Raymond's Run Quotes

A hero is someone who simply got too frightened to use his good sense and run away, then somehow lived through it all.

(M)aybe we too busy being flowers or fairies or strawberries instead of something honest and worthy of respect . . . you know . . . like being people.

How far would you run with a piece of lead in your heart?

I was well aware of her ghosts. I'd met them, once or twice, during her darkness nights. "I knew you were my one when you wouldn't run," she said. How could I? Of course I stayed, when her ghosts scared my own away. What others were too afraid to see, meant everything to me.

Being a copper I like to see the law win. I'd like to see the flashy well-dressed mugs like Eddie Mars spoiling their manicures in the rock quarry at Folsom, alongside of the poor little slum-bred guys that got knocked over on their first caper amd never had a break since. That's what I'd like. You and me both lived too long to think I'm likely to see it happen. Not in this town, not in any town half this size, in any part of this wide, green and beautiful U.S.A. We just don't run our country that way.

When I got home I mixed a stiff one and stood by the open window in the living room and sipped it and listened to the groundswell of traffic on Laurel Canyon Boulevard and looked at the glare of the big angry city hanging over the shoulder of the hills through which the boulevard had been cut. Far off the banshee wail of police or fire sirens rose and fell, never for very long completely silent. Twenty four hours a day somebody is running, somebody else is trying to catch him. Out there in the night of a thousand crimes, people were dying, being maimed, cut by flying glass, crushed against steering wheels or under heavy tires. People were being beaten, robbed, strangled, raped, and murdered. People were hungry, sick; bored, desperate with loneliness or remorse or fear, angry, cruel, feverish, shaken by sobs. A city no worse than others, a city rich and vigorous and full of pride, a city lost and beaten and full of emptiness. It all depends on where you sit and what your own private score is. I didn't have one. I didn't care. I finished the drink and went to bed.

We stand there with this big smile of respect between us. It’s about as real a smile as girls can do for each other, considering we don’t practice real smiling every day, you know, cause maybe we too busy being flowers or fairies or strawberries instead of something honest and worthy of respect . . . you know . . . like being people.

But psychology is a more tricky field, in which even outstanding authorities have been known to run in circles, 'describing things which everyone knows in language which no one understands'.

Fear of seeing a police car pull into the drive. Fear of falling asleep at night. Fear of not falling asleep. Fear of the past rising up. Fear of the present taking flight. Fear of the telephone that rings in the dead of night. Fear of electrical storms. Fear of the cleaning woman who has a spot on her cheek! Fear of dogs I've been told won't bite. Fear of anxiety! Fear of having to identify the body of a dead friend. Fear of running out of money. Fear of having too much, though people will not believe this. Fear of psychological profiles. Fear of being late and fear of arriving before anyone else. Fear of my children's handwriting on envelopes. Fear they'll die before I do, and I'll feel guilty. Fear of having to live with my mother in her old age, and mine. Fear of confusion. Fear this day will end on an unhappy note. Fear of waking up to find you gone. Fear of not loving and fear of not loving enough. Fear that what I love will prove lethal to those I love. Fear of death. Fear of living too long. Fear of death. I've said that.

Got any good ideas, soldier?” “Lots of them. Somebody gunned Geiger. Somebody got gunned by Geiger, who ran away. Or it was two other fellows. Or Geiger was running a cult and made blood sacrifices in front of that totem pole. Or he had chicken for dinner and liked to kill his chickens in the front parlor.

Eric Raymond says, "Good programmers know what to write. Great ones know what to reuse.

I caught the rest of it in one of those snob columns in the society section of the paper. I don't read them often, only when I run out of things to dislike......I threw the paper into the corner and turned on the TV set. After the society page dog vomit even the wrestlers looked good.

It's goddamned funny in this police racket how an old woman can look out of a window and see a guy running and pick him out of a line-up six months later, but we can show hotel help a clear photo and they just can't be sure.' 'That's one of the qualifications for good hotel help,' I said.

Grief" Woke up early this morning and from my bed looked far across the Strait to see a small boat moving through the choppy water, a single running light on. Remembered my friend who used to shout his dead wife’s name from hilltops around Perugia. Who set a plate for her at his simple table long after she was gone. And opened the windows so she could have fresh air. Such display I found embarrassing. So did his other friends. I couldn’t see it. Not until this morning.

Well, George Anson Phillips is a kind of pathetic case... He was the sort of cop who would be likely to hang a pinch on a chicken thief, if he saw the guy steal the chicken and the guy fell down running away and hit his head on a post or something and knocked himself out. Otherwise it might get a little tough and George would have to go back to the office for instructions.

In the modern world it is not bricks and roads, cannon and swords that define power. No; it is paper. Books of law, deeds of ownership, writs of forbiddance and permission. Titles of lordship, directives of the king's sub-Ministry for Associated Trade. Memoranda from that last desk alone could sink and shake kingdoms, decide the fates of thousands across the sea. Ink runs thicker than blood. Paper: more powerful than an army or the pox.

Remember, never rely on one plan, Tal. Always have two or more in place when you undertake something perilous. If the first one fails, go to the second plan. If the second plan fails, go to the third.” “If the third plan fails, Your Grace?” Kaspar laughed. “Then run like hell if you’re still alive.

All the way home, his wound pulsing with every hearbeat, he had cursed himself for a fool. How could he think she loved him? He had never been loved in his life, save perhaps by Erik and the other men who had served with him across the sea, and that was the love of comrades. He had never known the love of women, just their embrace. Twice he had found tears running down his face...

Rural Reflections" This is the grass your feet are planted on. You paint it orange or you sing it green, But you have never found A way to make the grass mean what you mean. A cloud can be whatever you intend: Ostrich or leaning tower or staring eye. But you have never found A cloud sufficient to express the sky. Get out there with your splendid expertise; Raymond who cuts the meadow does not less. Inhuman nature says: Inhuman patience is the true success. Human impatience trips you as you run; Stand still and you must lie. It is the grass that cuts the mower down; It is the cloud that swallows up the sky.

Then i don't know I remembered how he was when he was nineteen, the way he looked, running across this field to where his dad sat on a tractor, hand over his eyes, watching Wes run toward him - Chef's House

Climbing in the Spirit is accompanied by kneeling, and not by running; by surrender, and not by determination. Despair of self leads to utter desperation; but beyond these mists lies the sunshine of God's presence.

Chandu the Magician was among the first and last shows of its kind, in two distinct runs separated by 12 years of silence. Partners Raymond R. Morgan and Harry A. Earnshaw were brainstorming in 1931, looking for a new radio idea, when Earnshaw mentioned the public’s high interest in magic. They created Frank Chandler, who would fight the world’s evil forces with occult powers and a far-reaching crystal ball. Evil was personified in Roxor, a villain who dominated both runs.

All these men afraid of bein’ crowded, ain’t they? They need all this room, they afraid some woman gonna crawl in their head and take over. Well, surprise, surprise. Ain’t nobody crawlin’ in there ’cept you, honey, and you get older and older and it get stuffy in there. Let me tell you, you afraid of other folks takin’ away your elbow room, well, just relax. You born alone, you die alone, and you get any kind of company in between, you one lucky boy. Bein’ by yourself ain’t no accomplishment. Ain’t like being no kind of hero. Ray, see, Ray sho ’nough figures he gettin’ away with somethin’, understand me? He think he a clever boy, runnin’ round with whores, gettin’ diseases, drinkin’ his heart out till five in the a.m. Lucky Ray, huh? Well, what Raymond Harris gettin’ away with is not see his kids grow up, and when he do come back they call him Mr. Harris ’steada Daddy, and they shake his hand ’steada kiss his cheek, and they spit when he turn his back. And I spit, too, though I’ll take him in again and love him, ’cause that’s what I’s here to do. But I spit anyways, ’cause he such a dumb sucker, understand me? ’Less stupid ole Ray Harris die by hisself in some alleyway. Sho, run away. Best way in the world to be nothin’. Risk endin’ up croaked by garbage cans, when he could die in my arms?” Leonia put her coffee cup in its saucer, and it rattled softly. “That no way to be the big man, baby. That just be dumb and sad. You got me?

Once we obtain high-quality foods, we still must prepare them properly. The first step in nontoxic food preparation is to wash or peel foods in order to remove agricultural chemicals, bacteria and molds. Waxed foods (such as most cucumbers, eggplant, turnips and apples) definitely should be peeled, because the wax often is covering surface residues of pesticides and fungicides that are applied before the wax is applied; also, questions abound about the safety of some of the waxes. For foods that cannot be peeled, washing under running water for a minute or two does a relatively good cleaning job; using a pure, liquid castile soap (a mild soap made from olive oil and sodium hydroxide) cleans even better. For foods like lettuce,

What I like about this place is everything runs so true to type,” I said. “The cop on the gate, the shine on the door, the cigarette and check girls, the fat greasy sensual Jew with the tall stately bored showgirl, the well-dressed, drunk and horribly rude director cursing the barman, the silent guy with the gun, the night club owner with the soft gray hair and the B-picture mannerisms, and now you—the tall dark torcher with the negligent sneer, the husky voice, the hard-boiled vocabulary.

It is God's money, I let it flow in, I let it flow out. As I release it, I know that it comes back to me, pressed down, shaken together and running over. "The Lord is my shepherd, I shall not want." I am now free in money. I rejoice in it. I appreciate it, and

In every interview I’m asked what’s the most important quality a novelist has to have. It’s pretty obvious: talent. Now matter how much enthusiasm and effort you put into writing, if you totally lack literary talent you can forget about being a novelist. This is more of a prerequisite than a necessary quality. If you don’t have any fuel, even the best car won’t run.The problem with talent, though, is that in most cases the person involved can’t control its amount or quality. You might find the amount isn’t enough and you want to increase it, or you might try to be frugal and make it last longer, but in neither case do things work out that easily. Talent has a mind of its own and wells up when it wants to, and once it dries up, that’s it. Of course, certain poets and rock singers whose genius went out in a blaze of glory—people like Schubert and Mozart, whose dramatic early deaths turned them into legends—have a certain appeal, but for the vast majority of us this isn’t the model we follow. If I’m asked what the next most important quality is for a novelist, that’s easy too: focus—the ability to concentrate all your limited talents on whatever’s critical at the moment. Without that you can’t accomplish anything of value, while, if you can focus effectively, you’ll be able to compensate for an erratic talent or even a shortage of it. I generally concentrate on work for three or four hours every morning. I sit at my desk and focus totally on what I’m writing. I don’t see anything else, I don’t think about anything else. … After focus, the next most important thing for a novelist is, hands down, endurance. If you concentrate on writing three or four hours a day and feel tired after a week of this, you’re not going to be able to write a long work. What’s needed of the writer of fiction—at least one who hopes to write a novel—is the energy to focus every day for half a year, or a year, or two years. … Fortunately, these two disciplines—focus and endurance—are different from talent, since they can be acquired and sharpened through training. You’ll naturally learn both concentration and endurance when you sit down every day at your desk and train yourself to focus on one point. This is a lot like the training of muscles I wrote of a moment ago. You have to continually transmit the object of your focus to your entire body, and make sure it thoroughly assimilates the information necessary for you to write every single day and concentrate on the work at hand. And gradually you’ll expand the limits of what you’re able to do. Almost imperceptibly you’ll make the bar rise. This involves the same process as jogging every day to strengthen your muscles and develop a runner’s physique. Add a stimulus and keep it up. And repeat. Patience is a must in this process, but I guarantee results will come. In private correspondence the great mystery writer Raymond Chandler once confessed that even if he didn’t write anything, he made sure he sat down at his desk every single day and concentrated. I understand the purpose behind his doing this. This is the way Chandler gave himself the physical stamina a professional writer needs, quietly strengthening his willpower. This sort of daily training was indispensable to him. … Most of what I know about writing I’ve learned through running every day. These are practical, physical lessons. How much can I push myself? How much rest is appropriate—and how much is too much? How far can I take something and still keep it decent and consistent? When does it become narrow-minded and inflexible? How much should I be aware of the world outside, and how much should I focus on my inner world? To what extent should I be confident in my abilities, and when should I start doubting myself? I know that if I hadn’t become a long-distance runner when I became a novelist, my work would have been vastly different. How different? Hard to say. But something would definitely have been different.

In December, Angela Lansbury had been signed to play Raymond’s mother, the arch-villainess Eleanor Shaw Iselin. Apparently, Sinatra originally wanted Lucille Ball for the role, a fascinating casting notion, as Tom Santopietro points out: “As Ball aged, she grew into an increasingly hardened performer, losing all traces of the vulnerability that so informed her brilliant multiyear run on television’s I Love Lucy. The resulting quality of toughness would have suited the role of [Eleanor] very well, although it is anyone’s guess whether or not Ball would have felt comfortable delving into the dark recesses of [her] warped character.

Twenty-four hours a day somebody is running, somebody else is trying to catch him. Out there in the night of a thousand crimes people were dying, being maimed, cut by flying class, crushed against steering wheels or under heavy tires. People were being beaten, robbed, strangled, raped, and murdered. People were hungry, sick; bored, desperate with loneliness or remorse or fear, angry, cruel feverish, shaken by sobs. A city no worse than others, a city rich and vigorous and full of pride, a city lost and beaten and full of emptiness. It all depends on where you sit and what your own private score is. I didn't have one. I didn't care.

Cities have characters, pathologies that can make or destroy or infect you, states of mind that run through daily life as surely as a fault line. Chandler’s “mysterious something” was a mood of disenchantment, an intense spiritual malaise that identified itself with Los Angeles at a particular time, what we call noir. On the one hand noir is a narrow film genre, born in Hollywood in the late 1930s when European visual style, the twisted perspectives and stark chiaroscuros of German Expressionism, met an American literary idiom. This fruitful comingling gave birth to movies like Double Indemnity, directed by Vienna-born Billy Wilder and scripted by Raymond Chandler from a James M. Cain novella. The themes — murderous sex and the cool, intricate amorality of money — rose directly from the psychic mulch of Southern California. But L.A. is a city of big dreams and cruelly inevitable disappointments where noir is more than just a slice of cinema history; it’s a counter-tradition, the dark lens through which the booster myths came to be viewed, a disillusion that shadows even the best of times, an alienation that assails the sense like the harsh glitter of mica in the sidewalk on a pitiless Santa Ana day. Noir — in this sense a perspective on history and often a substitute for it — was born when the Roaring Twenties blew themselves out and hard times rushed in; it crystallized real-life events and the writhing collapse of the national economy before finding its interpreters in writers like Raymond Chandler.

One day a boy asked his father, “What is the value of this life?” Instead of answering, the father told his son, “Take this rock and go offer it at a market, however do not accept any offer and bring the rock back to me. If anybody asks the price, raise two fingers and don’t say anything.”The boy then went to the market and a man asked,”How much is this rock? I want to put it in my garden.” The boy didn’t say anything and raised two fingers, so the man said… “$2? I’ll take it.” And the boy went home and told his father, “A man at the market wants to buy this rock for $2.” The father then said, “Son I want you to take this rock to the museum, and if you are asked the price, raise two fingers and don’t say a word.” The boy then went to the museum, and quickly a man wanted to buy the rock, The boy didn’t say anything and raised two fingers and the man said… “$200? I’ll take it.” The boy was shocked and went running home with the rock in hand, “Father a man wants to buy this rock for $200.” His father then said, “There is one last place I’d like you to offer this rock, take it to the precious stone store and show it only to the owner and don’t say a word, if he asks the price raise two fingers.” The son then went to the precious stone store and showed the rock to the owner. “Where did you find this?” The owner asked, “This is a most precious unpolished gem, one of the most valuable in the whole world, I must have it. What price would you take for it?” The boy didn’t say anything and raised two fingers to which the man replied “Two million dollars? That is a bargain, I’ll take it!” The boy not knowing what to say went breathlessly running home to his father anxiously clutching this now priceless gem, terrified that he might lose it, “Father there is a man who wants to buy this rock for two million dollars!!!” The father then said, “Son you have been carrying in your hands, one of the most precious objects of our people, it is truly priceless!” The father then said, “Son do you now know the value of your life?” To which the son replied… 'The value of my life, is much like this rock, it depends on who it is offered to. Some place a value of $2, others $200, and still others two million dollars. I must surround myself with other precious Souls who recognize the greatest value of my life, because it is my most precious possession, and I must not allow it to be under valued, it’s true value is priceless.' " In reply the father said, " Son you have actually held in your possession the TWO most precious things that our people have, one is the stone and the other is YOU, that is why I asked you to hold up TWO fingers" What is the value of this life??? Priceless!

   "I still can't manage to watch the big hand for more than four minutes," said Valentin, indicating Poucier's clock with a look.    The other, following the movement of Valentin's eyes, remained open-mouthed; but he turned smartly back to Valentin when the latter continued:    "After that time, either it's as if I was falling asleep, I don't know what I'm thinking any more and time passes and escapes my control, or else I'm invaded by images, my attention wanders, and it comes to the same thing; time has run out without my feeling it melt away through my fingers."    Jean-Lockwit nodded understandingly.    "Pra, pra, pra, pra," said he, "pra, pra, pra, pra, pra, pra, pra, pra, pra."    Dreaming, he repeated this phrase once again.    "I watch time," said Valentin, "but sometimes I kill it. That isn't what I want."    The other raised his arms into the air, and let them fall again with lassitude and compassion.

My Death If I’m lucky, I’ll be wired every whichway in a hospital bed. Tubes running into my nose. But try not to be scared of me, friends! I’m telling you right now that this is okay. It’s little enough to ask for at the end. Someone, I hope, will have phoned everyone to say, “Come quick, he’s failing!” And they will come. And there will be time for me to bid goodbye to each of my loved ones. If I’m lucky, they’ll step forward and I’ll be able to see them one last time and take that memory with me. Sure, they might lay eyes on me and want to run away and howl. But instead, since they love me, they’ll lift my hand and say “Courage” or “It’s going to be all right.” And they’re right. It is all right. It’s just fine. If you only knew how happy you’ve made me! I just hope my luck holds, and I can make some sign of recognition. Open and close my eyes as if to say, “Yes, I hear you. I understand you.” I may even manage something like this: “I love you too. Be happy.” I hope so! But I don’t want to ask for too much. If I’m unlucky, as I deserve, well, I’ll just drop over, like that, without any chance for farewell, or to press anyone’s hand. Or say how much I cared for you and enjoyed your company all these years. In any case, try not to mourn for me too much. I want you to know I was happy when I was here. And remember I told you this a while ago—April 1984. But be glad for me if I can die in the presence of friends and family. If this happens, believe me, I came out ahead. I didn’t lose this one.

Both C.K. and Bieber are extremely gifted performers. Both climbed to the top of their industry, and in fact, both ultimately used the Internet to get big. But somehow Bieber “made it” in one-fifteenth of the time. How did he climb so much faster than the guy Rolling Stone calls the funniest man in America—and what does this have to do with Jimmy Fallon? The answer begins with a story from Homer’s Odyssey. When the Greek adventurer Odysseus embarked for war with Troy, he entrusted his son, Telemachus, to the care of a wise old friend named Mentor. Mentor raised and coached Telemachus in his father’s absence. But it was really the goddess Athena disguised as Mentor who counseled the young man through various important situations. Through Athena’s training and wisdom, Telemachus soon became a great hero. “Mentor” helped Telemachus shorten his ladder of success. The simple answer to the Bieber question is that the young singer shot to the top of pop with the help of two music industry mentors. And not just any run-of-the-mill coach, but R& B giant Usher Raymond and rising-star manager Scooter Braun. They reached from the top of the ladder where they were and pulled Bieber up, where his talent could be recognized by a wide audience. They helped him polish his performing skills, and in four years Bieber had sold 15 million records and been named by Forbes as the third most powerful celebrity in the world. Without Raymond’s and Braun’s mentorship, Biebs would probably still be playing acoustic guitar back home in Canada. He’d be hustling on his own just like Louis C.K., begging for attention amid a throng of hopeful entertainers. Mentorship is the secret of many of the highest-profile achievers throughout history. Socrates mentored young Plato, who in turn mentored Aristotle. Aristotle mentored a boy named Alexander, who went on to conquer the known world as Alexander the Great. From The Karate Kid to Star Wars to The Matrix, adventure stories often adhere to a template in which a protagonist forsakes humble beginnings and embarks on a great quest. Before the quest heats up, however, he or she receives training from a master: Obi Wan Kenobi. Mr. Miyagi. Mickey Goldmill. Haymitch. Morpheus. Quickly, the hero is ready to face overwhelming challenges. Much more quickly than if he’d gone to light-saber school. The mentor story is so common because it seems to work—especially when the mentor is not just a teacher, but someone who’s traveled the road herself. “A master can help you accelerate things,” explains Jack Canfield, author of the Chicken Soup for the Soul series and career coach behind the bestseller The Success Principles. He says that, like C.K., we can spend thousands of hours practicing until we master a skill, or we can convince a world-class practitioner to guide our practice and cut the time to mastery significantly.

When you see the right thing, do it—this may look like more work in the short term, but it’s the path of least effort in the long run. If you don’t know what the right thing is, do the minimum necessary to get the job done, at least until you figure out what the right thing is. To do the Unix philosophy right, you have to be loyal to excellence. You have to believe that software design is a craft worth all the intelligence, creativity, and passion you can muster. Otherwise you won’t look past the easy, stereotyped ways of approaching design and implementation; you’ll rush into coding when you should be thinking. You’ll carelessly complicate when you should be relentlessly simplifying—and then you’ll wonder why your code bloats and debugging is so hard.

I learned a great deal from [Raymond] Chandler - any writer can - but there had always been basic differences between us. One was in our attitude to plot. Chandler described a good plot as one that made for good scenes, as if the parts were greater than the whole. I see plot as a vehicle of meaning. It should be as complex as contemporary life, but balanced enough to say true things about it. The surprise with which a detective novel concludes should set up tragic vibrations which run backward through the entire structure. Which means that the structure must be single, and intended.

The subject of near-death experiences runs through both my professional and personal lives, keeping them joined and never letting me forget that while we are learning to live, we are also learning to die.

We analyzed the ten tech companies worth over a billion dollars that went public in 2014 and 2015, and the average company spent a jaw-dropping $0.72 on sales and marketing for every $1.00 of sales during the three-year hypergrowth period before going public. As a matter of fact, one of the companies, Box, spent $1.59 for every $1.00 in sales! You’re probably wondering, how does a company like Box justify spending more money on sales and marketing than they generate in sales? The answer is “customer lifetime value.” Once Box mathematically proved that they could acquire a customer for less than the lifetime value (LTV) of that customer, they raised a war chest of investment capital and didn’t care if they spent more on sales and marketing than they generated in annual sales, because they knew that they would generate a big return in the long run. You probably don’t have access to a massive war chest of investment capital, but that doesn’t mean you are unable to invest more resources on growth. Instead of benchmarking your growth investment against customer lifetime value, benchmark against your bottom-line profits. Here is a list of financial scenarios and corresponding actions: If you desire growth and have a profitable business, operate at a break-even point and reinvest the profit, or a portion of the profit, back into growth. If you are running a break-even or unprofitable business, spend some time going through your expenditures looking for redundancies or unnecessary expenses. If you cannot find any opportunities to save money, prepare yourself to take a temporary pay cut (you can time this around your tax refund or right after your busy period if your business has seasonality). If you are unable to take a temporary pay cut, prepare yourself to work some extra hours (start by batching activities so you can spend a day per week working from home, and use the time you save when not having a work commute to invest in growth). If you are unable to take a temporary pay cut AND unable to work any extra hours, then read the paragraph below.

Do the two girls run around together?" "I think not. I think they go their separate and slightly divergent roads to perdition. Vivian is spoiled, exacting, smart and quite ruthless. Carmen is a child who likes to pull wings off flies. Neither of them has any more moral sense than

Do the two girls run around together?" "I think not. I think they go their separate and slightly divergent roads to perdition. Vivian is spoiled, exacting, smart and quite ruthless. Carmen is a child who likes to pull wings off flies. Neither of them has any more moral sense than a cat. Neither have I. No Sternwood ever had. Proceed.

Cynthia, can I court you?” Ryan asked via Mental-message transmission. He was smiling but his words almost made Cynthia’s mind go blank. “He is quite fast and direct,” Selina said as she giggled. Cynthia didn’t know how to react to the situation. She didn’t wish to reject Ryan’s advances but at the same time wanted to keep him at a distance. “I am serious about you and will always keep you happy,” Ryan said via another Mental-message transmission, while still smiling. Raymond, Emerson and Arlo, who were just standing beside them, didn’t know about Ryan making a move on Cynthia. “He is even faster than I thought. He has already proposed marriage to you,” Selina said in disbelief, but her running commentary made Cynthia blush and she was unable to maintain her usual demeanor – which was noticed by Arlo.

Consider Pakistan alone. In February 2012, a Muslim mob attacked a sixty-year-old Christian woman named Seema Bibi because, six months after converting to Islam, she reconverted back to Christianity. Angry Muslims “tortured Seema, shaved her head, garlanded her with shoes and paraded her through the village streets.” Afterwards, she received more threats of “dire consequences” from Islamic clerics, prompting her and her family to flee the region.35 Similarly, in July 2012, it was reported that a Christian couple, Imran James and Nazia Masih, have been on the run since they reconverted to Christianity, after embracing Islam back in 2006. Upon learning that the couple had returned to Christianity, neighboring Muslims attacked and persecuted them.

Consider Pakistan alone. In February 2012, a Muslim mob attacked a sixty-year-old Christian woman named Seema Bibi because, six months after converting to Islam, she reconverted back to Christianity. Angry Muslims “tortured Seema, shaved her head, garlanded her with shoes and paraded her through the village streets.” Afterwards, she received more threats of “dire consequences” from Islamic clerics, prompting her and her family to flee the region.35 Similarly, in July 2012, it was reported that a Christian couple, Imran James and Nazia Masih, have been on the run since they reconverted to Christianity, after embracing Islam back in 2006. Upon learning that the couple had returned to Christianity, neighboring Muslims attacked and persecuted them. One of the husband’s best friends abducted and tortured him and beat his wife. “[One] should have the freedom to choose the religion one wishes to follow,” lamented the husband.36

As the days mounted he grew convinced that Kitty's basic difficulty was her lack of a full and proper concept of God. It was nothing new in his experience, and it was this that made it all the sadder for him to see. Many people fail to recognize God's sovereign rights over them; fail dismally to see themselves as creatures - with all the raptures that word connotes. Failing to recognize God as Creator; they can never come to a full realization of their own very nature; for they have already missed the discovery of the origin and the end of their being. Consequently, no matter how active they may be, nor how orderly in their activities, they are like a mariner on an horizonless sea minus a compass. They go on and on; but they really have no ultimate destination. He had discussed with his fellow priests, telling how he had found souls more naked to his sight in sickness than even in the sacrament of penance. He claimed that, for many, God was too "distant"; for others, merely "hypothetical" and even "purely imaginary". He saw how these good and earnest people had conceived the notion that their true greatness lay in serving their fellowman, in loving them, helping them, and even forgetting themselves in the process. This was putting man in the place of God; substituting social service for the service of God. "It is extremely attractive to many noble souls," he said, "truly seductive." Then he would add with a sad shake of his head, "But it is truly destructive, also. What is more, these people not only run the danger of losing eternal life, they are missing out in true temporal living; for there is no real living that is not worship of God. And these people are not worshipping Him." He admitted that such people found some satisfaction in their dedication, but insisted it was not full satisfaction, nor could it ever be; for it was a distortion of the way God wants us to serve our fellowman. "They are serving man as man, and not as images of God and members of Christ," was his conclusion.

Right,’ I said. ‘Tell that to your coppers next time they shoot down some scared petty larceny crook running away up an alley with a stolen spare.

He says you make good coffee and you get up kind of late in the mornings and are apt to run to a very bright line of chatter and that we should believe anything you say, provided we can check it by five independent witnesses.

It was the time of the change… no longer a little one, the time when, I was starting to see things happening, to me that I did not want to see. Like- passion pink braces on my unperfected overbite teeth along with ‘Pimples, periods, hips and boobs- oh my… I just want to cry or die.’ Moreover, I was utterly feeling all kinds of things that I didn’t want to feel. I was feeling too old for toys and wanted to feel up one of the older boys. I was an 8th grader, Yes, I was at that stage of my life… it feels strangely good and yet very weird too. ‘Oh yes- Live's through middle school all over again.’ All the days off. All the days on… all the days- I was turned off, to all of them. And yes, all the days, I was turned on! Yet, really can anyone stand to relive that day… I mean really! Let’s not forget I had to spend time with the family, on the brakes, then to come home and do all the pointless homework like advanced mathematics. When I got most of that crap done sitting in long study halls not able to move or say a sound, with period cramps, yeah- I know fun right! Kissing with open mouths, like breath sucking and tugs brushing Frenching. As well as thinking about what boy, I want to have sizzling, exhilarating, desiring sex with is all I thought about! Plus- when, where, and how! Yes, I have had some really bad kisses, make-outs, and hookups… who hasn’t? So much so, I barely survived through them the primary time it happened. Just like the world keeps going around, this was not my first go-around either. Frankly, I thought I would not have minded living through all that again. What I thought were the ultimate times of all. Like the time I made out with a girl in the hallway slammed upon her locker, she was touching me in all the right places, let us just say. Anyways her name is Jenny Stevenson. She is the type of girl that is a friend to try things with. Yes, I have been with a girl too. Mostly, I just wanted to see what being in a lesbian world feels like. It was okay, it feels just as good. Though, I knew boys were my thing. However, I am the type, I will try anything once, even sex-wise! Though I thought, my paramount triumphs were with Ray Raymond, and like when we first hooked up underneath the football stadium bleachers. I knew everyone could see us doing it with his pants down, and my bare butt sticking out and up, as the game was going on. Still, we were in the moment, we did not care. The PDA was half the fun of doing it, it was all about getting some. I remember being wasted too, with my friends like Jenny, Kenneth, and Madeline. Yet we just called her Maddie. Like- I said we got so drunk and high, that we went skinny dipping in like old man’s pool weather thirdly two degrees, and then made messed up looking snowman, and running around the street somewhat ass naked flashing whomever we would get to look at us.

Then you shall be taken to the base of the plateau and stripped naked. Then shall a dozen guards of the trueblood whip you and run you through the city. Should you fall, they shall apply hot coals to your buttocks, until you rise and run again. At the gates of the city you will be hung in a cage, and your sentence will be read aloud by guards upon the hour, so that all passing may hear of your crimes. Even the lowest shall be offered sticks of bamboo with which to torment you, so you may feel the wrath of those you betrayed, yet you shall endure and no one shall grant you merciful death. When you are near unto death from exposure, you shall be taken from the cage and revived with water made bitter with vinegar and bread covered with salt. You shall be driven by lash and hot coals to the edge of the Overn Deep, to the marshes where the first Kings of the trueblood hunted. There you shall be made to drink the bitter wine of betrayal and eat the rotten meat of treason. Then shall your manhood be cut from your body. You shall then be bound and thrown into the marsh, where the crocodiles of the Overn shall devour your flesh.

Many African American commentators view Dolezal’s claim to be both arrogant and insulting. African American artist and writer Pippa Fleming argues, “Imagine if white folks ran around claiming they were black or demanded access to our affinity spaces. They would be called deluded racist fools” (Fleming, 2018). Unfortunately, with the transgender intrusion into women’s spaces, reality is reversed, i.e. those who ‘run around’ claiming they are women and demanding access to women and women’s spaces receive accolades and public approval, including the approval of many women.

New York Children’s Aid Society in 1853. His organization and the New York Foundling Hospital, which was run by the Sisters of Charity, were responsible for the most massive resettlement of the Eastern poor in American history, the Orphan Train Project. Brace and his workers swept through New York City streets, gathering up orphans and children of the poor and shipping them out west. Between 1853 and the early 1930s, approximately 250,000 children were “resettled.

The musical and the production embraced cheap bohemianism, and a clever, similarly minded marketing campaign sold cheap tickets to anyone who wanted to camp out on the street outside the run-down Nederlander Theater, which is right up the street from the gritty Port Authority Bus Terminal and was frequently populated by homeless people at the time. An astonishing number of young audience members enthusiastically took up the challenge, often sleeping on the street all night, and often for a remarkable number of repeat visits. According to Elizabeth Wollman, the marketing campaigns for rock musicals often have to be particularly innovative because of the difficulties of selling this kind of musical, and Rent was no exception.8 But the invitation to join the onstage community of Rent—the invitation for the audience to imagine themselves as the offstage counterparts to the characters—was an easy leap. That invitation is built into the story, the lyrics, and the performance style of the songs in the show, which were sung either directly to the audience, at standing microphones set downstage left and right, or into the obvious radio microphones the actors wore on their heads, with the accompaniment of an onstage rock band.

What did you find out about Phillips?” I asked. “Yes,” Breeze said. “Phillips. Well, George Anson Phillips is a kind of pathetic case. He thought he was a detective, but it looks as if he couldn’t get anybody to agree with him. I talked to the sheriff at Ventura. He said George was a nice kind, maybe a little too nice to make a good cop, even if he had any brains. George did what they said and he would do it pretty well, provided they told him which foot to start on and how many steps to take which way and little things like that. But he didn’t develop much, if you get what I mean. He was the sort of cop who would be likely to hang a pinch on a chicken thief, if he saw the guy steal the chicken and the guy fell down running away and hit his head on a post or something and knocked himself out. Otherwise it might get a little tough and George would have to go back to the office for instructions. Well, it wore the sheriff down after a while and he let George go.

I’m saying that at the end of the summer she let the blind man run his hands over her face, said good-bye to him, married her childhood etc., who was now a commissioned officer, and she moved away from Seattle.

I’ve come to believe that what we need is a republic. People need to be run by people who like them, not boxed into a game they can’t win by people who can’t lose it. We need a head of state who’s been on the run. An interior minister who’s had the two o’clock knock and done solitary. A minister of agriculture who’s seen a spade fired in anger and done twenty years on the land. A health minister who’s had his life saved through swift transportation to a well-staffed, properly equipped hospital. An interior minister dedicated to dismantling the state with its futile bureaucratic waste and saving real money. And a police force that would put an end to the Bowmans of this world.

We'll elect any bumbling fool, any champion of mediocrity to the highest office in the land as long as they have God as their running mate.

While most of your competitors will run simple text ads, far fewer will invest the time and money into video ads.

The spring of Christian power runs all the way down to what we desire. Most of what we do in life, we do out of the desires of our hearts. This is humbling, but true. So the more our hearts love the Lord, the more progress we will make.

Reminder spankings help the person who is the TiH stay on the right course and feel centered. It is an act that creates bonding between the couple, and it helps in keeping things running smoothly.

The original Molle Mystery Theater was the most notable of all the formats and spinoffs that grew out of it. It featured “the best in mystery and detective fiction,” with tales running from classic (Poe) to modern (Raymond Chandler, etc.). The trademarks were high tension and twist (often shocking) endings. Then it fell into the clutches of Frank and Anne Hummert, moved to CBS, shortened its name, and sank into melodrama.

Dont get fancy, buster. I might loosen your jaw for you." "Ha, ha," I said. "You might play centre field for the Yankees and hit a home run with a breadstick.

Producer Norman Macdonnell saw Fort Laramie as “a monument to ordinary men who lived in extraordinary times”: their enemies were “the rugged, uncharted country, the heat, the cold, disease, boredom, and, perhaps last of all, hostile Indians.” Men died at Fort Laramie: some died of drowning, some of freezing, some of typhoid and smallpox. “But it’s a matter of record,” Macdonnell said on the opening, “that in all the years the cavalry was stationed at Fort Laramie, only four troopers died of gunshot wounds.” The series was less intense, and far less known, than Macdonnell’s major western, Guns-moke: the stories focused as much on atmosphere and mood as on violence and action. The run of 40 shows is complete on tape in excellent quality. The star, Raymond Burr, went from obscurity to national prominence a year later, taking on the title role in TV’s Perry Mason.

The psychopath may do very well for himself as an individual – it’s only that a group with too many psychopaths wouldn’t survive. Group selection and individual selection work differently. Although individual selection may favor selfishness, for example, it’s caught up and corrected by group selection in the long run–one has to stress that. A society dies if it exceeds a certain degree of individual selfishness.

Being a copper I like to see the law win. I’d like to see the flashy well-dressed mugs like Eddie Mars spoiling their manicures in the rock quarry at Folsom, alongside of the poor little slum-bred hard guys that got knocked over on their first caper and never had a break since. That’s what I’d like. You and me both lived too long to think I’m likely to see it happen. Not in this town, not in any town half this size, in any part of this wide, green and beautiful U.S.A. We just don’t run our country that way.

Cloak and Dagger was lost in the summertime NBC schedule, lumped into a mystery block with several other shows of far inferior quality. It never attracted a sponsor and got almost no critical attention, but the recent discovery of the entire run reveals a gripping show with every story an unpredictable departure from formula. It was the story of the wartime activities of the OSS—the Office of Strategic Services—“this country’s first all-out effort in black warfare … dropping undercover operators behind enemy lines, organizing local partisans to blow bridges and dynamite tunnels, operating the best spy systems of Europe and Asia.” It was a tense half-hour of patriots and traitors, of love affairs doomed by war, of triumph, tragedy, and failure. The stories did not always end with the lovers embraced and the mad-dog Germans reeling in defeat: the hero-agent, in accomplishing his mission, sometimes gave up his life. It opened with a question by actor Raymond Edward Johnson: Are you willing to undertake a dangerous mission for the United States, knowing in advance you may never return alive? It was transcribed and had a definite “canned” sound, which may also have helped turn listeners away.

[From Raymond Hamilton's pre-execution interview] 'What about Mary O'Dare?' came another question. 'That girl "ratted"on me to save her own neck," Raymond said bitterly. 'How about Bergie and the two sisters?' another newsman inquired. 'I'm not squealing on any women,' Hamilton mused. 'Women have enough trouble without men heaping more on them.

Raymond Hamilton,' the Judge decreed, 'you are here now to be sentenced, friendless and without money. Have you anything to say as to why sentence should not be passed?' 'Yes, I have,' answered Raymond. 'People,' he began, 'I hope I have a few friends among you I want you to know I never killed anyone. . . . Crowson was going to be killed no matter what I did. . . . and I want to tell you that whenever Simmons and the others get after you together, you don't get fairness. . . . They're afraid they can't hold me, that I'll breakout and call more attention to them, so they get me 'the chair'. . . . I don't know if there's anything like 'haunts' but if there are, I sure do want to come back and kick this whole bunch out of bed every night.' [...] As the once-dapper bandit was being led past the crowd, several young women pressed against the railing, some trying to touch the gunman. Looking over his shoulder, Hamilton raised his manacled hands to wave farewell, a smile on his face.

Ranger Captain Fred McDaniel drove Fults to Austin. There the outlaw was interviewed about his experiences with Clyde Barrow and Raymond Hamilton. Fults, in turn, probed the Rangers for information about the ambush of Bonnie and Clyde. 'Yeh,' McDaniel said, 'they approached me and Hickman and Gonzualeson that Clyde and Bonnie deal.We told them 'no thanks, we don't ambush people and we don't shoot women.

Winter Insomnia" The mind can’t sleep, can only lie awake and gorge, listening to the snow gather as for some final assault. It wishes Chekhov were here to minister something – three drops of valerian, a glass of rose water – anything, it wouldn’t matter. The mind would like to get out of here onto the snow. It would like to run with a pack of shaggy animals, all teeth, under the moon, across the snow, leaving no prints or spoor, nothing behind. The mind is sick tonight.