Ray Charles Quotes

Dreams, if they're any good, are always a little bit crazy.

The sun,--the bright sun, that brings back, not light alone, but new life, and hope, and freshness to man--burst upon the crowded city in clear and radiant glory. Through costly-coloured glass and paper-mended window, through cathedral dome and rotten crevice, it shed its equal ray.

No matter how old you are now. You are never too young or too old for success or going after what you want. Here’s a short list of people who accomplished great things at different ages 1) Helen Keller, at the age of 19 months, became deaf and blind. But that didn’t stop her. She was the first deaf and blind person to earn a Bachelor of Arts degree. 2) Mozart was already competent on keyboard and violin; he composed from the age of 5. 3) Shirley Temple was 6 when she became a movie star on “Bright Eyes.” 4) Anne Frank was 12 when she wrote the diary of Anne Frank. 5) Magnus Carlsen became a chess Grandmaster at the age of 13. 6) Nadia Comăneci was a gymnast from Romania that scored seven perfect 10.0 and won three gold medals at the Olympics at age 14. 7) Tenzin Gyatso was formally recognized as the 14th Dalai Lama in November 1950, at the age of 15. 8) Pele, a soccer superstar, was 17 years old when he won the world cup in 1958 with Brazil. 9) Elvis was a superstar by age 19. 10) John Lennon was 20 years and Paul Mcartney was 18 when the Beatles had their first concert in 1961. 11) Jesse Owens was 22 when he won 4 gold medals in Berlin 1936. 12) Beethoven was a piano virtuoso by age 23 13) Issac Newton wrote Philosophiæ Naturalis Principia Mathematica at age 24 14) Roger Bannister was 25 when he broke the 4 minute mile record 15) Albert Einstein was 26 when he wrote the theory of relativity 16) Lance E. Armstrong was 27 when he won the tour de France 17) Michelangelo created two of the greatest sculptures “David” and “Pieta” by age 28 18) Alexander the Great, by age 29, had created one of the largest empires of the ancient world 19) J.K. Rowling was 30 years old when she finished the first manuscript of Harry Potter 20) Amelia Earhart was 31 years old when she became the first woman to fly solo across the Atlantic Ocean 21) Oprah was 32 when she started her talk show, which has become the highest-rated program of its kind 22) Edmund Hillary was 33 when he became the first man to reach Mount Everest 23) Martin Luther King Jr. was 34 when he wrote the speech “I Have a Dream." 24) Marie Curie was 35 years old when she got nominated for a Nobel Prize in Physics 25) The Wright brothers, Orville (32) and Wilbur (36) invented and built the world's first successful airplane and making the first controlled, powered and sustained heavier-than-air human flight 26) Vincent Van Gogh was 37 when he died virtually unknown, yet his paintings today are worth millions. 27) Neil Armstrong was 38 when he became the first man to set foot on the moon. 28) Mark Twain was 40 when he wrote "The Adventures of Tom Sawyer", and 49 years old when he wrote "Adventures of Huckleberry Finn" 29) Christopher Columbus was 41 when he discovered the Americas 30) Rosa Parks was 42 when she refused to obey the bus driver’s order to give up her seat to make room for a white passenger 31) John F. Kennedy was 43 years old when he became President of the United States 32) Henry Ford Was 45 when the Ford T came out. 33) Suzanne Collins was 46 when she wrote "The Hunger Games" 34) Charles Darwin was 50 years old when his book On the Origin of Species came out. 35) Leonardo Da Vinci was 51 years old when he painted the Mona Lisa. 36) Abraham Lincoln was 52 when he became president. 37) Ray Kroc Was 53 when he bought the McDonalds Franchise and took it to unprecedented levels. 38) Dr. Seuss was 54 when he wrote "The Cat in the Hat". 40) Chesley "Sully" Sullenberger III was 57 years old when he successfully ditched US Airways Flight 1549 in the Hudson River in 2009. All of the 155 passengers aboard the aircraft survived 41) Colonel Harland Sanders was 61 when he started the KFC Franchise 42) J.R.R Tolkien was 62 when the Lord of the Ring books came out 43) Ronald Reagan was 69 when he became President of the US 44) Jack Lalane at age 70 handcuffed, shackled, towed 70 rowboats 45) Nelson Mandela was 76 when he became President

Live each day like it's your last, 'cause one day you gonna be right

I am Plato's Republic. Mr. Simmons is Marcus. I want you to meet Jonathan Swift, the author of that evil political book, Gulliver's Travels! And this other fellow is Charles Darwin, and-this one is Schopenhauer, and this one is Einstein, and this one here at my elbow is Mr. Albert Schweitzer, a very kind philosopher indeed. Here we all are, Montag. Aristophanes and Mahatma Gandhi and Gautama Buddha and Confucius and Thomas Love Peacock and Thomas Jefferson and Mr. Lincoln, if you please. We are also Matthew, Mark, Luke, and John.

So in sum, what are we? We are the creatures that know and know too much. That leaves us with such a burden again we have a choice, to laugh or cry. No other animal does either. We do, depending on the season and the need.

Musically, he was like an old man in a boy's skin.

that feeling that I could touch the sky? That’s exactly how you make me feel.” (Ray)

Love is a special word, and I use it only when I mean it. You say the word too much and it becomes cheap.

I never wanted to be famous; I only wanted to be great.

Goodbye don't mean gone.

So does a whole world, with all its greatnesses and littlenesses, lie in a twinkling star. And as mere human knowledge can split a ray of light and analyse the manner of its composition, so, sublimer intelligences may read in the feeble shining of this earth of ours, every thought and act, every vice and virtue, of every responsible creature on it.

Strange now to think of you, gone without corsets & eyes, while I walk on the sunny pavement of Greenwich Village. downtown Manhattan, clear winter noon, and I've been up all night, talking, talking, reading the Kaddish aloud, listening to Ray Charles blues shout blind on the phonograph

Many of the most accomplished people of our era were considered by experts to have no future. Jackson Pollock, Marcel Proust, Elvis Presley, Ray Charles, Lucille Ball, and Charles Darwin were all thought to have little potential for their chosen fields.

War’s never a winning thing, Charlie. You just lose all the time, and the one who loses last asks for terms. All I remember is a lot of losing and sadness and nothing good but the end of it. The end of it, Charles, that was a winning all to itself, having nothing to do with guns. But I don’t suppose that’s the kind of victory you boys mean for me to talk on.

Me? I'm the original sad man. I read a book and it makes me sad. See a film: sad. Plays? they really work me over.

I was born with music inside me. Music was one of my parts. Like my ribs, my kidneys, my liver, my heart. Like my blood. It was a force already within me when I arrived on the scene. It was a necessity for me-like food or water.

You hear, Eugene?' said Lightwood over his shoulder. 'You are deeply interested in lime.' 'Without lime,' returned that unmoved barrister at law, 'my existence would be unilluminated by a ray of hope.

Someday you going to make some man very happy I hope its going to be Ray... Your soldier? I nodded, a half smile in my face You love him? Yes....Yes I do...

Honey -- even Ray Charles can see that you have control issues.

It wasn’t. Ray was too alive, too vital, too much of everything. Everything about him was real, solid. He couldn’t be these things the doctor described. Not breathing on his own. No brain activity. Not Ray. “I don’t have home without him”, Carrie said when doctor asked her to go home. “I won’t give up on him. Do you hear me, Doctor? Don’t you give up on him!

I rested my hand on hers. Actually, when I wasn’t paying attention, it was in hers. I don’t know if it helped. I don’t know if it made any difference at all, if she had even the vaguest sense that I was there, that I was thinking about her and hurting for her and praying for her. All I could do was try. All I could do was be here. All I could give her was my love, even if she never knew.

Next time we meet again, let’s play doctor

I LOVE YOU,CARRIE

Learning to read music in Braille & play by ear helped me develop a [very] good memory.

What connexion can there be, between the place in Lincolnshire, the house in town, the Mercury in powder, and the whereabout of Jo the outlaw with the broom, who had that distant ray of light upon him when he swept the churchyard-step? What connexion can there have been between many people in the innumerable histories of this world, who, from opposite sides of great gulfs, have, nevertheless, been very curiously brought together!

I really feel that if you're gonna be good, you gotta practice... Practice whatever the hell you do.

Art is the bridge across the gap between peoples and cultures. Writing is one of the arts that can help link people.

Dad, will they ever come back?" "No. And yes." Dad tucked away his harmonica. "No not them. But yes, other people like them. Not in a carnival. God knows what shape they'll come in next. But sunrise, noon, or at the latest, sunset tomorrow they'll show. They're on the road." "Oh, no," said Will. "Oh, yes, said Dad. "We got to watch out the rest of our lives. The fight's just begun." They moved around the carousel slowly. "What will they look like? How will we know them?" "Why," said Dad, quietly, "maybe they're already here." Both boys looked around swiftly. But there was only the meadow, the machine, and themselves. Will looked at Jim, at his father, and then down at his own body and hands. He glanced up at Dad. Dad nodded, once, gravely, and then nodded at the carousel, and stepped up on it, and touched a brass pole. Will stepped up beside him. Jim stepped up beside Will. Jim stroked a horse's mane. Will patted a horse's shoulders. The great machine softly tilted in the tides of night. Just three times around, ahead, thought Will. Hey. Just four times around, ahead, thought Jim. Boy. Just ten times around, back, thought Charles Halloway. Lord. Each read the thoughts in the other's eyes. How easy, thought Will. Just this once, thought Jim. But then, thought Charles Halloway, once you start, you'd always come back. One more ride and one more ride. And, after awhile, you'd offer rides to friends, and more friends until finally... The thought hit them all in the same quiet moment. ...finally you wind up owner of the carousel, keeper of the freaks... proprietor for some small part of eternity of the traveling dark carnival shows.... Maybe, said their eyes, they're already here.

Anger gone as quick as it had come, now I just felt like an idiot. Not that this was the first time, and probably wouldn’t be the last. (Ray)

You have a problem, just ask yourself one simple question: What would Ray Charles do in a situation like this?

Three in the morning, thought Charles Halloway, seated on the edge of his bed. Why did the train come at that hour? For, he thought, it’s a special hour. Women never wake then, do they?

Beneath that arch of unmoved and eternal lights: some, so remote from this little earth that the learned tell us it is doubtful whether their rays have been yet discovered it, as a point in space where anything is suffered or done: the shadows of the night were broad and black.

The night wore out, and, as he stood upon the bridge listening to the water as it splashed the river-walls of the Island of Paris, where the picturesque confusion of houses and cathedral shone bright in the light of the moon, the day came coldly, looking like a dead face out of the sky. Then, the night, with the moon and the stars, turned pale and died, and for a little while it seemed as if Creation were delivered over to Death's dominion. But, the glorious sun, rising, seemed to strike those words, that burden of the night, straight and warm to his heart in its long bright rays. And looking along them, with reverently shaded eyes, a bridge of light appeared to span the air between him and the sun, while the river sparkled under it.

And as mere human knowledge can split a ray of light and analyse the manner of its composition, so, sublimer intelligences may read in the feeble shining of this earth of ours, every thought and act, every vice and virtue, of every responsible creature on it.

Chateau and hut, stone face and dangling figure, the red stain on the stone floor, and the pure water in the village well--thousands of acres of land--a whole province of France--all France itself--lay under the night sky, concentrated into a faint hairbreadth line. So does a whole world, with all its greatnesses and littlenesses, lie in a twinkling star. And as mere human knowledge can split a ray of light and analyse the manner of its composition, so, sublimer intelligences may read in the feeble shining of this earth of ours, every thought and act, every vice and virtue, of every responsible creature on it.

Ray... I don't know if you can hear me. I don't know if you're in there. But you need to know... that I love you. I love you, and I want you home with me. Please come back, Ray. Please wake up.

If Mrs. Charles were a color, she'd be yellow - bright, cheerful, golden rays of sunshine. A ripe banana, a fresh highlighter, sweet like pineapples, tart like lemons, you could lose her in a field of dandelions. One drop of her coloring could turn plain buttercream frosting into the sweetest Easter cake. But one drop of another color could spoil her brightness. Leave her out in the heat too long and her banana peel would start to rot. The tip of her highlighter blackens with wear. The prickling of her pineapple skin sometimes leaves her impossible to open. And dandelions are nothing but pretty weeds." -Claudia

She could have wept. It was bad, it was bad, it was infinitely bad! She could have done it differently of course; the colour could have been thinned and faded; the shapes etherealised; that was how Paunceforte would have seen it. But then she did not see it like that. She saw the colour burning on a framework of steel; the light of a butterfly’s wing lying upon the arches of a cathedral. Of all that only a few random marks scrawled upon the canvas remained. And it would never be seen; never be hung even, and there was Mr Tansley whispering in her ear, “Women can’t paint, women can’t write ...” She now remembered what she had been going to say about Mrs Ramsay. She did not know how she would have put it; but it would have been something critical. She had been annoyed the other night by some highhandedness. Looking along the level of Mr Bankes’s glance at her, she thought that no woman could worship another woman in the way he worshipped; they could only seek shelter under the shade which Mr Bankes extended over them both. Looking along his beam she added to it her different ray, thinking that she was unquestionably the loveliest of people (bowed over her book); the best perhaps; but also, different too from the perfect shape which one saw there. But why different, and how different? she asked herself, scraping her palette of all those mounds of blue and green which seemed to her like clods with no life in them now, yet she vowed, she would inspire them, force them to move, flow, do her bidding tomorrow. How did she differ? What was the spirit in her, the essential thing, by which, had you found a crumpled glove in the corner of a sofa, you would have known it, from its twisted finger, hers indisputably? She was like a bird for speed, an arrow for directness. She was willful; she was commanding (of course, Lily reminded herself, I am thinking of her relations with women, and I am much younger, an insignificant person, living off the Brompton Road). She opened bedroom windows. She shut doors. (So she tried to start the tune of Mrs Ramsay in her head.) Arriving late at night, with a light tap on one’s bedroom door, wrapped in an old fur coat (for the setting of her beauty was always that—hasty, but apt), she would enact again whatever it might be—Charles Tansley losing his umbrella; Mr Carmichael snuffling and sniffing; Mr Bankes saying, “The vegetable salts are lost.” All this she would adroitly shape; even maliciously twist; and, moving over to the window, in pretence that she must go,—it was dawn, she could see the sun rising,—half turn back, more intimately, but still always laughing, insist that she must, Minta must, they all must marry, since in the whole world whatever laurels might be tossed to her (but Mrs Ramsay cared not a fig for her painting), or triumphs won by her (probably Mrs Ramsay had had her share of those), and here she saddened, darkened, and came back to her chair, there could be no disputing this: an unmarried woman (she lightly took her hand for a moment), an unmarried woman has missed the best of life. The house seemed full of children sleeping and Mrs Ramsay listening; shaded lights and regular breathing.

And as mere human knowledge can split a ray of light and analyze the manner of its composition, so, sublimer intelligences may read in the feeble shining of this earth of ours, every thought and act, every vice and virtue, of every responsible creature on it

Rodgers and Hart, Gershwin, Bob Dylan, Ray Charles, Carole King, The Beach Boys, Stevie Wonder, Kyu Sakamoto’s “Sukiyaki Song,” “Blue Velvet,” “Green Fields.” Sometimes she would close her eyes and nod or hum to the melody.

✓There are many spokes on the wheel of life. First, we're here to explore new possibilities ✓I did it to myself. It wasn't society... it wasn't a pusher, it wasn't being blind or being black or being poor. It was all my doing.

I was born with music inside me. Music was one of my parts. Like my ribs, my kidneys, my liver, my heart. Like my blood. It was a force already within me when I arrived on the scene. It was a necessity for me-like food or water

And now, these books. This. He touched PHYSIOGNOMONIE. The secrets of the individual's character as found on his face. Were Jim and Will, then, featured all angelic, pure, half-innocent, peering up through the sidewalk at marching terror? Did the boys represent the ideal for your Woman, Man, or Child of Excellent Bearing, Color, Balance, and Summer Disposition? Converserly...Charles Halloway turned a page...did the scurrying freaks, the Illustrated Marvel, bear the foreheads of the Irascible, the Cruel, the Covetous, the mouths of the Lewd and Untruthful? the teeth of the Crafty, the Unstable, the Audacious, the Vainglorious, and your Marvelous Beast? No. The book slipped shut. If faces were judged, the freaks were no worse than many he'd been slipping from the liberty late nights in his long career. There was only one thing sure. Two lines of Shakespeare said it. He should write them in the middle of the clock of books, to fix the heart of his apprehension: By the pricking of my thumbs, Something wicked this way comes. So vague yet so immense. He did not want to live with it. Yet he knew that, during this night, unless he lived with it very well, he might have to live with it for all the rest of his life. At the window he looked out and thought Jim, Will, are you coming? will you get here? Waiting, his flesh took paleness from his bones.

No," said the old man, deep under. "I don't remember anyone winning anywhere any time. War's never a winning things, Charlie. You just lose all the time, and the one who loses last asks for terms. All I remember is a lot of losing and sadness and nothing good but the end of it. The end of it, Charles, that was a winning all to itself, having nothing to do with guns. But I don't suppose that's the kind of victory you boys mean for me to talk on.

... Savaş kazanılan bir şey değildir Charlie. Sadece her zaman kaybedersin ve en son kaybeden şartları ortaya koyar. Hatırladığım her şey bir sürü kaybediş, üzüntü ve bittiğinde hiçbir iyi şeyin olmadığı. Bittiği zaman Charles, artık silahlarla işiniz kalmadığından, bu bile kendi başına bir kazanış. ...

When the chosen ones arrived at the studio, they were confronted with a sign instructing them to “please check your egos at the door.” They were also met by an impish Stevie Wonder, informing them that if the song wasn’t up to scratch nor down in one take, he and fellow blind artist Ray Charles would be driving them all home.

doubtful whether their rays have even yet discovered it, as a point in space where anything is suffered or done: the shadows of the night were broad and black. All through the cold and restless interval, until dawn, they once more whispered in the ears of Mr. Jarvis Lorry—sitting opposite the buried man who had been dug out, and wondering what

Watching the boys vanish away, Charles Halloway suppressed a sudden urge to run with them, make the pack. He knew what the wind was doing to them, where it was taking them, to all the secret places that were never so secret again in life. Somewhere in him, a shadow turned mournfully over. You had to run with a night like this, so the sadness could not hurt.

It is,’ says Chadband, ‘the ray of rays, the sun of suns, the moon of moons, the star of stars. It is the light of Terewth.

At the same time, France’s president Charles de Gaulle was turning in his country’s dollars for gold because he was concerned the U.S. was printing money to finance its spending.

I read Charles Duhigg’s best-selling book The Power of Habit, which really opened my eyes.

o best-seller de Charles Duhigg O poder do hábito

Take courage, my beloved, the sun has not ceased to shine, nor has our God forgotten to be gracious.”7

Sometimes things don't go as planned. It's okay to try something new and unexpected. But whatever you do, just have fun.

above all, trust Jesus and distrust self.29

I have not yet been able to stereotype my theological views, and have ceased to expect ever to do so. The idea is preposterous. None but an omniscient mind can continue to maintain a precise identity of views and opinions. Finite minds, unless they are asleep or stultified by prejudice, must advance in knowledge. The discovery of new truth will modify old views and opinions, and there is perhaps no end to this process with finite minds in any world. True Christian consistency does not consist in stereotyping our opinions and views, and in refusing to make any improvement lest we should be guilty of change, but it consists in holding our minds open to receive the rays of truth from every quarter and in changing our views and language and practice as often and as fast, as we can obtain further information. I call this Christian consistency, because this course alone accords with a Christian profession. A Christian profession implies the profession of candour and of a disposition to know and obey all truth. It must follow, that Christian consistency implies continued investigation and change of views and practice corresponding with increasing knowledge. No Christian, therefore, and no theologian should be afraid to change his views, his language, or his practices in conformity with increasing light. The prevalence of such a fear would keep the world, at best, at a perpetual stand-still, on all subjects of science, and consequently all improvements would be precluded.

Charles Townes said...that he was personally inspired to invent the laser after reading the Science Fiction novel The Garin Death Ray, written by Alexei Tolstoi in 1926. It is remarkable to think how powerful a force Science Fiction can be. That fantastic, seemingly impossible ideas can inspire people like Charles Townes to invent hints that totally transform the world.

Ray was looking extra Oompa-Loompa-like this morning with his fake tan a seemingly brighter shade of orange than usual. His brown hair matched his personality—slick and greasy. “Morning,

the music is not in conditions, not in the things, not in externals, but the music of life is in your own soul. If peace be in the heart, The wildest winter storm is full of solemn beauty, The midnight flash but shows the path of duty, Each living creature tells some new and joyous story, The very trees and stones all catch a ray of glory, If peace be in the heart. CHARLES FRANCIS RICHARDSON

Will’s father struck one blow before his left hand was seized, held, squeezed. As the boys watched, shouting, they saw Charles Halloway gasp and fall to one knee. Mr. Dark squeezed that left hand harder

O Death, old captain, it is time! let us lift anchor. This land tires us, O Death. Let us be under way! If the sky and the sea are black as ink, Our hearts, those you know, have rays of light! Pour us your poison so that it comfort us! We wish, this fire burns our brain, so much, To plunge to the bottom of the gulf, Hell or Heaven, what does it matter?— To the bottom of the Unknown, to find Something New!

but the Heavenly Father has sweeter, choicer words than these for His erring children. His love is Divine, so He says, “I have seen his ways and will heal him.” O sweet pitifulness of our God! O tenderness inexplicable! O love surpassing all earth’s loveliest affection! Do not our hard hearts yield under the power of such compassion as this? God knows all our wickedness. He has seen all our waywardness; yet His purpose towards us is one of healing and pardon, and not of anger and putting away.12

On The Death of Robert Lowell by Eileen Myles O, I don’t give a shit. He was an old white haired man Insensate beyond belief and Filled with much anxiety about his imagined Pain. Not that I’d know I hate fucking wasps. The guy was a loon. Signed up for Spring Semester at Macleans A really lush retreat among pines and Hippy attendants. Ray Charles also once rested there. So did James Taylor… The famous, as we know, are nuts. Take Robert Lowell. The old white haired coot. Fucking dead.

Charles Halloway was cold. His skin was suddenly a lizard's skin. (...), Yet he could not turn from the library windows." This text from the book shows that he was attracted to something he shouldn't be, or rather something that foreshadows something bad.

They all gave place when the signing was done, and Little Dorrit and her husband walked out of the church alone. They paused for a moment on the steps of the portico, looking at the fresh perspective of the street in the autumn morning sun’s bright rays, and then went down. Went down into a modest life of usefulness and happiness. Went down to give a mother’s care, in the fulness of time, to Fanny’s neglected children no less than to their own, and to leave that lady going into Society forever and a day. Went down to give a tender nurse and friend to Tip for some few years, who was never vexed by the great exactions he made of her in return for the riches he might have given her if he had ever had them, and who lovingly closed his eyes upon the Marshalsea and all its blighted fruits. They went quietly down into the roaring streets, inseparable and blessed; and as they passed along in sunshine and shade, the noisy and the eager, and the arrogant and the froward and the vain, fretted and chafed, and made their usual uproar.

On page 53, “Charles Halloway was cold. His skin was suddenly a lizard's skin. (...), Yet he could not turn from the library windows." This text from the book shows that he was attracted to something he shouldn't be, or rather something that foreshadows something bad.

The Desire To Paint" Unhappy perhaps is the man, but happy the artist, who is torn with this desire. I burn to paint a certain woman who has appeared to me so rarely, and so swiftly fled away, like some beautiful, regrettable thing the traveller must leave behind him in the night. It is already long since I saw her. She is beautiful, and more than beautiful: she is overpowering. The colour black preponderates in her; all that she inspires is nocturnal and profound. Her eyes are two caverns where mystery vaguely stirs and gleams; her glance illuminates like a ray of light; it is an explosion in the darkness. I would compare her to a black sun if one could conceive of a dark star overthrowing light and happiness. But it is the moon that she makes one dream of most readily; the moon, who has without doubt touched her with her own influence; not the white moon of the idylls, who resembles a cold bride, but the sinister and intoxicating moon suspended in the depths of a stormy night, among the driven clouds; not the discreet peaceful moon who visits the dreams of pure men, but the moon torn from the sky, conquered and revolted, that the witches of Thessaly hardly constrain to dance upon the terrified grass. Her small brow is the habitation of a tenacious will and the love of prey. And below this inquiet face, whose mobile nostrils breathe in the unknown and the impossible, glitters, with an unspeakable grace, the smile of a large mouth ; white, red, and delicious; a mouth that makes one dream of the miracle of some superb flower unclosing in a volcanic land. There are women who inspire one with the desire to woo them and win them; but she makes one wish to die slowly beneath her steady gaze.

In the evening streamed down the radiant sun, That great eye which stares from the inquisitive sky. From behind the window that scattered its bright rays It seemed to gaze upon our long, quiet dinners, Spreading wide its candle-like reflections On the frugal table-cloth and the serge curtains.

breath, life after seven decades plus three years is a lot of breathing. seventy three years on this earth is a lot of taking in and giving out, is a life of coming from somewhere and for many a bunch of going nowhere. how do we celebrate a poet who has created music with words for over fifty years, who has showered magic on her people, who has redefined poetry into a black world exactness thereby giving the universe an insight into darkroads? just say she interprets beauty and wants to give life, say she is patient with phoniness and doesn’t mind people calling her gwen or sister. say she sees the genius in our children, is visionary about possibilities, sees as clearly as ray charles and stevie wonder, hears like determined elephants looking for food. say that her touch is fine wood, her memory is like an african roadmap detailing adventure and clarity, yet returning to chicago’s south evans to record the journey. say her voice is majestic and magnetic as she speaks in poetry, rhythms, song and spirited trumpets, say she is dark skinned, melanin rich, small-boned, hurricane-willed, with a mind like a tornado redefining the landscape. life after seven decades plus three years is a lot of breathing. gwendolyn, gwen, sister g has not disappointed our expectations. in the middle of her eldership she brings us vigorous language, memory, illumination. she brings breath. (Quality: Gwendolyn Brooks at 73)

They all gave place when the signing was done, and Little Dorrit and her husband walked out of the church alone. They paused for a moment on the steps of the portico, looking at the fresh perspective of the street in the autumn morning sun's bright rays, and then went down. Went down into a modest life of usefulness and happiness. Went down to give a mother's care, in the fulness of time, to Fanny's neglected children no less than to their own,

I don’t mean to compare myself to a couple of artists I unreservedly admire—Miles Davis and Ray Charles—but I would like to think that some of the people who liked my book responded to it in a way similar to the way they respond when Miles and Ray are blowing. These artists, in their very different ways, sing a kind of universal blues, they speak of something far beyond their charts, graphs, statistics, they are telling us something about what it is like to be alive. It is not self-pity which one hears in them, but compassion. And perhaps this is the place for me to say that I really do not, at the very bottom of my own mind, compare myself to other writers. I think I really helplessly model myself on jazz musicians and try to write the way they sound. I am not an intellectual, not in the dreary sense that word is used today, and do not want to be: I am aiming at what Henry James called “perception at the pitch of passion.

Across the lilies was a pond, its waters a vibrant green from reflecting the trees around it. In the center of the pond swam two elegant white birds, their long necks curved toward one another. "Swans!" Cinderella breathed. She leaned against the bridge's rail and gazed at the pair of swans gliding across the pond. At her side, Charles rested his elbows on the bridge. "They're here every evening before sundown. Sometimes, during sunset, you can see the light dapple their feathers. Look." Rays of golden light stroked the swans' wings, which shimmered against the still waters. "I used to come here whenever I could to watch them," said Prince Charles. "I'm certain it's been the very same pair of swans for years. When I saw them, I'd feel a little less lonely." "How happy they look," mused Cinderella, watching as the swans took flight, their feet skidding across the pond before they soared into the sky. "Free to come and go as they please.

I want you to meet Jonathan Swift, the author of that evil political book, Gulliver’s Travels! And this other fellow is Charles Darwin, and this one is Schopenhauer, and this one is Einstein, and this one here at my elbow is Mr Albert Schweitzer, a very kind philosopher indeed. Here we all are, Montag. Aristophanes and Mahatma Gandhi and Gautama Buddha and Confucius and Thomas Love Peacock and Thomas Jefferson and Mr Lincoln, if you please. We are also Matthew, Mark, Luke and John.

Three in the morning, thought Charles Halloway, seated on the edge of his bed. Why did the train come at that hour? For, he thought, it’s a special hour. Women never wake then, do they? They sleep the sleep of babes and children. But men in middle age? They know that hour well. Oh God, midnight’s not bad, you wake and go back to sleep, one or two’s not bad, you toss but sleep again. Five or six in the morning, there’s hope, for dawn’s just under the horizon. But three, now, Christ, three A.M. ! Doctors say the body’s at low tide then. The soul is out. The blood moves slow. You’re the nearest to dead you’ll ever be save dying. Sleep is a patch of death, but three in the morn, full wide-eyed staring, is living death! You dream with your eyes open. God, if you had strength to rouse up, you’d slaughter your half-dreams with buckshot! But no, you lie pinned to a deep well-bottom that’s burned dry. The moon rolls by to look at you down there, with its idiot face. It’s a long way back to sunset, a far way on to dawn, so you summon all the fool things of your life, the stupid lovely things done with people known so very well who are now so very dead—And wasn’t it true, had he read it somewhere, more people in hospitals die at 3 A.M. than at any other time . . .?

Beneath that arch of unmoved and eternal lights; some, so remote from this little earth that the learned tell us it is doubtful whether their rays have even yet discovered it, as a point in space where anything is suffered or done: the shadows of the night were broad and black. All through the cold and restless interval, until dawn, they once more whispered in the ears of Mr. Jarvis Lorry — sitting opposite the buried man who had been dug out, and wondering what subtle powers were for ever lost to him, and what were capable of restoration — the old inquiry: “I hope you care to be recalled to life?” And the old answer: “I can’t say.

As I contemplated the silent world before me, I thought of the many romantic ideas attached to blindness. Ideas of unusual sensitivity and genius were evoked by the names of Milton, Blind Lemon Jefferson, Borges, Ray Charles; to lose physical sight, it is thought, is to gain second sight. One door closes and another, greater one, opens. Homer’s blindness, many believe, is a kind of spiritual channel, a shortcut to the gifts of memory and of prophecy. When I was a child in Lagos, there was a blind, wandering bard, a man who was held in the greatest awe for his spiritual gifts. When he sang his songs, he left each person with the feeling that, in hearing him, they had somehow touched the numinous, or been touched by it. Once, in a crowded market at Ojuelegba, sometime in the early eighties, I saw him. It was from quite a distance, but I remember (or imagine that I remember) his large yellow eyes, calcified to a gray color at the pupils, his frightening mien, and the big, dirty mantle he wore. He sang in a plaintive and high-pitched voice, in deep, proverbial Yoruba that was impossible for me to follow. Afterward, I imagined that I had seen something like an aura around him, a spiritual apartness that moved all his hearers to reach into their purses and put something in the bowl his assistant boy carried.

Our faith is a person; the gospel that we have to preach is a person; and go wherever we may, we have something solid and tangible to preach, for our gospel is a person. If you had asked the twelve Apostles in their day, ‘What do you believe in?’ they would not have stopped to go round about with a long sermon, but they would have pointed to their Master and they would have said, ‘We believe him.’ ‘But what are your doctrines?’ ‘There they stand incarnate.’ ‘But what is your practice?’ ‘There stands our practice. He is our example.’ ‘What then do you believe?’ Hear the glorious answer of the Apostle Paul, ‘We preach Christ crucified.’ Our creed, our body of divinity, our whole theology is summed up in the person of Christ Jesus." (Ray Ortlund blog, Christ Is Deeper Still)

Joan [Blondell] had always kept it real, always kept her priorities straight. “I wasn’t that ambitious. I enjoyed a home life more than a theatrical career. I just took what they gave me, because I wanted to get home quickly.” Joan, said one writer, personified everyone’s “good friend,” on- and off-camera. “Of all the stars I have interviewed,” wrote Charles Higham, “I have liked Joan Blondell the best. She is unique in my experience in being an actress who is devoid of ego, self-congratulation and self-pity, and would not dream of quoting a favorable review of herself. She is down-to-earth and human and real. This is almost unheard of in Saran-wrapped Hollywood.” Her accessibility, straightforwardness and her quick-with-a-comeback attitude was her appeal, and it never diminished as she got older.

Then, the night, with the moon and the stars, turned pale and died, and for a little while it seemed as if Creation were delivered over to Death’s dominion. But, the glorious sun, rising, seemed to strike those words, that burden of the night, straight and warm to his heart in its long bright rays. And looking along them, with reverently shaded eyes, a bridge of light appeared to span the air between him and the sun, while the river sparkled under it. The strong tide, so swift, so deep, and certain, was like a congenial friend, in the morning stillness. He walked by the stream, far from the houses, and in the light and warmth of the sun fell asleep on the bank. When he awoke and was afoot again, he lingered there yet a little longer, watching an eddy that turned and turned purposeless, until the stream absorbed it, and carried it on to the sea.—“Like me.

Rebel [Verse 1] I don't give a fuck my brudda, I never have I'm straight from the gutter my brudda, we never had We living on a budget - holes in the rooftop Room full of buckets, it's getting bad Things could be worse I suppose, school trips, school kids Cursing my clothes, is it the same in every house When the curtains are closed? (daydreamin') I'm in a world of my own (I ain't leavin') It must be because I hate my reality That's why I'm on the verge of embracing insanity Put me in a padded room Throw away the key and let me escape the anarchy I can't take it, I turn my back on the world I can't face it, Ray-Ban gang fam Can't see my eyes cause I'm on my dark shades shit (Ray Charles) [Bridge] Black everything, you can ask David Cameron if we're living in the dark ages Black everything, you can ask David Black everything, you can ask David Black everything, you can ask David Cameron if we're living in the dark ages [Hook] (It's a living hell) I'm a rebel Always have been Where I'm come from it's a mad ting (It's a living hell) Standing in my Stan Smiths Stamping on the canvas for action (It's a living hell) All I acquired from the riot Is people are sick and tired of being quiet (It's a living hell) Dying to be heard That's why there's fire in my words [Verse 2] I don't give a fuck my brudda, I never will Straight from the gutter my brudda, rare real We been living life like "fuck it", living life like there's nothing To live for but the money, I'mma keep it 100 The hunger inside is what drives us That's why there's youngers inside who are lifers They say love is blind so you might just Fall in love with them crimes that'll blind us And I'd be lying if I said I wasn't out late Around H, scales out, another ounce weighed More pounds made, sounds great Salts under my tongue, my mouth's laced So many feds chasing me down, the ground shakes Helicopters, bikes and cars chasing So many officers behind, my heart's racing [Bridge] [Hook x2]

The recollection of past pleasure may become pain—’ ‘It does,’ interposed the other. ‘Well; it does. To remember happiness which cannot be restored, is pain, but of a softened kind. Our recollections are unfortunately mingled with much that we deplore, and with many actions which we bitterly repent; still in the most chequered life I firmly think there are so many little rays of sunshine to look back upon, that I do not believe any mortal (unless he had put himself without the pale of hope) would deliberately drain a goblet of the waters of Lethe, if he had it in his power.’ ‘Possibly you are correct in that belief,’ said the grey-haired gentleman after a short reflection. ‘I am inclined to think you are.’ ‘Why, then,’ replied the other, ‘the good in this state of existence preponderates over the bad, let miscalled philosophers tell us what they will. If our affections be tried, our affections are our consolation and comfort; and memory, however sad, is the best and purest link between this world and a better.

longer; it cannot deceive them too much." Madame Defarge looked superciliously at the client, and nodded in confirmation. "As to you," said she, "you would shout and shed tears for anything, if it made a show and a noise. Say! Would you not?" "Truly, madame, I think so. For the moment." "If you were shown a great heap of dolls, and were set upon them to pluck them to pieces and despoil them for your own advantage, you would pick out the richest and gayest. Say! Would you not?" "Truly yes, madame." "Yes. And if you were shown a flock of birds, unable to fly, and were set upon them to strip them of their feathers for your own advantage, you would set upon the birds of the finest feathers; would you not?" "It is true, madame." "You have seen both dolls and birds to-day," said Madame Defarge, with a wave of her hand towards the place where they had last been apparent; "now, go home!" XVI. Still Knitting Madame Defarge and monsieur her husband returned amicably to the bosom of Saint Antoine, while a speck in a blue cap toiled through the darkness, and through the dust, and down the weary miles of avenue by the wayside, slowly tending towards that point of the compass where the chateau of Monsieur the Marquis, now in his grave, listened to the whispering trees. Such ample leisure had the stone faces, now, for listening to the trees and to the fountain, that the few village scarecrows who, in their quest for herbs to eat and fragments of dead stick to burn, strayed within sight of the great stone courtyard and terrace staircase, had it borne in upon their starved fancy that the expression of the faces was altered. A rumour just lived in the village—had a faint and bare existence there, as its people had—that when the knife struck home, the faces changed, from faces of pride to faces of anger and pain; also, that when that dangling figure was hauled up forty feet above the fountain, they changed again, and bore a cruel look of being avenged, which they would henceforth bear for ever. In the stone face over the great window of the bed-chamber where the murder was done, two fine dints were pointed out in the sculptured nose, which everybody recognised, and which nobody had seen of old; and on the scarce occasions when two or three ragged peasants emerged from the crowd to take a hurried peep at Monsieur the Marquis petrified, a skinny finger would not have pointed to it for a minute, before they all started away among the moss and leaves, like the more fortunate hares who could find a living there. Chateau and hut, stone face and dangling figure, the red stain on the stone floor, and the pure water in the village well—thousands of acres of land—a whole province of France—all France itself—lay under the night sky, concentrated into a faint hair-breadth line. So does a whole world, with all its greatnesses and littlenesses, lie in a twinkling star. And as mere human knowledge can split a ray of light and analyse the manner of its composition, so, sublimer intelligences may read in the feeble shining of this earth of ours, every thought and act, every vice and virtue, of every responsible

With houses looking on, on every side, save where a reeking little tunnel of a court gives access to the iron gate--with every villainy of life in action close on death, and every poisonous element of death in action close on life--here they lower our dear brother down a foot or two, here sow him in corruption, to be raised in corruption: an avenging ghost at many a sick-bedside, a shameful testimony to future ages how civilization and barbarism walked this boastful island together. Come night, come darkness, for you cannot come too soon or stay too long by such a place as this! Come, straggling lights into the windows of the ugly houses; and you who do iniquity therein, do it at least with this dread scene shut out! Come, flame of gas, burning so sullenly above the iron gate, on which the poisoned air deposits its witch-ointment slimy to the touch! It is well that you should call to every passerby, "Look here!" With the night comes a slouching figure through the tunnel-court to the outside of the iron gate. It holds the gate with its hands and looks in between the bars, stands looking in for a little while. It then, with an old broom it carries, softly sweeps the step and makes the archway clean. It does so very busily and trimly, looks in again a little while, and so departs. Jo, is it thou? Well, well! Though a rejected witness, who "can't exactly say" what will be done to him in greater hands than men's, thou art not quite in outer darkness. There is something like a distant ray of light in thy muttered reason for this: "He wos wery good to me, he wos!

✓My music had roots which I'd dug up from my own childhood, musical roots buried in the darkest soil. ✓What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man ✓What is a soul? It's like electricity - we don't really know what it is, but it's a force that can light a room ✓There are many spokes on the wheel of life. First, we're here to explore new possibilities. ✓I did it to myself. It wasn't society... it wasn't a pusher, it wasn't being blind or being black or being poor. It was all my doing. ✓What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man. ✓There's nothing written in the Bible, Old or New testament, that says, 'If you believe in Me, you ain't going to have no troubles.' ✓Music to me is like breathing. I don't get tired of breathing, I don't get tired of music. ✓Just because you can't see anything , doesn't mean you should shut your eyes. ✓Don't go backwards - you've already been there. ✓Affluence separates people. Poverty knits 'em together. You got some sugar and I don't; I borrow some of yours. Next month you might not have any flour; well, I'll give you some of mine. ✓Sometimes my dreams are so deep that I dream that I'm dreaming. ✓I don't think any of us really knows why we're here. But I think we're supposed to believe we're here for a purpose. ✓I'd like to think that when I sing a song, I can let you know all about the heartbreak, struggle, lies and kicks in the ass I've gotten over the years for being black and everything else, without actually saying a word about it. ✓.There's nothing written in the Bible, Old or New testament, that says, 'If you believe in Me, you ain't going to have no troubles.' ✓Other arms reach out to me, Other eyes smile tenderly, Still in peaceful dreams I see, The road leads back to you. ✓I can't help what I sound like. What I sound like is what i am. You know? I cannot be anything other that what I am. ✓Music is about the only thing left that people don't fight over. ✓My version of 'Georgia' became the state song of Georgia. That was a big thing for me, man. It really touched me. Here is a state that used to lynch people like me suddenly declaring my version of a song as its state song. That is touching. ✓Absence makes the heart grow fonder and tears are only rain to make love grow. ✓If you can play the blues, you can do anything. ✓I never considered myself part of rock 'n' roll. My stuff was more adult. It was more difficult for teenagers to relate to; my stuff was filled with more despair than anything you'd associate with rock 'n' roll. Since I couldn't see people dancing, I didn't write jitterbugs or twists. I wrote rhythms that moved me. My style requires pure heart singing. ✓It's like Duke Ellington said, there are only two kinds of music - good and bad. And you can tell when something is good. ✓Rhythm and blues used to be called race music. ... This music was going on for years, but nobody paid any attention to it. ✓Crying's always been a way for me to get things out which are buried deep, deep down. When I sing, I often cry. Crying is feeling, and feeling is being human. ✓I cant retire from music any more than I can retire from my liver. Youd have to remove the music from me surgically—like you were taking out my appendix. ✓The words to country songs are very earthy like the blues. They're not as dressed up and the people are very honest and say, 'Look, I miss you darlin', so I went out and got drunk in this bar.' That's the way you say it. Where in Tin Pan Alley they would say, 'Oh I missed you darling, so I went to this restaurant and I sat down and had a dinn

He wanted somebody to give him a chance of asserting himself. He wanted it so urgently that he fidgeted in his chair, looked at this person, then at that person, tried to break into their talk, opened his mouth and shut it again. They were talking about the fishing industry. Why did no one ask him his opinion? What did they know about the fishing industry? Lily Briscoe knew all that. Sitting opposite him, could she not see, as in an X-ray photograph, the ribs and thigh bones of the young man's desire to impress himself, lying dark in the mist of his flesh--that thin mist which convention had laid over his burning desire to break into the conversation? But, she thought, screwing up her Chinese eyes, and remembering how he sneered at women, "can't paint, can't write," why should I help him to relieve himself? There is a code of behaviour, she knew, whose seventh article (it may be) says that on occasions of this sort it behoves the woman, whatever her own occupation might be, to go to the help of the young man opposite so that he may expose and relieve the thigh bones, the ribs, of his vanity, of his urgent desire to assert himself; as indeed it is their duty, she reflected, in her old maidenly fairness, to help us, suppose the Tube97 were to burst into flames. Then, she thought, I should certainly expect Mr. Tansley to get me out. But how would it be, she thought, if neither of us did either of these things? So she sat there 96 Cheated or frustrated himself. 97 The London subway. 64 smiling. "You're not planning to go to the Lighthouse, are you, Lily," said Mrs. Ramsay. "Remember poor Mr. Langley; he had been round the world dozens of times, but he told me he never suffered as he did when my husband took him there. Are you a good sailor, Mr. Tansley?" she asked. Mr. Tansley raised a hammer: swung it high in air; but realising, as it descended, that he could not smite that butterfly with such an instrument as this, said only that he had never been sick in his life. But in that one sentence lay compact, like gunpowder, that his grandfather was a fisherman; his father a chemist; that he had worked his way up entirely himself; that he was proud of it; that he was Charles Tansley--a fact that nobody there seemed to realise; but one of these days every single person would know it. He scowled ahead of him. He could almost pity these mild cultivated people, who would be blown sky high, like bales of wool and barrels of apples, one of these days by the gunpowder that was in him. "Will you take me, Mr. Tansley?" said Lily, quickly, kindly, for, of course, if Mrs. Ramsay said to her, as in effect she did, "I am drowning, my dear, in seas of fire. Unless you apply some balm to the anguish of this hour and say something nice to that young man there, life will run upon the rocks--indeed I hear the grating and the growling at this minute. My nerves are taut as fiddle strings. Another touch and they will snap"--when Mrs. Ramsay said all this, as the glance in her eyes said it, of course for the hundred and fiftieth time Lily Briscoe had to renounce the experiment--what happens if one is not nice to that young man there--and be nice.

Here Comes the Sun” – I like the version by Richie Havens “Be the Change” – MC Yogi “Oh, What a Beautiful Morning” – Ray Charles “Internal Heights” – Trevor Hall “Bright Side of the Road” – Van Morrison “We Let it Be” – Rickie Byars Beckwith “Safe, Secure, Peaceful, Satisfied” – Bukeka Shoals “Get Together” – The Youngbloods “Born Free” – Kid Rock “Don’t Stop” – Fleetwood Mac “Firework” – Katy Perry “Hope” – Shaggy “I Feel Fine” – The Beatles “Take It Any Way You Want It” – The Outlaws “Hold On Tight” – ELO “Imagine the Impossible” – Zapped “Roll with It” – Steve Winwood “Walking on Sunshine” – Katrina & The Waves “Hold On” – Wilson Phillips “Accentuate the Positive” – The Sunnysiders “I Just Want to Celebrate” – Rare Earth

One way to neutralize the impact of a faithful church is to allow a spirit of improper self-doubt. Charles Haddon Spurgeon says: 'Oh, 'tis terribly and solemnly true, that of all sinners, some sanctuary sinners are the worst. Those who can dive deepest into sin, and have the most quiet consciences and hardest hearts, are some who are to be found in God's house.' When such people stir up controversy within a church, some well-meaning person often complicates the difficulty by saying, 'But in every conflict, there is always wrong on both sides.' Really? In many conflicts, yes. But in every conflict? That is not what the Bible says.

Death ray, fiddlesticks! Why, it doesn't even slow them up!

That rough-looking diamond is put upon the wheel of the lapidary. He cuts it on all sides. It loses much--much that seemed costly to itself. The king is crowned; the diadem is put upon the monarch's head with trumpet's joyful sound. A glittering ray flashes from that coronet, and it beams from that very diamond which was just now so sorely vexed by the lapidary. You may venture to compare yourself to such a diamond, for you are one of God's people; and this is the time of the cutting process. Let faith and patience have their perfect work, for in the day when the crown shall be set upon the head of the King, Eternal, Immortal, Invisible, one ray of glory shall stream from you. "They shall be mine," saith the Lord, "in the day when I make up my jewels." "Better is the end of a thing than the beginning thereof.

He feels from Juda’s land       The dreaded Infant’s hand;     The rays of Bethlehem blind his dusky eyn;       Nor all the gods beside       Longer dare abide,   Not Typhon huge ending in snaky twine:   Our Babe, to show his Godhead true,   Can in his swaddling bands control the damnèd crew.  

The sun was shining, but Christ had hidden Himself, and all the world was black to you; or it was night, and since the bright and morning star was gone, no other star could yield you so much as a ray of light. What a howling wilderness is this world without our Lord! If once He hideth Himself from us, withered are the flowers of our garden; our pleasant fruits decay; the birds suspend their songs, and a tempest overturns our hopes.

Wolf: Bounty Hunter

Not one drop of my self-worth depends on your acceptance of me

How inexpressibly thankful do I feel now for the sustaining grace which upheld me, and enabled me to testify to them [pastors who received books from her] from my own experience, that every promise of God holds true, and that even in the depths of sorrow and darkness, His light shines round about those who put their trust in Him!12

Success is on the other side of Struggle.

thing. I had the greatest respect for

taken to

Having people feel sorry for you wasn’t the way to get along in this world.

Many of the most accomplished people of our era were considered by experts to have no future. Jackson Pollock, Marcel Proust, Elvis Presley, Ray Charles, Lucille Ball, and Charles Darwin were all thought to have little potential for their chosen fields. And in some of these cases, it may well have been true that they did not stand out from the crowd early on.