Rays Shine Quotes

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Get Off The Scale! You are beautiful. Your beauty, just like your capacity for life, happiness, and success, is immeasurable. Day after day, countless people across the globe get on a scale in search of validation of beauty and social acceptance. Get off the scale! I have yet to see a scale that can tell you how enchanting your eyes are. I have yet to see a scale that can show you how wonderful your hair looks when the sun shines its glorious rays on it. I have yet to see a scale that can thank you for your compassion, sense of humor, and contagious smile. Get off the scale because I have yet to see one that can admire you for your perseverance when challenged in life. It’s true, the scale can only give you a numerical reflection of your relationship with gravity. That’s it. It cannot measure beauty, talent, purpose, life force, possibility, strength, or love. Don’t give the scale more power than it has earned. Take note of the number, then get off the scale and live your life. You are beautiful!
Steve Maraboli (Life, the Truth, and Being Free)
Your greatness is revealed not by the lights that shine upon you, but by the light that shines within you.
Ray A. Davis
I don't have a diary, I don't write things into a diary. I imprint myself into the sky and when the sunlight shines brightly, I can stand under the sun's rays and everything I have imprinted of myself into the sky, I will begin to see again, feel again, remember. And when the wind begins to blow, it blows the details over my face, and I remember everything I left in the sky and see new things being born. I am unwritten.
C. JoyBell C.
Despair was a choice. Hatred was a choice. Anger was a choice. I still had choices, and that knowledge rocked me. I may not have had as many Lester had, but I still had some choices. I could choose to give up or to hang on. Hope was a choice. Faith was a choice. And more than anything else, love was a choice. Compassion was a choice.
Anthony Ray Hinton (The Sun Does Shine: How I Found Life and Freedom on Death Row)
Every single one wants to matter. We want our lives, and our stories and the choices we made or didn’t make to matter.
Anthony Ray Hinton (The Sun Does Shine: How I Found Life and Freedom on Death Row)
We are like the moon. The moon shines anyway, but it does not produce its own light. It reflects the light illuminated onto its surface by the Sun and is never proud to say "I am the source of light". God shines through us, hence He deserves the glory; not us.
Israelmore Ayivor
We need to think about the fact that we are all more than the worst thing we have done.
Anthony Ray Hinton (The Sun Does Shine: How I Found Life and Freedom on Death Row)
It all matters. How we live matters. Do we choose love or do we choose hate? Do we help or do we harm? Because there is no way to know the exact second your life changes forever. You can only begin to know that moment by looking in the rearview mirror. And trust me when I tell you when you never, ever see it coming.
Anthony Ray Hinton (The Sun Does Shine: How I Found Life and Freedom on Death Row)
Surely happiness is reflective, like the light of heaven; and every countenance, bright with smiles, and glowing with innocent enjoyment, is a mirror transmitting to others the rays of a supreme and ever-shining benevolence.
Washington Irving (Old Christmas: From the Sketch Book of Washington Irving)
And you, Ring-bearer,’ she said, turning to Frodo. ‘I come to you last who are not last in my thoughts. For you I have prepared this.’ She held up a small crystal phial: it glittered as she moved it, and rays of white light sprang from her hand. ‘In this phial,’ she said, ‘is caught the light of Eärendil’s star, set amid the waters of my fountain. It will shine still brighter when night is about you. May it be a light to you in dark places, when all other lights go out. Remember Galadriel and her Mirror!’ Frodo took the phial, and for a moment as it shone between them, he saw her again standing like a queen, great and beautiful.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
So does a whole world, with all its greatnesses and littlenesses, lie in a twinkling star. And as mere human knowledge can split a ray of light and analyse the manner of its composition, so, sublimer intelligences may read in the feeble shining of this earth of ours, every thought and act, every vice and virtue, of every responsible creature on it.
Charles Dickens (A Tale of Two Cities)
Man is a strange being. He always has a feeling somewhere in his heart that whatever the danger he will pull through. It's just like when on a rainy day you imagine the faint rays of the sun shining on a distant hill.
Shūsaku Endō (Silence)
Everything, I realized, is a choice. And spending your days waiting to die is no way to live.
Anthony Ray Hinton (The Sun Does Shine: How I Found Life and Freedom on Death Row)
I was born with the same gift from God we are all born with – the impulse to reach out and lessen the suffering of another human being. It was a gift, and we each had a choice whether to use this gift or not.
Anthony Ray Hinton (The Sun Does Shine: How I Found Life and Freedom on Death Row)
You have light within you, Styx, and I feel it shining through like the rays of the midday sun. It is beautiful. You are a good man.
Tillie Cole (It Ain't Me, Babe (Hades Hangmen, #1))
He was a poor man in a criminal justice system that treats you better if you are rich and guilty than if you are poor and innocent.
Anthony Ray Hinton (The Sun Does Shine: How I Found Life and Freedom on Death Row)
We have to make every ending be a happy ending.
Anthony Ray Hinton (The Sun Does Shine: How I Found Life and Freedom on Death Row)
Once he went into the mountains on a clear, sunny day, and wandered about for a long time with a tormenting thought that refused to take shape. Before him was the shining sky, below him the lake, around him the horizon, bright and infinite, as if it went on forever. For a long time he looked and suffered. He remembered now how he had stretched out his arms to that bright, infinite blue and wept. What had tormented him was that he was a total stranger to it all. What was this banquet, what was this great everlasting feast, to which he had long been drawn, always, ever since childhood, and which he could never join? Every morning the same bright sun rises; every morning there is a rainbow over the waterfall; every evening the highest snowcapped mountain, there, far away, at the edge of the sky, burns with a crimson flame; every little fly that buzzes near him in a hot ray of sunlight participates in this whole chorus: knows its place, loves it, and is happy; every little blade of grass grows and is happy! And everything has its path, and everything knows its path, goes with a song and comes back with a song; only he knows nothing, understands nothing, neither people nor sounds, a stranger to everything and a castaway.
Fyodor Dostoevsky (The Idiot)
Remember none of us are the worst thing we have done, and right now, wherever you are, whoever you are, you can reach out to your fellow man or woman and bring your own light to the dark places.
Anthony Ray Hinton (The Sun Does Shine: How I Found Life and Freedom on Death Row)
Wow, she doesn't have any bones. Like, at all. Where the f*ck are her bones? Am I still drunk? Did I sleep with a blow-up doll? Again? I pealed my eyes open one at a time so the rays of sun shining in the room wouldn't make me go blind. Once my eyes adjusted to the light, I looked down and groaned. Nope, not drunk, just hugging a pillow.
Tara Sivec
When it’s light versus dark, that doesn’t matter. One shadow in a brightly lit room goes unnoticed, but shine a ray of light into even the darkest corner...and everything changes.
Jeaniene Frost (The Beautiful Ashes (Broken Destiny #1))
In the beginning.. when ray and day hadn't yet come into existence at all, there was a kind of radiance that illuminates universe. That radiance is the light of knowledge and goodness. That radiance will persistently and consistently shines brightly even after all the stars and moons in this vast universe died out.
Toba Beta (My Ancestor Was an Ancient Astronaut)
Martin Luther King once said, “A man can’t ride you unless your back is bent.
Anthony Ray Hinton (The Sun Does Shine: How I Found Life and Freedom on Death Row)
No baby is born a murderer. No toddler dreams of being on death row someday. Every killer on death row was taught to be a killer—by parents, by a system, by the brutality of another brutalized person—but no one was born a killer.
Anthony Ray Hinton (The Sun Does Shine: How I Found Life and Freedom on Death Row)
Even the smallest light shines bright in the darkness
Donna Raye
There’s no sadder place to be in this world than a place where there’s no hope.
Anthony Ray Hinton (The Sun Does Shine: How I Found Life and Freedom on Death Row)
In your eyes I found something that shines brighter than a thousand rays of sunshine.
Giovannie de Sadeleer
...Pain and tragedy and injustice happen - they happen to us all. I'd like to believe it's what you choose to do after such an experience that matters the most - that truly changes your life forever.
Anthony Ray Hinton (The Sun Does Shine: How I Found Life and Freedom on Death Row)
O how all things are far removed and long have passed away. I do believe the star, whose light my face reflects, is dead and has been so for many thousand years. I had a vision of a passing boat and heard some voices saying disquieting things. I heard a clock strike in some distant house... but in which house?... I long to quiet my anxious heart and stand beneath the sky's immensity. I long to pray... And one of all the stars must still exist. I do believe that I would know which one alone endured, and which like a white city stands at the ray's end shining in the heavens.
Rainer Maria Rilke
the bouquet Between me and the world you are a bay, a sail the faithful ends of a rope you are a fountain, a wind, a shrill childhood cry. Between me and the world you are a picture frame, a window a field covered in wildflowers you are a breath, a bed, a night that keeps the stars company. Between me and the world, you are a calendar, a compass a ray of light that slips through the gloom you are a biographical sketch, a book mark a preface that comes at the end. between me and the world you are a gauze curtain, a mist a lamp shining in my dreams you are a bamboo flute, a song without words a closed eyelid carved in stone. Between me and the world you are a chasm, a pool an abyss plunging down you are a balustrade, a wall a shield’s eternal pattern.
Bei Dao
...the moral arc of the universe bends toward justice, but justice needs help. Justice only happens when good people take a stand against injustice. The moral arc of the universe needs people to support it as it bends. And yes, it also needs people to pick a side.
Anthony Ray Hinton (The Sun Does Shine: How I Found Life and Freedom on Death Row)
This is the autumn of wonders, yet every day, every single day, I go back to that burned afternoon in August when T. Ray left. I go back to that one moment when I stood in the driveway with small rocks and clumps of dirt around my feet and looked back at the porch. And there they were. All these mothers. I have more mothers than any eight girls off the street. They are the moons shining over me.
Sue Monk Kidd (The Secret Life of Bees)
Justice only happens when good people take a stand against injustice.
Anthony Ray Hinton (The Sun Does Shine: How I Found Life and Freedom on Death Row)
The snow has not yet left the earth, but spring is already asking to enter your heart. If you have ever recovered from a serious illness, you will be familiar with the blessed state when you are in a delicious state of anticipation, and are liable to smile without any obvious reason. Evidently that is what nature is experiencing just now. The ground is cold, mud and snow squelches under foot, but how cheerful, gentle and inviting everything is! The air is so clear and transparent that if you were to climb to the top of the pigeon loft or the bell tower, you feel you might actually see the whole universe from end to end. The sun is shining brightly, and its playful, beaming rays are bathing in the puddles along with the sparrows. The river is swelling and darkening; it has already woken up and very soon will begin to roar. The trees are bare, but they are already living and breathing.
Anton Chekhov (The Exclamation Mark (Hesperus Classics))
Sometimes it felt like life was more a process of elimination than a series of choices.
Anthony Ray Hinton (The Sun Does Shine: How I Found Life and Freedom on Death Row)
He saw himself in her eyes, suspended in two shining drops of bright water, himself dark and tiny, in fine detail, the lines about his mouth, everything there, as if her eyes were two miraculous bits of violet amber that might capture and hold him intact. Her face, turned to him now, was fragile milk crystal with a soft and constant light in it.
Ray Bradbury (Fahrenheit 451)
We weren’t monsters; we were guys trying to survive the best we could.
Anthony Ray Hinton (The Sun Does Shine: How I Found Life and Freedom on Death Row)
Every life, every story, has peaks and valleys. You are walking through a low spot now. Perhaps it's foggy in the valley. And maybe you can't see the path anymore. But it's there. Keep walking on it. You'll find your way. And when you come through the thicket, with little rabbits hopping about, there will be a clearing, and the sun will be shining down on you with rays that will warm you and inspire you again.
Sarah Jio (Goodnight June)
We need to understand the dangers posed by the politics of fear and anger that create systems like our capital punishment system and the political dynamics that have made some courts and officials act so irresponsibly. We also need to learn about human dignity, about human worth and value. We need to think about the fact that we are all more than the worst thing we have done.
Anthony Ray Hinton (The Sun Does Shine: How I Found Life and Freedom on Death Row)
As she drove, she surprised herself with a sudden laugh. How blind, infinitely blind, she had been to think that men’s inability to see her forty-eight-year-old self was a regret or, worse, a failing on her own part. No, what it really was was a blessing, for that inability had separated the wheat from the chaff. The spotlight was indeed always there but only for someone perceptive enough, brave enough, mature enough to see it still shining above her head.
Ray Smith (The Magnolia That Bloomed Unseen)
Creatures of the Darkness BY VICKI JORDAN It was world of vampires and demons, where innocence was rare and so were the living. It was a world of darkness, where light had been outlawed and nightfall had swallowed us whole. An epic war had been fought, and the creatures of the dark had finally prevailed over the promoters of the light. Finally, for the first time in existence, the people of the shadows could come out and freely walk among one another in the rays of the dying sun, which had once been used to shun them away. A little girl, a child of the light, had survived the battle and crawled out from under the ashes of the destruction. She looked around at her altered world in dismay and confronted a vampire about the changes, of which she did not approve. “Why did you turn my world into a world of night, and make wrong into a new form of right? How could you make all the light disappear, and with it everyone I once loved so dear? Why are the shadows now the new sun, and why is everything lost what you have won?” The vampire looked down at the little girl with amusement and delight. “Because, little girl, this is the real world you see, where there’s no light to shine on false identities. We didn’t destroy the world just to scare; we simply uncovered what was already there. What has come out was all the darkness that was once hidden within, and you’ll soon meet the darkness in you once my fangs pierce your skin.” We are our own greatest fears…..
Chris Colfer (Struck By Lightning: The Carson Phillips Journal (The Land of Stories))
Those huge stars have lasted for millions of years by taking care never to absorb any of the fiery rays lovers all over the world send up at them night after night. To avoid that, the star generates so much heat inside itself that it shatters the rays into a thousand pieces. Any look it receives is immediately repulsed, reflected back onto the earth, like a trick done with mirrors. That is the reason the stars shine so brightly at night.
Laura Esquivel (Like Water for Chocolate)
Overhead the constellations dip and wheel. My divinity shines in me like the last rays of the sun before they drown in the sea. I thought once that gods are the opposite of death, but I see now they are more dead than anything, for they are unchanging, and can hold nothing in their hands. All my life, I have been moving forward, and now I am here. I have a mortal's voice, let me have the rest. I lift the brimming bowl to my lips and drink.
Madeline Miller (Circe)
Being strong means allowing yourself to cry over the things you can't change; laugh when things are funny; smile when you're happy. It means understanding where your breaking point is, and yet, going further and still remaining whole. Strong people push themselves to the limits of pain and joy. They fall to their knees in agony, then they lift up their faces to find the beautiful morning rays shining down on them, and they rise to their feet. Being strong means never giving up, no matter how crushed you are, and finding happiness in the smallest parts of life.
D. Nichole King (Love Always, Kate (Love Always, #1))
I remember that summer we walked up the hill, sat atop on the rocks with time to kill; we let sweet red wine set us aglow, then four drunken eyes watched the sunset show I felt the colors enter my veins: warm light-pink shining golden rays; if there was a hue for happiness, I'm sure I saw it with you then
Aditi Babel (Unsettled)
Despair was a choice. Hatred was a choice. Anger was a choice. I still had choices, and that knowledge rocked me. I may not have had as many Lester had, but I still had some choices. I could choose to give up or to hang on. Hope was a choice. Faith was a choice. And more than anything else, love was a choice. Compassion was a choice.
Anthony Ray Hinton (The Sun Does Shine: How I Found Life and Freedom on Death Row)
The clear light of the library was slanting in through the glass-paneled doorway to my right, falling on the table between my tutor and me and on dust motes hung in the air. The tiny flecks drew my eye, and I watched as they dipped and swirled in invisible currents. "They are beautiful in the light, are they not?" my tutor asked. They were, catching the sun and shining like tiny stars themselves. "You know, there are just as many outside the sun's rays that are invisible," she said. Then, in the way of dreams, she lifted her hand into the air and moved a single dust mote into the light. "And you?" she asked. She lifted her hand again, just beyond the edge of the light, and I knew she held another mote and could move it as easily into the way of the sun, and I said, "No, thank you. I am content where I am.
Megan Whalen Turner (A Conspiracy of Kings (The Queen's Thief, #4))
You going to have people dislike you because of whatever reason they find to dislike you. That’s just how the world is. But you have to be knowing that you are responsible for how you treat others, you’re not responsible for how they treat you. Do you understand? I don’t care what people say about you—you don’t drop down to their level. You always treat someone better than what they treat you. Always.
Anthony Ray Hinton (The Sun Does Shine: How I Found Life and Freedom on Death Row)
I looked up then, out the far window, and there, just within sight, the sun was going down across the river. It was dull red, no longer shining over the land, its ray brought home to roost, contained within its sphere. The sky was streaked with lavendar, a pulsing pale blue, purple and smudged pink and orange melding into one another all the way to the horizon.
Jane Hamilton (A Map of the World)
To Selene (Moon) Hear, Goddess queen, diffusing silver light, bull-horn'd and wand'ring thro' the gloom of Night. With stars surrounded, and with circuit wide Night's torch extending, thro' the heav'ns you ride: Female and Male with borrow'd rays you shine, and now full-orb'd, now tending to decline. Mother of ages, fruit-producing Moon [Mene], whose amber orb makes Night's reflected noon: Lover of horses, splendid, queen of Night, all-seeing pow'r bedeck'd with starry light. Lover of vigilance, the foe of strife, in peace rejoicing, and a prudent life: Fair lamp of Night, its ornament and friend, who giv'st to Nature's works their destin'd end. Queen of the stars, all-wife Diana hail! Deck'd with a graceful robe and shining veil; Come, blessed Goddess, prudent, starry, bright, come moony-lamp with chaste and splendid light, Shine on these sacred rites with prosp'rous rays, and pleas'd accept thy suppliant's mystic praise.
Orpheus
Chateau and hut, stone face and dangling figure, the red stain on the stone floor, and the pure water in the village well--thousands of acres of land--a whole province of France--all France itself--lay under the night sky, concentrated into a faint hairbreadth line. So does a whole world, with all its greatnesses and littlenesses, lie in a twinkling star. And as mere human knowledge can split a ray of light and analyse the manner of its composition, so, sublimer intelligences may read in the feeble shining of this earth of ours, every thought and act, every vice and virtue, of every responsible creature on it.
Charles Dickens (A Tale of Two Cities)
Enlightenment, or Nirvana, is nothing other than the state beyond all obstacles, in the same way that from the peak of a very high mountain one always sees the sun. Nirvana is not a paradise or some special place of happiness, but is in fact the condition beyond all dualistic concepts, including those of happiness and suffering. When all our obstacles have been overcome, and we find ourselves in a state of total presence, the wisdom of enlightenment manifests spontaneously without limits, just like the infinite rays of the sun. The clouds have dissolved, and the sun is finally free to shine once again.
Namkhai Norbu (Dzogchen: The Self-Perfected State)
Midway in our life’s journey, I went astray from the straight road and woke to find myself alone in a dark wood. How shall I say   what wood that was! I never saw so drear, so rank, so arduous a wilderness! Its very memory gives a shape to fear.   Death could scarce be more bitter than that place! But since it came to good, I will recount all that I found revealed there by God’s grace.   How I came to it I cannot rightly say, so drugged and loose with sleep had I become when I first wandered there from the True Way.   But at the far end of that valley of evil whose maze had sapped my very heart with fear! I found myself before a little hill (15)   and lifted up my eyes. Its shoulders glowed already with the sweet rays of that planet whose virtue leads men straight on every road,   and the shining strengthened me against the fright whose agony had wracked the lake of my heart through all the terrors of that piteous night.
Dante Alighieri (Inferno)
How the moon triumphs through the endless nights! How the stars throb and glitter as they wheel Their thick processions of supernal lights Around the blue vault obdurate as steel! And men regard with passionate awe and yearning The mighty marching and the golden burning, And think the heavens respond to what they feel. Boats gliding like dark shadows of a dream Are glorified from vision as they pass The quivering moonbridge on the deep black stream; Cold windows kindle their dead glooms of glass To restless crystals; cornice dome and column Emerge from chaos in the splendour solemn; Like faery lakes gleam lawns of dewy grass. With such a living light these dead eyes shine, These eyes of sightless heaven, that as we gaze We read a pity, tremulous, divine, Or cold majestic scorn in their pure rays: Fond man! they are not haughty, are not tender; There is no heart or mind in all their splendour, They thread mere puppets all their marvellous maze.
James Thomson (The City of Dreadful Night)
You massage the universe's spine the way you twirl through time and leave shadows on the sun. My love is the wind song. If it is up to me, I'll never die. If it is up to me, I'll die tomorrow a thousand times in an hour and live seven minutes later. If it is up to me, the sun wll never cease to shine and the moon will never cease to glow and I'll dance a million tomorrows in the sun rays of the moon waves and bath in the yesterdays of the days to come, ignoring all of my afterthoughts and preconceived notions. If it is up to me, it is up to me. And thus is my love. Untainted. Eternal. The wind is the moon's imagination. Wandering. It seeps through cracks, ripples the grass, explores the unknown. My love is my soul's imagination. How do I love you? Imagine.
Saul Williams
One night he sits up. In cots around him are a few dozen sick or wounded. A warm September wind pours across the countryside and sets the walls of the tent rippling. Werner’s head swivels lightly on his neck. The wind is strong and gusting stronger, and the corners of the tent strain against their guy ropes, and where the flaps at the two ends come up, he can see trees buck and sway. Everything rustles. Werner zips his old notebook and the little house into his duffel and the man beside him murmurs questions to himself and the rest of the ruined company sleeps. Even Werner’s thirst has faded. He feels only the raw, impassive surge of the moonlight as it strikes the tent above him and scatters. Out there, through the open flaps of the tent, clouds hurtle above treetops. Toward Germany, toward home. Silver and blue, blue and silver. Sheets of paper tumble down the rows of cots, and in Werner’s chest comes a quickening. He sees Frau Elena kneel beside the coal stove and bank up the fire. Children in their beds. Baby Jutta sleeps in her cradle. His father lights a lamp, steps into an elevator, and disappears. The voice of Volkheimer: What you could be. Werner’s body seems to have gone weightless under his blanket, and beyond the flapping tent doors, the trees dance and the clouds keep up their huge billowing march, and he swings first one leg and then the other off the edge of the bed. “Ernst,” says the man beside him. “Ernst.” But there is no Ernst; the men in the cots do not reply; the American soldier at the door of the tent sleeps. Werner walks past him into the grass. The wind moves through his undershirt. He is a kite, a balloon. Once, he and Jutta built a little sailboat from scraps of wood and carried it to the river. Jutta painted the vessel in ecstatic purples and greens, and she set it on the water with great formality. But the boat sagged as soon as the current got hold of it. It floated downstream, out of reach, and the flat black water swallowed it. Jutta blinked at Werner with wet eyes, pulling at the battered loops of yarn in her sweater. “It’s all right,” he told her. “Things hardly ever work on the first try. We’ll make another, a better one.” Did they? He hopes they did. He seems to remember a little boat—a more seaworthy one—gliding down a river. It sailed around a bend and left them behind. Didn’t it? The moonlight shines and billows; the broken clouds scud above the trees. Leaves fly everywhere. But the moonlight stays unmoved by the wind, passing through clouds, through air, in what seems to Werner like impossibly slow, imperturbable rays. They hang across the buckling grass. Why doesn’t the wind move the light? Across the field, an American watches a boy leave the sick tent and move against the background of the trees. He sits up. He raises his hand. “Stop,” he calls. “Halt,” he calls. But Werner has crossed the edge of the field, where he steps on a trigger land mine set there by his own army three months before, and disappears in a fountain of earth.
Anthony Doerr (All the Light We Cannot See)
The graveyard was at the top of the hill. It looked over all of the town. The town was hills - hills that issued down in trickles and then creeks and then rivers of cobblestone into the town, to flood the town with rough and beautiful stone that had been polished into smooth flatness over the centuries. It was a pointed irony that the very best view of the town could be had from the cemetery hill, where high, thick walls surrounded a collection of tombstones like wedding cakes, frosted with white angels and iced with ribbons and scrolls, one against another, toppling, shining cold. It was like a cake confectioner's yard. Some tombs were big as beds. From here, on freezing evenings, you could look down at the candle-lit valley, hear dogs bark, sharp as tuning forks banged on a flat stone, see all the funeral processions coming up the hill in the dark, coffins balanced on shoulders. ("The Candy Skull")
Ray Bradbury
I dreamed I stood upon a little hill, And at my feet there lay a ground, that seemed Like a waste garden, flowering at its will With buds and blossoms. There were pools that dreamed Black and unruffled; there were white lilies A few, and crocuses, and violets Purple or pale, snake-like fritillaries Scarce seen for the rank grass, and through green nets Blue eyes of shy peryenche winked in the sun. And there were curious flowers, before unknown, Flowers that were stained with moonlight, or with shades Of Nature's willful moods; and here a one That had drunk in the transitory tone Of one brief moment in a sunset; blades Of grass that in an hundred springs had been Slowly but exquisitely nurtured by the stars, And watered with the scented dew long cupped In lilies, that for rays of sun had seen Only God's glory, for never a sunrise mars The luminous air of Heaven. Beyond, abrupt, A grey stone wall. o'ergrown with velvet moss Uprose; and gazing I stood long, all mazed To see a place so strange, so sweet, so fair. And as I stood and marvelled, lo! across The garden came a youth; one hand he raised To shield him from the sun, his wind-tossed hair Was twined with flowers, and in his hand he bore A purple bunch of bursting grapes, his eyes Were clear as crystal, naked all was he, White as the snow on pathless mountains frore, Red were his lips as red wine-spilith that dyes A marble floor, his brow chalcedony. And he came near me, with his lips uncurled And kind, and caught my hand and kissed my mouth, And gave me grapes to eat, and said, 'Sweet friend, Come I will show thee shadows of the world And images of life. See from the South Comes the pale pageant that hath never an end.' And lo! within the garden of my dream I saw two walking on a shining plain Of golden light. The one did joyous seem And fair and blooming, and a sweet refrain Came from his lips; he sang of pretty maids And joyous love of comely girl and boy, His eyes were bright, and 'mid the dancing blades Of golden grass his feet did trip for joy; And in his hand he held an ivory lute With strings of gold that were as maidens' hair, And sang with voice as tuneful as a flute, And round his neck three chains of roses were. But he that was his comrade walked aside; He was full sad and sweet, and his large eyes Were strange with wondrous brightness, staring wide With gazing; and he sighed with many sighs That moved me, and his cheeks were wan and white Like pallid lilies, and his lips were red Like poppies, and his hands he clenched tight, And yet again unclenched, and his head Was wreathed with moon-flowers pale as lips of death. A purple robe he wore, o'erwrought in gold With the device of a great snake, whose breath Was fiery flame: which when I did behold I fell a-weeping, and I cried, 'Sweet youth, Tell me why, sad and sighing, thou dost rove These pleasent realms? I pray thee speak me sooth What is thy name?' He said, 'My name is Love.' Then straight the first did turn himself to me And cried, 'He lieth, for his name is Shame, But I am Love, and I was wont to be Alone in this fair garden, till he came Unasked by night; I am true Love, I fill The hearts of boy and girl with mutual flame.' Then sighing, said the other, 'Have thy will, I am the love that dare not speak its name.
Alfred Bruce Douglas
These tarnished rays, this night-smudged light — This is not that Dawn for which, ravished with freedom, we had set out in sheer longing, so sure that somewhere in its desert the sky harbored a final haven for the stars, and we would find it. We had no doubt that night’s vagrant wave would stray towards the shore, that the heart rocked with sorrow would at last reach its port. Friends, our blood shaped its own mysterious roads. When hands tugged at our sleeves, enticing us to stay, and from wondrous chambers Sirens cried out with their beguiling arms, with their bare bodies, our eyes remained fixed on that beckoning Dawn, forever vivid in her muslins of transparent light. Our blood was young — what could hold us back? Now listen to the terrible rampant lie: Light has forever been severed from the Dark; our feet, it is heard, are now one with their goal. See our leaders polish their manner clean of our suffering: Indeed, we must confess only to bliss; we must surrender any utterance for the Beloved — all yearning is outlawed. But the heart, the eye, the yet deeper heart — Still ablaze for the Beloved, their turmoil shines. In the lantern by the road the flame is stalled for news: Did the morning breeze ever come? Where has it gone? Night weighs us down, it still weighs us down. Friends, come away from this false light. Come, we must search for that promised Dawn.
Faiz Ahmad Faiz
We which were Ovids five books, now are three, For these before the rest preferreth he: If reading five thou plainst of tediousnesse, Two tane away, thy labor will be lesse: With Muse upreard I meant to sing of armes, Choosing a subject fit for feirse alarmes: Both verses were alike till Love (men say) Began to smile and tooke one foote away. Rash boy, who gave thee power to change a line? We are the Muses prophets, none of thine. What if thy Mother take Dianas bowe, Shall Dian fanne when love begins to glowe? In wooddie groves ist meete that Ceres Raigne, And quiver bearing Dian till the plaine: Who'le set the faire treste sunne in battell ray, While Mars doth take the Aonian harpe to play? Great are thy kingdomes, over strong and large, Ambitious Imp, why seekst thou further charge? Are all things thine? the Muses Tempe thine? Then scarse can Phoebus say, this harpe is mine. When in this workes first verse I trod aloft, Love slackt my Muse, and made my numbers soft. I have no mistris, nor no favorit, Being fittest matter for a wanton wit, Thus I complaind, but Love unlockt his quiver, Tooke out the shaft, ordaind my hart to shiver: And bent his sinewy bow upon his knee, Saying, Poet heers a worke beseeming thee. Oh woe is me, he never shootes but hits, I burne, love in my idle bosome sits. Let my first verse be sixe, my last five feete, Fare well sterne warre, for blunter Poets meete. Elegian Muse, that warblest amorous laies, Girt my shine browe with sea banke mirtle praise. -- P. Ovidii Nasonis Amorum Liber Primus ELEGIA 1 (Quemadmodum a Cupidine, pro bellis amores scribere coactus sit)
Christopher Marlowe (The Complete Poems and Translations (English Poets))