Realise Who Your Friends Are Quotes

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I don't want you forgetting how different our circumstaces are. If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life." Peeta says. "I would never be happy again. It's different for you. I'm not saying it wouldn't be hard. But there are other people who'd make your life worth living." "No one really needs me," he says, and there's no selfpity in his voice. It's true his family doesn't need him. They will mourn him, as will a handfull of friends. But they will get on.... I realise only one person will be damaged beyond repair if Peeta dies. Me. "I do," I say. "I need you.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
You may have noticed that the books you really love are bound together by a secret thread. You know very well what is the common quality that makes you love them, though you cannot put it into words: but most of your friends do not see it at all, and often wonder why, liking this, you should also like that. Again, you have stood before some landscape, which seems to embody what you have been looking for all your life; and then turned to the friend at your side who appears to be seeing what you saw -- but at the first words a gulf yawns between you, and you realise that this landscape means something totally different to him, that he is pursuing an alien vision and cares nothing for the ineffable suggestion by which you are transported. Even in your hobbies, has there not always been some secret attraction which the others are curiously ignorant of -- something, not to be identified with, but always on the verge of breaking through, the smell of cut wood in the workshop or the clap-clap of water against the boat's side? Are not all lifelong friendships born at the moment when at last you meet another human being who has some inkling (but faint and uncertain even in the best) of that something which you were born desiring, and which, beneath the flux of other desires and in all the momentary silences between the louder passions, night and day, year by year, from childhood to old age, you are looking for, watching for, listening for? You have never had it. All the things that have ever deeply possessed your soul have been but hints of it -- tantalising glimpses, promises never quite fulfilled, echoes that died away just as they caught your ear. But if it should really become manifest -- if there ever came an echo that did not die away but swelled into the sound itself -- you would know it. Beyond all possibility of doubt you would say "Here at last is the thing I was made for". We cannot tell each other about it. It is the secret signature of each soul, the incommunicable and unappeasable want, the thing we desired before we met our wives or made our friends or chose our work, and which we shall still desire on our deathbeds, when the mind no longer knows wife or friend or work. While we are, this is. If we lose this, we lose all.
C.S. Lewis (The Problem of Pain)
I think,” Juna says after a pause, “that the thing about losing someone isn’t the loss but the absence of afterwards. D’you know what I mean? The endlessness of that.” She looks sideways at me and sniffs. “My friends were sad, people who knew my sister were sad, but everyone moves on after a month. It’s all they can manage. It doesn’t mean they weren’t sad, just that things keep going or something, I don’t know.” She rolls her shoulder, shakes her head. “It’s hard when you look up and realise that everyone’s moved off and left you in that place by yourself. Like they’ve all gone on and you’re there still, holding on to this person you’re supposed to let go of.
Julia Armfield (Our Wives Under the Sea)
It's like they say about soldiers coming back from war. People all around you are dying. Really dying, Eric. You go in for a week's chemotherapy and you're in a ward with people who are really, actually dying, there and then and doing their best to come to terms with it. When the week's up, you go home and you see your family and your friends and everything's normal and familiar. It's too much. You think - one world can't possibly hold both these lives and you feel like you're going to go crazy when you realise the world is that big and it can fill with the most terrible things whenever it wants to.
Steven Hall (The Raw Shark Texts)
My dearest friend Abigail, These probably could be the last words I write to you and I may not live long enough to see your response but I truly have lived long enough to live forever in the hearts of my friends. I thought a lot about what I should write to you. I thought of giving you blessings and wishes for things of great value to happen to you in future; I thought of appreciating you for being the way you are; I thought to give sweet and lovely compliments for everything about you; I thought to write something in praise of your poems and prose; and I thought of extending my gratitude for being one of the very few sincerest friends I have ever had. But that is what all friends do and they only qualify to remain as a part of the bunch of our loosely connected memories and that's not what I can choose to be, I cannot choose to be lost somewhere in your memories. So I thought of something through which I hope you will remember me for a very long time. I decided to share some part of my story, of what led me here, the part we both have had in common. A past, which changed us and our perception of the world. A past, which shaped our future into an unknown yet exciting opportunity to revisit the lost thoughts and to break free from the libido of our lost dreams. A past, which questioned our whole past. My dear, when the moment of my past struck me, in its highest demonised form, I felt dead, like a dead-man walking in flesh without a soul, who had no reason to live any more. I no longer saw any meaning of life but then I saw no reason to die as well. I travelled to far away lands, running away from friends, family and everyone else and I confined myself to my thoughts, to my feelings and to myself. Hours, days, weeks and months passed and I waited for a moment of magic to happen, a turn of destiny, but nothing happened, nothing ever happens. I waited and I counted each moment of it, thinking about every moment of my life, the good and the bad ones. I then saw how powerful yet weak, bright yet dark, beautiful yet ugly, joyous yet grievous; is a one single moment. One moment makes the difference. Just a one moment. Such appears to be the extreme and undisputed power of a single moment. We live in a world of appearance, Abigail, where the reality lies beyond the appearances, and this is also only what appears to be such powerful when in actuality it is not. I realised that the power of the moment is not in the moment itself. The power, actually, is in us. Every single one of us has the power to make and shape our own moments. It is us who by feeling joyful, celebrate for a moment of success; and it is also us who by feeling saddened, cry and mourn over our losses. I, with all my heart and mind, now embrace this power which lies within us. I wish life offers you more time to make use of this power. Remember, we are our own griefs, my dear, we are our own happinesses and we are our own remedies. Take care! Love, Francis. Title: Letter to Abigail Scene: "Death-bed" Chapter: The Road To Awe
Huseyn Raza
You see what your mother-in-law hasn’t yet realised is that she’s the one who needs to hold out the olive branch, not you, because she’s the one who’s going to want to come around more and more in the future to see her grand-kids. SHE needs to make friends with YOU, not the other way around.
Karl Wiggins (You Really Are Full of Shit, Aren't You?)
THE DAY YOU READ THIS On this day, you read something that moved you and made you realise there were no more fears to fear. No tears to cry. No head to hang in shame. That every time you thought you’d offended someone, it was all just in your head and really, they love you with all their heart and nothing will ever change that. That everyone and everything lives on inside you. That that doesn’t make any of it any less real. That soft touches will change you and stay with you longer than hard ones. That being alone means you’re free. That old lovers miss you and new lovers want you and the one you’re with is the one you’re meant to be with. That the tingles running down your arms are angel feathers and they whisper in your ear, constantly, if you choose to hear them. That everything you want to happen, will happen, if you decide you want it enough. That every time you think a sad thought, you can think a happy one instead. That you control that completely. That the people who make you laugh are more beautiful than beautiful people. That you laugh more than you cry. That crying is good for you. That the people you hate wish you would stop and you do too. That your friends are reflections of the best parts of you. That you are more than the sum total of the things you know and how you react to them. That dancing is sometimes more important than listening to the music. That the most embarrassing, awkward moments of your life are only remembered by you and no one else. That no one judges you when you walk into a room and all they really want to know, is if you’re judging them. That what you make and what you do with your time is more important than you’ll ever fathom and should be treated as such. That the difference between a job and art is passion. That neither defines who you are. That talking to strangers is how you make friends. That bad days end but a smile can go around the world. That life contradicts itself, constantly. That that’s why it’s worth living. That the difference between pain and love is time. That love is only as real as you want it to be. That if you feel good, you look good but it doesn’t always work the other way around. That the sun will rise each day and it’s up to you each day if you match it. That nothing matters up until this point. That what you decide now, in this moment, will change the future. Forever. That rain is beautiful. And so are you.
pleasefindthis (I Wrote This For You)
My ambitions for you are slowly being realised, and, even though you are unhappy, console yourself with the thought that it was part of my plan for you to be unhappy for a while. The fact that you associate intimately with girls who do not care for the things you do should strengthen your own artistic integrity and fortify you against the world; remember, Natalie, your enemies will always come from the same place your friends do.
Shirley Jackson (Hangsaman)
We have time for everything: to sleep, to run from one place to another, to regret having mistaken and to mistake again, to judge the others and to forgive ourselves we have time for reading and writing, for making corrections to our texts, to regret ever having written we have time to make plans and time not to respect them, we have time for ambitions and sicknesses, time to blame the destiny and the details, we have time to watch the clouds, advertisements or some ordinary accident, we have time to chase our wonders away and to postpone the answers, we have time to break a dream to pieces and then to reinvent it, we have time to make friends, to lose friends, we have time to receive lessons and forget them afterwards, we have time to receive gifts and not to understand them. We have time for them all. There is no time for just a bit of tenderness. When we are aware about to do this we die. I’ve learned that you cannot make someone love you; All you can do is to be a loved person. the rest … depends on the others. I’ve learned that as much as I care others might not care. I’ve learned that it takes years to earn trust and just a few seconds to lose it. I’ve learned that it does not matter WHAT you have in your life but WHO you have. I’ve learned that your charm is useful for about 15 minutes Afterwards, you should better know something. I’ve learned that no matter how you cut it, everything has two sides! I’ve learned that you should separate from your loved ones with warm words It might be the last time you see them! I’ve learned that you can still continue for a long time after saying you cannot continue anymore I’ve learned that heroes are those who do what they have to do, when they have to do it, regardless the consequences I’ve learned that there are people who love But do not know how to show it ! I’ve learned that when I am upset I have the RIGHT to be upset But not the right to be bad! I’ve learned that real friendship continues to exist despite the distance And this is true also for REAL LOVE !!! I’ve learned that if someone does not love you like you want them to It does not mean that they do not love you with all their heart. I’ve learned that no matter how good of a friend someone is for you that person will hurt you every now and then and that you have to forgive him. I’ve learned that it is not enough to be forgiven by others Sometimes you have to learn to forgive yourself. I’ve learned that no matter how much you suffer, The world will not stop for your pain. I’ve learned that the past and the circumstances might have an influence on your personality But that YOU are responsible for what you become !!! I’ve learned that if two people have an argument it does not mean that they do not love each other I’ve learned that sometimes you have to put on the first place the person, not the facts I’ve learned that two people can look at the same thing and can see something totally different I’ve learned that regardless the consequences those WHO ARE HONEST with themselves go further in life. I’ve learned that life can be changed in a few hours by people who do not even know you. I’ve learned that even when you think there is nothing more you can give when a friend calls you, you will find the strength to help him. I’ve learned that writing just like talking can ease the pains of the soul ! I’ve learned that those whom you love the most are taken away from you too soon … I’ve learned that it is too difficult to realise where to draw the line between being friendly, not hurting people and supporting your oppinions. I’ve learned to love to be loved.
Octavian Paler
It was a wretched little koan: how can you help someone who won't be helped while realising that if you don't try to help, then you're not being a friend at all?
Hanya Yanagihara (A Little Life)
People often said to me what I couldn't do things when I was younger such as sports, writing, mathematics, geography, science etc - I pathway can always be tailored can change and that change itself is possible what did I excel in well art was one of those things of have gone BACK to to move FORWARD and have taken up poetry and creativity something that occupies my mind in way that creates happy thoughts, happy feelings, and happiness all round really. To invest in your strengths and understand but not over-define yourself by your deficits is something that has worked for me over the years and this year in particular (the ethos was always there instilled that I am human being first like anyone else by my parents and family but it has been tenderly and quite rightly reaffirmed by a friend also) it has made me a more balanced person whom has healthy acknowledgment of my autism who but also wants to be known as a person first - see me first, see that I have a personality first. I say this not in anger or bitterness but as a healthy optimistic realisation and as a message of hope for people out there.
Paul Isaacs
Women are like goats. It's like . . . Well, reasoning with a woman is like sitting down to a friendly game of dice. Only the woman refuses to acknowledge the basic bloody rules of the game. A man, he'll cheat you - but he'll do it honestly. He'll use loaded dice, so that you think you're losing by chance. And if you aren't clever enough to spot what he's doing, then maybe he deserves to take your coin. And that's that. A woman, though, she'll sit down to that same game and she'll smile, and act like she's going to play. Only when it's her turn to throw, she'll toss a pair of her own dice that are blank on all six sides. Not a single pip showing. She'll inspect the throw, then she'll look up at you and say, 'clearly I just won.' Now, you'll scratch your head and look at the dice. Then you'll look up at her, then down at the dice again 'But there aren't any pips on these dice' you'll say." 'Yes there are,' she'll say. 'And both dice rolled a one.' 'That's exactly the number you need to win,' you'll say. 'What a coincidence,' she'll reply, then begin to scoop up your coins. And you'll sit there, trying to wrap your head 'bout what just happened. And you'll realise something. A pair of ones isn't the winning throw! Not when you threw a six on your turn. That means she needed a pair of twos instead! Excitedly you'll explain what you've discovered. Only then do you know what she'll do?" "No idea, Mat." "Then she'll reach over and rub the blank faces of her dice. And then, with a perfectly straight face, she'll say, 'I'm sorry. There was a spot of dirt on the dice. Clearly you'll see they actually came up as twos!' And she'll believe it. She'll bloody believe it!" "Incredible." "Only that's not the end of it!" "I had presumed it wouldn't be Mat." "She scoops up all of your coins. And then every other wonam in the room will come over and congratulate her on throwing that pair of twos! The more you complain, the more those bloody women will join in the argument. You'll be outnumbered in a moment, and each of those women will explain to you how those dice clearly read twos, and how you really need to stop behaving like a child. Every single flaming one of them will see the twos! even the prudish woman who has hated your woman from birth - since your woman's granny stole the other woman's granny's honeycake recipe when they were both maids - that woman will side against you." "They're nefarious creatures indeed." "By the time they're done, you'll be left with no coin, several lists worth of errands to run and what clothing to wear and a splitting headache. You'll sit there and stare at the table and begin to wonder, just maybe, if those dice didn't read twos after all. If only to preserve what's left of your sanity. That's what it's like to reason with a woman, I tell you.
Robert Jordan
I did not become famous but I got near enough to smell the stench of success. It smelled like burnt cloth and rancid gardenias, and I realised that the truly awful thing about success is that it's held up all those years as the thing that would make everything all right. And the only thing that makes things even slightly bearable is a friend who knows what you're talking about.
Eve Babitz
Remember I spoke earlier of how there are three layers of abuse to this NPD? The first layer is our mother’s abuse. The second layer is her denial of it and invalidation of our experiences. The third layer is society’s denial of it, and invalidation of our experiences. And if you go No Contact, it’s very possible that others – neighbours, friends, extended family – will judge you harshly for it. This can be difficult to deal with. As Lucinda on the forum said, ‘I struggled with this because I thought their opinions of me somehow defined who I really was. If they thought I was bad it felt like I really was bad.’ She then realised, however, ‘When I got to know myself I realized I'm fine just the way I am. I know I’m a good person. Other people's opinions are just their opinions, they are not who I am.
Danu Morrigan (You're Not Crazy—It's Your Mother: Understanding and Healing for Daughters of Narcissistic Mothers)
She shut her eyes against the realisation rising within her like a tidal wave. It would sweep away everything in its path once she admitted it. Consume her entirely. The thought was enough for her to straighten and wipe away her tears. 'I can't accept this.' 'It was made for you,' he smiled softly. She couldn't bear that smile, his kindness and joy, as she corrected. 'I will not accept it.' She placed the orb back in its box and handed it to him. 'Return it.' His eyes shuttered. 'It's a gift, not a fucking wedding ring.' She stiffened. 'No, I'll look to Eris for that.' He went still. 'Say that again.' She made her face cold, the only shield she had against him. 'Rhys says Eris wants me for his bride. He'll do anything we want in exchange for my hand.' The Siphons atop Cassian's hands flickered. 'You aren't considering saying yes.' She said nothing. Let him believe the worst. He snarled. 'I see. I get a little too close and you shove me away again. Back to where it's safe. Better to marry a viper like Eris than be with me.' 'I am not with you,' she snapped. 'I am fucking you.' 'The only thing fit for a bastard-born brute, right?' 'I didn't say that.' 'You don't need to. You've said it a thousand times before.' 'Then why did you bother to cut in at the ball?' 'Because I was fucking jealous!' he roared, wings splaying. 'You looked like a queen, and it was painfully obvious that you should be with a princeling like Eris and not a low-born nothing like me! Because I couldn't stand the sight of it, right down to my gods-damned bones! But go ahead, Nesta. Go ahead and fucking marry him and good fucking luck to you!' 'Eris is the brute,' she shot back. 'He is a brute and a piece of shit. And I would marry him because I am just like him!' The words echoed through the room. His pained face gutted her. 'I deserve Eris.' Her voice cracked. Cassian panted, his eyes still lit with fury- and now with shock. Nesta said hoarsely. 'You are good, Cassian. And you are brave, and brilliant, and kind. I could kill anyone who has ever made you feel less than that- less than what you are. And I know I'm a part of that group, and I hate it.' Her eyes burned, but she fought past it. 'You are everything I have never been, and will never be good enough for. Your friends know it, and I have carried it around with me all this time- that I do not deserve you. The fury slid from his face. Nesta didn't stop the tears that flowed, or the words that tumbled out. 'I didn't deserve you before the war, or afterward, and I certainly don't now.' She let out a low, broken laugh. 'Why do you think I shoved you away? Why do you think I wouldn't speak to you?' She put a hand on her aching chest. 'After my father died, after I failed in so many ways- denying myself of you...' She sobbed. 'It was my punishment. Don't you understand that?' She could barely see him through her tears. 'From the moment I met you, I wanted you more than reason From the moment I saw you in my house, you were all I could think about. And it terrified me. No one had ever held such power over me. And I am still terrified that if I let myself have you... it will be taken away. Someone will take it away, and if you're dead...' She buried her face in her hands. 'It doesn't matter,' she whispered. 'I do not deserve you, and I never, ever will.' Utter silence filled the room. Such silence that she wondered if he'd left, and lowered her hands to see if he was there. Cassian stood before her. Tears streaming down his beautiful, perfect face. She didn't balk from it, letting him see her like this: her most raw, most base self. He'd always seen all of her, anyway. He opened his mouth and tried to speak. Had to swallow and try again. Nesta saw all the words in his eyes, though. The same ones she knew lay in her own.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Does it undermine my image as a warrior to be with you?' 'No. Does it undermine Feyre's when she's seen with Rhys?' Her stomach tightened. Her heartbeat pulsed in her arms, her gut. 'It's different for them,' she made herself say as they reached the end of the bridge and turned to walk along the quay flanking the river. Cassian asked carefully. 'Why?' Nesta kept her focus on the glittering river, vibrant with the hues of sunset. 'Because they're mates.' At his utter silence, she knew what he'd say. Halted again, bracing herself for it. Cassian's face was a void. Completely empty as he said, 'And we're not?' Nesta said nothing. He huffed a laugh. 'Because they're mates and you don't want us to be.' 'That word means nothing to me, Cassian,' she said, voice thick as she tried to keep the people who strode past from overhearing. 'It means something to all of you, but for most of my life, husband and wife was as good as it got. Mate is just a word.' 'That's bullshit.' When she only began walking along the river again, he asked. 'Why are you frightened?' 'I'm not frightened.' 'What spooked you? Just being seen publicly with me like this?' Yes. Having him kiss her and realising that soon she'd have to return to the world humming around them, and leave the House, and she didn't know what she would do then. What it would mean for them. If she would plunge back into that dark place she'd occupied before. Drag him down with her. 'Nesta. Talk to me.' She met his stare, but wouldn't open her mouth. Cassian's eyes blazed. 'Say it.' She refused. 'Say it, Nesta.' 'I don't know what you're talking about.' 'Ask me why I vanished for nearly a week after Solstice. Why I suddenly had to do an inspection right after a holiday.' Nesta kept her mouth shut. 'It was because I woke up the next morning and all I wanted to do was fuck you for a week straight. And I knew what that meant, what had happened, even though you didn't, and I didn't want to scare you. You weren't ready for the truth- not yet.' Her mouth went dry. 'Say it,' Cassian snarled. People gave them a wide berth. Some outright turned back toward the direction they'd come from. 'No.' His face shuttered with rage even as his voice became calm. 'Say it.' She couldn't. Not before he'd ordered her to, and certainly not now. She couldn't let him win like that. 'Say what I guessed from the moment we met,' he breathed. 'What I knew the first time I kissed you. What became unbreakable between us on Solstice night.' She wouldn't. 'I am your mate, for fuck's sake!' Cassian shouted, loud enough for people across the river to hear. 'You are my mate! Why are you still fighting it?' She let the truth, voiced at last, wash over her. 'You promised me forever on Solstice,' he said, voice breaking. 'Why is one word somehow throwing you off that?' 'Because with that one word, the last scrap of my humanity goes away!' She didn't care who saw them, who heard. 'With that one stupid word, I am no longer human in any way. I'm one of you!' He blinked. 'I thought you wanted to be one of us.' 'I don't know what I want. I didn't have a choice.' 'Well, I didn't have a choice in being shackled to you, either.' The declaration slammed into her. Shackled. He sucked in a breath. 'That was an incredibly poor choice of words.' 'But the truth, right?' 'No, I was angry- it's not true.' 'Why? Your friends saw me for what I was. What I am. The mating bond made you stupidly blind to it. How many times did they warn you away from me, Cassian?' She barked a cold laugh. Shackled. Words beckoned, sharp as knives, begging for her to grab one and plunge it into his chest. Make him hurt as much as that one would hurt her. Make him bleed. But if she did that, if she ripped into him... She couldn't. Wouldn't let herself do it.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Where do you go to make friends when you’re an adult? No, honestly, I’m asking, where do you do this? There are no more late-night study sessions or university social events. And while meeting friends at work is the obvious answer, your options are very limited if you don’t click with your colleagues or if you’re self-employed. (Also, if you’re only friends with people at work, who do you complain about your colleagues too?) I don’t volunteer. I don’t participate in organised religion. I don’t play team sports. Where do selfish, godless, lazy people go to make friends? That’s where I need to be. Nearly all of my closest friends have been assigned to me: either via seating chats at school, university room-mates, or desk buddies at work. After taking stock, I realise that most of my friends were forced to sit one metre away from me for several hours at a time. I’ve never actively reached out to make a new friend who wasn’t within touching distance. With no helpful administrators, just how do we go about making friends as adults? Is it possible to cultivate that intense closeness without the heady combination of naivety, endless hours of free time on hand and lack of youthful inhibitions? Or is that lost for ever after we hit thirty?
Jessica Pan (Sorry I'm Late, I Didn't Want to Come: An Introvert's Year of Living Dangerously)
LEICESTER, Jan. 17th, 1793. "DEAR AND HONOURED FATHER,—The importance of spending our time for God alone, is the principal theme of the gospel. I beseech you, brethren, says Paul, by the mercies of God, that you present your bodies a living sacrifice, holy and acceptable, which is your reasonable service. To be devoted like a sacrifice to holy uses, is the great business of a christian, pursuant to these requisitions. I consider myself as devoted to the service of God alone, and now I am to realise my professions. I am appointed to go to Bengal, in the East Indies, a missionary to the Hindoos. I shall have a colleague who has been there five or six years already, and who understands their language. They are the most mild and inoffensive people in all the world, but are enveloped in the greatest superstition, and in the grossest ignorance...I hope, dear father, you may be enabled to surrender me up to the Lord for the most arduous, honourable, and important work that ever any of the sons of men were called to engage in. I have many sacrifices to make. I must part with a beloved family, and a number of most affectionate friends. Never did I see such sorrow manifested as reigned through our place of worship last Lord's-day. But I have set my hand to the plough.—I remain, your dutiful son, "WILLIAM CAREY.
George Smith (The Life of William Carey)
I would have my room,' Cardan said, narrowing his eyes and assuming his most superior pose. 'Perhaps you two might take whatever this is elsewhere.' Part of him thought she would laugh, having known him before he perfected his sneer, but she shrank under his gaze. Locke stood up, putting on his pants. 'Oh, don't be like that. We're all friends here.' Cardan's practiced demeanour went up in smoke. He became the snarling feral child that had prowled the palace, stealing from tables, unkempt and unloved. Launching himself at Locke, he bore him to the floor. They collapsed in a heap. Cardan punched, hitting Locke somewhere between the eye and the cheekbone. 'Stop telling me who I am,' he snarled, teeth bared. 'I am tired of your stories.' Locke tried to knock Cardan off him. But Cardan had the advantage, and he used it to wrap his hands around Locke's throat. Maybe he really was still drunk. He felt giddy and dizzy all at once. 'You're going to really hurt him!' Nicasia shouted, hitting Cardan's shoulder and then, when that didn't work, trying to haul him off the other boy. Locke made a wordless sound, and Cardan realised he was pressing so tightly on his windpipe that he couldn't speak. Cardan dropped his hands away. Locke choked, gasping for air. 'Create some tale about this,' Cardan shouted, adrenaline still fizzing through his bloodstream. 'Fine,' Locke finally managed, his voice strange. 'Fine, you mad, hedge-born coxcomb. But you were only together out of habit; otherwise, it wouldn't have been so easy to make her love me.' Cardan punched him. This time, Locke swung back, catching Cardan on the side of the head. They rolled around, hitting each other, until Locke scuttled back and made it to his feet. He ran for the door, Cardan right behind. 'You are both fools,' Nicasia shouted after them.
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
I would have my room,' Cardan said, narrowing his eyes and assuming his most superior pose. 'Perhaps you two might take whatever this is elsewhere.' Part of him thought she would laugh, having known him before he perfected his sneer, but she shrank under his gaze. Locke stood up, putting on his pants. 'Oh, don't be like that. We're all friends here.' Cardan's practiced demeanour went up in smoke. He became the snarling feral child that had prowled the palace, stealing from tables, unkempt and unloved. Launching himself at Locke, he bore him to the floor. They collapsed in a heap. Cardan punched, hitting Locke somewhere between the eye and the cheekbone. 'Stop telling me who I am,' he snarled, teeth bared. 'I am tired of your stories.' Locke tried to knock Cardan off him. But Cardan had the advantage, and he used it to wrap his hands around Locke's throat. Maybe he really was still drunk. He felt giddy and dizzy all at once. 'You're going to really hurt him!' Nicasia shouted, hitting Cardan's shoulder and then, when that didn't work, trying to haul him off the other boy. Locke made a wordless sound, and Cardan realised he was pressing so tightly on his windpipe that he couldn't speak. Cardan dropped his hands away. Locke choked, gasping for air. 'Create some tale about this,' Cardan shouted, adrenaline still fizzing through his bloodstream. 'Fine,' Locke finally managed, his voice strange. 'Fine, you made, hedge-born coxcomb. But you were only together out of habit; otherwise, it wouldn't have been so easy to make her love me.' Cardan punched him. This time, Locke swung back, catching Cardan on the side of the head. They rolled around, hitting each other, until Locke scuttled back and made it to his feet. He ran for the door, Cardan right behind. 'You are both fools,' Nicasia shouted after them.
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
What’s going on?’ she said. ‘Talk to me.’ ‘I …’ I looked down. I didn’t want her to see me. But Rooney was looking at me, eyebrows furrowed, so many thoughts churning behind her eyes, and it was that look that made me start spilling everything out. ‘I just care about you so much … but I’ve always got this fear that … one day you’ll leave. Or Pip and Jason will leave, or … I don’t know.’ Fresh tears fell from my cheeks. ‘I’m never going to fall in love, so … my friendships are all I have, so … I just … can’t bear the idea of losing any of my friends. Because I’m never going to have that one special person.’ ‘Can you let me be that person?’ Rooney said quietly. I sniffed loudly. ‘What d’you mean?’ ‘I mean I want to be your special person.’ ‘B-but … that’s not how the world works, people always put romance over friendships –’ ‘Says who?’ Rooney spluttered, smacking her hand on the ground in front of us. ‘The heteronormative rulebook? Fuck that, Georgia. Fuck that.’ She stood up, flailing her arms and pacing as she spoke. ‘I know you’ve been trying to help me with Pip,’ she began, ‘and I appreciate that, Georgia, I really do. I like her and I think she likes me and we like being around each other and, yep, I’m just gonna say it – I think we really, really want to have sex with each other.’ I just stared at her, my cheeks tear-stained, having no idea where this was going. ‘But you know what I realised on my walk?’ she said. ‘I realise that I love you, Georgia.’ My mouth dropped open. ‘Obviously I’m not romantically in love with you. But I realised that whatever these feelings are for you, I …’ She grinned wildly. ‘I feel like I am in love. Me and you – this is a fucking love story! I feel like I’ve found something most people just don’t get. I feel at home around you in a way I have never felt in my fucking life. And maybe most people would look at us and think that we’re just friends, or whatever, but I know that it’s just … so much MORE than that.’ She gestured dramatically at me with both hands. ‘You changed me. You … you fucking saved me, I swear to God. I know I still do a lot of dumb stuff and I say the wrong things and I still have days where I just feel like shit but … I’ve felt happier over the past few weeks than I have in years.’ I couldn’t speak. I was frozen. Rooney dropped to her knees. ‘Georgia, I am never going to stop being your friend. And I don’t mean that in the boring average meaning of ‘friend’ where we stop talking regularly when we’re twenty-five because we’ve both met nice young men and gone off to have babies, and only get to meet up twice a year. I mean I’m going to pester you to buy a house next door to me when we’re forty-five and have finally saved up enough for our deposits. I mean I’m going to be crashing round yours every night for dinner because you know I can’t fucking cook to save my life, and if I’ve got kids and a spouse, they’ll probably come round with me, because otherwise they’ll be living on chicken nuggets and chips. I mean I’m going to be the one bringing you soup when you text me that you’re sick and can’t get out of bed and ferrying you to the doctor’s even when you don’t want to go because you feel guilty about using the NHS when you just have a stomach bug. I mean we’re gonna knock down the fence between our gardens so we have one big garden, and we can both get a dog and take turns looking after it. I mean I’m going to be here, annoying you, until we’re old ladies, sitting in the same care home, talking about putting on a Shakespeare because we’re all old and bored as shit.’ She grabbed the bunch of flowers and practically threw them at me. ‘And I bought these for you because I honestly didn’t know how else to express any of that to you.’ I was crying. I just started crying again. Rooney wiped the tears off my cheeks.
Alice Oseman
Wealthy people are, as a class, better than impoverished people, more moral, more intellectual, more well-behaved. There is only one class in the community that thinks more about money than the rich, and that is the poor. The poor can think of nothing else. That is the misery of being poor. What Jesus does say is that man reaches his perfection, not through what he has, not even through what he does, but entirely through what he is. And so the wealthy young man who comes to Jesus is represented as a thoroughly good citizen, who has broken none of the laws of his state, none of the commandments of his religion. He is quite respectable, in the ordinary sense of that extraordinary word. Jesus says to him, ‘You should give up private property. It hinders you from realising your perfection. It is a drag upon you. It is a burden. Your personality does not need it. It is within you, and not outside of you, that you will find what you really are, and what you really want.’ To his own friends he says the same thing. He tells them to be themselves, and not to be always worrying about other things. What do other things matter? Man is complete in himself. When they go into the world, the world will disagree with them. That is inevitable. The world hates Individualism. But that is not to trouble them. They are to be calm and self-centred. If a man takes their cloak, they are to give him their coat, just to show that material things are of no importance. If people abuse them, they are not to answer back. What does it signify? The things people say of a man do not alter a man. He is what he is. Public opinion is of no value whatsoever. Even if people employ actual violence, they are not to be violent in turn. That would be to fall to the same low level. After all, even in prison, a man can be quite free. His soul can be free. His personality can be untroubled. He can be at peace. And, above all things, they are not to interfere with other people or judge them in any way. Personality is a very mysterious thing. A man cannot always be estimated by what he does. He may keep the law, and yet be worthless. He may break the law, and yet be fine. He may be bad, without ever doing anything bad. He may commit a sin against society, and yet realise through that sin his true perfection.
Oscar Wilde (The Soul of Man Under Socialism)
Dear Brave People, I realise that it appears I'm fearless. I can make that presentation with ease, I can stand near the edge of the cliff and look down, and I can befriend that spider in the bathroom. (He's called Steve). But recently I've realised that's not what makes people brave. Brave has a different meaning. I'm afraid of people leaving. After I watched my best friend become someone else's and I was forced into befriending my childhood bully, I realised I don't want to let myself go through this again. I see my fear come through when questioning my boyfriend;s affections. I see it when I distance myself from my friends who are going to leave for university. Isee it in my overanalysis of my parents' relationship and paranoia over a possible divorce. I don't want to be alone. I'm afraid of failure. I aced my exams and the bar has moved up again. I have those high expectations along with everyone else, but I know now that maybe the tower is just too tall, and I should've built stronger foundations. I act like I know what I'm doing, but really I'm drifting away from the shore faster and faster. I don't want to let anyone down. I'm afraid of change. I don't know where I lie anymore. I thought I knew what to do in my future, but I can't bear to think that I'm now not so sure. I thought I was completely straight, but now it's internal agony as I'm not so sure. Turns out I thought a lot of things. I don't want my life to not be the way I expected. I may not be scared of crowds. Or the dark. Or small spaces. But I am afraid. I am afraid of responsibility; I am afraid of not living up to expectations, of the changing future, of growing up, not knowing, sex, relationships, hardship, secrets, grades, judgment, falling short, loneliness, change, confusion, arguments, curiosity, love, hate, losing, pressure, differences, honesty, lies. I am afraid of me. Yet, despite this, I know I am brave. I know I am brave because I've accepted my invisible fears and haven't let them overcome me. I want you to know that you're brave because you know your fears. You're brave because you introduced yourself. You're brave because you said "No, I don't understand." You're brave because you're here. I hope you can learn from me and be brave in your own way. I know I am. -B
Emily Trunko (Dear My Blank: Secret Letters Never Sent)
But even in Gavle I went on digging into the case." "I don't suppose that Henrik would ever let up." "That's true, but that's not the reason. The puzzle about Harriet still fascinates me to this day. I mean... it's like this: every police officer has his own unsolved mystery. I remember from my days in Hedestad how older colleagues would talk in the canteen about the case of Rebecka. There was one officer in particular, a man named Torstensson - he's been dead for years - who year after year kept returning to that case. In his free time and when he was on holiday. Whenever there was a period of calm among the local hooligans he would take out those folders and study them." "Was that also a case about a missing girl?" Morell looked surprised. Then he smiled when he realised that Blomkvist was looking for some sort of connection. "No, that's not why I mentioned it. I'm talking about the soul of a policeman. The Rebecka case was something that happened before Harriet Vanger was even born, and the statute of limitations has long since run out. Sometime in the forties a woman was assaulted in Hedestad, raped, and murdered. That's not altogether uncommon. Every officer, at some point in his career, has to investigate that kind of crime, but what I'm talking about are those cases that stay with you and get under your skin during the investigation. This girl was killed in the most brutal way. The killer tied her up and stuck her head into the smouldering embers of a fireplace. One can only guess how long it took for the poor girl to die, or what torment she must have endured." "Christ Almighty." "Exactly. It was so sadistic. Poor Torstensson was the first detective on the scene after she was found. And the murder remained unsolved, even though experts were called in from Stockholm. He could never let go of that case." "I can understand that." "My Rebecka case was Harriet. In this instance we don't even know how she died. We can't even prove that a murder was committed. But I have never been able to let it go." He paused to think for a moment. "Being a homicide detective can be the loneliest job in the world. The friends of the victim are upset and in despair, but sooner or later - after weeks or months - they go back to their everyday lives. For the closest family it takes longer, but for the most part, to some degree, they too get over their grieving and despair. Life has to go on; it does go on. But the unsolved murders keep gnawing away and in the end there's only one person left who thinks night and day about the victim: it's the officer who's left with the investigation.
Stieg Larsson (The Girl with the Dragon Tattoo (Millennium, #1))
Consider, finally, what it meant to Him to do this for us. “I go,” He says. Where is He going? He is going to the Garden of Gethsemane to sweat drops of blood. Where is He going? He is going to be arrested, to be tried in court, to be mocked and jeered and laughed at. He is going to be spat upon, to have His holy body scourged. He is going to have a crown of thorns placed upon His head. They will take Him and drive cruel nails into His blessed hands and feet. He is going to be nailed to a tree. Can you picture it happening to you, with nails being hammered in through hands and feet? That is what He is going to. And, too, He is going to endure the mockery and the spitting and the jeering of the cruel mob; they did not know who He was or what He was doing. He is going to die and to be laid in a grace, He who is the eternal Son of God through whom the world was made and by whom all things consist. He is going deliberately to all that because that is the only way whereby the door and the gate of heaven can be opened for us. “I go to prepare a place in heaven with God, a mansion for you. Beloved friend, have you realised that the Lord Jesus Christ has done all that for you? If you see it, if you believe it, you will agree with Paul when he says that you are not your own, you “are bought with a price,” therefore you must give yourself and your life to Him (1 Cor. 6:20). If you believe Him, you can know for certain that He has prepared a place for you and will come again and received you unto Himself so that where He is, you shall be also.
D. Martyn Lloyd-Jones (The Quiet Heart (Crossway Classic Commentary))
The way I see things, Feyre, you have two options. The first, and the smartest, would be to accept my offer.' I spat at his feet, but he kept pacing, only giving me a disapproving look. 'The second option- and the one only a fool would take- would be for you to refuse my offer and place your life, and thus Tamlin's, in the hands of chance.' He stopped pacing and stared hard at me. Though the world spun and danced in my vision, something primal inside me went still and cold beneath that gaze. 'Let's say I walk out of here. Perhaps Lucien will come to your aid within five minutes of my leaving. Perhaps he'll come in five days. Perhaps he won't come at all. Between you and me, he's been keeping a low profile after his rather embarrassing outburst at your trial. Amarantha's not exactly pleased with him. Tamlin even broke his delightful brooding to beg for him to be spared- such a noble warrior, your High Lord. She listened, of course- but only after she made Tamlin bestow Lucien's punishment. Twenty lashes.' I started shaking, sick all over again to think about what it had to have been like for my High Lord to be the one to punish his friend. Rhysand shrugged, a beautiful, easy gesture. 'So, it's really a question of how much you're willing to trust Lucien- and how much you're willing to risk for it. Already you're wondering if that fever of yours is the first sign of infection. Perhaps they're unconnected, perhaps not. Maybe it's fine. Maybe that worm's mud isn't full of festering filth. And maybe Amarantha will send a healer, and by that time, you'll either be dead, or they'll find your arm so infected that you'll be lucky to keep anything above the elbow.' My stomach tightened into a painful ball. 'I don't need to invade your thoughts to know these things. I already know what you've slowly been realising.' He again crouched in front of me. 'You're dying.' My eyes stung and I sucked my lips into my mouth. 'How much are you willing to risk on the hope that another form of help will come?' I stared at him, sending as much hate as I could into my gaze. He'd been the one who'd caused all this. He'd told Amarantha about Clare, he'd made Tamlin beg. 'Well?' I bared my teeth. 'Go. TO. Hell.' Swift as lightning, he lashed out, grabbing the shard of bone in my arm and twisting. A scream shattered out of me, ravaging my aching throat. The world flashed black and white and red. I thrashed and writhed but he kept his grip, twisting the bone a final time before releasing my arm. Panting, half sobbing as the pain reverberated through my body, I found him smirking at me again. I spat in his face. He only laughed as he stood, wiping his cheek with the dark sleeve of his tunic. 'This is the last time I'll extend my assistance,' he said pausing by the cell door. 'Once I leave this cell, my offer is dead.' I spat again, and he shook his head. 'I bet you'll be spitting on Death's face when she comes to claim you, too.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Travel makes or breaks all sorts of relationships: familial, sexual, platonic. We were now acutely aware that we'd only spent a few hours together up until this point. But the more we got to know each other, realising that we could entertain each other in a bog for three, then four hours, the better the situation seemed. I learned a lot about what it meant to be a good traveller that night. Yes, it's important to check train timetables and glance at details of public holidays. But a really good traveller? That's someone who can cheer you up when it all goes to shit. To travel is to invite chaos into your life. And if you're with someone who can't help you laugh when you're facing a twelve-hour journey fighting with your rucksack for space in a bog, well, you didn't pack the right stuff. I came to love and relish solo travel, but trav-elling with a carefully-chosen friend has so many advantages. Experiences that are shit, tiresome or downright scary on your own can be magically spun into comedy gold, or a charming vignette, if you have the right co-star for this mini-melodrama. As well as having a co-star, and a co-director, you also have an audience. And having an audience, and being accountable to someone, makes all human beings behave a little bit better. We want the camera to love us, baby.
Anna Hart (Departures: A Guide to Letting Go, One Adventure at a Time)
TO BE HAPPY WITH LIFE AND TO PROGRESS Choose a work 0f your liking Choose the friends you trust and can help in crisis Choose a Book that can enlighten you, and awaken your wisdom Choose a Job where you can do justice for the purpose you are assigned Ignore the people who manipulate the matters Ignore the world when they do not realise your talents Ignore the people acting as they possess great talents However you are more successful when we try to listen to everyone to know the depth of ignorance in this world Never forget to live with new ideas and creativity this is what the world thinks as progress. Dr.T.V.Rao MD
T.V. Rao
I feel sorry for you, Task.’ ‘Don’t bother.’ ‘No, not because you’ve suffered, or you’re cursed, but because you don’t realise.’ He threw her a quizzical look. Lesky reached out a hand and placed it on his stone. He tensed, but felt nothing, just the warmth of her skin. ‘You don’t realise how human you are. All of us. Alabast, Ellia, me, Huff, even you, with a mind made out of stone. We all walk around pretendin’ we’re not broken in some way. Most spend their lives hiding it. But we are broken. And you know what? That’s fine. In fact, it’s perfect because it’s imperfect. Each crack, each blemish, each scar, whether of the skin or in the mind, they make us whole. We’re made through livin’, not by bein’ born. What we learn is what shapes us. Some choose a friendly shape, others somethin’ more jagged and sharp. That is what it means to be human, Task. We can choose. You say your master made a mistake? Made you broken? I think he made the finest golem there is. One who’s more than stone, not just some mindless machine. One who can make actually make a choice for himself. One who’s got a conscience. A heart.
Ben Galley (The Heart of Stone)
We are starting an uprising, Darcy. In the name of the rightful queens. The A.S.S. will unite and cast an unstoppable wind through this academy that will drive out the turds.” I snorted a laugh, but realised she was deadly serious and that analogy hadn’t been intentional. “Well obviously I’m up for any kind of Asscrux rebellion.” “We are stockpiling weapons, my lady. I have many an A.S.S. collecting Griffin droppings in the early morn, and I have taken a chaos crystal or two from the potions lab.” She grinned widely. “Leave it all with me, I shall build an underground army ready to follow you and Tory into the depths of hell and back again. I have also sent as many of our dear Tiberian Rat friends as I could to my father before they could be taken for inquisition.” “Is he helping them?” I whispered hopefully and she nodded. “He is leading them to secret burrows in the north,” she whispered though the silencing bubble would stop anyone from hearing anyway. “As well as creating a network of friends and allies to our great and noble cause who will be at your back the moment you are ready to make your play for the crown.
Caroline Peckham (Fated Throne (Zodiac Academy, #6))
The crossbow is where I left it, in the drawer of Dain's desk. I draw it out, cock it back, and point it at Cardan. He draws a ragged breath. 'You're going to shoot me?' He blinks. 'Right now?' My finger caresses the trigger. I feel calm, gloriously calm. This is weakness, to put fear above ambition, above family, above love, but it feels good. It feels like being powerful. 'I can see why you'd want to,' he says, as though reading my face, and coming to some decision. 'But I'd really prefer if you didn't.' 'Then you shouldn't have smirked at me constantly- you think I am going to stand being mocked, here, now? You still so sure you're better than me?' My voice shakes a little, and I hate him even more for it. I have trained every day to be dangerous, and he is entirely in my power, yet I'm the one who is afraid. Fearing him is a habit, a habit I could break with a bolt to his heart. He holds up his hands in protest, long bare fingers splayed. I am the one with the royal ring. 'I'm nervous,' he says. 'I smile a lot when I'm nervous. I can't help it.' That is not at all what I expected him to say. I lower the crossbow momentarily. He keeps talking, as though he doesn't want to leave me too much time to think. 'You are terrifying. Nearly my whole family is dead, and while they never had much love for me, I don't want to join them. I've spent all night worrying what you're going to do, and I know exactly what I deserve. I have a reason to be nervous.' He's talking to me as though we're friends instead of enemies. It works, too; I relax a little. When I realise that, I am nearly freaked out enough to shoot him outright.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
This year Britain has become our last stronghold. A fortress defended with small aircraft flown by these strange, unknown young men.’ His glance flicked over Andrew and Bryan. ‘But are they unknown? Look at them and you will realise you do know them. They are our sons, our nephews, friends of our sons and daughters. Each a vibrant spark of God’s beloved humanity. All of them welcome in our houses and at our tables. ‘Cast your mind back a few short years. We watched them in those summer days when our stronghold was nothing but their playground. They picnicked on the village greens amongst the sweet bird-chatter. They laughed and played on the beaches, kicking the water with bare toes. And later they watched and then loved the young girls dressed in coloured frocks like the most wonderful of God’s flowers. ‘Now the flowers have faded to khaki and the bird-chatter is stilled under the clattering machines of war. These young men have stepped forward, separated in their blue, to become the winged warriors at the end of the trails that track the vaults above our heads. ‘George has gone, but he is not so far away that he cannot still see England’s face. The woods he played in, the fields he crossed, the town where he grew up and the prettiest flowers that remain unpicked. ‘He has flown on English air to a new world. But he can still see the world he knew just a few days past. And, in our hearts, we may yet see his frozen trail looped white across the heavens. For the air was his kingdom and he was a shield for those who lived under his wings. ‘His brief life has been given up as a ransom, that we might one day be free again. He has given up the richness of days not yet lived, the chance to hear his child’s voice and the solace of true love to ease his years of frailty. All this lost in a moment of willing sacrifice. ‘No thanks we may give him can weigh sufficiently against what he gave. But the clouds in our English skies can entwine with our eternal remembrance and together we may bind a wreath of honour that is worthy for his grave.’ ◆◆◆
Melvyn Fickling (Bluebirds: A Battle of Britain Novel (The Bluebird Series Book 1))
Horseman is the haunting sequel to the 1820 novel The Legend of Sleepy Hollow by Washington Irving and takes place two decades after the events that unfolded in the original. We are introduced to 14-year-old trans boy Bente “Ben” Van Brunt, who has been raised by his idiosyncratic grandparents - lively Brom “Bones” Van Brunt and prim Kristina Van Tassel - in the small town of Sleepy Hollow, New York, where gossip and rumour run rife and people are exceedingly closed-minded. He has lived with them on their farm ever since he was orphaned when his parents, Bendix and Fenna, died in suspicious and enigmatic circumstances. Ben and his only friend, Sander, head into the woodland one Autumn day to play a game known as Sleepy Hollow Boys, but they are both a little startled when they witness a group of men they recognise from the village discussing the headless, handless body of a local boy that has just been found. But this isn't the end; it is only the beginning. From that moment on, Ben feels an otherworldly presence following him wherever he ventures, and one day while scanning his grandfather’s fields he catches a fleeting glimpse of a weird creature seemingly sucking blood from a victim. An evil of an altogether different nature. But Ben knows this is not the elusive Horseman who has been the primary focus of folkloric tales in the area for many years because he can both feel and hear his presence. However, unlike others who fear the Headless Horseman, Ben can hear whispers in the woods at the end of a forbidden path, and he has visions of the Horseman who says he is there to protect him. Ben soon discovers connections between the recent murders and the death of his parents and realises he has been shaded from the truth about them his whole life. Thus begins a journey to unravel the mystery and establish his identity in the process. This is an enthralling and compulsively readable piece of horror fiction building on Irvings’ solid ground. Evoking such feelings as horror, terror, dread and claustrophobic oppressiveness, this tale invites you to immerse yourself in its sinister, creepy and disturbing narrative. The staggering beauty of the remote village location is juxtaposed with the darkness of the demons and devilish spirits that lurk there, and the village residents aren't exactly welcoming to outsiders or accepting of anyone different from their norm. What I love the most is that it is subtle and full of nuance, instead of the usual cheap thrills with which the genre is often pervaded, meaning the feeling of sheer panic creeps up on you when you least expect, and you come to the sudden realisation that the story has managed to get under your skin, into your psyche and even into your dreams (or should that be nightmares?) Published at a time when the nights are closing in and the light diminishes ever more rapidly, not to mention with Halloween around the corner, this is the perfect autumnal read for the spooky season full of both supernatural and real-world horrors. It begins innocuously enough to lull you into a false sense of security but soon becomes bleak and hauntingly atmospheric as well as frightening before descending into true nightmare-inducing territory. A chilling and eerie romp, and a story full of superstition, secrets, folklore and old wives’ tales and with messages about love, loss, belonging, family, grief, being unapologetically you and becoming more accepting and tolerant of those who are different. Highly recommended.
The Metamorphosis of Prime Intellect
When all kinds of trials and temptations crowd into your lives my brothers, don’t resent them as intruders, but welcome them as friends! Realise that they come to test your faith and to produce in you the quality of endurance. But let the process go on until that endurance is fully developed, and you will find you have become men of mature character with the right sort of independence. And if, in the process, any of you does not know how to meet any particular problem he has only to ask God—who gives generously to all men without making them feel foolish or guilty—and he may be quite sure that the necessary wisdom will be given him. But he must ask in sincere faith without secret doubts as to whether he really wants God’s help or not. The man who trusts God, but with inward reservations, is like a wave of the sea, carried forward by the wind one moment and driven back the next. That sort of man cannot hope to receive anything from God, and the life of a man of divided loyalty will reveal instability at every turn. (PHILLIPS)
Kenneth H. Blanchard (Lead Like Jesus Revisited: Lessons from the Greatest Leadership Role Model of All Time)
He grinned at me over the giant tiered cake in his arms- over the twenty-one sparkling candles lighting up his face. Cassian clapped me on the shoulder. 'You thought you could sneak it past us, didn't you?' I groaned. 'You're all insufferable.' Elain floated to my side. 'Happy birthday, Feyre.' My friends- my family- echoed the words as Rhys set the cake on the low-lying table before the fire. I glanced toward my sister. 'Did you...?' A nod from Elain. 'Nuala did the decorating, though.' It was then that I realised what the three different tiers had been painted to look like. On the top: flowers. In the middle: flames. And on the bottom, widest layer... stars. The same design of the chest of drawers I'd once painted in that dilapidated cottage. One for each of us- each sister. Those stars and moons sent to me, my mind, by my mate, long before we'd ever met. 'I asked Nuala to do it in that order,' Elain said as the others gathered round. 'Because you're the foundation, the one who lifts us. You always have been.' My throat tightened unbearably, and I squeezed her hand in answer. Mor, Cauldron bless her, shouted, 'Make a wish and let us get to the presents!
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
I suppose that loudmouthed bastard told you more than was necessary.' 'You voted against me,' she said, her cold voice belying the crack in her chest. 'You have done nothing to prove you are able to handle such a terrible power,' Amren said with equal iciness. 'On that barge, you told me as much when you walked away from any attempt at mastering it. I offered to teach you more, and you walked away.' 'I walked away because you chose my sister.' Just as Elain had done. Amren had been her friend, her ally, and yet in the end, it hadn't mattered one bit. She'd picked Feyre. 'I didn't choose anyone, you stupid girl,' Amren snapped. 'I told you that Feyre had requested you and I work together again, and you somehow twist that into me siding with her?' Nesta said nothing. 'I told them to leave you alone for months. I refused to speak about you with them. And then the moment I realised my behaviour was not helping you, that maybe your sister was right, I somehow betrayed you?' Nesta shook. 'You know how I feel about Feyre.' 'Yes, poor Nesta, with a younger sister who loves her so dearly she's willing to do anything to get her help.' Nesta blocked out the memory of Tamlin in his beast form, how she had wanted to rip him limb from limb. She was no better than him, in the end. 'Feyre doesn't have me.' She didn't deserve Feyre's love. Just as Tamlin hadn't. Amren barked out a laugh. 'That you believe Feyre doesn't only proves you're unworthy of your power. Anyone that willingly blind cannot be trusted. You would be a walking nightmare with those weapons.' 'It's different now.' The words rang hollow. Was it any different? Was she any different that she'd been this summer, when she and Amren had fought on the barge, and Amren's utter disappointment in her failure to be anything had surfaced at last? Amren smiled, as if she knew that, too. 'You can train as hard as you want, fuck Cassian as often as you want, but it isn't going to fix what's broken if you don't start reflecting.' 'Don't preach at me.. You-' She pointed at Amren, and could have sworn the female stepped out of the line of fire. Just as Tamlin had done. As if Amren also remembered that the last time Nesta had pointed at an enemy, it had ended with his severed head in her hands. A joyless laugh broke from her. 'You think I'd mark you with a death-promise?' 'You nearly did with Tamlin the other day.' So Cassian had told them all about that, too. 'But I'll say to you again what I said on that barge. I think you have powers that you still do not understand, respect, or control.' 'How dare you assume you know what is best for me?' When Amren didn't answer, Nesta hissed, 'You were my friend.' Amren's teeth flashed. 'Was I? I don't think you know what that word means.' Her chest ached, as if that invisible fist had punched her once again. Steps thudded beyond the shattered door, and she braced for Cassian to come roaring in- But it was Feyre.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Until recently - perhaps mid-2010s - accounts of being a foreigner in Japan were dominated by white, usually male, Anglo-centric perspectives. (Alright, not that much as changed.) They talk about 'doing the gaijin nod when you see another gaijin on the street.' (No one has ever done this to me.) They talk about playing the 'gaijin card' to get out of sticky situations, like, say, pretending not to speak any Japanese when they've forgotten to buy the correct ticket for the express train, so the hapless station attendant decides to let them go. There's a certain group of people (men) who drift through life here with the barest smattering of Japanese for decades relying on their Japanese spouses (wives) to keep the cogs of daily life spinning; this will never be viable for me. I will never experience the minor celebrity of being a white person in rural Japan (on balance, much healthier for one's ego), nor will I ever be someone people approach and fawn over because they want to make foreign friends (eventually, I realised this was also better), nor will local people ever compliment my looks (there was always a small part of me that wished I was noticeably beautiful). I've been perceived as a Japanese woman in unexpected ways. For example, at a musical gathering, an older white man once turned to me and asked: So whose wife are you? It took a great deal of self-restraint not to slap him.
Florentyna Leow (How Kyoto Breaks Your Heart)
Flower killers ( PART 1 ) Flower killers There is a war going on out there, Wherever you turn to see, it is everywhere, Guns firing bullets that bear one address: kill, Who? Just anyone do it at your free will, And the guns spray death in all directions, Giving rise to endless predilections, That of a father, a mother and a lover, Whoever the bullet may hit, is lost forever, And when bullets turn stray, They hit anything that comes in their way, It does not matter whether you are a foe or a friend, That time the bullet, only its purpose does defend, That to kill and shoot anyhow and anyone, It can be a father, a mother, a daughter, a lover, or just a human someone, And as the victim falls and collapses on the ground, The bullet pierces deeper like the canines of a hungry hound, And no matter how hard you tried it cannot be bound, Because the war is everywhere and so is its echoing and deathly sound, That tempts the bullet to travel and shoot someone, somewhere, And it couldn't be happier than now, because the war is everywhere, Yesterday a stray bullet whizzed through the air, And it hit a flower that had just bloomed and looked fair, Its petals got shredded into countless pieces, The pollen grains flew in the air and fell in different places, And as they fell, they all cried, “murder!” But the bullet had no intention to surrender, The tattered flower petals fell on the ground, I realised there is a new gang called, “flower killers” and they abound, The bee and the butterfly desperately searched for their missing flower, And ah the pain they felt as a dismayed lover, Their wings dropped and they fell to ground like dead autumn leaves, Where except the bullet, even death grieves, The other flowers looked helplessly at the fallen youth and it's still falling memories, And in honour of the killed flower, they named their garden, the garden of tragedies, And to pay their homages, they all wilted on the same day, The garden looked barren even on a new Summer day, The bullet that killed the flower lies embedded in the fence, Same bullet that killed someone who possessed nothing in self defence, Continued in part 2...
Javid Ahmad Tak
But what Ianthe and Tamlin had said... 'You don't think it sends a bad message if people see me learning to fight- using weapons?' The moment the words were out, I realised the stupidity of them. The stupidity of- of what had been shoved down my throat these past months. Silence. Then Mor said with a soft venom that made my understand the High Lord's Third had received training of her own in the Court of Nightmares, 'Let me tell you two things. As someone who has perhaps been in your shoes before.' Again, that shared bond of anger, of pain throbbed between them all, save for Amren, who was giving me a look dripping with distaste. 'One,' Mor said, 'you have left the Spring Court.' I tried not to let the full weight of those words sink in. 'If that does not send a message, for good or bad, then your training will not, either. Two,' she continued, laying her palm flat on the table, 'I once lived in a place where the opinion of others mattered. It suffocated me, nearly broke me. So you'll understand me, Feyre, when I say that I know what you feel, and I know what they tried to do to you, and that with enough courage, you can say to help with a reputation.' Her voice gentled, and the tension between them all faded with it. 'You do what you love, what you need.' Mor would not tell me what to wear or not wear. She would not allow me to step aside while she spoke for me. She would not... would not do any of the things that I had so willingly, desperately, allowed Ianthe to do I had never had a female friend before. Ianthe... she had not been one. Not in the way that mattered, I realised. And Nesta and Elain, in those few weeks I'd been at home before Amarantha, had started to fill that role, but... but looking at Mor, I couldn't explain it, couldn't understand it, but... I felt it. Like I could indeed go to dinner with her. Talk to her. Not that I had much of anything to offer her in return.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
When you hammered those blades, you imbued them- the two swords and the dagger- with your power. The Cauldron's power. They're now magic blades. And I'm not talking nice, pretty magic. I'm talking big, ancient magic that hasn't been seen in a long, long time. There are no magic weapons left. None. They were either lost or destroyed or dumped in the sea. But you just Made three of them. You created a new Dread Trove. You could create even more objects, if you wished.' Her brows rose higher with each absurd word. 'I Made three magic weapons?' 'We don't know yet what manner of magic you have, but yes.' She angled her head. Emerie and Gwyn halted their chatting at the water station, as if they could see or sense the shift in her. And it wasn't the fact that she'd Made these weapons that hit like a blow. 'Who is "we"?' 'What?' 'You said " We don't know what manner of magic they have." Who is "we"?' 'Rhys and Feyre and the others.' 'And how long have all of you known about this?' He winced as he realised his error. 'I... Nesta...' 'How long?' Her voice became sharp as glass. The priestesses were watching, and she didn't care. He did, apparently. 'This isn't the place to talk about it.' 'You're the one trying to coax a name out of me in the middle of training!' She gestured to the ring. Her blood pounded in her ears, and Cassian's face grew pained. 'This isn't coming out the way it should. We argued about whether to tell you, but we took a vote and it went in your favour. Because we trust you. I just... hadn't gotten a chance to bring it up yet.' 'There was a possibility you wouldn't even tell me? You all sat around and judged me, and then you voted?' Something deep in her chest cracked to know that every horrible thing about her had been analyzed. 'It... Fuck.' Cassian reached for her, but she stepped back. Everyone was staring now. 'Nesta, this isn't...' 'Who. Voted. Against me.' 'Rhys and Amren.' 'It landed like a physical blow. Rhys came as no surprise. But Amren, who had always understood her more than the others; Amren who'd been unafraid of her; Amren with whom she'd quarrelled so badly... Some small part of her had hoped Amren wouldn't hate her forever. Her head went quiet. Her body went quiet. Cassian's eyes widened. 'Nesta-' 'I'm fine,' she said coldly. 'I don't care.' She let him see her fortify those steel walls within her mind. Used every bit of Mind-Stilling she'd practiced with Gwyn to become calm, focused, steady. Breathing in through her nose, out through her mouth. She made a show of rolling her shoulders, of approaching Emerie and Gwyn, whose faces bunched with concern in a way Nesta knew she didn't deserve, in a way that she knew would only day vanish, when they, too, realised what a wretch she was. When Amren told them what a pathetic waste of life she was, or they heard it from someone else, and they ceased being her friends. She wouldn't if they'd even say it to her face, or if they'd just disappear. 'Nesta,' Cassian said again. But she left the ring without looking back at him. Emerie was on her heels instantly, trailing her down the stairs. 'What's wrong?' 'Nothing,' Nesta said, her own voice foreign to her ears. 'Court business.' 'Are you all right?' Gwyn asked, a step behind Emerie. No. She couldn't stop the roaring in her head, the cracking in her chest. 'Yes,' she lied, and didn't look back as she hit the landing and vanished down the hall.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
After the war, I was in a bad place. I still am, I suppose, but for more than a year after the war...' She couldn't look Gwyn in the eye. 'I did a lot of things I regret. Hurt people I regret harming. And I hurt myself. I drank day and night and I...' She didn't want to say the word to Gwyn- fucked- so she said, 'I took strangers to my bed. To punish myself, to drown myself.' She shrugged a shoulder. 'It's a long story, and not one worth telling, but through it all, I picked taverns and pleasure halls to frequent because of the music. I've always loved music.' She braced herself for the damning judgement. But only sorrow filled Gwyn's face. 'You've probably guessed that my residency in the House, my training, my work in the library is my sister's attempt to help me.' Her sister whom she had still not apologised to, whom she still didn't have the courage to face. 'And I... I think I might be glad Feyre did this for me. The drinking, the males- I don't miss any of it. But the music... that I miss.' Nesta waved a hand, as if she could banish the vulnerability she'd offered up. But she went on, 'And since I'm not particularly welcome in the city, I was hoping you meant it when you said I could come to one of your services. Just so I can hear some music again.' Gwyn's eyes shone, like the sunlight on a warm sea. Nesta's heart thundered, waiting for her reply. But Gwyn said, 'Your story is worth telling, you know.' Nesta began to object, but Gwyn insisted, 'It is. But yes- if you want music, then come to the services. We will be glad to have you. I will be glad to have you.' Until Gwyn learned how horrible she'd been. 'No,' Gwyn said, apparently reading the thought on her face. She grabbed Nesta's hand. 'You... I understand.' Nesta heard Gwyn's own heart begin thundering. 'I understand,' Gwyn repeated, 'what it is to... fail the people who mean the most. To live in fear of people finding out. I dread you and Emerie learning my history. I know that once you do, you'll never look at me the same again.' Gwyn squeezed Nesta's hand. Her story would come later. Nesta let her see it in her face, that when Gwyn was ready, nothing she could reveal would make her walk away. 'Come to the service this evening,' Gwyn said. 'Listen to the music.' She squeezed her hand again. 'You'll always be welcome to join me, Nesta.' Nesta hadn't realised how badly she'd needed to hear it. She squeezed Gwyn's hand back.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
You don't get to ask questions,' I said, and he looked up at me, exhaustion and pain lining his face, my blood shining on his lips. Part of me hated the words, for acting like this while he was wounded, but I didn't care. 'You only get to answer them. And nothing more.' Wariness flooded his eyes, but he nodded, biting off another mouthful of the weed and chewing. I stared down at him, the half-Illyrian warrior who was my soul-bonded partner. 'How long have you know that I'm your mate?' Rhys stilled. The entire world stilled. He swallowed. 'Feyre.' 'How long have you know that I'm your mate.' 'You... You ensnared the Suriel?' How he'd pieced it together, I didn't give a shit. 'I said you don't get to ask questions.' I thought something like panic might have flashed over his features. He chewed again on the plant- as if it instantly helped, as if he knew that he wanted to be at his full strength to face this, face me. Colour was already blooming on his cheeks, perhaps from whatever healing was in my blood. 'I suspected for a while,' Rhys said, swallowing once more. 'I knew for certain when Amarantha was killing you. And when we stood on the balcony Under the Mountain- right after we were freed, I felt it snap into place between us. I think when you were Made, it... it heightened the smell of the bond. I looked at you then and the strength of it hit me like a blow.' He'd gone wide-eyed, had stumbled back as if shocked- terrified. And had vanished. That had been over half a year ago. My blood pounded in my ears. 'When were you going to tell me?' 'Feyre.' 'When were you going to tell me?' 'I don't know. I wanted to yesterday. Or whenever you'd noticed that it wasn't just a bargain between us. I hoped you might realise when I took you to bed, and-' 'Do the others know?' 'Amren and Mor do. Azriel and Cassian suspect.' My face burned. They knew- they- 'Why didn't you tell me?' 'You were in love with him; you were going to marry him. And then you... you were enduring everything and it didn't feel right to tell you.' 'I deserved to know.' 'The other night you told me you wanted a distraction, you wanted fun. Not a mating bond. And not to someone like me- a mess.' So the words I'd spat after the Court of Nightmares had haunted him. 'You promised- you promised no secrets, no games. You promised.' Something in my chest was caving in on itself. Some part of me I'd thought long gone. 'I know I did,' Rhys said, the glow returning to his face. 'You think I didn't want to tell you? You think I liked hearing you wanted me only for amusement and release? You think it didn't drive me out of my mind so completely that those bastards shot me out of the sky because I was too busy wondering if I should just tell you, or wait- or maybe take whatever pieces that you offered me and be happy with it? Or that maybe I should let you go so you don't have a lifetime of assassins and High Lords hunting you down for being with me?' 'I don't want to hear this. I don't want to hear you explain how you assumed that you knew best, that I couldn't handle it-' 'I didn't do that-' 'I don't want to hear you tell me that you decided I was to be kept in the dark while you friends knew, while you all decided what was right for me-' 'Feyre-' 'Take me back to the Illyrian camp. Now.' He was panting in great, rattling gulps. 'Please.' But I stormed to him and grabbed his hand. 'Take me back now.' And I saw the pain and sorrow in his eyes. Saw it and didn't care, not as that thing in my chest was twisting and breaking. Not as my heart- my heart- ached, so viciously that I realised it'd somehow been repaired in these past few months. Repaired by him. And now it hurt. Rhys saw all that and more on my face, and I saw nothing but agony in his as he rallied his strength, and, grunting in pain, winnowed us into the Illyrian camp.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
were ostentatious about it, they were hated even more. It may have been stupid of them, and of course the wiser Jews, especially the older ones, were greatly upset, and remonstrated with the younger, because they foresaw the antagonism their behaviour would create. The Jews probably paid fair prices for what they bought - but that wasn’t the point. Except for my father and many of his generation, people hated the Jews. My father realised that the fault did not lie with the Jews but somehow much higher up. Of course, it would be wrong to give the impression that there were not many impoverished Jews in Budapest and other places who had got things just as wrong as everybody else. Compared with elsewhere, the elite branches of the Hungarian civil service - the Army, the diplomatic corps, and the financial administration - usually maintained the old traditions of integrity; and they suffered for that. The families of senior civil servants who tried to stick to the ethics of the Austro-Hungarian Monarchy often met disaster - unless they had land with which to support their convictions - and the attitudes of such parents were often resented by the young who found the maintenance of uncomfortable principles objectionable while their friends’ families were obviously making compromises. Real corruption was found less in the central government than at county level. This was something entirely new. When my father protested about the irregularities that were permitted - the keeping of two sets of books, the acceptance of bribes, the payments in cash, the extra jobs taken on which left less time for official work to be done - the reply was: ‘Your Excellency, will you feed my children?’ There was communal hatred, which was new. There was social resentment, which was new. There was bribery and corruption: that was new. It was the same in Austria and Poland. If you get the same fever, you get the same symptoms.
Adam Fergusson (When Money dies)
Actually, I'm gonna have to introduce this song before I play it. This song is dedicated to a very good friend of mine named 'Jean', who's a spirit. She was possessing a person who was a very good friend of mine who was asleep. We've talked many times and she's told me about what it's like in other dimensions, like, places you'll go after you die. You're already there right now you know, there's places you'll go after you die, you're already there, you're already living that life simultaneously to this, 'cause they're in a kind of time zone where they uh, they're at every time at once and we're only in this short period of time. People who are spirits, they can be in every time zone at once because they don't have a sense of time. Subsequently they can't write songs, they can't do drugs, they can't have sex. They can't do all of the things we do because we have time. You don't realise time, it's not your flesh or anything like that, it's time. We're very lucky to have time, you should appreciate it while you have it because you're not gonna have it after you die.
John Frusciante
Actually, I'm gonna have to introduce this song before I play it. This song is dedicated to a very good friend of mine named 'Jean', who's a spirit. She was possessing a person who was a very good friend of mine who was asleep. We've talked many times and she's told me about what it's like in other dimensions, like, places you'll go after you die. You're already there right now you know, there's places you'll go after you die, you're already there, you're already living that life simultaneously to this, 'cause they're in a kind of time zone where they uh, they're at every time at once and we're only in this short period of time. People who are spirits, they can be in every time zone at once because they don't have a sense of time. Subsequently they can't write songs, they can't do drugs, they can't have sex. They can't do all of the things we do because we have time. You don't realise time, it's not your flesh or anything like that, it's time. We're very lucky to have time, you should appreciate it while you have it because your not gonna have it after you die.
John Frusciante
About halfway through my research, I realised what it meant to be a fan. Fandom is a portmanteau of fan and kingdom–there is, as that would suggest, a king or queen regent but also a territory and community of followers. To be a fan is to scream alone together. To go on a collective journey of self-definition. It means pulling on threads of your own narrative and doing so with friends and strangers who feel like friends.
Hannah Ewens (Fangirls)
The ancient Chinese were a wise lot—wise in the ways of the world; and they had a proverb that you and I ought to cut out and paste inside our hats. It goes like this: ‘A man without a smiling face must not open a shop.’ Your smile is a messenger of your good will. Your smile brightens the lives of all who see it. To someone who has seen a dozen people frown, scowl or turn their faces away, your smile is like the sun breaking through the clouds. Especially when that someone is under pressure from his bosses, his customers, his teachers or parents or children, a smile can help him realise that all is not hopeless—that there is joy in the world.
Dale Carnegie (How To Win Friends and Influence People)
TO THE WOMAN WHO IS SLOWLY FADING AWAY... To the woman who has lost her spark. To the woman whose get up and go, has well and truly gone. This is for you. This is to remind you, that you don’t have to be everything to everyone, every day. You didn’t sign up for that. Remember when you used to laugh? Sing? Throw caution to the wind? Remember when you used to forgive yourself more quickly for not always being perfect. You can get that back again. You really can. And that doesn’t have to mean letting people down or walking away. It just means being kinder to you, feeling brave enough to say no sometimes. Being brave enough to stop sometimes. And rest. It starts the moment you realise that you’re not quite who you used to be. Some of that is good, some of that is not. There are parts of you that need to be brought back. And if anyone in your life is not okay with that… they are not your people. Your people will be glad to see that spark starting to light up again. So, if you have been slowly fading away my friend, this is the time to start saying yes to things that bring you joy and no to things that don’t. It’s really pretty simple.
James Hilton
Although Tata was a very liberal father in some ways, he could also be stubbornly conservative. These attitudes were obvious when I was in Mysore. I wanted to join the extracurricular student paramilitary organisation, the National Cadet Corps (NCC), which had just been introduced. All my college friends had volunteered to participate. However, Tata flatly refused me permission with the diktat: ‘No! I don’t like the idea of girls wearing pants.’ I was very envious of my friends wearing pants in the NCC. After completing my bachelor’s degree in psychology, Tata encouraged me to pursue my passion by enrolling in the master’s degree programme at the Manasa Gangothri campus of the University of Mysore. We were only two girls among eight students in that class. The famous Professor Kuppuswamy was my teacher. We had to conduct practical experiments on human subjects, forming smaller groups. Because we were only two girls, these groups were necessarily mixed. A couple of months later, a professor of philosophy who was a friend of my uncle, K.R. Karanth, wrote to Tata that I was overly friendly with the boys in my class. Tata, with his usual penchant for sending cryptic telegrams, sent one that just said, ‘Come home immediately.’ I took the overnight bus from Mysore and reached Balavana in the morning. Tata confronted me with the offending letter, saying, ‘A professor has complained that you are talking to the boys in your class!’ I was furious. I retorted, saying, ‘We are two girls. We must conduct experiments in teams that include boys. I can’t participate in experiments without talking to the boys. Either you let me go back and study or stop my education. You cannot tell me that I can go back and study psychology without talking to boys in my class.’ My strong ultimatum made him realise how foolish he had been. He sheepishly said, ‘Go back, go back. Do whatever you want to do.’ There was a very strong, caring, trusting relationship between us. I had fought back with facts, and Tata respected that. He never brought up the subject of boys again. In contrast, Amma had total faith in me. I could not do anything wrong. ‘Let Malu do what she wants,’ was her clear opinion. Tata’s judgement of people was much poorer than Amma’s. Even if a stranger wrote something nonsensical to him, he had this tendency to believe the worst first and ask questions later.
Malavika Kapur (Growing Up Karanth)
There must be other leaps in life - as momentous as the "mirror stage" - that Lacan didn't mention. Some are universal; others, culturally particular. To understand that your parents are human (and not an element of the natural world), that they're separate from you, that they were children once, that they were born and came into the world, is another leap. It's as if you hadn't seen who they were earlier - just as, before you were ten months old, you didn't know it was you in the mirror. This happens when you're sixteen or seventeen. Not long after - maybe a year - you find out your parents will die. It's not as if you haven't encountered death already. But, before now, your precocious mind can't accommodate your parents' death except as an academic nicety - to be dismissed gently as too literary and sentimental. After that day, your parents' dying suddenly becomes simple. It grows clear that you're alone and always have been, though certain convergences start to look miraculous - for instance, between your father, mother, and yourself. Though your parents don't die immediately - what you've had is a realisation, not a premonition - you'll carry around this knowledge for their remaining decades or years. You won't think, looking at them, "You're going to die". It'll be an unspoken fact of existence. Nothing about them will surprise you anymore.
Amit Chaudhuri (Friend of My Youth)