“
And to us, we're more married than any piece of paper or big party could make us.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
But you’re everything I want. Remember that. I love you, Lia. Not a title. And not because a piece of paper says I should. Because I do.
”
”
Mary E. Pearson (The Heart of Betrayal (The Remnant Chronicles, #2))
“
For you guys out there who think looking doesn’t hurt? You’re wrong. Because we women don’t think you’re just enjoying the view. We think you’re comparing, finding us lacking. And that stings. Like a paper cut on your eyeball.
”
”
Emma Chase (Twisted (Tangled, #2))
“
You’re a candle that won’t be snuffed, and now the darkest parts of this world can see you. And they don’t tolerate the light.
”
”
Charlie N. Holmberg (The Glass Magician (The Paper Magician, #2))
“
What did she say?” asked Matthias.
Nina coughed and took his arm, leading him away. “She said you’re a very nice fellow, and a credit to the Fjerdan race. Ooh, look, blini! I haven’t had proper blini in forever.”
“That word she used: babink,” he said. “You’ve called me that before. What does it mean?”
Nina directed her attention to a stack of paper-thin buttered pancakes. “It means sweetie pie.”
“Nina—”
“Barbarian.”
“I was just asking, there’s no need to name-call.”
“No, babink means barbarian.” Matthias’ gaze snapped back to the old woman, his glower returning to full force. Nina grabbed his arm. It was like trying to hold on to a boulder. “She wasn’t insulting you! I swear!”
“Barbarian isn’t an insult?” he asked, voice rising.
“No. Well, yes. But not in this context. She wanted to know if you’d like to play Princess and Barbarian.”
“It’s a game?”
“Not exactly.”
“Then what is it?”
Nina couldn’t believe she was actually going to attempt to explain this. As they continued up the street, she said, “In Ravka, there’s a popular series of stories about, um, a brave Fjerdan warrior—”
“Really?” Matthias asked. “He’s the hero?”
“In a manner of speaking. He kidnaps a Ravkan princess—”
“That would never happen.”
“In the story it does, and”—she cleared her throat—“they spend a long time getting to know each other. In his cave.”
“He lives in a cave?”
“It’s a very nice cave. Furs. Jeweled cups. Mead.”
“Ah,” he said approvingly. “A treasure hoard like Ansgar the Mighty. They become allies, then?”
Nina picked up a pair of embroidered gloves from another stand. “Do you like these? Maybe we could get Kaz to wear something with flowers. Liven up his look.”
“How does the story end? Do they fight battles?”
Nina tossed the gloves back on the pile in defeat. “They get to know each other intimately.”
Matthias’ jaw dropped. “In the cave?”
“You see, he’s very brooding, very manly,” Nina hurried on. “But he falls in love with the Ravkan princess and that allows her to civilize him—”
“To civilize him?”
“Yes, but that’s not until the third book.”
“There are three?”
“Matthias, do you need to sit down?”
“This culture is disgusting. The idea that a Ravkan could civilize a Fjerdan—”
“Calm down, Matthias.”
“Perhaps I’ll write a story about insatiable Ravkans who like to get drunk and take their clothes off and make unseemly advances toward hapless Fjerdans.”
“Now that sounds like a party.” Matthias shook his head, but she could see a smile tugging at his lips. She decided to push the advantage. “We could play,” she murmured, quietly enough so that no one around them could hear.
“We most certainly could not.”
“At one point he bathes her.”
Matthias’ steps faltered. “Why would he—”
“She’s tied up, so he has to.”
“Be silent.”
“Already giving orders. That’s very barbarian of you. Or we could mix it up. I’ll be the barbarian and you can be the princess. But you’ll have to do a lot more sighing and trembling and biting your lip.”
“How about I bite your lip?”
“Now you’re getting the hang of it, Helvar.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
If you’re going to get yourself killed, you could at least kiss me first!
”
”
Charlie N. Holmberg (The Glass Magician (The Paper Magician, #2))
“
We don't have a clue what's really going down, we just kid ourselves that we're in control of our lives while a paper's thickness away things that would drive us mad if we thought about them for too long play with us, and move us around from room to room, and put us away at night when they're tired, or bored.
”
”
Neil Gaiman (The Sandman, Vol. 2: The Doll's House)
“
I'm not leaving you. If you're in Eldorra, I'm in Eldorra. If you're in Antarctica, the Sahara, or the middle of the fucking ocean, I'm there. I'm as much yours as you are mine, princess, and a law isn't keeping me away. I don't care what a piece of paper says. I'll burn the entire fucking Parliament if I have to.
”
”
Ana Huang (Twisted Games (Twisted, #2))
“
Some say I loved her to the point of madness, bordering on obsession. She said I put her on a pedestal that her real self couldn’t attain. Perhaps they’re all right. Perhaps I am mad. And if that’s the case, to be frank, I don’t give a damn. What I know is that she sets me on fire, and if you were to perform an intradermal test on me, you’d know when she was in it because you’d see the trails of blaze she left behind. Because that’s what I feel at the mere thought of her, and I’d rather live my life in flames than be numb without her.” He paused, and I let out a breath, but then he said one last thing. “Come back to me, my little Road Runner, my world is cold and boring without you.
”
”
Claire Contreras (Paper Hearts (Hearts, #2))
“
A story wearing another dress every time you hear it - what could be better? A story that grows and puts out flowers like a living thing! But look at the stories people press in books! They may last longer, yes, but they breathe only when someone opens the book. They are sound pressed between the pages, and only a voice can bring them back to life! Then they throw off sparks, Balbulus! Then they go free as birds flying out into the world. Perhaps you're right, and the paper makes them immortal. But why should I care? Will I live on, neatly pressed between the pages with my words? Nonsense! We're none of us immortal; even the finest words don't change that, do they?
”
”
Cornelia Funke (Inkspell (Inkworld, #2))
“
What?” I cut him off. “That’s not true—I do take this seriously—”
“Bullshit.” He laughs a short, sharp, angry laugh. “All you do is sit around and think about your feelings. You’ve got problems. Boo-freaking-hoo,” he says. “Your parents hate you and it’s so hard but you have to wear gloves for the rest of your life because you kill people when you touch them. Who gives a shit?” He’s breathing hard enough for me to hear him. “As far as I can tell, you’ve got food in your mouth and clothes on your back and a place to pee in peace whenever you feel like it. Those aren’t problems. That’s called living like a king. And I’d really appreciate it if you’d grow the hell up and stop walking around like the world crapped on your only roll of toilet paper. Because it’s stupid,” he says, barely reining in his temper. “It’s stupid, and it’s ungrateful. You don’t have a clue what everyone else in the world is going through right now. You don’t have a clue, Juliette. And you don’t seem to give a damn, either.” I swallow, so hard. “Now I am trying,” he says, “to give you a chance to fix things. I keep giving you opportunities to do things differently. To see past the sad little girl you used to be—the sad little girl you keep clinging to—and stand up for yourself. Stop crying. Stop sitting in the dark counting out all your individual feelings about how sad and lonely you are. Wake up,” he says. “You’re not the only person in this world who doesn’t want to get out of bed in the morning. You’re not the only one with daddy issues and severely screwed-up DNA. You can be whoever the hell you want to be now.
You’re not with your shitty parents anymore. You’re not in that shitty asylum, and you’re no longer stuck being Warner’s shitty little experiment. So make a choice,” he says. “Make a choice and stop wasting everyone’s time. Stop wasting your own time. Okay?
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
Michael, don’t you know by now that my grandmother and Uncle Alfred are the largest private shareholders of Singapore Press Holdings? We’re not going to be in the papers. We’re never going to be in the papers.
”
”
Kevin Kwan (China Rich Girlfriend (Crazy Rich Asians, #2))
“
For everyone who's ever fallen for the wrong person, even though we agree that Mr. Darcy looks good on paper ... and in a wet shirt.
And for England (again). We're really sorry for what we're about to do to your literature.
”
”
Cynthia Hand (My Plain Jane (The Lady Janies, #2))
“
The Times carried detailed descriptions of Sara’s ivory gown and the five-carat blue diamond on her finger, the Cravens’ reported opinions of the play, and speculation on whether Derek was truly a “reformed rake.” “There’s not a word of truth in any of it,” Derek said. “Except the part where they said you were resplendent.” “Thank you, kind sir.” Sara set down the paper and reached over to toy with one of the large soapy feet propped on the porcelain rim of the tub. She wriggled his big toe playfully. “What about the part that says you’re reformed?” “I’m not. I still do everything I used to do…except now only with you.” “And quite impressively,” she replied, her tone demure.
”
”
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
“
It’s been said we’re only given one chance at things in life. I’d love to prove that wrong.
”
”
Claire Contreras (Paper Hearts (Hearts, #2))
“
No one would recognize us," I answered. "We’re hardly a proper prince and princess anymore."
He laughed mid-kiss and leaned back to look at me. "You were never a proper princess." His hands cradled my face, and his smile faded. "But you’re everything I want. Remember that. I love you, Lia. Not a title. And not because a piece of paper says I should. Because I do.
”
”
Mary E. Pearson (The Heart of Betrayal (The Remnant Chronicles, #2))
“
Matthias appeared in front of them. “We should go soon. We have little more than an hour before sunrise.”
“What exactly are you wearing?” Nina asked, staring at the tufted cap and woolly red vest Matthias had put on over his clothes.
“Kaz procured papers for us in case we’re stopped in the Ravkan quarter. We’re Sven and Catrine Alfsson. Fjerdan defectors seeking asylum at the Ravkan embassy.”
It made sense. If they were stopped, there was no way Matthias could pass himself off as Ravkan, but Nina could easily manage Fjerdan.
“Are we married, Matthias?” she said, batting her lashes.
He consulted the papers and frowned. “I believe we’re brother and sister.”
Jesper ambled over, rubbing the sleep from his eyes. “Not creepy at all.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
It's hard to know you'll never be enough just because you're not someone else.
”
”
Stacey Kade (The Hunt (Project Paper Doll, #2))
“
When we’re good, we’re really good, and when we’re bad, it’s really bad. Two people that have that much passion must be doing something awfully right.
”
”
Magan Vernon (On Paper Wings (My Paper Heart #2))
“
I know what would make me happy to have in the end. Nonetheless, I’ve learned that life isn’t about the end, but about the chapters in between. The filling in that we do to get our stories told and how people react to it is what keeps us going. The reality is that nobody looks forward to epilogues unless they’re in fictional stories. I’m not an exception to that rule. I know my story will end, but I hope the legacy I leave behind is big enough that nobody remembers how or why it did. It’ll just be another anecdote in the sequence of my very long and happy life (I hope).
”
”
Claire Contreras (Paper Hearts (Hearts, #2))
“
(I pull the second to last item out of my bag. Her purple hair clip. She told me once how much it meant to her, and why she always keeps it.)
This purple hair clip?
It really is magic…just like your dad told you it was.
It’s magic because, no matter how many times it lets you down…you keep having hope in it.
You keep trusting it.
No matter how many times it fails you,
You never fail it.
Just like you never fail me.
I love that about you,
because of you.
(I set it back down and pull out a strip of paper and unfold it.)
Your mother.
(I sigh)
Your mother was an amazing woman, Lake.
I'm blessed that I got to know her,
And that she was a part of my life, too.
I came to love her as my own mom…just as she came to love Caulder and I as her own.
I didn’t love her because of you, Lake.
I loved her because of her.
So, thank you for sharing her with us.
She had more advice about
Life and love and happiness and heartache than anyone I've ever known.
But the best advice she ever gave me?
The best advice she ever gave us?
(I read the quote in my hands)
"Sometimes two people have to fall apart, to realize how much they need to fall back together."
(She’s definitely crying now. I place the slip back inside the satchel and take a step closer to the edge of the stage as I hold her gaze.)
The last item I have wouldn’t fit, because you’re actually sitting in it.
That booth.
You’re sitting in the exact same spot you sat in when you watched your first performance on this stage.
The way you watched this stage with passion in your eyes…I'll never forget that moment.
It's the moment I knew it was too late.
I was too far gone by then.
I was in love with you.
I was in love with you because of you.
(I back up and sit down on the stool behind me, still holding her stare.)
I could go on all night, Lake.
I could go on and on and on about all the reasons I'm in love with you.
And you know what? Some of them are the things that life has thrown our way.
I do love you because you're the only other person I know that understands my situation.
I do love you because both of us know what it's like to lose your mom and your dad.
I do love you because you're raising your little brother, just like I am.
I love you because of what you went through with your mother.
I love you because of what we went through with your mother.
I love the way you love Kel.
I love the way you love Caulder.
And I love the way I love Kel.
So I'm not about to apologize for loving all these things about you, no matter the reasons or the circumstances behind them.
And no, I don’t need days, or weeks, or months to think about why I love you.
It’s an easy answer for me.
I love you because of you.
Because of
every
single
thing
about you.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Then Elizabeth came, bearing a tray of cakes and sweets, and finally Harriet, who carried with her a small sheaf of paper—her current opus, Henry VIII and the Unicorn of Doom .
“I’m not certain Frances is going to be appeased by an evil unicorn,” Anne told her.
Harriet looked up with one arched brow. “She did not specify that it must be a good unicorn.”
Anne grimaced. “You’re going to have a battle on your hands, that’s all I’m going to say on the matter.”
Harriet shrugged, then said, “I’m going to begin in act two. Act one is a complete disaster. I’ve had to rip it completely apart.”
“Because of the unicorn?”
“No,” Harriet said with a grimace. “I got the order of the wives wrong. It’s divorced, beheaded, died, divorced, beheaded, widowed.”
“How cheerful.”
Harriet gave her a bit of a look, then said, “I switched one of the divorces with a beheading.”
“May I give you a bit of advice?” Anne asked.
Harriet looked up.
“Don’t ever let anyone hear you say that out of
context.
”
”
Julia Quinn (A Night Like This (Smythe-Smith Quartet, #2))
“
I exhaled in delight as they floated toward me, as they landed on my hair. “How are you . . . ?”
“You said it yourself.” Their glow reflected in his eyes. “Magic isn’t good or evil. It heeds those who summon it. When life is a choice between fighting or fleeing—every moment life or death—everything becomes a weapon. It doesn’t matter who holds them. Weapons harm. I’ve seen it. I’ve experienced it firsthand.”
He touched the dingy, floral paper on the walls, and the blooms exploded upward, outward, until he reached up to pluck one, tucking it behind my ear. The scent of winter jasmine filled the room. “But life is more than those moments, Lou. We’re more than those moments.
”
”
Shelby Mahurin (Blood & Honey (Serpent & Dove, #2))
“
It’s easier to be strong when you’re doing it for someone else’s sake.
”
”
Natasha Ngan (Girls of Storm and Shadow (Girls of Paper and Fire, #2))
“
It means the world's about as solid and as reliable as a layer of scum on the top of a well of black water which goes down forever, and there are things in the depths that I don't even want to think about. It means more than that. It means that we're just dolls. We don't have a clue what's really going down, we just kid ourselves that we're in control of our lives while a paper's thickness away things that would drive us mad if we thought about them for too long play with us, and move us around from room to room, and put us away at night when they're tired, or bored.
”
”
Neil Gaiman (The Sandman, Vol. 2: The Doll's House)
“
here’s my 8-step process for maximizing efficacy (doing the right things): Wake up at least 1 hour before you have to be at a computer screen. Email is the mind-killer. Make a cup of tea (I like pu-erh) and sit down with a pen/pencil and paper. Write down the 3 to 5 things—and no more—that are making you the most anxious or uncomfortable. They’re often things that have been punted from one day’s to-do list to the next, to the next, to the next, and so on. Most important usually equals most uncomfortable, with some chance of rejection or conflict. For each item, ask yourself: “If this were the only thing I accomplished today, would I be satisfied with my day?” “Will moving this forward make all the other to-dos unimportant or easier to knock off later?” Put another way: “What, if done, will make all of the rest easier or irrelevant?” Look only at the items you’ve answered “yes” to for at least one of these questions. Block out at 2 to 3 hours to focus on ONE of them for today. Let the rest of the urgent but less important stuff slide. It will still be there tomorrow. TO BE CLEAR: Block out at 2 to 3 HOURS to focus on ONE of them for today. This is ONE BLOCK OF TIME. Cobbling together 10 minutes here and there to add up to 120 minutes does not work. No phone calls or social media allowed. If you get distracted or start procrastinating, don’t freak out and downward-spiral; just gently come back to your ONE to-do.
”
”
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
“
Here," Aaron said, handing Neil a scrap of paper. "Take this before I forget it."
It was a short list of names and numbers in bubbly blue print. Nicky leaned over to see and made a dismissive noise. "Seriously, Aaron?"
"Dan asked me to get a list from Katelyn," Aaron said.
"Who are these people?" Neil asked.
"They're the single Vixens."
"They're all women," Nicky said. "That doesn't help us.
”
”
Nora Sakavic (The Raven King (All for the Game, #2))
“
I don’t think you’re crazy at all. I don’t want you to think that either. I can’t say that I understand what’s going through your head, but I can say that I’ll be here for you no matter what. If I haven’t made it clear, I love you more than anything.
”
”
Magan Vernon (On Paper Wings (My Paper Heart #2))
“
And to us, we’re more married than any piece of paper or big party could make us.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
Then she shouted, “If you’re going to get yourself killed, you could at least kiss me first!
”
”
Charlie N. Holmberg (The Glass Magician (The Paper Magician, #2))
“
we're just paper on a shelf, in the end
”
”
Rachel Caine (Paper and Fire (The Great Library, #2))
“
Santi and Wolfe exchanged a look. Wolfe inclined his head a little to the side, with a strange, crooked smile. "You see? They're as bad as we are."
"Worse," Santi sighed.
”
”
Rachel Caine (Paper and Fire (The Great Library, #2))
“
You might be human, but you're a woman, and that gives you far more strength than he'll ever be capable of. Not to mention perspective. Only women truly understand the cruelties of the world, the depths of people's greed and desire, what dark things they can motivate someone to do.
”
”
Natasha Ngan (Girls of Storm and Shadow (Girls of Paper and Fire, #2))
“
...Nina, uncrumpling a piece of paper from her pocket and smoothing it onto the table. A sketch of Matthias looked back at them. “We need to get out of town as soon as possible.”
“Damn it,” Jesper said. “Kaz and Wylan are still in the lead.” He gestured to where they’d pasted up the rest of the wanted posters: Jesper, Kaz, and Inej were all there. Van Eck hadn’t yet dared to plaster Kuwei Yul-Bo’s face over every surface in Ketterdam, but he’d had to maintain the pretense of searching for his son, so there was also a poster offering a reward for Wylan Van Eck’s safe return. It showed his old features, but Jesper didn’t think it was much of a likeness. Only Nina was missing. She’d never met Van Eck, and though she had connections to the Dregs, it was possible he didn’t know of her involvement.
Matthias examined the posters. “One hundred thousand kruge!” He shot a disbelieving glower at Kaz. “You’re hardly worth that.”
The hint of a smile tugged at Kaz’s lips. “As the market wills it.”
“Tell me about it,” said Jesper. “They’re only offering thirty thousand for me.”
“Your lives are at stake,” said Wylan. “How can you act like this is a competition?”
“We’re stuck in a tomb, merchling. You take the action where you find it
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Look at all the old wars, centuries ago: the king led his men into battle. Always. That was what the ruler was: both on a practical level and on a mystical one, he was the one who stepped forwards to lead his tribe, put his life at stake for them, become the sacrifice for their safety. If he had refused to do that most crucial thing at that most crucial moment, they would have ripped him apart- and rightly so: he would have shown himself to be an impostor, with no right to the throne. The king was the country; how could he possibly expect it go into battle without him? But now... Can you see any modern president or prime minister on the front line, leading his men into the war he's started? And once that physical and mystical link is broken, once the ruler is no longer willing to be the sacrifice for his people, he becomes not a leader but a leech, forcing others to take his risks while he sits in safety and battens on their losses. War becomes a hideous abstraction, a game for bureaucrats to play on paper; soldiers and civilians become mere pawns, to be sacrificed by the thousand for reasons that have no roots in any reality. As soon as rulers mean nothing, war means nothing; human life means nothing. We're ruled by venal little usurpers, all of us, and they make meaninglessness everywhere they go.
”
”
Tana French (The Likeness (Dublin Murder Squad, #2))
“
You think I'm with you out of guilt?"
"No, you ass. Of course not. I just mean—"
"You're a nut, MacAllister. I'm with you because I love you."
There it was, out. Three little words. Three of the most common words in the world, but string them together and they were more powerful than any warrant, any extradition papers, or even treaty. Stronger than any magical spell. Had he really never said them aloud to Taylor?
”
”
Josh Lanyon (Old Poison (Dangerous Ground, #2))
“
There are guys bleeding to death who don't know it, they're smiling, they're talking, they don't feel pain because they're in shock, they ask you for some water and then they're dead. On D-day I ran past a guy lying on his spilled guts with his eyes closed and his thumb in his mouth. Eisenhower's speech had been read to us over the loudspeaker by our commander when we crossed the channel that morning. What valor and inspiration were in his words- all about how we were embarked on a great crusade, that the hopes and prayers of a liberty loving people were going with us....I got gooseflesh when he asked for the blessing of almighty god on this great and noble undertaking. But how to reconcile that with spilled guts on a beach and flies in the eyes of some dead nineteen year old kid who traded his life for some words on paper?
”
”
Elizabeth Berg (Dream When You're Feeling Blue)
“
INT. MINISTÈRE DES AFFAIRES MAGIQUES, RECORDS ROOM ATRIUM—NIGHT
MELUSINE: Puis-je vous aider?
NEWT: Er—yes, this is Leta Lestrange. And—I’m her—
TINA: Fiancé.
There is an increased awkwardness between them.
NEWT: Tina, about that fiancée business—
TINA (brittle): Sorry, yeah. I should have congratulated you—
The doors to the records office open. They enter briskly.
INT. MINISTÈRE DES AFFAIRES MAGIQUES, RECORDS ROOM—NIGHT
The doors close behind them, plunging them into darkness.
NEWT: No, that’s—
TINA: Lumos.
NEWT: Tina—about Leta—
TINA: Yes, I’ve just said, I am happy for you—
NEWT: Yeah, well, don’t.
She stops. Looks at him. What?
NEWT: Please don’t be happy.
(in trouble) Uh, no, no. I’m sorry. I don’t . . . Uh, obviously, I—Obviously I want you to be. And I hear that you are now. Uh, which is wonderful. Sorry—
(a gesture of hopelessness) What I’m trying to say is, I want you to be happy, but don’t be happy that I’m happy, because I’m not.
(off her confusion) Happy.
(off her continued confusion) Or engaged.
TINA: What?
NEWT: It was a mistake in a stupid magazine. My brother’s marrying Leta, June the sixth. I’m supposed to be best man. Which is sort of mildly hilarious.
TINA: Does he think you’re here to win her back?
(beat)
Are you here to win her back?
NEWT: No! I’m here to—
A beat. He stares at her.
NEWT: —you know, your eyes really are—
TINA: Are what?
NEWT: I’m not supposed to say.
Pickett is climbing out of NEWT’S pocket onto the nearest shelf. NEWT doesn’t notice.
A beat. In a rush
TINA: Newt, I read your book, and did you—?
NEWT: I still have a picture of you—wait, did you read—?
NEWT pulls the picture of her from his breast pocket and unfolds it. She is inordinately touched. He looks from the picture to TINA.
NEWT: I got this—I mean, it’s just a picture of you from the paper, but it’s interesting because your eyes in newsprint . . . See, in reality they have this effect in them, Tina . . . It’s like fire in water, in dark water. I’ve only ever seen that—
(struggling) I’ve only ever seen that in—
TINA (whispers): Salamanders?
”
”
J.K. Rowling (Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay (Fantastic Beasts: The Original Screenplay, #2))
“
Why did you want to see me?”
He studied her face curiously. “Why do I always want to see you?” he countered. His voice was like velvet. “You’re part of me now, Cecily.”
She colored. She couldn’t meet his eyes. Did he think she didn’t know about Audrey?
“And you wouldn’t lie to me,” she said.
“Any more than you’d lie to me,” he replied softly.
So they were both liars.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
The poem you brought yesterday,’ said Balbulus in a bored voice as he bent over his work again, ‘it was good. You ought to write such things more often, but I know you prefer writing stories for children or songs for the Motley Folk. And why? Just for the wind to sing your words? The spoken word is nothing, it hardly lives longer than an insect! Only the written word is eternal!’
‘Eternal?’ Fenoglio made the word sound as if there could be nothing more ridiculous in the world. ‘Nothing is eternal- and what happier fate could words have than to be sung by minstrels? Yes, of course they change the words, they sing them slightly differently every time, but isn’t that in itself wonderful? A story wearing another dress every time you hear it- what could be better? A story that grows and puts out flowers like a living thing! But look at the stories people press in books! They may last longer, yes, but they breathe only when someone opens the book. They are sound pressed between the pages, and only a voice can bring them back to life! Then they throw off sparks, Balbulus! Then they go free as birds flying out into the world. Perhaps you’re right, and the paper makes them immortal. But why should I care? Will I live on, neatly pressed between the pages with my words? Nonsense! We’re none of us immortal; even the finest words don’t change that, do they?
”
”
Cornelia Funke (Inkspell (Inkworld, #2))
“
Being vulnerable isn't a flaw. It is the most beautiful thing in the world. If you were invincible, being brave would be easy. It's the fact that it isn't easy, that we have to constantly work and work at it. Make ourselves believe in our own strength even when it feels like we're worth nothing, have nothing, can do nothing - that's power. That's resilience. There is nothing stronger than people who endure the worst hardships in the world, and still raise their fists at the start of a new day, to fight all over again.
”
”
Natasha Ngan (Girls of Storm and Shadow (Girls of Paper and Fire, #2))
“
I didn't believe him. Without a word, I reached into the satchel on his lap, my fingers grazing the curve of his hip bone through the fabric.
"Oi," he protested, his eyes gleaming with mischief. "If you're going to violate me, I'd appreciate if you wait until I'm naked.
”
”
Amanda Sun (Rain (Paper Gods, #2))
“
Dario, What you do or do not want applies to you, not me. I didn't ask your permission, and I don't seek your approval!'
Khalia's voice had taken on a hard edge, and Dario was the first to look away.
'Congratulations,' Glain said 'You're both wildly independent, and now the Archivist has to be wondering why both of you would want to get close to him at the same time. Clearly, neither of you are cut out to be spies.
”
”
Rachel Caine (Paper and Fire (The Great Library, #2))
“
Writers—particularly storytellers like myself—write about people. That is ironic, since we actually know nothing about them. Think about it. Why does someone become a writer? Is it because they like people? Of course not. Why else would we seek out a job where we get to spend all day, every day, cooped up in our basement with no company besides paper, a pencil, and our imaginary friends? Writers hate people. If you’ve ever met a writer, you know that they’re generally awkward, slovenly individuals who live beneath stairwells, hiss at those who pass, and forget to bathe for weeklong periods. And those are the socially competent ones.
”
”
Brandon Sanderson (The Scrivener's Bones (Alcatraz, #2))
“
You’re a worse punishment than even he deserves, lady,” she bit off as she turned away from the phone. “I wouldn’t wish you on my worst enemy!”
The phone rang again and she picked it up, ready to give Audrey a fierce piece of her mind. But it was a journalist wanting to know if the story in the tabloids was true, about Tate and Cecily being lovers when she was still in school.
“It most certainly is not,” she said curtly. “But I’ll tell you what is. Tate Winthrop is marrying Washington socialite Miss Audrey Gannon at Christmas. You can print that, with my blessing!” And she hung up again.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Yes,” Dr. Malone went on, “they know we’re here. They answer back. And here goes the crazy part: you can’t see them unless you expect to. Unless you put your mind in a certain state. You have to be confident and relaxed at the same time. You have to be capable—Where’s that quotation …” She reached into the muddle of papers on her desk and found a scrap on which someone had written with a green pen. She read: ‘ “… Capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason.’ You have to get into that state of mind. That’s from the poet Keats, by the way.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
I pretend to reach for them, but before he can guess my intentions, I catch one of his wings instead. He flutters, trying to break loose, his one free wing batting my hand.
I draw out the decanter and stuff him into it, careful to fold his wings. I don’t want to hurt him. I just want to better him.
Once he’s settled inside, I shove a paper towel into the bottle’s neck. No need to worry that he’ll smother. After all, he spent that night in a bug trap last year and survived.
“Looks like you’re going to have some turbulence on your flight,” I tell him through the glass.
His voice fills my head, an angry, scolding growl. When I don’t respond, he yells Chessie’s name. Chessie flits over to the car and sits on the side mirror, licking his paw, amused and uninterested in taking sides.
I hold the decanter up to get a closer look at Morpheus. “Game, set, match, luv. You do realize that my human side defeated you, right? No magic required.”
Unlike a real moth that would beat itself against the glass walls until exhausted, he hangs under the curved neck, dignified, glaring with his bulbous eyes. If he had a mouth instead of a proboscis, I’d be able to tell if he’s snarling or beaming with pride. Knowing him, it could be either. Most likely, it’s both.
”
”
A.G. Howard (Unhinged (Splintered, #2))
“
He wet a paper towel, and took my chin, lifting and wiping my face.
"Derek? I'm not hurt."
"You're covered in blood."
"But it's not mine. Honest. It's from—"
"The werewolf. I know." He picked up my hand and started cleaning it. "That's why I have to get it off."
"Derek?" I leaned down, trying to see his face. "Are you okay?"
He kept scrubbing. "There are two ways to become a werewolf. Either you're born or you get bitten by one. If you get saliva in your bloodstream, it's like a virus."
"Blood, too?"
"Dad says no, it's just saliva. But he could be wrong, and you've got cuts and scrapes and blood all over."
I had a few cuts and scrapes, and I was only flecked with blood, but I kept my mouth shut and let him clean.
As he did, I tried to check out how badly he was hurt. His scraped cheeks were pitted with gravel. His nose was bloodied. Broken? One eye was already darkening. Was that blood in the corner? His lip was cut and swollen. Were any teeth loose? MIssing?
"Stop fidgeting, Chloe."
I couldn't help it. His injuries obviously needed more attention than mine, but here was no sense saying anything until he was done.
Finally, when he seemed to have scrubbed off every fleck of blood—and a few layers of skin—I said, "Okay, now on to you."
"Take off your jacket and sweatshirt."
"Derek, I'm clean. Trust me, I've never been this clean."
"You've got blood on your cuffs."
***
"Okay, now can we take care of the guy that was actually in the fight? There's a lot of blood. It seems to be mostly from your nose."
"It is."
"You got hit in the chest a few times. How are your ribs?"
"Maybe bruised. Nothing critical."
"Shirt off."
He sighed, like now I was the one fussing too much
”
”
Kelley Armstrong (The Awakening (Darkest Powers, #2))
“
Tate practically raised you from what I hear. You love him, don’t you?”
Her face closed up. “For all the good it will ever do me, yes,” she said softly.
“He won’t have the excuse of pure Lakota blood much longer,” he advised.
“I’m not holding out for miracles anymore,” she vowed. “I’m going to stop wanting what I can never have. From now on, I’ll take what I can get from life and be satisfied with it. Tate will have to find his own way.”
“That’s sour grapes,” he observed.
“You bet it is. What do you want me to do to help?”
“It’s dangerous,” he pointed out, hesitating as he considered her youth. “I don’t know…”
“I’m a card-carrying archeologist,” she reminded him. “Haven’t you ever watched an Indiana Jones movies? We’re all like that,” she told him with a wicked grin. “Mild-mannered on the outside and veritable world-tamers inside. I can get a whip and a fedora, too, if you like,” she added.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
That done, a second list began to sketch itself from memory. Food, water, containers, blankets...
I set three piles aside, starting with the blankets, then took what pillowcases I could find. They always made useful bags for carrying things when backpacks weren't available. One small pot for boiling, one small pan for cooking or additional self-defense. Knives, always good. One fork and a spoon for each of us. More than that, and they'd clatter inside our bags, keeping us from moving silently. No batteries. One flashlight that seemed to be working for now, even if the beam wasn't strong. The real coup would have been canned food or toilet paper, but those were truly one-in-a-million finds.
"Did you forget to tell us that you're taking us camping?" I'm all four roughing it as long as that entails air-conditioning and a nice view."
...
"Sorry," I muttered, forcing myself onto my feet. "Old habits.
”
”
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
“
Tell me!” Cecily insisted later, shaking Colby by both arms.
“Cut it out, you’ll dismember me,” Colby said, chuckling.
She let go of the artificial arm and wrapped both hands around the good one. “I want to know. Listen, this is my covert operation. You’re just a stand-in!”
“I promised I wouldn’t tell.”
“You promised in Lakota. Tell me in English what you promised in Lakota.”
He gave in. He did tell her, but not Leta, what was said, but only about the men coming to the reservation soon.
“We’ll need the license plate number,” she said. “It can be traced.
“Oh, of course,” he said facetiously. “They’ll certainly come here with their own license plate on the car so that everyone knows who they are!”
“Damn!”
He chuckled at her irritation. He was about to tell her about his alternative method when a big sport utility vehicle came flying down the dirt road and pulled up right in front of Leta’s small house.
Tate Winthrop got out, wearing jeans and a buckskin jacket and sunglasses. His thick hair fell around his shoulders and down his back like a straight black silk curtain. Cecily stared at it with curious fascination. In all the years she’d known him, she’d very rarely seen his hair down.
“All you need is the war paint,” Colby said in a resigned tone. He turned the uninjured cheek toward the newcomer. “Go ahead. I like matching scars.”
Tate took off the dark glasses and looked from Cecily to Colby without smiling. “Holden won’t tell me a damned thing. I want answers.”
“Come inside, then,” Cecily replied. “We’re attracting enough attention as it is.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
I never believed in marriage,” he said. “Ultimately, it’s just a stupid piece of paper, but I really, really want to sign that stupid piece of paper with your name beside mine. When our kids grow up, I want to be able to look at them and say, ‘You see that woman over there? She has some serious magic and somehow, I was the one who caught it all.’” His Adam’s apple bobbed. “What I’m trying to say is that I love you, Tessa Monte. I bleed for you. You’re the only woman in the world who can make me believe that love exists. The only woman in the world I’d ever want tied to me for an eternity. The only woman I could ever envision raising my children. Please marry me.
”
”
Claire Contreras (My Way Back to You (Second Chance Duet, #2))
“
Steel tempered by fire,” she said aloud, without thinking.
“Am I?” he asked.
She smiled sadly. “Aren’t you?”
He let out a long, slow breath and some of the tension drained out of him. He looked at her quizzically. “You give me peace,” he said unexpectedly. “The only time I ever feel it is when I’m with you. God knows why, when you set me off like a bomb.”
She searched his eyes. “Tate, Senator Holden has a reason for what he did,” she told him seriously. “I don’t pretend to know what it is, but I know him. He’s not like some politicians who lie when the truth would suit better. He has integrity. He doesn’t hold grudges and he doesn’t backstab. You know that,” she added with conviction.
He scowled. “Yes, I do.” His narrow eyes searched hers. “What do you know, Cecily?”
“I know archaeology,” she replied.
He reached out and touched her firm little chin with hard fingers. “You’re keeping something from me,” he said in a low, deep tone. “I’m not sure why I sense that, but I do.”
“You think you know all about me,” she replied, trying to draw back. “Don’t…do that,” she muttered, reaching up to catch his hair-roughened wrist in her warm fingers.
His breath caught. “Fatal error, Cecily,” he said huskily, moving in, giving in to the hunger that had really brought him to her apartment at this hour of the night. “You shouldn’t have touched me…
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
So, tomorrow night. My house or yours?"
"Mine. I...want to show you something."
"Oh yes?” Will said hopefully, suggestively.
There was a smile in Taylor's voice, but he sounded absent. “Will?"
"Right here."
There was a pause. “When I was shot—"
Will's heart quickened; he wasn't even sure why. “Yeah?"
"It wasn't because of you...turning me down. It wasn't because my mind wasn't on the job."
"No?"
"No. I know—at least, I think I do—that you thought you were somehow to blame for me getting nailed. It wasn't anything to do with you.” He heard Taylor sigh. “It was when I saw how young they were. Kids. And I hesitated. I hesitated a couple of seconds too long. That's all."
Something inside Will relaxed, like the clutch of a child's hand on a balloon. The balloon went sailing free and happy.
(...)
He couldn't even explain why he felt so happy. “You think I'm with you out of guilt?"
"No, you ass. Of course not. I just mean—"
"You're a nut, MacAllister. I'm with you because I love you."
There it was, out. Three little words. Three of the most common words in the world, but string them together and they were more powerful than any warrant, any extradition papers, or even treaty. Stronger than any magical spell. Had he really never said them aloud to Taylor? Something in the ringing silence that followed made him think he maybe hadn't.
It was a relief when Taylor said, at last, in that irritable voice that always signified nerves or great emotion, “That's fine. I just thought you should know."
"I love you,” Will repeated firmly, having got the hang of it. “I'll see you tomorrow night, you lunatic."
"Love you,” Taylor said tersely and hung up.
Taylor stared at the receiver in its cradle and then got ready for bed.
”
”
Josh Lanyon (Old Poison (Dangerous Ground, #2))
“
What happened to you?” she asked.
“Bullets hurt,” he said. “It missed the artificial arm by two inches, damn the marksman. I hate people who can’t shoot straight.”
“How many this time?” she asked with a smile.
“Just one,” he said. “In the shoulder. It’s much better now.” He shook his head. “I’m getting too old for this. I’ve got so many broken bones that I can’t move fast enough anymore.”
She smiled wider. “Someday you’ll find a woman who’s worth giving up the danger for.” The smile faded. “You’re like Tate. He loves his work. He probably lives on adrenaline. Funny. I never understood that before. Now suddenly everything is clear. I was living on pipe dreams.”
He sighed. “It was more than his heritage that kept him away from you,” he said. “I knew, but I couldn’t explain it to you. Work like ours demands sacrifice. Any loved one can become a hostage. Any relationship can take away the edge we need when we’re under fire. A man with something to lose isn’t a man to send on a potential suicide mission. Take your mind off the objective for one minute, and you’re dead.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
The list of correlations to that night is as long as the Jersey coast.
And so is the list of reasons I shouldn't be looking forward to seeing him at school. But I can't help it. He's already texted me three times this morning: Can I pick you up for school? and Do u want 2 have breakfast? and R u getting my texts? My thumbs want to answer "yes" to all of the above, but my dignity demands that I don't answer at all. He called my his student. He stood there alone with me on the beach and told me he thinks of me as a pupil. That our relationship is platonic. And everyone knows what platonic means-rejected.
Well, I might be his student, but I'm about to school, him on a few things. The first lesson of the day is Silent Treatment 101.
So when I see him in the hall, I give him a polite nod and brush right by him. The zap from the slight contact never quite fades, which mean he's following me. I make it to my locker before his hand is on my arm. "Emma." The way he whispers my name sends goose bumps all the way to my baby toes. But I'm still in control.
I nod to him, dial the combination to my locker, then open it in his face. He moves back before contact. Stepping around me, he leans his hand against the locker door and turns me around to face him. "That's not very nice."
I raise my best you-started-this brow.
He sighs. "I guess that means you didn't miss me."
There are so many things I could pop off right now. Things like, "But at least I had Toraf to keep my company" or "You were gone?" Or "Don't feel bad, I didn't miss my calculus teacher either." But the goal is to say nothing. So I turn around.
I transfer books and papers between my locker and backpack. As I stab a pencil into my updo, his breath pushes against my earlobe when he chuckles. "So your phone's not broken; you just didn't respond to my texts."
Since rolling my eyes doesn't make a sound, it's still within the boundaries of Silent Treatment 101. So I do this while I shut my locker. As I push past him, he grabs my arm. And I figure if stomping on his toe doesn't make a sound...
"My grandmother's dying," he blurts.
Commence with the catching-Emma-off-guard crap. How can I continue Silent Treatment 101 after that? He never mentioned his grandmother before, but then again, I never mentioned mine either. "I'm sorry, Galen." I put my hand on his, give it a gentle squeeze.
He laughs. Complete jackass. "Conveniently, she lives in a condo in Destin and her dying request is to meet you. Rachel called your mom. We're flying out Saturday afternoon, coming back Sunday night. I already called Dr. Milligan."
"Un-freaking-believable.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Bring Cecily home,” he said curtly. “I won’t have her at risk, even in the slightest way.”
“I’ll take care of Cecily,” came the terse reply. “She’s better off without you in her life.”
Tate’s eyes widened. “I beg your pardon?” he asked, affronted.
“You know what I mean,” Holden said. “Let her heal. She’s too young to consign herself to spinsterhood over a man who doesn’t even see her.”
“Infatuation dies,” Tate said.
Holden nodded. “Yes, it does. Goodbye.”
“So does hero worship,” he continued, laboring the point.
“And that’s why after eight years, Cecily has had one raging affair after the other,” he said facetiously.
The words had power. They wounded.
“You fool,” Holden said in a soft tone. “Do you really think she’d let any man touch her except you?” He went to his office door and gestured toward the desk. “Don’t forget your gadget,” he added quietly.
“Wait!”
Holden paused with his hand on the doorknob and turned. “What?”
Tate held the device in his hands, watching the lights flicker on it. “Mixing two cultures when one of them is all but extinct is a selfish thing,” he said after a minute. “It has nothing to do with personal feelings. It’s a matter of necessity.”
Holden let go of the doorknob and moved to stand directly in front of Tate. “If I had a son,” he said, almost choking on the word, “I’d tell him that there are things even more important than lofty principles. I’d tell him…that love is a rare and precious thing, and that substitutes are notoriously unfulfilling.”
Tate searched the older man’s eyes. “You’re a fine one to talk.”
Holden’s face fell. “Yes, that’s true.” He turned away.
Why should he feel guilty? But he did. “I didn’t mean to say that,” Tate said, irritated by his remorse and the other man’s defeated posture. “I can’t help the way I feel about my culture.”
“If it weren’t for the cultural difference, how would you feel about Cecily?”
Tate hesitated. “It wouldn’t change anything. She’s been my responsibility. I’ve taken care of her. It would be gratitude on her part, even a little hero worship, nothing more. I couldn’t take advantage of that. Besides, she’s involved with Colby.”
“And you couldn’t live with being the second man.”
Tate’s face hardened. His eyes flashed.
Holden shook his head. “You’re just brimming over with excuses, aren’t you? It isn’t the race thing, it isn’t the culture thing, it isn’t even the guardian-ward thing. You’re afraid.”
Tate’s mouth made a thin line. He didn’t reply.
“When you love someone, you give up control of yourself,” he continued quietly. “You have to consider the other person’s needs, wants, fears. What you do affects the other person. There’s a certain loss of freedom as well.” He moved a step closer. “The point I’m making is that Cecily already fills that place in your life. You’re still protecting her, and it doesn’t matter that there’s another man. Because you can’t stop looking out for her. Everything you said in this office proves that.” He searched Tate’s turbulent eyes. “You don’t like Colby Lane, and it isn’t because you think Cecily’s involved with him. It’s because he’s been tied to one woman so tight that he can’t struggle free of his love for her, even after years of divorce. That’s how you feel, isn’t it, Tate? You can’t get free of Cecily, either. But Colby’s always around and she indulges him. She might marry him in an act of desperation. And then what will you do? Will your noble excuses matter a damn then?
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Not the historians. No, not them. Their greatest crime is that they presume to know what happened, how things come about, when they have only what the past chose to leave behind-- for the most part, they think what they were meant to think, and it's a rare one that sees what really happened, behind the smokescreen of artifacts and paper...No, the fault lies with the artists...The writers, the singers, the tellers of tales. It's them that take the past and re-create it to their liking. Them that could take a fool and give you back a hero, take a sot and make him a king...Liars?...or sorcerers? Do they see the bones in the dust of the earth, see the essence of a thing that was, and clothe it in new flesh, so the plodding beast reemerges as a fabulous monster?
”
”
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
“
Leta will manage. She’s tough. But Tate is going to learn some things that will hurt him badly. I think he should hear it from his mother.” He sighed angrily. “So I called her up on a pay phone and told her I knew everything, and that she should tell Tate the truth before he hears it on the evening news. After thirty-six years of silence, she suddenly became very vocal. She called me a name I won’t repeat, told me what she thought of me and my career and hung up. When I rang back, she wouldn’t pick up the phone.” He ran his hands through his hair. “What do I do?”
“Suppose I invite her here to stay with me, for a visit,” she suggested. “Then you can talk to her again…”
“There’s no time, Cecily.” He spread his hands on his thighs and a look of torment lined his broad, strong face. “I’m going to have to tell him myself.”
She winced. “I’m sorry.”
He sighed. “I’m sorry, too. He’s going to hate all of us for a little while, even Leta. I told her that. It made her furious, but it’s the truth. We’re going to have a bad thunderstorm that will last for a few weeks, and then there will be a ray of sunshine.”
She smiled. “We may have a tornado instead.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
I won’t be responsible for helping you move someplace where you’re at risk. For one thing, Tate would kill me if anything happened to you.”
“He might maim you a little…”
“I’m not joking,” Colby said quietly. “You don’t understand how he is about you. He isn’t normal when you’re threatened, in any way.”
He studied her for a long moment. “Cecily, how do you think it would affect him if he knew you were carrying his child?”
Her heart almost jumped out of her chest. She put a hand over her slightly swollen waistline and sighed. “I don’t know. He…loves little things,” she said after a minute, smiling as she recalled Tat with a succession of her pets over the years. “He likes children, too. We always had a Christmas party at the school on the Wapiti reservation every year, and Tate would help pass out presents. The kids were crazy about him.”
“He loves children,” Colby agreed. “He’d want his own child.”
She lowered her eyes to the carpet with a sigh. “Maybe. Or maybe it would just make him feel trapped all over again.” She put her head in her hands. “It’s all such a mess,” she murmured. “I don’t know what to do.”
“In which case, you should do nothing,” Colby said firmly.
She didn’t quite meet his eyes as she smiled. “Good advice.”
Which didn’t mean she was willing to take it, she thought an hour later as she packed a suitcase. She couldn’t tell Colby her plans for fear he might tell Tate. She couldn’t tell Matt or Leta for the same reason. Her only logical solution was to get on a bus or a train or an airplane and just…vanish. So that’s what she did.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
I saw him with her last week, at a coffeehouse near my apartment. They were holding hands. She’s captivated him.”
“The Lakota Captive.” Leta made a line in the air with her hand. “I can see it now, the wily, brave Lakota warrior with the brazen white woman pioneer. She carries him off into the sunset over her shoulder…”
Cecily whacked her with a strand of grass she’d pulled.
“You write history your way, I’ll write it my way,” Leta said wickedly.
“Native Americans are stoic and unemotional,” Cecily reminded her. “All the books say so.”
“We never read many books in the old days, so we didn’t know that,” came the dry explanation. She shook her head. “What a sad stereotype so many make of us-a bloodthirsty ignorant people who never smile because they’re too busy torturing people over hot fires.”
“Wrong tribe,” Cecily corrected. She frowned thoughtfully. “That was the northeastern native people.”
“Who’s the Native American here, you or me?”
Cecily shrugged. “I’m German-American.” She brightened. “But I had a grandmother who dated a Cherokee man once. Does that count?”
Leta hugged her warmly. “You’re my adopted daughter. You’re Lakota, even if you haven’t got my blood.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Local Girl Missing, Feared Dead.
Beneath it was a photo of me-my most recent school photo.
“Oh, no.” My heart filling with dread, I took the paper from Mr. Smith’s hands. “Couldn’t they have found a better picture?”
Mr. Smith looked at me sharply. “Miss Oliviera,” he said, his gray eyebrows lowered. “I realize it’s all the rage with you young people today to toss off flippant one-liners so you can get your own reality television shows. But I highly doubt MTV will be coming down to Isla Huesos to film you in the Underworld. So that can’t be all you have to say about this.”
He was right, of course. Though I couldn’t say what I really wanted to, because John was in the room, and I didn’t want to make him feel worse than he already did.
But what I wanted to do was burst into tears.
“Is that about Pierce?” John looked uneasy. Outside, thunder rumbled again. This time, it sounded even closer than before.
“Yes, of course, it is, John,” Mr. Smith said. There was something strange about his voice. He sounded almost as if he were mad at John. Only why would he be? John had done the right thing. He’d explained about the Furies. “What did you expect? Have you gotten to the part about the reward your father is offering for information leading to your safe return, Miss Oliviera?”
My gaze flicked down the page. I wanted to throw up.
“One million dollars?” My dad’s company, one of the largest providers in the world of products and services to the oil, gas, and military industries, was valued at several hundred times that. “That cheapskate.”
This was all so very, very bad.
“One million dollars is a lot of money to most people.” Mr. Smith said, with a strong emphasis on most people. He still had that odd note in his voice. “Though I recognize that money may mean little to a resident of the Underworld. So I’d caution you to use judiciousness, wherever it is that you’re going, as there are many people on this island who’ll be more than willing to turn you in for only a small portion of that reward money. I don’t suppose I might ask where you’re going? Or suggest that you pay a call on your mother, who is beside herself with worry?”
“That’s a good idea,” I said. Why hadn’t I thought of it? I felt much better already. I could straighten out this whole thing with a single conversation. “I should call my mom-“
Both Mr. Smith’s cry of alarm and the fact that John grabbed me by the wrist as I was reaching into my book bag for my cell phone stopped me from making calls of any sort.
“You can’t use you phone,” Mr. Smith said. “The police-and your father-are surely waiting for you to do just that. They’ll triangulate on the signal from the closest cell tower, and find you.” When I stared at him for his use of the word triangulate, Mr. Smith shook his head and said, “My partner, Patrick, is obsessed with Law & Order reruns.
”
”
Meg Cabot (Underworld (Abandon, #2))
“
As far as I can tell, there are two basic rules: 1. Don’t bite anything without permission, and 2. The human tongue is like wasabi: it’s very powerful, and should be used sparingly.”
Ben’s eyes suddenly grew bright with panic. I winced, and said, “She’s standing behind me, isn’t she?”
“‘The human tongue is like wasabi,’” Lacey mimicked in a deep, goofy voice that I hoped didn’t really resemble mine.
I wheeled around. “I actually think Ben’s tongue is like sunscreen,” she said. “It’s good for your health and should be applied liberally.”
“I just threw up in my mouth,” Radar said.
“Lacey, you just kind of took away my will to go on,” I added.
“I wish I could stop imagining that,” Radar said.
I said, “The very idea is so offensive that it’s actually illegal to say the words ‘Ben Starling’s tongue’ on television.”
“The penalty for violating that law is either ten years in prison or one Ben Starling tongue bath,” Radar said.
“Everyone,” I said.
“Chooses,” Radar said, smiling.
“Prison,” we finished together.
And then Lacey kissed Ben in front of us. “Oh God,” Radar said, waving his arms in front of his face. “Oh, God. I’m blind. I’m blind.”
“Please stop,” I said. “You’re upsetting the black Santas.
”
”
John Green (Paper Towns)
“
Go ahead. Ask me who the father is.”
He only smiled. “Do I look that stupid to you?”
She pushed back her short hair with a sigh. “He doesn’t know, and you’re not to tell him. In English, Apache or Lakota,” she emphasized, covering all her bases.
He nodded. “What are you going to do?”
“I haven’t the slightest idea,” she confessed. “I only used the home-pregnancy test this morning, but I was pretty sure before then. I’ve got to find a place to live where Leta won’t see me for a while. I can’t risk having her tell Tate.” She glanced at him. “Where were you all this time?” she wanted to know.
“Sitting calmly in a wing chair sipping coffee and trying to look invisible.” He lifted his eyebrows at her disbelieving expression. “Somebody had to keep his head.”
“There’s an old saying that, if you can keep your head when everyone around you is losing theirs, you don’t have a clue what’s going on,” she misquoted.
“Could be. But I’m not sporting a bruised face, like some I could name.” He leaned forward. “Want to marry me?”
“Thanks, Colby,” she said softly. “I really mean it. But it wouldn’t be fair to any of us. Especially you.”
He folded his arms and leaned back. “The offer doesn’t have a time limit. I really do love children.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
I wish you’d told me this before.”
“It wouldn’t have changed anything.”
“Maybe not. But talking about wounds can help heal them.”
“You don’t talk about yours,” she pointed out.
He sat down on the sofa facing her and leaned forward. “But I do,” he said seriously. “I talk to you. I’ve never told anyone else about the way my father treated us. That’s a deeply personal thing. I don’t share it. I can’t share it with anyone but you.”
“I’m part of your life,” she said heavily, smoothing her hair back again. “Neither of us can help that. You were my comfort when Mama died, my very salvation when my stepfather hurt me. But I can’t expect you to go on taking care of me. I’m twenty-five years old, Tate. I have to let you go.”
“No, you don’t.” He caught her wrists and pulled her closer. He was more solemn than she’d ever seen him. “I’m tired of fighting it. Let’s find out how deep your scars ago. Come to bed with me, Cecily. I know enough to make it easy for you.”
She stared at him blankly. “Tate…” She touched his lean cheek hesitantly. He was offering her paradise, if she could face her own demons in bed with him. “This will only make things worse, whatever happens.”
“You want me,” he said gently. “And I want you. Let’s get rid of the ghosts. If you can get past the fear, I won’t have anyone else from now on except you. I’ll come to you when I’m happy, when I’m sad, when the world falls on me. I’ll lie in your arms and comfort you when you’re sad, when you’re frightened. You can come to me when you need to be held, when you need me. I’ll cherish you.”
“And you’ll make sure I never get pregnant.”
His face tautened. “You know how I feel about. I’ve never made a secret of it. I won’t compromise on that issue, ever.”
She touched his long hair, thinking how beautiful he was, how beloved. Could she live with only a part of him, watch him leave her one day to marry another woman? If he never knew the truth about his father, he might do that. She couldn’t tell him about Matt Holden, even to insure her own happiness.
He glanced at her, puzzled by the expression on her face. “I’ll be careful,” he said. “And very slow. I won’t hurt you, in any way.”
“Colby might come back…”
He shook his head. “No. He won’t.” He stood up, pulling her with him. He saw the faint indecision in her face. “I won’t ask for more than you can give me,” he said quietly. “If you only want to lie in my arms and be kissed, that’s what we’ll do.”
She looked up into his dark eyes and an unsteady sigh passed her lips. “I would give…anything…to let you love me,” she said huskily. “For eight long years…!”
His mouth covered the painful words, stilling them.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
She pulled the shawl closer as a tall, lithe figure cut across the parking lot and joined her at the passenger door.
“You’re already famous,” Colby Lane told her, his dark eyes twinkling in his lean, scarred face. “You’ll see yourself on the evening news, if you live long enough to watch it.” He jerked a thumb over his shoulder. “Tate’s on his way right now.”
“Unlock this thing and get me out of here!” she squeaked.
He chuckled. “Coward.”
He unlocked the door and let her climb in. By the time he got behind the wheel and took off, Tate was striding across the parking lot with blood in his eye.
Cecily blew him a kiss as Colby gunned the engine down the busy street.
“You’re living dangerously tonight,” Colby told her. “He knows where you live,” he added.
“He should. He paid for the apartment,” she added in a sharp, hurt tone. She wrapped her arms closer around her. “I don’t want to go home, Colby. Can I stay with you tonight?”
She knew, as few other people did, that Colby Lane was still passionately in love with his ex-wife, Maureen. He had nothing to do with other women even two years after his divorce was final. He drank to excess from time to time, but he wasn’t dangerous. Cecily trusted no one more. He’d been a good friend to her, as well as to Tate, over the years.
“He won’t like it,” he said.
She let out a long breath. “What does it matter now?” she asked wearily. “I’ve burned my bridges.”
“I don’t know why that socialite Audrey had to tell you,” he muttered irritably. “It was none of her business.”
“Maybe she wants a big diamond engagement ring, and Tate can’t afford it because he’s keeping me,” she said bitterly.
He glanced at her rigid profile. “He won’t marry her.”
She made a sound deep in her throat. “Why not? She’s got everything…money, power, position and beauty-and a degree from Vassar.”
“In psychology,” Colby mused.
“She’s been going around with Tate for several months.”
“He goes around with a lot of women. He won’t marry any of them.”
“Well, he certainly won’t marry me,” she assured him. “I’m white.”
“More of a nice, soft tan,” he told her. “You can marry me. I’ll take care of you.”
She made a face at him. “You’d call me Maureen in your sleep and I’d lay your head open with the lamp. It would never work.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
It was raining and I had to walk on the grass. I’ve got mud all over my shoes. They’re brand-new, too.”
“I’ll carry you across the grass on the return trip, if you like,” Colby offered with twinkling eyes. “It would have to be over one shoulder, of course,” he added with a wry glance at his artificial arm.
She frowned at the bitterness in his tone. He was a little fuzzy because she needed glasses to see at distances.
“Listen, nobody in her right mind would ever take you for a cripple,” she said gently and with a warm smile. She laid a hand on his sleeve. “Anyway,” she added with a wicked grin, “I’ve already given the news media enough to gossip about just recently. I don’t need any more complications in my life. I’ve only just gotten rid of one big one.”
Colby studied her with an amused smile. She was the only woman he’d ever known that he genuinely liked. He was about to speak when he happened to glance over her shoulder at a man approaching them. “About that big complication, Cecily?”
“What about it?” she asked.
“I’d say it’s just reappeared with a vengeance. No, don’t turn around,” he said, suddenly jerking her close to him with the artificial arm that looked so real, a souvenir of one of his foreign assignments. “Just keep looking at me and pretend to be fascinated with my nose, and we’ll give him something to think about.”
She laughed in spite of the racing pulse that always accompanied Tate’s appearances in her life. She studied Colby’s lean, scarred face. He wasn’t anybody’s idea of a pinup, but he had style and guts and if it hadn’t been for Tate, she would have found him very attractive. “Your nose has been broken twice, I see,” she told Colby.
“Three times, but who’s counting?” He lifted his eyes and his eyebrows at someone behind her. “Well, hi, Tate! I didn’t expect to see you here tonight.”
“Obviously,” came a deep, gruff voice that cut like a knife.
Colby loosened his grip on Cecily and moved back a little. “I thought you weren’t coming,” he said.
Tate moved into Cecily’s line of view, half a head taller than Colby Lane. He was wearing evening clothes, like the other men present, but he had an elegance that made him stand apart. She never tired of gazing into his large black eyes which were deep-set in a dark, handsome face with a straight nose, and a wide, narrow, sexy mouth and faintly cleft chin. He was the most beautiful man. He looked as if all he needed was a breastplate and feathers in his hair to bring back the heyday of the Lakota warrior in the nineteenth century. Cecily remembered him that way from the ceremonial gatherings at Wapiti Ridge, and the image stuck stubbornly in her mind.
“Audrey likes to rub elbows with the rich and famous,” Tate returned. His dark eyes met Cecily’s fierce green ones. “I see you’re still in Holden’s good graces. Has he bought you a ring yet?”
“What’s the matter with you, Tate?” Cecily asked with a cold smile. “Feeling…crabby?”
His eyes smoldered as he glared at her. “What did you give Holden to get that job at the museum?” he asked with pure malice.
Anger at the vicious insinuation caused her to draw back her hand holding the half-full coffee cup, and Colby caught her wrist smoothly before she could sling the contents at the man towering over her.
Tate ignored Colby. “Don’t make that mistake again,” he said in a voice so quiet it was barely audible. He looked as if all his latent hostilities were waiting for an excuse to turn on her. “If you throw that cup at me, so help me, I’ll carry you over and put you down in the punch bowl!”
“You and the CIA, maybe!” Cecily hissed. “Go ahead and try…!”
Tate actually took a step toward her just as Colby managed to get between them. “Now, now,” he cautioned.
Cecily wasn’t backing down an inch. Neither was Tate.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Lane,” it said curtly.
“I was afraid you were still out of the country,” Cecily said with relief. “Are you all right?”
“A few new scars,” he said, with lightness in his tone. “How about a pizza? I’ll pic you up…”
“I’m in South Dakota.”
“What?”
“It’s a long story. Leta has a comfortable sofa. Can you come out here right away?”
There was a pause. “If you miss me that much, maybe we’d better get married,” he pointed out.
“I’m not marrying a man who shoots people for a living,” she replied with a girn.
“I only shoot bad people,” he protested. “Besides…I know what a foramen magnum is.”
“Darling!” she exclaimed theatrically. “Get the license!”
He chuckled. “That’ll be the day, when you take me on. What sort of mischief are you up to, Cecily?”
“No mischief. Just an artifact-buying trip. But I need you.”
“In that case, I’m on the way. I’ll rent a car at the airport. See you soon.”
He hung up.
“You’re not going to marry Colby Lane,” Leta said like a disapproving parent.
“But he knows what a foramen magnum is,” she said teasingly.
“A who?”
“It’s the large opening at the back of the skull,” Cecily said.
“Gory stuff.”
“Not to an archaeologist,” Cecily said. “Did you know that we can identify at least one race by the dentition of a skull? Native Americans are mongoloid and they have shovel-shaped incisors.”
This caused Leta to feel her teeth and ask more questions, which kept her from thinking too much about Colby’s mock proposal.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
What did you think when I first told you about the animals I found?”
He seemed confused. It obviously wasn’t what he’d expected. “Violet, I was seven years old. I thought it was badass. I think I was probably even jealous.”
She made a face at him. “Didn’t you think it was creepy? Or that I was weird?”
“Yeah,” he agreed enthusiastically. “That’s why I was so jealous. I wanted to be the one finding dead bodies. You were like an animal detective or something. You were only weird ‘cause you were a girl.” He grinned. “But I learned to overlook that since you always took me on such cool adventures.”
Violet released a breath, smiling. She knew he was telling the truth, which only made it funnier to hear him saying the words out loud. Of course, what little boy didn’t want to go scavenging through the woods and digging in the dirt?
She tried again. “Did you ever tell anyone? Does your mom know?”
He lifted her hand to his mouth and rubbed her knuckles across his lower lip, his gaze locked with hers. “No,” he promised. “I swore I wouldn’t, not even her. I think she knows something, or at least she thinks you have the worst luck ever, since you found all those dead girls.” He lowered his voice. “She was really worried about you after the shooting last year. You’re like a daughter to her.” He leaned close. “Of course, that makes it kind of creepy when I do things like this.”
He kissed her. It was intimate. Not soft or sweet this time, it was deep and passionate, stealing Violet’s breath. She laid her hand against his chest, savoring the feel of his heartbeat beneath her palm, and then traced her fingertips up to his neck, into his hair.
He pulled her over the console that separated them, dragging her onto his lap. He ran his hands up her back restlessly, drawing her as close as he could.
It was nearly impossible for her to pull herself away. “Wait,” she insisted breathlessly. “Please, wait.” She had her hands braced against his shoulders, struggling more against herself than him.
His glazed eyes teased her. “I thought I was the one who was supposed to say no. I’m the girl, right?”
She sighed heavily, leaning her head against his shoulder and trying to recapture her runaway thoughts. She still wanted to talk. She wanted the other things, too, but she needed to sort through her thoughts first.
“Sorry, it’s just…I have a lot of…” She shrugged against him. His damp T-shirt was warm and practically paper-thin, tempting her to touch him. She ran her finger down the length of his stomach. She knew it wasn’t fair to tease him, but she couldn’t help herself. He was too enticing. “…I have some stuff I need to work through.” It was the best she could do for an explanation.
He caught her hand before she’d reached his waistline, and he held it tightly in his grip. “I’m trying to be patient, Violet, I really am. If there’s something you want to tell me…Well, I just wish you’d trust me.”
“I’ll get there,” she explained. “I’ll figure it all out. I’m just a little confused right now.”
He let out a shaky breath and then he kissed the top of her head, still not releasing her hand. “So, when you do, we’ll pick up where we left off.”
She nodded against him. She thought she would keep talking; she still had so many doubts about what she should, and shouldn’t, be doing.
But instead she just stayed there, curled up on his lap, absorbing him, taking relief from his touch…and strength from his presence.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
In a private room down the hall, a tired but delighted Cecily was watching her husband with his brand-new son. Cecily had thought that the expression on Tate’s face at their wedding would never be duplicated. But when they placed the tiny little boy in his father’s gowned arms in the delivery room, and he saw his child for the first time, the look on his face was indescribable. Tears welled in his eyes. He’d taken the tiny little fist in his big, dark hand and smoothed over the perfect little fingers and then the tiny little face, seeking resemblances.
“Generations of our families,” he said softly, “all there, in that face.” He’d looked down at his wife with unashamedly wet eyes. “In our son’s face.”
She wiped her own tears away with a corner of the sheet and coaxed Tate’s head down so that she could do the same for him where they were, temporarily, by themselves.
Now she was cleaned up, like their baby, and drowsy as she lay on clean white sheets and watched her husband get acquainted with his firstborn. “Isn’t he beautiful?” he murmured, still awed by the child. “Next time, we have to have a little girl,” he said with a tender smile, “so that she can look like you.”
Her heart felt near to bursting as she stared up at that beloved face, above the equally beloved face of their firstborn.
“My heart is happy when I see you,” she whispered in Lakota.
He chuckled, having momentarily forgotten that he’d taught her how to say it. “Mine is equally happy when I see you,” he replied in English.
She reached out and clasped his big hand with her small one. On the table beside her was a bouquet of roses, red and crisp with a delightful soft perfume. Her eyes traced them, and she remembered the first rose he’d ever given her, when she was seventeen: a beautiful red paper rose that he’d brought her from Japan. Now the roses were real, not imitation. Just as her love for him, and his for her, had become real enough to touch.
He frowned slightly at her expression. “What is it?” he asked softly.
“I was remembering the paper rose you brought me from Japan, just after I went to live with Leta.” She shrugged and smiled self-consciously.
He smiled back. “And now you’re covered in real ones,” he discerned.
She nodded, delighted to see that he understood exactly what she was talking about. But, then, they always had seemed to read each others’ thoughts-never more than now, with the baby who was a living, breathing manifestation of their love. “Yes,” she said contentedly. “The roses are real, now.”
Outside the window, rain was coming down in torrents, silver droplets shattering on the bright green leaves of the bushes. In the room, no one noticed. The baby was sleeping and his parents were watching him, their eyes full of warm, soft dreams.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
You’ll get all dusty.”
He made a sound deep in his throat. “You can brush me off.”
She grinned wickedly. “Now that’s what I call incentive!”
He chuckled. “Cut it out. We’ve got a serious and sensitive situation here.”
“So you intimated on the phone.” She glanced around the airport. “Where’s baggage claim? I brought some tools and electronic equipment, too.”
“How about clothes?”
She stared at him blankly. “What do I need with a lot of clothes cluttering up my equipment case? These are wash-and-wear.”
He made another sound. “You can’t expect to go to a restaurant in that!”
“Why not? And who’s taking me to any restaurant?” she demanded. “You never do.”
He shrugged. “I’m going to do penance while we’re out here.”
Her eyes sparkled. “Great! Your bed or mine?”
He laughed in spite of himself. She was the only person in his life who’d ever been able to make him feel carefree, even briefly. She lit fires inside him, although he was careful not to let them show too much. “You never give up, do you?”
“Someday you’ll weaken,” she assured him. “And I’m prepared. I have a week’s supply of Trojans in my fanny pack…”
He managed to look shocked. “Cecily!”
She shrugged. “Women have to think about these things. I’m twenty-three, you know.” She added, “You came into my life at a formative time and rescued me from something terrible. Can I help it if you make other potential lovers look like fried sea bass by comparison?”
“I didn’t bring you out here to discuss your lack of lovers,” he pointed out.
“And here I hoped you were offering yourself up as an educational experience,” she sighed.
He glared down at her as they walked toward baggage claim.
“Okay,” she said glumly. “I’ll give up, for now.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
You have to stop letting me do this,” he bit off, half-angrily.
“If you’ll stop leaning on me so that I can get my hands on a blunt object, I’ll be happy to…!”
He kissed the words into oblivion. “It isn’t a joke,” he murmured into her mouth. His hips moved in a gentle, sensuous sweep against her hips. He felt her shiver.
“That’s…new,” she said with a strained attempt at humor.
“It isn’t,” he corrected. “I’ve just never let you feel it before.” He kissed her slowly, savoring the submission of her soft, warm lips. His hands swept under the blouse and up under her breasts in their lacy covering. He was going over the edge. If he did, he was going to take her with him, and it would damage both of them. He had to stop it, now, while he could. “Is this what Colby gets when he comes to see you?” he whispered with deliberate sarcasm.
It worked. She stepped on his foot as hard as she could with her bare instep. It surprised him more than it hurt him, but while he recoiled, she pushed him and tore out of his arms. Her eyes were lividly green through her glasses, her hair in disarray. She glared at him like a female panther.
“What Colby gets is none of your business! You get out of my apartment!” she raged at him.
She was magnificent, he thought, watching her with helpless delight. There wasn’t a man alive who could cow her, or bend her to his will. Even her drunken, brutal stepfather hadn’t been able to force her to do something she didn’t want to do.
“Oh, I hate that damned smug grin,” she threw at him, swallowing her fury. “Man, the conqueror!”
“That isn’t what I was thinking at all.” He sobered little by little. “My mother was a meek little thing when she was younger,” he recalled. “But she was forever throwing herself in front of me to keep my father from killing me. It was a long time until I grew big enough to protect her.”
She stared at him curiously, still shaken. “I don’t understand.”
“You have a fierce spirit,” he said quietly. “I admire it, even when it exasperates me. But it wouldn’t be enough to save you from a man bent on hurting you.”
He sighed heavily. “You’ve been…my responsibility…for a long time,” he said, choosing his words carefully. “No matter how old you grow, I’ll still feel protective about you. It’s the way I’m made.”
He meant to comfort, but the words hurt. She smiled anyway. “I can take care of myself.”
“Can you?” he said softly. He searched her eyes. “In a weak moment…”
“I don’t have too many of those. Mostly, you’re responsible for them,” she said with black humor. “Will you go away? I’m supposed to try to seduce you, not the reverse. You’re breaking the rules.”
His eyebrow lifted. Her sense of humor seemed to mend what was wrong between them. “You stopped trying to seduce me.”
“You kept turning me down,” she pointed out. “A woman’s ego can only take so much rejection.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
How did you even get in here?” I asked him. “Would you believe they leave the door open all night?” Gus asked. “Um, no,” I said. “As well you shouldn’t.” Gus smiled. “Anyway, I know it’s a bit self-aggrandizing.” “Hey, you’re stealing my eulogy,” Isaac said. “My first bit is about how you were a self-aggrandizing bastard.” I laughed. “Okay, okay,” Gus said. “At your leisure.” Isaac cleared his throat. “Augustus Waters was a self-aggrandizing bastard. But we forgive him. We forgive him not because he had a heart as figuratively good as his literal one sucked, or because he knew more about how to hold a cigarette than any nonsmoker in history, or because he got eighteen years when he should have gotten more.” “Seventeen,” Gus corrected. “I’m assuming you’ve got some time, you interrupting bastard. “I’m telling you,” Isaac continued, “Augustus Waters talked so much that he’d interrupt you at his own funeral. And he was pretentious: Sweet Jesus Christ, that kid never took a piss without pondering the abundant metaphorical resonances of human waste production. And he was vain: I do not believe I have ever met a more physically attractive person who was more acutely aware of his own physical attractiveness. “But I will say this: When the scientists of the future show up at my house with robot eyes and they tell me to try them on, I will tell the scientists to screw off, because I do not want to see a world without him.” I was kind of crying by then. “And then, having made my rhetorical point, I will put my robot eyes on, because I mean, with robot eyes you can probably see through girls’ shirts and stuff. Augustus, my friend, Godspeed.” Augustus nodded for a while, his lips pursed, and then gave Isaac a thumbs-up. After he’d recovered his composure, he added, “I would cut the bit about seeing through girls’ shirts.” Isaac was still clinging to the lectern. He started to cry. He pressed his forehead down to the podium and I watched his shoulders shake, and then finally, he said, “Goddamn it, Augustus, editing your own eulogy.” “Don’t swear in the Literal Heart of Jesus,” Gus said. “Goddamn it,” Isaac said again. He raised his head and swallowed. “Hazel, can I get a hand here?” I’d forgotten he couldn’t make his own way back to the circle. I got up, placed his hand on my arm, and walked him slowly back to the chair next to Gus where I’d been sitting. Then I walked up to the podium and unfolded the piece of paper on which I’d printed my eulogy. “My name is Hazel. Augustus Waters was the great star-crossed love of my life. Ours was an epic love story, and I won’t be able to get more than a sentence into it without disappearing into a puddle of tears. Gus knew. Gus knows. I will not tell you our love story, because—like all real love stories—it will die with us, as it should. I’d hoped that he’d be eulogizing me, because there’s no one I’d rather have…” I started crying. “Okay, how not to cry. How am I—okay. Okay.” I took a few breaths and went back to the page. “I can’t talk about our love story, so I will talk about math. I am not a mathematician, but I know this: There are infinite numbers between 0 and 1. There’s .1 and .12 and .112 and an infinite collection of others. Of course, there is a bigger infinite set of numbers between 0 and 2, or between 0 and a million. Some infinities are bigger than other infinities. A writer we used to like taught us that. There are days, many of them, when I resent the size of my unbounded set.
”
”
John Green (The Fault in Our Stars)
“
She realized at once that he expected trouble and that he was used to handling deadly situations. It was the first time she’d actually seen him do it, despite their long history. It gave her a new, adult perspective on his lifestyle. No wonder he couldn’t settle down and become a family man. She’d been crazy to expect it, even in her fantasies. He was used to danger and he enjoyed the challenges it presented. It would be like housing a tiger in an apartment. She sighed as she saw the last tattered dream of a future with him going up in smoke.
Tate looked through the tiny peephole and took his hand away from the pistol. He glanced at Cecily with an expression she couldn’t define before he abruptly opened the door.
Colby Lane walked in, eyebrows raised, new scars on his face and bone weariness making new lines in it.
“Colby!” Cecily exclaimed with exaggerated delight. “Welcome home!”
Tate’s face contracted as if he’d been hit.
Colby noticed that, and smiled at Cecily. “Am I interrupting something?” he asked, looking from one tense face to the other.
“No,” Tate said coolly as he reholstered his pistol. “We were discussing security options, but if you’re going to be around, they won’t be necessary.”
“What?”
“I’m fairly certain that the gambling syndicate tried to kill her,” Tate said somberly, nodding toward Cecily. “A car almost ran her down in her own parking lot. She ended up in the hospital. And decided not to tell anyone about it,” he added with a vicious glare in her direction.
“Way to go, Cecily,” Colby said glumly. “You could have ended up floating in the Potomac. I told you before I left to be careful. Didn’t you listen?”
She shot him a glare. “I’m not an idiot. I can call 911,” she said, insulted.
Colby was still staring at Tate. “You’ve cut your hair.”
“I got tired of braids,” came the short reply. “I have to get back to work. If you need me, I’ll be around.” He paused at the doorway. “Keep an eye on her,” Tate told Colby. “She takes risks.”
“I don’t need a big strong man to look out for me. I can keep myself out of trouble, thank you very much,” she informed Tate.
He gave her a long, pained last look and closed the door behind him.
As he walked down the staircase from her apartment, he couldn’t shake off the way she looked and acted. Something was definitely wrong with her, and he was going to find out what.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
My mouth went paper-dry as Alis fluffed out the sparkling train of my gown in the shadow of the garden doors. Silk and gossamer rustled and sighed, and I gripped the pale bouquet in my gloved hands, nearly snapping the stems.
Elbow-length silk gloves- to hide the marking. Ianthe had delivered them herself this morning in a velvet-lined box.
'Don't be nervous,' Alis chuckled, her tree-bark skin rich and flushed in the honey gold evening light.
'I'm not,' I rasped.
'You're fidgeting like my youngest nephew during a haircut.' She finished fussing over my dress, shooing away some servants who'd come to spy on me before the ceremony. I pretended I didn't see them or the glittering, sunset-gilded crowd seated in the courtyard ahead, and toyed with some invisible fleck on my skirts.
'You look beautiful,' Alis said quietly. I was fairly certain her thoughts on the dress were the same as my own, but I believed her.
'Thank you.'
'And you sound like you're going to your funeral.'
I plastered a grin on my face. Alis rolled her eyes. But she nudged me toward the doors as they opened on some immortal wind, lilting music streaming in. 'It's be over faster than you can blink,' she promised, and gently nudged me into the last of the sunlight.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Tate won’t like it that we kept the truth from him.”
“I’m resigned to that,” Cecily said half-truthfully. “He would never have turned to me, anyway, even if he knew he had mixed blood. I’ve been living on dreams too long already.”
“If you go away from him, he’ll follow you,” Leta said unexpectedly. “There’s a tie, a bond, between you that can’t be broken.”
“There’s Audrey,” Cecily pointed out.
“Honey, there have been other Audreys,” she replied. “He never brought them home or talked about them. They were loose relationships, and not very many at all-never any who were innocent.”
“Audrey’s lasted a long time.”
Leta searched her eyes. “If he’s sleeping with Audrey, Cecily, why can’t he keep his hands off you?”
Cecily’s heart turned over twice. “Wh…what?”
“Simple question,” came the droll reply. She grinned at the younger woman’s embarrassment. “When you came in the kitchen that last time you were here, before Tate left, your mouth was swollen and you wouldn’t look straight at him. He was badly shaken. It doesn’t take a mind-reader to know what was going on in my living room. It isn’t like Tate to play games with innocent girls.”
“He doesn’t think I am, anymore,” she returned curtly. “I let him think that Colby and I are…very close.”
“Uh-oh.”
She scowled. “Uh-oh, what?”
“The only thing that’s kept him away from you this long is that he didn’t want to take advantage of you,” Leta replied. “If he thinks you’re even slightly experienced, he’ll find a reason not to hold back anymore. You’re playing a dangerous game. Your own love will be your downfall if he puts on the heat. I know. How I know!”
Cecily refused to think about it. She’d put Tate out of her mind, and she was going to keep him there for the time being.
“I’ll worry about that when I have to,” she said finally. “Now you dry up those tears and drink some more coffee. Then we have to plan strategy. We’re going to take down the enemy by any means possible!
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
The ambulance arrived when the police cars did. They were accompanied by a man in a black suit who had the look of a federal agent. It didn’t surprise Cecily that he went right up to Tate and drew him to one side.
While Cecily was being checked over by a paramedic, Gabrini, who’d already been loaded onto a gurney, was being watched by two police officers.
Tate came back to Cecily while the federal agent paused by the police officers.
“You can take him to the hospital to have his ribs strapped,” the man told the ambulance attendant. “But we’ll have transport for him to New Jersey with two federal marshals.”
“Marshals!” Gabrini exclaimed, holding his side, because the outburst had hurt.
“Marshals,” the federal agent replied. There was something menacing about the smile that accompanied the words. “It seems that you’re wanted in Jersey for much more serious crimes than breaking an entering and assault with a deadly weapon, Mr. Gabrini.”
“Not in Jersey,” Gabrini began. “No, those other charges, they’re in D.C.”
“You’ll get to D.C. eventually,” the federal agent murmured, then the dark man smiled. And Gabrini knew at once that he wasn’t connected in any way at all to the government.
Gabrini was suddenly yelling his head off, begging for federal protection, but nobody paid him much attention. He was carried off in the ambulance with the sedan following close behind.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Do I get to come in?” he asked.
She shrugged and stood aside. “I’m just packing.”
“Moving again?” he asked with faint sarcasm. “You used to be easier to keep track of.”
“Because I was living in a nest of spies!” she threw at him, having only recently gleaned that bit of information from Colby. “You got me an apartment surrounded by government agents!”
“It was the safest place for you,” he said simply. “Someone was always watching you when I couldn’t.”
“I didn’t need watching!”
“You did,” he returned, perching on the arm of her big easy chair to stare at her intently. “You never realized it, but you were a constant target for anyone who had a grudge against me. In the end, it was why I gave up government work and got a job in the private sector.” He folded his arms over his broad chest, watching surprise claim her features. “There was a communist agent with a high-powered rifle one day, and a South American gentlemen with an automatic pistol the following week. You were never told about them. But you had two close calls. If you hadn’t been living in a ‘nest of spies,’ I’d have buried you. Funerals are expensive,” he added with a cold smile.
She stared at him blankly. “Why didn’t you just send me back to South Dakota?” she asked.
“To your stepfather?” he drawled.
That was still a sore spot with her, and she was certain that he knew it. But she wouldn’t give him the satisfaction of arguing. He seemed to be spoiling for a fight. She turned away to the kitchen. “Want a cup of coffee?”
He got up and took her by the shoulders. “I’m sorry,” he said. “That was a low blow.”
“Another in a long line of them lately,” she said without meeting his eyes. “I seem to do nothing except rub you the wrong way.”
“And you don’t know why?” he asked curtly, letting her go.
She moved one shoulder as she went about the business of getting down a cup and saucer. “At a guess, you’re mad at somebody you can’t get to, and I’m the stand-in.”
He chuckled. “How do you see through me so easily? Even my mother can’t do that.”
If he thought about it, he’d know, she thought miserably.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
TO MY BELOVED,
Its neither a piece of paper nor a letter, rather it's my small heart which I'm gifting it to you darling.It seems time stood still without ur presence around me. My days and nights have gone worthless. All my heart could do is to recall the memories of time which we have spend together. My heart gets rejoiced whenever your beautiful face comes before my eyes. Your mesmerizing eyes drive me to another world. Your flowing hair looks tantalizing and your rosy lips seems to be meant only for saying lovely words.
While having a cup of coffee yesterday, numerous moments striked my heart. Our first meeting, when you were looking like a fairy in white salwar-suit. Still fresh in my mind, your pretty smile and bowing your head down to laugh with your hand on your lips. I confess that your every action was stealing my heart and I couldn't withdraw myself from lookig you.
The gift you presented me on my birthday gives me a sigh of relief that you are always there with me. Sweetheart, In the classroom, I cracked useless jokes and PJ's just to see your charming smile. Kept gazing your lips, just to heat some golden words. You had stolen my heart.
Dedicated '' I don't know when and how you arrived in my life,
Don't know when my heart star beating for you, day n night....
My eyes kept staring the window pane,
Wishing one day u'll come in my lane....
Darling you're the only one whom I admire,
It's you whom my heart desperately desires...
Being with you is my only need,
You are now the medicine of my heartbeat...
I Craved your name on my heart,
The day when I decided not to loose you ever,
And I promise you sweetheart that,
I love you & i'll love you for ever, ever n ever......
It's true my baby that, i love you like anything. Miss you from very morning 2 the night. MY senses are active to feel you, to hear you, to see you, to taste every sorrow and happiness of your life. Jaana, get embedded in me, in my soul so that i can live with you, for you........
Dying to have your reply.....
Truly Your's
PK
”
”
Prabhat Kumar
“
Or I can stay with Colby when he comes back,” she added deliberately. She even smiled. “He’ll take care of me.”
His black eyes narrowed. “He can barely take care of himself,” he said flatly. “He’s a lost soul. He can’t escape the past or face the future without Maureen. He isn’t ready for a relationship with anyone else, even if he thinks he is”
She didn’t rise to the bait. “I can count on Colby. He’ll help me if I need it.”
He looked frustrated. “But you won’t let me help you.”
“Colby isn’t involved with anyone who’d be jealous of the time he spent looking out for me. That’s the difference.”
He let out an angry breath and his eyes began to glitter. “You have to beat the subject to death, I guess.”
She managed to look indifferent. “You have your own life to live, Tate. I’m not part of it anymore. You’ve made that quite clear.”
His teeth clenched. “Is it really that easy for you to throw the past away?” he asked.
“That’s what you want,” she reminded him. There was a perverse pleasure in watching his eyes narrow. “You said you’d never forget or forgive me,” she added evenly. “I took you at your word. I’ll always have fond memories of you and Leta. But I’m a grown woman. I have a career, a future. I’ve dragged you down financially for years, without knowing it. Now that I do…”
“For God’s sake!” he burst out, rising to pace with his hands clenched in his pockets. “I could have sent you to Harvard if you’d wanted to go there, and never felt the cost!
“You’re missing the point,” she said, feeling nausea rise in her throat and praying it wouldn’t overflow. “I could have worked my way through school, paid for my own apartment and expenses. I wouldn’t have minded. But you made me beholden to you in a way I can never repay.”
He stopped pacing and glared at her. “Have I asked for repayment?”
She smiled in spite of herself. “You look just like Matt when you glower that way.”
The glare got worse.
She held up a hand. “I know. You don’t want to talk about that. Sorry.”
“Everyone else wants to talk about it,” he said irritably. “I’ve done nothing but dodge reporters ever since the story broke. What a hell of a way to do it, on national television!
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Okay.First things first. Three things you don't want me to know about you."
"What?" I gaped at him.
"You're the one who says we don't know each other.So let's cut to the chase."
Oh,but this was too easy:
1. I am wearing my oldest, ugliest underwear.
2.I think your girlfriend is evil and should be destroyed.
3.I am a lying, larcenous creature who talks to dead people and thinks she should be your girlfriend once the aforementioned one is out of the picture.
I figured that was just about everything. "I don't think so-"
"Doesn't have to be embarrassing or major," Alex interrupted me, "but it has to be something that costs a little to share." When I opened my mouth to object again, he pointed a long finger at the center of my chest. "You opened the box,Pandora.So sit."
There was a funny-shaped velour chair near my knees. I sat. The chair promptly molded itself to my butt. I assumed that meant it was expensive, and not dangerous. Alex flopped onto the bed,settling on his side with his elbow bent and his head propped on his hand.
"Can't you go first?" I asked.
"You opened the box..."
"Okay,okay. I'm thinking."
He gave me about thirty seconds. Then, "Time."
I took a breath. "I'm on full scholarship to Willing." One thing Truth or Dare has taught me is that you can't be too proud and still expect to get anything valuable out of the process.
"Next."
"I'm terrified of a lot things, including lightning, driving a stick shift, and swimming in the ocean."
His expression didn't change at all. He just took in my answers. "Last one."
"I am not telling you about my underwear," I muttered.
He laughed. "I am sorry to hear that. Not even the color?"
I wanted to scowl. I couldn't. "No.But I will tell you that I like anchovies on my pizza."
"That's supposed to be consolation for withholding lingeries info?"
"Not my concern.But you tell me-is it something you would broadcast around the lunchroom?"
"Probably not," he agreed.
"Didn't think so." I settled back more deeply into my chair. It didn't escape my notice that, yet again, I was feeling very relaxed around this boy. Yet again, it didn't make me especially happy. "Your turn."
I thought about my promise to Frankie. I quietly hoped Alex would tell me something to make me like him even a little less.
He was ready. "I cried so much during my first time at camp that my parents had to come get me four days early."
I never went to camp. It always seemed a little bit idyllic to me. "How old were you?"
"Six.Why?"
"Why?" I imagined a very small Alex in a Spider-Man shirt, cuddling the threadbare bunny now sitting on the shelf over his computer. I sighed. "Oh,no reason. Next."
"I hated Titanic, The Notebook, and Twilight."
"What did you think of Ten Things I Hate About You?"
"Hey," he snapped. "I didn't ask questions during your turn."
"No,you didn't," I agreed pleasantly. "Anser,please."
"Fine.I liked Ten Things. Satisfied?"
No,actually. "Alex," I said sadly, "either you are mind-bogglingly clueless about what I wouldn't want to know, or your next revelation is going to be that you have an unpleasant reaction to kryptonite."
He was looking at me like I'd spoken Swahili. "What are you talking about?"
Just call me Lois. I shook my head. "Never mind. Carry on."
"I have been known to dance in front of the mirror-" he cringed a little- "to 'Thriller.'"
And there it was. Alex now knew that I was a penniless coward with a penchant for stinky fish.I knew he was officially adorable.
He pushed himself up off his elbow and swung his legs around until he was sitting on the edge of the bed. "And on that humiliating note, I will now make you translate bathroom words into French." He picked up a sheaf of papers from the floor. "I have these worksheets. They're great for the irregular verbs...
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
I can’t find out anything, but I’ve put together a network. I’ll find her.”
“The thing is, she doesn’t want to be found. That isn’t going to make things any easier.”
He didn’t want to ask, but he had to know. “Why doesn’t she want to be found?”
“Because you’re marrying Audrey at Christmas,” Colby said simply.
“I’m not marrying Audrey,” came the sort reply. “I never meant to marry Audrey. She outflanked me while I was getting used to the idea of being a media snack.”
“Well, Cecily doesn’t know that,” Colby replied.
“Great,” he muttered. “That’s just great. I leave the country and come home to find myself engaged to a woman I wouldn’t have, at any price!”
“That’s not the only reason Cecily left,” Colby said tersely. “She knew you wouldn’t forgive her for not telling you about Matt Holden.”
Tate ran a hand through his hair, missing the former length of it. “I’ve had a rough few weeks.”
“So has she,” the other man said curtly.
“She could have told me about my mother and Holden!”
“Cecily gives her word and keeps it. There aren’t a lot of people on the planet who could make that claim. She promised the senator she wouldn’t tell you anything.”
The senator. His father. Tate paced with the phone to his ear, his mind busy with possible places she might have gone to. “She might have told my mother where she was going.”
“I’d bet good money that she didn’t,” Colby returned immediately. “She doesn’t want you to find her.”
Tate stopped pacing. He scowled. “She doesn’t want me to find her?”
“Actually, she doesn’t want any of us to find her. Especially you.”
Tate’s eyes narrowed thoughtfully. “Any particular reason for that? Other than what I already know?”
“Oh, boy.” Colby made a rough sound in his throat. “I still don’t think I should tell you. But if something should happen to her…”
“Damn you, tell me!”
Colby took a breath and went for broke. “All right. Cecily’s pregnant. That’s why she ran.”
“You son of a bitch!”
The phone slammed down so hard that Colby shuddered at the noise. He put the receiver down with a grimace. He shouldn’t have blown Cecily’s cover. But what else could he do? She was pregnant and alone and an attempt had been made on her life. It Tate wasn’t told, and Cecily was hurt or lost the baby, he might never get over it. That went double for Tate.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Matt’s housekeeper let him in with a grimace.
“I’m harmless today,” Tate assured the woman as she led the way to where Matt Holden was standing just outside the study door.
“Right. You and two odd species of cobra,” Matt murmured sarcastically, glaring at his son from a tanned face. “What do you want, a bruise to match the other one?”
Tate held up both hands. “Don’t start,” he said.
Matt moved out of the way with reluctance and closed the study door behind them. “Your mother’s gone shopping,” he said.
“Good. I don’t want to talk to her just yet.”
Matt’s eyebrows levered up. “Oh?”
Tate dropped into the wing chair across from the senator’s bulky armchair. “I need some advice.”
Matt felt his forehead. “I didn’t think a single malt whiskey was enough to make me hallucinate,” he said to himself.
Tate glowered at him. “You’re not one of my favorite people, but you know Cecily a little better than I seem to lately.”
“Cecily loves you,” Matt said shortly, dropping into his chair.
“That’s not the problem,” Tate said. He leaned forward, his hands clasped loosely between his splayed knees. “Although I seem to have done everything in my power to make her stop.”
The older man didn’t speak for a minute or two. “Love doesn’t die that easily,” he said. “Your mother and I are a case in point. We hadn’t seen each other for thirty-six years, but the instant we met again, the years fell away. We were young again, in love again.”
“I can’t wait thirty-six years,” Tate stated. He stared at his hands, then he drew in a long breath. “Cecily’s pregnant.”
The other man was quiet for so long that Tate lifted his eyes, only to be met with barely contained rage in the older man’s face.
“Is it yours?” Matt asked curtly.
Tate glowered at him. “What kind of woman do you think Cecily is? Of course it’s mine!”
Matt chuckled. He leaned back in the easy chair and indulged the need to look at his son, to find all the differences and all the similarities in that younger version of his face. It pleased him to find so many familiar things.
“We look alike,” Tate said, reading the intent scrutiny he was getting. “Funny that I never noticed that before.”
Matt smiled. “We didn’t get along very well.”
“Both too stubborn and inflexible,” Tate pointed out.
“And arrogant.”
Tate chuckled dryly. “Maybe.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
She sat and watched the dockhand when it was sunny and she sat and watched him when it rained. Or when it was foggy, which is what it was nearly every morning at eight o’clock. This morning was none of the above. This morning was cold. The pier smelled of fresh water and of fish. The seagulls screeched overhead, a man’s voice shouted. Where is my brother to help me, my sister, my mother? Pasha, help me, hide in the woods where I know I can find you. Dasha, look what’s happened. Do you even see? Mama, Mama. I want my mother. Where is my family to ask things of me, to weigh on me, to intrude on me, to never let me be silent or alone, where are they to help me through this? Deda, what do I do? I don’t know what to do. This morning the dockhand did not go over to see his friend at the next pier for a smoke and a coffee. Instead, he walked across the road and sat next to her on the bench. This surprised her. But she said nothing, she just wrapped her white nurse’s coat tighter around herself, and fixed the kerchief covering her hair. In Swedish he said to her, “My name is Sven. What’s your name?” After a longish pause, she replied. “Tatiana. I don’t speak Swedish.” In English he said to her, “Do you want a cigarette?” “No,” she replied, also in English. She thought of telling him she spoke little English. She was sure he didn’t speak Russian. He asked her if he could get her a coffee, or something warm to throw over her shoulders. No and no. She did not look at him. Sven was silent a moment. “You want to get on my barge, don’t you?” he asked. “Come. I will take you.” He took her by her arm. Tatiana didn’t move. “I can see you have left something behind,” he said, pulling on her gently. “Go and retrieve it.” Tatiana did not move. “Take my cigarette, take my coffee, or get on my barge. I won’t even turn away. You don’t have to sneak past me. I would have let you on the first time you came. All you had to do was ask. You want to go to Helsinki? Fine. I know you’re not Finnish.” Sven paused. “But you are very pregnant. Two months ago it would have been easier for you. But you need to go back or go forward. How long do you plan to sit here and watch my back?” Tatiana stared into the Baltic Sea. “If I knew, would I be sitting here?” “Don’t sit here anymore. Come,” said the longshoreman. She shook her head. “Where is your husband? Where is the father of your baby?” “Dead in the Soviet Union,” Tatiana breathed out. “Ah, you’re from the Soviet Union.” He nodded. “You’ve escaped somehow? Well, you’re here, so stay. Stay in Sweden. Go to the consulate, get yourself refugee protection. We have hundreds of people getting through from Denmark. Go to the consulate.” Tatiana shook her head. “You’re going to have that baby soon,” Sven said. “Go back, or move forward.” Tatiana’s hands went around her belly. Her eyes glazed over. The dockhand patted her gently and stood up. “What will it be? You want to go back to the Soviet Union? Why?” Tatiana did not reply. How to tell him her soul had been left there? “If you go back, what happens to you?” “I die most likely,” she barely whispered. “If you go forward, what happens to you?” “I live most likely.” He clapped his hands. “What kind of a choice is that? You must go forward.” “Yes,” said Tatiana, “but how do I live like this? Look at me. You think, if I could, I wouldn’t?” “So you’re here in the Stockholm purgatory, watching me move my paper day in and day out, watching me smoke, watching me. What are you going to do? Sit with your baby on the bench? Is that what you want?” Tatiana was silent. The first time she laid eyes on him she was sitting on a bench, eating ice cream. “Go forward.” “I don’t have it in me.” He nodded. “You have it. It’s just covered up. For you it’s winter.” He smiled. “Don’t worry. Summer’s here. The ice will melt.” Tatiana struggled up from the bench. Walking away, she said in Russian, “It’s not the ice anymore, my seagoing philosopher. It’s the pyre.
”
”
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
“
Are you a relative of her late husband?” the woman asked.
His eyes widened. “I beg your pardon?”
“It must be so hard for her, pregnant and just widowed,” the middle-aged woman continued. “We’ve all done what we could to make her happy here. Mr. Johnson, the curator, is a widower himself. He’s already sweet on her. But you’re probably anxious to see Mrs. Peterson. Shall I ring her and let her know you’re coming?”
Tate’s eyes were blazing. “No,” he said with forced politeness. “I want to surprise her!”
He stalked out, leaving the rented vehicle where it was as he trudged through the small layer of snow and glared contemptuously at the cars sliding around in the street as they passed. This little bit of snow was nothing compared to the six-foot snowdrifts on the reservation. Southerners, he considered, must not get much winter precipitation if this little bit of white dust paralyzed traffic!
As for Cecily’s mythical dead husband, he considered, going up the walkway to the small brick structure where she lived, he was about to make a startling, resurrected appearance!
He knocked on the door and waited.
There was an irritated murmur beyond the closed door and the sound of a lock being unfastened. The door opened and a wan Cecily looked straight into his eyes.
He managed to get inside the screen door and catch her before she passed out.
She came to on the sofa with Tate sitting beside her, smoothing back her disheveled hair. The nausea climbed into her throat and, fortunately, stayed there. She looked at him with helpless delight, wishing she could hide what the sight of him was doing to her after so many empty, lonely weeks.
He didn’t speak. He touched her hair, her forehead, her eyes, her nose, her mouth, with fingers that seemed bent on memorizing her. Then his hands went to the robe carelessly fastened over her cotton nightdress and pushed it aside. He touched her belly, his face radiant as he registered the very visible and tangible signs of her condition.
“When did we make him?” he asked without preamble.
She felt her world dissolve. He knew about the baby. Of course. That was why he was here.
He met her eyes, found hostility and bitter disillusionment in them. His hand pressed down over her belly. “I would have come even if I hadn’t known about the baby,” he said at once.
“The baby is mine.”
“And mine.”
“Audrey is not getting her avaricious little hands on my child…!
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
A little drop of Native American blood was exciting and unique. But a full-blooded Native American…she was horrified.”
Cecily’s opinion of the legendary Maureen dropped eighty points. She ground her teeth together. She couldn’t imagine anyone being ashamed of such a proud heritage.
He looked down at her and laughed despite himself. “I can hear you boiling over. No, you wouldn’t be ashamed of me. But you’re unique. You help, however you can. You see the poverty around you, and you don’t stick your nose up at it. You roll up your sleeves and do what you can to help alleviate it. You’ve made me ashamed, Cecily.”
“Ashamed? But, why?”
“Because you see beauty and hope where I see hopelessness.” He rubbed his artificial arm, as if it hurt him. “I’ve got about half as much as Tate has in foreign banks. I’m going to start using some of it for something besides exotic liquor. One person can make a difference. I didn’t know that, until you came along.”
She smiled and touched his arm gently. “I’m glad.”
“You could marry me,” he ventured, looking down at her with a smile. “I’m no bargain, but I’d be good to you. I’d never even drink a beer again.”
“You need someone to love you, Colby. I can’t.”
He grimaced. “I could say the same thing to you. But I could love you, I think, given time.”
“You’d never be Tate.”
He drew in a long breath. “Life is never simple. It’s like a puzzle. Just when we think we’ve got it solved, pieces of it fly in all directions.”
“When you get philosophical, it’s time to go in. Tomorrow, we have to talk about what’s going on around here. There’s something very shady. Leta and I need you to help us find out what it is.”
“What are friends for?” he asked affectionately.
“I’ll do the same for you one day.”
He didn’t answer her. Cecily had no idea at all how strongly her pert remark about being intimate with Colby had affected Tate. The black-eyed, almost homicidal man who’d come to his door last night had hardly been recognizable as his friend and colleague of many years. Tate had barely been coherent, and both men were exhausted and bloody by the time the fight ended in a draw. Maybe Tate didn’t want to marry Cecily, but Colby knew stark jealousy when he saw it. That hadn’t been any outdated attempt to avenge Cecily’s chastity. It had been revenge, because he thought Colby had slept with her and he wanted to make him pay. It had been jealousy, not protectiveness, the jealousy of a man who was passionately in love; and didn’t even know it.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Pierce Hutton gave him a highly amused smile as they went over updated security information from the oil rig in the Caspian Sea.
“So you’ve finally decided to do something about Cecily,” Peirce murmured. “It’s about time. I was beginning to get used to that permanent scowl.”
Tate glanced at him wryly. “I thought I was doing a great job of keeping her at arm’s length. She’s pregnant, now, of course,” he volunteered.
The older man chuckled helplessly. “So much for keeping her at arm’s length. When’s the wedding?”
Tate’s smile faded. “That’s premature. She ran. I finally tracked her down, but now I have to convince her that I want to get married without having her think it’s only because of the baby.”
“I don’t envy you the job,” Pierce replied, his black eyes twinkling. “I had my own rocky road to marriage, if you recall.”
“How’s the baby these days?” he asked.
Pierce laughed with wholehearted delight. “We watch him instead of television. I never expected fatherhood to make such changes in me, in my life.” He shook his head, with a faraway look claiming his eyes. “Sometimes I’m afraid it’s all a dream and I’ll wake up alone.” He shifted, embarrassed. “You can have the time off. But who’s going to handle your job while you’re gone?”
“I thought I’d get you to put Colby Lane on the payroll.” He held up his hand when Pierce looked thunderous. “He’s stopped drinking,” he hold him. “Cecily got him into therapy. He’s not the man he was.”
“You’re sure of that?” Pierce wanted to know.
Tate smiled. “I’m sure.
“Okay. But if he ever throws a punch at me again, he’ll be smiling on the inside of his mouth!”
Tate chuckled. “Fair enough. I’ll give him a call before I leave town.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Has he called you at all?” Violet asked, even though she already knew the answer. Chelsea would have exploded with joy if he had.
“No,” Chelsea answered glumly, and then she snapped her gum, earning herself another scowl from the librarian. She ignored the scolding look. “And I don’t get it. I’ve given him my best material, including the I’m-easy-and-you-can-totally-have-me bedroom eyes. What’s he waiting for?” Chelsea stopped talking and dropped her face into her open history book. “Look out, crazy librarian at nine o’clock.”
By the time Mrs. Hertzog reached them, Chelsea was pretending to be interested in her assignment, filling in the dates on her paper as if it were the most fascinating homework in the world. Although Violet was almost certain that the War of 1812 hadn’t occurred in 1776.
“Miss Morrison, do I need to remind you that you’re supposed to be working? Your teacher sent you down here to study, not to socialize.” She smiled sweetly at Violet. Chelsea’s gaze narrowed as she glared, first at Violet and then at Mrs. Hertzog. But, wisely, she kept her mouth shut. “If you need help finding reference material,” Mrs. Hertzog offered, glancing over the answers on Chelsea’s paper, “I’d be happy to point you in the right direction…”
Chelsea swallowed, and Violet suspected she’d just swallowed her gum, since gum was a library no-no, before answering. “No, thanks. I think I’ve got it covered.” She smiled, trying for sweet but getting closer to sour. “Unless you have any information on the Russo family?”
“What Russo family?” the librarian challenged, as if it were highly unlikely that Chelsea was really interested in “research.”
She was, just not the kind of research she could do at the library.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
You’re as beautiful as you were the night we made our son,” she whispered, bending to kiss him tenderly.
His fingers traced her dark eyebrows, her cheeks, her mouth. “I wish we could have another baby,” he said heavily.
“So do I. But I’m too old,” she said sadly. She lay her cheek against his broad, damp chest and stroked the silver-tipped hair that covered it. “We’ll have to hope for grandchildren, if he ever forgives us.”
He held her tightly, as if by holding her he could keep her safe. What he felt for her was ferociously protective.
She misunderstood the tightening of his arms. She smiled and sighed. “We can’t, again. Cecily will think we’ve deserted her.”
His hand smoothed her long hair. “She probably knows exactly what we’re doing,” he said on a chuckle. “She loves you.”
“She likes you. Maybe we could adopt her.”
“Better if our son marries her.”
She grinned. “We can hope.” She sat up and stretched, liking the way he watched her still-firm breasts. “The last time I felt like this was thirty-six years ago,” she confided.
“The same is true for me,” he replied.
She searched his eyes, already facing her departure. She would have to go back to the reservation, home.
He could still read her better than she knew. He drew her hand to his mouth. “It’s too late, but I want to marry you. This week. As soon as possible.”
She was surprised. She didn’t know what to say.
“I love you,” he said. “I never stopped. Forgive me and say yes.”
She considered the enormity of what she would be agreeing to do. Be his hostess. Meet his friends. Go to fund-raising events. Wear fancy clothes. Act sophisticated.
“Your life is so different from mine,” she began.
“Don’t you start,” he murmured. “I’ve seen what it did to Cecily when Tate used that same argument with her about all the differences. It won’t work with me. We love each other too much to worry about trivial things. Say yes. We’ll work out all the details later.”
“There will be parties, benefits…”
He pulled her down into his arms and kissed her tenderly.
“I don’t know much about etiquette,” she tried again.
He rolled her over, pinning her gently. One long leg inserted itself between both of hers as he kissed her.
“Oh, what the hell,” she murmured, and wrapped her legs around his, groaning as the joints protested.
“Arthritis?” he asked.
“Osteoarthritis.”
“Me, too.” He shifted, groaning a little himself as he eased down. “We’ll work on new positions one day. But it’s…too late…now. Leta…!” he gasped.
She didn’t have enough breath to answer him. He didn’t seem to notice that she hadn’t. Bad joints notwithstanding, they managed to do quite a few things that weren’t recommended for people their ages. And some that weren’t in the book at all.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
The milk is long since out of date, the bread all has mold and I think you could start a bacterial plague with what’s in the crisper here…”
“Order a pizza,” he suggested. “There’s a place down on the corner that still owes me ten pizzas, paid for in advance.”
“You can’t eat pizza for breakfast!”
“Why can’t I? I’ve been doing it for a week.”
“You can cook,” she said accusingly.
“When I’m sober,” he agreed.
She glowered at him and went back to her chore. “Well, the eggs are still edible, barely, and there’s an unopened pound of bacon. I’ll make an omelet.”
He collapsed into the chair at the kitchen table while she made a fresh pot of coffee and set about breaking eggs.
“You look very domesticated like that,” he pointed out with a faint smile. “After we have breakfast, why don’t you come to bed with me?”
She gave him a shocked glance. “I’m pregnant,” she reminded him.
He nodded and laughed softly. “Yes, I know. It’s an incredible turn-on.”
Her hand stopped, poised in midair with a spoon in it. “Wh…What?”
“The eggs are burning,” he said pleasantly.
She stirred them quickly and turned the bacon, which was frying in another pan. He thought her condition was sexy? She couldn’t believe he was serious.
But apparently he was, because he watched her so intently over breakfast that she doubted if he knew what he was eating.
“Mr. Hutton told the curator of the museum in Tennessee that I wasn’t coming back, and he paid off the rent on my house there,” she said. “I don’t even have a home to go to…”
“Yes, you do,” he said quietly. “I’m your home. I always have been.”
She averted her eyes to her plate and hated the quick tears that her condition prompted. Her fists clenched. “And here we are again,” she said huskily.
“Where?” he asked.
She drew in a harsh breath. “You’re taking responsibility for me, out of duty.”
He leaned back in his chair. The robe came away from his broad, bronzed chest as he stared at her. “Not this time,” he replied with a voice so tender that it made ripples right through her heart. “This time, it’s out of love, Cecily.”
Cecily doubted her own ears. She couldn’t have heard Tate saying that he wanted to take care of her because he loved her.
He wasn’t teasing. His face was almost grim. “I know,” he said. “You don’t believe it. But it’s true, just the same.” He searched her soft, shocked green eyes. “I loved you when you were seventeen, Cecily, but I thought I had nothing to offer you except an affair.” He sighed heavily. “It was never completely for the reasons I told you, that I didn’t want to get married. It was my mother’s marriage. It warped me. It’s taken this whole scandal to make me realize that a good marriage is nothing like the one I grew up watching. I had to see my mother and Matt together before I understood what marriage could be.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Tate was sprawled across the bed in his robe early the next morning when the sound of the front door opening penetrated his mind. There was an unholy commotion out there and his head was still throbbing, despite a bath, several cups of coffee and a handful of aspirin that had been forced on him the day before by two men he’d thought were his friends. He didn’t want to sober up. He only wanted to forget that Cecily didn’t want him anymore.
He dragged himself off the bed and went into the living room, just in time to hear the door close.
Cecily and her suitcase were standing with mutual rigidity just inside the front door. She was wearing a dress and boots and a coat and hat, red-faced and muttering words Tate had never heard her use before.
He scowled. “How did you get here?” he asked.
“Your boss brought me!” she raged. “He and that turncoat Colby Lane and two bodyguards, one of whom was the female counterpart of Ivan the Terrible! They forcibly dressed me and packed me and flew me up here on Mr. Hutton’s Learjet! When I refused to get out of the car, the male bodyguard swept me up and carried me here! I am going to kill people as soon as I get my breath and my wits back, and I am starting with you!”
He leaned against the wall, still bleary-eyed and only half awake. She was beautiful with her body gently swollen and her lips pouting and her green eye sin their big-lensed frames glittering at him.
She registered after a minute that he wasn’t himself. “What’s the matter with you?” she asked abruptly.
He didn’t answer. He put a hand to his head.
“You’re drunk!” she exclaimed in shock.
“I have been,” he replied in a subdued tone. “For about a week, I think. Pierce and Colby got my landlord to let them in yesterday.” She smiled dimly. “I’d made some threats about what I’d do if he ever let anybody else into my apartment, after he let Audrey in the last time. I guess he believed them, because Colby had to flash his company ID to get in.” He chuckled weakly. “Nothing intimidates the masses like a CIA badge, even if it isn’t current.”
“You’ve been drunk?” She moved a little closer into the apartment. “But, Tate, you don’t…you don’t drink,” she said.
“I do now. The mother of my child won’t marry me,” he said simply.
“I said you could have access…”
His black eyes slid over her body like caressing hands. He’d missed her unbearably. Just the sight of her was calming now. “So you did.”
Why did the feel guilty, for God’s sake, she wondered. She tried to recapture her former outrage. “I’ve been kidnapped!”
“Apparently. Don’t look at me. Until today, I was too stoned to lift my head.” He looked around. “I guess they threw out the beer cans and the pizza boxes,” he murmured. “Pity. I think there was a slice of pizza left.” He sighed. “I’m hungry. I haven’t eaten since yesterday.”
“Yesterday!
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Tris,” he says. “What did they do to you? You’re acting like a lunatic.”
“That’s not very nice of you to say,” I say. “They put me in a good mood, that’s all. And now I really want to kiss you, so if you could just relax--”
“I’m not going to kiss you. I’m going to figure out what’s going on,” he says.
I pout my lower lip for a second, but then I grin as the pieces come together in my mind.
“That’s why you like me!” I exclaim. “Because you’re not very nice either! It makes so much more sense now.”
“Come on,” he says. “We’re going to see Johanna.”
“I like you, too.”
“That’s encouraging,” he replies flatly. “Come on. Oh, for God’s sake. I’ll just carry you.”
He swings me into his arms, one arm under my knees and the other around my back. I wrap my arms around his neck and plant a kiss on his cheek. Then I discover that the air feels nice on my feet when I kick them, so I move my feet up and down as he walks us toward the building where Johanna works.
When we reach her office, she is sitting behind a desk with a stack of paper in front of her, chewing on a pencil eraser. She looks up at us, and her mouth drifts open slightly. A hunk of dark hair covers the left side of her face.
“You really shouldn’t cover up your scar,” I say. “You look prettier with your hair out of your face.”
Tobias sets me down too heavily. The impact is jarring and hurts my shoulder a little, but I like the sound my feet made when they hit the floor. I laugh, but neither Johanna nor Tobias laughs with me. Strange.
“What did you do to her?” Tobias says, terse. “What in God’s name did you do?”
“I…” Johanna frowns at me. “They must have given her too much. She’s very small; they probably didn’t take her height and weight into account.”
“They must have given her too much of what?” he says.
“You have a nice voice,” I say.
“Tris,” he says, “please be quiet.”
“The peace serum,” Johanna says. “In small doses, it has a mild, calming effect and improves the mood. The only side effect is some slight dizziness. We administer it to members of our community who have trouble keeping the peace.”
Tobias snorts. “I’m not an idiot. Every member of your community has trouble keeping the peace, because they’re all human. You probably dump it into the water supply.”
Johanna does not respond for a few seconds. She folds her hands in front of her.
“Clearly you know that is not the case, or this conflict would not have occurred,” she says. “But whatever we agree to do here, we do together, as a faction. If I could give the serum to everyone in this city, I would. You would certainly not be in the situation you are in now if I had.”
“Oh, definitely,” he says. “Drugging the entire population is the best solution to our problem. Great plan.”
“Sarcasm is not kind, Four,” she says gently. “Now, I am sorry about the mistake in giving too much to Tris, I really am. But she violated the terms of our agreement, and I’m afraid that you might not be able to stay here much longer as a result. The conflict between her and the boy--Peter--is not something we can forget.”
“Don’t worry,” says Tobias. “We intend to leave as soon as humanly possible.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
Colby arrived the next day, with stitches down one lean cheek and a new prosthesis. He held it up as Cecily came out to the car to greet him. He held it up as Cecily came out to the car to greet him. “Nice, huh? Doesn’t it look more realistic than the last one?”
“What happened to the last one?” she asked.
“Got blown off. Don’t ask where,” he added darkly.
“I know nothing,” she assured him. “Come on in. Leta made sandwiches.”
Leta had only seen Colby once, on a visit with Tate. She was polite, but a little remote, and it showed.
“She doesn’t like me,” Colby told Cecily when they were sitting on the steps later that evening.
“She thinks I’m sleeping with you,” she said simply.” So does Tate.”
“Why?”
“Because I let him think I was,” she said bluntly.
He gave her a hard look. “Bad move, Cecily.”
“I won’t let him think I’m waiting around for him to notice me,” she said icily. “He’s already convinced that I’m in love with him, and that’s bad enough. I can’t have him know that I’m…well, what I am. I do have a little pride.”
“I’m perfectly willing, if you’re serious,” he said matter-of-factly. His face broke into a grin, belying the solemnity of the words. “Or are you worried that I might not be able to handle it with one arm?”
She burst out laughing and pressed affectionately against his side. “I adore you, I really do. But I had a bad experience in my teens. I’ve had therapy and all, but it’s still sort of traumatic for me to think about real intimacy.”
“Even with Tate?” he probed gently.
She wasn’t touching that line with a pole. “Tate doesn’t want me.”
“You keep saying that, and he keeps making a liar of you.”
“I don’t understand.”
“He came to see me last night. Just after I spoke to you.” He ran his fingers down his damaged cheek.
She caught her breath. “I thought you got that overseas!”
“Tate wears a big silver turquoise ring on his middle right finger,” he reminded her. “It does a bit of damage when he hits people with it.”
“He hit you? Why?” she exclaimed.
“Because you told him we were sleeping together,” he said simply. “Honest to God, Cecily, I wish you’d tell me first when you plan to play games. I was caught off guard.”
“What did he do after he hit you?”
“I hit him, and one thing led to another. I don’t have a coffee table anymore. We won’t even discuss what he did to my best ashtry.”
“I’m so sorry!”
“Tate and I are pretty much matched in a fight,” he said. “Not that we’ve ever been in many. He hits harder than Pierce Hutton does in a temper.” He scowled down at her. “Are you sure Tate doesn’t want you? I can’t think of another reason he’d try to hammer my floor with my head.”
“Big brother Tate, to the rescue,” she said miserably. She laughed bitterly. “He thinks you’re a bad risk.”
“I am,” he said easily.
“I like having you as my friend.”
He smiled. “Me, too. There aren’t many people who stuck by me over the years, you know. When Maureen left me, I went crazy. I couldn’t live with the pain, so I found ways to numb it.” He shook his head. “I don’t think I came to my senses until you sent me to that psychologist over in Baltimore.” He glanced down at her. “Did you know she keeps snakes?” he added.
“We all have our little quirks.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
I’m happy here, Tate. I’ll let you know when the baby comes,” she added quietly. “Certainly, you’ll have access to him any time you like.”
Doors were closing. Walls were going up around her. He clenched his teeth together in impotent fury.
“I want you,” he said forcefully, which was not at all what he wanted to say.
“I don’t want you,” she replied, lying through her teeth. She wasn’t about to become an obligation again. She even smiled. “Thanks for coming to see about me. I’ll phone Leta when she and Matt come home from Nassau.”
“They’re already home,” he said flatly. “I’ve been to make peace with them.”
“Have you?” She smiled gently. “I’m glad. I’m so glad. It broke Leta’s heart that you wouldn’t speak to her.”
“What do you think it’s going to do to her when she hears that you won’t marry the father of your child?”
She gaped at him. “She…knows?”
“They both know, Cecily,” he returned. “They were looking forward to making a fuss over you.” He turned toward the door, bristling with hurt pride and rejection. “You can call my mother and tell her yourself that you aren’t coming back. Then you can live here alone in the middle of ‘blizzard country,; and I wish you well.” He turned at the door with his black eyes flashing. “As for me, hell will freeze over before I come near you again!”
He went out and slammed the door. Cecily stared after him with her heart in her throat. Why was he so angry that she’d relieved him of any obligations about the baby? He couldn’t want her for herself. If he had, if he’d had any real feeling for her, he’d have married her years ago. It was only the baby.
She let the tears rush down her face again with pure misery as she heard the four-wheel drive roar out of the driveway and accelerate down the road. She hoped he didn’t run over anybody. Her hand went to her stomach and she remembered with anguish the look on his face when he’d put his big, strong hand over his child. She’d sent him away for the sake of his own happiness, didn’t he know that? She supposed it was just hurt pride that had caused his outburst. But she wished he hadn’t come. It would be so much harder to live here now that she could see him in this house, in these rooms, and be haunted by the memory of him all over again. He wouldn’t come back. She’d burned her bridges. There was no way to rebuild them.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Colby was quietly shocked to find Tate not only at his door the next morning, but smiling. He was expecting an armed assault following their recent telephone conversation. “I’m here with a job offer.”
Colby’s dark eyes narrowed. “Does it come with a cyanide capsule?” he asked warily.
Tate clapped the other man on the shoulder. “I’m sorry about the way I’ve treated you. I haven’t been thinking straight. I’m obliged to you for telling me the truth about Cecily.”
“You know the baby’s yours, I gather?”
Tate nodded. “I’m on my way to Tennessee to bring her home,” he replied.
Colby’s eyes twinkled. “Does she know this?”
“Not yet. I’m saving it for a surprise.”
“I imagine you’re the one who’s going to get the surprise,” Colby informed him. “She’s changed a lot in the past few weeks.”
“I noticed.” Tate leaned against the wall near the door. “I’ve got a job for you.”
“You want me to go to Tennessee?” Colby murmured dryly.
“In your dreams, Lane,” Tate returned. “No, not that. I want you to head up my security force for Pierce Hutton while I’m away.”
Colby looked around the room. “Maybe I’m hallucinating.”
“You and my father,” Tate muttered, shaking his head. “Listen, I’ve changed.”
“Into what?”
“Pay attention. It’s a good job. You’ll have regular hours. You can learn to sleep without a gun under your pillow. You won’t lose any more arms.” He added thoughtfully, “I’ve been a bad friend. I was jealous of you.”
“But why?” Colby wanted to know. “Cecily is special. I look out for her, period. There’s never been a day since I met her when she wasn’t in love with you, or a time when I didn’t know it.”
Tate felt warmth spread through his body at the remark. “I’ve given her hell. She may not feel that way, now.”
“You can’t kill love,” Colby said heavily. “I know. I’ve tried.”
Tate felt sorry for the man. He didn’t know how to put it into words.
Colby shrugged. “Anyway, I’ve learned to live with my ghosts, thanks to that psychologist Cecily pushed me into seeing.” He scowled. “She keeps snakes, can you imagine? I used to see mine crawling out of whiskey bottles, but hers are real.”
“Maybe she’s allergic to fur,” Tate pointed out.
Colby chuckled. “Who knows. When do I start?” he added.
“Today.” He produced a mobile phone and dialed a number. “I’m sending Colby Lane over. He’s my relief while I’m away. If you have any problems, report them to him.”
He nodded as the person on the other end of the line replied in the affirmative. He closed up the phone. “Okay, here’s what you need to do…
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
He got in beside her and impatiently reached for her seat belt, snapping it in place. “You always forget,” he murmured, meeting her eyes.
Her breath came uneasily through her lips as she met that level stare and responded helplessly to it. He was handsome and sexy and she loved him more than her own life. She had for years. But it was a hopeless, unreturned adoration that left her unfulfilled. He’d never touched her, not even in the most innocent way. He only looked.
“I should close my door to you,” she said huskily. “Refuse to speak to you, refuse to see you, and get on with my life. You’re a constant torment.”
Unexpectedly he reached out and touched her soft cheek with just his fingertips. They smoothed down to her full, soft mouth and teased the lower lip away from the upper one. “I’m Lakota,” he said quietly. “You’re white.”
“There is,” she said unsteadily, “such a thing as birth control.”
His face was very solemn and his eyes were narrow and intent on hers. “And sex is all you want from me, Cecily?” he asked mockingly. “No kids, ever?”
It was the most serious conversation they’d ever had. She couldn’t look away from his dark eyes. She wanted him. But she wanted children, too, eventually. Her expression told him so.
“No, Cecily,” he continued gently. “Sex isn’t what you want at all. And what you really want, I can’t give you. We have no future together. If I marry one day, it’s important to me that I marry a woman with the same background as my own. And I don’t want to live with a young, and all too innocent, white woman.”
“I wouldn’t be innocent if you’d cooperate for an hour,” she muttered outrageously.
His dark eyes twinkled. “Under different circumstances, I would,” he said, and there was suddenly something hot and dangerous in the way he looked at her as the smile faded from his chiseled lips, something that made her heart race even faster. “I’d love to strip you and throw you onto a bed and bend you like a willow twig under y body.”
“Stop!” she whispered theatrically. “I’ll swoon!” And it wasn’t all acting.
His hand slid behind her nape and contracted, dragging her rapt face just under his, so close that she could smell the coffee that clung to his clean breath, so close that her breasts almost touched his jacket.
“You’ll tempt me once too often,” he bit off. “This teasing is more dangerous than you realize.”
She didn’t reply. She couldn’t. She was throbbing, aroused, sick with desire. In all her life, there had been only this man who made her feel alive, who made her feel passion. Despite the traumatic experience of her teens, she had a fierce physical attraction to Tate that she was incapable of feeling with any other man.
She touched his lean cheek with cold fingertips, slid them back, around his neck into the thick mane of long hair that he kept tightly bound-like his own passions.
“You could kiss me,” she whispered unsteadily, “just to see how it feels.”
He tensed. His mouth poised just above her parted lips. The silence in the car was pregnant, tense, alive with possibilities and anticipation. He looked into her wide, pale, eager green eyes and saw the heat she couldn’t disguise. His own body felt the pressure and warmth of hers and began to swell, against his will.
“Tate,” she breathed, pushing upward, toward his mouth, his chiseled, beautiful mouth that promised heaven, promised satisfaction, promised paradise.
His dark fingers corded in her hair. They hurt, and she didn’t care. Her whole body ached.
“Cecily, you little fool,” he ground out.
Her lips parted even more. He was weak. This once, he was weak. She could tempt him. It could happen. She could feel his mouth, taste it, breathe it. She felt him waver. She felt the sharp explosion of his breath against her lips as he let his control slip. His mouth parted and his head bent. She wanted it. Oh, God, she wanted it, wanted it, wanted it…
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
His hand felt odd against her swollen belly. She started to speak at the same moment that the baby suddenly moved.
Tate’s hand jerked back as if it had been stung. He stared at her stomach with pure horror as it fluttered again.
She couldn’t help it. She burst out laughing.
“Is that…normal?” he wanted to know.
“It’s a baby,” she said softly. “They move around. He kicks a little. Not much, just yet, but as he grows, he’ll get stronger.”
“I never realized…” He drew in a long breath and put his hand back against her body. “Cecily, does it hurt you when he…” He hesitated. His black, stunned eyes met hers. “He?”
She nodded.
“They can tell, so soon?”
“Yes,” she said simply. “They did an ultrasound.”
His fingers became caressing. A son. He was going to have a son. He swallowed. It was a shock. He hadn’t thought past her pregnancy, but now he realized that there was going to be a miniature version of himself and Cecily, a child who would embody the traits of all his ancestors. All his ancestors. It made him feel humble.
“How did you find me?” she asked.
He glared into her eyes. “Not with any help from you, let me tell you! It took me forever to track down the driver who brought you to Nashville. He was off on extended sick leave, and it wasn’t until this week that anybody remembered he’d worked that route before Christmas.”
She averted her eyes. “I didn’t want to be found.”
“So I noticed. But you have been, and you’re damned well coming home,” he said furiously. “I’m damned if I’m going to leave you here at the mercy of people who go nuts over an inch of snow!”
She sat up, displacing his hand, noticed that she was too close to him for comfort, swung her legs off the sofa and got up. “I’m not going as far as the mailbox with you!” she told him flatly. “I’ve made a new life for myself here, and I’m staying!”
“That’s what you think.” He got up, too, and went toward the bedroom. He found her suitcase minutes later, threw it open on the bed and started filling it.
“I’m not going with you,” she told him flatly. “You can pack. You can even take the suitcase and all my clothes. But I’m not leaving. This is my life now. You have no place in it!”
He whirled. He was furious. “You’re carrying my child!”
The sight of him was killing her. She loved him, wanted him, needed him, but he was here only out of a sense of duty, maybe even out of guilt. She knew he didn’t want ties or commitments; he’d said so often enough. He didn’t love her, either, and that was the coldest knowledge of all.
“Colby asked me to marry him for the baby’s sake,” she said bitterly. “Maybe I should have.”
“Over my dead body,” he assured her.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Ronan's trying to wake up the world. I'm trying to think of how to talk him out of it, but what he's talking about is a world where she never fell asleep. A world where Matthew's just a kid. A world where it doesn't matter what Hennessy does, if something happens to her. A level playing field. I don't think it's a good idea, but it's not like I can't see the appeal, because now I'm biased, I'm too biased to be clear." Declan shook his head a little. "I said I would never become my father, anything like him. And now look at me. At us."
Ah, there it was.
It took no effort to remember the way he'd looked at her the first moment he realized she was a dream.
"I'm a dream," Jordan said. "I'm not your dream."
Declan put his chin in his hand and looked back out the window; that, too, would be a good portrait. Perhaps it was just because she liked looking at him that she thought each pose would make a good one. A series. What a future that idea promised, nights upon nights like this, him sitting there, her standing here.
"By the time we're married," Declan said eventually, "I want you to have applied for a different studio in this place because this man's paintings are very ugly."
Her pulse gently skipped two beats before continuing on as before. "I don't have a social security number of my own, Pozzi."
"I'll buy you one," Declan said. "You can wear it in place of a ring."
The two of them looked at each other past the canvas on her easel.
Finally, he said, voice soft, "I should see the painting now."
"Are you sure?"
"It's time, Jordan."
Putting his jacket to the side, he stood. He waited. He would not come around to look without an invite.
It's time, Jordan.
Jordan had never been truly honest with anyone who didn't wear Hennessy's face. Showing him this painting, this original, felt like being more honest than she had ever been in her life.
She stepped back to give him room.
Declan took it in. His eyes flickered to and from the likeness, from the jacket on Portrait Declan's leg to the real jacket he'd left behind on the chair. She watched his gaze follow the line edge she had taken such care to paint, that subtle electricity of complementary colors at the edge of his form.
"It's very good," Declan muttered. "Jordan, it's very good."
"I thought it might be."
"I don't know if it's a sweetmetal. But you're very good."
"I thought I might be."
"The next one will be even better."
"I think it might be."
"And in ten years your scandalous masterpiece will get you thrown out of France, too," he said. "And later you can triumphantly sell it to the Met. Children will write papers about you. People like me will tell stories about you to their dates at museums to make them think they're interesting."
She kissed him. He kissed her. And this kiss, too, got all wrapped up in the art-making of the portrait sitting on the easel beside them, getting all mixed in with all the other sights and sounds and feelings that had become part of the process.
It was very good.
”
”
Maggie Stiefvater (Mister Impossible (Dreamer Trilogy, #2))
“
Simonton finds that on average, creative geniuses weren’t qualitatively better in their fields than their peers. They simply produced a greater volume of work, which gave them more variation and a higher chance of originality. “The odds of producing an influential or successful idea,” Simonton notes, are “a positive function of the total number of ideas generated.” Consider Shakespeare: we’re most familiar with a small number of his classics, forgetting that in the span of two decades, he produced 37 plays and 154 sonnets. Simonton tracked the popularity of Shakespeare’s plays, measuring how often they’re performed and how widely they’re praised by experts and critics. In the same five-year window that Shakespeare produced three of his five most popular works—Macbeth, King Lear, and Othello—he also churned out the comparatively average Timon of Athens and All’s Well That Ends Well, both of which rank among the worst of his plays and have been consistently slammed for unpolished prose and incomplete plot and character development. In every field, even the most eminent creators typically produce a large quantity of work that’s technically sound but considered unremarkable by experts and audiences. When the London Philharmonic Orchestra chose the 50 greatest pieces of classical music, the list included six pieces by Mozart, five by Beethoven, and three by Bach. To generate a handful of masterworks, Mozart composed more than 600 pieces before his death at thirty-five, Beethoven produced 650 in his lifetime, and Bach wrote over a thousand. In a study of over 15,000 classical music compositions, the more pieces a composer produced in a given five-year window, the greater the spike in the odds of a hit. Picasso’s oeuvre includes more than 1,800 paintings, 1,200 sculptures, 2,800 ceramics, and 12,000 drawings, not to mention prints, rugs, and tapestries—only a fraction of which have garnered acclaim. In poetry, when we recite Maya Angelou’s classic poem “Still I Rise,” we tend to forget that she wrote 165 others; we remember her moving memoir I Know Why the Caged Bird Sings and pay less attention to her other 6 autobiographies. In science, Einstein wrote papers on general and special relativity that transformed physics, but many of his 248 publications had minimal impact. If you want to be original, “the most important possible thing you could do,” says Ira Glass, the producer of This American Life and the podcast Serial, “is do a lot of work. Do a huge volume of work.” Across fields, Simonton reports that the most prolific people not only have the highest originality; they also generate their most original output during the periods in which they produce the largest volume.* Between the ages of thirty and thirty-five, Edison pioneered the lightbulb, the phonograph, and the carbon telephone. But during that period, he filed well over one hundred patents for other inventions as diverse as stencil pens, a fruit preservation technique, and a way of using magnets to mine iron ore—and designed a creepy talking doll. “Those periods in which the most minor products appear tend to be the same periods in which the most major works appear,” Simonton notes. Edison’s “1,093 patents notwithstanding, the number of truly superlative creative achievements can probably be counted on the fingers of one hand.
”
”
Adam M. Grant (Originals: How Non-Conformists Move the World)
“
But whether I’m on deck or below it, I’ll never be far.”
“Shall I take that as a promise? Or a threat?”
She sauntered toward him, hands cocked on her hips in an attitude of provocation. His eyes swept her body, washing her with angry heat. She noted the subtle tensing of his shoulders, the frayed edge of his breath.
Even exhausted and hurt, he still wanted her. For a moment, Sophia felt hope flicker to life inside her. Enough for them both.
And then, with the work of an instant, he quashed it all. Gray stepped back. He gave a loose shrug and a lazy half-smile. If I don’t care about you, his look said, you can’t possibly hurt me. “Take it however you wish.”
“Oh no, you don’t. Don’t you try that move with me.” With trembling fingers, she began unbuttoning her gown.
“What the devil are you doing? You think you can just hike up your shift and make-“
“Don’t get excited.” She stripped the bodice down her arms, then set to work unlacing her stays. “I’m merely settling a score. I can’t stand to be in your debt a moment longer.” Soon she was down to her chemise and plucking coins from the purse tucked between her breasts. One, two, three, four, five…
“There,” she said, casing the sovereigns on the table. “Six pounds, and”-she fished out a crown-“ten shillings. You owe me the two.”
He held up open palms. “Well, I’m afraid I have no coin on me. You’ll have to trust me for it.”
“I wouldn’t trust you for anything. Not even two shillings.”
He glared at her a moment, then turned on his heel and exited the cabin, banging the door shut behind him. Sophia stared at it, wondering whether she dared stomp after him with her bodice hanging loose around her hips. Before she could act on the obvious affirmative, he stormed back in.
“Here.” A pair of coins clattered to the table. “Two shillings. And”-he drew his other hand from behind his back-“your two leaves of paper. I don’t want to be in your debt, either.” The ivory sheets fluttered as he released them. One drifted to the floor.
Sophia tugged a banknote from her bosom and threw it on the growing pile. To her annoyance, it made no noise and had correspondingly little dramatic value. In compensation, she raised her voice. “Buy yourself some new boots. Damn you.”
“While we’re settling scores, you owe me twenty-odd nights of undisturbed sleep.”
“Oh, no,” she said, shaking her head. “We’re even on that regard.” She paused, glaring a hole in his forehead, debating just how hateful she would make this.
Very.
“You took my innocence,” she said coldly-and completely unfairly, because they both knew she’d given it freely enough.
“Yes, and I’d like my jaded sensibilities restored, but there’s no use wishing after rainbows, now is there?”
He had a point there. “I suppose we’re squared away then.”
“I suppose we are.”
“There’s nothing else I owe you?”
His eyes were ice. “Not a thing.”
But there is, she wanted to shout. I still owe you the truth, if only you’d care enough to ask for it. If only you cared enough for me, to want to know.
But he didn’t. He reached for the door.
“Wait,” he said. “There is one last thing.”
Sophia’s heart pounded as he reached into his breast pocket and withdrew a scrap of white fabric.
“There,” he said, unceremoniously casting it atop the pile of coins and notes and paper. “I’m bloody tired of carrying that around.”
And then he was gone, leaving Sophia to wrap her arms over her half-naked chest and stare numbly at what he’d discarded.
A lace-trimmed handkerchief, embroidered with a neat S.H.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))