“
Love: a single word, a wispy thing, a word no bigger or longer than an edge. That's what it is: an edge; a razor. It draws up through the center of your life, cutting everything in two. Before and after. The rest of the world falls away on either side.
”
”
Lauren Oliver (Delirium (Delirium, #1))
“
One more dance along the razor's edge finished. Almost dead yesterday, maybe dead tomorrow, but alive, gloriously alive, today.
”
”
Robert Jordan (Lord of Chaos (The Wheel of Time, #6))
“
It's like a razor blade edging its way through my organs, shredding me, all I can think is: It will kill me, it will kill me, it will kill me. And I don't care.
”
”
Lauren Oliver (Delirium (Delirium, #1))
“
You're beginning to dislike me, aren't you? Well, dislike me. It doesn't make any difference to me now.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
The fact that a great many people believe something is no guarantee of its truth.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
Nothing in the world is permanent, and we’re foolish when we ask anything to last, but surely we’re still more foolish not to take delight in it while we have it. If change is of the essence of existence one would have thought it only sensible to make it the premise of our philosophy.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
Almost all the people who’ve had the most effect on me I seem to have met by chance, yet looking back it seems as though I couldn’t but have met them.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
The distinction between sanity and insanity is narrower than a razor’s edge, sharper than a hound’s tooth, more agile than a mule deer. It is more elusive than the merest phantom. Perhaps it does not even exist; perhaps it is a phantom.
”
”
Philip K. Dick (VALIS)
“
Its a toss-up when you decide to leave the beaten track. Many are called, few are chosen.
”
”
W. Somerset Maugham (The Razor's Edge)
“
Well, you know when people are no good at anything else they become writers.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
I told Ersken, "Lately it's been like living on the knife's edge, never knowing which side I'll fall off on"
Ersken clapped me on the shoulder as we stepped into the street. "Cheer up, Beka. Maybe you were going to fall off that razor's edge before, but not today," he said, as good humored as always. "Today we're doing to jump.
”
”
Tamora Pierce (Bloodhound (Beka Cooper, #2))
“
For men and women are not only themselves; they are also the region in which they are born, the city apartment or farm in which they learnt to walk, the games they played as children, the old wives tales they overheard, the food they ate, the schools they attended, the sports they followed, the poets they read, and the God they believed in. It is all these things that have made them what they are, and these are the things that you can't come to know by hearsay...
”
”
W. Somerset Maugham (The Razor’s Edge)
“
The dead look so terribly dead when they're dead.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
But I so want to walk that razor's edge,
Take feeling to a whole new level.
”
”
Ellen Hopkins (Identical)
“
Over time, the ghosts of things that happened start to turn distant; once they've cut you a couple of million times, their edges blunt on your scar tissue, they wear thin. The ones that slice like razors forever are the ghosts of things that never got the chance to happen.
”
”
Tana French (Broken Harbour (Dublin Murder Squad, #4))
“
American women expect to find in their husbands a perfection that English women only hope to find in their butlers.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
Beauty walks a razors edge, someday I'll make it mine.
”
”
Bob Dylan
“
You see, money to you means freedom; to me it means bondage.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
A mother only does her children harm if she makes them the only concern of her life.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
When you're eighteen your emotions are violent, but they're not durable.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
I happen to think we’ve set our ideal on the wrong objects; I happen to think that the greatest ideal man can set before himself is self-perfection.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
We Americans... like change. It is at once our weakness and our strength.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
The common idea that success spoils people by making them vain, egotistical and self-complacent is erroneous; on the contrary, it makes them , for the most part, humble, tolerant and kind. Failure makes people bitter and cruel.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
Tragedy has a way of breaking gentle things and soldering the shattered pieces together in ways we can't control. Some, it remakes into stronger, more resilient creatures. In others, the pieces fuse before they heal, leaving only razor-sharp edges. I can offer you no other explanation or excuse for the way she's cut you over the years.
”
”
Rebecca Yarros (The Things We Leave Unfinished)
“
Why, Sicarius, is it possible you have a playful side beneath your razor-edged knives, severe black clothing and humourless glares?
”
”
Lindsay Buroker (Deadly Games (The Emperor's Edge, #3))
“
Unless love is passion, it's not love, but something else; and passion thrives not on satisfaction, but on impediment.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
I'll tell you, my friends: it's all in the nerves. The nerves that tense and relax as you approach the edges of companionship and love. The razor-sharp edges of companionship and love.
”
”
Roberto Bolaño (Amulet)
“
In business sharp practice sometimes succeeds, but in art honesty is not only the best but the only policy.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
When he sacrifices himself man for a moment is greater than God, for how can God, infinite and omnipotent, sacrifice himself?
”
”
W. Somerset Maugham (The Razor’s Edge)
“
Art is triumphant when it can use convention as an instrument of its own purpose.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
Jace pulled two razor-edged spinning disks out from under the bed. They were covered in gray cat hair. He blew on them scattering fur. “Chakhrams. Cool. Especially if I meet any demons with serious dander allergies.”
Isabelle thwacked him with the bra.
~pg. 331~
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
It's a long, arduous road he's starting to travel, but it may be that at the end of it he'll find what's he's seeking.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
You know, when one's in love,' I said, 'and things go all wrong, one's terribly unhappy and one thinks one won't ever get over it. But you'll be astounded to learn what the sea will do.'
What do you mean?' she smiled.
Well, love isn't a good sailor and it languishes on a sea voyage. You'll be surprised when you have the Atlantic between you and Larry to find how slight the pang is that before you sailed seemed intolerable.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
I only wanted to suggest to you that self-sacrifice is a passion so overwhelming that beside it even lust and hunger are trifling.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
You know, the Philistines have long since discarded the rack and stake as a means of suppressing the opinions they feared: they've discovered a much more deadly weapon of destruction -- the wisecrack.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
I wish I could make you see how much fuller the life I offer you is than anything you have a conception of. I wish I could make you see how exciting the life of the spirit is and how rich in experience. It's illimitable. It's such a happy life. There's only one thing like it, when you're up in a plane by yourself, high, high, and only infinity surrounds you. You're intoxicated by the boundless space.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
I did not hesitate to put the question that came to the tip of my tongue. After all, if you want to know something the best way is to ask.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
Unfortunately sometimes one can’t do what one thinks is right without making someone else unhappy.
”
”
W. Somerset Maugham (The Razor's Edge)
“
The path to Salvation is as narrow and as difficult to walk as a razor's edge.
”
”
W. Somerset Maugham
“
It is very difficult to know people and I don't think one can ever really know any but one's own countrymen. For men and women are not only themselves; they are also the region in which they are born, the city apartment or the farm in which they learnt to walk, the games they played as children, the old wives' tales they overheard, the food they ate, the schools they attended, the sports they followed, the poets they read, and the God they believed in. It is all these things that have made them what they are, and these are the things that you can't come to know by hearsay, you can only know them if you have lived them.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
I used to listen to the monks repeating the Lord's Prayer; I wondered how they could continue to pray without misgiving to their heavenly father to give them their daily bread. Do children beseech their earthly father to give them sustenance? They expect him to do it, they neither feel gratitude to him for doing so nor need to, and we have only blame for a man who brings children into the world that he can't or won't provide for. It seemed to me that if an omnipotent creator was not prepared to provide for his creatures with the necessities, material and spiritual, of existence he'd have done better not to create them.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
She stood on the edge of night, that sliver of gray between darkness and dawn, that razor-thin line separating the first part of her life and whatever lay ahead.
”
”
Anne Blankman (Prisoner of Night and Fog (Prisoner of Night and Fog, #1))
“
Guns are always the best method for a private suicide. They are more stylish looking than single-edged razor blades and natural gas has got so expensive. Drugs are too chancy. You might miscalculate the dosage and just have a good time.
”
”
P.J. O'Rourke
“
Incredible brilliance often dwells on the razor's edge of madness...
”
”
Brad Thor
“
I thought with melancholy how an author spends months writing a book, and maybe puts his heart’s blood into it, and then it lies about unread till the reader has nothing else in the world to do.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
I don’t think I shall ever find peace till I make up my mind about things,’ he said gravely. He hesitated. ‘It’s very difficult to put into words. The moment you try you feel embarrassed. You say to yourself: “Who am I that I should bother myself about this, that, and the other? Perhaps it’s only because I’m a conceited prig. Wouldn’t it be better to follow the beaten track and let what’s coming to you come?” And then you think of a fellow who an hour before was full of life and fun,and he’s lying dead; it’s all so cruel and meaningless. It’s hard not to ask yourself what life is all about and whether there’s any sense to it or whether it’s all a tragic blunder of blind fate.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
It was wonderful flirting with him, all the razor-edged literary banter, like Beatrice and Benedick in Much Ado About Nothing. A battle of wit, and a test, too.
”
”
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
“
For us, eating and being eaten belong to the terrible secret of love. We love only the person we can eat. The person we hate we ‘can’t swallow.’ That one makes us vomit. Even our friends are inedible. If we were asked to dig into our friend’s flesh we would be disgusted. The person we love we dream only of eating. That is, we slide down that razor’s edge of ambivalence.
The story of torment itself is a very beautiful one. Because loving is wanting and being able to eat up and yet to stop at the boundary. And there, at the tiniest beat between springing and stopping, in rushes fear. The spring is already in mid-air. The heart stops. The heart takes off again. Everything in love is oriented towards this absorption.
At the same time real love is a don’t-touch, yet still an almost-touching. Tact itself: a phantom touching.
Eat me up, my love, or else I’m going to eat you up.
Fear of eating, fear of the edible, fear on the part of the one of them who feels loved, desired, who wants to be loved, desired, who desires to be desired, who knows there is no greater proof of love than the other’s appetite, who is dying to be eaten up, who says or doesn’t say, but who signifies: I beg you, eat me up. Want me down to the marrow. And yet manage it so as to keep me alive. But I often turn about or compromise, because I know that you won’t eat me up, in the end, and I urge you: bite me.
Sign my death with your teeth
”
”
Hélène Cixous (Stigmata: Escaping Texts)
“
Why do you hold a razor in one hand?
So men remember that I am sharp as any edge.
And why do you hold broken glass in the other?
So men remember that I am always watching.
”
”
Susan Dennard (Windwitch (The Witchlands, #2))
“
Children have always tumbled down rabbit holes, fallen through mirrors, been swept away by unseasonal floods or carried off by tornadoes. Children have always traveled, and because they are young and bright and full of contradictions, they haven’t always restricted their travel to the possible. Adulthood brings limitations like gravity and linear space and the idea that bedtime is a real thing, and not an artificially imposed curfew. Adults can still tumble down rabbit holes and into enchanted wardrobes, but it happens less and less with every year they live. Maybe this is a natural consequence of living in a world where being careful is a necessary survival trait, where logic wears away the potential for something bigger and better than the obvious. Childhood melts, and flights of fancy are replaced by rules. Tornados kill people: they don’t carry them off to magical worlds. Talking foxes are a sign of fever, not guides sent to start some grand adventure.
But children, ah, children. Children follow the foxes, and open the wardrobes, and peek beneath the bridge. Children climb the walls and fall down the wells and run the razor’s edge of possibility until sometimes, just sometimes, the possible surrenders and shows them the way to go home.
”
”
Seanan McGuire (Beneath the Sugar Sky (Wayward Children, #3))
“
Poor slut, I think she loves me,' said Gray, his eyes closed.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
In order to be a writer, "Maugham continues: "one must take chances and not be afraid to look foolish. I wrote The Razor's Edge while wearing a paper hat….
”
”
Woody Allen (Side Effects)
“
And what is that going to lead to?"
"The acquisition of knowledge," he smiled.
"It doesn't sound very practical."
"Perhaps it isn't and on the other hand perhaps it is. But it's enormous fun.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
Today is an ephemeral ghost...
A strange amazing day that comes only once every four years. For the rest of the time it does not "exist."
In mundane terms, it marks a "leap" in time, when the calendar is adjusted to make up for extra seconds accumulated over the preceding three years due to the rotation of the earth. A day of temporal tune up!
But this day holds another secret—it contains one of those truly rare moments of delightful transience and light uncertainty that only exist on the razor edge of things, along a buzzing plane of quantum probability...
A day of unlocked potential.
Will you or won't you? Should you or shouldn't you?
Use this day to do something daring, extraordinary and unlike yourself. Take a chance and shape a different pattern in your personal cloud of probability!
”
”
Vera Nazarian (The Perpetual Calendar of Inspiration)
“
We who are of mature age seldom suspect how unmercifully and yet with what insight the very young judge us.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
It was not for me to leave the world and retire to a cloister, but to live in the world and love the objects of the world, not indeed for themselves, but for the Infinite that is in them.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
She's my girl now and I'll do anything for her at any time. I'm in love with her.
”
”
Katie McGarry (Walk the Edge (Thunder Road, #2))
“
she had a gentle soul wrapped in razor wire, but the sharp edges are not her fault. The world trained her to violence, to ferocity, because it hates so much of what she is.
”
”
N.K. Jemisin (The City We Became (Great Cities, #1))
“
Hey, Breanna.”
I glance over my shoulder. “Yes?”
“Be safe.”
Those are two enticing and lovely words. “I will be. I have you protecting me, right?”
Maybe I’m misreading Razor, but his eyes travel my body like he might toss me onto the bed of the truck and kiss me in a way I’ve never been kissed before. “Don’t worry. I completely have your back.
”
”
Katie McGarry (Walk the Edge (Thunder Road, #2))
“
Don't let your fears create walls or define you.
”
”
Katie McGarry (Walk the Edge (Thunder Road, #2))
“
Nowness is the sense that we are attuned to what is happening. The past is fiction and the future is a dream, and we are just living on the edge of a razor blade.
”
”
Chögyam Trungpa
“
I think I can tell you. I’ve always felt that there was something pathetic in the founders of religion who made it a condition of salvation that you should believe in them. It’s as though they needed your faith to have faith in themselves.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
I feel it right to warn the reader that he can very well skip this chapter without losing the thread of such story as I have to tell, since for the most part it is nothing more than the account of a conversation that I had with Larry. I should add, however, that except for this conversation I should perhaps not have thought it worth while to write this book.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
And you call yourself an English gentleman,' she exclaimed, savagely.
'No, that's a thing I've never done in all my life.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
My spirit balanced on the razor’s edge of light and dark, freedom and slavery, life and death.
”
”
Juliette Cross (Darkest Heart (Dominion, #1))
“
Our wise old church...has discovered that if you will act as if you believed belief will be given to you; if you pray with doubt, but pray with sincerity, your doubt will be dispelled; if you will surrender yourself to the beauty of that liturgy the power of which over the human spirit has been proved by the experience of the ages, peace will descend upon you.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
I’ll tell you what … if you want wild – if you want a kiss that breaks the rules, I’ll give you one, but not here, not now.”
I think my heart exploded. Razor of the Reign of Terror – the guy all the girls have dreams about for years – has offered to kiss me. “When?”
“When I say.” His lips edge up, sending a thrill through my bloodstream. “If you have the nerve.
”
”
Katie McGarry (Walk the Edge (Thunder Road, #2))
“
The man I am writing about is not famous. It may be that he never will be. It may be that when his life at last comes to an end he will leave no more trace of his sojourn on earth than a stone thrown into a river leaves on the surface of the water.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
You know what happens when you slide your cheek on the edge of a sharp razor blade? Yes! That's how it feels when you slide your dreams into the palms of toxic and negative people! Save your dreams from defamation and disfigurement!
”
”
Israelmore Ayivor (Daily Drive 365)
“
Money burns fast. Knowing that doesn't get easier with age and it's worse when you learn it young. The beauty of childhood is not entirely grasping the cost of living; food just appears in the fridge, you have a roof over your head because everyone does and electricity must be some kind of sorcery, like right out of Harry Potter or something, because who could ever put a price on light? Its that you never really had to think about any of it before. Then one day you find out you've have been walking the razor's edge all along.
”
”
Courtney Summers (Sadie)
“
I could see that Isabel listened to him with growing exasperation. Larry had no notion that he was driving a dagger in her heart and with his every detached word twisting it in the wound. But when she spoke it was with a faint smile on her lips.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
And God the taste of undercover on my tongue again, the brush of it down the little hairs on my arms. I'd thought I remembered what it was like, every detail, but I'd been wrong: memories are nothing, soft as gauze against the ruthless razor-fineness of that edge, beautiful and lethal, one tiny slip and it'll slice to the bone.
”
”
Tana French (The Likeness (Dublin Murder Squad, #2))
“
I suppose it was the end of the world for her when her husband and her baby were killed. I suppose she didn't care what became of her and flung herself into the horrible degradation of drink and promiscuous copulation to get even with life that had treated her so cruelly. She'd lived in heaven and when she lost it she couldn't put up with the common earth of common men, but in despair plunged headlong into hell. I can imagine that if she couldn't drink the nectar of the gods any more she thought she might as well drink bathroom gin.'
That's the sort of thing you say in novels. It's nonsense and you know it's nonsense. Sophie wallows in the gutter because she likes it. Other women have lost their husbands and children. It wasn't that that made her evil. Evil doesn't spring from good. The evil was there always. When that motor accident broke her defences it set her free to be herself. Don't waste your pity on her, she's now what at heart she always was.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
Children, ah, children. Children follow the foxes, and open the wardrobes, and peek beneath the bridge. Children climb the walls and fall down the wells and run the razor’s edge of possibility until sometimes, just sometimes, the possible surrenders and shows them the way to go home.
”
”
Seanan McGuire (Beneath the Sugar Sky (Wayward Children, #3))
“
The man I am writing about is not famous. It may be that he never will be. It may be that when his life at last comes to an end he will leave no more trace of his sojourn on earth than a stone thrown into a river leaves on the surface of the water. But it may be that the way of life that he has chosen for himself and the peculiar strength and sweetness of his character may have an ever-growing influence over his fellow men so that, long after his death perhaps, it may be realized that there lived in this age a very remarkable creature.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
The first time he talked in that way he said something that I've never forgotten, because it horrified me; he said that the world isn't a creation, for out of nothing nothing comes, but a manifestation of the eternal nature; well, that was all right, but then he added that evil is as direct a manifestation of the divine as good. They were strange words to hear in that sordid, noisy café, to the accompaniment of dance tunes on the mechanical piano.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
She wasn’t soft or pretty; she was hard-edged and cold, like one of those cold bronze statues surrounded by high fences and crowned in razor wire. Don’t touch me, such defenses said, but it wasn’t enough to halt a breach, no. She had thought people only picked the soft-petaled, sweet-smelling flowers, but some people took thorns as a challenge.
”
”
Nenia Campbell (Escape (Horrorscape, #4))
“
... self-sacrifice is a passion so overwhelming that beside it even lust and hunger are trifling. It whirls its victim to destruction in the highest affirmation of his personality. The object doesn't matter; it may be worthwhile or it may be worthless. No wine is so intoxicating, no love so shattering, no vice so compelling. When he sacrifices himself man for a moment is greater than God, for how can God, infinite and omnipotent, sacrifice himself? At best he can only sacrifice his only begotten son.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
Randy walked to the bar-counter and began to sharpen his razor. The razor was a six-inch hunting knife. He honed its edges vigorously on a whetstone and then stropped it on a belt nailed to the wall. A clean, smooth, painless shave was one of the things he missed, but not what he missed most.
”
”
Pat Frank (Alas, Babylon)
“
Passion is destructive. It destroyed Antony and Cleopatra, Tristan and Isolde, Parnell and Kitty O'Shea. And if it doesn't destroy it dies. It may be then that one is faced with the desolation of knowing that one has wasted the years of one's life, that one's brought disgrace upon oneself, endured the frightful pang of jealousy, swallowed every bitter mortification, that one's expended all one's tenderness, poured out all the riches of one's soul on a poor drab, a fool, a peg on which on hung one's dreams, who wasn't worth a stick of chewing gum.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
We never understood the tendency to underestimate us, we who had been baptized and delivered through pain, who grinned and bore agonies while managing to draw on wing-tipped eyeliner with a surgically steady hand. We plucked our eyebrows, waxed our upper lips, got razor burn on our crotches, held blades to the cups of our armpits. Shoes tore holes in the skin of our heels and crippled the balls of our feet. We endured labor and childbirth and C-sections, during which doctors literally set our intestines on a table next to our bodies while we were awake. We got acid facials. We punctured our foreheads with Botox and filled our lips and our breasts. We pierced our ears and wore pants that were too tight. We got too much sun. We punished our bodies in spin class. All these tiny sacrifices to make us appear more lithe and ladylike—the female of the species. The weaker sex. Secretly, they toughened our hides, sharpened our edges. We were tougher than we looked. The only difference was that now we were finally letting on.
”
”
Chandler Baker (Whisper Network)
“
Larry sat with his arm stretched out along the top of the front seat. His shirt cuff was pulled back by his position and displayed his slim, strong wrist and the lower part of his brown arm lightly covered with fine hairs. The sun shone goldly upon them. Something in Isabel's immobility attracted my attention, and I glanced at her. She was so still that you might have thought her hypnotized. Her breath was hurried. Her eyes were fixed on the sinewy wrist with its little golden hairs and on that long, delicate, but powerful hand, and I have never seen on a human countenance such a hungry concupiscence as I saw then on hers. It was a mask of lust. I would never have believed that her beautiful features could assume an expression of such unbridled sensuality. It was animal rather than human. The beauty was stripped from her face; the look upon it made her hideous and frightening. It horribly suggested the bitch in heat and I felt rather sick.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
Larry has been absorbed, as he wished, into that tumultuous conglomeration of humanity, distracted by so many conflicting interests, so lost in the world's confusion, so wistful of good, so cocksure on the outside, so diffident within, so kind, so hard, so trustful and so cagey, so mean and so generous, which is the people of the United States.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
I'm Breanna Miller. The smart girl. The quiet girl. The one who belongs to a large family. I'm Breanna Miller. Number 5 in the line of 9. The girl who everybody knows and nobody sees. I'm Breanna Miller. A girl who went to Shamrock's and ended up falling in love with Thomas Turner-Razor of the Reign of Terror. The boy who everyone sees and nobody knows. I've been with him for months. I'm in love with him and I don't care who knows.
”
”
Katie McGarry (Walk the Edge (Thunder Road, #2))
“
You Europeans know nothing about America. Because we amass large fortunes you think we care for nothing but money. We are nothing for it; the moment we have it we spend it, sometimes well, sometimes ill, but we spend it. Money is nothing to us; it's merely the symbol of success. We are the greatest idealists in the world; I happen to think that we've set our ideal on the wrong objects; I happen to think that the greatest ideal man can set before himself is self-perfection".
”
”
W. Somerset Maugham (The Razor’s Edge)
“
It was so different than kissing Dancer. Dancer’s kiss was sweet and dreamy and exciting. Ryodan’s kiss had razor edges, sharp and dangerous as the man. Being in Dancer’s arms was like living on the edible planet. Being in Ryodan’s was like stepping into the eye of a cyclone. Dancer was easy laughter and a normal future (sans abrupt death). Ryodan was endless challenge and a future that was impossible to imagine.
Dancer accepted me any way I wanted to be without question. Ryodan made me question myself and pushed me to be the most I could be.
”
”
Karen Marie Moning (Feversong (Fever, #9))
“
What on earth did you want with an early Christian sarcophagus, Elliot?"
"To put myself in it, my dear fellow. It was of very good design, and I thought it would balance the font on the other side of the entrance, but those early Christians were stumpy little fellows and I shouldn't have fitted in. I wasn't going to lie there till the Last Trump with my knees doubled up to my chin like a foetus. Most uncomfortable.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
I found I was able to relieve people not only of pain but of fear. It's strange how many people suffer from it. I don't mean fear of closed spaces and fear of heights, but fear of death and, what's worse, fear of life. Often they're people who seem in the best of health, prosperous, without any worry, and yet they're tortured by it. I've sometimes thought it was the most besetting humour of men, and I asked myself at one time if it was due to some deep animal instinct that man has inherited from that primeval something that first felt the thrill of life.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
He had become so good at holding two truths in his head at once. That he was an Englishman and not. That Professor Lovell was his father and not. That the Chinese were a stupid, backwards people, and that he was also one of them. That he hated Babel, and wanted to live forever in its embrace. He had danced for years on the razor’s edge of these truths, had remained there as a means of survival, a way to cope, unable to accept either side fully because an unflinching examination of the truth was so frightening that the contradictions threatened to break him.
”
”
R.F. Kuang (Babel)
“
He was a boy breaking out and into himself at once. That's what I wanted—not merely the body, desirable as it was, but its will to grow into the very world that rejects its hunger. Then I wanted more, the scent, the atmosphere of him, the taste of French fries and peanut butter under the salve of his tongue, the salt around his neck from two hour drives to nowhere and a Burger King at the edge of the county, a day of tense talk with his old man, the rust from the electric razor he shared with that old man, how I would always find it on the sink in its sad plastic case, the tobacco, weed and cocaine smoke on his fingers mixed with motor oil, all of it accumulating into the afterscent of wood smoke caught and soaked in his hair, as if when he came to me, his mouth wet and wanting, he came from a place on fire, a place he could never return to.
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
Kate slid to her knees, pulling the child’s head to her breast, her mouth in its hair. “Pippa. Pippa, we’re awful fools. What Father means is that truly nothing we have ever done can harm us, and Mr. Crawford has mixed us up with someone else. But you know what unstable-looking parents you have. He doesn’t believe us, but he says he’ll believe you. It’s not very flattering,” said Kate, looking at her daughter with bright eyes, “but you seem to be the one in the family with an honest sort of face, and your father and I must just be thankful for it. Go over to him, darling. I’ll be behind you. And just speak,” she said with an edge like a razor. “Just speak as you would to the dog.
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
There are psychologists who think that consciousness accompanies brain processes and is determined by them but doesn't itself exert any influence on them. Something like the reflection of a tree in water; it couldn't exist without the tree, but it doesn't in any way affect he tree. I think it's all stuff and nonsense to say that there can be love without passion; when people say love can endure after passion is dead they're talking of something else, affection, kindliness, community of taste and interest, and habit . . . Of course there can be desire without love. Desire isn't passion. Desire is the natural consequence of the sexual instinct . . . That's why women are foolish to make a song and dance if their husbands have an occasional flutter when the time and place are propitious . . . what is sauce for the gander is sauce for the goose . . . Unless love is passion, it's not love, but something else; and passion thrives not on satisfaction but impediment . . . When passion seizes the heart it invents reasons that seem not only plausible but conclusive to prove that the world is well lost for love. It convinces you that honor is well sacrificed and that shame is a cheap price to pay. Passion is destructive . . . and if it doesn't destroy it dies. It may be then that one is faced with the desolation of knowing that one has wasted the years of one's life, that one's brought disgrace upon oneself, endured the frightful pang of jealousy, swallowed every bitter mortification, that one's expended all one's tenderness, poured out all the riches of one's soul on a poor drab, a fool, a peg on which one hung one's dreams, who wasn't worth a stick of chewing gum.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
I went back in and grabbed my running clothes, then changed in the bathroom. I opened the door to the bathroom, stopping when I saw Kaidan's toiletry bag on the sink. I was overcome with curiosity about his cologne or aftershave, because I'd never smelled it on anyone else before. Feeling sneaky, I prodded one finger into the bag and peeked. No cologne bottle. Only a razor, shaving cream, toothbrush, toothpaste, and deodorant. I picked up the deodorant, pulled off the lid, and smelled it. Nope, that wasn't it.
The sound of Kaidan's deep chuckle close to the doorway made me scream and drop the deodorant into the sink with a clatter. I smacked one hand to my chest and grabbed the edge of the sink with the other. He laughed out loud now.
“Okay, that must have looked really bad.” I spoke to his reflection in the mirror, then fumbled to pick up the deodorant. I put the lid on and dropped it in his bag. “But I was just trying to figure out what cologne you wear.”
My face was on fire as Kaidan stepped into the small bathroom and leaned against the counter, crossing his arms over his chest. I stepped away. He seemed entertained by my predicament.
“I haven't been wearing any cologne.”
“Oh.” I cleared my throat. “Well, I didn't see any, so I thought it might be your deodorant, but that's not it either. Maybe it's your laundry detergent or something. Let's just forget about it.”
“What is it you smell, exactly?” His voice took on a husky quality, and it felt like he was taking up a lot of room. I couldn't bring myself to look at him. Something strange was going on here. I stepped back, hitting the tub with my heel as I tried to put the scent into words.
“I don't know. It's like citrus and the forest or something...leaves and tree sap. I can't explain it.”
His eyes bored into mine while he wore that trademark sexy smirk, arms still crossed.
“Citrus?” he asked. “Like lemons?”
“Oranges mostly. And a little lime, too.”
He nodded and flicked his head to the side to get hair out of his eyes. Then his smile disappeared and his badge throbbed.
“What you smell are my pheromones, Anna.”
A small, nervous laugh burst from my throat.
“Oh, okay, then. Well...” I eyed the small space that was available to pass through the door. I made an awkward move toward it, but he shifted his body and I stepped back again.
“People can't usually smell pheromones,” he told me. “You must be using your extra senses without realizing it. I've heard of Neph losing control of their senses with certain emotions. Fear, surprise...lust.”
I rubbed my hands up and down my upper arms, wanting nothing more than to veer this conversation out of the danger zone.
“Yeah, I do have a hard time reining in the scent sometimes,” I babbled. “It even gets away from me while I sleep now and then. I wake up thinking Patti's making cinnamon rolls and it ends up being from someone else's apartment. Then I'm just stuck with cereal. Anyway...”
“Would you like to know your own scent?” he asked me.
My heart swelled up big in my chest and squeezed small again. This whole scent thing was way too sensual to be discussed in this small space. Any second now my traitorous body would be emitting some of those pheromones and there'd be red in my aura.
“Uh, not really,” I said, keeping my eyes averted. “I think I should probably go.”
He made no attempt to move out of the doorway.
“You smell like pears with freesia undertones.”
“Wow, okay.” I cleared my throat, still refusing eye contact. I had to get out of there. “I think I'll just...” I pointed to the door and began to shuffle past him, doing my best not to brush up against him. He finally took a step back and put his hands up by his sides to show that he wouldn't touch me. I broke out of the confined bathroom and took a deep breath.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Don’t be a sore loser.’
‘It’s hard to argue with a woman when she’s got her knee on my ego.’
‘Good. Now I’m going to have my way with you.’
‘Are you?’
‘Damn right. I won.’ She cocked her head and reached down to strip off his shirt. ‘Cooperate and I won’t have to hurt you. Uh-uh.’ When he reached for her, she gripped his hands and pushed them back to the mat. ‘I’m in charge here. Don’t make me get out the cuffs.’
‘Hmm. An interesting threat. Why don’t you—’ His words trailed off as her mouth came down on his, hard and hot. Instinctively, his hands flexed under hers, wanting to touch, to take. But he understood she wanted something else, something more. So he would let her find it.
‘I’m going to take you.’ She bit down on his lip, sending an edge of lust razoring through his gut. ‘Do whatever I want to you.’
His mind was already spinning, his breath clogging. ‘Be gentle with me,’ he managed, and felt warmth twine with the heat when she laughed.
‘Dream on.
”
”
J.D. Robb (Immortal in Death (In Death, #3))
“
Can there be anything more stupendous than the [Hindu] conception that the universe has no beginning and no end, but passes everlastingly from growth to equilibrium, from equilibrium to decline, from decline to dissolution, from dissolution to growth, and so on to all eternity?"
"Which presupposes belief in the transmigration of souls."
"It's a belief held by two thirds of the human race."
"The fact that a great many people believe something is no guarantee of its truth."
"No, but at least it makes it worthy of consideration. Christianity absorbed so much of New-Platonism, it might very easily have absorbed that too, and in point of fact there was an early Christian sect that believed in it, but it was declared heretical. Except for that Christians would believe in it as confidently as they believe in the resurrection of Christ."
"Am I right in thinking that it means that the soul passes from body to body in an endless course of experience occasioned by the merit or demerit of previous works?"
"I think so."
"But you see, I'm not only my spirit but my body, and who can decide how much I, my individual self, am conditioned by the accident of my body? Would Byron have been Byron but for his club foot, or Dostoyevski Dostoyevski without his epilepsy?"
"The Indians wouldn't speak of an accident. They would answer that it's your actions in previous lives that have determined your soul to inhabit an imperfect body.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
Gathering her bags, Alani started around the side of her house to the front door.
She drew up short at the sight of Jackson sprawled on her porch steps, a cowboy hat on his head, mirrored sunglasses hiding his eyes.
He didn’t move, and neither did she.
He had an utterly relaxed look about him. But then, Jackson had perfected a deceptively indolent pose that hid razor-sharp reflexes and phenomenal speed.
Last night, all night, he’d been far from indolent.
Breathing fast, Alani studied him. His continued stillness suggested sleep. Even when she inched closer, he didn’t move.
He was now clean-shaven. A white T-shirt was pulled across his wide chest and shoulders, and hung looser around his taut abs.
Awareness stiffened her knees.
Memories of touching his body, tasting hit hot flesh, sent a tide of sensation through her veins. She swallowed audibly—and stared some more.
He sat with his long legs loose, one foot braced on a step, the other stretched out, his elbows back, his breathing deep and even.
Alani licked her lips and started to slowly, silently retreat.
“Don’t make me chase you, darlin’.”
Shock snapped her shoulders back. The big faker! He’d been watching her watch him. Teeth set, Alani asked, “What are you doing here?”
He gave a slow smile. “Whatever it takes . . .
”
”
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
“
[The goal is] "liberation from the bondage of rebirth. According to the Vedantists the self, which they call the atman and we call the soul, is distinct from the body and its senses, distinct from the mind and its intelligence; it is not part of the Absolute, for the Absolute, being infinite, can have no parts but the Absolute itself. It is uncreated; it has existed form eternity and when at least it has cast off the seven veils of ignorance will return to the infinitude from which it came. It is like a drop of water that has arisen from the sea, and in a shower has fallen into a puddle, then drifts into a brook, finds its way into a stream, after that into a river, passing through mountain gorges and wide plains, winding this way and that, obstructed by rocks and fallen trees, till at least it reaches the boundless seas from which it rose."
"But that poor little drop of water, when it has once more become one with the sea, has surely lost its individuality."
Larry grinned.
"You want to taste sugar, you don't want to become sugar. What is individuality but the expression of our egoism? Until the soul has shed the last trace of that it cannot become one with the Absolute."
"You talk very familiarly of the Absolute, Larry, and it's an imposing word. What does it actually signify to you?"
"Reality. You can't say what it is ; you can only say what it isn't. It's inexpressible. The Indians call it Brahman. It's not a person, it's not a thing, it's not a cause. It has no qualities. It transcends permanence and change; whole and part, finite and infinite. It is eternal because its completeness and perfection are unrelated to time. It is truth and freedom."
"Golly," I said to myself, but to Larry: "But how can a purely intellectual conception be a solace to the suffering human race? Men have always wanted a personal God to whom they can turn in their distress for comfort and encouragement."
"It may be that at some far distant day greater insight will show them that they must look for comfort and encouragement in their own souls. I myself think that the need to worship is no more than the survival of an old remembrance of cruel gods that had to be propitiated. I believe that God is within me or nowhere. If that's so, whom or what am I to worship—myself? Men are on different levels of spiritual development, and so the imagination of India has evolved the manifestations of the Absolute that are known as Brahma, Vishnu, Siva and by a hundred other names. The Absolute is in Isvara, the creator and ruler of the world, and it is in the humble fetish before which the peasant in his sun-baked field places the offering of a flower. The multitudinous gods of India are but expedients to lead to the realization that the self is one with the supreme self.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
Hamish Alexander-Harrington knew his wife as only two humans who had both been adopted by a pair
of mated treecats ever could. He'd seen her deal with joy and with sorrow, with happiness and with fury,
with fear, and even with despair. Yet in all the years since their very first meeting at Yeltsin's Star, he
suddenly realized, he had never actually met the woman the newsies called "the Salamander." It wasn't his
fault, a corner of his brain told him, because he'd never been in the right place to meet her. Never at the
right time. He'd never had the chance to stand by her side as she took a wounded heavy cruiser on an
unflinching deathride into the broadside of the battlecruiser waiting to kill it, sailing to her own death, and
her crew's, to protect a planet full of strangers while the rich beauty of Hammerwell's "Salute to Spring"
spilled from her ship's com system. He hadn't stood beside her on the dew-soaked grass of the Landing
City duelling grounds, with a pistol in her hand and vengeance in her heart as she faced the man who'd
bought the murder of her first great love. Just as he hadn't stood on the floor of Steadholders' Hall when
she faced a man with thirty times her fencing experience across the razor-edged steel of their swords,
with the ghosts of Reverend Julius Hanks, the butchered children of Mueller Steading, and her own
murdered steaders at her back.
But now, as he looked into the unyielding flint of his wife's beloved, almond eyes, he knew he'd met the
Salamander at last. And he recognized her as only another warrior could. Yet he also knew in that
moment that for all his own imposing record of victory in battle, he was not and never had been her
equal. As a tactician and a strategist, yes. Even as a fleet commander. But not as the very embodiment of
devastation. Not as the Salamander. Because for all the compassion and gentleness which were so much
a part of her, there was something else inside Honor Alexander-Harrington, as well. Something he himself
had never had. She'd told him, once, that her own temper frightened her. That she sometimes thought she
could have been a monster under the wrong set of circumstances.
And now, as he realized he'd finally met the monster, his heart twisted with sympathy and love, for at last
he understood what she'd been trying to tell him. Understood why she'd bound it with the chains of duty,
and love, of compassion and honor, of pity, because, in a way, she'd been right. Under the wrong
circumstances, she could have been the most terrifying person he had ever met.
In fact, at this moment, she was .
It was a merciless something, her "monster"—something that went far beyond military talent, or skills, or
even courage. Those things, he knew without conceit, he, too, possessed in plenty. But not that deeply
personal something at the core of her, as unstoppable as Juggernaut, merciless and colder than space
itself, that no sane human being would ever willingly rouse. In that instant her husband knew, with an icy
shiver which somehow, perversely, only made him love her even more deeply, that as he gazed into those
agate-hard eyes, he looked into the gates of Hell itself. And whatever anyone else might think, he knew
now that there was no fire in Hell. There was only the handmaiden of death, and ice, and purpose, and a
determination which would not— couldnot—relent or rest.
"I'll miss them," she told him again, still with that dreadful softness, "but I won't forget. I'll never forget,
and one day— oneday, Hamish—we're going to find the people who did this, you and I. And when we
do, the only thing I'll ask of God is that He let them live long enough to know who's killing them.
”
”
David Weber (Mission of Honor (Honor Harrington, #12))
“
Larry smiled a trifle ruefully.
"Like Rolla [who is?], I've come too late into a world too old. I should have been born in the Middle Ages when faith was a matter of course; then my way would have been clear to me and I'd have sought to enter the order. I couldn't believe. I wanted to believe, but I couldn't believe in a God who wasn't better than the ordinary decent man. The monks told me that God had created the world for his glorification. That didn't seem to me a very worthy object. Did Beethoven create his symphonies for his glorification? I don't believe it. I believe he created them because the music in his soul demanded expression and then all he tried to do was to make them as perfect as he knew how.
I used to listen to the monks repeating the Lord's Prayer; I wondered how they could continue to pray without misgiving to their heavenly father to give them their daily bread. Do children beseech their earthly father to give them sustenance? They expect him to do it, they neither feel gratitude to him for doing so nor need to, and we have only blame for a man who brings children into the world that he can't or won't provide for. It seemed to me that if an omnipotent creator was not prepared to provide his creatures with the necessities, material and spiritual, of existence he'd have done better not to create them."
"Dear Larry," I said, "I think it's just as well you weren't born in the Middle ages. You'd undoubtedly have perished at the stake."
He smiled.
"You've had a great deal of success," he went on. "Do you want to be praised to your face?"
"It only embarrasses me."
"That's what I should have thought. I couldn't believe that God wanted it either. We didn't think much in the air corps of a fellow who wangled a cushy job out of his C.O. By buttering him up. It was hard for me to believe that God thought much of a man who tried to wangle salvation by fulsome flattery. I should have thought the worship most pleasing to him was to do your best according to your lights.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
You heard me. Let someone else send you to your blaze of glory. You're a speck, man. You're nothing. You're not worth the bullet or the mark on my soul for taking you out."
You trying to piss me off again, Patrick?" He removed Campbell Rawson from his shoulder and held him aloft.
I tilted my wrist so the cylinder fell into my palm, shrugged. "You're a joke, Gerry. I'm just calling it like I see it."
That so?"
Absolutely." I met his hard eyes with my own. "And you'll be replaced, just like everything else, in maybe a week, tops. Some other dumb, sick shit will come along and kill some people and he'll be all over the papers, and all over Hard Copy and you'll be yesterday's news. Your fifteen minutes are up, Gerry. And they've passed without impact."
They'll remember this," Gerry said. "Believe me."
Gerry clamped back on the trigger. When he met my finger, he looked at me and then clamped down so hard that my finger broke.
I depressed the trigger on the one-shot and nothing happened.
Gerry shrieked louder, and the razor came out of my flesh, then swung back immediately, and I clenched my eyes shut and depressed the trigger frantically three times.
And Gerry's hand exploded.
And so did mine.
The razor hit the ice by my knee as I dropped the one shot and fire roared up the electrical tape and gasoline on Gerry's arm and caught the wisps of Danielle's hair.
Gerry threw his head back and opened his mouth wide and bellowed in ecstasy.
I grabbed the razor, could barely feel it because the nerves in my hand seemed to have stopped working.
I slashed into the electric tape at the end of the shotgun barrel, and Danielle dropped away toward the ice and rolled her head into the frozen sand.
My broken finger came back out of the shotgun and Gerry swung the barrels toward my head.
The twin shotgun bores arced through the darkness like eyes without mercy or soul, and I raised my head to meet them, and Gerry's wail filled my ears as the fire licked at his neck.
Good-bye, I thought. Everyone. It's been nice.
Oscar's first two shots entered the back of Gerry's head and exited through the center of his forehead and a third punched into his back.
The shotgun jerked upward in Gerry's flaming arm and then the shots came from the front, several at once, and Gerry spun like a marionette and pitched toward the ground. The shotgun boomed twice and punched holes through the ice in front of him as he fell.
He landed on his knees and, for a moment, I wasn't sure if he was dead or not. His rusty hair was afire and his head lolled to the left as one eye disappeared in flames but the other shimmered at me through waves of heat, and an amused derision shone in the pupil.
Patrick, the eye said through the gathering smoke, you still know nothing.
Oscar rose up on the other side of Gerry's corpse, Campbell Rawson clutched tight to his massive chest as it rose and fell with great heaving breaths. The sight of it-something so soft and gentle in the arms of something so thick and mountaineous-made me laugh.
Oscar came out of the darkness toward me, stepped around Gerry's burning body, and I felt the waves of heat rise toward me as the circle of gasoline around Gerry caught fire.
Burn, I thought. Burn. God help me, but burn.
Just after Oscar stepped over the outer edge of the circle, it erupted in yellow flame, and I found myself laughing harder as he looked at it, not remotely impressed.
I felt cool lips smack against my ear, and by the time I looked her way, Danielle was already past me, rushing to take her child from Oscar.
His huge shadow loomed over me as he approached, and I looked up at him and he held the look for a long moment.
How you doing, Patrick?" he said and smiled broadly.
And, behind him, Gerry burned on the ice.
And everything was so goddamned funny for some reason, even though I knew it wasn't. I knew it wasn't. I did. But I was still laughing when they put me in the ambulance.
”
”
Dennis Lehane