Realise When It's Too Late Quotes

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God will invade. But I wonder whether people who ask God to interfere openly and directly in our world quite realise what it will be like when He does. When that happens, it is the end of the world. When the author walks on to the stage the play is over. God is going to invade, all right: but what is the good of saying you are on His side then, when you see the whole natural universe melting away like a dream and something else - something it never entered your head to conceive - comes crashing in; something so beautiful to some of us and so terrible to others that none of us will have any choice left? For this time it will God without disguise; something so overwhelming that it will strike either irresistible love or irresistible horror into every creature. It will be too late then to choose your side. There is no use saying you choose to lie down when it has become impossible to stand up. That will not be the time for choosing; it will be the time when we discover which side we really have chosen, whether we realised it before or not. Now, today, this moment, is our chance to choose the right side. God is holding back to give us that chance. It will not last for ever. We must take it or leave it.
C.S. Lewis
It’s difficult to know which second among a lifetime of seconds is more special. Often when you realise how precious those seconds are, it’s too late for them to be captured because the moment has passed. We realise too late.
Cecelia Ahern (A Place Called Here)
Why is God landing in this enemy-occupied world in disguise and starting a sort of secret society to undermine the devil? Why is He not landing in force, invading it? Is it that He is not strong enough? Well, Christians think He is going to land in force; we do not know when. But we can guess why He is delaying. He wants to give us the chance of joining His side freely. I do not suppose you and I would have though much of a Frenchman who waited till the Allies were marching into Germany and then announced he was on our side. God will invade. But I wonder whether people who ask God to interfere openly and directly in our world quite realise what it will be like when He does. When that happens, it is the end of the world. When the author walks on to the stage the play is over. God is going to invade, all right: but what is the good of saying you are on His side then, when you see the whole natural universe melting away like a dream and something else -something it never entered your head to conceive- comes crasing in; something so beautiful to some of us and so terrible to others that none of us will have any choice left? For this time it will be God without disguise; something so overwhelming that it will strike either irresistible love or irresistible horror into every creature. It will be too late then to choose your side. There is no use saying you choose to lie down when it has become impossible to stand up. That will not be the time for choosing: it will be the time when we discover which side we really have chosen, whether we realised it before or not. Now, today, this moment, is our chance to choose the right side. God is holding back to give us that chance. It will not last forever. We must take it or leave it.
C.S. Lewis (The Case for Christianity)
We were talking about the space between us all And the people who hide themselves behind a wall of illusion, Never glimpse the truth, then it's far too late, when they pass away. We were talking about the love we all could share. When we find it, to try our best to hold it there. With our love, with our love, we could save the world. If they only knew. Try to realise it's all within yourself― No one else can make you change― And to see you're really only very small And life flows on within you and without you. We were talking about the love that's gone so cold And the people who gain the world and lose their soul. They don't know, they can't see. Are you one of them? When you've seen beyond yourself then you may find Peace of mind is waiting there, And the time will come when you see we're all one And life flows on within you and without you.
George Harrison
But we all waste opportunities,’ said Domenica. Every single one of us. Every young person does it. It’s because we think we have so much time, and then, when we realise that our time is finite, it’s too late.
Alexander McCall Smith (The Importance of Being Seven (44 Scotland Street, #6))
You plant a seed thinking it's love. It's only when the thing starts putting down roots that you realise it's not growing the way it should. But by then it's too late. It has sprouted foliage, blossomed and borne demented fruit. What do you do with the sickness in you?
Liz Jensen (The Ninth Life of Louis Drax)
But I wonder whether people who ask God to interfere openly and directly in our world quite realise what it will be like when He does. When that happens, it is the end of the world. When the author walks on to the stage the play is over. God is going to invade, all right: but what is the good of saying you are on His side then, when you see the whole natural universe melting away like a dream and something else—something it never entered your head to conceive—comes crashing in; something so beautiful to some of us and so terrible to others that none of us will have any choice left? For this time it will be God without disguise; something so overwhelming that it will strike either irresistible love or irresistible horror into every creature. It will be too late then to choose your side. There is no use saying you choose to lie down when it has become impossible to stand up. That will not be the time for choosing: it will be the time when we discover which side we really have chosen, whether we realised it before or not. Now, today, this moment, is our chance to choose the right side. God is holding back to give us that chance. It will not last for ever. We must take it or leave it.
C.S. Lewis (Mere Christianity)
I made it fifty-fifty. Which is about the cruelest thing you can do to someone you love, give them just enough good to make them stick through a hell of a lot of bad. Of course, I realised all this when she left me. And I tried to fix it. But it was too late.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
We’re still standing outside the front gate of the shell cottage as a boy in football socks stomps down his driveway to retrieve a wheelie bin. Now we watch as he drags it up through the laurel and back to the house. All his gestures are exaggeratedly huffy, though there’s no one to witness his protest, no one but you and me, and the boy didn’t even see us. We walk from the thistles to where the cliff drops into open Atlantic and there’s nothing but luscious, jumping blue all the way to America. I’m still thinking of the boy in the driveway, of how he doesn’t realise how lucky he is to live here where there’s space to run and the salt wind ruddies his cheeks each day, how he takes it all for normal and considers himself entitled to be huffy with the wheelie bin. Now I wonder was I was lucky too, and never grateful? Sometimes a little hungry and sometimes a little cold, but not once sick or struck and every day with the sea to ruddy me. Perhaps I was lucky my father took me back when the neighbour woman rang his doorbell, lucky he never drove away and left me on the road again. But it’s too late to be grateful now. It’s too late now for everything but regret.
Sara Baume (Spill Simmer Falter Wither)
I have spent my life clinging to my own shores for safety. Flying like a bird above the storm waters of my own body, too scared to land. I guess that is why the sea floods in to visit me. I have been too frightened to venture out into her depths alone. The central core of me is dark and churning, I can only sense it vaguely. It scares me with its power. As a late-diagnosed autistic woman, I realise that this experience is partly neurological…my sensory abilities are all hyper-aroused on the surface, and my nervous system melts down when it becomes overwhelmed in everyday places. But my ability to know what is going on within is flawed. Instead of an accurate information readout, there is a big, dark, unknowable mass within. I am sailing blind without map or lighthouse within my own skin. It feels a very scary place to have a life sentence. This is why I write: to attempt to find words for what this big scariness is, to try and find images to give form and name to the wild churning expanse.
Lucy H. Pearce (She of the Sea)
I have spent my life clinging to my own shores for safety. Flying like a bird above the storm waters of my own body, too scared to land. I guess that is why the sea floods in to visit me. I have been too frightened to venture out into her depths alone. The central core of me is dark and churning, I can only sense it vaguely. It scares me with its power. As a late-diagnosed autistic woman, I realise that this experience is partly neurological…my sensory abilities are all hyper-aroused on the surface, and my nervous system melts down when it becomes overwhelmed in everyday places. But my ability to know what is going on within is flawed. Instead of an accurate information readout, there is a big, dark, unknowable mass within. I am sailing blind without map or lighthouse within my own skin. It feels a very scary place to have a life sentence. This is why I write: to attempt to find words for what this big scariness is, to try and find images to give form and name to the wild churning expanse. Pearce, Lucy H.. She of the Sea
Lucy H. Pearce (She of the Sea)
For this time it will be God without disguise; something so overwhelming that it will strike either irresistible love or irresistible horror into every creature. It will be too late then to choose your side. There is no use saying you choose to lie down when it has become impossible to stand up. That will not be the time for choosing: it will be the time when we discover which side we really have chosen, whether we realised it before or not. Now, today, this moment, is our chance to choose the right side. God is holding back to give us that chance. It will not last for ever. We must take it or leave it.
C.S. Lewis (Mere Christianity)
And all that time, Franca contained in her breast a storm of anguish and violence so terrible that she had at times, when she was alone and longing to 'break down', to clutch her breast with a fierce answering force to keep the black horror from spurting forth. Her face was calm and benign, always in company, and usually alone too, for she was aware that to play such a part properly allowed of no rest periods, no weak moments of unmasking. She must continue, in her deceit, whole, like the spy who, in order to go on, has to become what he seems. She was, daily, amazed at herself, at her self-control; and at the terrible demons which fed upon her, and in doing so, she realised, fed her. She had begun to need her rage and her hate, even of late her fierce cruel fantasies. She could not, and did not try to, riddle out, rationally order, explain, least of all banish, these horrible consolations, As it seemed, if she were not to die of her love she had to poison it; and even, over its death agonies, to exult. As the days went by, Franca cherished and nourished and developed her suffering, unable to envisage any change or any plan — any machine into which so much relentless force might be fed. Indeed she was afraid to plan or picture a different future of any kind. So long as she stayed silent she had a secret weapon. If she spoke, if once there were the least word, the least crack or fissure, upon which tears and screams could follow, she would have lost her one advantage, her source of ordinary viable life, and would be utterly undone and destroyed.
Iris Murdoch (The Message to the Planet)
There’s no efficient way to kill yourself with a dressmaker’s pin (I wouldn’t call contracting gangrene an efficient way to kill yourself) – I puzzled over it for a long time, seeing as they’d left the pins there, but it’s just not possible. Useful for picking locks though. I so loved the burglary lessons we got when we were training. Didn’t so much enjoy the bleak aftermath of my unsuccessful attempt to put them to use – very good at picking locks but not so good at getting out of the building. Our prison cells are only hotel bedrooms, but we are guarded like royalty. And also, there are dogs. After that episode with the pins, they had a good go at making sure I wouldn’t be able to walk if I did manage to get out – don’t know where you pick up the skills for disabling a person without actually breaking her legs, Nazi School of Assault and Battery? Like everything else it wasn’t permanent damage, nothing left this week but the bruises, and they check me carefully now for stray bits of metal. I got caught yesterday trying to hide a pen nib in my hair (I didn’t have a plan for it, but you never know). Oh – often I forget I am not writing this for myself, and then it’s too late to scratch it out. The evil Engel always snatches everything away from me and raises an alarm if she sees me trying to retract anything. Yesterday I tried ripping off the bottom of the page and eating it, but she got to it first. (It was when I realised I had thoughtlessly mentioned the factory at Swinley. It is refreshing sometimes to fight with her. She has the advantage of freedom, but I am a lot more imaginative. Also I am willing to use my teeth which she is squeamish about.) Where was I? Hauptsturmführer von Linden has taken away everything I wrote yesterday. It is your own fault, you cold and soulless Jerry bastard, if I repeat myself.
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
A few days after that dinner, I catch up with my new friend Paul over coffee. He is telling me about a time when he cycled from the Netherlands to Spain – a many-months-long endeavour that he completed solo. I try to imagine myself in this scenario. ‘Were you lonely?’ I ask. Paul pauses, taken aback by the question. And this is the problem with Deep Talk. Not only do you have to be a bit vulnerable and a bit ballsy to ask the questions in the first place, but you’re also asking whoever you’re speaking with to be the same: open up, take your hand and embrace the depths. Paul furrows his brow. After a beat, he nods. ‘Yeah, I was,’ he says. ‘What did you do to combat it?’ ‘I wrote in my journal a lot,’ he tells me. ‘I went for walks. But I was still really lonely.’ He tells me that he’s good at talking to people but that in most of the places where he stopped along the way people were pretty guarded. When I play back this conversation in my head, I wonder how differently pre-sauna Jess would have handled it. Given that I don’t know Paul well, I would have probably asked about logistics, or how many miles he covered per day, or what kind of bike he rode. Maybe, at best, I’d have launched into a story about a bike seat I’d used in Beijing that was such a literal arse ache that I could barely walk for two weeks, followed by a monologue about the realities of life with thigh chaffing. I am so impressed by how open Paul is with me. He could have lied and told me, nah, he doesn’t get lonely, that he relished the time alone on the road, he was a lone wolf, a cowboy striking out into the sunset with nothing but his trusty metallic steed. One of the most vital parts of Deep Talk is that it has to be a two-way process – both parties have to be willing to share, to disclose, to be vulnerable. If you initiate it with someone but don’t give back, you’re likely just harassing innocent people to share extremely personal information. I realise I probably shouldn’t go around asking men about their loneliness and not share my own experience of it. Since we’re all in this together, I’ll tell you, too.
Jessica Pan (Sorry I'm Late, I Didn't Want to Come: An Introvert's Year of Living Dangerously)
driveway, her hip scraping as she tumbled, her skin torn and bleeding. She knew she should have worn trousers. The world rocked to a stop, balanced itself out and she opened her eyes. The Infected were standing looking at her, and Dusk strode through them, his eyes narrowed and his lips curled in hatred. And then Valkyrie was up and running. She was sore, she felt blood on her legs and arms, but she ignored the pain. She looked back, saw the mass of Infected surge after her. She passed the club gates and took the first road to her left, losing a shoe in the process and cursing herself for not wearing boots. It was narrow, and dark, with fields on one side and a row of back gardens on the other. She came to a junction. Up one way she could see headlights, so she turned down the other, leading the Infected away from any bystanders. She darted in off the road, running behind the Pizza Palace and the video store, realising her mistake when she heard the voices around the next corner. The pub had a back door that smokers used. She veered off to her right, ran for the garden wall and leaped over it. She stayed low, and wondered for a moment if she’d managed to lose the Infected so easily. Dusk dropped on to her from above and she cried out. He sent her reeling. “I’m not following the rules any more,” he said. She looked at him, saw him shaking. He took a syringe from his coat and let it drop. “No more rules. No more serum. This time, there’ll be nothing to stop me tearing you limb from limb.” He grunted as the pain hit. “I’m sorry I cut you,” Valkyrie tried, backing away. “Too late. You can run if you want. Adrenaline makes the blood taste sweeter.” He smiled and she saw the fangs start to protrude through his gums. He brought his hands to his shirt, and then, like Superman, he ripped the shirt open. Unlike Superman, however, he took his flesh with it, revealing the chalk-white skin of the creature underneath. Valkyrie darted towards him and his eyes widened in surprise. She dived, snatched the syringe from the ground and plunged it into his leg. Dusk roared, kicked her on to her back, his transformation interrupted. He tried to rip off the rest of his humanity, but his human skin tore at the neck. This wasn’t the smooth shucking she’d seen the previous night. This was messy and painful. Valkyrie scrambled up. The Infected had heard Dusk’s anguished cries, and they were closing in. he Edgley family reunion was taking up the main function hall, at the front of the building, leaving the rear of the golf club in darkness. That was probably a good thing, Tanith reflected, as she watched Skulduggery fly backwards through the air. The Torment-spider turned to her and she dodged a slash from one of his talons. She turned and ran, but he was much faster. Tanith jumped for the side of the building and ran upwards, a ploy that had got her out of a lot of trouble in the past, but then, she had never faced a giant spider before. His talons clacked as he followed her up, chattering as he came.
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
saved your life? What happened?’ ‘We were staying in Florida and had taken a small boat out to enjoy the ocean,’ said John. ‘It was a warm and sunny day, so being young and reckless I took off my shirt and dived into the water for a swim. I didn’t see the shark until it was too late. It took my leg and dragged me under the water. It happened so suddenly I didn’t understand what was going on. All I knew was the pain was unbearable. When it let go I realised what had happened, but I was losing a lot of blood and was struggling to get back to the boat. Then it turned and came back for a second bite. Memphis was in the water beside me by the time the shark arrived. He sunk his knife deep into the creature’s nose and it retreated to a safe distance for a moment. In those few seconds Memphis was able to drag me back to the boat and one of the crew helped to get me back on board. Then the shark moved in again, but Memphis was an immensely powerful man and as it struck he landed a heavy blow on the side of the creature’s head. It didn’t come back for another try.’ ‘I’m surprised you could ever get back on a boat after that,’ said Sophie. ‘If that happened to me I wouldn’t even go back on
A.B. Martin (Kestrel Island (Sophie Watson #1))
However, it is my skill at impersonating emotions that is where my brilliance lies. You see, I know that you want to believe everything I say and do. It is a very human trait. The need to believe. That is why Karl Marx declared that religion is the opium of the masses. I am your opium. Utterly addictive. You want to believe in me. You therefore make it easy for me to feign how I feel. I watch and I learn and I copy. Since you are desperate to believe you do not analyse my mimicry to any great degree and accordingly I get away with it. I create a false environment. This world is one where I promise you the earth (but never deliver) and if you try and challenge me about my promises I will pretend I never said them. You cannot prove it can you? Thus I maintain control by causing you to be anxious. Everything I do with you is false. The way I drew you in, the façade I maintain, the games I play. They are all designed to create something, which is not real purely to serve my purposes. Some of you eventually realise this, although only when it is too far late. For others, you never grasp that I am the great pretender and thus you consign yourself to a lifetime of despair and misery.
H.G. Tudor (Confessions of a Narcissist)
This is what happens when you’re addicted. You don’t realise the heights of your addiction until it’s too late, until it’s the only thing flowing in your veins and you can’t get rid of it unless you fucking bleed out. I can’t bleed out. I’ve bled out before.
Rina Kent (Vicious Prince (Royal Elite, #5))
When I lifted my head, I realised that Rome and Yael were both still standing at the end of the bed, staring down at me. They seemed uneasy, and the strangeness of our grouping finally hit me in that moment. Rome and Yael were the least likely to break the girl-brother pact, at least when they were paired together. Yael was too competitive to share, and Rome was the easiest to rile into an argument. Especially an argument about me. The others had somehow chosen this grouping with my discomfort firmly in mind, and that annoyed the hell out of me. “Are you both going to sleep standing up?” I grumbled, propping myself up on my elbows. “Is this some kind of weird, true-god sleeping position? Does it keep your heads upright so that you can easily look down on everyone?” “What got into her just now?” Rome asked Yael, turning his head to the side to talk to his brother, while his eyes stayed fixed on me. His posture was wary. “No idea.” Yael’s voice was low, as though I might not hear him if he tricked me into thinking that the conversation was a private one. “It was very sudden. But mortal women are supposed to have mood swings. Did she not eat enough? Should I put some bread in her mouth before it gets worse?” “Is that why you all have such good posture?” I pressed on, my voice getting louder—possibly to drown out Yael before he said anything else about what mortal women were like. “Because you sleep standing up like you might wrinkle your powerful reputation by laying down?” “Too late.” Rome’s eyebrows shot up a little. “It got worse.
Jane Washington (Seduction (Curse of the Gods, #3))
Too many dreamers sell their souls in the pursuit of fame and gold; time and again they make this mistake, only realising when it’s too late.
H.C. Roberts (Harp and the Lyre: Extraction)
The corner She sat there crouched in a corner, Her will was broken and nothing in her looked stronger, There were no signs of smiles or moments of joy, Around her an army of misfortunes time did deploy, So she lay there tied to her weariness, And her eyes revealed a deep emptiness, She had a benighted existence, And in her, sadness sought its own permanence, Many passed by her side, But all were busy dealing with their life’s own tide, A few turned and noticed her wretched state, But nobody wanted to uplift her spirits and mend her fate, She resided in a place that is neither hell nor paradise, Because in her state even soul refuses to rise, So she hangs between nowhere and nothing, Between everything and something, Between the Hell that is there and yet it is not anywhere, Between the Paradise that is there but actually nowhere, And her grief deepened every moment, And with every passing day she got cast into hopelessness’s basement, Now she lies there trapped and feelingless, Dealing with the life that is lifeless, Today when I saw her and her stock of misfortunes, I could hear her heart’s sad tunes, I stood there frozen in the moment, As she slipped deeper into despondency’s basement, And by the time I reached out my hand, There was the corner, an endless pile of misfortunes, and my empty hand, The basement had consumed her and everything related to her, It was an empty corner with nothing to offer and nothing to incur, But a realisation that how often we all fail, To sympathise with someone needy and frail, I too extended my hand but it was too late, And now for a lifetime I am caught in a debate, Where the guilt shall push all heedless passers by in the same basement, To clash with their own conscience and the girl’s every sentiment!
Javid Ahmad Tak (They Loved in 2075!)
Old man and his dead daughter An old aging man, Walks on the promenade everyday, He surely in his years of youth, played and ran, But now he is spending his life slowly and day by day, As life greets him every morning, He looks at it without any surprise, And he treats her like his only darling, For his fulfilling life was his greatest prize, He was aging but somehow not old, He believed in life that is lived everyday, And this realisation had made him bold, So here he is now living his life day by day, But lately he has become meek, His daughter died when the war broke, Now it is her, in everything he loves to seek, And in the darkness he deals with his fate and its cruel stroke, And maybe he wants to know why her, And why not him? When the bullet traveled and hit her, He was happily walking under the moonlight dim, And someone told him about the fateful incident, He fell, he moaned, he grieved, His sobbings were loud and incessant, There was nothing left to love, because his world had died, the world in which he believed, Now he curses the war and the bullets, The killers of joys, the murderers of innocence, And he leads a life of torments, And invain seeks in everything his dead daughter’s essence, That now lies scattered in the air, But as bullets pass through it , the air smells of gunpowder, And it erases all her traces beautiful and fair, And the old man dies every day, as a father who was a lover, Of everything life had to offer, But the bullets have invaded everything, Now they even kill a flower, And that is the most heinous thing, I have known the old man for many decades, But I have never seen him so old, Today a bullet killed him too and ended his life’s facades, He died smiling, looking at the sky, so I am told! Rest in peace wherever you may be now, And be merry that bullets cannot reach there, Because in a place abounding in grace and love, It is just flowers and lovers everywhere!
Javid Ahmad Tak (They Loved in 2075!)
Deepawali - The holy light Yesterday it was the festival of lights, Bright, sparkling, endlessly shimmering lights, With children running on the lanes that led everywhere, Because on this day happiness takes a stroll everywhere, It was a scene of joy and happiness, A moment to celebrate togetherness, While many indulged in savouring sweets, Many felt just walking and talking on these ever stretching streets, That on this day, led everywhere, Because on this day everyone seemed to appear in these streets from nowhere, Life had acquired an eloquent rush, life was in a flow of its own, And one felt the the joy of a holy kiss unknown, They say on this day good prevailed over evil, But I say, on this day humans realised nothing is more beautiful than a beautiful human will!” In the night the sky was lit with fire crackers that carried someones joys into the sky, And when I saw them bursting in the sky, I thought of you often my love, not just by and by, Until it was late in the night and the playfulness of the festive day decided to repose, And I too called it a day, as my imaginations, now your beautiful dreams composed!
Javid Ahmad Tak (They Loved in 2075!)
I leaned into Tamlin, sighing. 'It feels- feels as if some of it was a dream, or a nightmare. But... But I remembered you. And when I saw you there today, I started clawing at it, fighting, because I knew it might be my only chance, and-' 'How did you break free of his control,' Lucien said flatly from behind us. Tamlin gave him a warning growl. I'd forgotten he was there. My sister's mate. The Mother, I decided, did have a sense of humour. 'I wanted it- I don't know how. I just wanted to break free of him, so I did.' We stared each other down, but Tamlin brushed a thumb over my shoulder. 'Are- are you hurt?' I tried not to bristle. I knew what he meant. That he thought Rhysand would do anything like that to anyone- 'I- I don't know,' I stammered. 'I don't... I don't remember those things.' Lucien's metal eye narrowed, as if he could sense the lie. But I looked up at Tamlin, and brushed my hand over his mouth. My bare, empty skin. 'You're real,' I said. 'You freed me.' It was an effort not to turn my hands into claws and rip out his eyes. Traitor- liar. Murderer. 'You freed yourself,' Tamlin breathed. He gestured to the house. 'Rest- and then we'll talk. I... need to find Ianthe. And make some things very, very clear.' 'I- I want to be a part of it this time,' I said, halting when he tried to herd me back into that beautiful prison. 'No more... No more shutting me out. No more guards. Please. I have so much to tell you about them- bits and pieces, but... I can help. We can get my sisters back. Let me help.' Help lead you in the wrong direction. Help bring you and your court to your knees, and take down Jurian and those conniving, traitorous queens. And then tear Ianthe into tiny, tiny pieces and bury them in a pit no one can find. Tamlin scanned my face, and finally nodded. 'We'll start over. Do things differently. When you were gone, I realised... I'd been wrong. So wrong, Feyre. And I'm sorry.' Too late. Too damned late. But I rested my head on his arm as he slipped it around me and led me toward the house. 'It doesn't matter. I'm home now.' 'Forever,' he promised. 'Forever,' I parroted, glancing behind- to where Lucien stood in the gravel drive. His gaze on me. Face hard. As if he'd seen through every lie. As if he knew of the second tattoo beneath my glove, and the glamour I now kept on it. As if he knew that they had let a fox into a chicken coop- and he could do nothing. Not unless he never wanted to see his mate- Elain- again. I gave Lucien a sweet, sleepy smile. So our game began. We hit the sweeping marble stairs to the fornt doors of the manor. And so Tamlin unwittingly led the High Lady of the Night Court into the heart of his territory.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I leaned into Tamlin, sighing. 'It feels- feels as if some of it was a dream, or a nightmare. But... But I remembered you. And when I saw you there today, I started clawing at it, fighting, because I knew it might be my only chance, and-' 'How did you break free of his control,' Lucien said flatly from behind us. Tamlin gave him a warning growl. I'd forgotten he was there. My sister's mate. The Mother, I decided, did have a sense of humour. 'I wanted it- I don't know how. I just wanted to break free of him, so I did.' We stared each other down, but Tamlin brushed a thumb over my shoulder. 'Are- are you hurt?' I tried not to bristle. I knew what he meant. That he thought Rhysand would do anything like that to anyone- 'I- I don't know,' I stammered. 'I don't... I don't remember those things.' Lucien's metal eye narrowed, as if he could sense the lie. But I looked up at Tamlin, and brushed my hand over his mouth. My bare, empty skin. 'You're real,' I said. 'You freed me.' It was an effort not to turn my hands into claws and rip out his eyes. Traitor- liar. Murderer. 'You freed yourself,' Tamlin breathed. He gestured to the house. 'Rest- and then we'll talk. I... need to find Ianthe. And make some things very, very clear.' 'I- I want to be a part of it this time,' I said, halting when he tried to herd me back into that beautiful prison. 'No more... No more shutting me out. No more guards. Please. I have so much to tell you about them- bits and pieces, but... I can help. We can get my sisters back. Let me help.' Help lead you in the wrong direction. Help bring you and your court to your knees, and take down Jurian and those conniving, traitorous queens. And then tear Ianthe into tiny, tiny pieces and bury them in a pit no one can find. Tamlin scanned my face, and finally nodded. 'We'll start over. Do things differently. When you were gone, I realised... I'd been wrong. So wrong, Feyre. And I'm sorry.' Too late. Too damned late. But I rested my head on his arm as he slipped it around me and led me toward the house. 'It doesn't matter. I'm home now.' 'Forever,' he promised. 'Forever,' I parroted, glancing behind- to where Lucien stood in the gravel drive. His gaze on me. Face hard. As if he'd seen through every lie. As if he knew of the second tattoo beneath my glove, and the glamour I now kept on it. As if he knew that they had let a fox into a chicken coop- and he could do nothing. Not unless he never wanted to see his mate- Elain- again. I gave Lucien a sweet, sleepy smile. So our game began. We hit the sweeping marble stairs to the front doors of the manor. And so Tamlin unwittingly led the High Lady of the Night Court into the heart of his territory.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Resources such as energy, matter and information can flow through these networks in ways that achieve a fine balance between the system’s efficiency and its resilience. Efficiency occurs when a system streamlines and simplifies its resource flow to achieve its aims, say by channelling resources directly between the larger nodes. Resilience, however, depends upon diversity and redundancy in the network, which means that there are ample alternative connections and options in times of shock or change. Too much efficiency makes a system vulnerable (as global financial regulators realised too late in 2008) while too much resilience makes it stagnant: vitality and robustness lie in a balance between the two.
Kate Raworth (Doughnut Economics: Seven Ways to Think Like a 21st-Century Economist)
wall against his back, then frowned as he heard a creaking sound coming from somewhere close by. He was about to investigate, when the house was plunged into darkness once again. * * * Ryan swung his car through the gates and was forced to reduce his speed along the narrow driveway, for which Phillips was eternally grateful. They followed the road over the little stone bridge next to the Archimedes screw and heard the water bubbling furiously through its crushing blades as they passed. They rounded a bend and the house materialised through the trees, its windows flaming brightly against the inky blue-black sky. “It doesn’t look real, does it?” Phillips said, his eyes trained on the perfect backdrop. “It’s not going to disappear before your eyes,” Ryan muttered. Then, in a moment of extreme irony, that is exactly what happened. The two men looked on in shock as the house seemed to disappear, its walls blending with the colour of the night sky and the trees surrounding it. CHAPTER 30 “What the hell?” Martin Henderson swore beneath his breath as the lights went out. He stepped away from the wall to begin feeling his way towards the doorway but the house was pitch black and he could barely see his own hand in front of his face. The circuit had blown again, he thought, which was hardly surprising when a couple of old crackpots insisted on living like Victorian throwbacks rather than relying on the National Grid like the rest of the known world. The sooner he could get away from here, the better. His fingers brushed against the architrave on the doorway and he began to retrace his steps using the wall as a guide, no longer concerned about keeping his meeting at nine o’clock. He only hoped the other person was having as much trouble as he was, finding their way through the maze of rooms in the old house. When his fingers touched nothing but air, he realised he’d reached the turning to lead him back into the small hallway outside the bedrooms and the morning room, and the lift shaft was somewhere over his left shoulder. Blind without any light source, Henderson’s other senses were heightened considerably. He shivered as he stepped in front of the doors to the lift shaft, feeling an icy breath of wind brush against his cheeks. His brain was slow to compute the fact and he did not realise the implication until it was too late. The doors were open. The figure stepped out in front of him, barely making a creak against the floorboards but it was enough to alert him to the presence of another. “For The Valiant,” they whispered. Two firm hands came up to thrust against his chest and
L.J. Ross (Cragside (DCI Ryan Mysteries, #6))
Some people don’t realise what they have until it’s gone. Sadly, they’ll only realise it when it’s too late. That’s why gratitude is important. Value what you have. Recognise your blessings. Sometimes the Almighty might take it away from you completely and you won’t get it back!
Mufti Menk
I’ve also realised that it’s never too late to fix things, especially relationships, even if they feel irreparable. None of us know when our last day is going to be, or when our loved ones are going to leave us. Don’t waste a minute being mad, running away from things you don’t want to face. Make things right while you still can because no one on their deathbed is talking about how they wish they’d held more grudges.
Portia MacIntosh (Faking It)