was some woman in London that Maxim loved, someone he wrote to, visited, dined with, slept with, I could fight her. We would stand on common ground. I should not be afraid. Anger and jealousy were things that could be conquered. One day the woman would grow old or tired or different, and Maxim would not love her anymore. But Rebecca would never grow old. Rebecca would always be the same. And she and I could not fight. She was too strong for me.
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Daphne du Maurier (Rebecca)
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I am glad it cannot happen twice, the fever of first love. For it is a fever, and a burden, too, whatever the poets may say. They are not brave, the days when we are twenty one. They are so full of little cowardices, little fears without foundation, and one is so easily bruised, so swiftly wounded, one falls to the first barbed word.
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Daphne du Maurier (Rebecca)
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We can see the film stars of yesterday in yesterday’s films, hear the voices of poest and singers on a record, keep the plays of dead dramatists upon our bookshelves, but the actor who holds his audience captive for one brief moment upon a lighted stage vanishes forever when the curtain falls.
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Daphne du Maurier (The "Rebecca" Notebook: And Other Memories)
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Of course we have our moments of depression; but there are other moments too, when time, unmeasured by the clock, runs on into eternity and, catching his smile, I know we are together, we march in unison, no clash of thought or of opinion makes a barrier between us.
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Daphne du Maurier (Rebecca)
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Time could not wreck the perfect symmetry of those walls, nor the site itself, a jewel in the hollow of a hand.
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Daphne du Maurier (Rebecca)
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I was following a phantom in my mind, whose shadowy form had taken shape at last. Her features were blurred, her coloring indistinct, the setting of her eyes and the texture of her hair was still uncertain, still to be revealed. She had beauty that endured, and a smile that was not forgotten. Somewhere her voice still lingered, and the memory of her words.
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Daphne du Maurier (Rebecca)
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You have blotted out the past for me, far more effectively than all the bright lights of Monte Carlo.
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Daphne du Maurier (Rebecca)
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Those dripping crumpets, I can see them now. Tiny crisp wedges of toast, and piping-hot, flaky scones. Sandwiches of unknown nature, mysteriously flavoured and quite delectable, and that very special gingerbread. Angel cake, that melted in the mouth, and his rather stodgier companion, bursting with peel and raisins. There was enough food there to keep a starving family for a week.
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Daphne du Maurier (Rebecca)
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But I have had enough melodrama in this life, and would willingly give my five senses if they could ensure us our present peace and security. Happiness is not a possession to be prized, it is a quality of thought, a state of mind. Of course we have our moments of depression; but there are other moments too, when time, unmeasured by the clock, runs on into eternity and, catching his smile, I know we are together, we march in unison, no flash of thought or opinion makes a barrier between us.
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Daphne du Maurier (Rebecca)
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When the leaves rustle, they sound very much like the stealthy movement of a woman in evening dress, and when they shiver suddenly, and fall, and scatter away along the ground, they might be the patter of a woman’s hurrying footsteps, and the mark in the gravel the imprint of a high-heeled shoe.
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Daphne du Maurier (Rebecca)
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A familiar name on its own, however, does not carry its bearer far unless the talent is there, and the will to work.
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Daphne du Maurier (The "Rebecca" Notebook: And Other Memories)
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He belonged to a walled city of the fifteenth century, a city of narrow, cobbled streets, and thin spires, where the inhabitants wore pointed shoes and worsted hose. His face was arresting, sensitive, medieval in some strange inexplicable way, and I was reminded of a portrait seen in a gallery I had forgotten where, of a certain Gentleman Unknown. Could one but rob him of his English tweeds, and put him in black, with lace at his throat and wrists, he would stare down at us in our new world from a long distant pastβ€”a past where men walked cloaked at night, and stood in the shadow of old doorways, a past of narrow stairways and dim dungeons, a past of whispers in the dark, of shimmering rapier blades, of silent, exquisite courtesy.
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Daphne du Maurier (Rebecca)
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There was never an accident.Rebecca was not drowned at all. I killed her.I shot Rebecca in the cottage in the cove.I carried her body to the cabin, and took the boat out that night and sunk it there, where they found it today.It's Rebecca who's lying dead there on the cabin floor.Will you look into my eyes and tell me that you love me now?
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Daphne du Maurier (Rebecca)
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As I stood there,hushed and still,I could swear that the house was not an empty shell but lived and breathed as it had lived before.
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Daphne du Maurier (Rebecca)
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The sea, like a crinkled chart, spread to the horizon, and lapped the sharp outline of the coast, while the houses were white shells in a rounded grotto, pricked here and there by a great orange sun.
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Daphne du Maurier (Rebecca)
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Little notes, scrawled on half-sheets of paper, and letters, when he was away, page after page, intimate, their news. Her voice, echoing through the house, and down the garden, careless and familiar like the writing in the book. And I had to call him Maxim.
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Daphne du Maurier (Rebecca)
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He had the face of one who walks in his sleep, and for a wild moment the idea came to me that perhaps he was not normal, not altogether sane. There were people who had trances, I had surely heard of them, and they followed strange laws of which we could know nothing, they obeyed the tangled orders of their own sub-conscious minds. Perhaps he was one of them, and here we were within six feet of death.
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Daphne du Maurier (Rebecca)
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The house was a sepulcher, our fear and suffering lay buried in the ruins. There would be no resurrection.
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Daphne du Maurier (Rebecca)
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It was disturbing, like an enchanted place. I had not thought it could be as beautiful as this
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Daphne du Maurier (Rebecca)
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He was young and ardent in a hundred happy ways.
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Daphne du Maurier (Rebecca)
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Maxim's voice, clear and strong, "Will someone take my wife outside?She is going to faint.
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Daphne du Maurier (Rebecca)
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It doesn't make for sanity, does it, living with the devil.
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Daphne du Maurier (Rebecca)
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And he went on eating his marmalade as though everything were natural.
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Daphne du Maurier (Rebecca)
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Oh, God, I though, this is like two people in a play, in a moment the curtain will come down, we shall bow to the audience, and go off to our dressing-rooms.
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Daphne du Maurier (Rebecca)
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I could fight the living but I could not fight the dead
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Daphne du Maurier (Rebecca)
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I believe there is a theory that men and women emerge finer and stronger after suffering, and that to advance in this or any world we must endure ordeal by fire. This we have done in full measure, ironic though it seems. We have both known fear, and loneliness, and very great distress. I suppose sooner or later in the life of everyone comes a moment of trial. We all of us have our particular devil who rides us and torments us, and we must give battle in the end.
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Daphne du Maurier (Rebecca)
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Packing up. The nagging worry of departure. When shutting drawers and flinging wide an hotel wardrobe, or the impersonal shelves of a furnished villa, I am aware of sadness, of a sense of loss. Here, I say, we have lived, we have been happy. This has been ours, however brief the time. Though two nights only have been spent beneath a roof, yet we leave something of ourselves behind. Nothing material, not a hair-pin on a dressing-table, not an empty bottle of Aspirin tablets, not a handkerchief beneath a pillow, but something indefinable, a moment of our lives, a thought, a mood. This house sheltered us, we spoke, we loved within those walls. That was yesterday. Today we pass on, we see it no more, and we are different, changed in some infinitesimal way. We can never be quite the same again.
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Daphne du Maurier (Rebecca)
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I am aware of sadness, of a sense of loss. Here, I say, we have lived, we have been happy. This has been ours, however brief the time. Though two nights only have been spent beneath a roof, yet we leave something of ourselves behind. Nothing material, . . . but something indefinable, a moment of our lives, a thought, a mood. The house sheltered us, we spoke, we loved within those walls. That was yesterday. To-day we pass on, we see it no more, and we are different, changed in some infinitesimal way. We can never be quite the same again.
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Daphne du Maurier (Rebecca)
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It's natural, I suppose," said Colonel Julyan, "for all of us to wish to look different. We are all children in some ways.
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Daphne du Maurier (Rebecca)
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Tact was a quality unknown to her, discretion too, and because gossip was the breath of life to her this stranger must be served for her dissection.
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Daphne du Maurier (Rebecca)
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You have qualities that are just as important, far more so, in fact. It's perhaps cheeky of me to say so, I don't know you very well. I'm a bachelor, I don't know very much about women, I lead a quiet sort of life down here at Manderley, as you know, but I should say that kindliness, and sincerity, and if I may say soβ€”modestyβ€”are worth far more to a man, to a husband, than all the wit and beauty in the world.
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Daphne du Maurier (Rebecca)
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They were all fitting into place, the jig-saw pieces. The odd strained shapes that I had tried to piece together with my fumbling fingers and they had never fitted. Frank's odd manner when I spoke about Rebecca. Beatrice and her rather diffident negative attitude. The silence that I had always taken for sympathy and regret was a silence born of shame and embarrassment. It seemed incredible to me now that I had never understood. I wondered how many people there were in the world who suffered, and continued to suffer, because they could not break out from their own web of shyness and reserve, and in their blindness and folly built up a great wall in front of them that hid the truth. This was what I had done. I had built up false pictures in my mind and sat before them. I had never had the courage to demand the truth. Had I made one step forward out of my own shyness Maxim would have told these things four months, five months ago.
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Daphne du Maurier (Rebecca)
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She would have stood by Giles’s side, and shaken hands with people, a smile on her face. I could not do that. I had not the pride, I had not the guts. I was badly bred.
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Daphne du Maurier (Rebecca)
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She had beauty that endured, and a smile that was not forgotten. Somewhere her voice still lingered, and the memory of her words.
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Daphne du Maurier (Rebecca)
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That was yesterday. Today we pass on, we see it no more, and we are different, changed in some infinitesimal way. We can never be quite the same again.
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Daphne du Maurier (Rebecca)
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I wanted to go on sitting there, not talking, not listening to the others, keeping the moment precious for all time, because we were peaceful all of us, we were content and drowsy even as the bee who droned above our heads. In a little while it would be different, there would come tomorrow, and the next day and another year. And we would be changed perhaps, never sitting qite like this again. Some of us would go away, or suffer, or die, the future stretched away in front of us, unknown, unseen, not perhaps what we wanted, not what we planned. This moment was safe though, this could not be touched.
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Daphne du Maurier (Rebecca)
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He looked down at me without recognition, and I realized with a little stab of anxiety that he must have forgotten all about me, perhaps for some considerable time, and that he himself was so lost in the labyrinth of his own unquiet thoughts that I did not exist.
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Daphne du Maurier (Rebecca)
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I thought about being placid, how quiet and comfortable it sounded, someone with knitting on her lap, with calm unruffled brow. Someone who was never anxious, never tortured by doubt and indecision, someone who never stood as I did, hopeful, eager, frightened, tearing at bitten nails, uncertain which way to go, what star to follow.
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Daphne du Maurier (Rebecca)
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The peace of Manderley. The quietude and the grace. Whoever lived within its walls, whatever trouble there was and strife, however much uneasiness and pain, no matter what tears were shed, what sorrows borne, the peace of Manderley could not be broken or the loveliness destroyed. The flowers that died would bloom again another year, the same birds build their nests, the same trees blossom. That old quiet moss smell would linger in the air, and the bees would come, and crickets, the herons build their nests in the deep dark woods. The butterflies would dance their merry jug across the lawns, and spiders spin foggy webs, and small startled rabbits who had no business to come trespassing poke their faces through the crowded shrubs. There would be lilac, and honeysuckle still, and the white magnolia buds unfolding slow and tight beneath the dining-room window. No one would ever hurt Manderley. It would lie always in its hollow like an enchanted thing, guarded by the woods, safe, secure, while the sea broke and ran and came again in the little shingle bays below.
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Daphne du Maurier (Rebecca)
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The word lingered in the air once I had uttered it, dancing before me, and because he received it silently, making no comment, the word magnified itself into something heinous and appalling, a forbidden word, unnatural to the tongue. And I could not call it back, it could never be unsaid.
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Daphne du Maurier (Rebecca)
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In 1942 the Germans sent a spy called Eppler into Cairo before the battle of El Alamein. He used a copy of Daphne du Maurier’s novel Rebecca as a code book to send messages back to Rommel on troop movements. Listen, the book became bedside reading with British Intelligence. Even I read it.
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Michael Ondaatje (The English Patient)
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The order never varies. Two slices of bread-and-butter each, and China tea. What a hide-bound couple we must seem, clinging to custom because we did so in England. Here, on this clean balcony, white and impersonal with centuries of sun, I think of half-past-four at Manderley, and the table drawn before the library fire. The door flung open, punctual to the minute, and the performance, never-varying, of the laying of the tea, the silver tray, the kettle, the snowy cloth.
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Daphne du Maurier (Rebecca)
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All memories are bitter, and I prefer to ignore them. Something happened a year ago that altered my whole life, and I want to forget every phase in my existence up to that time. Those days are finished. They are blotted out. I must begin living all over again.
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Daphne du Maurier (Rebecca)
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Rebecca, always Rebecca. Wherever I walked in Manderley, wherever I sat, even in my thoughts and in my dreams, I met Rebecca. I knew her figure now, the long slim legs, the small and narrow feet. Her shoulders, broader than mine, the capable clever hands. Hands that could steer a boat, could hold a horse. Hands that arranged flowers, made the models of ships, and wrote β€œMax from Rebecca” on the flyleaf of a book. I knew her face too, small and oval, the clear white skin, the cloud of dark hair. I knew the scent she wore, I could guess her laughter and her smile. If I heard it, even among a thousand others, I should recognize her voice. Rebecca, always Rebecca. I should never be rid of Rebecca. Perhaps
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Daphne du Maurier (Rebecca)
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It was then that Maxim looked at me. He looked at me for the first time that evening. And in his eyes I read the message of farewell. It was as though he leant against the side of a ship, and I stood below him on the quay. There would be other people touching his shoulder, and touching mine, but we would not see them. Nor would we speak or call to one another, for the wind and the distance would carry away the sound of our voices. But I should see his eyes and he would see mine before the ship drew away from the side of the quay.
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Daphne du Maurier (Rebecca)
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It seemed incredible to me now that I had never understood. I wondered how many people there were in the world who suffered, and continued to suffer, because they could not break out from their own web of shyness and reserve, and in their blindness and folly built up a great distorted wall in front of them that hid the truth. This was what I had done. I had built up false pictures in my mind and sat before them. I had never had the courage to demand the truth.
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Daphne du Maurier (Rebecca)
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She stared at me curiously. Her voice dropped to a whisper. "Sometimes, when I walk along the corridor here, I fancy I hear her just behind me. That quick, light footstep. I could not mistake it anywhere. And in the minstrels' gallery above the hall. I've seen her leaning there, in the evenings in the old days, looking down at the hall below and calling to the dogs. I can fancy her there now from time to time. It's almost as though I catch the sound of her dress sweeping the stairs as she comes down to dinner." She paused. She went on looking at me, watching my eyes. "Do you think she can see us, talking to one another now?" she said slowly. "Do you think the dead come back and watch the living?
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Daphne du Maurier (Rebecca)
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I might say that we have paid for freedom. But I have had enough melodrama in this life, and would willingly give my five senses if they could ensure us our present peace and security. Happiness is not a possession to be prized, it is a quality of thought, a state of mind of course we have on moments of depression; but there are other moments too, when time, unmeasured by the clock, runs on into eternity.
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Daphne du Maurier (Rebecca)
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A cloud, hitherto unseen, came upon the moon, and hovered an instant like a dark hand before a face.The illusion went with it, and the lights in the windows were extinguished. I looked upon a desolate shell, soulless at last, unhaunted, with no whisper of the past about its staring walls. The house was a sepulchre, our fear and suffering lay buried in the ruins. There would be no resurrection. When I thought of Manderley in my waking hours I would not be bitter. I should think of it as it might have been, could I have lived there without fear. I should remember the rose-garden in summer, and the birds that sang at dawn.Tea under the chestnut tree, and the murmur of the sea coming up to us from the lawns below. I would think of the blown lilac, and the Happy Valley. These things were permanent, they could not be dissolved.They were memories that cannot hurt.
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Daphne du Maurier (Rebecca)
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Today, wrapped in the complacent armor of approaching middle age, the infinitesimal pricks of day by day brush one lightly and are soon forgotten, but then-- how a careless word would linger, becoming a fiery stigma, and how a look, a glance over a shoulder, branded themselves as things eternal.
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Daphne du Maurier (Rebecca)
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...a new day was starting, the things of the garden were not concerned with our troubles. A blackbird ran across the rose-garden to the lawns in swift, short rushes, stopping now and again to stab at the earth with his yellow beak. A thrush, too, went about his business, and two stout, little wagtails, following one another, and a little cluster of twittering sparrows. A gull poised himself high in the air, silent and alone, and then spread his wings wide and swooped beyond the lawns to the woods and the Happy Valley. These things continued, our worries and anxieties had no power to alter them.
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Daphne du Maurier (Rebecca)
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I thought how little we know about the feelings of old people. Children we understand, their fears and hopes and make-believe. I was a child yesterday. I had not forgotten. But Maxim’s grandmother, sitting there in her shawl with her poor blind eyes, what did she feel, what was she thinking? Did she know that Beatrice was yawning and glancing at her watch? Did she guess that we had come to visit her because we felt it right, it was a duty, so that when she got home afterwards Beatrice would be able to say, β€œWell, that clears my conscience for three months”? Did she ever think about Manderley? Did she remember sitting at the dining room table, where I sat? Did she too have tea under the chestnut tree? Or was it all forgotten and laid aside, and was there nothing left behind that calm, pale face of hers but little aches and little strange discomforts, a blurred thankfulness when the sun shone, a tremor when the wind blew cold? I wished that I could lay my hands upon her face and take the years away. I wished I could see her young, as she was once, with color in her cheeks and chestnut hair, alert and active as Beatrice by her side, talking as she did about hunting, hounds, and horses. Not sitting there with her eyes closed while the nurse thumped the pillows behind her head. β€œWe’ve got a treat today, you know,” said the nurse, β€œwatercress sandwiches for tea. We love watercress, don’t we?
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Daphne du Maurier (Rebecca)
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That corner in the drive, too, where the trees encroach upon. . . the gravel, is not a place in which to pause, not after the sun has set. When the leaves rustle, they sound very much like the stealthy movement of a woman in evening dress, and when they shiver suddenly, and fall, and scatter away along the ground, they might be the patter, patter, of a woman’s hurrying footstep, and the mark in the gravel the imprint of a high-heeled satin shoe.
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Daphne du Maurier (Rebecca)
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I wanted to go on sitting there, not talking, not listening to the others, keeping the moment precious for all time, because we were peaceful, all of us, we were content and drowsy even as the bee who droned above our heads. In a little while it would be different, there would come tomorrow, and the next day, and another year. And we would be changed perhaps, never sitting quite like this again. Some of us would go away, or suffer, or die; the future stretched away in front of us, unknown, unseen, not perhaps what we wanted, not what we planned. This moment was safe though, this could not be touched.
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Daphne du Maurier (Rebecca)
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Suddenly I saw a clearing in the dark drive ahead, and a patch of sky, and in a moment the dark trees had thinned, the nameless shrubs had disappeared, and on either side of us was a wall of colour, blood-red, reaching far above our heads. We were amongst the rhododendrons. There was something bewildering, even shocking, about the suddenness of their discovery. The woods had not prepared me for them. They startled me with their crimson faces, massed one upon the other in incredible profusion, showing no leaf, no twig, nothing but the slaughterous red, luscious and fantastic, unlike any rhododendron plant I had seen before. I glanced at Maxim. He was smiling. 'Like them?' he said. I told him 'Yes,' a little breathlessly, uncertain whether I was speaking the truth or not, for to me a rhododendron was a homely, domestic thing, strictly conventional, mauve or pink in colour, standing one beside the other in a neat round bed. And these were monsters, rearing to the sky, massed like a battalion, too beautiful I thought, too powerful; they were not plants at all.
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Daphne du Maurier (Rebecca)
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We went through the Happy Valley to the little cove. The azaleas were finished now, the petals lay brown and crinkled on the moss. The bluebells had not faded yet, they made a solid carpet in the woods above the valley, and the young bracken was shooting up, curling and green. The moss smelt rich and deep, and the bluebells were earthy, bitter. I lay down in the long grass beside the bluebells with my hands behind my head, and Jasper at my side. He looked down at me panting, his face foolish, saliva dripping from his tongue and his heavy jowl. There were pigeons somewhere in the trees above. It was very peaceful and quiet. I wondered why it was that places are so much lovelier when one is alone. How commonplace and stupid it would be if I had a friend now, sitting beside me, someone I had known at school, who would say β€œBy the way, I saw old Hilda the other day. You remember her, the one who was so good at tennis. She’s married, with two children.” And the bluebells beside us unnoticed, and the pigeons overhead unheard. I did not want anyone with me. Not even Maxim. If Maxim had been there I should not be lying as I was now, chewing a piece of grass, my eyes shut. I should have been watching him, watching his eyes, his expression. Wondering if he liked it, if he was bored. Wondering what he was thinking. Now I could relax, none of these things mattered. Maxim was in London. How lovely it was to be alone again. No, I did not mean that. It was disloyal, wicked. It was not what I meant. Maxim was my life and my world. I got up from the bluebells and called sharply to Jasper. We set off together down the valley to the beach. The tide was out, the sea very calm and remote. It looked like a great placid lake out there in the bay. I could not imagine it rough now, any more than I could imagine winter in summer. There was no wind, and the sun shone on the lapping water where it ran into the little pools in the rocks.
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Daphne du Maurier (Rebecca)