Reality Distortion Field Quotes

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The reality distortion field was a confounding mélange of a charismatic rhetorical style, indomitable will, and eagerness to bend any fact to fit the purpose at hand,
Walter Isaacson (Steve Jobs)
Steve has a reality distortion field.” When Hertzfeld looked puzzled, Tribble elaborated. “In his presence, reality is malleable. He can convince anyone of practically anything. It wears off when he’s not around, but it makes it hard to have realistic schedules.
Walter Isaacson (Steve Jobs)
Like her idol Steve Jobs, she emitted a reality distortion field that forced people to momentarily suspend disbelief.
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)
This inability to ground his fantasies in reality has generally been regarded as one of Leonardo’s major failings. Yet in order to be a true visionary, one has to be willing to overreach and to fail some of the time. Innovation requires a reality distortion field. The things he envisioned for the future often came to pass, even if it took a few centuries. Scuba gear, flying machines, and helicopters now exist. Suction pumps now drain swamps. Along the route of the canal that Leonardo drew there is now a major highway.
Walter Isaacson (Leonardo da Vinci)
Whenever a state or an individual cited 'insufficient funds' as an excuse for neglecting this important thing or that, it was indicative of the extent to which reality had been distorted by the abstract lens of wealth. During periods of so-called economic depression, for example, societies suffered for want of all manner of essential goods, yet investigation almost invariably disclosed that there were plenty of goods available. Plenty of coal in the ground, corn in the fields, wool on the sheep. What was missing was not materials but an abstract unit of measurement called 'money.' It was akin to a starving woman with a sweet tooth lamenting that she couldn't bake a cake because she didn't have any ounces. She had butter, flour, eggs, milk, and sugar, she just didn't have any ounces, any pinches, any pints. The loony legacy of money was that the arithmetic by which things were measured had become more valuable than the things themselves.
Tom Robbins (Skinny Legs and All)
TV in America created the most coherent reality distortion field that I’ve ever seen. Therein is the problem: People who vote watch TV, and they are hallucinating like a sonofabitch. Basically, what we have in this country is government by hallucinating mob.
John Perry Barlow
After the applause, he used the quotations book to make a more subtle point, about his reality distortion field. The quote he chose was from Lewis Carroll's Through the Looking Glass. After Alice laments that no matter how hard she tries she can't believe impossible things, the White Queen retorts, "Why, sometimes I've believed as many as six impossible things before breakfast." Especially from the front rows, there was a roar of knowing laughter.
Walter Isaacson (Steve Jobs)
What causes all the hatred? At some level, it’s always the same thing: human beings operating under the influence of human brains whose design presupposed their specialness. That is, human beings operating under the influence of the reality-distortion fields that control us in many and subtle ways, convincing us that we and ours are in the right, that we are by nature good, and that, when we do the occasional bad thing, it’s not a reflection of the “real us”; whereas they and theirs aren’t in the right and aren’t by nature good, and when they do the occasional good thing, it’s not a reflection of the “real them.” And it doesn’t help matters that these reality-distortion fields often magnify, even out-and-out fabricate, the threat posed by them and theirs.
Robert Wright (Why Buddhism is True: The Science and Philosophy of Meditation and Enlightenment)
Well, we’ve got to finish it,” Steve Capps said. And so they did. Once again, Jobs’s reality distortion field pushed them to do what they had thought impossible.
Walter Isaacson (Steve Jobs)
As Hoffman later lamented, “The reality distortion field can serve as a spur, but then reality itself hits.
Walter Isaacson (Steve Jobs)
Innovation requires a reality distortion field.
Walter Isaacson (Leonardo da Vinci)
veteran colleagues at Apple used to call his “reality distortion field.” Sometimes it was the inadvertent misfiring of memory
Walter Isaacson (Steve Jobs)
The odds that Holmes could pull off this latest Houdini act while under criminal investigation were very long, but watching her confidently walk the audience through her sleek slide show helped crystallize for me how she’d gotten this far: she was an amazing saleswoman. She never once stumbled or lost her train of thought. She wielded both engineering and laboratory lingo effortlessly and she showed seemingly heartfelt emotion when she spoke of sparing babies in the NICU from blood transfusions. Like her idol Steve Jobs, she emitted a reality distortion field that forced people to momentarily suspend disbelief.
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)
Amazingly, the reality distortion field seemed to be effective even if you were acutely aware of it. We would often discuss potential techniques for grounding it, but after a while most of us gave up, accepting it as a force of nature.
Walter Isaacson (Steve Jobs)
Jobs’s obstinacy lasted for nine months after his October 2003 diagnosis. Part of it was the product of the dark side of his reality distortion field. “I think Steve has such a strong desire for the world to be a certain way that he wills it to be that way,” Levinson speculated. “Sometimes it doesn’t work. Reality is unforgiving
Walter Isaacson (Steve Jobs)
Jobs’s obstinacy lasted for nine months after his October 2003 diagnosis. Part of it was the product of the dark side of his reality distortion field. “I think Steve has such a strong desire for the world to be a certain way that he wills it to be that way,” Levinson speculated. “Sometimes it doesn’t work. Reality is unforgiving.
Walter Isaacson (Steve Jobs)
This caused many component failures and earned the Macintosh the nickname “the beige toaster,” which did not enhance its popularity. It was so seductive that it had sold well enough for the first few months, but when people became more aware of its limitations, sales fell. As Hoffman later lamented, “The reality distortion field can serve as a spur, but then reality itself hits.
Walter Isaacson (Steve Jobs)
with Jobs, he became a keen observer of the phenomenon. “The reality distortion field was a confounding mélange of a charismatic rhetorical style, indomitable will, and eagerness to bend any fact to fit the purpose at hand,” he said. There was little that could shield you from the force, Hertzfeld discovered. “Amazingly, the reality distortion field seemed to be effective even if you were acutely aware
Walter Isaacson (Steve Jobs)
Think different” isn’t just a slogan. It’s a credo, one that made Apple the most profitable company in human history. People accused Steve Jobs of creating a “reality distortion field,” but he understood that reality is already distorted. Apple would never win by trying to build a better mainframe computer. That would have been playing by IBM’s rules. Instead, Apple created a personal computer because that was what it wanted the future to look like.
Chase Jarvis (Creative Calling: Establish a Daily Practice, Infuse Your World with Meaning, and Succeed in Work + Life)
Do you realize that your refusal to utter the word "love" to your lover has created a force field all its own? Withholding distorts reality. It makes the people who do the withholding ugly and small-hearted. It makes the people from whom things are withheld crazy and desperate and incapable of knowing what they actually feel. So release yourself from that. Don't be strategic or coy. Strategic and coy are for jackasses. Be brave. Be authentic. Practice saying the word "love" to the people you love so when it matters the most to say it, you will.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
This inability to ground his fantasies in reality has generally been regarded as one of Leonardo’s major failings. Yet in order to be a true visionary, one has to be willing to overreach and to fail some of the time. Innovation requires a reality distortion field. The things he envisioned for the future often came to pass, even if it took a few centuries. Scuba gear, flying machines, and helicopters now exist. Suction pumps now drain swamps. Along the route of the canal that Leonardo drew there is now a major highway. Sometimes fantasies are paths to reality.
Walter Isaacson (Leonardo da Vinci)
Steve Jobs was famous for what observers called his “reality distortion field.” Part motivational tactic, part sheer drive and ambition, this field made him notoriously dismissive of phrases such as “It can’t be done” or “We need more time.” Having learned early in life that reality was falsely hemmed in by rules and compromises that people had been taught as children, Jobs had a much more aggressive idea of what was or wasn’t possible. To him, when you factored in vision and work ethic, much of life was malleable. For instance, in the design stages for a new mouse for an early Apple product, Jobs had high expectations. He wanted it to move fluidly in any direction—a new development for any mouse at that time—but a lead engineer was told by one of his designers that this would be commercially impossible. What Jobs wanted wasn’t realistic and wouldn’t work. The next day, the lead engineer arrived at work to find that Steve Jobs had fired the employee who’d said that. When the replacement came in, his first words were: “I can build the mouse.” This was Jobs’s view of reality at work. Malleable, adamant, self-confident. Not in the delusional sense, but for the purposes of accomplishing something. He knew that to aim low meant to accept mediocre accomplishment. But a high aim could, if things went right, create something extraordinary. He was Napoleon shouting to his soldiers: “There shall be no Alps!” For most of us, such confidence does not come easy. It’s understandable. So many people in our lives have preached the need to be realistic or conservative or worse—to not rock the boat. This is an enormous disadvantage when it comes to trying big things. Because though our doubts (and self-doubts) feel real, they have very little bearing on what is and isn’t possible. Our
Ryan Holiday (The Obstacle is the Way: The Timeless Art of Turning Adversity to Advantage)
Tribble recalled that he adopted the phrase from the “Menagerie” episodes of Star Trek, “in which the aliens create their own new world through sheer mental force.” He meant the phrase to be a compliment as well as a caution: “It was dangerous to get caught in Steve’s distortion field, but it was what led him to actually be able to change reality.
Walter Isaacson (Steve Jobs)
...like being swept into the reality of a brilliantly written novel or charismatic movie: it's not that you believe in its literalness, but that there is a compelling truth in its organic life that envelops you and is absorbed by you almost on a physiological level. I remember experiencing a small earthquake in Los Angeles - only a four-point-six, I think - when I was there as a guest of the Academy the year they decided to develop a special Oscar for Philosophy in Cinema. A small earthquake, and yet the forced awareness that the earth beneath your feet was volatile, not stable, was terrifying, and for days afterward I was sure I could feel the earth trembling and threatening. I live with it still; it is ready to strike me at any moment, a special vertigo which is now part of my very physiology. Celestine was like that earthquake. Celestine was also like that first LSD trip, the one you perhaps took in a deli in Brooklyn, where suddenly the colors all shifted toward the green end of the spectrum and your eyes became fish-eye lenses, distorting your total visual field, and the sounds became plastic, and time became infinitely variable, and you realized that reality is neurology, and is not absolute.
David Cronenberg (Consumed)
Berlin. November 18, 1917. Sunday. I think Grosz has something demonic in him. This new Berlin art in general, Grosz, Becher, Benn, Wieland Herzfelde, is most curious. Big city art, with a tense density of impressions that appears simultaneous, brutally realistic, and at the same time fairy-tale-like, just like the big city itself, illuminating things harshly and distortedly as with searchlights and then disappearing in the glow. A highly nervous, cerebral, illusionist art, and in this respect reminiscent of the music hall and also of film, or at least of a possible, still unrealized film. An art of flashing lights with a perfume of sin and perversity like every nocturnal street in the big city. The precursors are E.T.A. Hoffmann, Breughel, Mallarmé, Seurat, Lautrec, the futurists: but in the density and organization of the overwhelming abundance of sensation, the brutal reality, the Berliners seem new to me. Perhaps one could also include Stravinsky here (Petrushka). Piled-up ornamentation each of which expresses a trivial reality but which, in their sum and through their relations to each other, has a thoroughly un-trivial impact. All round the world war rages and in the center is this nervous city in which so much presses and shoves, so many people and streets and lights and colors and interests: politics and music hall, business and yet also art, field gray, privy counselors, chansonettes, and right and left, and up and down, somewhere, very far away, the trenches, regiments storming over to attack, the dying, submarines, zeppelins, airplane squadrons, columns marching on muddy streets, Hindenburg and Ludendorff, victories; Riga, Constantinople, the Isonzo, Flanders, the Russian Revolution, America, the Anzacs and the poilus, the pacifists and the wild newspaper people. And all ending up in the half-darkened Friedrichstrasse, filled with people at night, unconquerable, never to be reached by Cossacks, Gurkhas, Chasseurs d'Afrique, Bersaglieris, and cowboys, still not yet dishonored, despite the prostitutes who pass by. If a revolution were to break out here, a powerful upheaval in this chaos, barricades on the Friedrichstrasse, or the collapse of the distant parapets, what a spark, how the mighty, inextricably complicated organism would crack, how like the Last Judgment! And yet we have experienced, have caused precisely this to happen in Liège, Brussels, Warsaw, Bucharest, even almost in Paris. That's the world war, all right.
Harry Graf Kessler (Journey to the Abyss: The Diaries of Count Harry Kessler, 1880-1918)
Nevertheless, by dint of his personality and controlling instincts, Jobs was soon playing a stronger role. He spewed out a stream of ideas - some reasonable, others wacky - about what Pixar's hardware and software could become. And on his occasional visits to the PIxar offices, he was an inspiring presence. "I grew up a Southern Baptist, and we had revival meetings with mesmerizing but corrupt preachers," recounted Alvy Ray Smith. "Steve's got it: the power of the tongue and the web of words that catches people up. We were aware of this when we had board meetings, so we developed signals - nose scratching or ear tugs - for when someone had been caught up in Steve's distortion field and he needed to be tugged back to reality.
Walter Isaacson (Steve Jobs)
He does not know that Facebook is monitoring him and spying on him and even listening to him more or less constantly, nor does he believe it when he’s told this very thing by Jack, that he is being secretly watched by Facebook. This comes in the form of a long private letter that Jack has composed pleading with his father to stop spending so much time with all these conspiracies, that none of them are true, that Lawrence is getting unnecessarily worked up and angry about nothing, that there are no shadowy cabals secretly plotting against the world, and what’s happening here is actually just that a small group of engineers in Silicon Valley have built moneymaking algorithms that are now optimizing, that what Lawrence is seeing is not reality but rather an algorithmic abstraction of reality that sits invisibly atop reality like a kind of distortion field.
Nathan Hill (Wellness)
Wife's Letter (excerpt) It was not the mask that died among the boots, but you. The girl with the yoyo was not the only one to know about your masked play. From the very first instant, when, elated with pride, you talked about the distortion of the magnetic field, I too saw through you completely. Please don’t insult me any more by asking how I did it. Of course, I was flustered, confused, and frightened to death. Under any circumstances, it was an unimaginably drastic way of acting, so different from your ordinary self. It was hallucinatory, seeing you so full of self-confidence. Even you knew very well that I had seen through you. You knew and yet demanded that we go on with the play in silence. ... But you went from one misunderstanding to the next, didn’t you? You write that I rejected you, but that’s not true. Didn’t you reject yourself all by yourself?.. In a happy frame of mind, I reflected that love strips the mask from each of us, and we must endeavor for those we love to put the mask on so that it can be taken off again. For if there is no mask to start with, there is no pleasure in removing it, is there? ... Is what you think to be the mask in reality your real face, or is what you think to be your real face really a mask? Yes, you do understand. Anyone who is seduced is seduced realizing this. ... At first you were apparently trying to get your own self back by means of the mask, but before you knew it you had come to think of it only as your magician’s cloak for escaping from yourself. So it was not a mask, but somewhat the same as another real face, wasn’t it? You finally revealed your true colors. It was not the mask, but you yourself. It is meaningful to put a mask on, precisely because one makes others realize it is a mask. Even with cosmetics, which you abominate so, we never try to conceal the fact that it is make-up. After all, it was not that the mask was bad, but that you were too unaware of how to treat it. Even though you put the mask on, you could not do a thing while you were wearing it. Good or bad, you could not do a thing. All you could manage was to wander through the streets and write long, never-ending confessions, like a snake with its tail in its mouth. It was all the same to you whether you burned your face or didn’t, whether you put on a mask or didn’t. You were incapable of calling the mask back. Since the mask will not come back, there is no reason for me to return either. ... While you spoke of the face as being some kind of roadway between fellow human beings, you were like a snail that thinks only of its own doorway. You were showing off. Even though you had forced me into a compound where I had already been, you set up a fuss as if I had scaled a prison wall, as if I had absconded with money. And so, when you began to focus on my face you were flustered and confused, and without a word you at once nailed up the door of the mask. Indeed, as you said, perhaps death filled the world. I wonder if scattering the seeds of death is not the deed of men who think only of themselves, as you do. You don’t need me. What you really need is a mirror. Because any stranger is for you simply a mirror in which to reflect yourself.
Kōbō Abe (The Face of Another)
*Wife's Letter* Pt1 ... It was not the mask that died among the boots, but you. The girl with the yoyo was not the only one to know about your masked play. From the very first instant, when, elated with pride, you talked about the distortion of the magnetic field, I too saw through you completely. Please don’t insult me any more by asking how I did it. Of course, I was flustered, confused, and frightened to death. Under any circumstances, it was an unimaginably drastic way of acting, so different from your ordinary self. It was hallucinatory, seeing you so full of self-confidence. Even you knew very well that I had seen through you. You knew and yet demanded that we go on with the play in silence. I considered it a dreadful thing at first, but I soon changed my mind, thinking that perhaps you were acting out of sympathy for me. Then, though the things you did seemed a little embarrassing, they began to present the appearance of a delicate and suave invitation to a dance. And as I watched you become amazingly serious and go on pretending to be deceived, my heart began to fill with a feeling of gratitude, and so I followed after you meekly. But you went from one misunderstanding to the next, didn’t you? You write that I rejected you, but that’s not true. Didn’t you reject yourself all by yourself? I felt that I could understand your wanting to. In view of the accident and all, I had more than half resigned myself to sharing your suffering. For that very reason, your mask seemed quite good to me. In a happy frame of mind, I reflected that love strips the mask from each of us, and we must endeavor for those we love to put the mask on so that it can be taken off again. For if there is no mask to start with, there is no pleasure in removing it, is there? Do you understand what I mean? I think you do. After all, don’t even you have your doubts? Is what you think to be the mask in reality your real face, or is what you think to be your real face really a mask? Yes, you do understand. Anyone who is seduced is seduced realizing this. But the mask did not return. At first you were apparently trying to get your own self back by means of the mask, but before you knew it you had come to think of it only as your magician’s cloak for escaping from yourself. So it was not a mask, but somewhat the same as another real face, wasn’t it? You finally revealed your true colors. It was not the mask, but you yourself. It is meaningful to put a mask on, precisely because one makes others realize it is a mask. Even with cosmetics, which you abominate so, we never try to conceal the fact that it is make-up. After all, it was not that the mask was bad, but that you were too unaware of how to treat it. Even though you put the mask on, you could not do a thing while you were wearing it. Good or bad, you could not do a thing. All you could manage was to wander through the streets and write long, never-ending confessions, like a snake with its tail in its mouth. It was all the same to you whether you burned your face or didn’t, whether you put on a mask or didn’t. You were incapable of calling the mask back. Since the mask will not come back, there is no reason for me to return either.
Kōbō Abe (The Face of Another)
Motion in space can proceed in any direction and back again. Motion in time only proceeds in one direction in the everyday world, whatever seems to be going on at the particle level. It’s hard to visualize the four dimensions of spacetime, each at right angles to the other, but we can leave out one dimension and imagine what this strict rule would mean if it applied to one of the three dimensions we are used to. It’s as if we were allowed to move either up or down, either forward or back, but that sideways motion was restricted to shuffling to the left, say. Movement to the right is forbidden. If we made this the central rule in a children’s game, and then told a child to find a way of reaching a prize off to the right-hand side (“backward in time”) it wouldn’t take too long for the child to find a way out of the trap. Simply turn around to face the other way, swapping left for right, and then reach the prize by moving to the left. Alternatively, lie down on the floor so that the prize is in the “up” direction with reference to your head. Now you can move both “up” to grasp the prize and “down” to your original position, before standing up again and returning your personal space orientation to that of the bystanders.* The technique for time travel allowed by relativity theory is very similar. It involves distorting the fabric of space-time so that in a local region of space-time the time axis points in a direction equivalent to one of the three space directions in the undistorted region of space-time. One of the other space directions takes on the role of time, and by swapping space for time such a device would make true time travel, there and back again, possible. American mathematician Frank Tipler has made the calculations that prove such a trick is theoretically possible. Space-time can be distorted by strong gravitational fields,and Tipler’s imaginary time machine is a very massive cylinder, containing as much matter as our sun packed into a volume 100 km long and 10 km in radius, as dense as the nucleus of an atom, rotating twice every millisecond and dragging the fabric of space-time around with it. The surface of the cylinder would be moving at half the speed of light. This isn’t the sort of thing even the maddest of mad inventors is likely to build in his backyard, but the point is that it is allowed by all the laws of physics that we know. There is even an object in the universe that has the mass of our sun, the density of an atomic nucleus, and spins once every 1.5 milliseconds, only three times slower than Tipler’s time machine. This is the so-called “millisecond pulsar,” discovered in 1982. It is highly unlikely that this object is cylindrical—such extreme rotation has surely flattened it into a pancake shape. Even so, there must be some very peculiar distortions of space-time in its vicinity. “Real” time travel may not be impossible, just extremely difficult and very, very unlikely. That thin end of what might be a very large wedge may, however, make the normality of time travel at the quantum level seem a little more acceptable. Both quantum theory and relativity theory permit time travel, of one kind or another. And anything that is acceptable to both those theories, no matter how paradoxical that something may seem, has to be taken seriously. Time travel, indeed, is an integral part of some of the stranger features of the particle world, where you can even get something for nothing, if you are quick about it.
John Gribbin (In Search of Schrodinger's Cat: Quantum Physics And Reality)
You should never take financial advice from cartoonists, but let me tell you one thing that feels safe to share: If the CEO of a publicly traded company is routinely described as having a “reality distortion field”—as was the case with Steve Jobs—keep an eye on that company.
Scott Adams (Win Bigly: Persuasion in a World Where Facts Don't Matter)
You should never take financial advice from cartoonists, but let me tell you one thing that feels safe to share: If the CEO of a publicly traded company is routinely described as having a “reality distortion field”—as was the case with Steve Jobs—keep an eye on that company. That’s a sign of a Master Persuader.
Scott Adams (Win Bigly: Persuasion in a World Where Facts Don't Matter)
The fundamental truth is that you are the light you are seeking. You are already enlightened, as your biological reality is that you are a being of light, down to your DNA, your cells, and the trillions of biophotons that permeate your entire being. Even your bones, the densest part of your physical being, are piezoelectric crystalline structures that make electricity (light) when they are compressed. And this light that powers you is the same light that powers the sun and the stars, the lightning and the lightning bugs, and the cosmos in its entirety. We are electromagnetic beings bathed in an electrically connected reality. You are vast. You contain multitudes. What has been obstructing that knowing and being is just a story; distorted waves in space that can be •tuned• back to their underlying harmonious perfection. Beneath the noise in the signal and stories of victimhood and struggle, you are simply one with the unified field, the cosmos itself – you are the universe. And from that perspective everything is possible.
Eileen Day McKusick (Electric Body, Electric Health)
Steve was a genius with a flair for design, a shaman whose storytelling power could generate something magical and maleficent called a “reality distortion field”; he was a pompous jerk who disregarded everyone else in his single-minded pursuit of perfection;
Brent Schlender (Becoming Steve Jobs: The Evolution of a Reckless Upstart into a Visionary Leader)
We've seen that the theories of the Core forces, each deeply based on symmetry, can be combined. The three separate Core symmetries can be realized as parts of a single, all-encompassing symmetry. Moreover, that encompassing symmetry brings unity and coherence to the clusters of the Core. From a motley six, we assemble the faultless Charge Account. We also discover that once we correct for the distorting effect of Grid fluctuations-and after upping the ante to include SUSY-the different powers of the Core forces derive from a common value at short distances. Even gravity, that hopelessly feeble misfit, comes into the field. To reach this clear and lofty perspective, we made some hopeful leaps of imagination. We assumed that the Grid-the entity that in everyday life we consider empty space-is a multilayered, multicolored superconductor. We assumed that the world contains the extra quantum dimensions required to support super-symmetry. And we boldly took the laws of physics, supplemented with these two "super" assumptions, up to energies and down to distances far beyond where we've tested them directly. From the intellectual success so far achieved-from the clarity and coherence of this vision of unification-we are tempted to believe that our assumptions correspond to reality. But in science, Mother Nature is the ultimate judge. After the solar expedition of 1919 confirmed his prediction for the bending of light by the Sun, a reporter asked Albert Einstein what it would have meant if the result had been otherwise. He replied, "Then God would have missed a great opportunity." Nature doesn't miss such opportunities. I anticipated that Nature's verdicts in favor of our "super" ideas will inaugurate a new golden age in fundamental physics.
Frank Wilczek (The Lightness of Being: Mass, Ether, and the Unification of Forces)
By early 1985 Burrell Smith was also ready to leave. He had worried that it would be hard to quit if Jobs tried to talk him out of it; the reality distortion field was usually too strong for him to resist. So he plotted with Hertzfeld how he could break free of it. “I’ve got it!” he told Hertzfeld one day. “I know the perfect way to quit that will nullify the reality distortion field. I’ll just walk into Steve’s office, pull down my pants, and urinate on his desk. What could he say to that? It’s guaranteed to work.
Anonymous
It is in this sense that, as Hegel already put it, a good portrait of a person resembles more the person than this person itself: a good painting of a woman supplements the woman’s photographic reality with its transcendental field of virtualities; all the layers of potentialities that underlie the actual existence of a woman, the potential aggressiveness or the threat of libidinal explosion that may lurk beneath her gentle appearance, her vulnerability and exposure to male violence, the melancholy that often brands the existence of a woman, up to the disparity of the composure of the feminine body which may all suddenly strike an external gaze. All these virtualities (which, in a painting, are directly inscribed in the feminine figure and distort its “realist” shape) are not just subjective misperceptions of the “objective reality” of the body, they bring out potentialities inscribed in the thing itself.
Slavoj Žižek (Sex and the Failed Absolute)
Another characteristic of truly innovative and creative people is that they have a reality-distortion field, a phrase that was used about Steve Jobs and comes from a Star Trek episode in which aliens create an entire new world through sheer mental force. When his colleagues protested that one of Jobs’s ideas or proposals would be impossible to implement, he would use a trick he learned from a guru in India: he would stare at them without blinking and say, “Don’t be afraid. You can do it.
Jeff Bezos (Invent and Wander: The Collected Writings of Jeff Bezos)
What causes all the hatred? At some level, it’s always the same thing: human beings operating under the influence of human brains whose design presupposed their specialness. That is, human beings operating under the influence of the reality-distortion fields that control us in many and subtle ways, convincing us that we and ours are in the right, that we are by nature good, and that, when we do the occasional bad thing, it’s not a reflection of the “real us”; whereas they and theirs aren’t in the right and aren’t by nature good, and when they do the occasional good thing, it’s not a reflection of the “real them.
Robert Wright (Why Buddhism is True: The Science and Philosophy of Meditation and Enlightenment)
Another characteristic of truly innovative and creative people is that they have a reality-distortion field, a phrase that was used about Steve Jobs and comes from a Star Trek episode in which aliens create an entire new world through sheer mental force. When his colleagues protested that one of Jobs’s ideas or proposals would be impossible to implement, he would use a trick he learned from a guru in India: he would stare at them without blinking and say, “Don’t be afraid. You can do it.” It usually worked. He drove people mad, he drove them to distraction, but he also drove them to do things they didn’t believe they could do. Related to that is the ability to “think different,” as Jobs put it in a memorable set of Apple ads.
Jeff Bezos (Invent and Wander: The Collected Writings of Jeff Bezos)
Adopting empowering beliefs impacts the way you think, which triggers new feelings and leads you to take different actions. In turn, these actions enable you to achieve better results. In short, belief allows you to distort your “reality” by introducing new ways of thinking that enhance your field of possibilities.
Thibaut Meurisse (Master Your Beliefs : A Practical Guide to Stop Doubting Yourself and Build Unshakeable Confidence (Mastery Series Book 7))
Everything is and depends upon energy The travesty that is Allopathic medicine aka eugenics, "modern" academia and medical science fails to recognise energy ultimately arises from meta-physical fields and currents Which affects health, longevity and well-being etc
Henry Joseph-Grant
reality distortion field
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)
Large sums of money create a powerful reality-distortion field,
Timothy Hallinan (Nighttown (Junior Bender, #7))